On guitars with tremolo bridges, the bridge must be stabilized before any adjustments are made. Regardless of the manufacturer, the correct position for any bridge, under string tension, is going to be parallel to and essentially flush with the top (or up to 1mm, or so, above the top). Ultimately, we want the bridge assembly to sit such that we have a range of adjustability over the bridge saddles, so that we can dictate the preferred string height over the fretboard.
Compressor sometimes sounds good after distortion too, it helps with noise (compressors can be noisy and if put before overdrive then the distortion pedal makes the noise louder). Placing the compressor after distortion also increases your sustain (depending on the type and amount of distortion used!). It can sound darker if placed after as well - so it really is down to your ears and what you think sounds best! But I have mine first in the chain, before Fuzz as I don't often (ever?) use them together
Response to the Marshall DSL1HR is overwhelmingly positive, with users praising it for its practicality and great tone. Most describe its tone as being true to the Marshall sound, while others use words like fierce and killer. A lot of bedroom rockers appreciate the amp's 1W and 0.1W switchable power rating, and complements it for being pedal friendly. Portability is also what prompted many users to get this amp.
If you’ve been playing for a while, chances are pretty good that you’ve probably already built up a collection of four, five or 10 stomp boxes, which now leaves you with the question of how to hook them all up and use them in your rig. Or perhaps you’ve hooked everything up and wondered why you get howling feedback, excess white noise, hum or silence whenever you engage two or more pedals at once.
These pedals are different, but are both based on the same idea. Pitch shifters shift the whole pitch of your guitar up or down by a set amount (often an octave), giving you a higher or lower tone than would normally be possible. Jack white uses a Whammy pitch shifter in the solo for Seven Nation Army, which has a foot pedal that rocks back and forth (similar to a wah pedal) allowing you to go up and down a full octave or more smoothly and quickly.
What? I have an early 90s pe and I've recorded with it and its one of the best guitars I've ever played. Beutifull clean lp tone and ballsy as when you dirty it up. I also have a pro 2 fullarton which with the fender lace sensor pups I put in it, plays and sounds as good as any strat I've played in thirty years. Check the new arias comming out of the states at the moment and they are really awesome looking guitars. There is also a reason the early ones are known as lawsuit guitars as Gibson though they were so good they had to sue them!

Some bass players cannot use a bass combo amp, either due to strict noise and disturbance rules in their apartment, lack of space to store a combo amp (if they live in a small room) or due to the need for a set-up which can amplify multiple types of instruments and/or voice. Alternatives to buying a bass amp for people who have noise or space constraints include a headphone amplifier or a micro-practice amp which includes a headphone jack (on bass amps, connecting headphones to a headphone jack automatically turns off the main loudspeaker). Multi-instrumentalists and bassist-singers can consider a keyboard amplifier, a small PA system, or some models of acoustic instrument amplifiers which include bass as one of the instruments which can be used; all of these options have full-range speakers that can handle the bass range.

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Gibson’s new version of the Les Paul Standard was released August 1, 2008 and features a long neck tenon, an asymmetrical neck profile to make for a comfortable neck, frets leveled by Plek machine, and locking Grover tunerswith an improved ratio of 18:1. With the 2008 model Gibson has introduced their “weight relief” chambering, which includes routing “chambers” in specific areas of the mahogany slab body as specified by Gibson R&D. Before 2008, Les Paul Standards were “swiss cheesed.” In other words, it had holes routed into the body, but it was not chambered like most of Gibson’s Les Paul lineup now is.[17]
Founded in 1902, Gibson began life producing mandolins and other instruments, before making hollow-body electric guitars in the thirties. Their first solid-body guitar came in 1952 – the Les Paul, which remains one of the most iconic guitars in the world. They are also well known for pioneering some classic guitar shapes such as the SG, the Explorer, and the Flying V. Used by everyone from James Hetfield to B.B. King, Gibson’s are manufactured in three American factories – two in Tennessee and one in Montana.
Morning everyone, well it is here in UK anyway. Who can help with my find. It's a Dia Hummingbird labelled F 315 but no serial number. So from what I can find Dia was a brand used by Matsumoku but I can only see electrics under Dia brand when I search. However it looks identical to a Aria F315 Hummingbird on eBay USA at present, and identical to an Aria Pro II from the 1976 catalogue but labelled W 30 model I believe. I won't put a link on here in case I'm breaking rules. It has that weird aluminium compensated bridge and seriously, this one looks brand new with two tiny dings that would make it a second or an ex-demo if it was on sale. Action at low E 12th is about 2.7mm and about 1.8 at high e. It's in such good condition I began to question if in fact it is a 'knock off of a knock off' though why anyone would think that would work I can't guess. It is very very playable, and at first I wasn't keen on the tone though sustain is great (despite bridge) but I changed to heavier strings (13) with much improvement. I'm seeing a luthier friend next week who is finishing off work on a brilliant Terada FW 613 (D18 clone if you like), but I'm wondering whether to get him to replace the whole alloy bridge. I can do a couple of pics if anyone is interested. Any help in identification of maybe year (guessing 1976) and origin greatly appreciated. I think it's a keeper, but should I change that bridge ? Has anyone done similar on one of these compensated aluminium designs and what were results. Many thanks.
Very good working condition, this guitar is completely playable and in great condition. All electronics function properly without any issue. This guitar contains very minor cosmetic scuffs throughout, typical wear from a used guitar, nothing at all significant, please see pictures. The body, neck and headstock are all straight and contain zero cracks, bends, or bows. This guitar will come exactly as shown with soft gig bag.
I have no idea what the set measurement is for the Authentics, and if it is any different than other guitars. Probably not. But guitars settle during their initial acclimation period and the exact bow of the neck and arch of the top can change. Actually it is almost certain to change some. There have been reports of all sorts of Martins with action reaching up near or over the maximum height within spec. But the same holds rue from brand of guitar that uses organic materials like solid wood.

Soft and soulful is the second name of Fender guitars and basses. They are famous for their fruitful and enchanting tone. It is one of the most recognized brands in the world. Every note that is played on this guitar is pleasant and pure. There are two factors that contribute to such a thrilling tone. Firstly, the majestic shape of the 'strat' in resonating wood and secondly, the perfect configuration of three pick ups. The pick ups are usually singe coiled. However, there are cases where double coiled third pick ups have been used. Fender is a very popular guitar brand, and artists like Eric Clapton who plays extremely soft music, and heavy metal bands such as Iron Maiden have also used the same brand. Models like Stratocaster and Telecaster have etched their names among the greatest guitars ever made. Fender offers myriad of designs, styles, and configurations. If you are a beginner, then go for any Fender model, it's probably the best guitar for novices or amateurs.
Here we have the very highly respected ... Alvarez Yairi dy91 ... This very unique and beautiful guitar is in AMAZING CONDITION and is based on the RARE exotic Hawaiian Koa tone wood and is one of more ornate & fancy D-45 Martin Drednaught Acoustic the Martin retails for well over $7,500 and this guitar offered here at JVGuitars is the Alvarez Yairi answer and is quite a HIGH END JAPANESE HAND CRAFTED GUITAR by one of the greatest Luthiers in Japan.... Reserve your Rare & Exotic Koa Yairi DY91 Today...this baby is in excellent vintage condition... This is THE DY91 to own... any questions please email me gr8bids@comcast.net All the best! General specs:About the DY91: These High End Yairi acoustic guitars are Handcrafted for outstanding projection, this example offers enhanced bass response and an articulate high-end register performance. As with this one many are Sculpted from some of the most precious rare sought-after tone woods from all over the world. This example is Hawaiian WoW! Here are the Specs: Handmade in Japan Saddle & Nut: Bone Neck Joint: Hand Fit Dovetail Finish: Gloss Body Style: D-45 Style Slope Shoulder Dreadnought Back & Sides: AAAA Figured Koa Top: Solid German Spruce Neck: Premium grade Mahogany Fingerboard: Bound Ebony Scale: 25 3/8" (645mm) Width at Nut: 1 11/16" Fingerboard Inlay: Large Diamond Bridge: Ebony-Inlaid Body Binding: Ivory & Abalone Soundhole Rosette: Abalone Head Overlay: Figured Koa Pickguard: Black Tuning Machines: Original Yairi Gold Die Cast Finish:Gloss Natural Electronics: None Original Semi-hard shell case: Case candy Included .
I'm no pro, but I take my time when I'm buying a guitar. I played everything, and for feel, sound and playability, I was about sold on a Gretsch 6119 vintage remake. Then I played an Eastman TX 186. Hollowbody constructed from all solid wood, better pickups than the Gretsch, and just fantastic tone that gets better the more I play it. And it cost about 60% what the Gretsch cost - not an entry level price, but a guitar I won't get tired of playing. They deserve to be better known. Some of the Epiphones and most of the Ibanezes felt and sounded cheap in comparison.
This is worse than the Rolling Stones magazine’s list. Paco De Lucia, Django Reinhardt, Andres Segovia, Sabicas, Wes Montgomery, Joe Pass, Jeff Beck, David Gilmour, Jimi Hendrix, John Williams (no, not the movie score composer) IMO the top ten. It’s much harder to play jazz, flamenco, and sometimes classical, than it is to play blues or rock. These guitarists are all infinitely greater than Jack White, John Frusciante, Tom Morello, or John Mayor.
By contrast, tuning (or pitch) correction processors and plug-ins are normally considered processors rather than effects, but they do have creative uses. The idea behind these devices is to monitor the pitch of the incoming signal, then compare it to a user-defined scale, which can be a simple chromatic scale or any combination of notes. Pitch-shifting techniques are then used to nudge the audio to the nearest semitone in the user's scale but, because the amount of pitch-shift required is usually quite small, the result doesn't sound grainy or lumpy, as often happens when large amounts of pitch-shift are generated. Because pitch tracking is used to identify the original pitch, only monophonic signals can be treated.
What makes the wah so timeless is its versitility, it can emulate a human voice, be a rhythmic device, boost a screaming lead, a tone shaping tool, among other uses.The first known commercial recording of a wah pedal is Cream’s “Tales of Brave Ulysses”. As we know the distinctive sound caught on with just about every guitar player on the planet! There are too many uses of the wah to mention here, almost 50 years later it is still a must have pedal for every guitarist. For an in-depth look at wah history and a great read please check out “Analog Man’s Guide To Vintage Effects”.
Epiphone's passion has always been about more than just making guitars. It has been about making music. It has been about understanding what is inside every musican that makes them want to, have to, express themselves. And understanding the myriad musical styles, where they are going and how they might develop. For over one hundred and twenty-five years they have continually looked for new and better ways to help players take their music farther.
Remember that when buying a guitar, quality usually comes with price tag to match. Consider paying a little more for the right guitar. Often, you can save money in the long run by purchasing a better guitar up front, skipping over the incremental upgrades along the way. A seasoned guitar player will often have a very good idea of what they like. With experience comes a desire to invest in quality. Musician’s Friend offers a stunning selection of Private Reserve Guitars. When gift shopping for a high-end guitar, it’s usually wise to forego the element of surprise and find out exactly what your giftee wants.
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But how do you find a guitar master? It's not like he's listed in the phone book under "Guitar Master," although you can buy a Guitar Master Certificate for $10,080 from the Berklee College of Music. (Let me know how that goes.) And when you do find one, how do you know he can handle the job, making the right repair in the shortest amount of time? A guitar master must know how to diagnosis the problem when the only explanation he's offered involves slurring through a mouthful of tears, or an, "Oh, my bad, man, do you think you can fix her by tomorrow?"
A. Electric guitars either have bolt-on, set neck, or neck-through neck construction. Bolt on necks are simply bolted onto the body, set necks are set into the body and glued, and neck-through construction is where the neck extends all the way through the body. The latter is generally considered the best and most durable, but won't be found on cheaper guitars.
Jump up ^ Wright, Michael. "Jack Westheimer — Pioneer of Global Guitarmaking". Vintage Gutiar (July 1999). In August ’69, the Valco/Kay assets were auctioned off and W.M.I. purchased the rights to the Kay brand name. W.M.I. began to slowly transition Teisco del Rey guitars to the Kay brand name, which gave them greater credibility with dealers. This change was completed by around ’73 and the Teisco del Rey name then disappeared. This explains why you will occasionally see a Teisco guitar with a Kay logo.
Electri6ity is HUGE, like over 26 gigs, but it's like having Eddie Van Halen in your plugin bin once you figure out how to use it. The learning curve is steep, but there's no way I would ever be able to play guitar as well as I can program it not to mention afford the thousands of dollars worth of high-end guitars that are sampled. It also includes a very nice effects rack that is optimized for the library (although DI versions are included so you're free to run it through Amplitube or whatever you like).

The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. It was popularized by Black Sabbath in the song "Paranoid". - winner333
"Acousterr's tab maker is a tablature maker application which can be used to write down and compose music. Users can create tabs, play them out, explore tabs created by other users. They can choose any instrument like guitar, bass guitar, piano, ukulele. The sounds are mathematically modelled to be generated at runtime for any combination of notes and effects like hammer on pull off etc for different types of instruments. This gives a beautiful listening experience. Multiple tracks can be added in a single tab which play out simultaneously, so as to simulate an entire song with various parts like bass guitar, lead guitar, rhythm guitar etc. The UX for editing multiple tracks has been meticulously designed to allow tab lines to synchronise easily. With great keyboard support, notes can be easily added and chords can be created on the fly by pressing shift key and selecting multiple notes. Scale helper is there to allow composing solos easily. Designed to work well on mobile browsers too."
Paul Reed Smith Guitars SE Standard 24 is their baseline model that brings a lot of the features you can find in more expensive PRS guitars. It offers a great combination of electronics, hardware and tonewood. All at a price that makes it a bargain. If you’re looking for a neutral sounding guitar with enough punch to play whatever genre you’re into, Paul Reed Smith Guitars SE Standard 24 is worth checking out.

Not everyone has the luxury of drum booths and separate rooms, but isolation boxes are great for isolating guitars during a rhythm track recording. They are also ideal for home recording, allowing a good  volume level without disturbing neighbours. Isolation boxes are commercially available, but can be expensive; try making your own from wood and foam.
Phaser – A frequency-based effect that makes a swirling, swooshing filtered guitar tone. Phasers use the principle of “phase” cancellation in which a filter passes over your guitar tone flipping the waveform at specific frequencies. This signal is then combined with your original guitar tone to give the iconic phaser effect used in songs by Van Halen, Pink Floyd and Smashing Pumpkins to name a few.
The end of the signal chain is where the delay/echo and reverb effects should be placed—preferably with the delay in front of reverb—primarily because both are “ambience” effects that give the illusion of a sonic space or atmosphere. However, placing a delay/echo effect earlier in the signal chain can deliver some very cool and unusual “experimental” effects that are worth trying out, such as pitch shifting or distortion after delay (especially when using separate outputs for dry and processed signals). But unless you’re a completely mad experimental player seeking unorthodox textures and sound effects, reverb should go after everything else as its role is to replicate the sonics of a room, hall or other environment.
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Here are our choices for the five best YouTube channels. We made sure they all have plenty of content for novice players, but you’ll find lots of videos for advanced musicians, too. Some of them are hosted by people who are simply passionate about playing guitar and want to share that passion without trying to make a million bucks out of you. Don’t forget to show them support.
The Yamaha FG830 uses a well-engineered combination of woods to create a solid body and neck suitable for pro-level performance. You simply cannot go wrong with this guitar; the workmanship of this guitar is a cut above other acoustics in its class. Owners love the gorgeous dreadnought sound, describing it as rich, resonant, and well-rounded. One satisfied customer boasted that in a room full of acoustics, his Yamaha would “float to the top” of the din.
Ovations reached the height of their popularity in the 1980s, where they were often seen during live performances by touring artists. Ovation guitars’ synthetic bowl-shaped back and early use (1971) of pre-amplifiers, onboard equalization and piezo pickups were particularly attractive to live acoustic musicians who constantly battled feedback problems from the high volumes needed in live venues.[citation needed]

There’s a lot of knowledge here to digest, so the best advice anyone can give you is not to sweat it too much. You aren’t going to become a pedal encyclopedia overnight, and even if you could, you’d be missing out on the fun experience of trial and error that comes with figuring out your first pedals. The truth is that some of the most distinctive guitar and bass effects ever recorded have been the result of artists experimenting with effects units they’d never used before – especially in the 1960s, when pedals were brand-new to everyone.

Jack Douglas also points out a beneficial side-effect, in his experience, of recordings made using the phase EQ approach: "When you build a mix — I don't care if it's four tracks, eight tracks, or 96 — the real nightmare is when you put something up and the only way you can hear it is by blasting it. There's nothing worse than putting up something you're excited about, and it's gone. If you [record guitars] like this, I guarantee that as soon as you put the sound in the mix it will be there. Not only that, it won't wipe out everything else in the mix, because it will have such a separate and distinct character."
I think I understand the value of not being tied to those things so your own technique can flourish -- not relying on anything, really. I think that it's cool to keep an eye on your purism sometimes. I'm glad I can pick up an acoustic guitar, and if it's not sounding too good, I just put it into a tuning until it does. I also have an appreciation for the almost novelty factor of being able to hit a couple of switches and go from one amp sound to another.
The role of a pickup is simple. They pick up the sound produced by the guitar and create an electric signal which then travels via an amplifier. For instance, pickups do not relate to getting a partner with your music, but they are actually a characteristic of the electric guitar. They serve the same purpose that frets do on an acoustic instrument, but the pickups will determine the vibrations before sending them to an amplifier.
While a little on the pricey side, their products are seen as particularly powerful and reliable overall. The H&K Trilogy is well appreciated for its versatility, allowed by the high level of German technology and engineering involved in its construction.  It has easy MIDI control and three channels, a clean, crutch, and lead, all with boost options that give a lot of freedom to musicians who are into experimenting.
Beyond those generalities, replicating a standard formula for the be-all-end-all tone isn’t possible. Why? Because some people will genuinely pass on a ’59 Les Paul and Marshall stack combination—they might prefer what sounds like a vibraphone under water. Sometimes, a certain “it” factor just grabs musicians and won’t let them go. Waara explains that even in a business as technologically advanced and specialized as Line 6’s tone research, “There’s no escaping that we emotionally say ’Man, that just sounds cool.’ ” Frequently, part of that “cool” factor is imprinted on our brains as a result of a component that we often overlook.
So, how to use the tone knob? Open it to get a trebley sound, and roll it off to get a warmer, darker tone. Experiment. Some guitars sound best with the tiniest roll back on the tone knob, some songs require a certain combination of tone and pickup settings to sound best. Try to listen to the John Mayer DVD “Where the Light Is” and try to emulate the guitar tones there using only your pickup selector and knob. He uses different guitars and settings, but a lot of those can be emulated just with your guitar’s controls. Experiment.
The first recording of an electric guitar was by jazz guitarist George Barnes who recorded two songs in Chicago on March 1st, 1938: Sweetheart Land and It's a Low-Down Dirty Shame. Many historians incorrectly attribute the first recording to Eddie Durham, but his recording with the Kansas City Five was not until 15 days later. Durham introduced the instrument to a young Charlie Christian, who made the instrument famous in his brief life and is generally known as the first electric guitarist and a major influence on jazz guitarists for decades thereafter.
This effect gives a guitar that ska/reggae sound. It works by varying the cutoff frequency of a low-pass or bandpass filter (the same filter that's in a Wah-Wah effect, hence the Envelope Filter is also called an Auto-Wah) using an envelope follower which watches the signal for amplitude changes. So it wahs your attack, and then gives less and less wah as the signal attenuates. So the sound has a crunchier attack and the tone is very sensitive to varying dynamics.
My first guitar was an acoustic guitar made by Ibanez. At the time I got it, I was very into the acoustic-oriented bands that were dominating adult rock radio at the time, the mid-90s. You know, bands like Hootie & The Blowfish, Blues Traveler, the Goo Goo Dolls and Barenaked Ladies, for example. So this was perfect for me. I could imitate some of my current favorite acoustic guitarists and learn to play the basic chord structures of their songs. But the itch to do more grew, and I was ready to branch out into the foreign, exotic, sexy world of electric guitars. I bought one of those starter pack guitars that come with an amp, some power cords, a strap, picks, a guitar case, some kind of instructional materials, and everything you needed to transform yourself into Jimi Hendrix in a matter of days or even moments. I was all set.
The CD-60CE is a Factory Special Run acoustic-electric guitar made by Fender. This inexpensive model comes with a Honeyburst gloss finish and a solid construction that gives a warm and rich sound. This guitar is made of laminated mahogany all-around. The top features scalloped X-bracing patterns for a wider range of frequencies and a distinctive sound.
As I tried to point out, what is high action is based on personal taste for the most part. Also, Martins traditionally have higher action than many other manufacturers. But unless it is a true defect in the particular guitar, from wood swelling or shrinking, etc. action is easily adjustable, but it is recommended that you have a certified Martin warranty repair person do that, unless you are comfortable with such adjustments.
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Distortion pedals is responsible for many of the sounds that you think of when you think ‘electric guitar.’ It’s absolutely classic, and you’ll find that the majority of effects are some flavor of distortion pedal. The results you can get from these stompboxes vary from overdrive-like breakup to smooth melodic power, so it’s important before you take one home that you check for the type of sounds that specific distortion pedal is designed to create. Doing your homework really pays off when it comes to distortion pedals.

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But older guitars are not always better than new guitars; they can have unreliable parts, or be difficult to maintain. A lot of these are upgraded to make great players grade instruments. Keeping the essence of the original vintage guitar, but adding a little of today's reliability. A great example is the 1960s Gibson Melody Maker; an all-mahogany set neck guitar with Brazilian rosewood fingerboard and beautiful nitrocellulose finish. Well-built by Gibson, in their Kalamazoo factory, but with very basic pickups, tuning keys and electronics. Upgraded examples are everywhere, and are exceptional value as players grade instruments. Then again some guitars, especially early Japanese and European models aimed at the student guitarists of the early 1960s are completely unplayable. Even the cheapest modern day guitars put these to shame. Before buying any vintage guitar it is a good idea to know exactly what you are buying!
There’s no disguising what the Jackson Pro Series DK2 Okoume is meant for: shredding. From the tonewoods to the construction to the feature set, everything on this guitar is designed to bring the best out of lightning-speed solos and other fretboard pyrotechnics. That it clocks in at under $900 off the rack makes the Pro Series DK2 a great value buy.

Which guitar brand should you choose? It is one of the common questions which arise in every music lover’s mind. The basic answer is to find a guitar which can fulfill which fulfills all your demands and within your budget. However, for an appropriate solution, a user should check out all the features in a guitar before deciding which model to buy.
A frequency is determined normally by the position of a foot pedal. The input signal is boosted at, and around, this frequency, above the rest of the signal. As you move the pedal, the frequency being amplified changes up or down. The frequency range is set so that it sits well with a guitar, which in turn isn't hugely dissimilar to the human voice's frequency range.
Rather than superfluous power, I suspect the copywriter really meant something like superior!! However, then again, maybe they did get it right, because they featured a 6A6 preamp tube that was exceptionally weak and microphonic. These amps also had a chassis built in Chicago, by Chicago Electric, with a cabinet made in Chicago, by Geib. These had performance problems and in 1937, National Dobro went back to using Webster chassis with Geib cabinets.
Many great players (including Hendrix) placed the wah before distortion... though many of the modern rock guys place it after distortion to make the frequency sweep cleaner. Personally, I prefer the Wah before distortion, but it's personal taste really. Depends a bit on the pedal too - how wide the frequency notch is and what frequency range it covers. I have my Wah on a G-Lab True Bypass Wah Pad, which I think is a great product... I have a few Wahs that I like, the Keeley Mod Vox Wah and the RMC3 are probably my first choices to try out.
Some large combo amps and large speaker cabinets have ball-bearing-mounted caster wheels to make it easier to move them. All combo amplifiers and speaker cabinets have some types of carry handles, either a folding handle on the top or recessed handles on the sides. There are two types of recessed handles: some equipment has folding, spring-loaded metal handles, with the spring holding the handle flush against the chassis until it is pulled out for use; the second type is handles that are non-moving, and which are flush with the surface of the amp/cab, but with a hollow area behind the handle for the hand to go. In both cases, the handle does not project out beyond the amp/cab, preventing the handle from catching on items during transportation and/or being damaged.
Bass guitars (like guitars) in many ways are like cars. Their appearance is a major factor in your buying decision. But also like cars, especially for the first-time buyer, there are far more important factors to know about in order to ensure you buy a bass guitar that is both properly playable and that stays in tune, enabling you to make progress with it. 
There are some guitarists who place the compressor last, though, to boost their signal just before it hits the preamp of their amplifier. The drawback to this approach is that any hum or hiss introduced by other effects will be increased by the compressor's output gain. Sometimes you can remedy this by placing a noise gate before the compressor, however, the noise reduction can have an effect on the tone quality. A best-of-both-worlds approach might be to put your compressor first and use a signal booster just before your amplifier. Some guitarists also like the sound of putting their wah or envelope filter before the compressor to give it a wider frequency range to affect. Experimentation is always encouraged, but putting the compressor first is recommended.
A chorus effect alters the duplicated waveform in a more subtle, nuanced way. The altered waveform will sound much like the original, but just different enough to sound like multiple voices playing the same note or notes. As it is usually applied, chorus sounds like the same signal running through two amps with a very slight delay between them. In fact, Pat Metheny's famous chorus sound is produced in exactly this manner, using no actual chorus effect at all.
The Danelectro 12/6 Doubleneck Semi-Hollow Electric Guitar for sale with Gig Bag deserves the limelight. With its what I refer to as creamburst finish and dual necks, it's bound to draw positive attention. The 12/6 doubleneck features maple necks with rosewood fretboards. Danelectro lipstick pickups are true to the originals with that unique tone everyone loves. There's a 3-way pickup selector and another selector for switching between 6- and 12-string modes. Controls also include dual concentric volume and tone controls allowing for different settings between the two necks. Includes gig bag.MORE HERE...
Located in Kobe, Japan, this manufacturer made the famous Maya brand guitar. Maya guitars were in production from 1970-1980. It's been suggested that Maya may have been responsible for the Aztec badge. You'll notice that Maya has been attributed to a company known as Tahara. At this point I do not know if Maya assisted in production or if Tahara produced some Maya guitars as a subcontractor. Maya and El Maya badges have also been attributed to Chushin Gakki. More research is needed to clarify this point.
As the name implies, RockJam is a guitar capable of giving you the best of rock sound and deep melody similar to the type you only get from the studio and stage. The RockJam RGEG02-BK ST Style Electric Guitar Super Packstands as the highest quality and most accessible full-size electric guitar kit of the modern era, a quality that still outstands many buyers till date.
Besides the recognizable brand, there’s the sound quality, that earned it good appreciation even from experienced guitarists who are used to more expensive units. It has a standard 12” speaker that allows it to render treble and bass equally well, for a good range of sound which should make it suitable for country, blues, and jazz, as well as softer rock.

This funky looking piece is a vintage Japanese-built Bruno MaxiTone semi-hollow guitar with a sunburst finish and two single-coil pickups with a 3-way blade pickup switch. We love the old Japanese electric guitars of the '60s where they had great looking retro cosmetics, such as this one with pearloid pickguard as well as pearloid base plates underneath the pickups. The guitar is in good playing condition, the vibrato tailpiece has been anchored with a screw in lieu of the spring, and there is a chip in the plastic mounting piece of the neck pickup. The guitar plays great and has a cool vintage Garage Rock tone to it!

Ultimately, if you’re mostly playing rock, heavier blues, or any shred or metal styles, you might prefer jumbo or medium-jumbo frets. However, for country, rockabilly, surf, or old-school ’50s rock and roll, narrow frets could be the way to go. In any case, though, if your frets are in good condition and your guitar is set up right, the size of that wire in and of itself shouldn’t stop you from sounding great on whatever you play.
One of two guitar plug-ins that we’ve carried over from last year, VB-1 is one of the older plug-ins that Steinberg once sold and, along with the fantastic Model-E synth, is still available for download. As you might expect from the picture and the name, it emulates a proper bass guitar – not the easiest instrument to properly reproduce electronically.
There are a couple different versions of the Woody acoustic pickup, both of which are highly affordable. This version, coming in at $60, is a passive and noiseless magnet that delivers a balanced tone and can be easily removed or installed at a moments notice. To do so, simply snap the pickup into the soundhole or snap it out as needed. This functionality is a big part of what makes the Woody design one of the most popular and widely used in the world of acoustic pickups.

Little-known manufacturer from Osaka, Japan, this company is responsible for the oddly named John Bennet badge. Nakai has been mentioned as a possible Matusmoto Musical Instruments Association member in the past. The company still exists and is producing musical instruments, quite a feat in light of so many manufacturers who faded after the golden electric guitar age.

Your signal chain starts at your guitar and passes through each cable and pedal until it reaches your amplifier, the speakers, and finally your ears. If you use a collection of dedicated effects stompboxes, you will be faced with a perennial question raised by guitarists: what is the best way to connect these units into a single signal chain that is easy to set up and won’t degrade your tone.

Mike Longworth’s book shows at least three guitar amplifiers carrying the Martin name from the early ’60s. Who made them is unknown… most certainly it wasn’t Martin. In 1961 Martin marketed a pair of combos, the Model 110T and Model 112T. Both had top rear-mounted controls and a very groovy geometrical grillcloths in a sort of M.C. Escher pattern. Presumably the 110 featured a 10″ speaker, while the 112 had a 12″. The “T” suggests a tremolo circuit. In 1962 Martin offered a very cool #700 portable amplifier, a unit ensconced in a leather carrying case, presumably battery-powered.
The Gibson-owned Epiphone Company makes around 20 models of the Les Paul, most are similar copies of Gibson-made models, although when inspected closely, the Gibson originals are most often superior in craftsmanship and materials. Made in places outside the U.S., the Epiphone Les Pauls are made from more commonly available woods using less expensive foreign labor and have less hand detailing than the Gibson models, and, as a result, sell for a lower price. Epiphone Guitar Co. has been owned by Gibson Guitars since the 1950s. Once Gibson purchased Epiphone they quickly began making lower-quality guitars based on Gibson designs.[24]
Distortion effects are really like an overdrive pedal taken to another level. Many distortion pedals are simply overdrive pedals with the ability to dial in a higher gain setting (“Gain” can be thought of as the volume going into the overdrive components of the pedal). Some pedals will also have a built in equalizer to shape the tone of the distortion.
The simplest way to explain modulation effects is that they make a copy of the original signal, modify the copy in some way, and then mix the original and the copy back together. The result is sort of like a pitch-shift taken to the next level, where instead of simply adding new notes or varying the fundamental, they can create entirely new sounds altogether. Here are the usual suspects of modulation effects:
Honestly, a couple of years back I never looked at Fender for acoustic guitars because everyone was always talking about Taylors, Gibsons, Martins, Takamines, Paul Reed Smiths etc. Despite being a very good electric guitar company not to mention the inventor of the no. 1 guitar in the world, the strat, everyone always looked Fender, alongside with Ibanez and Washburn (good electric guitar brands) as bad acoustic manufacturers. I was one of them too. For me, Washburn and Ibanez might be a good budget acoustic guitar manufacturer but they don't deserve to be high in this 'top acoustic guitar brands' list. But for Fender, these past few months my mindset about them changed. I never realized how authentic and good sounding fender acoustics were way back then but I'm happy now that I changed my mind about them. I love them now. It's not about having vintage acoustics, or having high end prices. Fender don't set their prices as high as taylor, martin or gibson but they must not be judged ...more
hi-thanks joe -i have  installed a push pull pot to get middle and neck and all three pickups totegher-it works prefect but when not pulled it has seemed to change the sound on my normal five  selector sound and made all my normal five sounds very twangy-is this normal as when i pull the push pull pot up the extra sounds get clearer-is it becuase i have two tone caps on the push pull one on top half and one on the bottom but i thought that should not matter when the tone is at 10-thanks sean
Chuck Berry is the true founding forefather of rock and roll. His guitar playing in the mid Fifties defined the true personality and vocabulary of rock and roll guitar so comprehensively and conclusively that it’s impossible to find any rock player who doesn’t still steal his licks, riffs and tricks today. In fact, Berry doesn’t even tour with his own band; instead, he hires local musicians to back him up, because almost everyone all over the world knows how to play his songs.
Start with all of the mics clustered together three to six inches from the grille cloth, pointed at the center of the speaker. On a multiple-speaker cabinet, don't assume that all the speakers sound the same. Rather, listen to each of them at a sensible volume, and then mic the one that sounds best. If the speakers sound alike, a miking position close to the floor will generally provide a little more low end.

It is a common misconception that a new guitar player should start with nylon strings, because they are easier on fingers or easier to play. But nylon strings and steel strings are not interchangeable on the same guitar, so it’s not a matter of progressing from one kind of string to another with experience. What should really drive your decision is what kind of music you want to play.

Okay so the pictures of the guy in white sneakers are super dumb- but the book IS very helpful for a beginner; It comes with small stickers to place underneath the strings to practice fingering per different color stickers numbered 1-5 indicating 1st, second, third... fingering- you get the idea; I wrote on the stickers the letter of each note so I wouldn't have to remember which colors indicated which notes; and the stickers come off clean with no residue; this is just an added bonus- b/c I initially bought this book over others- b/c it shows pictures of a players' hand with fingers on the correct frets along with the actual chart; Personally, it is much easier for me to look at a picture of someone playing the note rather than a chart with dots.And as I said the stickers make it a breeze- I don't have to look down every time I want to play a note to see if my fingers are in the right place. Also the book comes with a pic and a full length poster labeled "notes and scales" to refer to for all of the notes.I haven't really read through the book- I'm a scimmer anyway- and the first chapter is all about positioning and tuning- which I already know; But if you are a visual learner- and have had trouble in the past- get this book to start with; It's definitely learn at your own pace- and doesn't remind me of a boring text book- other authors should be as innovative;
Meanwhile, in Sepulveda, Thomas Organ, after importing JMI's British-made amps for a short period in 1964–65, began to produce a line of mostly solid-state amplifiers in the United States that carried the Vox name and cosmetic stylings. With some assistance from Dick Denney, these amps effectively paralleled JMI's own transistorised amplifiers but were different from the British and Italian made Voxes in sound and reliability. To promote their equipment, Thomas Organ built the Voxmobile, a Ford roadster dressed up to look like a Phantom guitar, complete with a Continental organ and several "Beatle" amplifiers. Despite the huge marketing effort, Thomas Organ's Vox products did much to damage the reputation of Vox in the North American market for many years. By 1968, the company had also marketed a line of Vox drum sets (actually made by a German drum company, known as Trixon), which included a kit that featured a conical-shaped bass (kick) drum, that looked more like a wastepaper basket left on its side, and another with a bass (kick) drum, that looked like a flat tire. Such gimmicks did not help sales, and by the early 1970s Vox's American presence was virtually nonexistent.
ESP calls the body shape "Eclipse", which in the case of this guitar, is crafted from mahogany and paired with an arched flame maple top. The body is then wrapped in amber sunburst finish that complements the beautiful grains of the top. The guitar has a maple neck with a thin U profile and a 24-fret rosewood fingerboard. It is meant to play fast and smooth, with its 24.75" scale length and narrow 1.65" nut width. ESP opted for two Seymour Duncan pickups for this guitar, the '59 Humbucker for the neck and the hotter JB Humbucker on the bridge - both of which can handle both clean and high gain tones.
AmpliTube's effects are as noteworthy as its amp modeling capabilities. The current version comes with up to 51 effects - modeled after rare vintage gear like Ibanez Tube Screamer, Arbiter FuzzFace, MXR Phase100, MXR Dynacomp, Electro Harmonix Memory Man and many more. What sets AmpliTube apart from the competition though is its very intuitive interface. No parameter is more than two clicks away, and its realistic looking graphics are extremely easy to operate - even allowing for drag and drop operations. If you want a quick setup software, AmpliTube is your best bet. Price: usually about $200 - Check out Amazon.com for the latest price and reviews

Before Nathan Daniel started the Danelectro company in 1947, he made amplifiers for Epiphone from 1934 to 1946. Epiphone wanted Daniel to make amps for them exclusively, but he preferred to stay independent. Instead he founded the Danelectro company in 1947 and started making amplifiers for Montgomery Ward. By 1948 Daniel expanded and became the exclusive guitar amplifier producer for Sears & Roebuck. At the same time he was also supplying other jobbers such as Targ & Dinner of Chicago.

Many people "re-amp" direct guitar tracks recorded to a DAW using amp-modeling software, with good results. Plug-ins are wonderfully suited to the virtual  recording environment, allowing for fast access to a plethora of modeling amplifier and speaker cabinet combinations, hence tones, effectively replacing a roomful of amps, cabs and microphones. Programming the virtual amplifier is the same as tweaking the knobs on the real thing, and the same is true for programming software dynamics and effects processors in relation to their hardware equivalents. As the realism and sophistication of modeling technology continue to develop, so does the viability of virtual re-amping as a production technique.

Pedals. I have a basic rule when it comes to overdrives, distortions, and fuzzes: When I engage them, I want the volume to either stay the same or increase a bit, so I’m “pushing” the amp with the pedal. Because drives compress the sound, they can tend to seem louder overall when you turn them on, but actually they might be reducing the overall peak level. I don’t want to diminish the natural output level coming out of my guitar, and I don’t want my guitar tone to vanish in the mix when I hit a pedal. As I mentioned earlier, I often run the tone control quite low on drive pedals, which I feel keeps them sounding warm and natural.
If you feel that you must attempt a setup on your own, and you have a suitably worthless guitar to work with, then there are a few pieces of advice that you should know. When adjusting the truss rod on any guitar (this changes the bend or warp in the guitar neck) you want to move in small, one quarter or less turns. Over-tightening the truss rod will lead to a back-bend which can permanently destroy your guitar’s neck. Loosen the rod to bring it from this kind of a bend to flat. From there, you will want a slight amount of sag in the guitar neck to allow the strings room to vibrate. Intonation on an electric guitar is achieved by making sure that the pitch of the note when a string is struck open matches the pitch of the note as struck at the twelfth fret of that string (one octave higher). If the note at the twelfth fret is higher, the string should be slightly loosened at the bridge (achieved by moving the saddle towards the neck). The opposite is true for flat sounding notes at the twelfth fret. It is best to use a high quality tuner when intonating an electric guitar.
When Electric Guitars first hit the music market way back in the early fifties, they weren’t easily accepted by the people. However, later electric guitars became an integral part of the music industry throughout the world. The following article describes this amazing music instrument, which unlike its conventional counter-part, works on the laws of electromagnetism.

Decide between mic recording or using a direct box (DI). Recording the sound of your electric guitar by miking your amp is a great way to simulate studio quality sound. However, this will require expensive equipment, like a quality amp, microphone, and potentially sound dampening equipment or material. On the other hand, you can plug your guitar right into a DI to record your guitar.[1]

You're close, but not quite where you want to be with your tone.  You are officially a serious tone chaser; you've already swapped the stock burstbuckers in your awesome R9 Les Paul for something better ... but you are still only at 95-percent of the TONE you want, need, and hear in your head.  Keep seeking grasshopper, and you will find.  For only those who persist will drink from the holy grail.

The last guitarist to follow in Segovia's footsteps was Julian Bream and Julian Bream will be 73 years old on July 15th 2006. Miguel Llobet, Andrés Segovia and Julian Bream are the three performer personalities of the 20th century. Do not understand me wrong, we have many guitarists today that are very excellent performers, but none with such a distinct personality in their tone and style as Llobet, Segovia and Bream. In all instrumental areas, not just the guitar, there is a lack of individualism with a strong tendency to conformity. This I find very unfortunate since art (music, theatre or the pictorial arts) is a very individual and personal matter.[31]
I always say that Jose Feliciano? is indeed one of the greatest guitarists that’s ever lived. Flamenco, latin, bolero, classical, rock ect ect…. You name it and Jose can play it. Why he’s not on Rolling Stone’s 100 greatest guitarist of all time, is beyond anyone’s guess. dont believe me look up on youtube purple haze, the thrill is gone, flight of the bumble bee, Malagueña under Jose Feliciano. the guy can play anything and make it his own.
This is one of our favourite cheap electric guitars and it certainly doesn’t suck thanks to its Alder body, comfortable “C” shape neck, snappy maple fingerboard and two Vintage-Style Single-Coil Tele pickups to provide that awesome tele twang. If you’ve always wanted a Telecaster and are just starting out in the world of guitar, this is a dream beginner’s guitar that is budget friendly and still completely high quality.
Smaller combo amps may be easier to transport and set up than using separate amplifier and speaker units, and as such, they are a popular choice for many bass players. Bass players in quieter, more acoustic genres (e.g., jazz quartets which play in a wine bar or a folk music group which plays in a coffeehouse) may be able to use smaller, more modestly powered combo amps. Bassists who play in genres more associated with a high stage volume (e.g., hard rock or electric blues) may tend to use, larger, more powerful (in wattage) combo amps. While a gigging musician will typically only bring one combo amp to a show or recording session, some bassists in major touring bands have two or more combo amps on stage, with an "A/B" switching pedal used to select different amplifiers. In this way, a bassist could have a vintage tube combo amp and a modern solid state amp, and then switch between them to select a different tone for different songs.

• Do the Right String: Some instructional guides advise beginning players to try ball-end nylon strings because they are easier on the fingers and are more bendable than metal, but steel string guitars are called “steel string guitars” because that’s what they require. Nylon strings lack the tension needed to keep steel strings guitars at their peak, which means warping, bridge damage and other issues can occur. Likewise, steel strings on a nylon string classical guitar will warp its neck with frightening speed.

You're headed in the right direction - don't stop! yes, the keyboardist should control vibrato directly with the fingers, not automatically with an LFO. The more you rely on the technology to play the music for you, the worse your results will be in the long run. Is your intention to emulate a guitar, or to achieve a similar kind of lead expression and sound control during playing? Because these two are very different.
My interests are in the Kents with the script logo on the headstock, body, and pickups. The headstock is Gibson-ish with tuners on both sides. The pickup nearest the neck is tilted, regardless of how many pickups are on the guitar. One model, the 742 has four pickups with switches, volume and tone knobs for each. Overkill, to say the least, and I have read somewhere that they don’t sound very good. However, I have seen some youtube video where a 742 sounds pretty good in live performance. A lot of the sound comes from a proper setup and the hands of a skilled player. Hopefully I’ll be able to find out for myself someday. Regardless, the 742 is one funky-looking guitar.
I am not a real musician but I feel like one whenever I go in there. I bought my guitar there a few years ago. I have taken it and a travel guitar in there to get re-strung and Pat has always been so helpful and engaging. I follow his FB pages and saw him perform an original song "Will you Take My Name". I was so blown away by the song that I actually proposed to my wife by singing a version of that song. (His version is much better!). He has built a great following in a short time and has a nice selection of guitars and accessories. I really like his frequent FB posts of him showing a guitar he is working on, or a song he sings. Also, he features a lot of customers singing and playing whenever they stop in. This store has a great vibe. If you are in the area, stop in even if you don't anything, you will have fun. And if you need something, well then you've come to the right place!
to heat up the tubes in certain amplifiers , when the tubes are heated up you get a better sound and the tubes last longer is what I've been told. remember to change your tubes and have them adjusted on a yearly bases to keep the amp sounding great if you're an experienced player this really comes in handy. Get a pro to do it the first time so nothing bad happens.
Electric guitars and guitar equipment - want something new? Shop online and in-store for your new guitar setup. Pick from solid body, semi-acoustic, and hollow body styles to get your ideal electric guitar. We stock all the major guitar brands like Fender, Gibson, and Ibanez. Alongside electric guitars, you'll find amps and pedals from Marshall, Vox, and Orange.
Its the type of clipping you would expect to hear from a tube amp that been naturally gained up by cranking the volume levels really high.  Some players refer to this sound as Crunch.  These Overdrive pedals, such as the famous Ibanez Tube Screamer, can also be doubled up to give two gain stages:  Slight Crunch and Creamy Velvet Lead.  They sound as good as they might taste, if they were flavors of cereal or ice cream.  Many players found their tone by using two overdrive pedals back to back.

"I'm the famous guitar player," the late Duane Allman said, "but Dickey is the good one." The two spent less than three years together in the Allman Brothers Band, but they established an epic rapport – jamming at length, trading solos and playing their famous twin-guitar leads. After Allman's death in 1971, the group continued with Betts, scoring with "Ramblin' Man" and "Jessica." For all his blues and slide chops, his roots are in jazz, and you can hear the influence of his clean-toned modal soloing in every Southern rock group that's followed.
The octave pedal raises or lowers your pitch an octave. This makes a huge sonic impact as soon as it is heard. This pedal will make your guitar sound huge, broad and bass-rich or fierce and piercing - even both. It's best to look for a pedal with a “mix” knob, so that your original tone is not completely lost. One step and you can change the direction of the riff or the entire song. This effect was used extensively by Jimi Hendrix in combination with a fuzz tone, while more modern users include Tom Morello and Jack White.

Due to distortion's critical function in modern guitar styles, by far the lion's share of stompboxes are distortion units of one kind or another. Most of these feature intensity and tone controls, but often vary wildly in terms of the sounds they create. You'll be amazed at the different types of distortions that can be produced, from rich, creamy, smooth, and melodic sustain to harsh, jagged, and piercing breakup tones. Many distortion units produce a broad range of textures.
A multi-effects device (also called a "multi-FX" device) is a single electronics effects pedal or rackmount device that contains many different electronic effects. Multi-FX devices allow users to "preset" combinations of different effects, allowing musicians quick on-stage access to different effects combinations.[16] Multi-effects units typically have a range of distortion, chorus, flanger, phaser and reverb effects. The most expensive multi-effects units may also have looper functions. Pedal-style multieffects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rackmounted multieffects units are typically mounted in a rack. Guitarists and bassists may mount their rackmounted multieffects unit in the same rack with their preamplifier and power amplifier.
Some bridges have a lock position and at this point should be engaged. Other floating bridges will need to be stabilized by using pieces of wood fitted inside the cavity (accessed from the back of the body) to prevent the tremolo block from moving. Vintage Fender-style tremolo bridges can be stabilized by fully tightening the spring tension screws. Whatever method is used, the bridge must sit as we will want it to when we are done with the set-up procedure- parallel to and nearly flush with the top- so care must be taken at this stage to get the position of the bridge right.
Guitars by José Romanillos, Robert Bouchet, Daniel Friederich, Hermann Hauser I, Hermann Hauser II, David José Rubio, Dominique Field, Francisco Simplicio, Enrique Garcia, Pascual Viudes, Enrique Coll, Santos Hernandez, Domingo Esteso, Ignacio Fleta, Marcelo Barbero, Arcangel Fernandez, Hernandez y Aguado, Manuel Reyes, Enrico Bottelli and 1950's Ramirez.
Justin actually has two YouTube channels, one for his guitar lessons and one for teaching particular songs. While his channels are excellent, you’re better off to access them from his website at www.justinguitar.com where you’ll find full, comprehensive menus and links to each video along with explanations of the content. You’ll have no problems of watching a full video, only to discover it doesn’t include what you wanted.
The culture of staying up late and having some drinks any and every night of the week was what I grew up around. But it was also twinned with a kind of mountain vibe because they were young and happy to have gotten away from the farmlands. So they were really into pop music. So the two things kind of came together, this assumption that you played or sang.
Chrome trapeze tailpiece with a diamond. For Gibson guitars including the following models- L-50, L48, ES-125, ES-330, etc. Please make sure to check the specs to see if they match your instrument to verify it is the correct replacement. Overall length of Tailpiece not including hinge = 4 5/8 inches. Side to Side width at bar = 3 19/64 inches. Width of string bar = 47/64 inches. String Spacing at Bar = 1 61/64 inches. Important Hinge/Mounting Specs: Mounting Area of Hinge length = 1 1/2 inches. Mounting Area of Hinge Width - 2 inches. Mounting hole location bottom center = 11/32 inch from bottom edge. Two Mounting hole locations from side edges = 5/16 inches. Two mounting hole locations Apart from eachother = 1 25/64 inches. Upper side of hinge length = 1 1/8 inches. Upper side of Hinge width = 1 25/64 inches.
Those influences helped him develop a truly unique rhythm guitar style that no one has been able to duplicate since. Perhaps the coolest thing about Joe Strummer is no one could ever predict what he would do next. In 1981, the Clash played 17 consecutive nights at the 3,500-capacity Bond’s International Casino nightclub in Manhattan, but when they returned to New York the next year they played two sold-out shows at Shea Stadium as an opening act for the Who.

Once you have the height of the strings over the fretboard adjusted, you can fine tune the intonation setting with an electronic tuner. If the saddle locations are already close to where they should be (based on your measurements), your saddle height should not have to be changed very much as you make the final intonation adjustment. If this is a tremolo bridge and it is blocked, tension the tremolo spring claw to the correct setting( this adjustment will be the subject of a separate article).
Just in...We are proud to offer this fine rare example of a Washburn vintage instrument .... This is super guitar! .. Wow talk about some beautiful exotic woods have a look at the Koa sides & back ,its a Solid Sitka Spruce top, Super high AAA grade 3 piece flamed Ribbon Mahogany & walnut neck with the Martin style Diamond Volute on back.... bone nut & saddle this is first class sound & playability & craftsmanship for a song.... Just look at that workmanship.... Great Tone woods with some ager to her now she a real Singer all right... rare to see one of these with such exotic woods makes it specially beautiful. I would compare the feel & tone and volume to that of the Old FG180 Yamaha's very similar ...Just in and its SUPER CLEAN collectors example so get her before she is gone... any questions .... ask please Thanks for your interest and looking....
It's interesting how one of the biggest brands in guitar amplification was built by a drummer! The story goes that professional drummer Jim Marshall was inspired by Pete Townshend, Ritchie Blackmore, and Big Jim Sullivan to develop a louder and better sounding amp. And he went about it by looking at a popular American amp design (i.e. Fender Bassman) and finding ways of how to improve it. After many prototypes, Jim and his team eventually came up with an amp that had their own "Marshall sound", this amp inherited the JTM label, an abbreviation of Jim's and his son Terry's names. The rest as they say is history, with Marshall being one of the most familiar amplifier brands, even to none musicians. Their brand is still the amp of choice for a long list of virtuoso guitarists, including Jimi Hendrix, Jeff Beck, Eric Clapton, Jimmy Page, Slash just to name a few. While their vintage and professional level amplifiers are still very much in demand, the company is not doing as great in the entry level to mid-tier market - which really is the bulk of where sales and reviews of come from. Still, their fans gave them enough good feedback to make it to this list, thanks to the improvements they are making to their entry level line of amps.
Perhaps not as famous as its brother, the EMG 81, this awesome EMG 85 still rocks and makes a worthy appearance in our chart. Perfect for the neck position (although equally solid in the bridge), the EMG 85 features Alnico V magnet-loaded close aperture coils to deliver a natural tone with a huge output, with no loss of clarity as the volume is pushed to its highest.
We currently recommend the very popular Seagull S6 Original Cedar Slim as one of the leading beginner guitars and we named the Seagull Maritime SWS SG as the equal second highest rated acoustic guitar between $500 and $1,000 in October 2016. And in August of 2017 we named the Seagull Entourage Rustic CW QIT as the highest rated acoustic-electric guitar under $500.

Considering that all of the other small-sized guitars we tested were much flashier, I was shocked when our teenage testers, Alana and Charles, both picked the Epiphone Les Paul Express as their favorite short-scale model. It turns out our younger panelists didn’t care at all about the style of the guitars, they cared about comfort—and for them, the Les Paul Express was as comfortable as an old sweatshirt.
Best Answer:  first off, there are tuning knobs on the end of the neck of the guitar(the neck is the long piece protruding from the body of the guitar) they control the pitch of the strings. When you tune a guitar you want the first string(or the smallest string) to be tuned to the note e.The other strings going up should be the notes b,g,d,a,e. You only need to tune the guitar whenever it gets out of tune. The knobs on the body of the guitar are volume control for each pickup,master tone control, and master volume.The controls differ from each guitar , but they usually follow something like that.Lastly, on a Les Paul there is a switch on the upper part of the body that controls which pickup is being used.-(the pickup selector). A pickup is a magnet that collects sound from the strings and lets it be amplified through a amp.A good amp costs anywhere from 50 to 100 dollars. Good luck on your guitar.

Surprisingly, perhaps, given their reputation for fragility, ribbon mics also seem to be widely used for electric guitar, with models from Beyerdynamic, Coles, RCA and Royer all putting in appearances. Producers using ribbons include Thom Panunzio, Joe Barresi, Steve Albini, Ed Cherney, Bill Bottrell and Butch Vig — Eddie Kramer even goes as far as to say that "to me, the best guitar mic is the Beyer M160, which I've used for 30 years on Hendrix, on Zeppelin, on everybody."
Tone wise, flamenco players appreciate the snappy and bright tone that this guitar reproduces, while acoustic guitarists find the playability and feel to be easy to transition to. Whether you want to focus on classical flamenco style, or you are merely looking to the sound of nylon string guitars into your collection, the GK Studio will not disappoint. The combination of its solid European spruce top and Cypress back and sides is a treat to look at and great to listen to. You can visit Cordoba Guitars for the complete specifications. You can also see two more Cordobas in our nylon string guitar roundup.
Capacitors are typically used as filters to control tone. In most cases, they are used to filter out very high frequencies before being sent to ground (the output jack) which controls the warmth of your guitar’s tone. Capacitors vary greatly and come in a range of materials from ceramic, film, paper and electrolytic (mainly used with active pickups).
As time went on, the discovery of the endless possibilities of techniques of this new spring-loaded bridge became apparent.  We all know about a “whammy bar” and have probably gotten a taste for it through the Guitar Hero game series.  A great example of a player who has mastered control of the whammy bar would be Jeff Beck, who in recent years has become the king of the subtleties available from the standard Fender tremolo bridge technique.

Note: Youpi Choupi's answer calls my answer below into question by pointing out that classical and flamenco guitars are acoustic guitars. He is correct in this of course, they are all types of acoustic guitar. However, most of the time when someone says they play "acoustic guitar," they mean the commonly used steel-stringed acoustic that most rock, folk, country and other artists play, and I believe this was the intent of the OP when they asked the question. Hence, an answer simply pointing out that Spanish guitar and acoustic guitar are both acoustic guitars would not have been a helpful answer.
This is our new cross-reference between classic pedals (e.g. a Fuzz Face) and who makes kits or boards to build it yourself. In some cases the kit or board is for an exact clone. In others, it is for a circuit based on the original but with improvements or combinations with other pedal designs. Read the description specifics by clicking the link and visiting the maker’s site.
Before being acquired by Gibson in 1957, Epiphone was one of the most popular guitar brands in the market. It competed with highly renowned guitar brands, including Gibson. These days, Epiphone is known for being a more affordable brand of Gibson guitars. They’re great for playing tunes from the 60s. Epiphone produce cost-effective versions or alternatives of Gibson Guitars. Many musicians claim that Epiphones were their first ever instrument. Epiphones tend to be very popular in the entry level market. Epiphones are great for people who are just starting and want a good brand name for their first guitar. So, if you’re looking for a cost effective entry level guitar, Epiphone would be your best choice.
Marr, once a member of Electronic with Bernard Sumner of New Order and Neil Tennant of Pet Shop Boys, has played on a number of records and contributed to numerous other high-profile projects, including his recent stint in Modest Mouse. This weekend, Marr returns to Denver in support of his debut solo album, The Messenger, and in advance of the show, we spoke with the charming and intelligent guitarist about how he got the sound for "How Soon Is Now?" and his signature model of the Fender Jaguar.
In the late 70’s digital technology boomed and made its way into the guitar community. It first entered in the form as rack units which were expensive and relatively large. As costs came down and the technology shrank, digital delay pedals were introduced into the market by Boss in 1984 with the Boss DD-2. Since then as technology advanced, delay pedals now offer many features in a very small box such as tape echo, analog, reverse delay, modulated delay, and loopers.

Generally speaking, the amp market tends to be less fueled than other categories by the year-to-year cycle of new product hype that kicks off at the annual NAMM show in January. While there are always hot new models and brands (Quilter amps being a good recent example), amp sales on Reverb are largely dominated by tried-and-true favorites and good deals on used gear.

Packing almost the entire tonal essence of 80's arena rock n' roll into one bar-shaped unit, with a glassy and transparent, BBD-style chorus, a crushing hot rod Marshall-stack crunch distortion, a natural-sounding delay, and a spacious reverb. Turn on every module on the bar, with a little tweaking, you've got yourself THE EPIC lead tone, which is dynamic, responsive to your hands, with long sustain, and cuts through the mix like a knife through butter. A built-in cab simulator for getting a real guitar cabinet sound straight from the PA system; Max delay time: 500ms It is the ultimate tool for road touring gigs. Aluminum-alloy, metal casing, stable and strong; compact size. Grab it! Plug it! Tweak it! Rock it! LED indicator shows the working state; Power: DC 9V 5.5x2.1mm center negative,.
There are many, many variations of the electric guitar. Science has told us that in order for sound to be naturally amplified, there needs to be a chamber in which sound can resonate. Just look at the construction of the ancient amphitheaters, or the way that the human body has natural resonating chambers that allow us to use our voices, or a stand up bass, with its large, chambered body designed to amplify the resonating strings.

The effect also took Nashville by storm in the 70’s as well and was a favorite of Waylon Jennings’ music and others. What the effect does is mix the guitars signal with a slightly delayed reproduction of the signal. This delay shifts the waveform a few milliseconds thus producing the out of phase sound. It then uses a LFO (low frequency oscillator) to control the sweeping effect of the phaser. This pedal is key to the classic VH guitar sound!
• Guitar : ELECTRIC SUNBURST captures the sound of a classic guitar, chosen with its rich, warm and versatile sound. The continuous signal path has been retained throughout, including high-quality cables, vintage tube preamps and high-resolution transducers to ensure that every nuance of this legendary instrument was accurately fixed. Since the string holder and neck were recorded separately, you can fully control the balance of the mix. Moreover, a condenser microphone was installed above the strings to capture subtle sound nuances and add punch and realism.

The first analog delay units used magnetic tape to record the original signal and play it back shortly after. The most famous tape units are the Echoplex and the Roland Space Echo. As cool sounding as these units are they require a fair amount of maintenance and they are rather large and aren’t practical for the gigging musician. But boy do they sound good!
The vast majority of bass amps in the 2010s can be powered solely by AC mains power, obtained by plugging the amp into a wall socket. Inexpensive practice amps may have the AC mains plug hardwired into the unit. Middle-priced to high-priced amplifiers typically have a removable cable and plug, as used with PC computer towers. The benefits of having a removable cable and plug is that if the cable becomes worn or damaged, a new cable can easily be replaced by a layperson. If a hardwired AC mains cable and plug becomes worn or damaged, a qualified technician or electrician will typically be required to replace the cable and plug. Most amps are designed to work for a single voltage. A small number of expensive bass amps designed for touring professionals have user-selectable voltage, which enables a bassist to play with same amp in North America and Europe. A small number of small combo amps can run on both AC mains power and battery power. This enables bassists to play outside where there is no access to power (e.g., for busking on the street). Amps that are battery powered may have a 12 volt input, enabling the unit to be connected to a car battery with alligator clips.
Enlarging/ Drilling Holes: Often required to upgrade tuners, or occasionally to change control pots. Enlarging a hole in wood seems simple enough, and it is. But it's also an easy way to ruin the finish of the guitar and worse. The problem is because there is no wood in the center of the hole, the edges pull upwards instead of cutting. It often results in large ammounts of chipout or worse. The answer is to run the drill BACKWARDS. This will ream the hole out without the risk of chipping. If the hole needs to be made significantly larger, it is often best to use a bit one size up from the desired hole size and run it backwards till the drill has gone just below the surface. Now you can drill the desired size hole normally relatively safely. The washers or dress rings will hide the slightly larger starting bevel that remains. Whenever possible, drill half way through from both sides or clamp a "backer board" in place. Do NOT use much pressure on the drill, let it do the work, excess pressure is usually due to dull bits, and almost always results in some king of damage. If you must drill through the finish where there is no hole use the same method as described for significantly increasing the size of a hole, but apply masking tape over where the hole will be drilled prior to starting.
Electri6ity is frequently compared to Musiclab’s real electric guitar line as they came out around the same time, and while Musiclab delivers better quality in most aspects, you only have one guitar per VST - where Electri6ity has eight. However,  while Electri6ity will give you twice as many guitars for the price, Musiclab continues to update their Real line, now blowing Electri6ity out of the water.
Tone woods only effect acoustic or hollowbodys. The more dense wood harder tighter grained woods along with steep pitched saddle to stop string angle increases sustain.research labs experimented with marble body's and had tremendous sustain.also effecting sustain is type of neck.ie. bolt on set or thru. A bolt on May have equal sustain to a set if the thickness of body at bolt joint is made thicker but thru are best all have give and takes. Thru are less adjustable and limit repairs. Bolt on offer more adjustment. Set necks can be replaced or reset but cost more to do so. Thick heavy gibson let Pauls are known for the sustain.but endurance limited by heavy weight. It's all matter of choice. Buy usa or if not available japan. Stay away from Chinese or Korean they are bottom feeders
Read Full Review Here is another superstrat design electric guitar on the list that is well recommended for a budding guitarist. While for veteran player’s out there who is on a hunt of buying an all around electric guitar on a minimum prescribe budget. The ESP LTD M-10 could be that affordable gem of a guitar you’ve been looking for and always wanted.

The Supro line continued to grow in 1938, as can be seen in the CMI catalog. Still around was the Supro Spanish Guitar, now called the Supro Avalon Spanish Guitar, other than the name change (which is not featured on the guitar, as far I can ascertain), it is identical. Gone are the wood-bodied, frumpy-pear Supro Hawaiian Model and the Model D amplifier, although a Supro Special amplifier is mentioned (and not described) as being available for $40, the same price as the Model D. One and the same?
Boasting the title of the “world’s largest guitar manufacturer,” Fender is responsible for the creation and production of a number of the most iconic guitars ever conceived. The one Jimi Hendrix set on fire on stage? That was a Fender Stratocaster – similar in shape to the one pictured above. The one Bruce Springsteen plays at every concert? That’s a Fender Telecaster. Look at nearly any band on stage around the world and the likelihood is you’ll see a Fender guitar up there. And that’s no accident. Founded by Leo Fender in Fullerton, California in 1946, this brand hasn’t just pioneered iconic looks – they pioneered iconic sound. And that’s what keeps musicians like Eric Clapton, David Gilmour of Pink Floyd, and Jeff Beck so viciously loyal to the brand: unrepentant quality.
All product names, logos, and brands are property of their respective owners, and are in no way associated or affiliated with The Top Guitars.  Product names, logos, and brands are used solely for the purpose of identifying industry-standard products and brands used by The Top Guitars for the business of post production sound, and any related awards or honors therein. Use of these names, logos, and brands does not imply any co-operation or endorsement.
Raising the speaker cabinet off the ground varies the path length of reflected sound reaching the microphone, which can usefully alter the sound in some cases.One way to capture the sound of a large stack, unsurprisingly, is to set up the stack in a large room, play loud and put the mic several feet away so that the combination of all the speakers can be recorded, along with any floor reflections and the subtle filtering effects these may cause. Using this method, the mic 'hears' the guitar sound much as an audience would. Nevertheless, the most common approach is to close-mike the amp with the mic set up very close to the speaker grille and pointed directly at the centre of the speaker cone — where the cabinet has multiple speakers, it's traditional to deliberate over which one sounds best and then mic that one!). Moving the mic to one side produces a less toppy sound, so before reaching for the EQ knob you should try moving the mic.

Paramount: Around 1930 Martin made about 36 guitars with strange construction. A style 2 size body mounted into a larger rim and back of rosewood, small round soundholes around a "lip" that joins the outer rims to the inner rims, no soundhole in the top, 14 frets clear, dot fingerboard inlays to the 15th fret, rounded peak peghead with standard Paramount banjo peghead inlay, banjo-style tuners, four or six strings.

Unfortunately, it appears it is no longer possible to grab a Standard MIM Telecaster for under $500. Still, the Standard Telecaster remains a solid option when it comes to reasonably priced guitars, and it is a great alternative to the American Tele. However, if this increase doesn't set well with you, and you aren't digging the Modern Player Telecaster Plus, I suggest checking out what Squier has to offer.
The first burst of interest in Explorer-style guitars in the 1970s, led by players such as Rick Derringer and Sammy Hagar, was followed by a hiatus at the end of the decade when guitarists followed an Alembic-style lead. However, natural-finished neck-through guitars with sophisticated electronics didn’t cut it with the heavy metal bands that became more popular in the early 1980s with the New Wave of British Heavy Metal and the subsequent American response, chiefly out of Los Angeles. Poofy hair and skin-tight spandex begged for guitars with in-your-face style. The radical Explorer shape was perfect for making the right kind of personal stage statement. Manufacturers jumped on the bandwagon. Baby Deans, Ibanez, Aria, Cort… Even Gibson offered Explorers in cool custom graphics.
Large-scale traffic in guitars between Japan and the United States began in the very late ’50s. Jack Westheimer of Chicago’s W.M.I. corporation has published his recollection of having begun to bring in Kingston guitars purchased from the Terada Trading Company in around 1958. The Japanese themselves began advertising their wares to American distributors as early as July of 1959, when Guyatone ran a small space ad touting small pointed single cutaway solidbodies more or less resembling Teisco’s mini-Les Pauls.
Kent made a lot of "student model" instruments in the 1960's. I have always found most of the guitars to be quite playable but overall, the general guitar public in my area seemed to have a low opinion of them. I recently bought a solid body one pick-up, with case, that I practise on a lot. In fact, at a recording session I was using my Gibson Lespaul and the producer was complaining about the sound of it, so the next day I brought in my Kent and he loved it, it's on two songs on the CD we were working on!
This company slowly merged into Hoshino/Tama but prior to their unification, produced instruments with the Star badge, mainly drums. They also produced guitars, including the infamous Zim-Gar badged electric and acoustic guitars. Over time, drum production was segmented to Pearl, while guitar contracts were taken up by Tama. Zim-Gar production was relatively short, as these were budget guitars made for K-mart between 1962 and 1968.

The Afterneath gets a place on our favorites list, largely because of the "Drag" feature that allows you to sort of delay the decay of your reverb effect, giving off an ambiance that trails off behind each original note as it bleeds into new notes. It's a very unique reverb effect, which blends particularly nicely with a fretless bass in the example video below. 

Just for fun, try taking this inverted approach to setting string height: instead of getting them as low as you can without inducing serious buzzing, set your strings as high as you can have them and still be able to play with some reasonable facility. Doing this correctly might also require adjusting string intonation at the bridge saddles, because their angle and distance across their speaking length is now changing slightly, too, but for now just try it as is, in case you choose to return your action to point one. (Note that raising string height at the bridge might need to be coordinated with a tweak of neck relief at the truss rod, although I will leave that to your own best judgment as there is plenty of debated between the flat-neck/slight-relief crowds, and this determination will depend upon your own preferences.)
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One question I get asked incredibly often, specially from beginner guitarists is: “What are the best guitar brands.” It’s a pretty valid question given that in just about every industry there are brands that are known to be the most desirable and most reliable (not always at the same time) and therefore, the best. However, it works a little bit differently in the guitar industry. Sound quality often goes on par with price. Reliability is measured a little differently than say, cars, as most guitar companies easily make very reliable instruments. Finally, desirability is usually based on price, looks, artist endorsement and more importantly again, sound-quality.
It will take time to write and update all of the content at once. Come back regularly and I promise that there will be always something new for you to read, the list with essential guitar effects will be constantly updated. If you are just starting out, we recommend going through some online guitar training before you dive in the guitar pedals world.
You want this before all of the remaining effects because you want, for example, a distorted signal to be delayed, not a delayed signal to be distorted. You can try it the reverse way but you'll end up with varying results since the gain will change during reverb tails, decaying delay echoes, and crazy chorus or flanger effects. And since these effects in this group rely on gain, you want to feed them a consistent and high gain signal, which gets reduced by other effects.

The steel-string and electric guitars characteristic to the rise of rock and roll in the post-WWII era became more widely played in North America and the English speaking world. Barrios composed many works and brought into the mainstream the characteristics of Latin American music, as did the Brazilian composer Heitor Villa-Lobos. Andrés Segovia commissioned works from Spanish composers such as Federico Moreno Torroba and Joaquín Rodrigo, Italians such as Mario Castelnuovo-Tedesco and Latin American composers such as Manuel Ponce of Mexico. Other prominent Latin American composers are Leo Brouwer of Cuba, Antonio Lauro of Venezuela and Enrique Solares of Guatemala. Julian Bream of Britain managed to get nearly every British composer from William Walton to Benjamin Britten to Peter Maxwell Davies to write significant works for guitar. Bream's collaborations with tenor Peter Pears also resulted in song cycles by Britten, Lennox Berkeley and others. There are significant works by composers such as Hans Werner Henze of Germany, Gilbert Biberian of England and Roland Chadwick of Australia.
Founded in 1974, Ernie Ball Music Man is an American guitar and bass company that produces high-quality instruments for pros and enthusiasts. Their guitars are on the expensive side. Most of them cost well over $2000. They are, however, extremely well-made. Music Man guitars Music Man guitars are predominantly made in the USA. This is part of the reason they can be so expensive. The sound is bright and lively. They are very versatile and can be used to play any genre. In addition to guitars, they also make bass guitars that are also very high-quality. One aspect of Music Man that is particularly good is their signature models. Their John Petrucci, or JP, models are some of their more well-known models. They also feature signature models for Steve Morse, Albert Lee, and more. If you’re interested in high-quality, signature model guitars, Ernie Ball Music Man guitars could be the kind of guitars for you.
According to the laws of electromagnetism, whenever an iron coil is moved inside a magnetic field, an electric potential is generated in the iron coil. This arrangement is known as an electromagnet. An electric guitar uses the same principle for generating an electric signal using small electromagnets which is then rectified and amplified to reach an appropriate audible sound level.
The Givson Guitar Corporation makes guitars which sell under various brand names and are considered as among the best guitar brands on the planet. The company is famous to have devised the arch top guitar and created a few of the most iconic instruments in guitar history. Some iconic versions are the SG, Explorer, Flying V, ES 175 as well as the Firebird. The Les Paul Melody Maker is a popular model amongst many guitarists in different countries.
In the fall of 1964, it's generally accepted that hide glue was replaced with white polyvinyl acetate PVA glue (Elmer's) after the move to the new Martin build facility. (But hide glue was still used until the mid-seventies for gluing tops to the rim and in some other situations.) A notation was written in Grant Remaley's personal memos on Sept 29, 1964 indicating Martin was starting to use "cold" glue. It is generally thought the type of glue used does affect the sound of the guitar. Starting some time in the 1980s Martin started switching from white glue to yellow aliphatic resin (titebond).
Treble is really a form of gain boost that must be considered while gain-staging our signal path. With good tone, a note should ring like a bell, not slaughter like a machete, and that is accomplished by shaving some attack off the waveform and rounding off the frequency response. A bit off rollback on the tone knob takes you into the ballpark, along with your amp settings (I have a dedicated treble-cut on my AC30 that is necessary to tame my telecaster). Once I am in the ballpark, I use the volume knob to fine tune, and personally I tend to let it be from there, relying on a gain-boost pedal to lift my sound when necessary without altering the tone.
The book provides examples of simple mathematical models for the complete signal chain consisting of the electric guitar and related accessories. Several do-it-yourself books have been written with the emphasis only on building a pre-specified circuit according to step-by-step instructions. This book takes one step further and brings up the designer perspective on guitar electronics. The importance of mathematics as a tool for design and analysis is emphasised throughout the text. Often in similar publications the use of mathematics is avoided as much as possible, but the fact is that mathematics provides ways to analyse circuits before spending time and money on random prototype builds. For more information on the contents of the book, check out the table of contents and the Google Books preview
While you don’t have to mortgage your home to buy a good guitar, price will still be a key factor in deciding which guitar to purchase. When buying for a beginner—especially younger players—you may be hesitant to spend too much without knowing if the recipient will stick with the guitar. That’s perfectly reasonable. There are guitars to fit just about every budget. Just keep in mind that the better the guitar the new player starts with, the more likely they will be to continue learning and playing. An instrument that’s hard to play or won’t stay in tune will deter even the most enthusiastic beginner.
: Does anyone know for sure where these originated. I have been told Vox (the England years) made this flat bodied plank guitar in the skiffle days of early 60's/late 50's. Mine is painted white(by hand) with a large black pick guard that curves to envelope the two chrome "toaster" pickups ,bottom of neck, and three control knobs.The strings have a moveable maple bridge(not secured) and a small chrome hardtail heel.The neck has a zero fret at top and 19 more playing frets.There are dot inlays at the 3rd,5th,seventh,ninth,12th,and 17th frets.The headstock is of natural finish light maple with a top edge cut at a sloping angle like Hofner.It has brass tuning pegs,gears and gear plates and the keys are white plastic.The beautiful short neck is true ,natural maple.Along one of the tuning gear plates is the numbers: 35515 which are etched into the wood. Four bolts without any plate hold the neck base to the plain body and a green decal above the pegs at top face of headstock reads: Shadow. The fret board is rosewoodand is laid on neck without bindings.It has six strings and sounds like a short scale Baritone guitar. It also only has one strap peg at bottom since they used to put the other end of strap on a tuning key. No other holes are seen for any former peg at other end of body(where normally found). Please send any info on this small,early,simple but awesome sounding electric skiffle guitar from England(Vox?).Thanks!!!!!
If you haven't tried a higher end Yairi then you have missed it. These are great hand crafted guitars with a very good neck and great sound. They are branded Alverez in the US but be sure it is one of the Yairi made. There are not lots of them made due the the complete hand crafted design. You don't find them in the music stores much but they should be there. I have owned one for many years and have yet to pick up any other guitar that can match it in my opinion

Many great players (including Hendrix) placed the wah before distortion... though many of the modern rock guys place it after distortion to make the frequency sweep cleaner. Personally, I prefer the Wah before distortion, but it's personal taste really. Depends a bit on the pedal too - how wide the frequency notch is and what frequency range it covers. I have my Wah on a G-Lab True Bypass Wah Pad, which I think is a great product... I have a few Wahs that I like, the Keeley Mod Vox Wah and the RMC3 are probably my first choices to try out.

This is a guitar that feels alot like a pre-CBS Fender strat. It has all the tones. If you didn't already know, G&L stands for George and Leo. As in LEO FENDER. The headstock is a little different, but the pickups are great, not Noiseless but definitely not NOISY either. Mine is a physically heavy guitar. It sounds heavy too - in a good way. Still, I can get all the tones I need from all the pickups. I believe that the neck pickup is superior to the Mexican Made Fender Strat. The pearloid pickguard is pretty. These Indonesian made strats sound great. They're made in the same factory as the Squiers but definitely sound different.

: I have a Vox Shadow that's sunburst, white pick guard that surrounds 3 solid chrome face pickups and the middle pick up has "VOX" engraved in it. 3 seperate volume controls and a master volume control. Tuning keys are all chrome, and the green decal on the face of the headstock reads Shadow, JMI Dartford, Kent. Neck is attached withthe help of a chrome plate, on the back side of the 'plank' body is an access plate for the jack that states made in England. Guitar also has the original roller/tremelo tail piece with palm lever. The numbers of 64728 are stamped on the back side of the headstock just below the tuning keys. Finish is beginning to crack a bit but it's all original, right down to the volume pots that have to be cleaned from time to time. It must be a rather unknown line that Vox had as I can't find out much on it either. Had this guitar for many years. Was handed to me in pieces in an old 'cardboard' case, (that has since gone away) put it back together and added it to my "music room".

Place one mic on each speaker at the same distance and orientation, and check the pair for phase cancellation by panning them to the same spot and listening in mono. The minute differences between the speakers, mics, and mic positions, combined with double-tracking, creates a monstrous presence when the tracks are hard-panned in the mix, and opens up a world of possibilities for separate EQ and effects processing. If you don't need the guitar to dominate the mix, you also can sum these mono-compatible tracks together to a single pan position for a noticeably bigger sound.
Harmony almost wrote the book on guitars and responsible for so many rock stars. Youngsters all over the world ordered guitars from Sears, Montgomery Ward, and later by JC Penny. These affordable guitars are now very sort after and have become very expensive. Many of these models have been copied and reissued over the years. In their heyday, Harmony was the largest manufacture of guitars in the USA. In 1964-65 they sold over 350,000 instruments. The pickup used during and around those years were made by DeArmond Company. Today Vintage DeArmond Pups are still valued and sold. Look into years of bands, and you will find VIP's of the Rock World, with a Harmony in their hands.
If you are inexperienced, it is only recommended that you attempt to setup a guitar that is of little value to you, both financially and sentimentally. If you don’t have one that fits these requirements, then it is best to pay the cost of a guitar setup as performed by a professional. The primary risk while setting up the instrument is over adjustment. Working any part of the bridge too much will cause wear and tear, and irreparable damage to the neck is often the result of improperly adjusting the truss rod. It is always hard to justify ruining a perfectly good instrument in order to avoid guitar setup cost.
The numbers below the chord tell you which fingers you should be using to form the chord. Finger one is the finger closest to your thumb and then it goes across until finger four is your pinky. The image below shows this labelled for you. If you're playing a left handed guitar you'll have to use the mirror image of these pictures. The thumb doesn't get a number because it is very, very rarely used when forming chords.
eyelet boards. Today BYOC leads the way in DIY FX kits for guitarists. With distribution in Canada, Europe, Australia, Great Britain, and Asia, and over 25 thousand kits sold worldwide, BYOC is a leader in DIY effects. And our goal has not changed – to bring guitar players a product that is more than just some DIY effects project that merely “works”, but a complete stompbox that will rival or surpass any of the big name boutique pedals on the market today.
• Wrap around: On wrap around tailpieces, what’s wrapping around is the string. Strings are slid into the tailpiece from the front and then pass over the back and top of the bridge before making their journey up the neck. This system creates less string tension. Some players report tuning and intonation issues with these tailpieces. Others swear by them.

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We saved the most affordable amplifier for the last. This Donner electric guitar amp might have only 10-watts, but it does not lack other features. The controls include Gain, boost Select Switch, Volume, Treble, Middle, Bass and are pretty intuitive. The tone is clean and damn big for such a small model. Other than that this model also has 3-Band EQ, 1/8″ Auxiliary Input Jack for Jam-Along with Media Player and, of course, the handy-dandy Headphone Output Jack for Silent Practice (unless you want to be evicted from your apartment for practicing days on end). Best practice amps are not best just because you can practice in your basement and never move the thing. They are pretty functional and easy to carry around. That’s why Donner put durable, hard material on the edges of the amp and a pad of rubber makes it more sturdy. With that your amp will be pretty much indestructible.
Gibson’s electric guitars generally sport humbucker pickups, known for their thicker, rounder tone. You also get less feedback, which limits the types of delay and overdrive tones you can experiment with, but ensures a cleaner and more consistent sound. Gibson mainly uses mahogany for their guitar bodies, which is what gives it that slightly darker sound.
Low frets aren't a bad idea, and Carvin is a very good brand for guitar, amp, etc. To me, it seems that the neck shape is going to be very important for you. Double-check what Carvin's return policy is, and if you think it will work for you (whatever it is) then I would totally say go for it! The caveat is that I would bring it to your local music store for them to do the setup, setups and intonations usually need to be done after shipping, and you'd need to have it done if you were changing string gauges anyways, so....
Description: Body: Maple - Body Construction: Solid - Top Wood: Spruce - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony Gold - String Instrument Finish: Natural
This is a Supro Supreme Hawaiian Guitar Model 1400 from somewhere around 1945. I've seen an identical one that was purchased new by the original owner during that year exactly. That date appeals to my love of WWII history, of course, because it was the last year of the war. I found this one languishing in the back of a vintage guitar store in Williamsburg, Virginia, while my wife and I were on our 30th anniversary holiday trip. The guitar is covered in lovely reddish-brown "mother of toilet seat" and has a non-slip back.
Schecter is one of the more recent brands to start building serious trust and authority on the guitar market. They started out as a parts company, only to cross into making their own guitars later on. It is no secret that Schecter guitars are first and foremost built with heavier genres in mind. Almost every model they offer packs so much range, though, that you can easily play anything you want without compromise.

The Effect:Chorus is one of the most recognized pedal effects, dating back from the beginning of the 70’s, and later on popularized in the 80’s, it was the most used effect on guitar pedals back then, and no guitarists dared to step foot on stage without the classic Boss CH-1 Stereo Super Chorus Pedal or MXR Micro-Chorus, to name a few. Originally, Chorus pedals came in Analog form, however today the market is mixed with both Analog and Digital pedals, with the difference between the two being that Analog modifies the signal directly, while Digital takes the original analog sound coming from your guitar, converts and modifies it into digital form, before finally converting it back to analog form prior to its release.

Maybe the pickups that came with your guitar are just cheap and not up to your standards. At that point, an upgrade might be less of a stylistic issue and would done for the purpose of improving the overall sound quality of your instrument. In most cases, upgrading the pickups on your guitar are the single most effective way to improve the overall tone and sound quality.
In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning. Most guitars used in popular music have six strings with the "standard" tuning of the Spanish classical-guitar, namely E-A-D-G-B-E' (from the lowest pitched string to the highest); in standard tuning, the intervals present among adjacent strings are perfect fourths except for the major third (G,B). Standard tuning requires four chord-shapes for the major triads.

Virtually all headphone amps offer a full menu of distortion, EQ, reverb, and a host of other digital effects, many of them simultaneously. So a headphone amp can usually double as a multi-effects processor, which is quite cool. Headphone amps also provide numerous presets — sounds preprogrammed by the manufacturer — plus full stereo sound (especially effective over headphones).
Polishing the frets is a whole instructable by itself, but I definitely recommend that you do it at least once a year. It makes the guitar look nice, and it gets some of the oxides off the frets(not sure if it really helps anything, but it sounds helpful, right?). Also, the tape pulls out some of the junk in the open pores of the wood(if your fretboard is rosewood).
Wiring the phase switch is fairly simple. Solder 2 wires in the criss-cross manner shown in the diagram. In the guitar cavity, unsolder the 2 bridge pickup leads; solder the phase switch "Out" leads to the exact same spot where the pickup leads were; solder the bridge pickup leads to the "From Pickup" terminals on the phase switch. Mount the switch, close up the guitar and start enjoying the new sound you just created!
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Some more advanced models, like the Wampler Latitude Tremolo Deluxe, bring a much more complex set of features, which include choosing the waveform and more. Whether you are looking for a good way to spice up your tone without impacting the nature of your signal, or you are just in need of a great vintage style effect, tremolo is the one to go for.

Boogex is a guitar amplifier plug-in with a variety of sound shaping features.  With Boogex it is possible to get heavy distorted sound as well as slight distortion sound.  Boogex is also able to apply any speaker cabinet impulse response (selection of built-in impulses is available).  Processing latency is very modest - 96 samples (2.1 ms at 44.1kHz).  Boogex comes with several example factory presets.
Hopefully, this list of easy guitar riffs has provided you with some ideas of memorable riffs you can learn as a beginner or intermediate player. The great thing is, there are tons of resources out there to help you learn all of these songs. Depending on which medium you prefer to learn from (written, audio, or video) links to each are included above for all songs.
TC Electronics implemented their TonePrint technology into this stompbox. TonePring allows you to import your own presets, which you previously design using a piece or proprietary software. Such a configuration of features and controls ensures borderline endless possibilities. None of that matters much if the quality of tone itself isn’t on par. In this case, you definitely don’t have to worry about that.
The guitar features hand-rubbed solid Sitka Spruce top supported by Martin's incredibly reliable mahogany HPL (high pressure laminate) back and sides, essentially similar to the configuration found on many of Martin's mid-priced acoustics. If you're looking for an affordable starting instrument that has big-brand backing, or you are looking to get into the parlor-style guitar trend, check out the LX1E Little Martin.
If you’re a beginner, you may still be in the process of exploring different playing styles or developing your own. In this case, it’s best to go for a versatile guitar that can accommodate a variety of acoustic playing styles. Fortunately, the guitars on this list are also versatile players. Some, however, may cater to a more specific style. For instance, the Taylor 214ce’s bright sound and the Seagull Maritime’s wider nut make these models great for those who do a lot of fingerstyle playing.
Great info. I found an interesting connection when researching a recently-acquired Intermark Cipher, as it's said here to be a Teisco, yet it bears a close resemblance to a model of Pleasant, which was credited to the obscure Shinko Musical Company. I wish i could post pics, but essentially, both have the Teisco-like headstock, identical pickups with off-white covers and square pegs, body shape is virtually identical except for the upper cutaway having a slightly different contour, the Pleasant having one more pickup and larger pickguard, both having switches above the pickups. I came upon a drowinginguitars video (https://www.youtube.com/watch?v=8-vhvYBy6os) describing in the video description how Kawai (-Teisco?) bought the "Pleasant Guitar Co." (Shinko?). This video isn't the model I have, my Cipher resembles the Pleasant sel-220.

The downside of going electric is that now you have to think about a soundboard, or at least an amp. And no self-respecting guitarist can live without a few pedals to tweak the sound. I mean you only need a volume pedal to control the level, a tuner might be nice, chorus is always appreciate, a nice delay pedal wouldn’t be bad, and you might need a clean boost for those solos. Then again, you might just want to plug straight into the soundboard and just enjoy that amplified acoustic sound.
I've been to Steve about a dozen times with my guitars, families and friends instruments and have sent several people there and have nothing but great things to say. He is reasonably priced and likely one of the most talented and experienced Luthier's in Boston. It's rare to see any establishment get 5 stars from so many people and Steve deserves it! Only thing is, if you're in a rush to get your instrument back, go somewhere else where they do it quickly and without much thought/TLC. Steve takes his time to do it right and has a lot of customers because he's the guy to go to in the greater Boston area. Highly recommend!

Learning guitar chords is often one of the first things beginner guitarists do. You only need to know a few popular chords in order to be able to play a huge amount of songs. This beginner’s guitar chords article will provide you with the necessary chords you’ll want to learn for both beginner and intermediate players. Before jumping into learning the chords provided in the guitar chords chart below, I wanted to first explain what a guitar chord actually is. What Is a Guitar Chord? As wikipedia defines it, “a guitar chord is a set of notes played on a guitar”. Although a
You may also be looking to get into individual guitar effects pedals right away, and maybe you’re wondering what are some of the popular overdrive, dynamic, or modulation pedals. If that’s the case, please stay tuned for our upcoming series of articles where we explore individual categories of pedals. In those articles, we will discuss price ranges, popular pedals, and the pedals that your favorite artists use.
Then, there are the venues where all you get is a vocal mic or two, where you're left to curate your sound all by yourselves. This category accounts for the vast majority of places a young band will play, and if you can hone your tone here you can hone it anywhere. What's most important is that you keep your amps low enough to allow the drummer to play at about 80% intensity. That way, the audience can actually hear all those important vocals, and when your drummer kicks it up to 100%, and you stomp on your distortion pedal, the audience will actually feel a shift.
I was at a friends house and he had a couple of his guitar playing buddies over. We got to talking about guitar repair and setups and such. Then one the guys said “the guy I use is the be...st ever...”, and I was all like, “yeah I’m sure the guy you use is great, but the guy I know is better”. This went on, back and forth for a few minutes, when he blurted out, “I use the Cigainero brothers...”. I said “cool, me too” See More
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Firebird is one of those less known, but legendary Gibson models. The 2016 version brings the core of what this bodyshape is all about, with more modern components. Even though my experience with Gibson Firebird is very limited, it’s one mighty guitar. It comes with mini humbuckers, and the sound is pretty unique. You can play anything from rock to metal on this bad boy, without being limited in any way.
A tremolo pedal takes your signal and chops it up, making it sound like the volume is dropping and reappearing very quickly. Imagine what it would sound like whilst holding a note and turning the volume down on your amp and back up again and you’ll get the idea. A tremolo allows you to change the speed at which the volume drops happen and how severe the cut off is. You can have it set to completely cut your sound out or just gate it, which allows a certain amount of sound through at each interval. The BOSS TR2 Tremolo is one of our favourites here at PMT.

The Kay Guitar Company has been the major producer of guitars since 1890. Most players do not realize that in 1928, Kay was the first company to start production of electric guitars in the USA. From 1952 through 1964, The Kay Guitar Company excelled at producing quality professional electric guitars with unique designs and features. The Kay Gold Line professional series became synonymous with that rich gutsy Blues/Jazz sound that eventually became known as Rock and Roll. This unique Blues sound was not available from any other guitar of that time. For the past decade, vintage Kay instruments have been fetching high prices and have had increasing interest from collectors and players because of the cool look and unique Blues/Jazz sound. Part of this special Blues sound came from the triple chamber design and the hand-wound blade pickups on the Kay K161V Thin Twin and the Kay K162V Electronic "Pro Bass" Guitar.
The whole point of having a DIY guitar kit is to build a guitar that you like, so make sure that you get one with you're preferred shape and profile. Kits with classic guitar body shapes are the safest choice, as evidenced by their continued popularity in the market. But don't limit yourself with just the familiar, spend time looking at other designs to see if you're missing out on something cooler, something that better matches your personality.
The body of an acoustic guitar is composed of the top, also called the soundboard. The soundboard is supported by internal bracing; the sides, and the back that together form a hollow chamber. The upper body curves are referred to as the upper bout, while the usually larger lower body curves are called the lower bout. The area between them is referred to as the waist.
The tip of a soldering iron is very hot, around 700F, and can damage the board, component packages, and wire insulation in a fraction of a second, not to mention your own skin, so be careful the tip does not touch anything as you move it in and out of the soldering area. Put the pencil back in its holder when not soldering. Don’t leave a hot iron laying on a bench or table.
Fender got really good at producing affordable high quality electric guitars thanks to the Squire brand, and with the T-Bucket 300CE they are trying to achieve the same thing in the acoustic electric world. This is an instrument that features superb electronics and offers great potential, and if it is in the hands of a professional it sounds better than any other guitar on this list.

You might recognise this in the tone knob above. The only difference is that R11 is a variable resitance from 0 to 250 Kohm, and C4 is a fixed value. Several guitars have several combinations of R11 and and C4 to achieve different cut-off points. When R11 is 100% position, the resistance is maximised, so there is little incentive for eelctrical current to flow to C4. The signal is not affected as much.

On some amps with a number of input and output jacks, the jacks may be consolidated in a patch bay. Some amps have an input jack for a foot-operated switch which can be used to turn on an effect or switch to a solo channel. Some higher-end amps have a Speakon speaker jack for an extension speaker. In the 2010s, the Speakon jack is often used in high wattage amplifiers, because the design of the connector, which is shielded from human touch, prevents electrical shock from a high-powered amplifier. Some amplifiers have a "tuner out" jack, for sending the instrument signal to an external electronic tuner. Bass speaker cabinets often have two 1/4" jacks. These are provided so that one speaker cable can be plugged into the first jack and connected to the power amp; if the bassist wants to use a second cabinet, a second speaker cable is plugged into the second jack and then into second speaker.

Although it’s a minor issue when choosing your first guitar, the tone and sustain that the guitar can produce relies on the quality of the material it’s made from. The most used tonewoods in the budget range are basswood, poplar, alder, and paulownia, while more expensive guitars can be made from pine, mahogany, and swamp ash. This is just a rough rule though – these days you will find mahogany in budget guitars and basswood in premium models. They all have different tonal qualities – for example, mahogany typically offers a warmer sound, swamp ash is brighter, while basswood and alder are well-balanced.

15 Series: Constructed of solid all mahogany woods, featuring herringbone rosette, matte finish and A-frame “X” bracing. Models include D-15 and OMC-15E. Also acoustic bass guitar BC-15E. John Frusciante of the Red Hot Chili Peppers favors this series, himself owning two vintage O-15 acoustics. Used on solo albums (most notably on Curtains) and albums with the band (like the recent Stadium Arcadium), Frusciante’s O-15s can be seen in action during live performances of songs, including Venice Queen (most memorably at Slane Castle) and Desecration Smile. Chris Martin ofColdplay also uses Martin & Co. 15-series, which can be seen during Mylo Xyloto concerts. Martin also made a line of D-15 style guitars for Guitar Center/Musician’s Friend. The Guitar Center model is called the DSR and has a solid sitka spruce top with solid rosewood back and sides. Musician’s Friend had two models labeled as a simply Custom-D. Both models have a solid sitka spruce top as well as either solid rosewood or mahogany back and sides.
• Them Changes: Since the strings on acoustic guitars play a much more important role in projecting volume and clarity than strings on an amplified electric guitar, considering changing acoustic guitar strings often to keep an instrument sounding its best. Remember to wipe down the strings after playing and check for string damaging fret wear. Both can prematurely end a guitar string’s life.
A common theme with these models is the capability to easily access the highest notes of the instrument, alongside dual humbuckers and massive sustaining bodies.  The Explorer, much like the V, is now a very common electric guitar shape in the heavy rock and metal genres, but was widely used in other styles as well.  This is evidenced by one of the most famous Gibson Explorer players, Allen Collins of Lynyrd Skynyrd.
Further simplifications occur for the regular tunings that are repetitive, that is, which repeat their strings. For example, the E-G♯-c-e-g♯-c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation;[71] This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B-F-B-F-B-F augmented-fourths tuning repeats itself after one string.[73]
Kaman and his technicians began by building traditional square-backed guitars, but by the sixth prototype were using oscilloscopes to develop the now familiar bowl-backed shape, its spherical shape being self-reinforcing, thus eliminating the need for bracing. After some experimentation, the carved, round-crowned Ovation three-and-three headstock was developed. The modern Ovation guitar with a Lyracord back was born.
ESP is notable for using active pickups — as opposed to the nearly universal use of passive pickups. Active pickups make use of internal amplification inside the guitar, so that the pickups produce a hotter, louder, and richer sound. The concept is very effective, however it requires the incorporation of a 9V power supply inside the guitar. This can be a great inconvenience if the battery dies and the guitar is not playable.
The assets of Kay/Valco were auctioned off in 1969. The upright bass and cello lines were sold to Engelhardt-Link, a new company formed by a previous Valco member, which has continued production (see #Kay basses for details). The Kay name (and some of its trademarks, such as Knox[citation needed]) were acquired by Teisco importer, Weiss Musical Instruments[2] (W.M.I., Sol Weindling and Barry Hornstein), who put the Kay name on the Teisco products beginning in 1973, and continued on through the 1970s.[11][12]
Most new electric guitars tend to ship pre-strung with "super light" guitar strings. Depending on your technique, and the style of music you play, that string gauge may or may not be too light for you. The following is a list of the standard string gauges included with each set of electric guitar strings. Note though that different manufacturers include slightly different string gauges in their sets of strings.

A functionally solid-body electric guitar was designed and built in 1940 by Les Paul from an Epiphone acoustic archtop. His "log guitar" (so called because it consisted of a simple 4x4 wood post with a neck attached to it and homemade pickups and hardware, with two detachable Epiphone hollow-body halves attached to the sides for appearance only) shares nothing in design or hardware with the solid-body Gibson Les Paul introduced in 1952. However, the feedback associated with hollow-bodied electric guitars was understood long before Paul's "log" was created in 1940; Gage Brewer's Ro-Pat-In of 1932 had a top so heavily reinforced that it essentially functioned as a solid-body instrument.[2] In 1945, Richard D. Bourgerie made an electric guitar pickup and amplifier for professional guitar player George Barnes. Bourgerie worked through World War II at Howard Radio Company, making electronic equipment for the American military. Barnes showed the result to Les Paul, who then arranged for Bourgerie to have one made for him.