I have owned a lot of amps over the years. I am also a dealer in music accessories. Please note that we do not sell these amps, so I am not endorsing and using something my shop sells. I recently have bought a couple of amps in a series (I bought one first and then bought another) and have been really impressed. The Vox AV series. http://www.voxamps.com/AVSeries
To preserve the clarity of the tone, it is most common to put compression, wah and overdrive pedals at the start of the chain; modulation (chorus, flanger, phase shifter) in the middle; and time-based units (delay/echo, reverb) at the end. When using many effects, unwanted noise and hum can be introduced into the sound. Some performers use a noise gate pedal at the end of a chain to reduce unwanted noise and hum introduced by overdrive units or vintage gear.[12]

We recommend you choose the headstock shape that appeals to you most. The shape of the headstock does not significantly affect the sound or performance of the instrument. Some of our headstock shapes are pointier, which means they can get damaged more easily when dropped or bumped. Choose from our existing shapes, or, send us a drawing of your original design - we can build that, too!

While many individuals who want to become guitar technicians dream of working with big-name bands, it is more realistic to work with smaller bands first to gain experience. Local bands often need extra help with many of the technical aspects of show production. Techs may be asked to perform other tasks besides guitar maintenance, such as stage set-up and breakdown, driving the tour bus and selling merchandise. All of these activities can provide techs with invaluable knowledge regarding staging live performances.
A bass amplifier or "bass amp" is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet. While bass amps share many features with the guitar amplifiers used for electric guitar, such as providing an amplifier with tone and volume controls and a carrying handle, they are distinct from other types of amplification systems, due to the particular challenges associated with low-frequency sound reproduction. This distinction affects the design of the loudspeakers, the size and design of the speaker cabinet and the design of the preamplifier and amplifier. Speaker cabinets for bass amps usually incorporate larger loudspeakers (e.g., 15" speakers are more common for bass than for electric guitar amps) or more speakers and larger cabinet sizes than those used for the amplification of other instruments. The loudspeakers themselves must also be sturdier to handle the higher power levels and they must be capable of reproducing very low pitches at high sound pressure levels.
By the early ’80s, MTI was importing Westone guitars from Matsumoku, which had made its earlier Univox guitars (and the competitive Westbury guitars offered by Unicord). Wes-tone guitars continued to be distributed by MTI until ’84, when St. Louis Music, now a partner in the Matsumoku operation, took over the brand name and phased out its older Electra brand (also made by Matsumoku) in favor of Electra-Westone and then Westone. But that’s another story…
The best place to start is with a small tube amp. This kind of amp is far less forgiving, leaving you nowhere to hide. It sounds counter-intuitive, I know. You’re looking for the best choice and here I am telling you one that will make things more difficult. But think of it as tough love – forcing you to confront your technique and learn the right way to play a chord or scale progression.
First off, I would like to say I had a lot of fun building this. Also, my hat goes off to the person that hand wrote all the tiny labels on the parts. With that being said, I couldn't get it to work. No sound at all, and only the light came on when I hit the switch. Now the fact that it didn't work could totally be an error on my part, but who knows. Now what I didn't like about this product is this: the casing is pretty small, so everything is pretty cramped (which may also contribute to why I wasn't able to get this to work, although, if you read other reviews, which I recommend for further useful information, some managed just fine), some pieces were mislabeled (There is a review that sorts this out), and the directions aren't very clear...well I thought they were clear enough, but look where that got me, so be ready for that. So 3 stars for fun, good price, and faster than expected delivery.
The Fender Tele Jr. is a variant of the Fender Telecaster electric guitar that the Fender Custom Shop produced in a limited run of 100 units in the early 1990s. It uses a Telecaster body shape, scale length, and electronics controls (albeit, with a reversed control plate). However, many of its construction and electronic features—for example its set-in neck and P-90-style pickups—are similar to those of a Gibson Les Paul Junior (hence the name) and Gibson Les Paul Special electric guitars.
They are based out of Nashville, TN, and all of their products are made in the United States. The Gibson Les Paul is possibly the most iconic model of guitar ever made. It’s been used by many players throughout the years, and it’s suitable for everything from jazz to rock to metal. Famous wielders of the instrument include: Jeff Beck, Duane Allman, Chuck Berry, Jack Bruce, Eric Clapton, Bob Dylan, Dave Grohl, George Harrison, Tony Iommi, B. B. King, Jimmy Page, and many, many more.
Clean or replace switches. To clean switches use solvent such as contact cleaner in a spray into the toggle itself, you may also use other solvents such as WD-40, always work the solvent around by using the switch as indented. To replace switches first obtain a proper switch that applies with your guitar, then soldering in accordingly. Work in a well-ventilated space to avoid harmful fumes from solder or solvents.
Is there a correct guitar pedal order? Every guitarist will move into using effects pedals in their signal chain, which is when the chaos starts. What the heck is an effects loop? Why is there more than one output on a pedal? This is the same plight mix engineers and keyboardists deal with. But thankfully, with a decent explanation, you'll find there is a logical sequence your effects should be in. Today we explain what that order is and why...
The biggest determining factor on how easy a guitar is to play is the 'action' - distance from the strings to the neck. When it is very low it is easy to press the strings down to touch the fret; when it is too low the strings will buzz when you play. If a guitar's action is too high it will be very hard to play, and for a beginner, this can be pretty disheartening.

Experience Rockstar Games' critically acclaimed open world game, Grand Theft Auto V. When a young street hustler, a retired bank robber and a terrifying psychopath find themselves entangled with some of the most frightening and deranged elements of the criminal underworld, the U.S. government and the entertainment industry, they must pull off a series of dangerous heists to survive in a ruthless city in which they can trust nobody, least of all each other. Explore the stunning world of Los Santos and Blaine County in the ultimate Grand Theft Auto V experience, featuring a range of technical upgrades and enhancements for new and returning players. In addition to increased draw distances and higher resolution, players can expect a range of additions and improvements including: New weapons, vehicles and activities Additional wildlife Denser traffic New foliage system Enhanced damage and weather effects, and much more Grand Theft Auto V also comes with Grand Theft Auto Online, the dynamic and ever-evolving Grand Theft Auto universe with online play for up to 30 players, including all existing gameplay upgrades and content released since the launch of Grand Theft Auto Online. Rise through the ranks to become a CEO of a criminal empire by trading contraband or form a motorcycle club and rule the streets; pull off complex co-operative Heists or enter radical, adrenaline-fueled Stunt Races; compete in unique Adversary modes; or create your own content to play and share with the Grand Theft Auto Community.

Type – the dielectric used in the capacitor. Polyester and polypropylene are most common, with ceramic capacitors also being popular, especially in lower-end instruments. Reissues of vintage instruments often use reproductions of vintage paper capacitors, which are also popular aftermarket replacements. Finally, audiophile-grade polypropylene film and foil capacitors are sometimes used in custom instruments, although their size can prove problematic as they're designed for use in audio amplifiers and consequently have working voltages in excess of 500 V, far higher than anything encountered inside an electric guitar.[16]
Rickenbacker is one of the most important electric guitar companies of all time. Despite their status, some people consider them as rhythm guitars and nothing else. That, of course, is a simple generalization. You can still do pretty much anything with a Rickenbacker and, on top of that, there are some things that only a Rickenbacker can do. For example, Roger McGuinn’s work with the 12 string and Townshend’s power chords. Other guitars could work, but there is something about Rickenbacker that pushes those moments to a higher level. Rickenbacker has a specific feel when you hold one. It’s smooth and slick and it feels as if you can play any style. Rickenbacker’s design is also unique, it’s a mixture of classical and modern designs. If you’re looking for a classic guitar with big noise, Rickenbacker could be for you.
I liked that the test used identical setups and that the results were captured on a high resolution display. Often the debunkers use either their ears alone (and in a MP3 format as well for us to compare) or an oscilloscope which is a terrible measuring device for real sound because it can only display time and amplitude where the amplitude is a summed view of all the frequencies at the same time. The FFT clearly showed much much more.
Synonymous in the electric guitar industry, the Gibson brand continues to produce some of the best electric guitars on the market, including the Les Paul Studio. Designed with a classic look that maintains the appearance of a vintage quality, this electric guitar comes with a neck that is slimmer than most traditional models, allowing for ease and smooth transitions when switching between notes. The guitar utilizes an upgraded version of humbucker PAF to cancel out any outside interference that detracts from the quality of the sound, while maple and mahogany wood are combined to deliver both definition and sustainability. Other features include traditional tuners that can be manually altered, a Graph Tech Nut for precise spacing between strings, and a neck heel with the class Les Paul design. Well reviewed and great for the price, the Les Paul Studio is one of the best electric guitars available if your cash flow allows.

When you are also tracking a close mic at the same time, you might try variations of the approaches discussed in the sections above on distant-miking or ambient-miking to get a little or a lot more room sound into the brew. This often will capture the best overall sound for a range of musical styles – the close mic delivers punch and plenty of midrange grind (depending on mic choice), while the distant mic – placed from about 12″ away to several feet – adds depth, dimension, and the natural reverberation of the space. After careful consideration for both mic placements (using the “position, listen, re-position” techniques discussed above to find ideal on-the-track sound from each mic), some skill in the mixing process is also often required to make the most of any multi-mic setup. The discussion about phase alignment in the sidebar (“Correcting Phase Issues”) is often a big part of this post-tracking approach to maximizing multi-mic techniques, but also be aware that you can use whatever proportional blend of the two tracks works best, a variety of effects and dynamic treatments on each track, and whatever panning of the pair best suits your overall mix, from dead-on together to any different pan of each within the stereo field.

Other Archtone owners may notice a slightly different model number, but with the exception of a tenor version, the only difference is the finish. The H1213 (your model) was finished with a shaded-brown sunburst, the H1214 was ivory-colored with a flame effect, and the H1215 was a sunburst with a grained effect. In excellent condition, this model is worth between $200 and $250 today. But in the average condition yours appears to be, it’s worth between $100 and $150.
We considered more than 40 guitars for this guide, and we tested the 13 most promising models. A couple of models aside, our testing panel thought, as Lynn Shipley Sokolow put it, “These are all of good quality and are all adequate.” In fact, certain models we didn’t pick may be a better choice for beginning guitarists who are into a specific style—most notably metal, which is clearly the primary market for brands such as Ibanez and Jackson.
Ash is a common body material in solid body guitars. It is harder than mahogany and very resonant. This gives the guitar ringing sustain and bright tone with a well-defined mid-range. A light colored wood with attractive grain figuring, it is often given a transparent finish. Swamp ash is a particularly appealing, detailed wood used on higher-end guitars.
Many inexpensive starter guitars are built with laminate tops, made from several layers of wood pressed together. While laminate is durable and can be quite attractive, it will not produce as pleasing tones as solid wood. To a lesser extent, this is also true of the guitar’s back and sides—solid woods will produce better tone. When reading guitar specs, if you see terms such as “select spruce top,” that indicates the top is made of laminated woods with a spruce-like grain pattern imprinted on it.
Here we have a matching quad of late sixties Goodman speakers with green labels 25 Watts each @ 12 ohms Very rare in that EACH driver is fully functional, the cones are nice and stiff, no cone rub or any tears, just a killer set of vintage speakers. These came out of a wem cab and were also stock in laney cabinets(think sabbath tone, wem, Burman and Selmer gear Wem used odd impedances, these read 10.01 ohms on my multimeter so is treat them as 8ohms if they are wired up in a cab series parallel. Postage in the U.K. is £32 and they will be sent out in two separate parcels, you will have to arrange your own courier if your not U.K. based you can also collect in person! Any questions just ask
There are two main types of pickups: single coil and humbuckers (also called double coil). Single coil pickups are comprised of a single wire coil and represent the simplest form of pickup technology. Single coils produce a bright, punchy sound, with the drawback that they tend to produce a lot of noise in form of a hum. (One way to combat this is the P90 pickup, which uses a single coil that is wider than the traditional single coil, increasing the amount of area of the strings that the pickup can hear. The result is a bigger, duller sound than the traditional single coil.) The other main type of pickup is the dual coil or humbucker, which is said to “buck the hum” common in single coil pickups. The design is essentially two single coil pickups grouped together, which creates a more powerful, richer tone that is free of extra noise. While it may seem like the humbuckers are the no-brainer option, plenty of players prefer single coils due to their brighter, punchier tone.

• How to check frets: The easiest and quickest way to make sure a guitar’s frets are in good shape is to look straight down the neck of a guitar, from body to headstock. If the frets are at different heights (improper installation is the culprit here with new guitars) or askew, there are problems. They should look uniform and exhibit as little denting or wear as tolerable. 

Here we have a wonderful made in Japan Takamine from a while back in 1990 this makes it officially a Vintage guitar next year but its tone sounds rich and vintage now! As you will see looking her over this F349 is GORGEOUS!.... better than average condition in all aspects... few only minor doinks here or there but NOTHING to detract from this Taks sound - playability or sheer playing enjoyment... Excellent ALL Mahogany build construction, high AA grade mahogany, masterfully built - fit and finish excellent, neck angle is excellent so action is very good so playing is a breeze and quite enjoyable not all can state this...its 1-11/16ths at the nut so its a nice feeling medium profile " C " shape, frets are very good - excellent can barely tell its been played in fact if you polish them they will be as new...beautiful quality rosewood fingerboard no dead spots or funny buzzes noted...This guitars wood still shines like glass and overall is an outstanding original example with an addition of the best sounding Piezo transducer cleanly installed if I didn't tell you -you may not have noticed but she is also fully electric and sounds amazing amplified I played her threw my Princeton Reverb amp and it truly sounds bold & rich and rings like a bell with the newish Martin strings I installed (I have played this guitar in my office for a short while ) so they should be done stretching and are clean and ready to perform. This guitar is nearing 25 years old so don't expect a brand new guitar this is a beautiful vintage guitar and has personality and patina of a well treated well loved professional grade instrument. Its in excellent vintage condition. JVG Rated 9/10. If you want a rich sounding great playing fun vintage Japanese Dreadnought guitar well this one should put a grin on your face when you open her up and see it. Enjoy! Let me know if interested thanks for looking. Joe contact us at: JVGuitars@gmail.com.
Here we have a real vintage Rare IBANEZ CONCORD beauty from the Golden Era of the Best Japanese Martin D41 style guitars period... This example is Ibanez Model #679 and is the Top of the Line and is an exact Martin copy and is a great " Law Suit " model from the era where Ibanez set out to make the best guitars worldwide period...Fit and finish even after 30 years it is simply superior it appears to be thin old school Nitrocellulose Lacquer finish, this guitar was constructed using the best woods very ornate intricate triple bindings with lots of beautiful inlaid abalone on the Brazilian Rosewood fretboard and the spruce top body WoW...please do have a very good look ...This example has employed the best exotic woods in its construction, The top looks to be solid no seam edge showing at sound hole some pick wear and looks solid, the sides & back also look the same on the inside and outside grain matches so again it looks to be solid?.... A high grade mahogany neck, Sitka spruce top, Choice Indian Rosewood sides & back, and what seems to be a beautiful Rich Chocolate brown Brazilian Jacaranda Rosewood fretboard with gorgeous abalone, frets show some wear lower several yet plays excellently all the way up with very good action and fast & plays easily...Neck width is a nice slim-med super comfortable 1-3/4" at the nut with no buzzing all the way up action is good set at 5/32nds @ 12th fret. This guitar has been well played and well taken care of and is a good professional grade instrument ready to record tonight. Cosmetically this is a 8.5 out of 10, A real vintage player that has not been abused at all yet has been lovingly well played its tone has richly mellowed with the years and only improved with its age and now after 30 years it shows this wonderful patina that can not be replicated that only comes with age, vintage is not for everyone some like it new we understand that this vintage Martin Copy Japanese Guitar however is not new or is it in mint condition yet it is very beautiful in vintage terms of mellowing with age and patina Wow this is for the TRUE VINTAGE LOVER... also you Ibanez Collectors of Japanese vintage. Its Sound is second to none it has nicely articulate lows with nicely contrasting bright highs and the mid-range has a good punch and ring when finger picked, full on sweet big tone when strumming open cords. This one is a real pleasure to play and is EZ on the eyes too. These are really great old classic guitars and are getting very difficult to find now in anywhere near this kind of vintage condition...its all original and the original tuners work very well with no need to change them out they are keeping the guitar tuned well...no cracks or repairs non needed , excellent original neck set and angle, intonation is good. This Rare beauty is conservatively JVG condition rated at very good - excellent in a 30 year old Vintage guitar...amazing looks and tone & playability in a real vintage collectible that your not going to want to put down.. Every bit as good as the much more expensive Martin for a fraction of that. Any questions ask? gr8bids@comcast.net .
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