Once you have the essential elements in place-a great amp, guitar, and guitarist-you almost can't help but get a great guitar tone. Crank the amp up to the appropriate level and begin with some mic comparisons. It's especially telling to audition different types of mics: for example, dynamics, ribbons, and large-diaphragm condensers. (I rarely use small-diaphragm condensers for miking guitar amps; on the other hand, I've found that almost any microphone will strike gold once you find the right spot for it.)
Despite its high production figures, Fernandes is better known in the United States for its Sustainer system, which uses electromagnetism[1] to vibrate a string for an extended period, so long as the user continues to fret a note.[2] Unlike the similar manual E-Bow sustainer, the Fernandes Sustainer can be used with a standard plectrum, because the sustainer is imbedded in the body of guitar. Fernandes' custom shop has installed numerous Sustainers into guitars built by other manufacturers.
The Teisco brand name stands for 'Tokyo Electric Instrument and Sound Company'. Teisco was founded in 1946 by renowned Hawaiian and Spanish guitarist Atswo Kaneko, and electrical engineer Doryu Matsuda. Teisco guitars sold in the United States were badged "Teisco Del Rey" beginning in 1964. Teisco guitars were also imported in the U.S. under several brand names including Silvertone, Jedson, Kent, Kingston, Kimberly, Tulio, Heit Deluxe and World Teisco. While guitars manufactured by Teisco were ubiquitous in their day, they are now very collectable.

These 8 free guitar lessons are from Chris Buono’s 60 Electric Guitar Techniques You MUST Know where he’ll describe and demonstrate 65 of the most popular electric guitar techniques found in blues, rock, jazz, metal and other contemporary genres of music. He also shows you how they’re notated in standard notation and tablature to help you get the most out of reading or writing sheet music, tabs, and charts.
The original Overdrive pedals were created to mimic the sound of tube amps being cranked to 10. This will cause the tubes to be pushed to their limits, producing a crunchy and aggressive tone. The sound of overdriven tubes are certainly iconic as it gave birth to the sound of Rock ‘n’ Roll. However, the problem with bringing your volume up to 10 to overdrive your tubes is that it gets really, really loud--safety hazard loud.

Roger McGuinn worked with C. F. Martin & Company to develop a seven-string folk guitar. McGuinn’s guitar (the D7) is tuned the same as a standard folk guitar with steel strings, but the third (G) string is augmented with a harmonic string one octave higher. The intention was to offer the six-string player the chance to play “jangly” twelve-string style lead guitar.

As one user put it, this is one of “Amazon’s hidden little gems”, with a good set of tube electronics that gives out a natural sounding overdrive and some crystal-clear rhythmic sounds. If you want to make your guitar sound clear enough to accompany Porcupine Tree while also having the option for a natural grainy sound that might work well for jazz and blues, then this item is definitely something to look into.  
Gretsch re-emerges with this awesome rex acoustic-like electric guitar that defines quality and perfection in terms of style and elegance. Te Jim Dandy Flat Top G9500 is one of the Gretsch best electric guitars which effectively brings back the quality and sound that characterize one of their most famous guitars throughout the 30’s, 40’s and the 50’s era.
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The Very Best Rock Vocalists All-Time Best Rock Frontmen Greatest Drummers Insane Rock Rumors That Are Actually True Druggiest Rock Stars of All Time What Their Kids Look Like Now Incredible Songwriters The Rockingest Women Singers Undeserving Members of the Rock HoF Great Guitar Rock Albums All-Time Best Rock Bassists Our Rock Hall of Fame Nominees Huge Stars Who Stepped Out of the Spotlight Old Rock Stars Who Still Look Pretty Good Rock Guitarists of the 1970s Rock Stars in Love Triangles The Greatest Living Rock Songwriters Mononymous Singers Greatest American Rock Bands Rumors That Were Never True
Much like any other job or hobby, building guitar pedals requires specific tools in order to get the job done. Furthermore, before you start putting together your first build, it is vital that you have a significant understanding of how to solder circuit board electronics – otherwise you may find yourself at a loss due to faulty soldering (believe me, this is not a fun issue to troubleshoot).  If you need to practice soldering, here is a helpful video.

Whether you are an acoustic or electric guitar player one of the simplest ways you can add some dynamic or sonic change to your worship set is by stepping on an effects pedal at appropriate moments. However, if you are new to the world of pedals there seems to be endless choice of single or multiple effects units (and no, you don’t need as many as are in the photo!). Whilst multi-effects offer loads of sounds in one box, they can be hard to programme and difficult to adjust quickly on stage. There’s a million things written about effects pedals out there in Googleland but if you’re brand new to this here’s a potted overview of some of the most popular types.
Some professional-grade amp heads, such as Ampeg's SVT400-PRO, have an audio crossover, an electronic filter that enables a bassist to split their bass signal into a low-pitched signal (which could be routed to a cabinet suited for low-pitched sounds, such as a 1x15" or 2x15" cabinet), and then send the middle and high-frequencies to a different cabinet suited to this register (e.g., a 2x10" or 4x10" cabinet with a horn-loaded tweeter). Amps with a crossover can either have a single crossover point pre-set at the factory (e.g., 100 Hz) or a knob is provided to enable the bassist to select the frequency where the bass signal is split into low and higher-pitched signal. The SVT400-PRO has a user-adjustable crossover knob. Amps with an adjustable crossover point can enable bassists to fine tune the sound of their bass sound. For example, in some halls, a bassist's usual crossover point may sound too "boomy" or rumbly; turning the crossover knob to send more of the low-pitched bass signal through the 2x10" cab may reduce this problem.

Different forms of manipulation of similar bucket brigade delay chips were also at the center of the more advanced chorus and flanger pedals that emerged in the late 1970s. With ICs that themselves were capable of creating a controllable time delay in any given signal, the job of harmonically modulating part of a split, delayed signal to produce a warbling chorus or swooshing flange sound became a lot easier.
Some solid-bodied guitars, such as the Gibson Les Paul Supreme, the PRS Singlecut or the Fender Telecaster Thinline, among others, are built with hollows in the body. These hollows are designed specifically not to interfere with the critical bridge and string anchor point on the solid body. The motivation for this can be to reduce weight, to achieve a semi-hollow tone, or both.
Dyna Gakki began production in 1972 in the city of Nagano, Japan. They manufactured guitars for Fender Japan and Greco, so they couldn't have been a terrible manufacturer as Fender is very choosy about outsourcing their product. Dyna may have been a source for Japanese manufacturer Yamaki. Dyna also produced the infamous Ibanez badges for a short period of time.

With two decades of experience and thousands of local customers served I found myself unemployed/downsized in 2010 asking myself what I wanted to do next. After some searching I understood that I really enjoy the interaction that takes place in the local store between the customer and the shopkeeper. I know that we can offer the same prices as the big stores and hopefully make the experience more enjoyable.
Those aspiring to kill the next-door neighbour’s lawn by the malevolent force of their playing alone would do well to speak to their local dealer about Schecter’s Demon-6. Updated with fresh set of Schecter active humbuckers and a super-smooth wenge fretboard for 2018, the Demon-6 is a mean- looking S-style that’s built for shredding  - and it’s also available as a seven-string for a little extra. It’s one of the most powerful and playable instruments on the market at this price. Its thin-C profile neck, cut from maple with a satin finish, is super-quick. Shredders will love that a light touch is rewarded on the fretboard - that wenge feels slick ’n’ slinky. The bridge’s construction fits the two most important tenets in bridge design: it’s no-fuss and industrial-strength. The Demon-6 feels indestructible. It might make you feel likewise; at least, its active pickups (powered by a nine-volt battery that’s easily accessed via a clip on the rear of the instrument) will ward off most predators if you crank the gain high enough. Tonally, that’s the Demon-6’s wheelhouse. The bridge ’bucker has plenty of grunt but an abundance of top-end that metal soloists will love. Overall, the Demon-6 is a metal guitar, designed to summon something much more sinister, and it delivers in spades.
We began the process by creating a 'short-list' of brands that have amps selling in the sub $1000 price range with amps that have strong enough ratings to be short-listed for any of our other electric guitar amp guides. This gave us the following 22 brands to consider: Blackstar, Boss, Bugera, California Tone Research, DV Mark, Egnater, EVH, Fender, Hughes & Kettner, Ibanez, Laney, Line 6, Marshall, Orange, Peavey, PRS, Randall, Roland, VHT, Vox, Yamaha and ZT.
SOLD OUT : in AMAZING Top vintage condition, Plays with ease with nice low action. Solid Sitka Spruce Top amazing Brazilian Jacaranda Rosewood back - sides -Fingerboard - bridge & headstock overlay, bindings are figured and flamed maple wow what a classic beauty. if you have been thinking of getting the late model Glen Fry F360 for $1700+ think again...OWN Vintage , matured aged exotic woods is what make the greatest sounding guitars this baby has it at a great price.. buy the new Tak and 2 years later its worth %%% less, not these exotic tone woods vintage guitars they are going up...mark my words you will do well with this baby... in top all round condition really well cared for and maintained. This guitar is in the upper percentile quality & workmanship just about as good as it gets and dare I say it ...this will give a Martin a real good run for its money folks... Get this RARE beauty before she's gone.. you will not be disappointed. Email Joe at JVGuitars@gmail.com .
The Lotus Vantage copy (Washburn Eagle, Aria Pro II Cardinal series, or Ibanez Artist) double cutaway (batwing) guitar with a solid body, 3 per side tuners on headstock, rosewood fingerboard with brass inlays, brass nut and neck-through construction (though there may have been a bolt-on model). This was usually finished in emerald green, polished mahogany or stained blue/white breadboard style and occasionally gloss white with 2 exposed humbucker pickups.
Solder is basically a low melting alloy, which in a nutshell means it’s melting point is far lower than the typical materials it will be used to join. It’s melting range is generally between 200 to 800 °F. Solder is available in either lead-based and lead-free. Most commonly you will use a 60/40 (60% tin, 40% lead) rosin core solder when working on guitar wiring.
Up for auction is an approximately 1973 fender champ cabinet, grill, and Weber sig8 speaker. Chassis was removed and rehoused years ago and this cab has been collecting dust. Tolex was removed and the solid pine cabinet has a nice amber shellac finish. Good sounding cab With a great sounding Weber speaker perfect for a restoration or new build. Handle, Grill, and chassis mounting straps will also be included.
Some of the first Kents to have been imported into the U.S. were made in Sweden by Hagstrom. (Some sources, or maybe just one source quoted all over the net, states that they may have actually been Czech-made and sold by Hagstrom.) The Hagstrom HI, HII, and HIII (those are the letter H with roman numerals representing the number of pickups the guitar had) were branded Kent for sale in the U.S. and as Futurama for the U.K. They had the Kent name on the headstock and sometimes the upper bout. They were similar to Fender Stratocasters. They also made some Strat-shaped basses. There are several photos on the net showing David Bowie in his Ziggy Stardust days playing a red Hagstrom with Kent branding on the headstock.
Yamaha Company is known as the largest music instrument production firm in India. It offered huge variety of guitars at starting prices around Rs 8,000.The topmost guitar models of this firm are SG 7, RGX, SG 5 and Yamaha RGZ. This brand is earning good reputation by offering high quality guitar to its customers. So, if you are a new learner, then may buy this best guitar at fewer prices.
I have been a bass player and still am however I started on guitar at 12 and went back to it about 12 years ago. There really isn’t too much difference of perfecting your craft on either instrument. The most important thing to realize is when to play and when not to. I spent years learning how not to be a busy bass player and now that I have such a passion for playing guitar, I’m learning how to sound busy without really being busy.
Description: Body: Maple - Flamed - Body Construction: Semi-Hollow (Chambered) - Top Wood: Spruce - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Custom - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Diecast, Gold, 2x Volume Control, 2x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Brown
This is breathtaking and very inspiring pop-rock music with great energy and bright motivational atmosphere. Main instruments are electric guitar, digital synth, bass, strings, piano and drums. This exciting and uplifting track could be a perfect choice as background music for any video production, multimedia projects, Youtube channels, narrations or life stories, films and other projects.
Rickenbacker continued to specialize in steel guitars well into the 1950s, but with the rock and roll boom they shifted towards producing standard guitars, both acoustic and electric. In 1956, Rickenbacker introduced two instruments with the “neck through body” construction that was to become a standard feature of many of the company’s products, including the Combo 400 guitar, the model 4000 bass, and, later, the 600 series.
5 Star...So fun...I bought the playstation 4 for my wife for Christmas it came with the game uncharted 4 I'm surprised my wife played it and loved it so when she seen the uncharted the Nathan drake collection it has 1 and 2 and 3 on it she had to have it she started playing it and she loves this game also...great games to have for that special moment when you are in the mood for a journey.Few games have that replay ability when you get to know Drake you just can't put it down great deal great price only problem why I gave it 4 Stars there is no incentive or discount if you have already purchased it for Ps3 and now you would want it for your Ps4 but as I said great deal great story great price
If you mean the Guitar Hero III guitar then there are two switches on the back. The one just below the neck of the guitar (It looks like a quarter of a circle.) detaches the neck so you can store the guitar AND the neck in a smaller space, and the switch towards the side of the guitar detaches the faceplate so you can put a different faceplate on, or play without a faceplate.

Johnny was a strange case, a rock and roll outsider who was obsessed with uniformity. And that obsession helped forge the Ramones aesthetic: the identikit leather jackets and ripped jeans worn by each band member, the single surname shared by all four (in the absence of any actual familial kinship) and the terse pacing of the music itself, with not a single excessive note or lyrical utterance.
Entwistle also experimented throughout his career with "bi-amplification," where the higher frequencies of the bass sound are divided from the lower frequencies, with each frequency range sent to separate amplifiers and speakers. This allows for more control over the tone, because each portion of the frequency range can then be modified (e.g., in terms of tone, added overdrive, etc.) individually. The Versatone Pan-O-Flex amplifier used a different approach to bi-amplification, with separate amplifier sections for bass and treble but a single 12-inch speaker. The Versatone was used by well-known bassists such as Jack Casady and Carol Kaye.
Giannini guitars were (and are) made by the Tranquilo Giannini S.A. factory, Carlos Weber 124, Sao Paolo, Brazil. They are generally known for being well-made instruments featuring very fancy Brazilian hardwood veneers, as well as for the strange-shaped asymmetrical CraViola models. Probably the most famous, indeed, perhaps only famous, endorser of Giannini guitars was José Feliciano. No reference materials were available on the early Giannini guitars. A catalog from 1971 is available, with a snapshot of the line that probably goes back at least a decade, and certainly forward.
What? I have an early 90s pe and I've recorded with it and its one of the best guitars I've ever played. Beutifull clean lp tone and ballsy as when you dirty it up. I also have a pro 2 fullarton which with the fender lace sensor pups I put in it, plays and sounds as good as any strat I've played in thirty years. Check the new arias comming out of the states at the moment and they are really awesome looking guitars. There is also a reason the early ones are known as lawsuit guitars as Gibson though they were so good they had to sue them!
Sound images are very similar to visual images. If you're in a large auditorium, but standing on stage right next to an actor's face, you will see every nuance of his face, pimples, pores and all. You will not see his whole body though, and you won't see him in the context of the rest of the stage or the room. If you move back to the tenth row, you will lose some of the facial detail, but you will gain perspective. If you move to the rear of the auditorium you'll lose all the detail of the actor's face, but you see the whole enchilada in perspective.
Gibson and Fender have been ripping the public off for years, they're not even close to being worth what they charge especially Fender with such a mass produced bolt on neck and lame finishes design. Carvin is a superior guitar in every way and what people fail to mention is that you can choose what wood and finish you would like as well as bolt on neck, set neck or neck through designs and their pick up's are impeccable. A truly great guitar co. With excellent customer relations and real musicians will all show respect for Carvin when mentioned if not already owning one.
Pickup selectors can wear out over time. The lugs and the rotating switch can loose their tight connect with years of use. Also, many inexpensive guitars made today use cheap electronic parts. You may just want to upgrade your switch for more control and better selections. It is fairly easy to install a new pickup selector. Here are a few simple steps to replacing your pickup selector.
Great Gretsch "pumpkin orange color", and a great sounding, and playing import reissue. Knobs replaced with dice, and a couple of decals added. Has factory installed Epiphone labeled Bigsby trem-tail piece, no longer available on this model. Chrome p-90 pick-ups. Guitar, and original hard-shell case in like new cond. New list on these is $1195.00 with original hard shell  case.

Many players use more than one effect – in this case, they place them next to each other on the floor, joining the output of one pedal to the input of the next using a small guitar lead called a “patch lead”. This allows them to use more than one effect at a time and toggle and combine them as they wish. Most players with multiple effects pedals attach them to a board, imaginatively called a… “pedal board”. This makes the pedals easier to transport and carry around. They set up and plug together all the pedals on the board, so when the user gets to a gig they can just plug in and play without having to set everything up again.


Taylor Guitars is an American guitar brand based in California. The company was founded in the mid 1970’s, and it has since grown into one of the largest and most respected acoustic guitar companies. Taylor guitars are recognized for their incredible quality, craftsmanship, and innovation, while still being an accessible guitar at a reasonable price.
Now, I'm sure that you're all sensibly busying yourselves with making music, so your lives are, frankly, too short to be sifting through more than a half a million words of interviews. Therefore, I'm going to try to digest what I've discovered during this process for the benefit of those less sad than me! I'm not about to dictate which technique is 'best', though, because if reading this many interviews has taught me anything it is that people will always disagree on what constitutes a great sound. Instead I've recorded a number of different audio examples to allow you to judge for yourselves, just as I did, which techniques are likely to make a real difference to your own productions. I've peppered this article with a number of boxes giving details of these files.
Chord CG-10Classically styled guitar combo in a vinyl covered cabinet with metal corner protectors and basket-weave style grille cloth. Front control panel is recessed with retro "chicken-head" control knobs and additional features for Gain, EQ and outputs. Custom solid-state circuitry is voiced to produce authentic vintage-style clean and driven tones.•Headphone output for practice•Switchable clean and drive channels•Classic styling•Power supply; 230Vac, 50Hz (IEC)•Model: CG-10•Output: 10Wrms•Speaker; 165mm (6.5")•Controls: Gain, drive switch, volume, treble, middle, bass•Connections: Guitar input, headphones out (6.3mm jack)•Dimensions; 290 x 280 x 150mm•Weight: 4.0kg
Giannini guitars were (and are) made by the Tranquilo Giannini S.A. factory, Carlos Weber 124, Sao Paolo, Brazil. They are generally known for being well-made instruments featuring very fancy Brazilian hardwood veneers, as well as for the strange-shaped asymmetrical CraViola models. Probably the most famous, indeed, perhaps only famous, endorser of Giannini guitars was José Feliciano. No reference materials were available on the early Giannini guitars. A catalog from 1971 is available, with a snapshot of the line that probably goes back at least a decade, and certainly forward.
custom made guitars luthier services alvarez ampeg benedetto boss breedlove collings danelectro ,dean,digitech eastman electro-harmonix ,grinning elk, electro-harmonix epiphone fender- fender-custom-shop fender-usa fulltone g&l gibson godin gretsch guild hagstrom hal-leonard hamer harmony heritage hofner ibanez jackson kay line-6 marshall martin mxr national orange ovation paul-reed-smith peavey prs prs-paul-reed-smith rickenbacker roland silvertone suhr takamine taylor vox washburn yamaha 000-18 00-18 4001 asat-classic catalog champ classic custom-22 custom-24 d-18 d-28 d-35 deluxe es-125 es-175 es-335 flying-v j-45 j-50 jaguar jazz-bass jazzmaster l-00 lap-steel legacy les-paul- les-paul-classic les-paul-custom les-paul-deluxe les-paul-jr les-paul-junior les-paul-special les-paul-standard les-paul-studio lg-1 lg-2 melody-maker mustang precision- precision-bass sg sg-special sg-standard strat,bass guitar,speakers,parts,effects pedals stratocaster- telecaster telecaster-custom telecaster-deluxe telecaster-thinline..Greg's Guitars is the only author of "The Vintage Guitar News and Views.
The Playability of the guitar is outstanding, and has a thin, nicely rounded fast neck. It has a very musical tone, with a particular sweet spot in the upper end. The bluegrass G chord in the 1st position with G/6th string, D/5th strings sounds tremendous on this guitar. Both fingerpicking and strumming are effortless, and jazz chords are well articulated. The volume of the guitar is Loud, and should only increase over time as the top opens up.
The Effect: When it comes to effects pedals, those which offer more than one type of effect are usually seen as the best cost effective solution out there. Although many still prefer that standard, standalone configuration, multi-effects pedals have a lot to offer. Take Carl Martin Multi Effects Pedal as an example. This thing is packed to the brim with boutique level effects. Easy to use, a board such as this one can substitute a whole pedalboard depending on the variety of effects you use. One of the other great features of this design is the fact that multi-effect pedals come in both digital and analog form. They have transcended that artificial sounding performance that plagued effects processors some 10 years ago. Today, a multi-effects pedal is every bit as capable as its standalone counterparts. While this design is aimed at everyone, budget oriented users stand to gain the most from it.
(Book). Backbeat's successful Handbook format applied to the world's most popular instrument. The Electric Guitar Handbook is the latest entry in Backbeat's best-selling handbook series, combining a two-part book and an audio CD in a practical lay-flat binding for ease of reference when playing. Part one of the book examines how different types of electric guitars are made, and why varying construction methods influence the way guitars sound. It also looks at the role of various pieces of guitar hardware, including pick-ups, tremolo set-ups, and bridges. Part two is a comprehensive, user-friendly course in playing the electric guitar, from the basics of posture and hand positioning to music and tab reading and advanced performance. Newly written exercises presented in the book and also on the accompanying CD take the learner through each step in the process, covering styles including rock, country, blues, soul/funk, indie/alternative, and metal. Author Rod Fogg also offers practical advice on everything from simple scales to complex chords, alongside short features introducing key performers and styles.

Hi, my cousin gave me a bass guitar, the brand is called Cyclone by EKS Technology Inc. I looked it up and I could find barely anything. the bass has been in his garage since the early '90s and he told he that Fender bought the brand sometime around then, but I still can't find anything about the brand, apart from that they also produce electric guitars. almost as if the brand has been wiped from history. Any information regarding this brand would be gratefully accepted!


Okay, choose from the best electric guitar brands to suit your needs and look great too with this helpful guide for guitarists of all levels! Would you rather get the proven model, or trust a relatively unknown brand? This is especially true for those who are looking to buy their first instrument. With that in mind, we have compiled a list of top 10 electric guitar brands which you can trust. We will talk about each, and explain why they are the best guitar brands. On top of that, we will mention some models which we have had the chance to handle in the past.
I have a almost identical one in front of me, but mine has 3 pickups. It has the same color white guard and sunburst pattern. The back of the guitar has the redish sunburst pattern on the neck like yours but also has the red on the main body, unlike yours that has a colored neck and solid color back. I can’t find a picture of a 3 pickup that is like this. Any info would be nice to know.

1976 Fender Stratocaster, Some changed parts to include,pickguard, tuners,possibly knobs. Original factory natural finish, fret wear, plays but will need a refret at some point,Comes with a non original black tolex hard shell case. No backplate or tremolo arm. Overseas clients PM me for accurate shipping quotes as free shipping is only to a lower 48 US address. Trades may be considered.      SEE MORE HERE .


Hmm… you still want to buy an electric guitar first up? Okay, but again spend extra money on a guitar that plays well, will keep its value and feels perfect in your hands. In other words, don’t focus too much on paying for extras like custom pick-ups, locking nuts and electronics you don’t need just yet. At the moment it’s all about fingers and hands, not foot-pedals.
By the late 1950s, the Les Paul was considered “staid and old-fashioned” as well as too heavy and expensive, no longer competitive with the Stratocaster, and by 1961 Gibson stopped producing the traditional Les Paul in favor of a lighter redesign called the SG. The mid-1960s, however, brought a resurgence of interest in the Les Paul, a development credited to one man and one album: Eric Clapton, using a Les Paul plugged into a Marshall Bluesbreaker amplifier as recorded on Blues Breakers with Eric Clapton (the “Beano” album, 1966),[13] set the standard for tone for a new generation of guitar players in blues and rock and roll (see Keith Richards’ contribution to the Les Paul legend below in the section ‘Renewed interest in the Les Paul models’ below). [14][15] Clapton was initially followed by American guitarist Michael Bloomfield and British guitarist Peter Green, and the subsequent rise in the instrument’s popularity was such that by the late 1960s Gibson reintroduced an updated Les Paul and a variety of other instruments “in its mold”, including a bass guitar.
i am writing this now because i can't even look at this guitar without thinking about this experience, and still can't enjoy playing this very expensive and special vintage piece. i went to great lengths to get all the way to this shop, it was extremely difficult, several trains, a really long walk. then i waited a truly insane 3 months, and then went to the same lengths to pick it back up. he did say to me to bring it back, but that was impossible. never in my life, in NY or LA, or anywhere in between have had to wait more than 1-2 days for any service on any guitar. in my experience he takes on way more work than he can handle and apparently doens't do a thorough job. 3 months is obscene. 1 month is unacceptable. bad experience, 100% waste of time & money. if he refunded my money it would not come close to the amount of time i had invested in getting here & back. truly negative experience. waste of much time.
The key to getting that guitar tone you strive for comes down to an effects unit of some sort, especially if you’re going for the kind of sound The Edge (David Howell Evans, the guitar player from U2) has. Many worship-music guitarists also use several effects pedals to achieve their lush soundscapes. It’s amazing how these pedals can make a single instrument sound so full.
So last week I wrote about if it made sense to replace the speaker in an amp, or if it would be better to just get a different amp, I'll bet some of ya saw this weeks topic coming, right?  Once again I must begin by stating that even though we design, build and sell pickups here, we will NOT offer biased information (I promise); remember, we are real-world guitar players too.  Yep, we also need to carefully watch how we spend our money lest we find ourselves without a roof over our head!  And I mean really, I could take being homeless ... but I'd NEVER do that to a good GUITAR! Shall we dive in?
Note: For additional information and history on Ibanez guitars, please check Wikipedia. For a great overall resource for Ibanez guitar questions, check out the Ibanez Collectors World website. The ICW is a gathering of Ibanez collectors who relish in the challenge of not just collecting Ibanez guitars, but of identifying old models, dating guitars by serial numbers, and generally watching the vintage guitar marketplace to understand how interest in Ibanez guitars is evolving.

Pacifica series of Yamaha electric guitars are the ones you have probably heard of once, mistaken for a Strat a couple of times, but never really considered. Needless to say, that was a mistake. One quick look at Yamaha Pacifica PAC510V OVS reveals why. Before even getting into details it doesn't take much to recognize the apparent quality all around.
Further down the Seagull line, looking at models outside of the Artist Series, the components and woods aren’t the same but we still see an impressive attention to detail. The Seagull S6 Original is a bare-bones acoustic, perfect for beginners and intermediate players. This is a guitar worth checking out if you need a solid acoustic and don’t want to break the bank.

Great condition. With the exception of the gold foil missing from the back pad, allowing the pink to show thru, the guitar is entirely original. Has a couple of small spots of edge wear, and a chip on the front, the size of this 'o'. Plays and sound fine. Has correct amount of neck relief (.010") at the 7th fret, when fretted at the first fret and the body fret. Includes original chipboard case.


Danelectro's new '59XT guitar was an exciting announcement at NAMM 2018, and we're stoked to have a chance to test out this sharp-looking axe. Control-wise, the guitar keeps it simple, with a three-way pickup selector switch stacked above tone and volume control knobs, but it ups the game with a Wilkinson tremolo and a lipstick pickup. Watch along as Andy tests out the Dano's sound, and look below for more information about how to get one of your very own.

Early Teisco instruments were primarily electric Hawaiian guitars and accompanying amps, although the company quickly got into electric Spanish guitars, too. Little information is available on these earliest Japanese Teiscos. Teisco guitars from most of the ’50s were clearly inspired by Gibson; presumably this was true from the very beginning. We’d welcome any information on these early Teisco guitars and amps, including photos and photocopies of catalogs or ads, from our Japanese readers, if they can provide them.
In Cleveland power trio the James Gang, Joe Walsh combined Who-style fury with Yardbirds-style technical fireworks and R&B crunch, notably on 1970's "Funk #49." The humor in Walsh's bluesy facility came out in the talk-box flight on his '73 solo hit "Rocky Mountain Way." But it was when he joined the Eagles in 1975 that he truly lodged himself on classic-rock radio. Walsh brought a hard-rock edge to the Eagles' easygoing pop songs, creating a series of indestructible licks in the process: See his staccato-snarl riff in "Life in the Fast Lane" and his elegant aggression in the dueling-guitars section of "Hotel California." Walsh influenced the Who's 1971 classic, Who's Next, although he didn't play a note on it: He gave Pete Townshend, as a gift, the 1959 Gretsch Chet Atkins guitar that Townshend played all over that album. Townshend later repaid the favor while talking to Rolling Stone in 1975: "Joe Walsh is a fluid and intelligent player. There're not many like that around."
I had an Epi G400, MIK, I found for $175 used, in a pawn. It was decent enough enough but I found the pickups (humbuckers) a bit muddy. I subsequently picked up a Valkyrie II on closeout when they changed over to the current Valkyrie shape, for $99 + shipping. It played just as good but I was able to get one with P-90's, not available on the Epi. I preferred the P-90's and sold the Epi G400. I still have the Valkyrie:
Non Locking Tremolo FAT/SAT TREMOLO TREMOLOARM-INSTALLATION Der Tremoloarm kann leicht eingesetzt und entfernt werden. Setzen Sie den Arm in die Armöffnung an der Tremolo-Basisplatte. Ziehen Sie den Arm zum Entfernen hoch. TREMOLOARM-EINSTELLUNG (SAT PRO) Zum Einstellen der Höhe des Arms entfernen Sie die Tremolo-Federabdeckung von der Rückseite der Gitarre und verwenden einen 3 mm großen Inbusschlüssel zum drehen der Höheneinstellschraube an der Unterseite des Tremoloblocks.
Guitars come in two basic flavors: acoustic and electric. From a hardware standpoint, electric guitars have more components and doohickeys than do acoustic guitars. Guitar makers generally agree, however, that making an acoustic guitar is harder than making an electric guitar. That’s why, pound for pound, acoustic guitars cost just as much or more than their electric counterparts. Both types follow the same basic approach to such principles as neck construction and string tension, and so they have very similar constructions, despite a sometimes radical difference in tone production.
We're proud to say that our best assets at Guitar Center Forth Worth are our people. When you come in for a visit, you'll find that our staff aren't just friendly folk - they're also experienced musicians. We know our way around all our new and used instruments and accessories, which is why we've earned the trust of Texan guitar slingers from the famous to the casual. If you're into percussion, you'll also love our impressive vintage drum collection here at Cowtown. Drop by for a face-to-face chat about all we can do for you, or feel free to give us a call at 817-423-3800.
A classic Western guitar from the Far East, this Vintage Global guitar was made in Japan sometime in the 1960s and imported for Sears and Montgomery Ward department stores. It's got a swell pick guard with a honeysuckle blossom and a hummingbird and an ominously undecorated fretboard that has absolutely no dots or markings whatsoever. Other features of the Vintage Global guitar include a snazzy sunburst finish, classic imitation wood inlay decorative sound hole decal, and cheap white plastic tuning knobs. This classical acoustic guitar has absolutely nothing in the way of "warm tones" or any other term typically used to describe finely crafted stringed instruments. Instead, it has a distinctive sharp and rumbly quality that is great for recording or live applications where a "lo-fi" sound is desired. This Global guitar has decent action and is easy to play. Speaking from experience, it really cuts through the other tracks in recording and adds a humble trashy sound while staying in tune and functioning like a normal, decent quality guitar. The Vintage Global guitar showed signs of moderate use and had a number of nicks and scratches around the edges. The hummingbird pick guard had some scratches / wear in the black glossy surface near the very top corner, but otherwise was in excellent condition. The neck was straight and the guitar had no cracks or other serious bodily damage. Body measures 17 /2 inches x 14 inches x 3 1/2 inches. Neck measures 16 1/4 inches in length from nut to end (minus headstock) and is 2 3/8 inches at widest point. This Global Hummingbird Guitar sold and is probably making beautiful music on the other side of the country, but lots or really cool-looking vintage Global guitars can be found on eBay.
We consider the finest tonewoods to be those with superior projection and sustain, and without weak or bright spots within the tonal range. Many of the wood species from the US Pacific NW meet this criteria, and more. Some were well known by luthiers, but others, like Myrtlewood, Claro, Franquette & Bastogne Walnut, Port Orford Cedar, Redwood, Pistachio, Olive, Osage Orange and Douglas Fir are just now gaining notoriety.
This one SOLD pictured has been SOLD OUT: This is one of my favorite vintage Alvarez guitars and is always truly a very good surprise just how great these sound / impressive and I have collected more than several over the years of this very model vintage era lawsuit guitar in AMAZING Condition. Here we have a wonderful and very clean example of a Vintage Japanese Acoustic its a late 1970's great Alvarez 5056 with the most intricately detailed inlay work everywhere on the body.... the front & back in Abalone & the fingerboard is rich - dark and wavy grained it looks to be Brazilian Jacaranda Rosewood and has the Gorgeous Tree of Life in mother of pearl & abalone inlayed into the rich rosewood fingerboard WoW!,even the bridge has Mother of pearl inlaid, (you should have a real good look to come to your own conclusions if its something you like ) and the frets are in very good original condition... action is very good nice & low adjustable either way with no buzzing anywhere on the fretboard real nice playing example here folks.. The finish has a natural golden patina as seen to it and this guitar is strikingly beautiful. No cracks, no repairs, very good - excellent vintage used condition and is JVG rated at 9/10 WoW!... She's very EZ on the eyes to say the least and a premium performer this vintage piece has had over 33+ years to age and mellow and was a one owner California guitar in above better than average condition... no splits or cracks or separations or repairs ever... I believe this to be the cleanest best playing vintage 5056's we have ever had in JVG or seen for that matter. This one is a real pleasure to play! HERE IS A LINK TO CUT & PASTE TO SEE MANY MORE PICS OF THIS INSTRUMENT: https://picasaweb.google.com/gr8bids/Alvarez5059TreeofLifeVintage?authkey=Gv1sRgCNLn6LnEg8bmCQ#slideshow/5613001158042817730 .
I love squire guitars because they are cheap and affordable. I love the fact that I now have a stratocaster so if you think that they suck think again. I can play under the bridge and scar tissue etc on my squire stratocaster honestly for those that can't afford a fender this is the best thing that has ever happened to me because I can now play an electric guitar which is not only good but it is brilliant
The clipping detector stages receive inputs from the guitar preamp and the reverb recovery amp, they act in an identical manner. The 1458 op-amp is wired as a comparator with a threshold that is near the high side of the allowable voltage swing on the associated 2N3906 preamp stage. If the transistor output exceeds this voltage, the 1458 output turns on, causing the 4011 one-shot pulse stretcher circuit to fire. The one-shot circuit activates the LED, and stays on long enough that even minor clipping on the amplifier causes visible blinking.
This interactive package (complete with a book, an instructional CD, a wall chart poster, a guitar pick and three sheets of fretboard stickers) equips the novice with everything he or she needs--short of an electric guitar and an amplifier--to become competent to play in a band within three months. The course is divided into twelve weekly lessons. Each lesson outlines the objectives of the week ahead and concludes with one of twelve specially commissioned backing tracks over which the novice can use the newly learned techniques. The book concludes with tips how to get the right sound from a guitar, amplifier and effects, as well as tips on forming a band, playing live and recording. If you've ever wanted to play in the band instead of just watching it, now you can!
The Epiphone brand scores another spot in this list with the Hummingbird Pro, a stylized take on the popular dreadnought shape. This guitar is the affordable version of the original Gibson Hummingbird, as seen in the hands of big name artists like Keith Richards, Noel Gallagher, Sheryl Crow and many more. It is a modern and more cost effective take on the guitar that Keith used on many of The Rolling Stones' popular tracks, including "Play with Fire" and "Satisfaction".
The same bracing system and pickups in chrome covers are also included within the Vintage Reissue Series, with individual volume and tone controls, and a 3-way bat-style selector switch. Hardware includes individual chromed saddle-style mounted bridge with height adjustments, and a chrome trapeze tailpiece. The one-piece, Canadian maple set neck features a 20 fret, bound rosewood fingerboard, with pearloid block position markers.
New, used, nylon or steel string — or electric — for your first guitar take your time, choose carefully and never be afraid to ask for advice. Best of all, search for a good music shop near you and actually pick up the guitar, pluck the strings, listen to the sound. The people behind the counter want to help you, so that you come back for another guitar — and another, not to mention strings, string cleaner, capos… Don’t forget, this isn’t just buying any old guitar. This is the beginning of your dream coming true.
Lydia Lunch once beat her Teenage Jesus & the Jerks bandmates with coat hangers during practice; and her confrontational attitude was only matched by her completely unfettered guitar playing. Calling the instrument “a grand assaultive weapon,” she treated it as such, often attacking the strings with knives or even shards of glass, refusing to even bother learning chords, using it as a blunt force to express a total anti-pop, anti-punk, anti-everything rage.

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The extra-versatile twin-channel layout with independent controls delivers a wide variety of tones from clean to overdrive. The Sonzera 20—which we recently reviewed—packs a hell of a punch for players who need a versatile workhorse amp that pairs well with pedals and sounds incredible on its own for any style of music. While the Sonzera 50 Combo is well suited to the stage, the 20 is easy to haul to gigs, has a lower output that’s better suited for the studio—and its “American style” voicing thanks to its 6L6 power tubes (the Sonzera 50 features EL34 tubes).

When two pickups are wired in series, a good portion of the treble frequencies is lost because the long pickup wire works like a resistor. Any resistor in the signal path will suppress the signal. The formula works like this: The longer the wire, the higher the resistance, and the more treble is lost. We all know this from guitar cables: When you use a very long guitar cable, the sound isn’t as detailed and transparent as it is with a shorter cable. A long cable acts as a resistor.


Plug an electric guitar into the input. Adjust the input drive level as high as it will go without causing the input clipping light to activate. Adjust the drive level control to a level below where the drive clipping light activates. Different reverb sounds can be achieved by lowering and raising the reverb drive level. Adjust the reverb level for a nice sounding balance between the dry and reverb sounds. Adjust the output level for the optimum volume level. Now go play some surf music.
Size & Weight: If the multi-effects pedal will stay in one place at all times, then perhaps size and weight is not a big deal. However, one of the biggest selling points of a unit like this is its portability. If you need to gig with it or simply take it to a friend’s house, make sure you’re fine with its dimensions. The good thing is that a manufacturer like Line 6 makes several versions of the same basic pedal. The Line 6 M13 is a great unit, but if you need it to be more compact you can opt for the M9, or smaller yet the M5.
This is an interesting one - by fitting a MIDI pickup to your guitar you can record your performances as a MIDI track as well as live audio. This can then be assigned to any software or hardware MIDI-triggered instrument to double up or even replace the guitar part. Some DAWs now also allow the extraction of audio to MIDI data from a recorded audio part, but the MIDI pickup route is more accurate where electric guitar is concerned.
Compared to the guitar amp rankings, the bass amp list is largely dominated by heads rather than combos. Notably, many of the entries on this year's rankings come from the recent wave of ultra-portable, Class D bass amp—a topic we've covered before. Clearly, this subcategory of bass amp is dominating the market, and it's likely that there will be at least a few new entries under that heading at NAMM next month.

Judging by the tag in the sound hole, headstock logo, and general construction of the guitar I would think it's definite made earler than '86. Mine has a tag identical to this one but the date 16 5 78 is stamped onto it and it also has the name of the person who inspected it stamed on it. Interestingly I did notice your guitar has a different truss rod construction than mine. looks like yours adjusts from the head stock under the cover and mine is an allen adjustment through the sound hole. Don't know if they switched over to your style at a later date... food for thought. I have heard of some poeple reffering to these as Yairi built guitars even though they don't carry the Yairi headstock logo.
The central idea behind Vintage® is to offer accessibly priced, vintage-looking guitars with great finishes, quality parts, and features that are typically found on guitars costing upward of a thousand dollars. So, to design an industry-leading line of professional but affordable guitars, Trev Wilkinson joined forces with JHS over a decade ago. These instruments now include class-leading Wilkinson®-designed hardware.

The AC10 was one of the first amplifiers to bear the VOX name and has long been adored for its ability to achieve rich, articulate tube tone at very manageable volumes. For this reason, the AC10 has become a highly coveted piece of VOX history since its discontinuation in 1965. It was re-introduced in 2015 as model AC10C1 and has proven to be very popular as a quality option to the Fender Blues Jr. and Fender Princeton.


The Vox brand was also applied to Jennings's electronic organs, most notably the Vox Continental of 1962, whose distinctive trademark "wheedling" tone was immortalised by Alan Price on the Animals' track "House of the Rising Sun". In 1962 the Vox Continental was given to The Echoes to trial on stage and use on records they cut with Bert Weedon and Dusty Springfield as well being featured on their version of "Sticks & Stones" 1963 as well many other records, and later used by Paul Revere of Paul Revere & the Raiders, as well as Ray Manzarek on most songs recorded by The Doors and by John Lennon on The Beatles' track "I'm Down", both in the studio and live at their 1965 Shea Stadium concert. Doug Ingle of Iron Butterfly used it on "In-A-Gadda-Da-Vida" and other songs of the group. Mike Smith of The Dave Clark Five and Rod Argent of The Zombies also made frequent use of the instrument. Peter Tork of the Monkees can be seen playing the unusual looking Vox organs several times during the Monkees TV series (1966–1968). In newer popular music, the organist Spider Webb of the UK garage band The Horrors can be seen using a Vox Continental. A famous Vox organ riff can be heard on "96 Tears" by Question Mark & the Mysterians. Benmont Tench of Tom Petty and the Heartbreakers has frequently used his vintage 1965 single Continental in the studio with the band since 1976 and still uses the instrument today. Another famous signature Vox organ sound was created by Augie Meyers when playing with the Sir Douglas Quintet, as heard in the songs "Mendocino" and "She's About a Mover."
Vintage Guitars has been around since 1985. We know what professional guitar players want. Our authentic guitars combine the classic design of vintage guitars with the modern playability of newer ones. The retro look is combined with patented new hardware that gives you the best of both new and old worlds. Whether your preferred genre is rock, country or jazz, we have vintage guitars for every working professional musician. If you’re looking for great features and old-school style, you’ve come to the right place. Check out all of our electric, acoustic and bass guitars!
The same bracing system and pickups in chrome covers are also included within the Vintage Reissue Series, with individual volume and tone controls, and a 3-way bat-style selector switch. Hardware includes individual chromed saddle-style mounted bridge with height adjustments, and a chrome trapeze tailpiece. The one-piece, Canadian maple set neck features a 20 fret, bound rosewood fingerboard, with pearloid block position markers.
Choose from electric guitars with hardwood, polyester, or leather bodies, and carbon, maple, or rosewood fretboards. We offer right-handed and left-handed configurations, along with electric guitars that feature options like Tune-O-Matic, tremolo, and adjustable bridges. If you're brand-new to playing, you can even find a student kit including lesson books and helpful accessories to keep you on beat and in tune as you teach yourself to strum.
This is something that a lot of people get wrong. Electric Guitars are much smaller than Steel-String Acoustic Guitars and Nylon String Classical Guitars, they can basically be used by most people, but you do need to consider the extra weight. An Electric Guitar can weigh 5-6 Kg which can be difficult for children to handle. We would normally recommend children be at least 13 years before they try an Electric Guitar, but this is a generalisation and some children (sometimes as young as 10) have been ok. Every child is different, and some children may be capable at a younger age, so if you consider your child to be quite strong for their age, then by all means go for an electric. We carry a broad range of sizes in our entry level range. The correct size is most accurately determined by the player’s height, age and in some cases gender. If you can tell us these three details we can give you a personal recommendation.

This is the name given to the amplifier, separate from the speakers. It’s the pre-amp and amp in one box, which is usually placed on top of a cabinet or a stack of speakers. This is a common configuration for large venues, and it might be useful to have a separate amp head if you play a lot of festivals or “battle of the bands” events, where the speakers are generally provided by the organizer.
Straight away meeting the essential criteria and tonal platform for a good small solid state combo amp for practicing at low volumes with a pocket friendly price tag is Orange Crush 20RT. This dual channel 20 watt guitar amplifier that also comes in a 35 watt version is the upgraded model of the well received Orange Crush 20 for having a built-in spring reverb effect and a chromatic tuner which are the kind of features great for daily use.
Why do these genres not require the use of a tone knob, or sometimes, require a tone knob to be fully open? Well, for metal and hard rock, first of all, most of the tone shaping happens on the amp and/or on the pedals, especially for those who use high gain distortion pedals. The pickups on typical hard rock and metal guitars are humbuckers, which are warmer and have less treble. Couple that with high gain and high output pickups which compress the signal and also take some of the treble away, and keeping the tone knob open becomes that much important so that the tone will not be muddy and keep its cut and punch. For country, well, I guess that’s just *the* sound of the genre, and wide open Telecasters and Stratocasters are the weapons of choice.
Hum cancelling: hum cancellation is caused by reverse polarity, reverse winding keeps a revrse polarity pickup in phase with a non reverse polarity pickup. To reverse the direction of the winding, simply swap wires, using hot as the ground and ground as the hot. Polarity can be changed on many pickups. If the pickup has bar magnets, simply flip them over. If the pickup uses alnico polepiece AND has the new plastic bobbins such as is common on Fenders, the polepieces can be pushed out with a screwdriver and reinserted "upside down". If the bobbin is fiber DO NOT attempt to flip the polepieces; the wire is wrapped directly around the polepieces and will almost certainly be damaged.
An effect made popular by guitarists like Hendrix, Jerry Cantrell, Slash and many more, the Wah-Wah effect is a pedal-controlled Q filter. The ultra-recognisable vocal-like effect is obtained by having a Q parameter going back and forth, thus “opening” your guitar voice or narrowing it down removing treble frequencies. Words cannot really describe it, and since its inception the Wah was featured on countless records. The Dunlop Crybaby is by far the most popular wah pedal, built with trusty analog circuitry. Despite Dunlop’s fame, many other manufacturers built beautiful pedals that have left their mark in music history due to their slightly different sound, such as the VOX 84x series, the Fulltone, and the super modern optical Morley Wah.
Any vibration we can hear as "sound" is composed of some distribution of overtones above the fundamental frequency. Overtones exist in a set fashion based on the physics of vibrating waves and the ratios between them. The only difference in tone between any instrument is caused by a different prominence and distribution of these overtones. When a string is plucked on an electric guitar the vibrations move into the body of the guitar as well. The resonant properties of the wood will cause some of these overtones to be "summed" and exaggerated while others will "cancel" to some degree. The vibrating string will be influenced, however slightly, by the vibration of the guitar, in turn changing the distribution of overtones on the vibrating string - essentially creating a feedback loop.
Ibanez Mikro GIO Electric Guitar in Black w/ Bag. The guitar is in good working condition does have few marks and one nick. Does not include stand just used to take pictures. Includes guitar strap and Ibanez bag. Please contact me if you have any problems with your purchased item and I would be Happy work with you to help make your Transaction a Pleasant Experience.           Please check photos carefully and use the enlarging tool. Some photos are taken with a flash and may cause the image to appear darker in some areas. Photos are an important part of the description and the condition of each item.Thanks for Looking!!           Also please verify the correct shipping address before bidding. Payment is expected within 48 hours.    
The Salamander Grand (Yamaha C5) has by nature so many velocity samples that it already has a great expressive sound. I have normalised the samples and re-attenuated them to suit sf2 format and simplified it by leaving out some pedal noises and other non-critical sounds. Cut-off frequencies have been adjusted for extra expression and using Wavosaur I have removed the gaps at the front of the samples to greatly reduce latency.
Breedlove Guitars was established in 1990 by luthiers Larry Breedlove and Steve Henderson, while working at Taylor Guitars. After moving to Oregon, Breedlove and Henderson began specializing in custom, fingerstyle six and twelve string guitars. In 1991 the first Breedlove guitar model appeared, after experiments with the JLD bridge truss system and various bracing techniques. Around 1994, Larry’s brother, Kim Breedlove, joined Larry and Steve as a master craftsman. Breedlove strives to be environmentally conscious, and is “dedicated to selecting alternatives to endangered rainforest woods.”[1] Breedlove has since expanded to include mandolins and ukuleles.

If anybody needs a Bridge, I have a Teisco Roller Bridge for sale, it is a a copy of a Gretsch Roller bridge but includes a solid steel Base like a Rickenbacker Bridge Base. The string saddles are rollers which are adjustable side-to-side for proper string spacing, and each side of the bridge is adjustable for Height. It is in excellent condition, probably from 1965 thru 1968. On a scale of 0 to 10, it is a 8.


Epiphone is regarded as one of American’s oldest and most revered musical instrument manufacture, which was founded in 1873 by Anastasios Stathopoulos. Their headquarters located in  Nashville, Tennessee, United States. Their produce amplifiers, mandolins, banjos, effect units etc. The company is owned by Gibson Guitar Corporation. Their guitars are the best selling one in Indian market. Available at Rs. 13,000/- onwards (approx). For more details, visit Epiphone.com.
Jump up ^ The little finger whose use is not completely standardized in classical guitar technique can also be found designated by e or x. There are several words in Spanish for the little finger: dedo meñique, dedo auricular, dedo pequeño, but their initials conflict with the initials of the other fingers; c is said to be the initial of the dedo chiquito which is not the most common name for the little finger; e and x are not initials but letters that were picked, either with its own rationale, by people who didn't know what else to pick
Many guitarists have chosen this iconic axe for its versatility and capability to sound great in any genre of music, but the Les Paul is most widely known for its heavy duty rock ‘n’ roll vibe.  A great example of this would be Jimmy Page of Led Zeppelin fame.  Once Page began using Les Pauls, he never looked back and helped to give the instrument its indelible place in the history books of music.

Sorry it has sold: Here we have a rather nice rare vintage 1970 Yairi & Son Classical acoustic guitar It's Label reads... Hand Crafted in Japan by Yairi & Son Model # 300 Serial # 177 Pretty darn low serial number 1970 remember she's 45 years old! Condition overall is very good - excellent used / vintage Not new or mint of course... Regarding its build quality She exhibits beautiful workmanship and superior materials Aged woods of over 30+ years old in 1970 when it was built! Tone-Woods now are in the 75 year range on this example looks like a Vintage masterpiece with its patina and look and feel I love these oldies funny thing is It still shines like glass to, amazing really when you think about it. This guitar has very good deep base tone and excellent volume and plays easily and comfortably the neck is nice and big 2" at the nut nice and wide feel to it. The neck is made of a high grade mahogany see pics, back and sides are also beautiful mahogany, with black or very dark brown bindings for a very classic look, the on the business end she has a wonderful quality solid spruce top with lots of bear claw figuring a really nice sound box it projects very well in deed... As you look at its back side in its entirety top to bottom it's hard to find a blemish I'm sure there are a few minors but it's really looking very clean and with a surprisingly shiny original finish... The front the headstock is pretty clean as well!...notice a bone nut has been fit, frets show little to no wear what so ever more than 90% remaining fret life, the fingerboard shows a little play action remember it's a 1970! ... The top as several chips and drinks and I have addressed them a touch up lacquer pen and just dabbed the tiny chip to prevent further chipping there it as a result after I polished it up turned out pretty darn good looking too, This guitar came to us as a partial trade with its bridge pulled nearly off by a ding dong previous owner that put regular gauge dred heavy gauge strings on it for long term and it lifted off in time, I removed all that cleaned up the woods & prepped it for a new vintage period correct Jacaranda rosewood classical bridge and glued it with hide glue clamping it up for 2 weeks & set her up with a bone nut & saddle and a new set of Dean Markley strings... This beauty comes with its original hard shell case black Tolex with a plush Marigold lining one bad latch but still functions well good hinges and handle so it's still ok. This is rock solid now as the Yairi & Son label says use only nylon strings. If you just use what Yairi suggested this would have never happened not Yairi's fault just the wild eyed idea gone wrong. Anyways she's back in action and sounding better than ever so if you like these old Yairi & Son classical guitars this may be a good consideration for you.... Let me know if you likeeee. Email Joe at: jvguitars@gmail.com .
If that were true, you'd have to take into consideration everything that vibrates after the string is stuck (the strap, the plastic of the knobs). You vibrate as well. So in essence, what you're saying is...the contents of your stomach affects the signal going to the amp. Hell, what wood your floors are made of affects the tonal quality. Maybe if you hit it hard enough you can get the ceiling involved.
Rackmounts are most commonly used in recording studios and "front of house" live sound mixing situations, though professional musicians who play electric bass, electric guitar, or synthesizers may use them in place of stompboxes, to create a rackmounted head unit for their speaker cabinet(s). Rackmounts are controlled by knobs, switches or buttons on their front panel, and often by a MIDI digital control interface. During live performances, a musician can operate rackmounted effects using a "foot controller".[14] By setting up effects in a rack-mounted road case, this speeds up set-up and tear-down, because all of the effects can be connected together with patch cords (which can be left connected permanently) and all of the units can be plugged into a power bar. This means that a musician only needs to plug in the main power bar into AC Mains power and plug their instrument into the rack, and the last effect unit's output into their instrument amplifier and/or the PA system.
Uh, Roland. I don’t know when was the last time I read about the best amplifiers and one of Roland’s models was not there. That’s not due to their ability to market their instruments to everyone (well, they are good at that too, probably) BUT the main reason why they are always a talk of the town (of a very musical and amplifier obsessed town) is their quality of production. With a lot of expensive amps, they are also graceful enough to give us the MERE MORTALS ability to bath in the glory of what is Roland tone. This CUBE‌-10GX amp is a 10-watt little combo amp with one 8 inch speaker that is ideal for home practice or anyone who needs an inexpensive model that will not ruin their performance. With built-in effects, heavy-duty cabinet design, and a compact construction the CUBE‌-10GX amp might be your best choice for a practice amp that also works as a traveling amp.

When gluing a set neck guitar it’s important that you don’t use an excessive amount of glue. The glue should be applied to the base of the neck and base of the neck cavity. Try to limit the amount of glue so that it doesn’t come into contact with the edges of the neck or pickup cavity as this can impact on the tonal quality of the guitar and sustain.
And its not just about the looks, because this affordable guitar comes with a solid spruce top with mahogany back and sides. This means that you are getting a mid-tier instrument for the price of an entry level guitar, a beginner guitar that will grow with you as your ears become sharper and you learn to play better. Because of its conventional build, this acoustic has a warm and balanced tone that can sound bland to some, but it should make for a great starting point for those who are still discovering their own musical voice.
SG Special is pretty much the same thing as the Les Paul 100. The most obvious difference is the body style. Other than that, you get very similar electronics and overall build quality. A lot of people learned their first chords on this guitar, still keeping it as one of their favorite axes. I’ve played this thing a few times and it definitely has some juice.
The first impressive thing about the Zoom G3X is its build quality. This unit is solid, which puts our fears to rest that Zoom may have sacrificed build quality since the G3X is more on the budget side of the price spectrum. In the reviews and recommendations we read, several owners make it a point to comment that it feels like a serious piece of equipment that could withstand some abuse because of its sturdy metal construction. The G3X can be powered with a 9V adapter (which is conveniently included), or four AA batteries. Zoom claims about 6 hours of battery life, but in our experience manufacturers tend to exaggerate battery life a bit. Still, battery power is very convenient if you’re traveling with the G3X and want to do some on-the-go playing, or just taking it from room to room in your house (to save some money in the long run we recommend rechargeable batteries).

The Sweetwater Used Gear Marketplace is a lot like Craigslist or eBay, only it's exclusively for gear, and it's 100% free — there are absolutely no charges or fees involved. Buying or selling, you'll be interacting directly with other musicians and audio enthusiasts, so we've included some tips below to help navigate your transactions. Learn More | Safe Shopping Tips
The 2019 Gibson Les Paul Standard sports a mahogany back with an artisan-grade AAA figured maple top and a mahogany neck with Ultra-Modern weight relief. This chambering technique is provides a solid core through the center of the guitar, retaining the classic Les Paul sound and making the guitar less prone to feedback. The Ultra Modern weight-relieved body also makes playing long sets a breeze. The neck has an asymmetrical Slim Taper neck profile for increased playability and comfort.
It might be a little overwhelming when you listen to the song being played by the professionals. Try not to listen to all the extra filler that these musicians put into their music and focus instead on the chord progression. Think about the chords that go into making these songs, try to memorize them, and listen to when the chord changes happen in the song.
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