The downside of going electric is that now you have to think about a soundboard, or at least an amp. And no self-respecting guitarist can live without a few pedals to tweak the sound. I mean you only need a volume pedal to control the level, a tuner might be nice, chorus is always appreciate, a nice delay pedal wouldn’t be bad, and you might need a clean boost for those solos. Then again, you might just want to plug straight into the soundboard and just enjoy that amplified acoustic sound.
OK, our math isn't so great, so we've gone ahead and included an 11th amp in this list of 10. Although it's way too soon to be declared "iconic," PRS Guitars' brand-new Sonzera series of amps have been hot topics in gear land since they were introduced at the 2017 Winter NAMM Show. Let's just call them "instant classics." Featuring a rugged steel chassis, custom transformers and road-ready construction, each Sonzera model delivers serious tone with maximum reliability.

You are likely to encounter phase issues when you have the same sound hitting a microphone from two different positions. The more mics you use or the more distance is put between mic and speaker in a reflective room, the more likely this will occur. The result is an effect called “comb filtering,” which cancels out certain frequencies and emphasizes others, creating an odd sound. Part of the reason for using distant-miking techniques is to obtain some “room sound” in the tone, which is created in part by such reflections, but at times these will have an adverse affect on the focus and solidity of your guitar sound. If a distant position with just one mic is sounding considerably more thin, loose, and washy than a close mic on the same amp, move it around, experiment with other locations, and see if you can eliminate these issues through mic placement alone. Otherwise, consider using a baffle or two to shield the mic from specific reflective surfaces.
Sensitivity: Valve amplifiers (current drive) are sensitive to crossover resonances and speaker impedance variations. Quality speaker systems often used passive crossovers that were second-order, constant impedance, and critically aligned to avoid resonant effects. Some quality speakers had copper caped pole pieces, which helped damp impedance variations. Note:- With solid-state amps in voltage drive, power decreases as the speaker impedance rises. With valve amps in current drive, power increases as the speaker impedance rises. Therefore a flat speaker impedance is synonymous with a flat frequency response.
It obviously wasn’t ideal for guitarists to permanently damage their amplifiers for the benefit of experimental tone. Nor was it practical for them to drag immovably large objects on tours. Luckily, increasing experimentation in guitar sound modification collided with the widespread manufacture of electronic transistors in the early 1960s, which replaced vacuum tubes and integrated synthetic distortion in amplifiers. As the transistor revolutionized computing, it also dramatically simplified the production of guitar effects and amplifiers, allowing compact design and portability with little overheating.

Moreover, it can hand a wide range of musical styles and techniques. In most cases they're more popular with classic rock and blues fans, perhaps the Stevie Ray Vaughan or Eric Clapton enthusiast. However, there have been players over the years who have used Stratocasters in much heavier styles of music. Billy Corgan and Jim Root are just a couple that come to mind.

If you plug your electric guitar into the auxiliary input of your home stereo, you can get away with not buying an amp at all. All you need is a special, inexpensive adapter that you can purchase at any electronic or music store for less than $3. The adapter is just a metal or plastic-coated plug that has a female quarter-inch jack on one end and a male RCA (sometimes called phono) plug on the other. (Just tell the salesperson what you want to do, and he can supply the correct unit.) The following figure shows how the adapter and the guitar cord work together.

Fender’s arm when it comes to affordable quality guitars is the Squier. The Affinity Stratocaster is no push over. It has an ergonomically design contoured double cutaway body made of alder and has the C-shape all maple or with rosewood fingerboard neck patterned over an original Fender which contributes greatly to the guitars comfort and playabilty.
Even if your favourite musician is predominantly driven by music and is committed to releasing material for their fans, they cannot possibly deny that are a number of incentives for them to do so. A journalist writing for The Economist online explains that songs are ‘complex mixtures of features’, so composers are always trying to find the right mix of ingredients to increase their chances of success. And everyone loves a success story!
Both pickups were controlled by a separate volume control, with one master tone control. Another toggle served as a coil tap. The Ripley project went nowhere, however, the body styling would reappear on the upcoming Korean Celebrity series. It is very possible, since this shared the Ultra Hard Body model designation and was made in Japan, that the mystery Japanese guitars were essentially the same.
Chet was THE best guitarist to ever reach popular standings. That doesn’t include the classical guitarists and jazz guitarists who could play him under the table though. Which gets me thinking, this list would be a lot different if it included people that were in the background, but were easily better than anyone popular. For me chet would still make top 100 even on that list though. That’s gotta mean something…

Bass cabinets are more likely to have thicker wood panels than regular electric guitar amps, and to have stronger internal bracing. These design features help to lessen the likelihood of unwanted cabinet buzzes or rattles, which are more likely with bass cabinets than electric guitar cabs because of the low-frequency sounds that bass cabs have to reproduce.

A compressor “compresses” the signal that your guitar produces by normalizing the dynamic range of the audio input signal based on a threshold value. This effect is used virtually everywhere in recording. Everything you hear in music that is produced today is compressed in some way–and it can sound anything from a subtle barely noticeable effect to a thick, dampened squish.

When someone says: "I've got a Gibson Les Paul with Bare Knuckle Pickups" I tend to think well, you don't really have a "Gibson" Les Paul at all then, because you've removed the elements of the guitar that make it sound like a Gibson. But guitarists are a conservative bunch and tend to hold on to their beliefs, biases, and myths. I've not long managed to let go of mine and it's made me happier with the guitars I now have, and has saved me a lot of money!

Drop A in D standard variation - A-G-C-F-a-D: Used by Mastodon on most of their first album (Remission) and on some songs on other albums. Also utilized by Periphery on the song "Zyglrox" as well as "Alpha" and "The Bad Thing." Also used on occasion by Black Label Society, who previously tuned it a half-step up, which Alter Bridge also utilizes on some of their songs such as "Broken Wings", "Come to Life", "I Know it Hurts", "Still Remains", "Breath Again", and "All Hope is Gone." Creed, Architects, and Sevendust all use this tuning tuned a half-step down on their songs "Bread of Shame", "Early Grave", and "Home" and "Chop" respectively, with the latter also tuning down a full step for the songs "Death Dance" and "Not Today". Danish industrial metal band Raunchy used this tuning tuned one and a half-step down (F#-E-A-D-f#-B) on the song "Dim the Lights and Run" from the album A Discord Electric. Wage War also utilize this tuning one whole step down for songs like "The River" and "Spineless" off their album Blueprints.

When Levon Helm of The Band sang "I pulled into Nazareth, was feelin' about half past dead" in "The Weight," he wasn’t alluding to a weary pilgrim’s desire for salvation. Rather, he was singing about a mythological trip to Nazareth, Pennsylvania, home of C. F. Martin & Co., makers of Martin flat top acoustic guitars. Founded in 1833 by a German immigrant named Christian Friedrich Martin, whose father was also an instrument maker, Martin...Continue Reading
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Separate bass amplifiers which do not contain speakers, often called "heads" or "amp heads", are usually integrated units, with a preamplifier, equalizer (bass and treble controls) and a power amplifier combined in a single unit. Some players use separate preamplifier/power amplifier setups, where one or more preamplifiers drive one or more power amplifiers. In the latter example, a bass player can use a bass-specific power amplifier or use a sound reinforcement system power amp. Bass amp heads are available in high-wattage power ratings that are not available in combo units. For example, the Ampeg SVT8-PRO amp head puts out 2,500 watts RMS at 2 ohms, a power level that is high enough for the largest 8x10" cabinets and the largest venues (stadiums, outdoor festivals, etc.).
The string is not the only thing that vibrates. The guitar itself vibrates, and how it vibrates depends on the tone wood. The pickups are attached to the guitar and therefore they go along for the ride. In other words they vibrate under the strings which adds to the disruption of the magnetic field. So the environment the pick ups are placed in affects the tone. A good example is Neil Young's Old Blackie, which has an aluminum pick guard on it which gives it a unique.
Fujigen went on to achieve lasting fame as the manufacturer of Greco guitars in the ‘70s and Fender Japan in the ‘80s and early ‘90s. But Fujigen’s work in the ‘60s is our focus. The Fujigen hardware is the easiest way to tell these guitars apart from Teiscos. For example, Fujigen embossed "mic 1" and "mic 2" into their metal control plates, while Teisco did not. This is just one example, but it requires a bit of reading and studying about the nuances of that hardware to positively identify the Fujigens for what they are.
You can reach me by phone all day(8am until 5pm) on Monday through Saturday  If I don't answer I probably have machinery running or have both hands busy but leave a message and I will call you back shortly. During off hours please leave a message and I will call you that evening or the next morning. Feel free to email me with any general questions you may have.
One of the best and most affordable gigging amps I have ever played. Blackstar accommodates all styles and budgets and should be in place of line 6. Too many people want traditional tone, but Blackstar brings a new edge to the table and builds extremely reliable tough as nails amps with new ideas like the ID series amps, I own an ht40 and am extremely impressed. Get one.

As these same makers ramped up for digital production, digital choruses naturally joined the team. The effect as produced digitally might sound broadly similar, but it is done differently than in the analog circuits. Digital chorus pedals double a signal and add delay and pitch modulation to one path, the latter wobbling below and above the pitch of the unadulterated signal, which produces an audible out-of-tuneness when the paths are blended back together. It’s hard to fault the power and range of control that digital technology affords, and this version of the effect has been hugely successful, but many guitarists still prefer the subtle, watery shimmer of the analog version. Conversely, the same ears often find the digital variety makes them a little queasy.
It’s little wonder that Fretboard SE is such a popular guitar book. It focuses on the practical application of learning guitar and relies less on intellectual theory. That is not to say that a guitarist attempting to improve their skills from this book won’t be challenged and introduced to a unique system. It is just to say that the system it introduces is different than you may be used to if you’ve read other books or tried learning guitar from another method. This book teaches around the "CAGED" method. That is, the book will attempt to explain the fretboard layout to you and how to navigate it by focusing on the five basic chord shapes and the root notes in those chords. As you might have guessed, the chords the method teaches are C, A, G, E, and D, thus the name. For a more detailed explanation check out this article from Premier Guitar.
One question I get asked incredibly often, specially from beginner guitarists is: “What are the best guitar brands.” It’s a pretty valid question given that in just about every industry there are brands that are known to be the most desirable and most reliable (not always at the same time) and therefore, the best. However, it works a little bit differently in the guitar industry. Sound quality often goes on par with price. Reliability is measured a little differently than say, cars, as most guitar companies easily make very reliable instruments. Finally, desirability is usually based on price, looks, artist endorsement and more importantly again, sound-quality.
When B.B. King heard T-Bone Walker, he "thought Jesus Himself had returned to Earth playing electric guitar." Walker invented the guitar solo as we know it, building a new style on fluid phrasing, bluesy bends and vibrato. It was the clear tone and melodic invention of his 1942 single "Mean Old World" that blew everyone's mind, and Walker refined his approach through hits like "Call It Stormy Monday." "I came into this world a little too soon," Walker said. "I'd say that I was about 30 years before my time."

Further down the Seagull line, looking at models outside of the Artist Series, the components and woods aren’t the same but we still see an impressive attention to detail. The Seagull S6 Original is a bare-bones acoustic, perfect for beginners and intermediate players. This is a guitar worth checking out if you need a solid acoustic and don’t want to break the bank.

In 1960, Gibson experienced a decline in electric guitar sales due to their high prices and strong competition from Fender’s comparable but much lighter double-cutaway design, the Stratocaster. In response, Gibson modified the Les Paul line. This 1961 issue Les Paul guitar was thinner and much lighter than the earlier models, with two sharply pointed cutaways and a vibrato system. However, the redesign was done without Les Paul’s knowledge. Although pleased with the sound, he asked Gibson to remove his name from the instrument until they fixed a design issue with the neck.[18] This separation occurred in 1960, but Gibson had a surplus stock of “Les Paul” logos and truss rod covers, and so continued to use the Les Paul name until 1963. At that point, the SG guitar’s name was finally changed to “SG“, which stood simply for Solid Guitar. In addition to the SG line, Gibson continued to issue the less expensive Jrs and Specials (and the Melody Makers) with the newer body style. These, together with the Firebird, were the standard Gibson solid-body models until the reintroduction of the Les Paul Standard Goldtop and the Les Paul Custom guitars to the market in 1968.
Despite racial laws still in place at the time, the youngsters knew that they were buying African American music and it didn’t stop them. The shallow radio pop music no longer appealed to them and they found blues music expressed many of the emotions and views. The kids felt a connection to the music, they felt frustrated and wanted a voice and culture of their own.
Nice-4-Bass-V1.5 This is an sf2 simplified version of three different basses - all with 4 velocity layers.  It includes the 1958 Otto Rubner double bass played and mapped by Drogomir Smolken, recorded by Ludwik Zamenhof. The samples are exceptional and some percussive effects have been mapped to some high notes. Royalty-free for all commercial and non-commercial use. Copyright 2016 Karoryfer Lecolds (Karoryfer Samples). The original Meatbass sfz version for Sforzando has round-robin sampling and includes arco as well as pizzicato presets.  (

Take a guitar playing friend with you, decide on a price range and try out all the guitars you can afford. Then go to another shop and do the same. Include used instruments too, and don't worry too much about the appearance. The important thing is how it sounds and how well it plays. A guitar with a nice low action which sounds reasonably good will help a great deal toward helping you stick with it. A guitar with a high action that sounds horrible will make you give up before your fingertips have time to harden!

Being in the entry level section of the market, the Blackstar ID:Core Stereo 20 V2 is meant to be an all-in-one practice rig complete with amp modeling and effects. But what makes it stand out is the use of two 5" speakers for a fuller stereo sound, which complements the amp's versatile voicing features. Speaking of voicing, this amp is loaded with 6 essential tones to play with, two variations of clean (warm and bright), crunch (normal and super) and overdrive (OD1 and OD2), which by themselves are enough to play most musical styles. But being from Blackstar, this amp is equipped with their ISF (Infinite Shape Feature) knob that lets you fine tune the voicing of the amp to your preference. In addition, the ID:Core Stereo 20 V2 comes with 12 built-in effects, covering essential modulation types, delays and reverbs, all of which add up to a portable amp that gives you a lot of tone options.

Scott Baxendale has been building custom hand made guitars since 1974. Recently he settled in Athens Georgia where he is currently building custom guitars, restoring vintage guitars and teaching the art of lutherie to aspiring craftsman. Scott Baxendale’s legacy of building custom instruments began in 1974, when he arrived in Winfield, Kansas to work for […]
Woofer enclosures must be larger and more sturdily built than cabinets for mid-range or high-frequency (tweeter) speakers. As such, in the 1950s, when Ampeg introduced bass amplifier and speaker systems, bass guitarists began to use them. Similarly, Hammond organ players used a specialized keyboard combo amplifier, the Leslie speaker cabinet, which contains a woofer for the low frequencies and a horn for the high frequencies. The Leslie horns rotate and a baffle around the woofer rotates as well, producing a rich tremolo and chorus effect.

If you’re paying attention, you probably noticed that I forgot to mention EQ and volume pedals. Actually I didn’t. Placement of these particular pedals depends more on what you want to achieve with them than any hard and fast rules. For example, you may want to place a volume pedal at the very front of the signal chain to perform dramatic fade in and fade out effects or to better regulate the guitar’s level before it hits any effects (or you could just do what I do and use the guitar’s own volume control). Placing the volume pedal near the end of the signal chain just before the delay and reverb effects allows you to perform professional-sounding fades or mute the guitar’s signal without cutting delay or reverb tails short. If you use a loop switcher, a volume pedal can be paired with a single effect, and you can use the volume pedal to blend or mix that effect independently.

The remaining ’62 Teisco laps had a sort of paddle shape to the body, with sides wider than the fingerboard all the way up to the asymmetrical head with the circle Swan logo. The EG-A and EG-S had short scales and black fingerboards with the diamond markers, while the EG-U and EG-L had longer scales with fingerboards angled toward the bass side at the pickup. The EG-U had a light fingerboard with split-parallelogram markers, whereas the EG-L had a dark ‘board with dots. All were six-strings with one black-covered pickup and a little plate with volume and tone controls. Tuners mounted from behind the head as on a Spanish guitar.
Another consideration, and something you’ll read a lot about, is the pickups, which give the guitar its voice. There are two kinds of pickup in this price range: the single-coil (which gives a bright, sparkly sound) and the humbucker (which is fuller, meatier and perfect for rock and metal). Both are as common as each other in this budget range, and a guitar with a mix of both will offer you the best versatility.
Schecter's C-6 Plus belongs to their basic line of guitars. It features their own Super Strat body shape which is finished with a glossy charcoal burst finish. The tonewood of choice for this build is basswood, an inexpensively sourced wood, which is what allows such a nice guitar to be priced at this range. There are some aspects of basswood which work great with guitars designed for heavier genres, and on top of that, it is light weight. Don't take this for granted since it'll be hanging on your shoulders and back for long periods of time.
I thought I'd give a review from the point of view of someone completely new to the guitar, for those of you out there like me who are wondering if this will really teach you or if it'll be a frustrating waste of money. First off, I'll say that it isn't easy. As someone completely unfamiliar with the frets and the strings, I had a tough time starting out - very slow and clumsy. BUT, you'll see improvement REALLY quickly. I've only been playing for about two hours and although I still suck, I'm having a great time and I'm already loads better than I was when I started out. The only reason I stopped was because my finger got sore from holding down the strings. So far, for someone who's wanted to learn and either never had the time or money to take lessons, or found practice to be tedious and dropped it, or just doesn't have a mind for reading music, this is a definite recommendation. If anything changes as I get further along, I'll update this review. But as of now, I love it!

 You will not grow here or learn anything that will be useful in any other company unless they employ 1950's management techniques. Maybe a screenwriter for "Madmen" would find some material here but as someone trying to grow their career you won't learn anything useful. The pay will be no better than your last job minus your previous bonus and 401k match which to my knowledge they do not contribute. So next question, your not making any more money and probably less, not learning anything useful and will need to explain why you left after 6 months, how are you going to position this to beat the competition going after your next job?
When guitarists sit around and debate tone, they pontificate on the properties of this instrument or that amp. But frequently there’s a factor in the equation that is forgotten. Our templates of what we consider to be great tone are not simply a formula of instrument + amps + musician. Recording studios also play a vital role in the creation of those sounds.
The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. It was popularized by Black Sabbath in the song "Paranoid". - winner333
The numbers back him up. In the past decade, electric guitar sales have plummeted, from about 1.5 million sold annually to just over 1 million. The two biggest companies, Gibson and Fender, are in debt, and a third, PRS Guitars, had to cut staff and expand production of cheaper guitars. In April, Moody’s downgraded Guitar Center, the largest chain retailer, as it faces $1.6 billion in debt. And at, the online retailer, a brand-new, interest-free Fender can be had for as little as $8 a month.
You may love only one style of music. And that’s fine. But try playing some other styles. Funk maestro Carlos Alomar went through hell on David Bowie’s Scary Monsters (and Super Creeps) album, being asked to play more “grinding” guitar alongside Robert Fripp. “It was very interesting,” says Alomar. “I learned a lot and when I came back to my more natural style, I felt really fresh about it.”

Among the most common rookie amp buyer mistakes is buying a big amp that's too heavy to gig with, or going the opposite and buying one that's too small. If you're gigging at different places and you don't have a roadie, then consider going with a smaller amp that has DI output so you can go straight to PA with your tone intact. In big venues where big amps are a must, some opt for amp heads because the separated head and speaker cabinet are lighter on their own, although you'll have to move more pieces.
	PRS McCarty 594 Electric Guitar	The PRS McCarty 594 is a vintage-inspired electric guitar with plenty of premium appointments such as a . It’s part of the Core Electric Series, the company’s lineup of high-end guitars. This means that the McCarty 594 has all the bells and whistles you can expect from a premium instrument. For pro musicians, this is an investment worth every penny.	

Of course, as with most signature guitars, it’s the looks that really steal the show. You do of course get the beautiful diving bird inlays that PRS are known for, and then the top has this beautifully clean look to it that just screams quality. The sound is still gorgeous though, with a really nice crisp feel to it that lends itself to more technical fingerwork that you’d expect of Lifeson.
If all other Telecaster models fail, the Standard Tele is a safe pick. The two Tele pickups provide a warmer tone and add more “twang” to your sound than the other pickup configurations we’ve seen. I’ve had some Telecasters get strangely noisy, with even the more expensive American models needing help from a good noise suppressor. It’s not a universal Telecaster problem, but the Tele pickups (especially the neck variation) can be susceptible to excess noise.
From what I've been able to find out (as a proud owner of a mint W-415 'Dove' model acoustic), Lyle guitars are actually Gibson seconds, that for whatever reason didn't pass muster to be sold as a Gibson (bad finish, scuff, imperfection in the wood, etc.). The Lyle company was out of Portland, OR (I believe) and was started by former Gibson employees who would fix the flawed Gibsons and resell them under the Lyle name. Made in Japan was because Gibsons were made in Japan at the time(?). A damn fine instrument; considered rare now, I guess. I don't ever want to get rid of mine!
Berry snapped one up immediately in 1958 and has played the ES-335 or its slightly fancier relatives the ES-345 and ES-355 since then. A few years later the model was embraced by Freddie King. Alvin Lee made history with an ES-345 at Woodstock, speeding through “I’m Going Home,” and Larry Carlton’s incredibly lyrical ES-335 can be heard on great Steely Dan albums including The Royal Scam and near-countless other sessions. Whether equipped with humbuckers or P-90s, semi-hollow body guitars sound sweetly beautiful, but can also grind. Ultimately, however, they remain a middle ground between the electric solid body and the hollow body models.
Yes, the Les Paul is a signature model for the late, great guitarist Les Paul.  This signature instrument is one of the few models to ever have other famous players have signature versions of their own.  The impact of the Les Paul has made it one of the most recognized instruments on the planet, due to its amazing versatility and high quality of craftsmanship.
There was a lot of tinkering with the Spanish-style electric guitar in the 1930s and 1940s since the electronics in a hollow-body instrument caused distortion, overtone, and feedback—especially problematic for recording sessions. Historians and guitar enthusiasts enjoy debating over who really developed the first solid-body Spanish-style guitar to resolve these sound issues. The National Museum of American History owns a rare Slingerland Songster made in or before 1939. This model is possibly the earliest commercially marketed solid-body Spanish-style electric guitar.
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An equalizer adjusts the frequency response in a number of different frequency bands. A graphic equalizer (or "graphic EQ") provides slider controls for a number of frequency region. Each of these bands has a fixed width (Q) and a fixed center-frequency, and as such, the slider changes only the level of the frequency band. The tone controls on guitars, guitar amps, and most pedals are similarly fixed-Q and fixed-frequency, but unlike a graphic EQ, rotary controls are used rather than sliders.
CALIFORNIA CLASSIC models feature superb playability, distinctive looks and an unmistakable Fender vibe. The fully-painted solid Sitka spruce top and natural solid mahogany back and sides, as well as a matching painted 6-in-line headstock and koa binding and rosette, give them an elegant two-toned aesthetic that was made for the stage. California Special and California Classic acoustic guitars are equipped with a Fender- and Fishman-designed PM preamp specifically tuned to complement the unique shape and voice of each instrument—complete with tuner, frequency and phase controls.
Tone wise, flamenco players appreciate the snappy and bright tone that this guitar reproduces, while acoustic guitarists find the playability and feel to be easy to transition to. Whether you want to focus on classical flamenco style, or you are merely looking to the sound of nylon string guitars into your collection, the GK Studio will not disappoint. The combination of its solid European spruce top and Cypress back and sides is a treat to look at and great to listen to. You can visit Cordoba Guitars for the complete specifications. You can also see two more Cordobas in our nylon string guitar roundup.
Taylor also has a Build-To-Order program that allows anyone to design their very own guitar. There’s an extensive menu of guitar options starting from tonewoods, including species and grades that aren’t offered through Taylor’s standard line; inlay, binding and purfling options; finish options such as solid colors, sunburst, or vintage finishes; wood accents like a backstrap, armrest or truss rod cover; neck options such as scale length and neck profiles; and finally body shapes including the deep-body Dreadnought and the new Grand Orchestra.
Consider the use of a power soak. A power soak is a supplemental piece of equipment used in-line to reduce the volume output of an amp while maintaining tone and sustain. The signal moves through the line to the power soak, which absorbs part of the full power of the amp. This adjusted signal is transmitted to the amp, resulting in quieter volumes.[26]
Power amps are rated in volts and generally come in .7V, 1V, and 1.25V. Most preamps don’t produce strong enough output to power a 1.25V. Most manufacturers don’t rate the average output of their preamp which makes things even harder in determining compatibility. What you can look for is the “line level“, “dBu”, or “dBv” information when researching this aspect of your acoustic electric guitar.
Here’s one more British amp company, and one that might fly a bit under the radar for a lot of guitarists. Check out the Ironheart, Lionheart, VH and GH series for awesome British tube sound. Laney’s Linebacker or PRISM series of modeling/emulation amps might be just what you need if you’re in a situation where you have to nail a lot of different tones. No matter what your style or genre there is probably something in the Laney lineup to meet your needs.
An octave generator is a simplified form of pitch shifting. This effect will allow you to add an octave—usually below—the fundamental note. Units that add a lower octave exclusively are referred to as sub-octave generators. They can add a lot of depth to the guitarist’s sound. Many bass players also use sub-octave generators to significantly fatten up their sound.
He was no virtuoso, and that's the whole point: By snatching electric guitar from note-shredding technicians and giving it back to artists, freaks and poets, Kurt Cobain became one of the most important players ever. Cobain didn't invent alt-rock. But with his love of Cheap Trick, the Melvins and Kiss, he gave it the metallic power necessary to conquer the world. His playing wasn't all untutored squall, either: See the unconventional chord progression and mastery of quiet-loud-quiet dynamics on "Lithium" – and pretty much every other Nirvana song.

I think jackson (particularly the USA models) are truly the most versatile of all the high end electric guitars. The build quality is second to none as they are made at the custom shop by very experienced luthiers, the woods used are exotic and tonally superb. The hardware is the best around Floyd rose/ Seymour Duncan's and the action/playability is fantastic. All in all you feel although expensive, you feel like you're getting your monies worth. But the great thing is that they produce an incredible array of sounds which covers all aspects of musical style from the beefed up classic grind of a Gibson, to the stringy percussive violin sounds of a start and everything in between. The USA ones are expensive but I have 2 (an sl 1 and sl 2) and given the enjoyment and reliability they have given me, they owe me nothing.

Schecter's C-6 Plus belongs to their basic line of guitars. It features their own Super Strat body shape which is finished with a glossy charcoal burst finish. The tonewood of choice for this build is basswood, an inexpensively sourced wood, which is what allows such a nice guitar to be priced at this range. There are some aspects of basswood which work great with guitars designed for heavier genres, and on top of that, it is light weight. Don't take this for granted since it'll be hanging on your shoulders and back for long periods of time.

Start with all of the mics clustered together three to six inches from the grille cloth, pointed at the center of the speaker. On a multiple-speaker cabinet, don't assume that all the speakers sound the same. Rather, listen to each of them at a sensible volume, and then mic the one that sounds best. If the speakers sound alike, a miking position close to the floor will generally provide a little more low end.
In the ’80s, with the advent of new digital effects units, the “refrigerator racks” appeared on the scene—custom rigs built for the studio and touring pros of the day. Effects loops in guitar amps also became commonplace—allowing guitarists to insert line-level effects after the distortion generating preamp stages of their amps, and before the power amp stage—a big tonal improvement when using time-based effects like delay and reverb.
Use the numbers on the tab to fret spaces on the neck. Unlike normal musical notation, guitar tabs don't tell you which notes to play. Instead, they tell you where to put your fingers. Numbers on the lines correspond to frets on the fretboard. Each number represents a specific fret on the line it's written on. For instance, a "1" on the bottom line means to fret the first fret of the lowest string and play that note.
I have located a semi-hollow body electric Kent guitar that has a body some what like a 335 and the neck like a fender strat. The body is a beautiful natural birdseye maple. She is in awsome shape and plays well. I have the ser# (xxx) 3 digits and I believe that it was made in Japan in the Sixty's. I have no Idea what model it is or value because I can't find out any thing about Kent guitars. I've seen Kent amps guitars & drums but no info. I welcome anything.
Simple answer is, if you have money for the higher end of Taylor, buy a Collings. I've been working as a repair tech in a store that stocks Taylor for around 5 years. Went to lutherie school under one of the best guitar builders in the country. I've played dozens of examples from nearly every model range Taylor has to offer, as well as a few of the more limited edition high $$$$ range. I will give credit where it is due, on the USA made models fit and finish is above many other brands.

Guitar pedal multi-effects units comprise several effects in just one package. Multi-effects units utilize digital processing to bring out different sound effects when playing guitar. These digital multi-effects pedals come with internal memory in order to save your individual settings. Among the top-rated multi-effects brands you might want to check out are the DigiTech RP and GNX series, the Boss ME-20 and ME-50 models, the Boss GT-6 and GT-8, the Zoom G2, G3, and G5, various Behringer models, and the Line 6 POD.

When Eric Clapton plugged his 1960 Les Paul into a Marshall Bluesbreaker in the mid 60’s (the set-up used to record Blues Breakers with Eric Clapton, the “Beano album”) he created a new rock tone that immediately became a standard.[15] Clapton played a 1960 Standard as a member of John Mayall & the Bluesbreakers and in the early days of Cream. The guitar was said to have been stolen while Clapton was preparing for the first Cream tour in 1966, following the recording of Fresh Cream, and was long considered an iconic instrument by Clapton’s fans and Les Paul guitar admirers. Gibson announced production of the Clapton 1960 Standard, also nicknamed the “Beano Burst”, in 2010. Gibson says the instrument “accurately represents what Eric Clapton personally feels his 1960 Les Paul should be”, with Clapton consulting on the design of the guitar. Production is limited to 55 hand-aged instruments signed by Clapton (who was allowed to keep the first five of these instruments), another 95 hand-aged instruments, and 350 Vintage Original Spec instruments, but all five hundred instruments feature period-correct hardware, two Gibson reproduction PAF humbucking pickups, and subtly figured “antiquity burst” maple tops.
There are two basic tremolo circuits found in classic amps; power tube tremolo and photocell tremolo. They produce basically the same effect, a fluctuation in volume. For the best definitions I have come across I’ll borrow from the Strymon website: “Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit.”
In ’71, Univox introduced what are arguably their coolest-looking amplifiers, the B Group, covered in nifty two-tone blue vinyl. Remember, this was the tail end of the heyday of Kustom, with its colored tuck-and-roll amps, and the two-tone blue with a red-and-white oval logo was boss. The lettering was the same uppercase blocks as on the outline logo. These new Univox amps were hybrids, with solidstate power supplies and lots of tubes – lots! The Univox B Group had two combo and two piggyback guitar amps, two piggyback bass amps and a piggyback PA. It is not known how these were constructed, but because previous amps had Japanese chassis put into Westbury-made cabinets, these were probably built that way also.
The world of audio effects is one that can be confusing even for experienced engineers. Especially in modern computer-based recording systems, there's a bewildering array of options, and to add to the confusion, some effects are widely referred to by more than one name. In this article, I'll take you through the most common effects, explaining how they work and where you might want to use them in your music. Meanwhile, SOS 's team of writers has contributed a wealth of expert tips and tricks, which you can find in the boxes scattered through this article.

Being a true pro-level instrument, the Yamaha LL16 comes with a jumbo body shape and built-in S.R.T Zero impact electronics. Playability remains beginner friendly, with a low action setup that new players will easily master. And since it comes with an all-solid wood body, this guitar will only sound better and better as it ages. If you are looking for a more long term instrument at the sub $1000 level, check out the Yamaha LS16.
In general, this measurement is taken by measuring the distance between the bottom of the string and the top of the 6th fret while holding the string down at the 12th fret and the first fret. This is where the capo comes in handy - put it on the first fret so your hand is free to take the measurement. Using a feeler gauge of the desired height, in this example, 0.010, hold the low E string down at the 12th fret (with the capo on the first fret), and measure the distance between the top of the 6th fret and the bottom of the low E string. If the distance is greater than the desired relief, then you need to turn the truss rod clockwise (towards your right) as you're looking down the headstock towards the body of the guitar. If the distance is less than the desired amount, then you need to turn the truss rod counter-clockwise (towards your left) as you're looking down the headstock towards the body of the guitar. The basic rule is:
Ibanez are a Japanese musical instrument company. Although Yamaha is a better known Japanese musical instrument company, Ibanez exceeds expectations for electric guitars. This brand of guitars stands out in the world of rock guitars. They gained popularity in the 1980s when they introduced their original designs for guitars based on Steve Vai’s JEM Universal. Their designs have since become some of the biggest selling metal guitars. The Ibanez guitars are used by guitarists such as Steve Vai, Paul Gilbert, and Joe Satriani. In addition, Ibanez guitars tend to be very affordable, giving you a great guitar for a cheaper price.
While experimenting with the Vortex for this article, I was impressed by quite how well the ambient mics seemed to turn a close-miked guitar sound into something that sounded like it was on a record, but the downside of this approach for most home recordists will be that the Vortex is not easy to recreate in a smaller studio — so I thought I'd pass on some ways I found to make it more manageable on a smaller scale. One problem most small studios have is that they don't have large numbers of screens, but in practice I found that I was able to get decent results by putting the guitar cab in the corner of the room and using one or both of the room boundaries in place of the screens. Visconti's trick of aiming ambient mics at the studio glass also turned out to be handy to increase the apparent distance of the farther ambient mic.
A question which causes much thought and divide! Catch 22 to a degree: you can't play songs till you've learnt some chords, but just knowing some chords will mean you actually can (though you are not aware of it) play loads of songs. There is a plethora of songs out there with only three chords (some with only two!). Their differences are that the order of chords is slightly different for each - with the exception of the thousands of 12-bar tunes!
The guitar sports an AAA flame maple top on a three-piece mahogany body, whose Translucent Black finish was picked by the man in the top hat himself. The iconic Firebird pickguard sits prominently on the axe, but this one features Slash’s “Skull & Top Hat” logo. The mahogany neck comes in a custom profile, too, which is rounded but slim enough for searing fretwork. A pau ferro fingerboard with trapezoid pearl inlays completes the cosmetic concerns on the axe.
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The Kay guitar company's origins date back to the 1890's, starting with the Groeschel Mandolin Company of Chicago, Illinois. The company's name was changed to "Stromberg-Voisinet" in 1921, and shortlyafterwards, in 1923, Henry Kay "Hank" Kuhrmeyer (the origin of the name "Kay") joined the company and quickly worked his way up to the top. By 1928, Kuhrmeyer had bought the company and that same year the company started producing electric guitars and amps.

The EB-18 was supplied with a quality hard flight case. The EB-18 body fits into the shaped recess and the case takes account of the oddly shaped ‘lizard-looking head and large tuning lugs. There is a pair of compartments inside forcables and other items. The inside is lined with a soft, burnt orange color, fur-like material. The case is closed with four toggle latches and has a centrally placed carrying handle.

I’m going to be doing a pickup upgrade in the next few months on a Strat-style HSS. I have an idea, maybe a crazy idea, about how I’d like to wire it but so far I have been unable to find any indication that it is even possible. This site seems like the best place to get an answer. The single coils in my guitar will be replaced with another set of single coils (Seymour Duncan SLS-1 lipsticks). The humbucker I plan on installing (DiMarzio Tone Zone) is capable of being coil-split, which I want to take advantage of BUT I would rather not install a push/pull pot. My wiring idea… Toggle Position: 1) Full Humbucker, 2) North coil only of humbucker for single coil performance, 3) middle coil only, 4) middle and neck, and 5) neck only. Is this even possible using the 5-position toggle switch I already have, or is there no way to do it besides using a push/pull pot or installing an additional mini-toggle?
Introduced in 1987 and discontinued in 1994, the Ibanez RG550 remains the childhood sweetheart of many players. Designed as a mass-appeal version of Steve Vai’s famous JEM777 model, it had character in abundance. For this reboot, Ibanez has skilfully managed to extract the very essence of what was so popular about the original RG550 and piece it back together in a way that enhances its legacy. The Japanese-made 2018 vintage is, essentially, a masterclass in everything that is good about shred and metal guitars. The neck feels lithe - your hand glides, rather than simply moving - while the Edge vibrato is rock-solid and the overall craftsmanship is exemplary. Tonally, the RG550 covers a lot of bases. It always did, despite its pointy appearance, meaning you could comfortably stray into all kinds of genres without too much fuss. The US-designed V7 bridge humbucker delivers the razor-sharp riff platform you’d hope it would, while the V8 neck ’pup offers a hint of compression at higher gain settings, which levels lead lines nicely. It is, in the best way possible, everything you remembered from the original, and that makes it one of the best shred guitars available today.
Here's my attempt to catalog those songs. Note that these are not necessarily my personal favorites by each artist, although I think all of them are at least pretty good. I tried to stick to at least "acoustic-friendly" songs. They range from incredibly simple to fairly complicated, but nothing is near-impossible. I omitted several popular piano tunes that would be easy to learn on guitar. Also note that many if not most of these are intended to be sung simultaneously for full effect. And finally, yes, the songs are in alphabetical order because I thought of most by scrolling down my iTunes list
This is because you won’t have to go through all the hassle of doing research on pickups, then finding a way to mount them without damaging your guitar. While magnetic pickups are surely quite easy to install, contact pickups or blended systems with microphones and preamps might require removing the top, drilling, using all sorts of screws and plates, etc.
The Mahogany body and neck with rosewood fretboard makes it a highly resonant and great sounding guitar whilst the dual Alnico Classic pickups with push pull coil tapping provide a world of tonality. A SlimTaper D Shape neck profile makes it comfortable for beginners to learn on, whilst pro players will enjoy the ergonomic design 2 hours into their set or rehearsal! Available in more finishes here.
Gain – In simple terms, gain is the amount of power your signal is packing. There are a lot of stompboxes that come with gain boosters, which makes it easy to give your volume an instant bump when it’s time for a solo. But be careful of the creep if you add too much gain through too many pedals, or you might end up giving your amp more than it can take, which will throw your distortion out of control.

The USA-made variants of Jackson guitars are somewhat pricey, yet they are also custom-made. However, you can also find the same options bearing affordable price tags too. These inexpensive models come with slightly downgraded specs as they aim at the beginners and intermediate level guitarists. It means Jackson guitars provide an excellent opportunity to the metal players to choose any of the guitars that fit in their budget and meet their requirements.
Very difficult guitar to put down. I was browsing local guitar shops, looking for a deal on a used MIM Stratocaster, just to have, I'm an SG man. This guitar caught my eye and the store owner was kind enough to allow me a little play time with this visually stunning guitar. I think I was expecting another copy of Fender's Stratocaster, given the shape and three single coil pickups. From the first strum I knew this was something different, tonally like a cross between a Strat and a "Rick". That's a very big deal. Finish was excellent and setup close to ideal for me, so I wound up with a new guitar for roughly what I expected to pay for a used model. Getting home I immediately ran through my amps, trying to find something to complain about. I'm lucky to have a few tube amps known for excellent clean channels. This is my preference, and this guitar does not disappoint. Think 60s Ventures, dripping with reverb. Yeah! Overall this guitar gives a great range of tone, is comfortable though just this side of heavy and seems to be very well made. Moderate use of Leo Fender's brilliant trem doesn't seem to effect tune. The guitar came strung with 9s, though I've since moved to 10s, my personal preference. And it fits a Strat hardcase perfectly. To be crystal clear, this guitar doesn't replace any of the legends, such as my beloved SG's or Strats. Instead, it provides a beautiful and unique enhancement for guitarists that favor those instruments.

Launch price: $599 / £500 | Body: Basswood | Neck: Hard maple | Scale: 25.5" | Fingerboard: Rosewood | Frets: 22 | Pickups: Manson Design bridge humbucker, Manson Design neck single coil | Controls: Volume, tone, 3-way selector switch | Hardware: Two-piece bridge and tailpiece, staggered height locking machineheads | Left-handed: Yes: MBC-1LH | Finish: Matt Black

On round hole martin guitars, the serial and model numbers are stamped on the neck block inside the instrument. The number can be seen by looking inside the sound hole. Look at an angle towards the neck. All f-hole Martin archtops have their serial and model numbers stamped on the inside center of the backstripe, roughly under the shadow of the bridge (and best seen from the bass side "f" hole).
If you love effects like we do, we hope you'll find this top-50 list a useful guide to discovering the classic effect boxes that have shaped the guitar sounds of rock, metal, blues, punk and many other styles. And if you're like us, it will undoubtedly compel you to plunk down a chunk of cash for a collectible pedal or two on eBay. Don't say you weren't warned.
The Gallien-Krueger 800RB was a solid state bass amplifier head introduced in 1983 that was liked by bassists for its loud, clean sound and durable construction. It introduced the concept of bi-amplification, as it sent 300 watts of low register sound to the bass speakers and 100 watts to the tweeter.[6] The GK used a tube preamp simulator circuit called "boost". GK 800RB users include Red Hot Chili Peppers bassist Flea and Guns and Roses' Duff McKagan.[6]
I only dealt with them directly on my SX Mahogany Strat w P90s. For $119 I got a really nice beginner guitar. I added cheap grover tuners, I filed a few frets and polished them, shimmed the neck, sanded (more scuffed really) the sticky finish on the back of the neck, and I've got a nice little beater that sounds awesome (to me at least), and has nice low action. I'm a relative newbie, but got some good experience with guitar setup and didn't risk trashing a expensive guitar.
The Gibson-owned Epiphone Company makes around 20 models of the Les Paul, most are similar copies of Gibson-made models, although when inspected closely, the Gibson originals are most often superior in craftsmanship and materials. Made in places outside the U.S., the Epiphone Les Pauls are made from more commonly available woods using less expensive foreign labor and have less hand detailing than the Gibson models, and, as a result, sell for a lower price. Epiphone Guitar Co. has been owned by Gibson Guitars since the 1950s. Once Gibson purchased Epiphone they quickly began making lower-quality guitars based on Gibson designs.[24]

It’s quite interesting to look into the psychology behind our behavior when it comes to how much we pay for things in connection with how good we think they are. In one experiment, restaurant guests got served the same dish. Some of them payed a high price for their dish and some a normal lunch price. Did the guests think that their food tasted differently? Yes, they did. The guests who payed the high price thought that their food was much better than the people who got it for cheap.
Whether your style is searing rock or acoustic folk, the right guitar will help you sound and feel like a superstar. From acoustic guitars to electric hybrids to bass guitars, there’s a guitar designed exactly for the way you play. You’ll be rocking out in no time when you choose a guitar from Best Buy’s selection of top brands like Fender, Yamaha, Squier, Schecter, Mahalo, Dean Guitars and more.

If it helps, Schaller have very accurate drawings of all their hardware on their website. You can also get very good drawings of all Gotoh parts as well, but theirs are harder to find (hidden in the parent company's site and I can't recall the full details). It is worth having a look at those, and pay attention to the way the tuning posts are shaped. That radiused section turned into the post is important , it really helps lock the strings firmly.

This happens when discussing variables within a number of different art forms—you simply can’t rely on scientific equipment to make some assessments. You can’t trust the gadgets; instead, you have to rely on your ears. Even relying on your ears can be difficult because it is, once again, a subjective discussion. “We don’t hear what’s out there,” Millard says. “We hear what we think we hear. It’s the psychological or neurological way we hear. To think we hear what sound is out there is so naïve and so wrong.” Trustworthiness aside, this brings us to another concept that pops up frequently when discussing the nature of tone: the role of good old fashioned, organic, human beings.
Fujigen Gakki began operation in 1960 as a classical guitar manufacturer, moving into the lucurative electric guitar markets in 1962. The company was the largest producer of Japanese guitars during the 1960-1980 period. They were known for producing high quality products, especially for the badged guitar market, which is why the company was selected by so many major American brands. It wasn't until 1970 that the company began making products for the venerable Ibanez brand, which was an unqualified success. Fujigen Gakki was the main manufacturer of choice for Greco badged guitars in the 1970 to 1980 period. They also produced guitars for major manufacturer Yamaha. Badged guitars made by Fujigen include Antoria, Epiphone, Jason and Mann. Badged guitars that may have been made by Fujigen Gakki were Marlin and St. Moritz.
Hendrix, Van Halen and, uh, Mozart are the musicians to thank for most heavily influencing death-metal shredder Azagthoth, not that they really come through in the jagged riffs and cheetah-fast solos of Morbid Angel classics like “World of S—t” and “Where the Slime Live.” But that’s because he has blazed a tension-filled style all his own (when he solos, he enters a mystical mind state he calls the “Temple of Ostx”) that is finally getting more praise than early antics like cutting himself with a razor before hitting the stage and extolling Satanism.
RARE Epiphone Vintage FT-150 Bard Lefty Conversion with bone saddle. Spruce top, rosewood back and sides. Medium to low action. Beautiful sounding and playing guitar. Superb projection. Rivals guitars costing thousands.In excellent cosmetic condition with normal fretwear for a guitar it's age, and tiny dings here and there but nothing that stands out and looks gorgeous. Includes original right-handed, adjustable bridge. Includes hard shell case and original right-hand adjustable bridge if you wanna convert it back to a righty!
It features a handsome Grand Auditorium shape with a soft cutaway for good access to the higher frets, while the satin-finished sapele neck is incredibly playable – as is the case with all Taylor guitars. The iconic brand keeps costs low with laminated sapele back and sides paired with solid Sitka spruce on the top, as well as producing it in the respected Mexican facility.
Beavis Audio Research – started in 2005 as a hobbyist site to share information on DIY guitar electronics. From the initial few pages of questionable designs, it has grown to a popular place for DIY freaks to visit and learn. Along the way, beavis has evolved into a small company. They strive to advance the DIY ethic and provide resources, tools, kits and products to the worldwide community of gearhounds.
A common mistake that most beginners do is buying a guitar without checking the wood quality. Many sellers deceive buyers with shiny and very attractive guitars that are of very poor quality and come in cheap prices. We can help you out of this trap so that you aren’t fooled into buying a poor quality guitar. You can visit our website before you make your purchase, and read through the specifications of any guitar. By doing this you will know the kind and quality of wood that has been used to make a guitar before you decide to buy it. So ensure you check the wood quality of a guitar before you consider buying it.
Here we JUST SOLD OUT: another excellent FG160 for your serious consideration the Yamaha FG 160 Acoustic Guitar Made in the early - mid 70's from Taiwan factory. This example was built well over 35 years ago and was built to very high detailed standards as well as some of the best grained Mahogany woods seen in this time period ( see pics for those detail ) in that time period these were meant to compete with the great M@r#!n and now this Yamaha is quite well aged too and is a REAL vintage guitar in its own right sounding SWEET with its well aged woods with really beautiful patina of a true vintage instrument. This one has the Amber/Tan label and not the Red Label but the golden label. The frets are very good - original I did a quick dressing of the lower 5 or so frets and polished all. The guitar has it's natural age and character with beautiful patina and it has been played of course its not new its over 35 years old with a few insignificant minor nicks,dings from a well loved and adult respected instrument. This fine example is here and in stock... We upon receiving have remove the strings cleaned and detailed the guitar oil rosewood and polish finish, We have * upgraged* its TONE by installing a Martin BONE nut and compensated BONE saddle set for improved tone resonance over the old plastic stuff so she has a nice deep ring to its tone now and this guitar to plays very well Yamaha's and they are truly amazing instruments very well compared to a much more expensive brand guitar as you may have heard…. These FG’s are known for there fine construction and playability with amazing tone for this kind of money… to get a vintage aged tone woods instrument built this well and in this kind of condition make this FG160 the one to own for a song! Re: condition its over 35 years old and is BETTER than average This guitar has no cracks, no finish checking no warped top, no loose or pulling bridge Its neck has a real nice feel to it and is a medium - slim profile = feels like M@r#!n D-28ish substantial but not too fat - Just right! 1-11/16ths at the BONE NUT Play action is very good see pics Its a standard Dreadnought Acoustic and is Identical to the Yamaha FG180 This is an excellent vintage Yamaha FG160 You will be pleased with its sound she has good bones its over 35 years old and has proudly stood the test of time there is no reason this guitar will not continue to serve another 35+ years with average care. Beautiful Patina only seen on real vintage guitars Let me know if you have any questions ore are ready to purchase email Joe at

Wow! I don't even know where to begin... I am using this processor with my new Cecilio electric violin. I learned and trained on classical violin, acoustic, reading sheet music, etc, so I'm pretty new at now playing an electric one hooked up to an amplifier, and even newer at using a pedal/processor. Upon first assembly, I found that many of these effects will probably not be used in the music that I play (worship & praise - old school & contemporary), but others will be very useful to bring a new sound to old songs. Also, some of the effects sound very similar to one another. I haven't yet figured out and tried to edit and save any effects to my liking, so I can't really say how well the MG-100 does in that area. But I must say that I am absolutely in love with the drum machine ... full review
This guitar is perfect no matter if you’re a beginner or have been playing for many years. The design is vintage at its best, with a lovely soft V-shaped neck and great colors, namely Surf Green, Daphne Blue and Fiesta Red. This guitar has a very traditional look that most people like. True, some people would feel that it’s a little bit too mainstream, but others would reason that hey, if it’s good enough for everybody else, it’s good enough for me!

Struggling to get your guitar sounding sweet and creamy? Don't fret! STUDIO GUITARS is here to warm up your sound with a selection of certified studio-fresh guitar loops recorded by Prime Loops' own professional master of the strings! Using some of the most classic equipment around, we've covered every curve of this awesome instrument's sound with an incredible collection of acoustic and electric guitar samples.

There have always been slight variations in the color of the cream plastic parts used on Gibson and other guitars. It's not uncommon to see brand new and vintage guitars with bindings, pickup rings, toggle switch rings and pickguards that don't perfectly match in color. We do our best to match all our cream products, but there's no absolute control from batch to batch, or from supplier to supplier.
When you've put your blood, sweat and tears into developing your talent, you want your music to sound amazing. And with the proper recording gear, you can ensure your sound is captured exactly how you intended. From audio interfaces to studio monitors to extremely powerful subwoofers, this section's wide range of recording gear offers up plenty of examples of ways to make your recordings better than ever. The right audio/video arrangement can take the stress out of recording, giving you more time and energy to concentrate on what's most important - your music. If you're unsure where to start the search for recording gear, checking out some of the top-rated and best-selling products is definitely the way to go. Want to attach your mic directly to your PC or Mac? The Blue Icicle performs dual functions as an XLR to USB adapter and a studio-quality microphone preamp. Offering a quick and easy way to perform digital and audio recording, this handy tool is a must for every musician's gear bag. Maybe you're in the market for a studio monitor? If that's the case, the Mackie MR8 mk3 8" 2-Way Powered Studio Monitor is a fantastic choice. Built with a clear focus on accuracy, this low-profile studio monitor is perfect for musicians who really want to capture the full character of their music. This section is also home to an assortment of GoPro video cameras. With a GoPro, you can record your set firsthand from the stage, giving your fans a unique "view from the top." Take a look at the GoPro HERO+ LCD for example - this camera captures your world in stunning HD video. It's rugged, waterproof and built into its own protective case - exactly what you need to record those high-energy shows. Another fantastic GoPro option is the HERO4 Session. Smaller and lighter than any other GoPro currently on the market, the HERO4 Session captures 1080p60 video and 8MP photos in a simple design that's so compact it can go just about anywhere. This is just a quick sampling of what's available when it comes to recording gear. There are lots more products to consider, so spend some time browsing through them - you never know when the right piece of equipment is going to leap off the page and into your professional setup.
Gitar Tricks are listening (see quote in bold) and as a result I have upgraded my Review Rating of this awesome Online Guitar Training Program. My previous review highlighted problems with the Video Loop Feature and the lack of Speed Control I am so happy that Guitar Tricks have released an immensely improved Video Player with faster video loading time, more accurate and reliable A/B looping and added a Video Timeline Preview that displays thumbnail images of the video at various points as you hover over the timeline. Another feature of the new player is the ability to adjust the speed via the Slow Motion feature.
All tube class A single end design Factory modded with premium components selected for optimum tone. This is Vox taking on the boutique guys and beating them at their own game. Lush rich 3D tone and with a classic Vox chime. Paired with an Alnico 2x12 and a reverb pedal you’ve got beautiful shimmering natural tone to die for. Boxed in excellent condition.
This is a very rounded sounding electro-acoustic bass. Recorded straight without a mic, so there is no noise. This fits nicely with most types of music. Its deep but not overpowering, leaving room for other instruments. There is a choice of sample sets to choose from in this soundfont. Direct or through my j-station (which makes it sound more like its through an amp), or a mix somewhere between the two. The j-station samples are the same direct samples routed out and through the j-station and back in again, which is why it is possible to have a mix of the two.
Finally, their taper. Taper refers to the gradual increase or decrease of the pots ohm as you adjust it. There are two types of pot taper, Logarithmic (Audio) and Linear (Lin). The human ear hears in a logarithmic manner, so in a gradual increase or decrease, whereas linear, to our ear sounds almost more like an on/off. Which you use is completely up to you, many players prefer a linear volume pot for example, but I find that a quality logarithmic pot in both volume and tone positions offers more scope for adjustment, if using a quality pot that is! Low quality audio taper pots, in my experience, offer unreliable tapers, often not providing a even, gradual adjustment as you roll off or on. A guitar's volume and tone pot can bring out so many great sounds from your rig, it offers versatility to your sound, and I love pushing an amp hard and finding those sweet spots on the guitar's controls to really capture a great tone. So I feel that's why a quality logarithmic pot with a perfectly gradual taper is an incredibly important component in the electric guitar. 

It's interesting how one of the biggest brands in guitar amplification was built by a drummer! The story goes that professional drummer Jim Marshall was inspired by Pete Townshend, Ritchie Blackmore, and Big Jim Sullivan to develop a louder and better sounding amp. And he went about it by looking at a popular American amp design (i.e. Fender Bassman) and finding ways of how to improve it. After many prototypes, Jim and his team eventually came up with an amp that had their own "Marshall sound", this amp inherited the JTM label, an abbreviation of Jim's and his son Terry's names. The rest as they say is history, with Marshall being one of the most familiar amplifier brands, even to none musicians. Their brand is still the amp of choice for a long list of virtuoso guitarists, including Jimi Hendrix, Jeff Beck, Eric Clapton, Jimmy Page, Slash just to name a few. While their vintage and professional level amplifiers are still very much in demand, the company is not doing as great in the entry level to mid-tier market - which really is the bulk of where sales and reviews of come from. Still, their fans gave them enough good feedback to make it to this list, thanks to the improvements they are making to their entry level line of amps.
Squier Affinity Telecaster: The Tele features the same tonewoods as the Strat, with a slightly different single-cutaway body style. It also has two pickups instead of three, and a fixed bridge. Single-coil pickups have a thinner sound compared to humbuckers, and it case of the Telcaster they create the signature twang that put the guitar on the map.
Since Jackson is currently owned by Fender, they have the facilities, resources and more importantly, the legal right to use Strat bodies in their designs. The result are legitimate super strats from the brand that helped jumpstart the entire hot-rodded guitar market. The Adrian Smith SDX is a great example, co-designed by renowned Iron Maiden guitarist to be a road and gig-worthy metal guitar while retaining an accessible price point.
2)	Use a line-out box (I use the Suhr Iso Line Out box) between your amp and dry speaker cab to take a tap off the dry signal. Run the line-out signal into a small mixer, and run the outputs of the mixer into a stereo power amp and two guitar cabinets. As with the previous rig, use the mixer sends and returns to patch in effects—which you will set at 100 percent wet (no dry signal) and blend to taste. In this setup, you can blend the dry signal into your “wet” cabinets. For live applications, mic all three cabinets, and pan the wet cabinets hard left and right in the PA. This is the setup I use, and I was inspired to go this route by guitarists such as Steve Stevens and Eddie Van Halen. I like to blend a significant amount of dry signal into the wet cabs. In the PA, the sound is absolutely massive! I also use an expression pedal to control the amount of effects in my wet cabs, so I can tailor my delays and reverbs on the fly. 

Unfortunately there are a few who are not too happy with with some of the default patches, they caution that the PODHD500X is not a plug-and-play unit. While you can get good tones with a bit of tweaking, you can get even better tones with more experience, so the learning curve can be a bit steep for some. For best results, you ought to research the actual gear that your favorite musicians use, along with their settings and use them as your starting points to creating your own tones. Thankfully, there are user made presets that you can also use as base for your own virtual signal chain.

We began the process by creating a 'short-list' of brands that have amps selling in the sub $1000 price range with amps that have strong enough ratings to be short-listed for any of our other electric guitar amp guides. This gave us the following 22 brands to consider: Blackstar, Boss, Bugera, California Tone Research, DV Mark, Egnater, EVH, Fender, Hughes & Kettner, Ibanez, Laney, Line 6, Marshall, Orange, Peavey, PRS, Randall, Roland, VHT, Vox, Yamaha and ZT.
We certainly can’t have a best cheap electric guitars list without the awesome Epiphone G-400 Electric Guitar, Worn Cherry. In fact, this guitar will make most peoples’ “best guitars” lists thanks to the fact they’re built to such high standards and they sound absolutely fantastic. The budget friendly price tag makes it an affordable option for beginner guitarists, but you’ll often see these Epiphone SG models on the professional stages of the world thanks to the sheer playability and build quality.
In 1956, Albert King (real name Albert Nelson) had moved to St Louis Missouri and his soulful blues performances were becoming very popular in their own right. He changed his surname to King on account of B.B King’s success with “Three O’Clock Blues‘. By 1967, the title track of his album ‘Born Under a Bad Sign‘ became his most popular and influential release.
Except for the Epiphone Les Paul Express’s total domination of the mini guitar category, there was no clear leader among the guitars, and our picks are the guitars that got the best average ratings. Our testers found lots to like in many of the guitars we tried, and you may find an axe you like better in our competition section below, where we include comments on all the guitars we tested.

Harmoniser pedals are also very useful. You put in the key you are playing and which harmony you would like (3rds for instance – just like in a lot of Iron Maiden songs) and as you play, the harmoniser automatically creates the harmony you have selected. This is great if you are the only guitar player in a band, or if you like to experiment with new harmonies on the fly.
Here’s an interesting (they’re all interesting to me!!!) guitar that shows the evolution of Matsumoku made guitars.  Even the earliest solid body electrics that came out of the Matsumoku plant were made of solid wood and displayed really good wood craftsmanship!  Lots of start up companies went to Matsumoku in the early days because the plant had proper wood drying facilities (if the wood wasn’t dried properly, the guitars often became seriously messed up during the import trip across the ocean).
It features a handsome Grand Auditorium shape with a soft cutaway for good access to the higher frets, while the satin-finished sapele neck is incredibly playable – as is the case with all Taylor guitars. The iconic brand keeps costs low with laminated sapele back and sides paired with solid Sitka spruce on the top, as well as producing it in the respected Mexican facility.
This website is not affiliated with the Samick Musical Instrument Mfg. Company in any way. We do not deal in the buying or selling of instruments of any kind, nor do we offer evaluation services for your instruments. Most prices listed are MSRP, taken from catalogs and price lists, and have not been adjusted for inflation (unless specified) and do not reflect the actual street value a model may have sold at. More on prices here: MSRP.
Every ZZ Top tour is a treat for guitar geeks, as Gibbons uses the occasions to unveil a six-string surprise. (Last year it was an elusive Gibson Moderne.) But what really makes Gibbons cool is a certain undefinable quality called “vibe.” Anyone who has ever met Billy and gotten to know him—however briefly—has an outrageous story to tell about the encounter.
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