Semi-hollow, slim, and designed with a comfortable ‘C’ shape exterior, the D’Angelico EX-DC Standard is a high-price electric guitar with professional grade features. Creating a more natural tone that delivers an organic quality to its sound, the Standard guitar uses Kent Armstrong Vintage humbuckers for a focused sound free of excess reverberation. The Super-Rotomatic tuners maintain their tuning accuracy for a longer time, due in part to the turning radius within the design. Strings remain at a comfortable tension due to the unique Stairstep tailpiece, creating both a strong resonant sound and assured sturdiness. A semi-hollow body designed with maple on the top and back, other features include a 3-way toggle that provides two modes of volume as well as two separate tones. Meant for use throughout various genres of music, the EX-DC Standard is an electric guitar to please the masses.

Just so you know, if you’re not a big fan of black electric guitars, Davisson has rolled out several colors like blue, vintage sunburst, red and pink for you to choose from. My choice was classic black, though! Now, my first impression of the 39” guitar as I unpacked it, was of sheer wonder. I mean, it was really tough to visualize the sturdy construction in terms of the menial cost. Of course there are letdowns, such as the body that is made of basswood instead of maple (that is used in premium guitars), which gives you sort of a mediocre feel. Even the material used for crafting the chrome bridge, humbucker pickup, pickguard and strings, is pretty average. But if you look at the overall feel, design and ergonomics, this model definitely deserves a round of applause!


We have arrived at the bottom of this extremely detailed buying guide and recommended guitar reviews. If you have made it here, congrats, you are officially a guitar know-it-all. Of course, the world of electric guitars is huge and there is still a lot to learn if you want to know more. But these are the basics. If you know these, you will be able to confidently pick the best electric guitars for yourself and be proud of it.
Along with the Dobro name, OMI was acquired by the Gibson Guitar Corporation in 1993. They renamed the company Original Acoustic Instruments and moved production to Nashville. Gibson now uses the name Dobro only for models with the inverted-cone design used originally by the Dobro Manufacturing Company. Gibson also manufactures biscuit-style single-resonator guitars, but it sells them under names such as Hound Dog andEpiphone. The Dobro was first introduced to country music by Roy Acuff.
Squier has now seen fit to introduce Fender's revered '72 Thinline to its own range, and it looks the business, with white pearloid scratchplate, finely carved f-hole and Fender- embossed humbuckers. While you'll find the gloss-finished modern C neck across much of Squier's Vintage Modified range, you're unlikely to find tones quite like the Thinline's anywhere else, certainly at this price. Cleans from the neck and middle positions are punchy and persuasive, not dissimilar to fat P-90-ish single coils, but flicking over to the bridge humbucker yields a burly, resonant voice that screams for big open chords and an overdriven valve amp. That's why it's one of the best electric guitars for Indie and alt-rock players.
In any given field there are a handful of companies that rise above the others. This is true whether you are talking about cars or golf clubs or chainsaws, and of course it is true if you are talking about electric guitars. Some brands have proven themselves as the best of the best. They’ve created the most legendary instruments in music history. If you are looking for a new guitar, one of these companies is a smart place to start.
The RG (Roadstar) is one of the most famous Superstrat guitars on the market and remains a hugely popular model in all price categories. However, they also produce other collections such as the streamlined S Series (standing for ‘Saber’) and the relaxed Talman collection. Also look out for the Iceman – an edgy original Ibanez design, famously used by Paul Stanley from Kiss.

The chord below (an Am) is going to be used for demonstration. Firstly, you'll notice the name of the chord labeled up the top. Next you'll see a "grid" below it. This grid represents your guitar fretboard. The 6 lines running downwards represent the six strings on your guitar with the fattest and lowest sounding string on the left hand side. The horizontal lines represent the frets on your guitar neck. The top line is the top of the neck.
Have you ever tried PRS acoustics before? They come with their SE line, and are fantastic quality guitars for the price. And their American acoustics are built by a small team of acoustic professionals. They only do "private stock" American acoustics now, but they used to have it as a regular lineup with about the same price tag as their custom 24. I've only ever heard them in video, but they sound amazing, and I've only ever heard good things about them. I would argue that PRS should have made that top 10 acoustic list at least over Fender or Epiphone.
Here is s very nice 1976 Takamine F375s from the laswsuit era with the Headstock shape and logo style font replica of a Martin D-35 Exotic Brazilian rosewood guitar from 1962, An amazing likeness in looks obviously and she sounds sooooo sweet the 40+ years since she was built back in 1976 at the time of this build it has been said that Takamine had used aged woods of at least 20 years aging prior to its construction... this guitar has been extremely well cared for and it has barely a few scratches that will be sort of hard to find, the structural integrity of this guitar is excellent its neck set is excellent as is its action is low and as a result this guitar plays amazingly with no buzz smooth action and a pleasure to play. Frets have been lightly dressed and are nice too. Neck width is 1-11/16ths at the nut with a medium profile it feels like an old Martin to just perfect. It has been set up with a Martin bone nut & saddles set as well as new Martin 80/20 strings set she sings loud and sweet a pleasure to play with rich encouraging tone. This guitar is straight as can be with no cracks or separation on its body or neck with the only exception being its Solid Sitka Spruce top has 2 fine hairline cracks in the top and they do not go threw to the back side and are insignificant and have been properly sealed and buffed and you can not see them until the closest inspection, they are not progressing and have been stabilized professionally years ago. Other that the hairlines you cant see its near mint otherwise overall condition give this a very good to -excellent vintage used condition rating and a great choice fot the lover of these great exotic Brazilian Rosewood guitars, Japan does offer these Exotic Jacaranda Brazilian rosewood bodied guitars today but note they do not come with the OLD school Martin Headstocks or the old style Script logo they have the modern headstock Takamine design and logo oh ya a $4500-6000 price tag as well. You will find that this beautiful Rare guitar is a Bargain priced gem and should be played tonight as it is Ready to tour or Record tonight! .
This guitar is awesome. If you are on the fence, get off and buy it. It's beautiful and sounds awesome. I'd give it 10 stars if I could. The tone is so much better than my old acoustic. All mahogany I love it. Looking forward to years of getting better with this beauty. I have zero negative to say. Had it a few months have played everyday. I hate to leave it to go to work. Wish I had all day to play it.
I was a guitarist for almost 18 years now I am a session musician. For me choosing the best string gauge is one of the most important things a guitarist should know. During those early years our band tends to play on Heavy metal music and if you are using those lighter string gauge its ineffective for those kind of genres. So at that point I have been using .011 or .013 string gauges to gain fat tones and huge sustain. But however as years goes by we tend to play lighter music so I am using .09 and .010 string gauges. For me using those heavier strings for a long time will cause damage in your wrist, after acquiring a carpal tunnel syndrome I have used lighter strings in my guitar.
Free to use schematics to get started can be had from the web but remember, if you are going to use someone else’s work, either completely or as a starting point for your own design, check first to see what copyright and any other terms are associated with it. If it’s not clear, ask first. There are plenty of open source designs available to use, but schematics, like other written works are covered by copyright law so check you have permission before using them.
This is a no brainer, but a value that must be considered before any purchase no less. As mentioned above, your abilities on the instrument will likely affect the price range you’re looking at, which may have an effect on the brands you shop within as a consequence. For instance, if you’re not looking to buy a high end guitar, you probably won’t even bother testing out a Gibson, as their guitars will likely be out of your range. The reverse is true as well, an experienced player on the market for high end tone probably won’t be satisfied by many of Yamaha’s offerings.

Unlike fuzz and distortion pedals, booster effects typically are engineered to boost the signal reaching the amp without adding coloration. Some booster pedals do slightly fatten the tone of the guitar by overdriving the preamp stage of the amplifier. They can be very useful in getting your amp to break up and produce musical-sounding distortion at lower volume levels as well as adding clarity to your solo riffs. A booster pedal can become an essential part of your rig when you have more than four effects in your signal chain or 18 feet or more of cabling between your instrument and amp.
In 1978 the Les Paul Pro Deluxe was introduced. This guitar featured P-90 pickups instead of the “mini-humbuckers” of the Deluxe model, an ebony fingerboard, maple neck, mahogany body and chrome hardware. It came in Ebony, Cherry Sunburst, Tobacco Sunburst or Gold finishes. Interestingly, it was first launched in Europe, rather than the US. It was discontinued in 1983.

My visit to NAMM showed me that we’d definitely find at least a couple of good beginner’s amps for less than $100, so we decided to make that our price ceiling for this test. That’s enough to buy an amp loud enough to play with a small combo, compact enough to fit easily into a small bedroom, and light enough for kids to carry. Beginners don’t need more than that. And when you consider that most people who take up a musical instrument don’t stick with it long, it’s wise to limit the expenditure until one really needs a larger or more fully featured amp.

The previously discussed I-IV-V chord progressions of major triads is a subsequence of the circle progression, which ascends by perfect fourths and descends by perfect fifths: Perfect fifths and perfect fourths are inverse intervals, because one reaches the same pitch class by either ascending by a perfect fourth (five semitones) or descending by a perfect fifth (seven semitones). For example, the jazz standard Autumn Leaves contains the iv7-VII7-VIM7-iiø7-i circle-of-fifths chord-progression;[80] its sevenths occur in the tertian harmonization in sevenths of the minor scale.[81] Other subsequences of the fifths-circle chord-progression are used in music. In particular, the ii-V-I progression is the most important chord progression in jazz music.
Our fretwork is one of the things we are most proud of. We go to the extreme to make sure that your guitar is going to play the best it can. The fingerboard is planed under tension. The fretting process is done with epoxy fretting. We use a special blend of epoxy that makes re-fretting very easy without messing up your fingerboard. This process is used for multiple reasons. One of the advantages to this type of fretting is that you lose the hollow gaps under the fret that you find with the traditional way of fretting. In traditional fretting, with each fret you put on, it is like driving a wedge into the fingerboard, which causes back tension on the neck. With epoxy fretting, all of these issues are eliminated. The epoxy under the frets helps to transfer string vibration throughout the neck to the body, and relieves all stress and tension on the neck that occurs with traditional fretting. This results in a stress-free neck, which allows the truss rod to work properly and to adjust the neck accurately.
While the number of effects may not be as many compared to recent releases, others don't have the same deep control and sound quality that the GT-100 provides. Speaking of control, instead of merely choosing your preferred amp, this processor lets you custom build your virtual amp and cabinet, an interesting feature that allows for even more freedom in crafting your own tones. Another feature that users are fond of is the ability to assign effects into its many footswitches, making the unit behave much like a regular pedalboard. Other notable features include polyphonic tuning and USB recording.
Hello, Our rhythm guitarist had a 12- string Mark X11 guitar by Vox back in 1967. It had a protective back pad ( 8 sided) on the back that snapped on. It was only made from 1964 - 1967. In mint shape, the Italian made one is worth at least $1,000.00 and the Engish made one is worth at least $1,500.00. Remember that is for a Mint shape guitar.(Info from Blue Book of Electric guitars -7th Edition 1999) You can see our guitarists sunburst Vox Mark X11 at Myfirstband.com ,click on Indiana -(SOS) Society of Sound page. There is a group shot and a close up in color of him with it. Peace........Rockin Rory in Indiana
i personally like epiphone/gibsonn a lot. if you are searching to BUY an electric guitar then you should go for your preference. go to guitar center, and play some guitars. find one that feels good to you. remember, the strings in there have been used a million times, so don't make that a factor. feel the guitar. along the sides of the neck, are the frets sticking off the neck a little? making it rough? its all about your preference. also it depends on what style you play blues is definatly Les Paul rock, probably an SG country, probably fender, i don't know much about that genre bluegrass type music is probably a hollow body electric.

Speaking of versatility, pedals aren't the only type of multi effects units that you'll find here. There are also rack-mounted models like the Rocktron VooDu Valve Online Guitar Multi Effects Processor and the Line 6 POD HD PRO X Guitar Multi Effects. Looking for a case to store your multi effects pedal when it's time to pack up after the show? Check out the Gator G-MULTIFX - Medium Guitar Effects Pedal Bag and the Boss BOSS Bag L2 for starters. There's lots to see here, and it's worth taking the time to have a close look!
Strumming Patterns: Not surprisingly, light distortion works great for strumming patterns, since it’s an effect without any timing or repeating issues.Chords: Depending on where the chords are being played, light distortion can work for swells and ringing chords.Short Arpeggios: This isn’t a place where you will hear a lot of distortion utilized. In some cases it can work, but it’s not a hallmark tactic.Quick Solos: If you’re dealing with a louder bridge solo, light distortion will often be coupled with another effect (delay, tremolo, chorus, etc.) to give it that extra boost.
In general, this measurement is taken by measuring the distance between the bottom of the string and the top of the 6th fret while holding the string down at the 12th fret and the first fret. This is where the capo comes in handy - put it on the first fret so your hand is free to take the measurement. Using a feeler gauge of the desired height, in this example, 0.010, hold the low E string down at the 12th fret (with the capo on the first fret), and measure the distance between the top of the 6th fret and the bottom of the low E string. If the distance is greater than the desired relief, then you need to turn the truss rod clockwise (towards your right) as you're looking down the headstock towards the body of the guitar. If the distance is less than the desired amount, then you need to turn the truss rod counter-clockwise (towards your left) as you're looking down the headstock towards the body of the guitar. The basic rule is:
The components are adequate. The electronics are good, have good tolerances, but the off board components are cheap and flimsy. The hardware is quite good, especially the enclosure. The PCB is well designed and well labeled. The big problem is that the layout instructions are quite poor and mislabeled in a number of places. There is no bill of materials so the components can be quite difficult to distinguish even when they're labeled. Additionally, product only includes one color of wire and does not include digital instructions as indicated in the product description.
Larrivee is much 'closer to home' and have been operating out of California since 2011. Although you can buy their instruments from Guitar Center and Amazon, and I personally like what I've read about their approach to lutherie, they didn't quite score high enough to make the final cut due to the method I used having a bit of a bias toward wide availability - I may rethink the approach if I revisit this topic.
Being a sub-brand of Gibson, it is Epiphone's task to get the Les Paul design out to as many hands as possible, and they did just that with many various iterations of the classic single cutaway design. For this list, we chose Epiphone's tribute to Les Paul, who incidentally also worked with the company in the late 30's, which is a bit in the mid-tier price, but worth every penny.

Once again we traverse the extremities of guitar body sizes; from the sleek parlour shapes to the rather obviously named jumbo sized acoustics. If dreadnoughts are the poster-boys, and parlours the waif-like supermodels, then jumbo acoustics are the plus-size, brash, loud ones who just want to have fun. You’ll probably have seen jumbo-sized acoustics in the hands of Noel Gallagher or Bob Dylan, and the benefits here are measured in sheer volume. With all that extra wood, there’s more room for the sound to reverberate around the body, resulting in a big, bold sound which simply can’t be recreated from a smaller bodied guitar.
We’ve already shown you how you will sometimes want more than one mic on your amp to achieve ideal sound in your tracks. Many semi-distant and ambient techniques will be most useful, along with a close mic, but on a separate track, to retain the option of blending a more-direct tone to create your overall sonic picture. Any single-mic positions discussed thus far can be combined into multi-mic sounds in the mix when recorded to different tracks. There are also several other approaches to multi-miking that might come in handy now and then, and which are worth some exploration.

Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Top Wood: Basswood (Tilia, Linden, Lime) - Neck Wood: Maple - Neck Construction: 1 Piece - Fingerboard: Rosewood - Frets: 24 - Inlay: Custom - # of Strings: 6 - Headstock: 6 In-Line, Reverse - Bridge: Tremolo - Cutaway: Double - Hardware: Black - Pickup Configuration: S-H - Guitar Features: Pickguard - String Instrument Finish: Five Alarm Red, Desert Sun Yellow, Magenta, Black, White


Through the late 1960s, Westheimer offered a wide range of Kingston instruments including electric basses and hollowbodies (and even amplifiers). By the mid-1970s, it was becoming increasingly expensive to build guitars in Japan, so Westheimer shifted production to Korea by building a factory there, which became Cort. Kingston guitars existed in one form or another through the 1970s and even in the early 1980s, but Westheimer was finding great success building budget and entry-level guitars in his Cort factory for big U.S. guitar companies such as Kramer, B.C. Rich, and Epiphone.
This is another best budget electric guitar from Epiphone. It is also a great choice for a beginner and it is quite lightweight to carry. For an inexpensive guitar, this one has a pretty good sound and tone. Despite being low priced, the manufacturer has not compromised in its quality. The cherry red color is really attractive and appealing and can help you to boost up your smart personality as a guitarist. This is closer in look to the iconic rock guitars.

For years, Schecter has provided a nice counterpoint to the various Les Paul and Strat look-a-likes on the market (many of which are very good) at an affordable pricepoint. As my local guitar shop owner once said, for the money, they might make the best all around guitar south of $1,000. You can spend more than that, but the point is, they don’t skimp downrange.
For a more neutral experience, we bring you ESP E-II Horizon FR. This is one of ESP’s top tier models which packs a set of high output Seymour Duncans. Build quality is top notch, and so is the performance. We tested this guitar some time ago, with a number of us having the chance to play it for several days. Anyone who picked it up was in love it at the end of the day. It’s just that good.

You've come to the right place.  We offer a wide range of vintage and used guitars and basses including a great selection of Fender instruments.   We're guitar players who recognize and appreciate how important Fender has been to the evolution of Rock and Roll.  Please browse our web site, give us a call or visit our Chicago show room.  We're constantly searching for Fender guitars, new gear is arriving daily and they often sells before we have a chance to list them on our web site.  


Over the years, Muddy has famously criticized EM, but around the time of its release, he seemed to have a different attitude. Blues fans claim he always hated it but the following proves otherwise. Six months after EM, the same line-up reassembled and recorded a sequel called After The Rain (1969) that still has distortion on it but isn't as overtly psychedelic. If Muddy hadn't liked EM, he would have had enough say at Chess to dismiss a follow-up, but instead he went along with it. In fact, Pete Cosey says "I'll never forget as soon as I walked into the studio for the follow-up and Muddy saw me he threw his arms around me and said ‘Hey, how you doing, boy, play some of that stuff you played on the last album." After The Rain's songs alternate between Chicago blues and distorted guitar tracks. There's a marked difference on After The Rain with Paul Oscher (harmonica) and Otis Spann (piano) from Muddy's old band joining in and Muddy playing lead guitar on several tracks. On the Chicago blues tracks, more prominent bass and drums put the music into a rock setting, but it's Muddy's slide guitar playing that highlights them. Muddy really let's loose with some striking, tenseful slide work on tracks like "Honey Bee," "Rollin and Tumblin" and "Blues and Trouble" that just send a chill through your bones. On the other side of the album, the guitar on "Ramblin Mind" lashes and cries out in dense fuzz while on "Bottom of the Sea," the fuzzy leads seem to hang in the air along with an innovative bowed bass and harmonious organ in the background (the bowed bass is also used on the record on "I am The Blues").
Tube amp distortion is created when tubes are overdriven by receiving more juice than they can handle, thus causing the signal break up. Tube-driven amplifiers are still in demand by seasoned players because of the warm, musical tones they create, and some distortion-type effects use actual tubes to replicate that sound. But most distortion effects are produced either through analog solid-state circuitry or digitally.
The JX44 Air Control™ allows up to four guitars and six amps to be used at once, as well as a built-in Radial DI, an SGI interface for longer cable runs, and an X-Amp to make the reamping process incredibly efficient. No wonder it won the Music Players ‘Wish I Had One’ award! Pair it with a Headbone amp head switcher and the JDX 48 for the ultimate in control and consistent tone night after night.
Normal people define cool as laid-back, excellent or highly skilled, but most guitarists define cool as Jimmy Page circa 1975 in a black velvet bellbottom suit decorated with embroidered dragons, playing a Les Paul slung down to his knees. As the musical mastermind behind Led Zeppelin, one of the greatest rock bands of all time, Page elevated the guitar riff to an art form, crafting orchestrated overdubbed parts that bludgeoned listeners like the hammer of the gods.
Okay so the pictures of the guy in white sneakers are super dumb- but the book IS very helpful for a beginner; It comes with small stickers to place underneath the strings to practice fingering per different color stickers numbered 1-5 indicating 1st, second, third... fingering- you get the idea; I wrote on the stickers the letter of each note so I wouldn't have to remember which colors indicated which notes; and the stickers come off clean with no residue; this is just an added bonus- b/c I initially bought this book over others- b/c it shows pictures of a players' hand with fingers on the correct frets along with the actual chart; Personally, it is much easier for me to look at a picture of someone playing the note rather than a chart with dots.And as I said the stickers make it a breeze- I don't have to look down every time I want to play a note to see if my fingers are in the right place. Also the book comes with a pic and a full length poster labeled "notes and scales" to refer to for all of the notes.I haven't really read through the book- I'm a scimmer anyway- and the first chapter is all about positioning and tuning- which I already know; But if you are a visual learner- and have had trouble in the past- get this book to start with; It's definitely learn at your own pace- and doesn't remind me of a boring text book- other authors should be as innovative;

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Traditional sets can sometimes feature vastly different tensions between strings, causing players to compensate with altered techniques. New York string icon D’Addario set out to even the playing field with its Balanced Tension XL sets, which boast mathematically equalised resistance for a similar feel from string to string. That means even effort when bending, strumming, plucking and slapping, and even improved dynamic control.

At some point, I'm guessing near the end of the Buegeleisen & Jacobson ownership-era, a few hollow and semi-hollow body guitars were sold. They shared some of the hardware and necks of the 7-800 series guitars but had symmetrical bodies and no tilted pickup. The bodies resembled the Gibson ES-335 and ES-175T. They appeared to be equiped with humbucking pickups. I'm not following those, but I'd love to have that 175T copy. See the very end of the Varieties page for some photos.
What is it about the Japanese and the Ventures? I mean, I cut my teeth with the Ventures. They were the perfect band to learn guitar from. The Ventures took songs with often complex harmonic structures—like the wonderful Johnny Smith classic—and stripped them down to their basic melodies, gave them a simple rock groove, and played them clean. I had the sheet music to Smith’s song, but there was no way in you know where I was gong to play off that. But follow along with the Ventures’ single? You bet!
Finally, vintage gear tends to display more variation from unit to unit relative to modern gear. Fifty years ago the technician winding pickups might have been distracted and left the pickup on the winding machine a little longer then normal, resulting in a coil with extra windings of wire and a hotter output. Modern standardization is usually a good thing-you’re less likely to encounter unwanted surprises. On the other hand, the relatively casual standards of the past sometimes resulted in happy accidents.
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At the end of the day, this is obviously far from a perfect example, but this is an extremely hard-to-find factory left-handed 1958 Gretsch Duo-Jet, and provides a very rare opportunity for the vintage guitar collector, lefty or righty! I have seen far fewer left handed 50s Gretsch guitars as compared to Fender, Gibson, and even Martin over the years. Lefty 50s Gretsch guitars are insanely rare, especially in the Duo Jet model!
A rivalry sprang up between Fender and Gibson, creating some of the solid-body electrics most coveted by musicians and collectors, including the 1952 Gibson “Les Paul” model with a curved top and a combination bridge-tailpiece (the guitar was designed primarily by McCarty, with input by the famous guitarist who endorsed it), the 1954 Fender Stratocaster, and a 1958 version of the Gibson Les Paul with a new “humbucking” pickup that transmitted less background interference from electrical equipment.
Technically the knobs are just the parts you turn when adjusting your volume or sound. When you remove the knobs however you are left with the pots (potentiometers) which are used for both volume and tone control. They look identical and almost are but there are differences in the way a volume pot and a tone pot is wired, which will make more sense by the end of this article.
Well, to be more specific, we're talking about Twin Reverbs made between 1965 and 1967. Throughout the decades, these sought-after tone machines have turned up in the rigs of countless guitarists, including Stevie Ray Vaughan—who used a mid-Sixties 85-watt blackface model during his 1985 tour of Japan—Steve Howe, Johnny Marr, Jack White and Dweezil Zappa. The Fender Twin Reverb is considered a standard model for players seeking a clean sound, and it is especially known for the quality of its built-in spring reverb.
Chabot Guitars - Paul Chabot used to offer quality hand made Classical guitars (Colorado, USA) "Paul first apprenticed und er guitar maker / repairman Robert Buchanan, where he became familiar with the aspects of guitar repair, and guitar refinishing. Furthering his ability and knowledge, Paul attended Roberto-Venn School of Luthiery where he learned the basics of wood, instrument design and guitar making. Not long after graduating from Roberto-Venn, Paul was fortunate enough to apprentice under world renowned Master guitar maker Augustino Lo Prinzi. Through Augustino Lo Prinzi, Paul was able to learn some of the most proven methods and advanced techni ques of fine guitar making."

• Them Changes: Since the strings on acoustic guitars play a much more important role in projecting volume and clarity than strings on an amplified electric guitar, considering changing acoustic guitar strings often to keep an instrument sounding its best. Remember to wipe down the strings after playing and check for string damaging fret wear. Both can prematurely end a guitar string’s life.
Telecaster is the original solid body guitar. Ever since this iconic model has only grown in popularity. This Tele we look it at here is a bit different. It comes packing an H/S/S pickup configuration, which you don’t see that often on these guitars. With that said, it feels and sounds awesome. I had it setup with a vintage Marshall Plexi and the sound was just impressive. There’s definitely more tonal range than you get in a standard Telecaster.
The first “production” electrics were made by Stromberg-Voisinet in Chicago in 1928 under the direction of Henry Kay “Hank” Kuhrmeyer, soon to be president of the company which would shortly be renamed the Kay Musical Instrument Company. S-V developed the first commercially viable (more or less) pickup and amplifier. The pickup – we’ve yet to see one so an accurate description is impossible at this point in time – was probably a quasi-transducer which probably adapted phono cartridge or telephone receiver technology. It was placed on S-V’s two-pointed Venetian-shaped acoustic guitars and was greeted with great ballyhoo in the music trade press. The amp was produced before the development of preamp tubes, and was undoubtedly very primitive (there is no mention of even volume controls), and probably not particularly loud (though, of course, listeners had nothing to compare). Apparently, the reality didn’t live up to the hype, because Kuhrmeyer later suggested than only a few hundred of these guitars were actually made, and mention of them evaporates after 1928, likely done in by a combination of lack of performance and the upcoming Great Depression, which descended in 1929.
Softer Delays: I'll usually have at least a couple of delays as auxiliary effects in a rock or pop mix, but I often find that bringing the general level of the delay as high as I want it makes any transients stand out too much. When I'm sending single notes on a clean electric guitar to a delay line, say, I tend to want to hear a wash of sound, not the rhythmic 'CHA-Cha-cha-cha-cha' of a repeated note attack. For this reason, I'll often put a gate or expander before a delay, with an attack time set to 10ms or so. This is enough to 'chop off' any abrupt transients, and makes the delay sound much smoother. Sam Inglis
Martin began with a 000-size guitar, which had 12 frets clear of the body. They rejected the 27" scale idea, as this would have been impractical since the high string tension on a guitar would have made the instrument hard to play. Instead they used a 25.4" scale length. To accommodate Bechtel's request for 15 frets clear of the body, they squared the body's shoulders to add 1 5/16" to the clear part of the fingerboard. This allowed 14 frets clear of the body. Since they felt aesthetically the bridge should remain halfway between the center of the soundhole and the endblock, there really was no way to make the guitar have 15 frets clear. The bottom bout was reshaped slightly to match the new shape of the upper bout (note when the 000 went to 14 frets in 1934 it retained this initial OM body shape).
Beside learning the basics, avoiding modeling amps and multi-effect pedals in the beginning will allow you to focus on the few basic effects every guitarist needs along the way – Reverb, Chorus, Delay and Compressor. Reverb is a must, and most amps have onboard reverb effects. Once you begin to get the hang of playing guitar and wrap your head around those basic effects you can branch out to other effects and modeling amps.
In addition to guitars, Gibson offers consumer electronics through its subsidiaries Gibson Innovations (Philips brand), TEAC Corporation (TEAC and Esoteric brands), Onkyo Corporation (Onkyo and Pioneer brands), Cerwin Vega and Stanton,[6] as well as professional audio equipment from KRK Systems, pianos from their wholly owned subsidiary Baldwin Piano, and music software from Cakewalk. (See section #Instruments)
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This thing has taken quite a rap from what I've seen. People griping about it not being as good as the previous model. I don't know much about the other model, I didn't have one. So, I'm unbiased. I've had tons of peddles, singles and multi fx. I absolutely love this! I've been playing for over 20 years on stage. I'm a worship leader at a big Church. This is great for replacing my single peddles. I thought it was very comparable in sound. I use it through an American Peavey classic 30 with an English Celestian speaker. It rocks, period. I think the sound quality is great. I don't need tons of options. I hate too many. I like have the excellent fewer options. They are great! I love how easy it is, I had it figured out right away. I've used both. On stage and studio. This is ... full review
Another way of categorizing bass equipment manufacturers is by which part of the market they are targeting. While Peavey and Yorkville products are aimed at the generalist mass market, some bass equipment manufacturers, such as Acoustic Image or Walter Woods make expensive "boutique" equipment that is aimed at a niche market within the professional musician market. Acoustic Image amplifiers and speaker cabinets tend to be used by professional acoustic folk and jazz musicians, and Walter Woods amplifiers are associated with professional acoustic jazz bass players.

One of the most important attributes of boost pedals is their transparency. In other words, they need to able to boost the signal without changing the signal itself. As easy as it sounds, achieving good transparency is pretty hard and not many pedals are capable of doing so. With that said, a good booster pedal is a pretty powerful tool in the right hands.
In Vietnam, electric guitars are often used as an instrument in cải lương music (traditional southern Vietnamese folk opera), sometimes as a substitute for certain traditional stringed instruments like the Đàn nguyệt (two-stringed lute) when they are not available. Electric guitars used in cải lương are played in finger vibrato (string bending), with no amplifiers or sound effects.
Body tops are optional. If you're just starting out, you should either skip this option, or choose the veneer top that appeals to you most. We offer veneer tops (paper-thin layer of wood) and cap tops (thick layer of wood). Most people will add a top to their instrument because of the top’s naturally beautiful appearance. Some people will add a top to their guitar because it can affect the overall sound of the instrument, too (only applies to cap tops, not veneers).

Just SOLD OUT: here is a great sounding wonderful 43 year old Vintage Japanese OOO guitar in excellent vintage condition. We have already set her up with our Martin Bone Nut & Compensated Saddle and action is dialed in to Martin specs. We also upgraded the original plastic bridge Pins to SOLID Ebony with Abalone dot with brass ring and of course a new set of Martin Strings 80/20 Bronze 12's.. and this guitar Sounds like a true vintage classic if not familiar with the Morris brand thats ok many are not, I have know of these for 2 decades now many of these were made in the Terada factory in Japan... another name you may not have heard of none the less they are know to make the highest end guitars in Japan in those days and also today, for makers like Ibanez virtually all of their top end guitars like Musicians - Artists - George benson GB line and the old Aria L-5's and Ibanez L-5's and many others continuing on today in that great Custom Shop tradition. This is one of them and is very well constructed with top workmanship and fit and finish build quality is comparable to a Martin- Taylor_Gibson and so on... that is to say no worries this guitar Morris has an excellent pedigree. Guitars of great playability and great sounding what more do you need?.... This guitar was built from wods aged at least 20 years at time of build that was over 40 years ago and just look at its condition to this day... it has truly stood the test of time. See for yourself... it this price range a wonderful classic 000 style Japanese true Vintage guitar in its own right. Great Value and great fun Japanese vintage collectible. For a song. .

Read Full Review Here is another superstrat design electric guitar on the list that is well recommended for a budding guitarist. While for veteran player’s out there who is on a hunt of buying an all around electric guitar on a minimum prescribe budget. The ESP LTD M-10 could be that affordable gem of a guitar you’ve been looking for and always wanted.
Basicly it is a HD digital sound interface plus with a MIDI controller and footswitch. It is has unique design with different HOST mode and switching MODE to work with the host softwares. We are proud of that it is now maybe the best thing you can find to use on stage with software FX. The special designed analog signal chain mixing with the digital codec give the best dynamic response and sound quality. We did AB with lots of other interface and be so confident on its performance.
It worked like all amps: the guitar in my hands translated the vibrations from its strings through magnetic pickups into a voltage that traveled through the guitar's wiring and out the main 1/4" cable, then the amp picked up the signal and sent it through a coil of wire around a much larger magnet than those in the pickups, and the vibrations of that magnet shook the cone of the speaker, producing sound. The specific vibrations corresponding to those voltages created specific frequencies of vibration through the air, and my 10-year-old ears were hooked.
Das Musikding is your online store for building guitar effect pedals, bass effect pedals , guitar amps, bass amps, synthesizer and many other musical related electronics projects. You can get pedal parts or complete kits, for all stages of building experience. Effects are great for guitar and Bass! Guitar effect kits available are Distortion, Booster, Fuzz, Overdrive, Delay, Tremolo, Compressor, Switches, Loopers and many other. We also feature kits and modules by GuitarPCB.com and Molten Voltage Pedalsync. Amp kits are available by Madamp, great kits for a great price. Building guitar and bass effects made easy! You can get resistors, capacitors, potentiometer, knobs, jacks and plugs, aluminium and steel enclosure, transformer, wire and cable and many more things. Manufacturer are Wima, Alpha, Neutrik, Switchcraft and many more. Our shipping costs are low and the prices very good. If you need a special offer, just ask us!

Was skeptical at first since I own a couple of vintage Martins. Aside from the LX1E being a sustainable responsibly built guitar that has HPL back/sides, hybrid neck/fingerboard, and whose soundhole smells like a Lincoln Log toy set this is an amazing find. Yup- it’s perfect for the overhead bin on airplanes, comes with a good gig bag, and sounds great plugged in. Experimented with .11 gauge string set, but this guitar is really made for either .12 gauge or a true .13 (medium gauge) strings set. This guitar is designed for the combination of heavier strings and assertive strumming or picking to create a sound that belies its small size. It welcomes being pushed, muted, and/or percussively played. Found the same to be true of Martin’s DX regular size guitars which sound amazing for what they are. While the E Sheeran LX model has his logos on it, this


The implementation of musical chords on guitars depends on the tuning. Since standard tuning is most commonly used, expositions of guitar chords emphasize the implementation of musical chords on guitars with standard tuning. The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments.
: I have located a semi-hollow body electric Kent guitar that has a body some what like a 335 and the neck like a fender strat. The body is a beautiful natural birdseye maple. She is in awsome shape and plays well. I have the ser# (xxx) 3 digits and I believe that it was made in Japan in the Sixty's. I have no Idea what model it is or value because I can't find out any thing about Kent guitars. I've seen Kent amps guitars & drums but no info. I welcome anything.
A selection of makers within the high-end, hand-built crowd of today do offer variations on the opamp-based template discussed above. Blackstone Appliances bases its Mosfet Overdrive on a discrete transistorized circuit centered around, yes, mosfets, and Klon’s Centaur pedal uses… well, who the hell knows? They cover the entire circuit board in epoxy goop to keep the cloners at bay, but this expensive overdrive certainly sounds different. Other popular boutique overdrives are found in the Barber Electronics LTD pedal, the Crowther Audio Hot Cake, and the Fulltone OCD.
The Top Guitars specialized only in Custom Made Electric Guitars and Basses - "We will create an instrument that will delight you with exceptional tone and great playability, optimized to your personal preferences and all with the utmost quality, beauty, and rigorous attention to detail. We are experienced builders of custom electric guitar and bass bodies and necks. We craft our exquisite custom electric guitar and bass bodies and necks using a variety of time tested, great sounding woods, offering options that you can not buy off the shelf. We can also build for anyone that has a custom design that they would like built to their specifications. We do our best to meet your dreams continually striving for unattainable perfection.Only the best, one-of-a-kind, and built just for you! "
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Being a grand auditorium body shape guitar, it’s a little smaller than the typical dreadnought size that we’ve covered several times on our list. That’s no bad thing, and allows this guitar to be nice and flexible, especially when combined with the ‘Expression’ electronics system that allows for some good tonal customisation. Match up with an effective wireless instrument system.
SOLD OUT: Here we had a 40+ year old 1972 Alvarez 5080 Acoustic guitar that was built by the master guitar builder Kuzio Yairi. He used 30 year old vintage aged tone woods when they built this guitar over 40 years ago.. that would make this wood arround 70 years old... Thats right...you can say that about a new Martin can we... not going to get tone like this from a new Martin either. This is one high class example replica of the Martin 000-28 this model is quiet rare and beautifully adorned with exotic tone woods plese refer to the pics. Just have a look at the beautiful exotic old growth Jacaranda Brazilian Rosewood back, sides, fingerboard...headstock overlay .., ebony pins with MOP and brass ring all high end classic detailed appointments... notice the real patina this guitar plays real well and has been played and it shows... in a good way to my eyes.. I love it. So will you just have a look... no visable issues, no cracks to be found, inlays, bindings, pickguard, tuners,frets.....all good..and sound is rich and has a nice sustain and is a pleasure to play... fresh from the JVG shop with a fresh bone saddle & nut & new Martin Marquis strings sweet! A must HAVE 40 YEAR OLD VINTAGE YAIRI 000-28 STYLE, Claptons favorite for good reason... SORRY THIS GUITAR HAS SOLD gr8bids@comcast.net Thank you for your interest.



There’s an old proverb that goes, “If you can’t afford a Fender Strat, get a Fender Standard Strat.” We can’t agree more. This is the guitar company that changed the world of electric guitar, so you can’t go wrong with any Fender. But, if you have the money, go with the Standard over the Squire as that’s truly a beginner guitar. The Standard has features such as three single-coil pickups, synchronized tremolo with high-mass bridge block, and a ‘70s-style headstock logo. While some sites are selling this guitar close to $400, it’s more commonly found just under $500. 


The only reason why anyone likes Ibanez is because it's cheap. When you're ready to buy a real axe, get a Jackson. Ibanez is not a "shredder" brand, it is a budget brand, just like Carvin. Jackson has it all: great sound, great feel, great looks, great for shredding! I'll admit because Rich makes some interesting looking guitars, but Jacksons are still cooler (if you've ever seen a Kelly, I'm sure you'll agree). Jackson For the Win!
Gibson’s drive to recapture the magic of the original “Patent Applied For” humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design—the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils—true to the original PAFs—which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback.
The Les Paul Triumph bass, like the Les Paul Recording guitar was first shipped in 1971, but was based on a slightly older model, the 1969 Les Paul Bass. Functionally, these basses were very similar, although the Triumph did offer low and high impedance operation, without the need for a transformer cable. This owners manual details the basses specifications, suggests a string set, recommended action, and suggests a series of tonal settings for rock, country and solo bass playing.
Epiphone is one of the oldest and one of the best American guitar companies. It was formed in 1873 and later acquired by Gibson Guitar Corporation, another leading guitar brand. Epiphone has something for every player in every genre. The company offers a wide range of Acoustic and Electric guitar models. The nylon-string Les Paul Ukulele acoustic guitar is of famous vintage and has been the industry leader over the years. It is a superb instrument for the money featuring a mahogany body and neck with rosewood fingerboard having dots inlays. Epiphone guitars have a great demand in the Indian market, which has set standards for the budget-conscious versions of guitars.
Richie Sambora: features an alder body, a 22-fret neck with maple fingerboard, mother of pearl “star” fingerboard inlays, Floyd Rose “Original” locking tremolo, 25dB active mid-boost circuit with active/passive switch, two Fender Texas Special single-coil pickups (neck/middle) and a DiMarzio PAF Pro humbucker in the bridge position. Updated in 1999 with American Vintage hardware, dual-coil Ceramic Noiseless pickups and a 12dB active mid-boost preamp with “no-load” tone circuit and bypass switch. Also available as a “standard” version with a poplar body, rosewood fingerboard with 21 medium-jumbo frets, DiMarzio PAF Pro humbucker with two standard alnico single-coils and a Floyd Rose II locking tremolo. Discontinued in 2002.

All electric guitar strings are made using steel, nickel, or other magnetically conductive metal alloys since they’re essential for transmitting string vibrations to the magnetic pickups. The type of plating or coating applied to the steel alloy has a significant impact on the strings’ sound. Here are some general tonal characteristics of the most common types of strings:
Most reverb pedals fall into the ambient effect category, similar to delay and echo in the way it manipulates your signal. It's likened to the delay effect because it's technically a timing effect which, in the world of signal processing, can be described as "sound after sound." In other words, the original sound is produced and another sound follows.
Harmony Hollywood H38- OK, here's the one we will sell. She's about the same as above but with opposite color combo. This one has a nice vintage DeArmond Gold Foil Pickup. Action is medium, but if you would like a lower action, we will be happy to cut that bridge a bit down. Guitar is in  nice vintage condition. All original except the period style Rosewood Bridge and reproduction Harmony Pick Guard. SOLD
An instrument unlike any other, the electric guitar gives musicians a feeling and hands-on experience that's nearly indescribable. Even with the same electric guitar, no two players sound exactly alike. Every nuance of the player's hands comes out in the electric guitar's tone, both in fretting and plucking the strings. The best players master not only command of the electric guitar, but also its interaction with their effects and amplifier. It's difficult to imagine a world without the combination of the electric guitar and amplifier, yet it's still relatively new in music. By the turn of the twentieth century, it only made sense that the popularity of the guitar would soon be combined with the onset of electronics. Over the past 75 years, the electric guitar has established itself as one of the most iconic, unforgettable instruments in the world. From jazz and big band to rock 'n' roll and funk, popular music would be drastically different today had it not been for the electric guitar.
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