AJL: It’s a brand that specialises in making Gypsy acoustic guitars and archtop jazz box guitars. Each guitar is handmade by master luthier Ari-Jukka Luomaranta from Finland, and when I say he makes it, I literally mean he makes it all alone without any employees. I’m not exactly a classical guitar or jazz box fan but I understand why people love his guitars. He puts extreme attention to even the most minute details while making each of his guitar. Each AJL guitar is like a testimony of his art and dedication. He chooses the best quality woods to work with and by his undying passion for making guitars he creates masterpieces.

Versatile- many of the practice amps today have “AUX” (Auxiliary) inputs for your electronic music devices like your iPod, phone, or tablet computer. This is essential for learning songs because you can pipe your song from your device into your practice amp and play along either out loud or with your headphones in private. With so many music apps out today for iPhones and Android devices, you can also connect the headphone jack of your practice amp to your personal device to learn new songs and/or record your performance! Check out Ultimate Guitar Web on Google Chrome
I have a Palmer P 33 acoustic (hand-crafted etc), that I bought second hand about 20 years ago for £80. It still sounds and looks superb and rarely loses its tuning. (Probably better than my newer Tanglewood.) I can't find out anything about it. However, somebody out there must have made it. Surely that somebody knows something about them! Do they never go on the internet! Pete.

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Manufacturing techniques can alter the impact of the variability of other factors. A .strandberg* guitar is made from lightweight but stiff materials. The neck is reinforced with carbon fiber. Each string rests on its own bridge that does not transfer vibrations to the other strings in the same way as a conventional guitar bridge. The bridges themselves are made from light and stiff aircraft aluminium instead of brass or steel as is commonplace. Each component is tightly coupled to the next with no room to vibrate. Regardless of tonewood, your .strandberg* will sound clear, airy, organic, dynamic, and respond quickly to the plucking of strings with a great dynamic range – as a result of the construction itself. The characteristics of different woods and pickups are transferred more effectively than might otherwise be the case. Is this better? Again, it depends on what the musician is after… I’ve come across for example ES-335 players that are intimidated by the responsiveness and dynamics and who become inhibited and self conscious when picking up a .strandberg*. But for most, it’s a pleasant experience that liberates their tone.
​​Our primary goal here at Top Custom Guitars is to create unique instruments that match our players' personalities. The bond we've formed over the past 15 years with each of our clients has not only fueled the growth and maturity of our instruments, it's fueled our creative growth as a company. YOUR passion drives OUR passion, and because of the individual relationships we build with our clients. Enjoy our galleries and forums, and if you have any questions, ideas, or dreams to share, we’d love to hear them.
Alas, the DT-250 was more of a punctuation point than a sign of the times. Or maybe it was a sign of the times. The Phil Collen model (minus his name after ’85) and the flametop DT-350 made it through 1987, but this DT-250 lasted only from ’84 to ’85. Unfortunately for this heavy metal monster, pointy guitars were already on the way out when it appeared, about to be eclipsed by the Superstrat craze that would dominate the rest of the ’80s. While these redboards do not really qualify for rarebird status, they’re not all that common. Over the course of their production, only 1,432 were built for worldwide distribution.
These negative reviewers don’t understand that their guitar arrived exactly as most mail-ordered guitars arrive: out of tune and probably needing a full setup by a professional guitar tech. That’s just the reality of the world we live in: mail-ordered guitars are rarely setup properly before they’re shipped, and even if they are they can get knocked out-of-whack during shipping. So when your guitar arrives, know that it’ll probably be out of tune, might buzz a bit, and it may need a full setup to play its best. Very seldom are these things the result of a defective or damaged guitar.
There are quite a few types of guitar shapes, with the most popular one being the dreadnought. However, contrary to acoustic guitars, many acoustic-electric variants come with some form of cutaway for better access to the higher frets. This can really come in handy for a wide range of techniques so you don’t have to play with your hand over the body, which can be uncomfortable.
In the Ethereal reverb, you can layer two delay effects, where both have four different delay types to choose from, via the black button labeled "Delay Modes." These modes allow you to assign different subdivisions to each delay layer which, when stacked on top of the reverb effect, give you some really unique decay sounds that trail off from the initial signal. 
Simple and great idea! Ordered it from StewMac and received it in the mail two days later. Mounted it on my Taylor acoustic instantly and played for hours! Haven't put it on an electric yet but have every bit of confidence that it'll work like a charm there as well! Very handy piece to have in your studio....quickly turn any guitar into a slide-playing machine!
There’s still a lot of confusion over Japanese- and Korean-built guitars from this era in regards to trademarks, who built them, when they were offered, and the connection between them all. However, many of these guitars are high quality and you should always pay close attention when encountering an unknown trademark. If a guitar was produced at one of the aforementioned factories, it could very well be a treasure, just like your Lotus.
When the tone pot is set to its maximum resistance (e.g. 250kΩ), all of the frequencies (low and high) have a relatively high path of resistance to ground. As we reduce the resistance of the tone pot to 0Ω, the impedance of the capacitor has more of an impact and we gradually lose more high frequencies to ground through the tone circuit. If we use a higher value capacitor, we lose more high frequencies and get a darker, fatter sound than if we use a lower value.
Most models come with single-coil Hi-gain pickups as standard equipment. Many post-British invasion Rickenbacker players such as Peter Buck, Paul Weller, and Johnny Marr have used instruments with these pickups. Rickenbacker’shumbucker/dual coil pickup has a similar tone to a Gibson mini-humbuckerpickup, and comes standard on the Rickenbacker 650 C. Vintage reissue models, and some signature models, come with Toaster Top pickups, which resemble a classic two-slotted chrome toaster. Despite their slightly lower output, “Toasters” produce a brighter, cleaner sound, and are generally seen as key to obtaining the true British Invasion guitar tone, as they were original equipment of the era.
As an active musician in Los Angeles, I often hear guitarists marvel at how good the latest Squier by Fender guitars are for the price. The Squier by Fender HSS Bullet Strat is no exception. A few minor complaints aside, it’s simply a well-made version of a decades-proven design at a very affordable price. All of our panelists felt that it played well, sounded good, and in general felt like a more expensive guitar.
Although there are now several digital guitar recording preamps which model amps and cabs, the Roland VG88's split pickup system allows you also to experiment with modelled guitars and pickups.Digital noise removal plug-ins (again best used before delay effects are added), produce even fewer side-effects and so may be the best option when recording into a computer-based system. However, you can often achieve a worthwhile improvement using simple low-pass filters — before I moved over to working almost exclusively on the computer, I often used the side-chain high-cut filter in my Drawmer DS201 gate to remove hiss from guitar tracks. The sharper the filter, the less the wanted sound will be affected, so a plug-in with an 18 or even 24dB/octave slope should be even more effective than the 12dB/octave filters the Drawmer uses. The trick when setting them up is to pick the lowest shelving frequency that doesn't materially change the original sound, other than to take the edge off the hiss. Using filters in this way also helps reduce finger noise and squeaking on acoustic guitar parts and can even help disguise moderate clipping distortion caused by recording at too high a level.
1963 D-28e. This model is a paradox. Martin took a great guitar with great flattop tone, and then added DeArmond pickups and knobs to the top. This ruined the tone (a flattop develops most of its tone from the vibrating top). And the DeArmond pickups don't amplify the acoustic properties of the guitar. So you end up with a electric guitar sound, while playing a flattop. Because of this, the value for D-28e's is really low. Some people go to the extreme of re-topping this model. This essentially gives you a vintage Brazilian rosewood D-28, but with a new top. A double edge sword of originality versus usability. Martin made only 284 D-28e's from 1959 to 1964, before giving up on the model. Rare, but for very good reason (no one wanted them, then or today!).
As a rule, you don't add much, if any, reverb to low-frequency sounds, such as bass guitar or kick drums. Where you need to add reverb to these sources, short ambient space emulations usually work better than big washy reverbs, which tend to make things sound muddy. Taking this a step further, you can also make a mix sound less congested by EQ'ing some low end out of your reverbs.
While there are some obvious quality gaps, they do appear to be closing as time passes on. The hardware used on Epiphone is getting better, and the presence of the new ProBucker Pickups helps to elevate the brand to new heights. The fact of the matter is, while Epiphone is viewed as just being a cost friendly alternative to Gibson, guitar players gravitate to the brand anyways for its own special sound. While it may use the same Specs as a Gibson, they are far from equal guitars, including in the sound department (4).

Jump up ^ Hicks, Michael (2000). Sixties Rock: Garage, Psychedelic, and Other Satisfactions. University of Illinois Press. p. 18. ISBN 0-252-06915-3. While most of the documentation on early fuzz boxes has been discarded or lost, the earliest such devices appear to have been introduced in 1962. The best known from that year was the Maestro Fuzztone FZ-1...

Quality replacement pot from Bourns.   Knurled 1/4" shaft fits most knobs.  Low torque, carbon resistive element, great replacement in many applications using passive humbucker or single-coil pickups.   Note that length of threaded part of shaft is 3/8" - measure to make sure that this is long enough for your application, especially if the pot mounts through the wooden guitar body.   (This pot will not work on Les Pauls, for example).  500K, Special A2 taper preferred by guitar and bass players.  Nut and washer included.   Note: threaded bushing diameter is 3/8", like most 24mm "quarter-sized" pots.

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3) Sound when not plugged in is surprisingly good for a little guitar. Of course, if you're expecting acoustic sound like a jumbo or parlor you will be disappointed because that's impossible for a 3/4 size guitar to match the acoustic sound of larger guitars. However, for a 3/4 size guitar in this price range, it's as good as it gets and I will put this little guitar up against any 3/4 for acoustic sound in this price range.
But this was different. This was build quality, and it completely wrecked the sound, feel and playability of the guitar. A competent pre-shipment QC inspection should have caught this and sent it back to be fixed at the factory, and they didn't. No serious guitarist would stand for ANY guitar made this way, at ANY price point. Yet there it was, on display on a guitar positioned as the flagship model of the brand, occupying the most expensive price point in the market.
The most important thing to a 5string is the tone ring with a resonator, I've been plays 36yrs. I have an Alvarez Denver belle flat top tone ring, a White Eagle archtop tone ring and my favorite is a Hohner artist flat top tone ring. Regarding a guitar my choice is a Martin D-35 ease of play & tone that is awesome! a 5 string take Many hours & months of practice on your rolls, forward, backward alternating thumb pattern, keeping your timing in check so you do not hit the string with your middle finger out of synch. Good luck have fun, no time better to learn than now!

It usually has 8 terminals – two poles with 4 terminals each. Each pole has one common terminal and 3 switched. The first thing you want to figure out is which terminal is common. Note that terminal on the left is connected to the lever all the time – that’s our common terminal. The other three terminals are connected to the lever only in certain switch positions. Represented as a schematic, each pole would look like this.
You're close, but not quite where you want to be with your tone.  You are officially a serious tone chaser; you've already swapped the stock burstbuckers in your awesome R9 Les Paul for something better ... but you are still only at 95-percent of the TONE you want, need, and hear in your head.  Keep seeking grasshopper, and you will find.  For only those who persist will drink from the holy grail.
Electronics kit building kind of fell out of favor during the computer age as the home based technology enthusiasts moved to assembling PC’s, and software development. But home brew electronics has enjoyed a resurgence in recent years in what is now called the maker community. Internet electronics stores such as Adafruit and Element 14 are enabling 21st century geeks to build anything from simple circuits to complex embedded computing projects. These sites provide documentation, tutorials, video channels, and of course, a store, where you can purchase the tools and components required to internet enable your toaster, or feed your cat from the couch.
I am very pleased with my new guitar, it is perfect... beautifully crafted, comfortable, just perfect for me...Rosewood and spruce and dynamic design ...wow; top of the line case, and the price was substantially less than full price, less than 50%!. There was absolutely nothing wrong with its packaging, as the description indicated. I was a bit nervous thinking it was going to arrive banged up, scratch or damaged, but the box was in good condition and the case was impecable. I got it two days after ordering it, and played it the next day at a school concert. Next will take it to a luthier to get it set, get better strings and an amp. Totally souped! Thanks Amazon for my musical gift for the holidays!
Guitars are constructed from different wood types—from mahogany to rosewood, basswood to maple, and more—all of which changes with temperature and humidity, affecting the sound quality thereof. Although guitars original setups are likely to change as they move a long distance from the producer to the Sellers’s point of contact, electric guitars are the highly adjustable piece of types of equipment, and a setup can make a whole difference.
One glance at this bad boy reveals just how accurate it is to the 1959 version. We are talking exact same tubeless truss rod assembly, aniline dye, exact same finish... everything. In terms of hardware, they went with a set of Klauson Deluxe tuners and period specific Tune-o-Matic bridge. The custom humbuckers were coiled and voiced to perfectly match the original PAF design from the late '50s which was done using Alnico III magnets and 42 AWG wire. The performance of this guitar is an experience that is rarely found out there.
The solid body electric guitar was a major design advance introduced by Leo Fender in the early 1950s. The solid body guitar helped remedy the feedback problems of hollowbody instruments. They were also easier to make, which led to mass market production. Fender introduced the iconic Telecaster and Stratocaster. Soon Gibson also introduced their first electric guitars in a partnership with Les Paul to produce what would become the equally iconic Gibson Les Paul.
Electric guitars have come a long way since then, and today you’ll see many different designs. But you can still find big hollow-body jazz boxes that hearken back to those early days in the lineups of many manufacturers. They’re best suited for jazz players looking for a warm, woody sound. Of course the technology has improved greatly in the past eighty years, but these instruments still have a nice vintage vibe. You’ll sometimes see these instruments referred to as semi-acoustic.
I have owned a lot of amps over the years. I am also a dealer in music accessories. Please note that we do not sell these amps, so I am not endorsing and using something my shop sells. I recently have bought a couple of amps in a series (I bought one first and then bought another) and have been really impressed. The Vox AV series. http://www.voxamps.com/AVSeries
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The TG-64 was definitely a boss guitar, but even cooler was the TRG-1 transistorized guitar, also introduced in ’64. This guitar did Nat Daniels one better and, instead of putting the amp in the case, put a transistorized amp and speaker in the guitar! To be fair, Danelectro did produce some guitars with a miniature tube amp built-in, but it’s not known if these ever made it to production status. But the TRG-1 is a remarkable guitar available in a confusing number of variations.
At Ibanez, there has always been a goal to be anything but traditional. For over half a century, Ibanez has been pushing the world of guitar manufacturing forward, consistently breaking new ground. It's this drive that led them to become one of the first Japanese musical instrument companies to make a name for themselves in Europe and North America. With unparalleled commitment to quality, Ibanez Guitars are considered among the upper echelon by musicians of all playing styles around the world. A quick look at some of the musicians who play Ibanez guitars is sure to leave you very impressed. Artists such as Head and Munky of KoRn, Noodles of the Offspring, Mick Thomson of Slipknot, Fletcher Dragge of Pennywise, Steve Vai, and Joe Satriani all trust their sound to Ibanez guitars. Now it's your turn to do the same. Ibanez makes an impressively wide selection of guitars, so you're sure to be able to find one that is perfect for you here. Say, for example, you're a beginner who's looking for a great acoustic guitar? If that's the case, you'll love the JamPack IJV50 Quickstart Dreadnought Acoustic Guitar Pack. This set features everything you need to get started, including a beautiful dreadnought, as well as an electric tuner, a gig bag, a guitar strap, and an accessory pouch. If you'd rather a versatile acoustic-electric, you'll love an option such as the V70CE Acoustic-Electric Guitar. This guitar is highlighted by its outstanding playability and fantastic tone. With an incredible response and dynamic range, this guitar is perfectly suited for small clubs and larger venues alike. Of course, if all you want to do is plug in and pump up the volume, you're going to want to check out the JS1200 Joe Satriani Signature Guitar. This candy apple dream is built with top-tier electronics and sleek overall construction. With a resonant tone an impressive sustain (thanks, in part, to its DiMarzio humbuckers), this guitar is a progressive player's dream. Regardless of your playing style, there's an Ibanez here with your name on it that is ready to be played. With expertise that is second to none, Ibanez is a name you can trust in the music world.
A: If it looks like a ??? it almost certainly is a ??? Because the factory used to change the hardware at a whim there will be slight variations. This has, in most cases, nothing to do with a particular year but more to do with what happened to be to hand at the time. Some exceptions are pickups, pickguards, logos and headstocks. All I know is here on the website if you look hard enough. Also bear in mind that your guitar may have been modified at some stage in its life.
Okay, maybe you’re not so ambitious and simply want to bash out a decent tune around a campfire. That’s fine — just be warned that doing any John Denver stuff hasn’t been considered cool for a long time. If you are guitar beginner with a guitar in hand already then I may suggest you check out: 10 Amazing Tips to Learn How to Play the Guitar with Good Technique.

Pickups convert the mechanical energy of a vibrating string to an electrical signal, allowing it to be amplified, processed and reproduced.[1] Pickups vary greatly in construction, size, types of materials used, as well as various electrical properties, but are generally divided into two categories – single-coil and double-coil (also known as humbucker).[2]

Fender is the biggest guitar company in the world right now. Fender guitars make more sales than any other guitar manufacturer. Fenders are used by many celebrated musicians today. The guitar produces great sound due to its imported wood. In addition, this brand is deemed to have some of the best looking guitars. Their most successful guitars include the Telecaster and the Stratocaster. The Stratocaster has been used by big names including Eric Clapton and of course the legendary guitarist, Jimi Hendrix. If you are looking for a guitar that’s both good looking and sounds great, go with a Fender.
The Chord Harmonica consists of two harmonicas hinged together. Together, they are capable of playing 48 chords. They are 23 inches long, and each chord takes up 4 holes. The chord harmonica is used to provide chordal and rhythmic backing in an ensemble, much as rhythm guitar might do. Jerry Murad's Harmonicat's 1947 "Peg O' My Heart" was played on a Chord, with a cleverly arranged sequence of chords that produced the impression of a melody. Hohner's main Chord is known as the Hohner 48, because it plays 48 chords. Hohner from the 1930s to the late 1960s also produced the Polyphonia No. 8, which played 36 blow-only chords, in three rows. The concept failed and is often frowned upon by professional 48 chord players.
We don’t have many cutaway styles or Jose Ramirez guitars in our review list, but this is one of them, and it just happens to be a “hybrid,” or a classical guitar with an electronic pickup. Handcrafted in Spain, the 4NCWE model is a cedar-top with Indian rosewood on the back and sides. Like the other Ramirez guitars we have listed, this comes with a hard-shell case, so you won’t have to worry about the guitar being broken in transit.

As compared to the musical giants like Epiphone and Fender, Davison Guitars is just a family-owned, small-scale manufacturer. But the reason for the Davison Guitars Beginner Starter Package becoming an Amazon Bestseller, is the fact that it provides beginners with the opportunity to begin with a simple, decent-sounding and easy-to-manage full-scale electric guitar. You also needn’t scurry around for the necessary add-ons that are required. Neither do you need to decide and pick between a stylish Les Paul or Stratocaster. Starting off in full-scale certainly strengthens you as a learner. Now, not many electric guitar starter combos or bundles offer that kind of value; despite certain shortcomings, this product is here to stay. Not only can it fit your requirements, but it’s even ideal for gifting purposes!

Another company that dates back nearly a century, Rickenbacker was started by Adolph Rickenbacker and George D. Beauchamp in 1931 with the intention of creating fully electric instruments. Following a long and rocky history that included wild successes (like getting their guitars in the hands of the musicians that played with Bing Crosby) and incredibly tough tribulations (like starting an instrument business at the depths of the Great Depression), the brand eventually sold to F.C. Hall in 1953. From that point forward, Rickenbacker flourished as one of the most iconic brands both in the looks of their instruments and their sound. George Harrison, Paul McCartney, and John Lennon of the Beatles all played Rickenbackers at one time or another. Additionally, Chris Squire of Yes, Tom Petty, Pete Townsend of the Who, and Glen Frey of the Eagles are all Rickenbacker signature artists. Like tech giant Apple, however, Rickenbacker doesn’t give their endorsers anything for free nor do they ask for the advertising, making them an even more admiral brand as a result.

Ibanez produces a number of signature series, but none of them even come close to Steve Vai’s JEM guitars. JEM7V is by far one of the most intriguing electric guitars Ibanez has to offer, and in general. It’s performance is legendary, just like the man who designed it. I’ve had a chance to play it once and it completely blew my mind. The thing was built to be an extension of your body, plain and simple.
If you do have logic of GarageBand they come with a vast sample library including lots of different guitar sounds, now combine that with melodyne and you can get some pretty convincing custom guitar parts. It's a slow process but it will sound a lot better than most straight VI's, I've done the same with brass section stuff in the past to good effect.
Palmer is a U.S.A. company based in Miami, FL. They contract out the building of cheap guitars to China and such; while reserving the high end, high priced guitars for those made in the states (like most guitar makers today). I had one that had a broken head stock. I paid $50 for it, just as a camp guitar. It sounded fair, but I could tell it was made cheap. I'd compare them to a cheap Cort, Mitchell, or Fender.

The Effie U1935 thinline hollowbody ($220) was a bolt-neck ES-335 copy with a bound rosewood fingerboard, blocks, open book head with outlined logo decal, two 12-pole/slit humbuckers, finetune bridge, fancy harp tailpiece, three-way on the treble cutaway horn, elevated pickguard and two volumes and tones. The Effie was available in orange sunburst, cherry red or jet black. It is entirely probable an earlier version of this existed, since thinline versions of the ES Gibsons were already mainstays in Japanese lines by ’68. If you find one with the old plastic logo, don’t be surprised.

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Bass combo cabinets and speaker cabinets are typically cube- or rectangle shaped. However, some small- to mid-sized combo amp cabinets have a wedge shape, like a keyboard amp or a stage monitor speaker cabinet. The wedge shape, also called a "rock back" feature, enables a bassist to point their speakers up towards themselves, to make it easier to hear their sound.
Speaking of tiny little helpers that could fit anyone, let me introduce to another seemingly impossible amalgamation of great sound and great look. The Line 6 Micro Spider 6-Watt Battery Powered guitar amplifier has a whole lot of qualities that make it the favorite small amplifier of so many musicians who are constantly on the go or don’t have too much space. With its small form and light body it can be easily transported anywhere you go, while its battery negates the need to be constantly plugged into an outlet and hoping that you have some kind of source of energy. The best part of the amp is of course the sound of the guitar, which is quite outstanding for the price it is offered up at. One of the best options of small guitar amplifiers available for you that I want you to remember when you start attempting to make a decision on buying one. Great stuff to have, really.

Three acoustic guitars were offered in 1971. These were glued-neck models with roughly Martin-shaped heads and pickguards slightly larger and squarer than a Martin. All had spruce tops (presumably plywood), mahogany bodies and necks, rosewood fingerboards and dot inlays. These appear to be Japanese, not Brazilian Gianninis. The bridges are glued on, with screw-adjustable saddles and pins. The U3012 Auditorium was a Spanish-shaped steel-string and cost $89.50 plus the cost of a case. The U3013 Grand Auditorium was a dreadnought costing $105. The U3014 Twelve String cost $120.

Ostentatious Delays: If you're making very rhythmic music of any kind, it makes sense to use tempo-sync'd delays, to avoid undermining the main pulse. However, simple tempo-sync'ed delays tend to be masked by the main rhythmic stresses, so they sink into the background of the mix unless mixed very high in level, which makes it difficult to create ostentatious delay effects in rhythmic music without swamping your mix. One solution to this problem, very common in trance music, is to set a delay to a three-16th-note duration, which means that although the delay repeats never step outside the 16th-note grid, they'll often miss the main beats and therefore remain clearly audible. Mike Senior

At the end of the day your personal preferences will prevail. The brands listed above are going to include just about every style of guitar you can wish for. This goes both for aesthetics and tone. I can safely say that sticking to my personal picks won’t leave you disappointed. Hopefully you have found this guide helpful. Do you like my choices? If so, leave a comment bellow and give me your two cents.
In the late 1950s, Guitarist Link Wray began intentionally manipulating his amplifiers' vacuum tubes to create a "noisy" and "dirty" sound for his solos after a similarly accidental discovery. Wray also poked holes in his speaker cones with pencils to further distort his tone, used electronic echo chambers (then usually employed by singers), the recent powerful and "fat" Gibson humbucker pickups, and controlled "feedback" (Larsen effect). The resultant sound can be heard on his highly influential 1958 instrumental, "Rumble" and Rawhide.[17]

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The blues was my inspiration-specifically, the late-'40s solo recordings of John Lee Hooker. "Hobo Blues" is an excellent example of early Hooker on which his violent string slapping-clearly audible in a blend of amp sound, haunting vocals, and trademark foot stomping-creates an indelible realism and engaging intimacy. My recording of Paris Slim's "The Day I Met The Boogie Man" (see the sidebar "Selected Discography") was one of my early experiments with this technique. Since that time, I have used a discrete "air-guitar" mic whenever I have had an available track for it. Guitarists may initially be skeptical of such unusual miking, but it's always a treat to watch their faces light up as they listen to the monitors deliver the bright, transient sounds that they have been accustomed to hearing during their years of practicing their instruments.
The fourth type of system employs string-through body anchoring. The strings pass over the bridge saddles, then through holes through the top of the guitar body to the back. The strings are typically anchored in place at the back of the guitar by metal ferrules. Many believe this design improves a guitar's sustain and timbre. A few examples of string-through body guitars are the Fender Telecaster Thinline, the Fender Telecaster Deluxe, the B.C. Rich IT Warlock and Mockingbird, and the Schecter Omen 6 and 7 series.
Great guitar for the aspiring 4-10 yer old. This Lotus 20.25" scale, Kid's Strat copy is in excellent condition! Featuring a maple neck, an unbound rosewood fret-board, simulated mother of pearl fret marker, dot side markers, graphite nut, 6 "in-line" head stock, and an adjustable truss rod. 3 strat style, single coil pickups with 5 position selector. Volume and tone controls. (While not photo'd, the guitar does include the whammy / tremolo bar). This guitar is in great shape with virtually no wear to the original gloss black finish. I actually special ordered it when I worked at Colorado Springs Music Company for my son. I think he took it out of the gig bag a couple times. Comes with a thick padded "codura" gig bag.

Delay pedals are among the most popular effects around, and the reason is simple: A delay pedal not only gives your sound a professional sheen and adds a three-dimensional quality—even when set for a discreet, atmospheric effect—but it can also produce a wide variety of not-so-subtle sounds and textures, ranging from ear-twisting rhythmic repeats (à la Eddie Van Halen’s “Cathedral”) to faux twin-guitar harmonies and live looping.
Each option has a unique tonal quality, some may not seem all that useful in some situations.  2 adjacent pickups that are out of phase, can sound very tinny and weak but often cut through better in the mix as they occupy a different placement in the spectrum.  Consider Brian May's (Queen) tone as some of his selections rely on 2 single coil pickups being out of phase
CALIFORNIA CLASSIC models feature superb playability, distinctive looks and an unmistakable Fender vibe. The fully-painted solid Sitka spruce top and natural solid mahogany back and sides, as well as a matching painted 6-in-line headstock and koa binding and rosette, give them an elegant two-toned aesthetic that was made for the stage. California Special and California Classic acoustic guitars are equipped with a Fender- and Fishman-designed PM preamp specifically tuned to complement the unique shape and voice of each instrument—complete with tuner, frequency and phase controls.
Launch price: $499 / £445 | Body: Chambered basswood body with arched-maple top | Neck: Maple | Scale: 24.6" | Fingerboard: Rosewood | Frets: 22 | Pickups: 2x Black Top humbuckers | Controls: Neck volume, bridge volume, tone, master volume, 3-way pickup selector | Hardware: Anchored Adjusto-Matic bridge | Left-handed: No | Finish: Gold, Silver Sparkle, Black
However, if you want a small guitar that will give the quality of sound you might expect from a larger guitar, or if you are considering this style as the first beginner guitar for a child or student, you may want to consider other models that are more typical of a guitar suitable for learning, recording or for growing and developing better skills.
The Dobros and Nationals were joined by the first Supro guitar versions in late 1935, even though their announcement didn’t appear until a few months later in the March, 1936, The Music Trades. These first Supro guitars included an aluminum Hawaiian lap steel, both electric Spanish archtop 6-string and tenor guitars, and an electric mandolin. They mark the official beginning of the Supro story.
The Step Ladder is a passive input attenuator using high quality components for excellent reliability. True-bypass mode provides the maximum signal level. The attenuator pot and two toggle switches allow for flexibility in the amount of signal attenuation when not in bypass mode. Treble bleed capacitors in the circuit retain crisp high frequencies even at maximum attenuation. The Step Ladder is ideal for anything from getting a slight boost while playing single-note acoustic guitar leads or for jumping from clean to overdrive in a high-gain electric guitar amp.

When using multiple microphones, always remember to check for phase cancellation, and keep in mind that a 2-8kHz boost is probably all that's necessary at mixdown for enhanced electric guitar presence within a track. A small amount of delay (1ms = 12") on an ambient mic track will increase the perceived ambient distance of the microphone without actually moving the mic. This trick works well when blending close and ambient microphone tracks during recording or mixing.
The hollow body electric guitar rose to prominence when Gibson introduced the ES-150 back in 1936. Fully hollow body electric guitars (sometimes referred to as “Jazz Box” guitars) tend to have arched tops and large, deep bodies that allow the sound to fully resonate to produce an incredible full-bodied voice with amazing projection and depth. Jazz players and blues players really love the sound fully hollow guitars deliver. While the classic, larger-bodied fully hollow electric guitars definitely still exist, there are also a substantial amount of thinline fully hollow body electric guitars that guitar players may find to be more comfortable. Guitar brands such as Gibson, Gretsch, Ibanez, D’Angelico, Guild, and Epiphone provide guitar players with a fantastic array of fully hollow body electric guitars.