But for all its light weight, this classical guitar shows off a stunning cedar top and rosewood fretboard. The inlay is just as elegant, and to keep the guitar’s profile looking good, the neck has a 3-ply construction style to prevent warping. The guitar has a matte finish, which gives it an “old-school” appearance, and the matte finish is great for photo sessions: no glare.

Electric Guitars- Vintage, new & used / Second-hand electric guitars by Kay, Teisco Del Rey Ray ET J-1, Univox & Silvertone. Cheesy Japanese, Surf Guitars. Also guitars by Ibanez, Gibson, Fender, Peavey, Martin, Zon, Gretsch, Rickenbacker, Diasonic & More. Les Pauls recording, lap steels / slide guitars, Barney Kessel style, Fender Stratocasters, Telecasters, Squire Bullet series, Peavey Falcon neck Martin Acoustics, bass guitars, Zon Legacy Elite 5 string Bass, Diasonic double single cutaway, Rickenbacker, archtop, Gretsch TW-100T Traveling Wliburys guitar, Hamer Mirage 1, Yamaha sg-2000, Fender Jag-Stang, Gibson Howard Roberts, Ibanez Artist AR-100 to name a few.
I've spent a few weeks on this kit - I will update with progress. Cutting out the headstock and finishing the guitar was fun and not too difficult. I chose to use TruOil and a natural finish, which takes a few weeks to finish. The body I got was made from 4 pieces of joined wood, and I wasn't careful about checking for glue spots, so there are a couple in the finish, but it still looks great. The neck fits nicely and feels good. It is straight and correctly set up for string tension (a little bit of bow before the strings are on).
Freshly Realeased from the JVG Vintage Vault..... Just serviced with fresh set up & cosmetic clean up remove grime etc, lube & adjust tuning gears, rehydrate the woods and polish out to the Beauty you see now...detailing & set up here at the JVG shop she's 100% ready NOW and a real rare style beauty too. She's a very clean example of a real Vintage guitar its over 35 years old and is a Japanese Vintage Acoustic guitar. She Plays like butta now! .
Each Proto Pedal comes as an easy-to-assemble PTH soldering kit, and it’s up to you to solder it all together! Additionally, we highly recommend using the Proto Pedal Enclosure with this kit. It’s a standard-size cast aluminum box, which does double duty as an assembly jig to help get the jacks and switch aligned correctly. We did NOT include the enclosure with the Proto Pedal to help keep the kit affordable – and in case you already had an enclosure you wanted to use or create yourself.
The war over an electric guitar's tonewood, like the Princess Bride sword fight, has ranged all over leaving a wake of havoc whenever it's brought into a conversation. It's brought a few too many guitarists to the brink of insanity certainly. Regardless, everyone has an opinion about it and when the Internet comes into play, the world weighs in too.

Great post a lot of useful information here I found this old acoustic guitar made by lotus I have never heard of this brand and have been trying to research it for about a month now and haven't gotten any closer to finding out the history of it if anyone know anything about them I'm all ears it has a tag on the inside model no. LW 65 or g5 lotus made in japan thanks in advance for any information I can get
The brand continued to release new models through the sixties, seventies and eighties (namely, the RGX Series). Then, in 1990, Yamaha launched the incredibly successful Pacifica range, which combined versatility, reliability and great tone in an affordable package. It was pounced on by beginners who didn’t feel the need to splash out on a Fender. Needless to say, the Pacifica Series is still going strong in 2018.

If the Schecter wasn’t quite fast enough, this lower priced version of Steve Vai’s signature guitar should get the job done. The Wizard III neck is a direct copy from its more-expensive variation, and when combined with the 24 jumbo frets, creates a speed machine. Because Vai himself is a versatile guitarist, though, this guitar can pretty much do it all, though if you like a chunky neck for chords, you’ll have to look elsewhere. You even get the Tree of Life inlay at twice price, which looks great.
ZPS (ZERO POINT SYSTEM) OF ZR TREMOLO Main Spring Stopper Tremolo Block Stop Rod With the guitar tuned correctly, adjust the Main Spring make sure that the Stop Rod makes contact with the Tremolo Block and Stopper. If the Stop Rod does not make contact with the Tremolo Block and Stopper, adjust the Main Spring adjustment screw until contact is made.
Perhaps the most dramatic of ambient mic techniques, though, comes courtesy of Chris Tsangarides. His 'Vortex' involves using studio screens to build 30-foot-long walls along each side of the guitar cabinet, creating a flare shape (apparently inspired by the shape of a bass bin). Within this flare, he places a close condenser mic and typically another couple of condenser mics with different distant positionings, perhaps at 15 and 30 feet away. "I walk around while the guy's playing and find a sweet spot and put the mic there", says Chris.
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The core of this guitar is its twin horn double cutaway mahogany body, which follows after the original SG. But as expected in this entry-level price range, they exchanged what's supposed to be a mahogany neck for maple with 12" radius rosewood fingerboard. Specifications remain faithful to the original, with a scale length of 24.75" and 1.68" nut width. The generic pickups installed sound surprisingly good for the price, but like many have done, the pickups can be easily swapped out for more hard hitting humbuckers to get more out of the guitar.
Taper – the ratio of wiper travel to the resistance between the wiper and the outer lugs. Logarithmic pots (also known as "log" or "audio" pots, and designated with the letter A) are generally used for volume controls, due to the human ear's response to sound pressure being roughly logarithmic, whereas tone controls can employ both logarithmic and linear pots (designated with the letter B), depending on personal preferences and wiring arrangements.[5][6] Reverse audio pots are sometimes used for volume controls on left-hand guitars, but this is not widespread due to the relative rarity of such pots.
Midlands trio The Bad Flowers make a concise, bruising power-blues that will appeal to fans of the likes of Jared James Nichols and Blues Pills, both of whom have offered TBF support slots. September single Thunder Child is the first shot fired from their forthcoming debut Starting Gun and packs an uproarious solo that leaves TG reaching for our wah pedal. Think Rory Gallagher through AC/DC’s amp stack and you’re near Tom’s bar-fight-scrapping lead sound.
Most users are happy with what they got for the money, from its wood quality, to the included hardware and electronics. As expected, many of its buyers are fans of the Les Paul Jr who want to try their hand at customizing their own straightforward rock machine. Surprisingly, there are some who are happy with its default configuration, including the feel of the neck, the sound of the P-90 pickup and the quality of the tuners.
While it can be a troubling task to find the perfect electric guitar to bring out your inner rock star, we hope that our electric guitar reviews & our comprehensive guide has helped you narrow down your choices. Our best piece of advice is to determine the type of genre you’re interested in playing. That will be a good basepoint for you to work from in order to determine the best electric guitar that fits your needs. Afterward, it is important to select the guitar that has the best components to give you the highest quality of sound. The color does not matter too much but the next most important factor to think about is certainly the wood type used to build the electric guitar. Picking the right type of wood is going to more or less, create better or worse sound.
Some emulator designs include switchable filters, enabling them to simulate open or closed-backed speaker cabinets, and can come very close to the sound of a close-miked amp, while ambience can be simulated using a reverb processor or plug-in. Even if the amp has a good spring reverb, a little additional digital ambience (mainly early reflections) will help create the illusion of the amplifier being recorded in a room.
Guitar technicians must be proficient in not only playing the guitar, but also in the construction of the instrument. They need to know how to repair and rebuild guitars from scratch as well as stringing and tuning the instruments. They need to understand how all the parts of the guitar interact to produce clear musical notes. This knowledge can be obtained through formal education, experience, working under a knowledgeable guitar tech or with other experienced musicians.
Fractal Audio is a relatively small company that competes directly with the world's biggest amp modeling and effects manufacturers. They built their reputation on the quality of their premium priced guitar processor called AxeFX, but has since expanded into relatively more affordable territory with the AX8 and FX8. Of the two, the FX8 gets our pick because of its incredible balance of quality, complexity and practicality. It is also fits this list better because it is a true multi-effects "only" unit, so there's no amp modeling feature to get hung up on.
SOLD OUT: Here we had a 40+ year old 1972 Alvarez 5080 Acoustic guitar that was built by the master guitar builder Kuzio Yairi. He used 30 year old vintage aged tone woods when they built this guitar over 40 years ago.. that would make this wood arround 70 years old... Thats right...you can say that about a new Martin can we... not going to get tone like this from a new Martin either. This is one high class example replica of the Martin 000-28 this model is quiet rare and beautifully adorned with exotic tone woods plese refer to the pics. Just have a look at the beautiful exotic old growth Jacaranda Brazilian Rosewood back, sides, fingerboard...headstock overlay .., ebony pins with MOP and brass ring all high end classic detailed appointments... notice the real patina this guitar plays real well and has been played and it shows... in a good way to my eyes.. I love it. So will you just have a look... no visable issues, no cracks to be found, inlays, bindings, pickguard, tuners,frets.....all good..and sound is rich and has a nice sustain and is a pleasure to play... fresh from the JVG shop with a fresh bone saddle & nut & new Martin Marquis strings sweet! A must HAVE 40 YEAR OLD VINTAGE YAIRI 000-28 STYLE, Claptons favorite for good reason... SORRY THIS GUITAR HAS SOLD gr8bids@comcast.net Thank you for your interest.
This company slowly merged into Hoshino/Tama but prior to their unification, produced instruments with the Star badge, mainly drums. They also produced guitars, including the infamous Zim-Gar badged electric and acoustic guitars. Over time, drum production was segmented to Pearl, while guitar contracts were taken up by Tama. Zim-Gar production was relatively short, as these were budget guitars made for K-mart between 1962 and 1968.
I have owned a lot of amps over the years. I am also a dealer in music accessories. Please note that we do not sell these amps, so I am not endorsing and using something my shop sells. I recently have bought a couple of amps in a series (I bought one first and then bought another) and have been really impressed. The Vox AV series. http://www.voxamps.com/AVSeries
Here’s one more British amp company, and one that might fly a bit under the radar for a lot of guitarists. Check out the Ironheart, Lionheart, VH and GH series for awesome British tube sound. Laney’s Linebacker or PRISM series of modeling/emulation amps might be just what you need if you’re in a situation where you have to nail a lot of different tones. No matter what your style or genre there is probably something in the Laney lineup to meet your needs.

The most famous Gibson guitar is the Les Paul, which has been a mainstay in the music world for decades. The Gibson Les Paul is a high-end, made-in-the USA instrument, and it comes in a few different variations. Like Fender, Gibson has remained fairly consistent with their styles and designs. In addition to the Les Paul, other famous Gibson electric guitars include the SG, Flying V, Explorer, ES-335, and Firebird. Their classic acoustics include the Hummingbird.


Another thing you might want to remember when getting your very first electric guitar is that you will need some other equipment to go with it. You might need a music stand, an amplifier, a mic for the guitar amp (click for full guide), different pedals, and so on. While these things are normally not included with you guitar purchase, you might at least get a nice case to keep and carry your guitar in.
Jazz guitars are big bodied, often semi-acoustic, and designed to coax out some wonderfully rich, warm tones. Historically, jazz was played on acoustic guitars. However, in the days before amplification, the guitar often became lost in the mix of the big band sound. Until, that was, the introduction of arch top acoustics. Containing a magnetic pickup, arch tops ushered in a new era of guitar manufacturing. This meant that players could be heard in the way they wanted.
One of the newer brands on this list, Jackson Guitars was established in Glendora, California in 1980. However they’ve made a huge impact to the world of metal, and their guitars are used by some of the biggest names – Randy Rhoads, Adrian Smith, and David Ellefson to name a few. Some of their most famous models include the Soloist, and the Rhoads.
A wah-wah pedal is a moving bandpass filter whose frequency center is controlled by the musician via a rocker pedal. This filter boosts the frequencies in the instrument signal around the moving frequency center, allowing the musician to emphasize different areas of the frequency spectrum while playing. Rocked to the bass end of the spectrum, a wah-wah pedal makes a guitar signal sound hollow, without upper harmonics. On the other end of the sweep, the filter emphasizes higher-end harmonics and omits some of the low-end "growl" of the natural instrument sound. Rocking the pedal while holding a note creates a sound that goes from growl to shriek, and sounds like a crying baby, which is how the effect got its name and also the reason behind the Crybaby line of wah-wah pedals. The wah-wah pedal, used with guitar, is most associated with 1960s psychedelic rock and 1970s funk. During this period wah-wah pedals often incorporated a fuzzbox to process the sound before the wah-wah circuit, the combination producing a dramatic effect known as fuzz-wah.

As you will see, our list embraces outsiders, trailblazers, outliers, and Eugene Chadbourne playing a rake. We don’t worship “guitar gods,” but prefer our axe-wielders to be resourceful, egalitarian, flawed, and human. We’re not drawn to Olympic feats of fleet-fingered athletics, unless they’re used for unique and exploratory ends. We see the mewling histrionics of Jeff Beck as tyranny instead of catharsis. The name Derek Trucks is practically alien to us.
Traditional sets can sometimes feature vastly different tensions between strings, causing players to compensate with altered techniques. New York string icon D’Addario set out to even the playing field with its Balanced Tension XL sets, which boast mathematically equalised resistance for a similar feel from string to string. That means even effort when bending, strumming, plucking and slapping, and even improved dynamic control.
The guitar player who makes his guitar sound anything but a guitar. Helicopter rudders, disc scratching, and his use of the kill switch for staccato like guitar riffs has made him probably the most innovative guitar player of our time. He is a guitarist who can take feedback, and ground hum from his own body into coherent music. Be it Rage Against The Machine, or Audioslave you can always see Morello’s signature licks shining through.
Granite, when quarried in its natural state, also has a crystalline atomic structure which is ideal for sonic transference and has a compression strength of 19,000 psi, and a tension strength of 700 psi—the material these blocks are made of is the fourth densest on earth next to Diamond, Carbon and Quartz that has ideal resonant qualities which will decrease signal loss from your guitar to your amplifier by at least 30%. Utilizing this optimum material allows you to achieve maximum attack, clarity, sustain, note articulation, note separation, harmonics and punch. While the lows get tight and articulate, the harmonics scream effortlessly! Palm mutes, tapping, sweeps, you name it, all sounds so much better.
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In 2013, Gibson introduced the Government Series of Les Paul, SG, Flying V, Explorer and ES-335 guitars which were constructed solely of tonewood the US government seized but later returned to Gibson after the resolution of the company's Lacey Act violation in 2011. The guitars were finished in "government grey" and also featured decorations which intended to draw attention to the issue of government. A year later in 2014, Gibson released the Government Series II[77] of guitars, which were essentially the same as the first series, only finished in a new color: "government tan".
This is like an echo where the sound you play repeats either once or multiple times depending on how you set the pedal. At low repeat settings this fills up the sound which is useful if there aren’t many other musicians. With lots of repeats it sounds rhythmic and huge. This effect relies heavily on the speed of the repeats keeping time with the song tempo. With practice it’s easy to set correctly but get it wrong and it can sound like your chords are running away from you.
Scale length describes the length that string has to be stretched on, from the nut to the bridge. Generally speaking, shorter scale length means softer string tension, making the instrument easier to play. Longer scale length allows for more fret space and more string tension which translates to more sustain. Shorter scale length is advisable for beginners, while experienced players ought to look for guitars with similar scale lengths so the playing feel stays the same even when switching between instruments. Nut width measures how wide the nut is, smaller means easier to play for players with smaller fingers, while wider nut widths allow for more space between each string. Finally, neck profile is the shape or curvature of the back of the neck, and the type of profile you want will depend on your preference, be it vintage style U profile with its fatter neck, or the more modern slim profiles.
History aside, modern-day Ibanez guitars are amazing instruments. They offer a very distinctive value and bang for your buck that is simply hard to match by other manufacturers. Ibanez has become huge in shred (fast lead playing) guitar and metal circles. High profile virtuosos like Joe Satriani, Steve Vai and Paul Gilbert have been greatly responsible for securing Ibanez’s place in super-fast, incredibly technical, shred guitar playing. Not to mention that Ibanez electric guitars simply feel “easy” to play, fast and comfortable. As far as ergonomics and playability, Ibanez guitars are hard to beat. Plus, you can get some very good inexpensive models too. If I where going to call a brand, “the Toyota of the guitar industry,” it would be Ibanez.
In 1995, an effort was made to re-introduce Rickenbacker acoustics, with factory production beginning in their Santa Ana manufacturing facility in 1996. Four models of flat top acoustic Rickenbackers were depicted in factory literature (maple or rosewood back & sides, jumbo or dreadnaught shape). Each of these four models was also available in both six- and twelve-string configurations, yielding a range of eight distinct instruments.[11] (The 760J “Jazzbo,” an archtop model, was only built as a prototype, with three examples known to exist.) It is estimated that fewer than 500 Rickenbacker acoustic guitars were built before the factory shut down the acoustic department in mid-2006.
It was also in January of ’64 that the Westheimer Sales Company, 1414 South Wabash Avenue, Chicago, began advertising its New Kingston, the “S” line of quality guitars. These double-cutaway guitars included the #S-1 single pickup, #S-2 double pickup, #S-3 three pickup, the #S-2T double with tremolo, and #S-3T with tremolo. These were most likely versions of the little MJ and WG guitars.
Curiously, Les Paul also contributed to recording... along with building his own recording studio at his home, he built his own disc cutting system, and did multitrack recording on acetate discs... recording on a disc, then overdubbing himself and that original disc playing onto another disc, and so on. He later worked with Ampex on multitrack tape machines, and released the first multitrack electric guitar recording on Capitol records in 1949... however, Sydney Bechet had released a multi-track recording using Paul's techniques back in 1941. 
Beyond shaping and body design, there are a number of characteristics that distinguish the Gibson Les Paul line from other electric guitars. For example, in a fashion similar to Gibson’s hollow-body instruments, the strings of Les Paul guitars are always mounted on the top of the guitar body, rather than through the guitar body, as seen in competitor Fender’s designs. The Gibson also features a variety of colors, such as Wine Red, Ebony, Classic White, Fire Burst, and Alpine White. In addition, the Les Paul models offered a variety of finishes and decorative levels, a diversity of hardware options, and an innovative array of electric pick-up options, some of which significantly impacted the sound of electric music. For instance, in 1957, Gibson introduced the humbucker (PAF), which revolutionized the sound of the electric guitar, and eliminated the mains hum, which had previously plagued guitars with single coilmagnetic pickups.
I'll second the neck comment, conditionally. My first guitar was a hand-me-down Monterey archtop acoustic that had been my uncle's, and it have a sharp V neck. Out of nostalgia I bought another Monterey on eBay and its cross section feels like a tomato can lying in my hand. After a refret it plays smoother and easier than anything that fat has a right to. The original frets..., not quite.
So where do you start in a section as massive as this one? From acoustic to electric, nylon to steel stringed, hollow body to solid body, all styles are represented here, so having a good idea of what you're looking for will definitely help. The best place to start is usually with the brand, as each one has a reputation for something different, allowing you to narrow things down from there. For example, you'll instantly recognize names like Fender, Gibson and Ibanez as trailblazers of the electric guitar, while others like Martin, Taylor, and Breedlove are more famous for the unparalleled quality of their acoustic instruments. After that, you'll want to look at things like body type, tonewood, strings, size, orientation and performance level. Once you have a general idea about each of these, your decision gets that much easier. Just remember, it all comes down to personal preference, so as long as you're happy with the guitar you choose you can't go wrong. The guitar is a special instrument, with a different meaning to every player. Whether you're taking your first steps into the world of music or you're a professional rocking out in front of sold out stadiums all over the planet, strumming, plucking and picking on a guitar is a way to express yourself that can't be duplicated with anything else. So pick up a guitar here and start playing... you'll be glad you did.
ESP started life in Japan in 1975 as Electric Sound Products – a single store that provided replacements parts for guitars. These days they are a huge guitar manufacturer and a big name in heavy metal, having supplied guitars for Metallica, Megadeth, and Slayer, among others. ESP also own the subsidiary LTD, who produce low priced, entry-level versions of their guitars.
Description: Guitar Type: Acoustic - Body Size: Grand Concert - Top Wood: Solid Sitka Spruce - Back: Mahogany - Sides: Mahogany - Neck Wood: Mahogany - Nut Width: 45mm - Fingerboard: Rosewood - Frets: 20 - # of Strings: 6 - Scale Length: 25.4" (64cm) - Headstock: 3+3 - Bridge Construction: Rosewood - Hardware: Open Gear Tuner, Chrome - String Instrument Finish: Antique Blonde

The Truetone Rock Star has a classic 1960s Fender Jaguar - inspired body with a cherry & black sunburst finish and swank natural wood grain finish neck. The headstock has an odd, but killer-looking shape, an elaborately cut pick guard and what might be the world's coolest pickup; a chrome-cased body with a shimmery red marblized pickup cover. The guitar is 100% original with no replacement parts. We  rescued this one a while back and it was rusty and did not work when first tested. We meticulously detailed and cleaned it and removed the rust. We also re-soldered a few wires inside, and this fab Japanese guitar was ready to rock again. It sold and was shipped France, and the Rock Star is pretty rare, but there are lots of cool retro Truetone / Silvertone Japanese Guitars for sale below! Scroll Down for more from our collection!


This guitar is one of the most appreciated units on the market at the current time. This unit is prized for the fact that it comes equipped with a particularly sturdy body that has been made out of solid wood. Even more so, the body of this instrument was constructed using mahogany, hence its durability, while its top part contains maple. Consequently, this unit is glossy and has an appealing clear-cut design that you are prone to enjoy.
An alternative solution to raising the tailpiece is to pass the strings through from the FRONT of the tailpiece (heading towards the back of the guitar) and then passing them over the top of the tailpiece before they go over the bridge. Here you can see evidence of someone having set up the guitar in this way in the past (scuff marks from the strings passing over the top). Personally, this is not something I’ve ever needed to do, but the option is there should you choose to take it.
Fender made some pretty big waves when they announced their latest line of Mustang amplifiers – primarily because of their sound-shaping abilities. You see, the brand’s modeling amp line has 17 preprogrammed amp models to choose from, as well as an auxiliary input so you can play along to your favorite tunes, and a wealth of included effects. The real highlights of this particular amp, however, can be found outside of the amp itself. You see, it includes a smartphone app that will let you shape the sound of the amp easily and remotely. Better still, the amp comes with its own recording software, so you can capture your songs at your leisure. For something so inexpensive, this amp packs a serious wallop.
The most common alloy (mixture of metals) used in pickups is alnico; this is a combination of aluminium, nickel, and cobalt. Alnico magnets were once the strongest known, but they have since been eclipsed by the rise of the rare earth magnets, which can also be used in pickups. Samarium cobalt magnets and neodymium boron iron magnets can also be used, although are perhaps less common. Additionally, ceramic magnets, based on iron oxide with strontium or barium carbonate, can be utilised.
When the Fender company was bought from CBS by a group of investors and employees headed by Bill Schultz in 1985, manufacturing resumed its former high quality and Fender was able to regain market share and brand reputation. This sparked a rise in mainstream popularity for vintage (and vintage-style) instruments. Dan Smith, with the help of John Page, proceeded to work on a reissue of the most popular guitars of Leo Fender’s era. They decided to manufacture two Vintage reissue Stratocaster models, a maple-fretboard 1957 and a rosewood-fretboard 1962 along with the maple-fretboard 1952 Telecaster, the maple-fretboard 1957 and rosewood-fretboard 1962 Precision Basses, as well as the rosewood-fretboard “stacked knob” 1962 Jazz Bass. This project was very important and critical to the company’s survival. These first few years (1982–1984) of reissues, known as American Vintage Reissues, are now high-priced collector’s items and considered as some of the finest to ever leave Fender’s Fullerton plant, which closed its doors in late 1984.
One day I went over to hang out with a friend on Long Island’s prestigious, luxurious north shore. He was also an amateur, aspiring, guitarist, and perhaps slightly more advanced than me – after all, he wrote a solo, even if it didn’t belong to a song yet. But he was very excited when I arrived and wanted to show me something cool in the family room. When I stepped inside, what did I see strewn about the floor but a whole bunch of effects pedals surrounding his electric guitar like a battalion about to march on and conquer a fierce enemy.
Rack-mounted effects processors are another option, and are often used in pro and home studios as well as in stage rigs.. These effects units offer the same options as floor-based pedals and multi-effects units. They are simply mounted in a rack, and usually can be controlled with a foot pedal or the controls on their front panels. Newly developed iOS app-based and DAW-based effects add even more options to how you go about building an effects collection.

But there were already hints of the change to come, of the evolutions in music technology that would eventually compete with the guitar. In 1979, Tascam’s Portastudio 144 arrived on the market, allowing anybody with a microphone and a patch cord to record with multiple tracks. (Bruce Springsteen used a Portastudio for 1982’s “Nebraska.”) In 1981, Oberheim introduced the DMX drum machine, revolutionizing hip-hop.


Fender’s MIM (Made in Mexico) Stratocasters are offered as an affordable option, buyable at about half the rates of their American siblings. Moreover, you can also select your preferred one from among the maple and rosewood fingerboards, SSS or HSS pickup configuration, and color variations. You can also find several models available with Floyd Rose tremolo and pretty tops. For those requiring American Fenders, the American Original Series is available with all essential features.
This guitar has a mahogany neck topped by a 20-fret rosewood fingerboard. It has a scale length of 25.62", while the nut width is 1.69". Since the AW54 is from Ibanez, you can expect the neck profile, string action and overall playability to be comfortable and beginner friendly. Wrapping up this affordable guitar's premium-like specs is its Open Pore Natural finish, which gives the instrument an earthy appeal that's easy on the eyes.
Drummers have their cowbells and double bass pedals, vocalists have their harmonisers and auto tune. We guitarists, however, are the luckiest: we get effects pedals. Ranging from subtle slap-back echoes to wild and crazy ring modulators; from simple boost pedals to drive your amp a little harder to insane distortion stomp boxes, we can have it all.
Why We Liked It - Even if this isn’t the cheapest guitar on our list, we think the Schecter Hellraiser is the best bargain! To get this much guitar for so little money is almost incomprehensible and we feel like a million bucks when we play it! It not only looks good, it sounds fantastic, and you can be sure to impress everyone who hears you play with this wonderful instrument!
The switches and jack sockets are important in a reliability sense first and foremost I feel. In a play-ability sense, you want a firm feeling, accurate switch and one that lasts well with regular use. You want a jack socket that doesn't fall apart or get too crackly over the years of years, they take a lot of abuse! So here there's no 'magic vintage tone' secret, I would just recommend quality switches from the brands renowned for their years of producing reliable items. I trust and use those from Switchcraft, Pure Tone, Oak Grigsby & CRL. All very solid, well made items that last really well. In particular, I've been predominantly using a multi contact jack socket made by a company called 'Pure Tone'. Please forgive their brand name, as this isn't some tone transforming jack socket, but it is a common sense improvement of an old design which is great. It features 4 points of contact for the jack connector, two for the hot, two for ground. 100% greater surface area, giving it a firmer seat on the jack connector and a sturdier, more reliable connection which is a no brainer upgrade in my opinion.

Acoustically I own a Martin for the living room. Best sound but I won't let it leave the house. (Taylor people are so defensive, but lets face it Martin owners never have to say "Oh it sounds just like/as good as a Taylor") I own an Ovation, the thing is bullet proof, a little thin on sound but can take it anywhere. If I plug it in, it has amazing electronics and sounds 10X better. I own an Ibenez exotic wood, pretty but a stiff box that just does not resonate, hate it.
Boost effects are simple effects that increase overall volume. However, every boost pedal is very unique and often sounds different. It always comes down to the type of components the effects pedal manufacturer used to achieve the volume boost. Some boost pedals try to maintain the guitar tone while providing a volume boost, others can heavily affect the guitar tone while providing a volume boost. Oftentimes, guitarists will get a specific boost pedal and use it as an always-on effect because they like the way the boost pedal colors their tone.
O.K. These are my first impressions of this guitar kit, my first, right out of the box. About me: I own about a dozen guitars, both acoustic and electric, including 6 string and basses. I know a little about construction, as I have been studying, and have been wanting to build my own guitar for some time now. Building from scratch seemed a little optimistic so I elected to go with this kit after studying the Internet for days. I wanted a chance for a great result with my mediocre woodworking skills. Kit arrived quickly and undamaged, good packaging and the components were bagged nicely.

I am 60 years old. I want a guitar (acoustic). I have decided on to retrain myself towards finger pickin style. I am researching knowledge and the tonal properties of the wood / tonal qualitites. I have very small (5.1). My hands are small. Neck demensions are very important towards please let me be trained so i can determine neck width and shape for my guitar
I, too, am searching for more info on my Kent. It's a Model 834, violin shaped with a cutaway. Mine is red with "racing stripe" binding on the edge. It's sounds INCREDIBLE (very vintage) and plays well, though I find the neck very narrow. There was an E-Bay auction for a couple of framed ads which featured this model, plus the 833, 835 and 836 from 1967 (one of the pictures, from what I could tell, looked exactly like mine). I also tracked down a picture of one that is a Yellow 67 with a Bigsby-Style vibrato (mine lacks this). If anyone finds a source for more Kent info, I'd love to hear from you...
One reviewer mentioned that anyone wanting to purchase the C40 will need to change the strings to get the best sound out of this model. Another reviewer uses the C40 as their main guitar for composing, and it works quite well for the job. So, overall, if you feel the need to be cost-conscious at this point in time, but want a quality instrument, the C40 should be on your list of models for proper comparison shopping.
Steve's a great technician. He's done a great job on every single guitar I've brought to him. Helpful, easy going, friendly, and extremely good at what he does. After the first setup he did for me I stopped looking for other repair shops in town. He's just too good and is a pleasure to do business with. I hesitate giving 5 star reviews, but anyone who can turn a nigh-unplayable Dano baritone into a gigging instrument deserves it. Highly recommended.

Our electric guitars deliver the same rewarding mix of playability, tone and craftsmanship that players love about our acoustics. Proprietary Taylor pickups fueled the design of our current electric family, featuring three series, each loaded with player-friendly features: the groundbreaking hollowbody hybrid T5, the electric-leaning T5z, and the semi-hollowbody T3.
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The solid body electric guitar was a major design advance introduced by Leo Fender in the early 1950s. The solid body guitar helped remedy the feedback problems of hollowbody instruments. They were also easier to make, which led to mass market production. Fender introduced the iconic Telecaster and Stratocaster. Soon Gibson also introduced their first electric guitars in a partnership with Les Paul to produce what would become the equally iconic Gibson Les Paul.
The Fender Mustang I V2 Guitar Amplifier Combo also features USB connectivity allowing you to hook it up to your computer or DAW software for easy recording. If you don’t already have a DAW, you can utilise the free downloads of Fender FUSE and Ableton Live software suites to create your own music and take advantage of all the great features within the amplifier when recording. An intuitive, easy to use control panel allows you to see and change your sounds and footswitch connectivity (sold separately) ensures you can have complete control without the need for a pedalboard. A fantastic amplifier for beginners and players of all levels.
The vast majority of bass amps in the 2010s can be powered solely by AC mains power, obtained by plugging the amp into a wall socket. Inexpensive practice amps may have the AC mains plug hardwired into the unit. Middle-priced to high-priced amplifiers typically have a removable cable and plug, as used with PC computer towers. The benefits of having a removable cable and plug is that if the cable becomes worn or damaged, a new cable can easily be replaced by a layperson. If a hardwired AC mains cable and plug becomes worn or damaged, a qualified technician or electrician will typically be required to replace the cable and plug. Most amps are designed to work for a single voltage. A small number of expensive bass amps designed for touring professionals have user-selectable voltage, which enables a bassist to play with same amp in North America and Europe. A small number of small combo amps can run on both AC mains power and battery power. This enables bassists to play outside where there is no access to power (e.g., for busking on the street). Amps that are battery powered may have a 12 volt input, enabling the unit to be connected to a car battery with alligator clips.
Carvin is a guitar company with a different business model than the rest. You won’t find them at your local music store because Carvin only makes custom guitars. Their instruments are based around a handful of templates and each feature components that are individually chosen by the buyer. For this reason, it’s very rare to find two Carvins that are completely identical.
Worked fine. The product is as advertised. The solder joints looked prfessional, the wiring was neat. I'd say you wouldn't want to put this in a boutique level guitar but if you have a cheaper guitar that needs new electronics, these'll do the job fine. you won't find a cheaper wiring harness but you need to keep in mind that you're getting what you pay for. If you want a top quality harness, you'll pay at least 3 times as much.
Another tone option for a guitarist is to put a pickup out of phase with another pickup, producing a thin "inside-out" squawky kind of sound. When 2 pickups are in phase, they work together and reinforce each other. When they are out of phase the 2 pickups are working against one another and the resulting sound is the "leftovers" from these cancelations. The closer the 2 pickups are, the greater the cancelations, the thinner the sound and the lesser the volume. Therefore, the neck and bridge pickups out of phase is the best choice for this type of sound.
SOLD OUT: Here we had a beautiful vintage 1972 Harmony Monterey Mandolin it's an A style and is totally near mint! Beautiful classic Teaburst sunburst on a AA figured solid spruce TOP its in top condition and has really great vintage patina look to it. It's burst color is perfect match to a 60s Gibson it's very Cool US vintage It's Top is nicely figured and has lots of 3-D Birdseye figured back sides & neck all it's bindings are clean with patina and it plays perfectly and has excellent volume and a nice woodsy tone everything is like new includes a hard shell case it's just $449.00 this is a real bargain for US vintage piece of history and is in such all round fantastic shape. It Plays as beautifully as she looks! ,,, Let me know if you may have an interest in it it's super nice..

The double cutaway body and its higher fret access made the SG become the perfect axe for the slide guitarist.  Duane Allman of the Allman Brother’s Band is one of the most highly revered slide guitarists of all time, and he chose the SG as his weapon of choice.  Allman was even known to pass the fret board entirely and create notes in a high range that were not previously capable of being played with normal slide technique.


Welcome to the gallery of Silvertone guitars from the VintageSilvertones.com collection! The instruments are listed in chronological order from left (oldest) to right (more recent). The gallery will continue to grow as we get more Silvertones. The purpose of this gallery is to help identify all the Vintage Silvertone guitars from the 1950's through the early 1970's. We're major fan of Silvertones and have discovered that there's a lot of misinformation out there.
For instance, during 1970s and early 1980s, Japanese manufacturer Tokai Gakki produced superb replicas of 1957–59 vintage Les Pauls, and replicas themselves were gradually highly regarded. In the 1980s, to respond to the high demand for vintage models, Gibson itself began to offer a line of “Custom Shop models”, almost accurate reproductions of early Les Paul crafted by the Gibson Guitar Custom Shops.
This fully analog simple plug and play guitar amplifier is enjoyable to play with. It has a switchable clean and dirty channel with separate volume knobs that shares a 3-band EQ treble-mid-bass and gain control to add more grit so players can arrive on a crunch and lead sounds. Other useful attributes on the amp are set of input jacks for a headphone and audio source to play along with a backing track.
Once you’ve gotten past the touch-or input level–intensive effects, your next primary goal is to refine your tone while at the same time minimizing noise. If you use a compressor, its ideal location is directly after the pitch shifter/harmonizer, envelope follower/auto wah and wah pedals. Because a compressor compresses the entire signal, it’s not recommended to place one after a boost, overdrive or distortion/fuzz pedal as those pedals often generate noise that will be boosted by a compressor along with the guitar’s signal.
Pre-delay on the reverb can help separate it out from the source sound. If your reverb has no controls for pre-delay, you can simulate this using a simple delay on an aux track before the reverb. Decay Settings: Choosing the most appropriate reverb treatment for a song can be surprisingly difficult, especially if you have hundreds of presets to choose from. So, instead of regarding reverb like the glue that holds the mix together, try adjusting its parameters (and in particular the decay time) while listening to the reverb return by itself. If the decay time is too long you'll hear a continuous mush of sound; if it's too short you'll scarcely hear it unless its level is turned right up. Somewhere in the middle you should find a setting that adds rhythmic interest to your song, without overpowering it, making the reverb work for its keep. This is also a useful technique when using several reverbs in a song, to make sure they complement each other. Martin Walker
In this guitar lesson you’re going to learn 7 of the most basic guitar chords for beginners. These beginning guitar chords are the first ones every guitar player should learn. They are sometimes referred to as open position chords, because they are played in the first few frets of the guitar and all contain at least one open string. If you are looking for easy guitar chords for beginners, these are the ones to start with.
Resonator guitars are distinctive for not having a regular sound hole instead they have a large circular perforated cover plate which conceals a resonator cone. The cone is made from spun aluminum and resembles a loudspeaker. The bridge is connected to either the center or edge of the cone by an aluminum spring called the spider. The vibrations from the spider are projected by the cone through the perforated cover plate. The most common resonator guitars have a single cone although the original model patented in 1927 by John Dopyera had three and was called a tricone resophonic guitar. Resonator guitars are loud and bright. They are popular with blues and country guitarists and can be played with a slide or conventionally.
: I have a Vox Shadow that's sunburst, white pick guard that surrounds 3 solid chrome face pickups and the middle pick up has "VOX" engraved in it. 3 seperate volume controls and a master volume control. Tuning keys are all chrome, and the green decal on the face of the headstock reads Shadow, JMI Dartford, Kent. Neck is attached withthe help of a chrome plate, on the back side of the 'plank' body is an access plate for the jack that states made in England. Guitar also has the original roller/tremelo tail piece with palm lever. The numbers of 64728 are stamped on the back side of the headstock just below the tuning keys. Finish is beginning to crack a bit but it's all original, right down to the volume pots that have to be cleaned from time to time. It must be a rather unknown line that Vox had as I can't find out much on it either. Had this guitar for many years. Was handed to me in pieces in an old 'cardboard' case, (that has since gone away) put it back together and added it to my "music room".
Open Loop Gain: Feedback Solid-state amplifiers are inherently nonlinear. They have a very large ‘open loop gain’ approx 20,000. The amplifier output is (feedback) to the comparator input to reduce the gain to approx 50. Therefore 99.9% of this feedback corrects all instability and non-non-linearity of the amplifier, as explained in amplifiers. The speaker also acts as a large microphone. All non-linear movements and vibrations within the speaker cone, (caused by reflected nodes, chaotic resonances etc) of which there are many, are regenerated back into electricity by the voice coil. This re-generated signal from the voice coil is inadvertanetly fed-back to the solid-state amps comparator input, and re-amplified back to the speaker as recycled distortion.

There are several factors to consider when establishing a good guitar tone. Here are some guitar tone tips.  Lets start with electric guitar tone. With electric there are three major factors to consider…the guitar, the amp, and the effects. There are all types of guitars with all types of pickups. Single Coil pickups and humbucking pickups are the two main pickup categories. I prefer humbuckers for the simple reason that they are less noisy. I like the tone of a good single coil pickup but I have never had much luck with keeping them from buzzing terribly. This is especially a factor when you are playing gigs in dive bars or clubs with bad electric wiring. You are much better off with a humbucking pickup. If you are gigging musician I would suggest having at least one in your arsenal. Generally speaking your Fender strats have single coils and your Les Pauls have humbuckers.
The best acoustic guitar brands in India are available for beginners to buy. When buying a guitar at a beginner level, it is good to go with the acoustic guitar. This is the type of guitar that is easy to learn and play. The strings are available in various materials. The make, shape, style, and material used in the strings are the features to look at when you buy a guitar. Acoustic, Electric, Spanish Guitar, Steel, Bass, and Resonator guitars are available in India. You can also find twelve string guitars to buy at a few locations in India. You will find amongst this list, best guitar brands in India for beginners as well as advanced learners.

I've been a lazy person in terms of writing product reviews, but had to chime in on the Epiphone LP purchase. First of all, I did research on new guitar options at the local Guitar Center website and settled on this instrument. They had it for $199, so for kicks I looked on Amazon two nights before I had planned to test and buy at our GC on a Sat. Amazon had it for $159 and $199 for lots of extras. I already had a case and nice Marshall Amp, so only needed the guitar. The best part, it arrived on Sat about the same time I would have purchased locally. The reviews were so good, I was not worried about testing live before purchase and it was a great choice.
We are really proud of our instruments, but what makes us most unique is our people, and your access to them. The world is full of faceless guitar companies, most are big conglomerates. We have a team of passionate guitar people and are committed to giving you unprecedented access to our team. Each member of the team is focused on supporting you. We treat each player like a Michael Kelly endorser. We value personal relationships with Michael Kelly owners and work hard to give you a level of service not readily available from other guitar brands or retailers. Let us help you get the right instrument!
TC Electronics implemented their TonePrint technology into this stompbox. TonePring allows you to import your own presets, which you previously design using a piece or proprietary software. Such a configuration of features and controls ensures borderline endless possibilities. None of that matters much if the quality of tone itself isn’t on par. In this case, you definitely don’t have to worry about that.
Amplifier heads are the standalone electronic components of an amp stack. A head unit is designed to be used with external speakers, and is usually much more powerful than the head section built into a combo amp. There are two main sections to the head unit: the preamp and the power amp. These circuits are one of the most important considerations when choosing your combo amp or head, because this is where tubes come into play. Check out the latest Fender Bassbreaker Amplifiers. They offer modern appointments while maintaining the vintage Fender sound. 
I was a little concerned buying a guitar on Amazon. I had not even played a sample on the Gretsch acoustic. I've played Martins, Fenders, Washburns, etc. but never heard of the 'Gretsch'! It arrived within a few days of ordering with the case I ordered too. I had it delivered to my office so that it wouldn't be sitting on my porch until I got home. I opened the box to examine the guitar and co-workers asked me to play something. As I was tuning the white Gretsch I broke a string, so playing it for my friends was not going to happen. When I got home I re-stung the guitar and as I was tuning it I was not very impressed. I like the look but come on we purchase a guitar to play! After it was tuned I began to play a few chords and licks.
Whether he was playing as a Muscle Shoals studio musician or as one of the lead guitarists in The Allman Brothers Band, Duane Allman was brilliant. Both his standard playing and slide playing were some of the smoothest and most adventurous the world has ever seen. To hear Allman at the height of his guitar playing prowess, give a listen to “The Allman Brothers Live at The Fillmore East.”
But who are we to judge a guitar master? We're just writers just trying to make a living. What we needed was to consult working musicians, the guys touring the country like pariahs of the Muse, the guys of metal from Drowning Pool to Warbeast, the guys of blues from Hash Brown to Smokin' Joe Kubrick. I needed to ask the guitarslingers who make their guitars bleed on stage night after night.
Also included was the GP, an equal double-cutaway model with a mahogany body, flamed maple carved top, glued-in neck, fine-tune bridge and stop tailpiece. The only models I’ve seen, which were also advertised, had twin humbuckers and conventional electronics. One source refers to a GP-1, which by nomenclature would suggest a single humbucker, but it’s not known if this ever actually existed. Also, it’s not clear if the GPs came in parts or fully assembled.
The following effects are a step up from your basic overdrive, distortion and fuzz, with more specialized sounds. In this category, you’ll find pedals that include effects such as time delays or frequency modifications – things that go beyond changing the shape of a sound by also changing the pitch, rhythm or both. Others are simpler, but still offer enough tone-altering potential to set them apart from the basic pedals.
When two pickups are wired in series, a good portion of the treble frequencies is lost because the long pickup wire works like a resistor. Any resistor in the signal path will suppress the signal. The formula works like this: The longer the wire, the higher the resistance, and the more treble is lost. We all know this from guitar cables: When you use a very long guitar cable, the sound isn’t as detailed and transparent as it is with a shorter cable. A long cable acts as a resistor.

Some bass amplifier combos have a "whizzer cone" attached to the low frequency woofer's centre. The whizzer cone is about the same size as a dust cap, although it resembles a miniature speaker cone. The whizzer cone handles the upper frequencies that are too high for the woofer. Roland's 60 watt and 120 watt bass combos contain both a woofer and a whizzer cone.
Acoustic amplifiers produce an uncolored, "acoustic" sound when used with acoustic instruments with built-in transducer pickups or microphones. The amplifiers often come with a simple mixer, so that the signals from a pickup and condenser microphone can be blended. Since the early 2000s, it has become increasingly common for acoustic amplifiers to provide a range of digital effects, such as reverb and compression. As well, these amplifiers often contain feedback-suppressing devices, such as notch filters or parametric equalizers.[22]

As a rule, acoustic guitars with laminated spruce tops do not have the same resonance as those made from unlaminated tonewoods, but the Fender FA-100’s fuller dreadnought design provides a richer tone than some customers may expect. If price is a consideration, the Fender has been described as a “cheaply made guitar with a fantastic sound.” What’s more, When you buy a Fender product, you're investing in quality. The Fender Musical Instruments Corporation has been manufacturing instruments and equipment since the 1940s.
The actual value of the pot itself does not affect the input to output voltage ratio, but it does alter the peak frequency of the pickup. If you want a brighter sound from your pickups, use a pot with a larger total resistance. If you want a darker sound, use a smaller total resistance. In general, 250kΩ pots are used with single-coil pickups and 500kΩ pots are used with humbucking pickups.

The Seismic Audio SADIYG-15 JEM Style Electric Guitar Kit gives you the ultimate shredder guitar. Originally designed by Steve Vai, this style is built for speed. Innovative features like a Monkey Grip Handle and Floyd Rose Tremolo complete the unique design. All the parts needed for a finished guitar are included. This guitar kit is suitable for the aspiring or established luthier and all guitar players. A truss rod adjustment hex wrench, two Floyd Rose tremolo adjustment hex wrenches and solder are included. You will need a phillips head screwdriver and a soldering iron to fully assemble the guitar. A pack of six nickel alloy strings and a right-angle guitar cable are also included.With your purchase, you will receive one DIY JEM Style Electric Guitar Kit pictured and described above.
Some guitars have a fixed bridge (3.4). Others have a spring-loaded hinged bridge called a vibrato bar, tremolo bar, or whammy bar, which lets players bend notes or chords up or down in pitch or perform a vibrato embellishment. A plastic pickguard on some guitars protects the body from scratches or covers the control cavity, which holds most of the wiring. The degree to which the choice of woods and other materials in the solid-guitar body (3) affects the sonic character of the amplified signal is disputed. Many believe it is highly significant, while others think the difference between woods is subtle. In acoustic and archtop guitars, wood choices more clearly affect tone.
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