These are great choices, but if you want a great guitar for the price go used and get either esp ltd ec400vf or the ec401vf. They come w seymour duncan 59 neck and jb bridge or dimarzio pickups. Grover tuners jumbo frets set neck mahogany neck and body. You can find em used for $300-400 and need absolutely nothing but to be plugged in. The ec256 is a great option but for the same price get the 401 used. I have a 65 jaguar a newer mustang 2 epi's 1 paul 1 SG and when I picked up the ec401vf for $300 it was the best value to quality ratio I have ever had in a guitar. You won't be disappointed. The ec400 series were also made in s korea and the earlier 401s were made there also. The newer ones are made in China and Indonesia but the quality is still incredible. I got a s korea model ec401vf w seymour setup. It smokes my epi l.p. tradional pro and was $250 cheaper. By far best deal it there.
hey i have a decca guitar 2 pick ups sight body damage. i bought it for 7 us dollars included amp (amp doesnt work).i put probably 50 dollars into repairs on other thing such as new strings. another repair i made was where the neck connects to the body of the guitar someone unscred that plate pulling the guitar apart shoved "wallpaper or tissue box pieces" in it screwed i back together. i cant find any similar guitars like this in shape. but it has the decca trademark. no model numbers or anything. my guess is someone took a fender body and replaced the neck, becausee the neck doesnt line up with the body. there is 1 tone dial 1 volume control 2 pick ups 6 strings a "whammy bar" which is held up by a thick spring about an inch long. the whammy bar does fold back to the guitar wich caused most of the scratches before i recieved this guitar. please email me if you understand what im saying and have something nice to say especially if it is worth more than $7.50. aain my email adress is my name is Craig Nuckles.

The Aston Sedona is an ES-335 inspired design that truly lives up to the standard. With solid maple construction, 23-3/4″ scale length, bound fretboard, body, and F-holes, 22 fret rosewood fretboard, classic toggle, tone, and volume controls, tune-o-matic style bridge, stop tailpiece, and smooth, strong humbucking pickups, this guitar can hold it’s own with the classic designs and shine!

Now that we mentioned some of the exotics, it’s time to go back to the roots. Epiphone Les Paul Standard is as old school as it gets. Legendary LP body style that brings a no-nonsense combo of hardware has always been the way to go. I actually have one of these, and after years of playing it keeps surprising me. I’d say it easily punches way above its price range.
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Guitar effects pedals are a great way to get started with electronics. The simplest ones only require some basic skills to assemble. The few parts can be easily obtained, and the minimum of tools required can be purchased quite cheaply. Better still is the gratification from plugging it in for the first time and being able to incorporate a pedal that you made yourself into your music. With the skills you acquire, you can graduate from simple to more complex projects; maybe build an entire pedal board of your own effects. Your friends might ask you to build pedals for them too. What you learn can also be put to use with commercial pedals, as you will better understand how they work, and will be able to repair and hot rod old pedals. If you are interested in working at a repair shop, as a guitar tech, or for an electronics company in the future, your portfolio of home built pedals will be a great advertisement for your skills.
All beginners and intermediate instruments are expected to have some notable accessories that will aid the paying process, and the LyxPro didn’t disappoint in this regard. It comes with all the necessary tools that will aid your playing right away, and these include; tremolo bar, 2 picks, shoulder straps, and carrying bag for proper storage and comfort.
I know this is one of those questions where there's not any one single correct answer, but I'm curious what neck relief specs others are using for their SG? I've read enough articles on the web to acknowledge that there's clearly no consensus, as there probably shouldn't be, considering different playing style, string gauge selection, etc. Yet I still would be interest what others find useful as a starting point. Recognizing that neck relief is just one step (the first) during set-up. According to one useful article that I read (http://mysite.verizo...guitarsetup.htm), when the question was put to Gibson, their response was:

I have a problem visualizing a pickup wiring diagram that I am trying to set up. I just purchased a set of the new Fluence Strat pickups and I can’t figure out how to connect one of the wires coming from the bridge pickup (yellow wire – preamp input). I am using 3 mini toggle switches instead of the 5 way switch so I am having trouble transferring the different wiring scheme. Basically, the Preamp input and the preamp output from the bridge pickup connect to the 2 connections that normally have a jumper on the 5 way switch, so I can’t figure out how to change the wiring. I can upload the diagram if that would help. Thanks.

What people may not know is that they have a very affordable line of entry-level guitars.  This line continues the legacy of craftsmanship and prestige that comes with owning a Taylor. Whether you look into their line of Baby Taylors – 3/4 sized guitars that play better than many full-sized budget guitars, or you look into their entry full-sized acoustics, Taylor will not disappoint you.
Along with Taylor, C.F. Martin and Co. sets the mark for top-level American-made acoustic guitars. They’ve been around since 1833, and today they make most of their guitars in Nazareth, Pennsylvania. They use premium materials to get the best look and sound out of their guitars, but they’re also a leader in understanding the environmental impact of over-harvesting tonewoods.
A fuzz pedal is essentially an extreme distortion effect. Because fuzz so radically alters the signal, it is often used sparingly for contrast, rather than as a meat-and-potatoes sound. Since it thickens up the tone so dramatically, fuzz can be fun for intros and solo guitar parts when no other instruments are playing. Jimi Hendrix playing "The Star Spangled Banner" is a classic example of fuzz-infused guitar.
The latest in a grand lineage of guitar-based Kings, Marcus [pictured, top] has - without exaggeration - the chops to bear that weighty association. Mentored by ‘Uncle’ Warren Haynes, he was personally tipped to us by Kenny Wayne Shepherd and leads a band of formidable players that seem able to turn on a dime from Miles Davis jazz jam to blues and searing Southern rock. 
We all know the sound of this effect: It replicates varying degrees of the sound of playing your guitar in the gym showers, a cathedral, or Mammoth Cave, and it has proved itself one of the most atmospheric aural adulterations available. Since none of those locations is entirely gig friendly, however, our ever-handy techs have bottled the flavor in a reliable, portable form. This category covers both echo and reverb effects, since they are versions of the same thing. The term “echo” was used more often in the early days, and is sometimes used today to refer to the distinct and distant repeats of a signal, while “delay” refers to anything from the same, to the short repeats heard as reverb, to the complex, long, manipulated repeats of an intricate digital delay line. Either way, they are both really the same thing, just used differently.
If you like the traditional look of a Fender Stratocaster, but want something a bit more modern with a little more output for heavier blues, rock, and metal tones, the ESP LTD SN-200HT is a fantastic value for the money. You’ll get a great range of tones thanks to the humbucker in the bridge position, and two single coils in the middle and neck positions.

I went to work for Southland Musical Merchandise Corporation on August 1, 1972. The company had been formerly owned by a very honest man named Harry Greenberg. Earlier in 1972 he sold out to Onsite Energy Systems and everything changed from "let's make the best product at the best price" to "let's see how high we can make our profit margin - to hell with quality".
Why We Liked It - The Martin DRS2 will take some beating as one of the all-round best electric acoustics you can buy, simply because you’re getting the finish and tonal quality of a much more expensive guitar for a solid price. Whether you’re mainly looking for a traditional acoustic you can occasionally amplify, or you need something professional grade for gigs, this could be it. In terms of recording your guitar, you can mics for guitars or a microphone for the guitar amp. If you're looking for an alternative, check out the Martin Road Series DRS1 Dreadnought.
If straightforward lessons aren't what you're looking for, fear not: Rocksmith 2014 tries to refresh your picking skills through games that veer into the ridiculous. I tried out Return to Castle Chordead, which revels in delightfully bad NES-style graphics (the game challenges the player to zap the hungry undead by playing the correct chords). Scales Racer—which, you guessed it, teaches the major and minor scales—puts the player in a car fleeing the police. Pick the right notes and you zip between lanes, eluding the fuzz.
Charlie Christian and Django Reinhardt are generally held to have initiated the use of the guitar to play melodies and improvisations over other instruments, the former using an early form of amplification, the latter playing forcefully on an acoustic guitar. Over the years, jazz guitarists have been able to solo in standard jazz idioms, such as bebop, cool jazz and so on, while in also absorbing influences from rock guitarists, such as the use of electronic effects.
Finally we have the good old Jackson JS22 Dinky. This is more or less Jackson’s default entry level model. As such, it brings the type of performance every beginner wants. Especially if they plan on playing metal. The pickups on this thing don’t have a whole lot of range, but I’ve managed to squeezer a light fuzz out of them. There wasn’t much range, but the consistency of tone was more than satisfactory.
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But alongside Davy Graham and Jim Hall, the other musician I really wanted to remind you about was Martin Taylor. Astonishing technique – enough to make the shredders weep with envy, coupled with an exquisite feel for melodic line. Martin is one of the few guys (or gals) whose playing brings tears to my eyes regularly. When one of his albums gets into my CD player it stays there for weeks. In many ways, a natural successor to Django Reinhardt, truly a master of music as well as the guitar art and DR’s principal competitor for a top ten place in my list.
The very first thing to remember about pickups is that the active option is not necessarily better than the passive choice, and vice versa. Each type brings its own set of drawbacks and benefits. Passive pickups might be limited in terms of signal strength and tone shaping, but they are much more expressive in comparison to the active pickups in terms of picking and strumming intensities.
I figured it was a bad choice of pickups and eventually, with great anticipation, purchased a set of P-Rails after hearing the great demos of them on youtube. I am a pragmatic engineer and used to believe that the tone of an electric guitar MOSTLY came from the pickups. How WRONG was I. The P-Rails sound just as muddy as the JB and M22V (in fact, the M22V should be really bright because it's a lower winding count an lower DC resistance p'up).
The Stratocaster’s sleek, contoured body shape (officially referred to by Fender as the “Comfort Contour Body”[5][6] ) differed from the flat, slab-like design of the Telecaster. The Strat’s double cutaways allowed players easier access to higher positions on the neck.[7] The body’s recessed “beer gut” curve on the upper back, and a gradual chamfer at the front, where the player’s right arm rests, aided player’s comfort. The one-piece maple neck’s wider “dogleg”-style headstock contrasted with the very narrow Fender Telecaster’s headstock shape. The strings are anchored on a through-body pivot bridge attached with springs to a ‘claw’ in the tremolo cavity on the back of the guitar.
Perhaps the most popular choice though is a paper in oil capacitor. I have tried so many brands and options, and truth be told, it's very hard to notice a substantial difference and you can, unnecessarily spend a lot of money on premium ones. I received so many requests for a PIO equipped harness, so in an effort to try and whittle my findings down to a good value, tight tolerance and good sounding paper in oil capacitor, I've settled with one made by WD Music USA which are superb. Compared to other PIO caps on the market, they're a reasonable price and importantly are tight tolerance meaning the key details about how it will react with a tone pot, is accurately presented. Again, no real right or wrong here, if your budget allows you to go crazy on capacitor choices, no one can tell you not too. But truthfully, just pay attention to the tolerances, as that will tell you the most about how it will 'sound'. 
I have a yamaha sg 1000 like Carlos Santana's. It rocks! I tried it with a Gibson sg of the same price and it didn't match the quality. Then I tried a Les Paul Gibson about one and a half grand more, even that wasn't as good as the sg 1000. Lets face it, the Japanese (this does include Ibanez for they are awesome too) kick ass when it comes to quality and price!
Kamico guitars were lower-priced versions of Kay's original guitars. They were among the first guitars to use a humbucker type pickup, predating Gibson by some few years.[citation needed] Produced along with Kay brand name guitars from 1931–1951, according to most sources. The most recognizable model is the Jumbo Jazz. Kay also made banjo's under the kamico name.
Barney Kessel was known for playing his Gibson hollow body jazz guitar and used it almost exclusively on his own recordings. But when it came to rock, pop, r&b and blues recording sessions with the most popular performers of the early '60s such as Elvis Presley, Sam Cooke, Connie Francis, T-Bone Walker, Ike & Tina Turner, Phil Spector, Dinah Washington and Bobby Darin, Kessel turned to his Kay Barney Kessel Artist guitar.
And, well do a whole lot of other little wonky sound-altering tricks that an engineer on the guitar factory (or a brave dude with a drill and a soldering iron) can think of. I've actually seen some people attach effect pedals to guitar bodies to have access to the knobs while they play (namely Zvexx Fuzz Factory comes to mind). Of course, that can also make the guitar look super high-tech with all of the switches, LEDs and knobs - to a less experienced viewer.

In a pinch, you can check for standard string action using a business card; it should just fit between the fret and the string at the 12th fret. Be prepared to adjust the neck at least a couple of times a year, particularly if you live in an area with large humidity swings between summer and winter. If your action is very low and you're still having difficulty playing bar chords, etc., you may want to switch to lighter gauge guitar strings. Be prepared to re-adjust the neck after you restring, because lighter strings exert less pressure on the neck, so you may now have an underbow.

It’s a good idea to make a template for your wiring on any guitar where the controls aren’t mounted to a pickguard (like a Strat) or a control plate (like a Tele). To make the template, put a piece of non-corrugated cardboard over the guitar, use finger pressure to find where the control holes are, and very carefully poke through the cardboard with a punch or a nail to make a hole for your template. You can enlarge the holes with a pencil or a round file until they are big enough for the controls to be mounted snugly. It’s also a good idea to write what is supposed to go where on the template with a marker.
Justin actually has two YouTube channels, one for his guitar lessons and one for teaching particular songs. While his channels are excellent, you’re better off to access them from his website at where you’ll find full, comprehensive menus and links to each video along with explanations of the content. You’ll have no problems of watching a full video, only to discover it doesn’t include what you wanted.
A half-century later, effects are everywhere. Whether they’re built into your amplifier, a single pedal, multi-effects processor, rack-mounted, or controlled through an iOS device, there’s a vast array of tones at your disposal, ready to add sonic magic to your performances or recordings. Most recording and performing guitarists have come to depend on effects to add flavors both subtle and flagrant to their sound, helping them to carve out the signature tones with which they’re identified.
If you aren't planning to be in a band, i would get a modeling box like a POD, and just play on headphones. If you have the cash, I would just buy things here used on Craigslist, then sell them when I was leaving. If you know your prices, you could use the gear and get all your money back. Voltage issue is a problem with amps, one that is solvable, but seems like hassle for you. it really depends on your needs when here though.

One of the most appreciated brands on the market at the current time, the Epiphone by Gibson surely won’t let you down. The company was founded 144 years ago by Anastasios Stathopoulos and is still running today. This brand is known for producing top-notch guitars that many players love and recommend, the reason why its popularity increased over the years.
Another important point I want to add here is - if you are on a budget, do take a look at models in higher price brackets. Why? The simple reason is, it will make you aware what a good guitar looks like. The expensive ones usually have better sound quality, better looks and it is more comfortable. It will help you grow along with the guitar. Always buy the higher priced guitar in the range that you can afford.
The Marine Band Thunderbird is a model of low and super-low pitched 10-hole diatonic harmonica that was introduced in 2011. It possesses a bamboo comb like the Crossover, and a conical shaped lower cover plate. Designed by noted harmonica player and customizer Joe Filisko, this plate helps reduce any rattle caused by the low frequency tone produced by the reeds. It is available in low major keys A through F, as well as low B-flat and E-flat, and double-low F.[14]

A lot of amps, especially in higher price ranges, have a lot of effects and features. They catch an eye and are pretty fascinating, but in a lot of cases, they are … useless. Well, not all of them but I am pretty sure that if an amp has a hundred different features you won’t be using all of them or even half of them. Features on amps are like the stand at the registrar of a grocery shop. They just catch an eye and you want WANT WANT them (for no other reason than it is interesting and cool looking)! Well, if you are going for an amp is the $100 price range you won’t have as much luxury or freedom to choose from a lot of features. Most practice amps are pretty standard and basic (in the best of ways). And to be honest, I don’t think as a beginner you really need a lot more than the basic effects and functions.
The output of the rails is a crunchy, high sustain rock tone that turns your Strat into a much heavier and hard-hitting instrument. The pickguard, pots and five-way volume selector are all included with the wiring taken care of. It’s also really easy to change pickups using a solderless method that allows you to remove and add pickups by simply using screws.
ACT TRMOLO REPLACING THE STRINGS ACT tremolo allow two styles of string installation. 1) The strings are installed by putting the ball end into the string slot and hooking the ball end below the string catch at the rear of the tremolo unit. 2) The strings are installed by putting the ball end into the string slot and hooking the ball end in the string catch at the bottom of the tremolo unit.
Acurious phenomenon that ac-companies certain guitar compa-nies is an inability to translate success from one medium to another. For instance, Martin has never been able to transfer its reputation for high-quality acoustics to electric guitars. And Fender has never been able, on its own, to really succeed in marketing acoustic guitars. Instead, it purchased Guild.
A Reamp® box is essentially the reverse of a DI box and converts a balanced signal into an unbalanced signal suitable for driving guitar amps. Radial makes three different versions of this device with variations in features and in quality of the transformers. For an introduction to reamping there is the passive ProRMP™, for high quality reamping there is the Reamp JCR™, and at the top of the line is the dual-channel active X-Amp™.
With the neck profile and nut slots correct, approximate the positions of the string saddles for correct intonation. Low E and G string will set back about 3-4/32nds of an inch longer than the exact scale length. The A and B strings will set back 2-3/32nds , The D and high E about 1 32nd. Scale length equals the distance from the fretboard edge of the nut (where the strings bear off) to the middle of the twelfth fret, times 2. If the measurement from the front of the nut to the middle of the 12th fret is 12.75", then you have a 25.5 inch scale length (12.75 x 2= 25.5) Final positioning is done once saddle height is determined, but you need to be close to this final location when determining the saddle height.
This guide is as marvelously written as it is exceedingly informative. It takes a long look at each of the major and minor American guitar companies — Gibson chief among them — and recounts the story of every guitar to come off their workbenches. Buoyed by scads of historical photos and thoroughly researched copy, this book earns its place at the top of this list.

Soft and soulful is the second name of Fender guitars and basses. They are famous for their fruitful and enchanting tone. It is one of the most recognized brands in the world. Every note that is played on this guitar is pleasant and pure. There are two factors that contribute to such a thrilling tone. Firstly, the majestic shape of the 'strat' in resonating wood and secondly, the perfect configuration of three pick ups. The pick ups are usually singe coiled. However, there are cases where double coiled third pick ups have been used. Fender is a very popular guitar brand, and artists like Eric Clapton who plays extremely soft music, and heavy metal bands such as Iron Maiden have also used the same brand. Models like Stratocaster and Telecaster have etched their names among the greatest guitars ever made. Fender offers myriad of designs, styles, and configurations. If you are a beginner, then go for any Fender model, it's probably the best guitar for novices or amateurs.

There are a couple different versions of the Woody acoustic pickup, both of which are highly affordable. This version, coming in at $60, is a passive and noiseless magnet that delivers a balanced tone and can be easily removed or installed at a moments notice. To do so, simply snap the pickup into the soundhole or snap it out as needed. This functionality is a big part of what makes the Woody design one of the most popular and widely used in the world of acoustic pickups.
Basic distortion boxes can be built around a simple network of transistors and clipping diodes, to both boost the signal and alter the waveform. Most units, however, very roughly resemble the standard mass-production overdrives detailed above, with the heavy work done by opamps, some tone-shaping stages, and input/output buffers. The ProCo Rat set the standard for heavy distortion sounds above and beyond the capabilities of the MXR Distortion + and the Ibanez Tube Screamer, although in fact its design is surprisingly similar to the former (discussed above), with silicon diodes in place of germanium, and an added tone control. 

A: If it looks like a ??? it almost certainly is a ??? Because the factory used to change the hardware at a whim there will be slight variations. This has, in most cases, nothing to do with a particular year but more to do with what happened to be to hand at the time. Some exceptions are pickups, pickguards, logos and headstocks. All I know is here on the website if you look hard enough. Also bear in mind that your guitar may have been modified at some stage in its life.

I was paging through my daughter's Rolling Stone Magazine today and saw a small article with three different artists that use Harmony Guitars and they were singing their praises. I'm an old dude (or shall we say vintage)who's not familiar with all of the new bands popping up today, so I can't even tell you who these artists are. However, I did find it interesting that Rolling Stone did a spot on these guitars. I was too young to get my hands on many Harmonies when I was a kid, so I can't comment on their quality, but I know they were budget guitars and weren't considered anything special back then.

In January 2017, Vox introduced the MV50 amp head and amp sets. Described by Vox as a hybrid amp, the amp heads are called the MV50 AC, the MV50 Clean, and the MV50 Rock. When paired with the BC108 cabinet, each is then described as the MV50 AC set, the MV50 Clean set, and the MV50 Rock set respectively. Vox states the MV50 AC is designed to provide the sound of a VOX AC30, and that the MV50 Clean is designed to provide clean tones with a lot of headroom as inspired by the sound of American amplifiers. Vox states the MV50 Rock is designed to provide the more aggressive high gain sound of vintage British amps. In January 2018, Vox announced two new MV50 amp heads: the MV50 Boutique and the MV50 High Gain.
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Paul Landers, of Neue Deutsche Härte band Rammstein has a signature guitar based on his custom-built guitar. It features a mahogany body with a maple cap finished in satin black with silver binding only around the front of the body. The neck is also made of mahogany and features an Obeche fingerboard with no inlays or binding. Hardware includes a hardtail tune-o-matic bridge and Grover locking keystone tuners. The guitar also feature chrome-covered EMG pickups; an 81 in the bridge, and a 60 in the neck. It also only has a single volume control and a 3-way pickup toggle switch.
For something like the application you suggest, getting a used prior generation Line 6 pedalboard like, say, an HD500, might be more cost-effective than trying to patch your laptop into the effects loop of an amp. You can fine tune the Line 6 and add downloaded patches to it with your laptop via a USB cable, but still be able to hook the Line 6 up to your amp with standard 1/4″ TRS plug instrument and patch cables like you use with stomp boxes. Your total outlay would be maybe $250, possibly even less, and that particular model is giggable, versatile, includes a looper, and sounds about 99.5% as good as Line 6’s current stuff. Even the POD X3 Live I have lying sounds pretty darned convincing on many of its models, and it’s like three generations long in the tooth.

The name Epiphone stands above all for very good, less expensive alternatives to the unfortunately always quite expensive Gibson guitars. Gibson tries to offer good alternatives to their Gibson branded Instruments through its subsidiary Epiphone. Les Paul, SG, Explorer and other models. Todays Epiphone program includes electrical, half- and full-resonance guitars, basses, acoustic and electro-acoustic instruments, banjos and mandolins. Epiphone stands on the one hand for innovative ideas in guitar manufacturing and on the other for successful replicas of instrument classics that are affordable for everyone.

It has been said that Barney never played his signature Kays. On the contrary... Barney Kessel has been photographed in concert with the Kay K8700 Jazz Special on multiple occasions, has made appearances at Waldo's Jazz Club on the television classic "Johnny Staccato - Television's Jazz Detective" and has been confirmed by son Dan (who also recorded with the Artist on several famous recordings) to have used the Artist to record countless rock, pop, r&b and blues hits with the most popular performers of the early '60s.
With all of the guitarists gracing our list having been connected to the world of music for several years if not decades, we are quite confident that these successful musicians are in fact deeply rooted to the music, in spite of their obvious fame. Even if you are doing a job simply to please people and to make money, it can be hard to keep up the pretense for thirty odd years, with cameras following you around 24/7!
Founded by a father and son, Ryohei Tahara and the unknown Tahara. I do not know which was the father and which was the son. The company existed until the late 1979 when it was bought up by Saga Musical Instruments. In all, the company existed less than a decade as Tahara. Both the Maya and El Maya badges are attributed to Tahara. Saga Musical Instruments exists to this day.
Overdrive and distortion are effects that introduce harmonics to your guitar tone by pushing more volume into a circuit until it can’t handle it anymore and starts to break up. The types of sounds you can get from an overdrive or distortion range from a light boost to a full on metal crunch. Overdrive and distortion effects are great when placed after a compressor but before any of your other effects.
zircon wrote:Is there any particular reason you're opposed to Kontakt libraries? All of the plugins you mentioned are sample-based themselves, with the notable weakness that you would not be able to change the mapping, grouping, programming (etc), unlike with Kontakt. As someone who uses a lot of virtual instruments, I'd say it's always preferable to have a sample-based instrument in an open sampler plugin since you can see what's going on under the hood and change things like envelopes as needed.
The double-neck guitar is designed so that two guitar necks can share one body. This design allows the guitarist to switch between either neck with ease. The double-neck guitar will normally have a standard six-string neck and a twelve-string neck. Other combinations, such as a six-string neck and a fretless neck, are available. The double-neck guitar may be used in live situations when a guitarist needs a twelve-string guitar for the rhythm part and a six-string guitar for the solo break.
So I got this kit last week full of hope yet penssive knowing that these kits from over seas have lots of problems. On first inspection the kit was okay, Nothing, I thought at the time, a little TLC couldn't fix. Here I am getting ready to install the electronic today, level the frets, string it in and play. As I opened the pakage with all of the tone and volume pots I noticed one thing super wrong right away.
I have a hunch its a cheapo guitar and probably not worth a neck reset. Can't tell if it has a bolt on neck. my other guitars all have more warped soundboards though. The saddle is sort of cradled in wood by the bridge, the angle could be better, but I'm surprised there is any angle considering the saddle only pops out like a millimeter. The bridge curves down towards the pins to provide the angle. It probably has been set up in the past by someone who wanted an acoustic guitar to play like an electric, then it got reversed it later by way of the truss rod.
Later, in 1955, Gibson launched the Les Paul TV model, which was essentially a Junior with what Gibson called a natural finish. This finish was actually more of a translucent mustard yellow through which the wood grain could be seen, and was not unlike the finish that competitor Fender called butterscotch yellow. The idea behind this TV Yellow was that white guitars would glare too much on early black and white television broadcasts, whereas TV Yellow guitars would not cast a glare.
Equalizer or EQ pedals have traditionally been used to boost audio signals for solos. If you want to boost the middle frequencies, the EQ will do the trick and provide a tight tone. Some musicians don’t find boosters and EQ pedals to be necessary in a chain, so make sure you do some research to figure out if this type will really benefit your sound
The F-55 was identical to the F-50 except for the addition of a bridge DeArmond humbucker, plus the attendant three-way toggle on the cutaway horn and a second set of volume and tone knobs flanking the treble f-hole. The F-55, too, had a Martin “M” trapeze tail. This series began with guitar #279831. Some 1,700 F-55s were made from mid-’62 to the summer of 1965.

Best acoustic I've owned. It's an Oregon dreadnought, an all round stunning looking guitar. The sound is beautifully balanced, clear with nice defined bass, sits perfectly in the midrange and projects well without being too bright. It's light weight with meticulous craftsmanship and beautiful timber. When you look at these guitar it's obvious that they are built with a lot of care and attention to detail.

Founded by the American Orville Gibson in 1902, Gibson is without a doubt the other legendary electric guitar brand. Their most famous model holds the name of the very popular guitarist Les Paul, who collaborated with Ted McCarty in its design back in the 1950's. Unlike the Telecaster and Stratocaster, the Les Paul boasts a mahogany body, a set mahogany neck, a rosewood fingerboard, and a maple top. Among the many Les Paul players we find Jimmy Page from Led Zeppelin:
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If you’re one of those “I plug directly into the amp and don’t need no stinkin’ guitar effects pedals” kinda dude, then godspeed and thanks for stopping by. On the other hand, if you own a pedal board upon which you trip the light fantastic, stick around — this list of guitar effects pedals you must have will validate what you might know, illuminate what you don’t know, and quickly help you generate a massive and highly versatile sound palette.
To load a SoundFont in sforzando you can just drag and drop to the desktop or click Instrument, import and navigate to your SoundFont. Another good free program for PC is MuseScore and loading a new SoundFont is done by putting the file in the default Musescore SoundFont folder then selecting View, Sythesizer, Add and Set as Default. Musescore has basic editing capabilities as well as an excellent sheet music/score viewer and editor.
’71 blue vinyl combo guitar amps included the Univox 1040 and 1240. The 1040 Guitar Amplifier ($480) was a combo sporting 10 tubes, 105 watts RMS, two channels, four inputs, volume, bass, middle, treble controls for each channel, presence, reverb, tremolo, footswitch, and two 12″ Univox Heavy Duty speakers with 20-ounce Alnico magnets (possibly Jensens). The illustration shows a grille with two small circles on top and two large circles for the speakers. It’s possible this had a pair of tweeters in the small holes, but the description doesn’t say. The 1240 Guitar Amplifier ($399.50) featured eight tubes, 60 watts, two channels with the same controls as the 1040, and four 10″ Univox Special Design speakers with 10-ounce ceramic magnets (again, sound like Jensens). The grille had four round cutouts.

We tried adding treble to the acoustic guitar.. It sounds like a xylophone, only the highs are heard. Panning is a good idea. I remember doing it with several synthesizer tracks to make more space. Unfortunately we already have a compressor in the pedal-board and it doesn't help much. The dynamics are flat but the electric guitar is still screening the acoustic one even at a quite low volume. I guess it will still be so... whatever we do. I wonder how people manage 4 or more guitars all at once. – SovereignSun Jan 10 '17 at 9:28
The Blueridge BR-160 Historic Series dreadnought features classic vintage styling with modern improvements. For its Historic Series, Blueridge took inspiration from guitars made before the Second World War. However, instead of using the rarer and restricted woods such as Brazilian rosewood used in vintage guitars, Blueridge opted to use more abundant tonewoods that produce the same sound quality.
Throughout the 40’s, racial segregation was still in force across America, however within the music community, (both listeners and musicians) race boundaries were beginning to disappear. African American music (a.k.a ‘Race Music’) was popular with white communities too and with the vast melting pot of musical styles by that point including Folk, Country, Jazz and Delta blues, something exciting started to take shape.
Almost since the birth of amplified guitars in the early 1930s, players looked for ways to enhance the sound of their electric guitars. A huge variety of guitar effects have emerged from their experiments. These include rack-mounted effects, effects built into amplifiers, and pedal effects. While rack-mounted and built-in effects are separate topics, this article focuses on stomp boxes, which are foot-switchable pedal effects designed for use during live performance.
I use a cheap zoom effects box (actually because it has a fabulous digital tuner built-in) and if I want to play at home I plug that into the stereo. Don't have it any louder than you would a CD etc .. (ok maybe a bit ;-) ) gives you the flexibility of all the effects sounds plus because it's stereo (assuming you hve the speakers a few feet apart) you get that feeling of it being "large" when really it's not that loud.
Enough with the American brands, haven’t the rest of the world got something to offer? Well, Japan has come up with a few! Ibanez for example offer amazing guitars, and when they first started out the original idea was actually to offer good copies of American electric guitars! Today they have moved on to doing their own thing, and produce excellent guitars.
Distortion is an important part of an electric guitar's sound in many genres, particularly for rock, hard rock, and metal. A distortion pedal takes a normal electric guitar signal and combine harmonic multiplication and clipping through the use of analog circuitry to create any number of sounds ranging from a fuzz sound to the sound of an overdriven tube amp and beyond! Distortion is essential to Heavy Metal Music.

The next step up from a Fender Squier Bullet can be a Fender Squier Standard Strat, but if you can afford 50 dollars more you are the owner of a Fender Deluxe Stratocaster which is a really good guitar for beginners, intermediate and advanced guitar players who don’t want to spend a fortune but do want a good quality guitar which is decent enough to upgrade later on with better pickups and hardware to make it top notch. If you don’t want to spend a 1000 dollars on a real american Fender Stratocaster then this is the best alternative.
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Rosewood » The diminishing supply of Brazilian Rosewood has led to Indian Rosewood replacing it in most markets. While the two look different, the tonal quality is virtually the same. One of the most popular and traditional woods used on acoustic guitars, rosewood has been prized for its rich, complex overtones that remain distinct even during bass-heavy passages. It's cutting attack and ringing tones make for highly articulate sound and plenty of projection. Rosewood is also a popular choice for fingerboards and bridges.
And just a quick note: I do not buy or sell guitars. I have no idea what any given guitar from this period would sell for. I don't know if some of the listed guitars are indeed valuable. My sole purpose is to help people looking specifically for information on the maker of their MIJ guitar. So please...don't ask me what your guitar is worth. To me, they're all priceless.
As with other plucked instruments (such as the lute), the musician directly touches the strings (usually plucking) to produce the sound. This has important consequences: Different tone/timbre (of a single note) can be produced by plucking the string in different manners and in different positions. For example, plucking an open string will sound brighter than playing the same note(s) on a fretted position (which would have a warmer tone).

Get used to people staring when you bust out this guitar. Its thinner mahogany body with satin finish delivers killer sounds while also being ridiculously pleasing to the eye. When it comes to tonal diversity, this guitar hits it out of the park. With Super Rock II pickups, you’ll be able to shred crunchy riffs while also being able to switch the pickup to single-coil mode to get those beautiful, clear, resonant tones. To spare you some technical mumbo jumbo, Schecters have hardware that promises to keep your guitar in tune longer, which is always a plus! Grab a Schecter Stealth for just under $500. 

: I own a Decca guitar, it is what I learned to play on many years ago. From what little I have gathered about them they were an order by mail brand, and you could only get them from a catolog such as Sears & Roebuck. I havent been able to find a price for them or any ifo on what catalogs they were from. Mine has a Ernie Ball Musicman-like peghead (4 one side 2 on the other) and has a metal pick guard with 2 giant switches which seem to have no effect on tone. It has a brown & yellow sunburst paint job (ewwww).I thought I possibly had the only one in existence, lol, guess not.

It's like saying the wood handle of a hammer effects the tone generated by hitting a nail. The nails been hit, vibrations through the wood afterward are pointless. Unless the guitar itself is metal and hollow, you would hear sound generated acoustically, as you would with any acoustic instrument. An electric guitar is not an acoustic instrument in a classical sense.
Now, since I have started on my wishlist there is another thing that I would like to add. I have seen multi angle videos that include a shot the finger board from the point of view of the player. Looking at this video angle it shows the fingerboard from the same angle as when you are playing it yourself. This is a great view as you do not need to translate what you see mentally. You see it, you play it the same way.
Here we have old "3-hole" this is another great Japanese Vintage Guitar! this one is over 40 years old wow! ...its wonderfully aged woods contribute to its rich great sound... this example is one of the greatest Martin style Copies from one of the finest "law Suit" Acoustic instrument builders of Japan Yamaha Nippon Gakki...This model is the very popular FG-140 RED LABEL ....JUST IN! more info soon to come please see the detailed pics of this guitar for a link to many more pictures ( 40 ) or more from every angle Very good- excellent condition If your wondering why we call this one "3-hole" is because someone in its past life had an electric pickup of some type and it came to us with 3 tinny holes in the top... we have since filled the 3-tiny holes one on upper treble bout and 2 below the rosewood bridge... we filled & clear coated so its all solid and is very hard to see but are their also a fine hairline crack threw the finish exists at the bottom of the neck the original owner said its been their more than 20 years and has not changed and is solid...if wanted after sale for free at your request fill sand it and fill with lacquer and sand and buff smooth I expect that would do the trick to cosmetically improve the look of that but its really fine as is... What is rare about this oldie but goodie its all original and even has the original gold lined Yamaha logo Hard shell case in pretty respectable shape too...see the extra pics ( I will have a link to those pics posted later ) for those details... Great sound and pretty EZ to play too I just Cleaned it to remove the grime but leave all the original patina and also dehydrated the woods and she drank it up and after drying we finished it of with a fresh coat of wax finish was applied the woods still shine like a shinny new dime.. great old guitar.. JVG Rated in Very good Original Vintage condition with its share of natural play ware visible upon closest inspection of the neck width is 1-3/4 @ nut and the action is set good at 3-16ths @ 12th fret.. the fretboard and frets still playing well no need for a refret some fret indentations yes but its still plays just fine at 80+%, top has aged naturally with nice Patina now and has several fine finish cracks etc..same as a well loved and played 40+ year old Martin would have at several thousand dollars less than a 40+ year old martin. This guitar has been restrung with New Martin Marquis Strings and sounds great...This one you have the option of buying an original vintage Yamaha Hard Shell Case..these cases are rare and hard to find now the handle was warn and has a replacement quick fix and it works perfectly...just $69.00 additional .
"I'm the famous guitar player," the late Duane Allman said, "but Dickey is the good one." The two spent less than three years together in the Allman Brothers Band, but they established an epic rapport – jamming at length, trading solos and playing their famous twin-guitar leads. After Allman's death in 1971, the group continued with Betts, scoring with "Ramblin' Man" and "Jessica." For all his blues and slide chops, his roots are in jazz, and you can hear the influence of his clean-toned modal soloing in every Southern rock group that's followed.
Electronics kit building kind of fell out of favor during the computer age as the home based technology enthusiasts moved to assembling PC’s, and software development. But home brew electronics has enjoyed a resurgence in recent years in what is now called the maker community. Internet electronics stores such as Adafruit and Element 14 are enabling 21st century geeks to build anything from simple circuits to complex embedded computing projects. These sites provide documentation, tutorials, video channels, and of course, a store, where you can purchase the tools and components required to internet enable your toaster, or feed your cat from the couch.
Now that we mentioned some of the exotics, it’s time to go back to the roots. Epiphone Les Paul Standard is as old school as it gets. Legendary LP body style that brings a no-nonsense combo of hardware has always been the way to go. I actually have one of these, and after years of playing it keeps surprising me. I’d say it easily punches way above its price range.
Learning the notes on your guitar fretboard is one of the most important things you can do to advance your guitar playing skills. Knowing this information opens up an enormous amount of possibilities and can greatly help ease the learning curve for future guitar exercises. From scales, to soloing, to chord positions / progressions, knowing where each guitar note without having to think about it will put you well ahead of other guitarists who have not mastered this yet. This guide will give you some background information regarding how the notes on your guitar fretboard are laid out and of
You’ve decided to pick up an axe and learn to shred like one of the pros. While mastering the guitar is no easy feat itself, before you even start jamming you’ll probably find yourself looking through site after site trying to find the right instrument. It’s hard. There’s an expansive list of components to be taken into account: body styles, wood types, pickups, bridges, necks — and that’s just scratching at the surface.
You didn’t think we would forget bass amps, did you? Due to their inherent differences in design, bass guitars require a dedicated amplifier – using your old Fender Champion isn’t going to cut it. Bass amps offer more power, with some outputs reaching 1000 watts or more. Like guitar amps, bass amplifiers come in many shapes and sizes – including heads and combos – although the mid-range Hartke HD500 offers a stage-worthy 500 watts of power in a portable combo unit, with great controls and an excellent balanced tone.
In 2003,[73] Gibson debuted its Ethernet-based[74] audio protocol, MaGIC, which it developed in partnership with 3COM, Advanced Micro Devices, and Xilinx.[73] Replacing traditional analog hook-ups with a digital connection that would, "...satisfy the unique requirements of live audio performances," may have been the goal of this project.[74] This system may require a special pickup,[73] but cabling is provided by a standard Cat-5 ethernet cable.[73][74]
The Dobro All-Electric featured a pickup purchased from the fellow who’d invented it in ’32, Arthur J. Stimson of Seattle, Washington (it was not invented by Dobro’s Vic Smith, as has been reported elsewhere). This was, as far as we know, the first modern electric guitar pickup, with the magnet under the pickup, rather than over the strings, as on Electro/Rickenbacker instruments (or the presumed “transducer” on the ’28 Stromberg-Voisinet). Stimson’s pickup had a large horseshoe pickup in the body with two coils, one for bass and one for treble strings, each with its own bar polepiece. A 1/4″ jack outlet sat on the top down near the standard stamped National trapeze tailpiece, next to a single volume control.

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The reason: The dynamic range of music can exceed 60db (power ratio 1:1,000,000). Transients within the music can exceed 20db (power ratio 1:100). Therefore amps under 60Watts and ‘Single Ended Class A’ will not be discussed in this text. Valve amplifiers are used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS systems, audiophile stereo amplifiers, military applications (such as target acquisition and radar) and very high power radio and UHF television transmitters
For the most part, you might want to get a preamp that has at least some type of EQ on it. Tone shaping on an acoustic electric guitar can really give you an edge or at least a semblance of control before the sound guy butchers it during your gig, although you can do this with an effects pedal. Even though this is something that takes the time to learn, it's better to have the option readily available when you decide to step up to that level.
Fretwire can vary from some makers as it is shaped by extrusion thru a series of roller dies and the dies wear.  I have observed actual Dunlop 6105 in my shop varying from .088” to .090” wide and from .052” to .055” tall.  Due to the inconsistent size and tang formation, I generally do not use Dunlop fretwire these days, instead preferring the more accurate German made Jescar or the Japanese made Stewart McDonald fretwires.  Both Jescar and SM have very well formed tangs and barbs and are very consistent. I will refer to the Dunlop numbers below but only for very general description – always verify actual sizes!
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Some of the first Kents to have been imported into the U.S. were made in Sweden by Hagstrom. (Some sources, or maybe just one source quoted all over the net, states that they may have actually been Czech-made and sold by Hagstrom.) The Hagstrom HI, HII, and HIII (those are the letter H with roman numerals representing the number of pickups the guitar had) were branded Kent for sale in the U.S. and as Futurama for the U.K. They had the Kent name on the headstock and sometimes the upper bout. They were similar to Fender Stratocasters. They also made some Strat-shaped basses. There are several photos on the net showing David Bowie in his Ziggy Stardust days playing a red Hagstrom with Kent branding on the headstock.
This article was tremendously helpful! My daughter is entering college for music therapy, and she is already an accomplished pianist but needed a more portable instrument to see patients. We have been scouting out guitars for some time and are looking to get a quality instrument without breaking the bank. Thank you so much for this well-researched article.

If you're a Zakk Wylde fan, take a look at his signature Les Paul or the exclusive Graveyard Disciple with its authentic Floyd Rose tremolo bridge. For the metalheads among us, there's the Brendon Small Thunderhorse Explorer, a mahogany axe based on the one Brendon plays in concert with Dethklok. To satisfy Beatlemaniacs, Epiphone also has a Casino guitar inspired by John Lennon’s famous six string.
This tuning may also be used with a capo at the third fret to match the common lute pitch: G-c-f-a-d'-g'. This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments, such as, for instance, "La Canción Del Emperador" and "Diferencias Sobre Guardame Las Vacas" by Renaissance composer Luis de Narváez.
Rock music evolved from Blues, the music of the streets. Most musos’ of the 50s and 60s were poor and guitar amps made to a budget. Some but not all technical principles of amp designs were well thought out. Fender and Marshall were the dominant and most copied brands. The powerful amps had 4 output valves in parallel push-pull and gave approx 60 - 100Watts.
The road toward becoming a better guitarist is paved in… books? It certainly can be, although there are plenty of routes that both beginners and professionals take to improve upon — and bone up on — their craft. The books on this list are about history and technique. They’re books that you’ll pull off the shelf for years to come to look up a vintage guitar you’re curious about or a chord progression or song you’ve been meaning to master. You may find additional inspiration reading the autobiographies of your favorite guitarists, but we decided to leave those off this particular list. If you’re in the market for a good guitar book, read on.
In May 1965 Keith Richards used a Gibson Maestro FZ-1 Fuzz-Tone to record "(I Can't Get No) Satisfaction".[24] The song's success greatly boosted sales of the device, and all available stock sold out by the end of 1965.[25] Other early fuzzboxes include the Mosrite FuzzRITE and Arbiter Group Fuzz Face used by Jimi Hendrix,[26] the Electro-Harmonix Big Muff Pi used by Hendrix and Carlos Santana,[27] and the Vox Tone Bender used by Paul McCartney to play fuzz bass on "Think for Yourself" and other Beatles recordings.[28]
This is another 6 stringed electric guitar form the Givson brand. It is a right handed model and is wooden in color. It has a solid body of basswood and kneck of rosewood. It is provided with high quality cover and the best part is that the guitar is budget friendly. Prices range from around INR 7,100 depending on the prevalent market factors such as whether there are offers or discounts available. You can find more details regarding this model by clicking on the link below:
Guild is an American guitar company that makes some amazing semi-hollow electric guitars such as the Starfire and the Aristocrat. These are guitars that nail the retro-rock sound and have the looks to match. Many classic Guild models have been revived through the Newark Street collection. While these guitars are cool beyond words, where Guild really shines is in the acoustic arena.
The 2019 Gibson Les Paul Standard sports a mahogany back with an artisan-grade AAA figured maple top and a mahogany neck with Ultra-Modern weight relief. This chambering technique is provides a solid core through the center of the guitar, retaining the classic Les Paul sound and making the guitar less prone to feedback. The Ultra Modern weight-relieved body also makes playing long sets a breeze. The neck has an asymmetrical Slim Taper neck profile for increased playability and comfort.
Superb guitars. Lakewood have both standard and custom production of 12-fret cutaway guitars. Other producers do not offer standard production - except of Taylor, but Taylors at the same price level are made technologically cheaper, resp. at the same quality level are much more expensive. My impression is that Lakewoods have a little bit lively sound than Taylors. I am interested in well made, i. e. with high quality craftmanship, 12-fret cutaways and the brand is not so important for me.
The heaviest heffalumps in this year’s roundup, share a few strands of DNA with early Mastodon, blending bludgeon and benign  in ambitious and unpredictable ways. Brady Deeprose and Dan Nightingale form the two-pronged guitar attack, leading these lofty compositions from blast-beaten brutality to doom-y sludge and back again. Their debut album Mire was released last month and is the sort of fully-formed statement that requires metallers to pack a spare pair of pants.
Run a length of wire (approx two feet is usually plenty) through the jack mounting hole and down into the cavity. When you see the wire in the cavity pull it up through the F hole. Make sure the wire is long enough for one end to stick out the jack hole, and the other to stick out the F hole. Tape the jack hole end of the wire to the guitar with masking tape, or tie it to the strap button. This will ensure it doesn’t fall through the jack hole while you’re working on the other end.
All I can say is quit wasting $ on new. A new guitar is like a new car it’s gonna lose 20% of its value once you take it out the first time. Unless you are buying a Gibson or fender custom shop etc Just go for what plays and sounds great. Perfect example is the Esp ltd ec401vf or 400. Used $300-400 has stock seymour duncan 59 neck jb bridge or the newer 401 has the dimarzio’s in it. Grovers tuners earvana nut mahogany body. Just an excellent setup for half the price of an epi les paul. Don’t get me wrong I have an Epi les paul traditional pro and it’s a nice guitar but for $750 nah. Since I picked up the 401 I hardly play my jag mustang or either of my epi l.p. or sg. Its just that nice of a guitar. If you are in the market for a les paul style or a new guitar in general take a look at the 400 series it’s a whole lot of guitar for the $
In the following years both Dobro and National built a wide variety of metal- and wood-bodied single-cone guitars, while National also continued with the Tricone for a time. Both companies sourced many components from National director Adolph Rickenbacher, and John Dopyera remained a major shareholder in National. By 1934, the Dopyera brothers had gained control of both National and Dobro, and they merged the companies to form the National-Dobro Corporation.

In the early 1950s, pioneering rock guitarist Willie Johnson of Howlin' Wolf′s band began deliberately increasing gain beyond its intended levels to produce "warm" distorted sounds.[3] Guitar Slim also experimented with distorted overtones, which can be heard in his hit electric blues song "The Things That I Used to Do" (1953).[8] Chuck Berry's 1955 classic "Maybellene" features a guitar solo with warm overtones created by his small valve amplifier.[9] Pat Hare produced heavily distorted power chords on his electric guitar for records such as James Cotton's "Cotton Crop Blues" (1954) as well as his own "I'm Gonna Murder My Baby" (1954), creating "a grittier, nastier, more ferocious electric guitar sound,"[10] accomplished by turning the volume knob on his amplifier "all the way to the right until the speaker was screaming."[11]
The Jameson Left-Handed Black is an acoustic-electric guitar that comes with a slick appearance, a smooth body, and an impressive sound. With its thinline frame and cutaway design, this model is good for both amateurs and seasoned guitar players. You get a guitar that sounds just as awesome regardless if you’re playing it unplugged or through an amp.
You can trace all things loud and riff-y right back to the Kinks' Dave Davies, starting with the fantastically simple power chords of "You Really Got Me," which he recorded at age 17 – setting off a run of proto-metal singles from "All Day and All of the Night" to "Till the End of the Day." Davies, who created the distortion on "You Really Got Me" by slicing an amp speaker with a razor, has laughed off claims that it was actually played by an uncredited Jimmy Page: "Who'd want to play a solo that crazy, anyway? Only Dave Davies could do that."
The inlays are the little shapes that are installed in the instruments neck/fretboard. Inlays do not make a significant difference in the sound of the instrument. They come in various shapes and materials. Inlays allow a player to quickly see where certain positions are located on the fretboard. They are also a great way to decorate, or personalize an instrument. Choose among our existing inlays designs, or send us a drawing of your own designs. Some popular inlay designs are band logos, initials, corporate brand logos, or tribal designs.
Description: Body: Honduras Mahogany - Body Construction: Solid - Top Wood: Maple - Neck Attachment: Set - Neck Wood: Honduras Mahogany (Bigleaf Mahogany, Brazilian Mahogany, Tropical American Mahogany) - Fingerboard: Ebony - Frets: 22, Jumbo, Medium - Inlay: Abalone Dot - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Floyd Rose Style Locking Tremolo - Bridge Construction: Ebony - Cutaway: Single - Hardware: 1x Volume Control, 1x Tone Control, 3-Way Switch, Sperzel Tuners - Pickups: Humbucker - Pickup Configuration: H-H

Here we have old "3-hole" this is another great Japanese Vintage Guitar! this one is over 40 years old wow! ...its wonderfully aged woods contribute to its rich great sound... this example is one of the greatest Martin style Copies from one of the finest "law Suit" Acoustic instrument builders of Japan Yamaha Nippon Gakki...This model is the very popular FG-140 RED LABEL ....JUST IN! more info soon to come please see the detailed pics of this guitar for a link to many more pictures ( 40 ) or more from every angle Very good- excellent condition If your wondering why we call this one "3-hole" is because someone in its past life had an electric pickup of some type and it came to us with 3 tinny holes in the top... we have since filled the 3-tiny holes one on upper treble bout and 2 below the rosewood bridge... we filled & clear coated so its all solid and is very hard to see but are their also a fine hairline crack threw the finish exists at the bottom of the neck the original owner said its been their more than 20 years and has not changed and is solid...if wanted after sale for free at your request fill sand it and fill with lacquer and sand and buff smooth I expect that would do the trick to cosmetically improve the look of that but its really fine as is... What is rare about this oldie but goodie its all original and even has the original gold lined Yamaha logo Hard shell case in pretty respectable shape too...see the extra pics ( I will have a link to those pics posted later ) for those details... Great sound and pretty EZ to play too I just Cleaned it to remove the grime but leave all the original patina and also dehydrated the woods and she drank it up and after drying we finished it of with a fresh coat of wax finish was applied the woods still shine like a shinny new dime.. great old guitar.. JVG Rated in Very good Original Vintage condition with its share of natural play ware visible upon closest inspection of the neck width is 1-3/4 @ nut and the action is set good at 3-16ths @ 12th fret.. the fretboard and frets still playing well no need for a refret some fret indentations yes but its still plays just fine at 80+%, top has aged naturally with nice Patina now and has several fine finish cracks etc..same as a well loved and played 40+ year old Martin would have at several thousand dollars less than a 40+ year old martin. This guitar has been restrung with New Martin Marquis Strings and sounds great...This one you have the option of buying an original vintage Yamaha Hard Shell Case..these cases are rare and hard to find now the handle was warn and has a replacement quick fix and it works perfectly...just $69.00 additional .

by pedalhaven  @airbag3333  has a seriously stacked board! Don't forget to DM/Tag us to submit your photos! ▪️ ▪️ ▪️ ▪️ ▪️  #pedalhaven   #pedalboard   #guitarpedals   #knowyourtone   #ambienttones   #pedalboards   #pedalnerds   #pedalporn   #guitar   #gearporn   #gearnerds   #pedalboardpeople   #shoegaze   #geartalk   #guitarsdaily   #gottone   #tonefordays   #guitargear   #reverb   #gearpost   #boardshot 
I tried very hard to work with this book. And I think the author went to a lot of trouble to make the information presentable and understandable. But it didn't work for me. Today I made a second run at the book to see if I could make sense of it. I remain very disappointed. I am an electrical engineer, and perhaps that is my problem. The author must have created his own wiring diagram and components system which he understands well. But I don't. The basic problem is that he uses shades of gray (in lieu of color) to illustrate the circuitry and components. In the book it talks about colors, but all is shades of gray.

Epiphone features all-metal rock solid hardware on all of its instruments. The Les Paul Special VE comes standard with the legendary Locktone Tune-o-matic bridge and Stopbar tailpiece for easy set up. Tuning is fast and reliable with Epiphone Premium Covered tuners with a 14:1 ratio.The higher the ratio, the more accurate your tuning. The tuners are mounted on an Epiphone Clipped Ear headstock with Les Paul Model in gold and the Epiphone log in silver. In addition, a "2016" Edition logo is on the back of the headstock. 
We guitarists can be slow to come around to new ways of doing things, heck we still prize the 1904 technology of the vacuum tube in guitar amplifiers, so it's a huge testament to Ovation's success that they've managed to be so successful while breaking the most sacred rules of guitar material and construction. Great examples of this are their Celebrity Elite CE44 and their entry-level Applause Balladeer AB24.
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Many recordings feature multiple guitar tracks playing simultaneously, but sometimes this can clutter up the mix. Another approach is to make each part sound distinctive by using different combinations of guitars, amps and effects. Panning the guitars to various areas of the stereo spectrum will create space for each part, while subtle use of ambient effects can create a sense of depth. EQ can be used to help guitars blend together. Try cutting certain frequencies from one guitar track and boosting those same frequencies in another.
While Taylor Guitars is most famous for our acoustic guitars, we are also proud of our line of unique electric guitars. We have the T5, our original hollowbody hybrid that bridges both worlds like no other guitar. Check out our T5z, the smaller hybrid with a compact body that electric players will love. And be sure to try the T3, our inspired take on the semi-hollowbody guitar with a sound that comes alive with amazing pickup flavors, plus coil-splitting and tone-shaping versatility.

Situated just under the Spectrum 5 were the Teisco K guitars. Indeed, these Ks may have been introduced slightly before the Spectrums, since they appear in a 1966 Japanese Teisco brochure that does not contain the Spectrum. A second ’66 Japanese Teisco brochure contains both Ks and Spectrums. The K guitars were very similar in profile to the Spectrum, except that the horns were not curved, and flared out more or less equally in a more tulip shape, though still pointing slightly inward. These still had the German carve relief, 22-fret rosewood fingerboards, plus the new hooked headstocks. Inlays, however, were dots, and the vibratos were the more pedestrian Japanese version of the Bigsby. Pickguards were the new striped metal affairs introduced the year before, extending from above the strings down through the lower bout control area.

Yes, the Les Paul is a signature model for the late, great guitarist Les Paul.  This signature instrument is one of the few models to ever have other famous players have signature versions of their own.  The impact of the Les Paul has made it one of the most recognized instruments on the planet, due to its amazing versatility and high quality of craftsmanship.
Entwistle also experimented throughout his career with "bi-amplification," where the higher frequencies of the bass sound are divided from the lower frequencies, with each frequency range sent to separate amplifiers and speakers. This allows for more control over the tone, because each portion of the frequency range can then be modified (e.g., in terms of tone, added overdrive, etc.) individually. The Versatone Pan-O-Flex amplifier used a different approach to bi-amplification, with separate amplifier sections for bass and treble but a single 12-inch speaker. The Versatone was used by well-known bassists such as Jack Casady and Carol Kaye.
The DigiTech Whammy is a great example of a powerful pitch shifter. Controlled by an expression pedal in a manner similar to a wah, it gives you the ability to immediately alter the pitch of the notes you are playing. Pantera and Damageplan guitarist Darrell Abbott used and abused such a pedal to get some amazing sounds in his hardcore style of play.
Unfortunately this guitar does not come with a solid top, but for its price you really can't expect much. Still, it is much better than what guitarists of old had to start out with! If you are looking for a beginner's guitar to test the water or if budget is limited, then you should check out the Epiphone DR-100. It currently comes in 3 colors - Ebony, Natural, and Vintage Sunburst (my personal favorite among the three). The MSRP is 182.00 but most online guitar shops sell it for $109.
In our testing, the Fender Champion 20 was the only amp that offered a wide variety of amplifier sounds and special effects while also keeping them all easy to access. Beginners can get a great sound easily and experiment with different effects without having to invest in separate effects pedals. Experienced players can get most of the sounds they want with nothing more than a guitar, an amp, and a cable.
Standard Series :[1] Brown Sunburst, Black, Arctic White, Lake Placid Blue, Candy Apple Red, Midnight Wine, Copper Metallic SunburstAmerican Standard Series (as of 2012):[1]Black, 3-Color Sunburst, Olympic White, Jade Green Pearl, Charcoal Frost Metallic, Candy Cola, Mystic Red, Mystic Blue (alder), Sienna Sunburst (ash)American Special Series (as of 2010): 3-Color Sunburst, 2-Color Sunburst, Black, Candy Apple Red, Olympic White, Surf Green

Even cooler was the ’66 Vibra Twin (Teisco Del Rey EP-12T), a twelve-string version of the Vegas. This had a slothead variation of the check mark head, with tuners facing alternatively out or back. The trapeze tail picked up the same angular design of the Vegas vibrato. Despite the Del Rey number, the EP-12T did not have a vibrato. The Teisco Del Rey in the ’66 catalog differs from the Vibra Twin shown in ’60s Bizarre Guitars in that it adds a third rotary select for solo/rhythm/bass sound tones, whereas the Teisco omitted this feature. Figure on finding either.
Delay pedals take your original signal, a guitar chord or note for example, delays it and plays it back exactly how the pedal hears it the first time. It can either play the note back once or multiple times depending on your settings or “feedback time”. Often, you’ll see Digital Delay pedals as well as Analogue Delay pedals. The major difference is that digital delay pedals will offer longer delays and a ‘cleaner’ exact sound, however guitarists often prefer the analogue sound for all the subtle nuances and slight unpredictability in sound. This comes down to personal preference but both options sound great.
By 1964, most of Orbison’s early rock and roll contemporaries were either dead, strung-out on drugs, in jail or making crappy movies, but Orbison’s musical career still hadn’t reached its peak. In between the ballads, he recorded singles like “Mean Woman Blues” (check his wild guitar solo) and “Oh, Pretty Woman” that showed upstarts like the Beatles, the Animals and the Rolling Stones that Americans still could rock harder than any Brit.
I thank Roger Evans “How to play guitar” for his easy & intuitive written method, a good reason why he is a bestseller & outselling your hard-pushed videos. I can assure you, you will be a better teacher if you buy his book, and you will a top teacher if you read his other books such as “How to Read Music”, “How to play piano”, & ” How to play keyboards”. You will thank me for this advise and you will be a better asset to your potential students.
If this were a list of the best electric guitar brands for metal it is very likely Jackson would be near the top. This is a company practically synonymous with metal, and for decades the most extreme players on the planet have looked to Jackson to get the job done. But Jackson also has a strong presence in the rock and hard rock genres, and if that’s your bag you’d be smart to give them a good look.
As musicians, we have a staggering amount of information available to us that can help us hone our craft. The hard part is deciding which resources are valuable and which resources aren’t. We’ve all ordered a book off of Amazon that we thought was going to take our playing to the next level only to find out that we could have gotten just as much out of a five minute Google search. Well, not all books are created equal, and you’ve probably not been looking at the right ones.
Made famous by Dream Theater guitarist and loyal Mesa Boogie endorsee John Petrucci, the Tri-Axis presents the absolute best of modern rock and metal tone with a touch of that signature Mesa Boogie character. If you scoured the Petrucci forums in the 90’s and early 2000’s, you’d be the first to know John had quite a few of these, both live and in the studio. It was the Tri-Axis that contributed to the now legendary sweet singing tone he achieved on countless DT albums. The first thing you’ll probably notice about the Tri-Axis is it’s unusual interface, which features digital numbers and arrow buttons instead of knobs.  The Tri-Axis also boasts five 12AX7’s into one rack space. Furthermore, you can achieve tones from Mesa amps like the Mark I, Mark IIC+, Mark IV™ and much more.
In the second diagram, the two pickups are wired in series. The theory behind series wiring is that the ground wire of one pickup is connected to the hot wire of the other pickup. As a result, they become a kind of compound pickup, with one ground and one hot for both. When wired in series, the pickups combine their impedance (resistance) and the output is very high. If your Strat’s middle pickup is a reverse-wound/ reverse-polarity type (aka RWRP), you’ll get the same humbucking effect as you do when the pickups are wired in parallel—no changes there.
Also new in ’66 was the SM series, a variation on the E-100 and ET-100 introduced in the previous year, very similar to the Ks except the cutaway horns were flared outward in the classic Teisco “tulip” shape which would dominate later in the decade. These had fairly flat rectangular chrome-covered pickups, with a rectangular indentation stamped in the center and six flat round poles, plus to long half-slots along both outer edges. The SM-2L (Teisco Del Rey ET-210) had the hooked headstock, small striped metal pickguard along the lower body, two on/off sliders, volume, tone, roller bridge and Bigsby-style vibrato. The SM-2L retained the German carve relief of the K series. A plain-Jane SM-2 (Teisco Del Rey ET-200) followed, sans German carve, and with a bridge/tailpiece assembly. The SM-1 (Teisco Del Rey ET-110) had just a neck pickup with volume and tone controls, bridge/tailpiece assembly, no German carve or striped metal pickguard, and the Strat-style head of the previous ET-100.
It wasn't long before Southland went to hell in a hand basket. I would like to acknowledge the professionalism of people like the late Lee Ingber who was quality minded enough to know that junk will ruin any business. It's too bad that the last owners of Southland never learned that, even as their company faded into the sunset of the graveyard of greed.
While SG Guitars kits are sold in a number of different timber varieties, if you are looking to match the original as closely as possible you will be best selecting a model constructed with a Mahogany body and Maple neck with Rosewood or Ebony fretboard. * Gibson has recently transitioned from Rosewood to Richlite due to New CITES Regulations For All Rosewood Species.
The sets, as mentioned above, are paired with Vox's BC108, which is a compact, portable, semi open-back cabinet that is front loaded with a single "8” VOX Original 8 Ohm Speaker" rated at 25W input (Dimensions W x D x H: 260 x 200 x 285 mm/10.24" x 7.87" x 11.2"). The BC108 also comes with two 1/4" jacks, wired in parallel, for adding another cabinet. Vox has also suggested the compact BC112, a semi-open back, oval port cabinet containing a single 70W, 12" Celestion G12 V-type speaker, to pair with the MV50.
The Effect: Vibrato effect, often mistaken for a tremolo, is the type of guitar effect that alters the pitch of your signal. The result is very similar to that which you get when you operate the tremolo bar on your guitar. There are different types of vibratos out there, but the most common division is between analog and digital units. Analog vibratos are known for their clarity and organic feel that comes from analog pitch shifting.
Still in the line in ’41 was the Supro Amplifier No. 50, now also called the Supreme. This had been given an updated look, with rounded corners on the cabinet and a slight narrowing taper toward the top. It still had the round grill with two horizontal bars. It was now covered in tweed, with a tweedy grillcloth, and a flat leather handle. The oval logo plate still graced the upper left corner. The back exposed the chassis, with twin inputs and volume control on the bottom. It still had five tubes, 12 watts and a 10″ speaker. In April of 1942 the Supreme amp cost $76.50. This amp would make it all the way to the proverbial end of the line.
OM-28: Similar to the 000-28 model in body size and ornamentation, but uses a 25.4″ scale, 1-2/4″ nut spacing, and 2-3/8″ string spacing at the bridge. Also known as the “orchestra” model, so named because of its association with banjo players transitioning to guitar in the late 1920s and early 1930s. The 14-fret neck-to-body design was designed to allow greater upper fret access, and thus feel more comfortable to banjo players accustomed to full acces the length of a 24-fret + neck.
These are great choices, but if you want a great guitar for the price go used and get either esp ltd ec400vf or the ec401vf. They come w seymour duncan 59 neck and jb bridge or dimarzio pickups. Grover tuners jumbo frets set neck mahogany neck and body. You can find em used for $300-400 and need absolutely nothing but to be plugged in. The ec256 is a great option but for the same price get the 401 used. I have a 65 jaguar a newer mustang 2 epi's 1 paul 1 SG and when I picked up the ec401vf for $300 it was the best value to quality ratio I have ever had in a guitar. You won't be disappointed. The ec400 series were also made in s korea and the earlier 401s were made there also. The newer ones are made in China and Indonesia but the quality is still incredible. I got a s korea model ec401vf w seymour setup. It smokes my epi l.p. tradional pro and was $250 cheaper. By far best deal it there.
Parallel coils: coil tap connection needs to be broken for this kind of wiring, so three lead pickups cannot be wired this way. The idea is to join start of each coil with finish of the other coil. One on those connections will be hot, the other ground. Parallel coils will sound more like a single coil sound, noticeably quieter and shallower than a series connection.
Note: Youpi Choupi's answer calls my answer below into question by pointing out that classical and flamenco guitars are acoustic guitars. He is correct in this of course, they are all types of acoustic guitar. However, most of the time when someone says they play "acoustic guitar," they mean the commonly used steel-stringed acoustic that most rock, folk, country and other artists play, and I believe this was the intent of the OP when they asked the question. Hence, an answer simply pointing out that Spanish guitar and acoustic guitar are both acoustic guitars would not have been a helpful answer.
Here we have the very highly respected ... Alvarez Yairi dy91 ... This very unique and beautiful guitar is in AMAZING CONDITION and is based on the RARE exotic Hawaiian Koa tone wood and is one of more ornate & fancy D-45 Martin Drednaught Acoustic the Martin retails for well over $7,500 and this guitar offered here at JVGuitars is the Alvarez Yairi answer and is quite a HIGH END JAPANESE HAND CRAFTED GUITAR by one of the greatest Luthiers in Japan.... Reserve your Rare & Exotic Koa Yairi DY91 Today...this baby is in excellent vintage condition... This is THE DY91 to own... any questions please email me All the best! General specs:About the DY91: These High End Yairi acoustic guitars are Handcrafted for outstanding projection, this example offers enhanced bass response and an articulate high-end register performance. As with this one many are Sculpted from some of the most precious rare sought-after tone woods from all over the world. This example is Hawaiian WoW! Here are the Specs: Handmade in Japan Saddle & Nut: Bone Neck Joint: Hand Fit Dovetail Finish: Gloss Body Style: D-45 Style Slope Shoulder Dreadnought Back & Sides: AAAA Figured Koa Top: Solid German Spruce Neck: Premium grade Mahogany Fingerboard: Bound Ebony Scale: 25 3/8" (645mm) Width at Nut: 1 11/16" Fingerboard Inlay: Large Diamond Bridge: Ebony-Inlaid Body Binding: Ivory & Abalone Soundhole Rosette: Abalone Head Overlay: Figured Koa Pickguard: Black Tuning Machines: Original Yairi Gold Die Cast Finish:Gloss Natural Electronics: None Original Semi-hard shell case: Case candy Included .
I am a learning myself Shreya.I purchased a Fender Model CF60 (£100) .This is a high quality "Folk guitar" from a reputable long standing company.It's got a lovely mellow tone and the size is not to big.Buld quality is excellent.At the end of the day it's all subjective.I recommend you go to your local musical instrument shop and try a few.All the Best Dean
Until the 1950s, the acoustic, nylon-stringed classical guitar was the only type of guitar favored by classical, or art music composers. In the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Examples of such works include Luciano Berio's Nones (1954) Karlheinz Stockhausen's Gruppen (1955–57); Donald Erb's String Trio (1966), Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); Francis Thorne's Sonar Plexus (1968) and Liebesrock (1968–69), Michael Tippett's The Knot Garden (1965–70); Leonard Bernstein's MASS (1971) and Slava! (1977); Louis Andriessen's De Staat (1972–76); Helmut Lachenmann's Fassade, für grosses Orchester (1973, rev. 1987), Valery Gavrilin Anyuta (1982), Steve Reich's Electric Counterpoint (1987), Arvo Pärt's Miserere (1989/92), György Kurtág's Grabstein für Stephan (1989), and countless works composed for the quintet of Ástor Piazzolla. Alfred Schnittke also used electric guitar in several works, like the "Requiem", "Concerto Grosso N°2" and "Symphony N°1".