Rule 4 – Taking sound-making devices like stompbox pedals out of the equation, there’s an order to the way sounds naturally occur in physical space. For example, guitar amp distortion is made in physical space by turning an amp up enough to cause its circuits to overload, and any echo you might hear happens after the distorted sound hits walls or ceilings and bounces back to your ears. Therefore, logic says that your reverb and/or delay pedals should be last in the signal path, since that is how the sounds they produce actually occur in three-dimensional space.
Luthier Steve Lamb has been providing quality instrument repair in Fort Worth for over 30 years. Steve’s years of experience has provided musicians, collectors, students and friends the information and service necessary to keep their instruments in shape. Lamb’s Music is an authorized service/warranty center for most guitar manufacturers including – Fender, Gibson, Martin, Taylor and more.
Bass amplifier equipment manufacturers include a variety of different types of companies, ranging from companies that only make individual components (e.g., Accugroove loudpeakers, a speaker manufacturer) to companies that only make bass amplifiers and loudspeakers (e.g., Gallien-Krueger). At the other end of the spectrum are companies that offer bass amplification equipment as part of a much broader offering of different types of instrument amplifiers and public address systems (e.g., Peavey, Carvin A&I or Yorkville Sound.)
Line 6 gets a bad rap amongst the guitar community, due to the fact that they apparently operate on a ‘quantity over quality’ business model. The truth is, however, their digital modeling tech has improved vastly since that reputation stuck and they definitely deserve renewed consideration. And that’s all the more true when it comes to beginning players. As you’d likely be learning how to play songs by your favorite artists, this amp with its massive array of presets (128 to be exact) will allow you to mimic your idols with little, if any, effort. And, honestly, it’ll sound pretty great. It even has a built-in tuner, metronome to keep you on time, and real drummer loops so you can get in the swing of playing live.
So essentially if you are looking for a thicker, higher output sound a humbucker will be a better fit for you. If however, you prefer a brighter, twangier tone a single coil will be best. If in doubt consider the guitar tones and styles of music you prefer e.g. Fender or Gibson and go with a similar style of guitar kit or even better grab yourself one of each.
Welcome to  We're a the online Kay Vintage Reissue web site of Rock N Roll Vintage Inc., a Chicago based internationally known vintage guitar dealer.  Kay currently offers the "Street Series" and a "USA Recording Studio" lines.  Kay plans to offer reissues of 12 popular models including the Barney Kessel and the Jazz guitar and bass lines.   The Street Series are authentic reproductions of Classic Kay guitars and basses.   The Recording studio series will offer models with exceptional hand built custom shop quality.  We offer the complete line of Kay Vintage Reissue Basses and Guitars.   These Kay reissue guitars and basses look amazing and play even better.  Currently the Kay K161V Thin Twin and K775V Jazz II guitars and K162V Pro and K5970V Jazz Special basses are available.
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This beast features a classic Sitka spruce top with a rosewood back and sides combo. We have already mentioned a few guitars that feature these types of tonewood. However, the difference here is that the Martin DCPA4R is a handmade instrument that brings you the craftsmanship of Martin's top luthiers. If you appreciate craftsmanship, you'll love this instrument.
Small guitars were often looked at as mere travel or couch alternatives, but times have changed and they are making a comeback on big stages. The LX1E Little Martin is at the forefront of this rekindled interest, with artists like Ed Sheeran impressing big crowds with just his humble and small LX1E. Thankfully, its price has remained stable despite the its current worldwide recognition.

What’s more, musicians will (or at least modern musicians have the opportunity to) learn about their niche area through metadata analysis and find out what makes the fans tick, so that they can pick up on this connection between music maker and listener. As such, how can you really be sure that the person playing the drums, strumming on the guitar or singing the song on your favourite album is actually feeling the music in the magical way we’d like to think they are?

Featuring a comfortable neck and solid spruce top, the Epiphone Dove Pro Acoustic-Electric Guitar rings out with full, rich sound. Based on a design going back to 1962, the Dove Pro is equipped with a Fishman Sonicore pickup system that accurately reproduces its acoustic tone when you plug the guitar into an amplifier or PA system to play with amplified instruments. A terrific value.
We would suggest that you don’t check price tags too much when choosing your guitar. If you try a few out in a music shop you can ask them to suggest a few different guitars within your price range and then try them out only thinking about sound, looks and feeling. This way you won’t be fooled by a cheap price tag to think that a guitar can’t be any good, or the opposite, be tricked into thinking that just because a guitar is expensive it has got to be the best.

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A direct user interface can give far more musically rewarding results than dozens of parameters, menus and alpha dials. Often, even a panel of knobs isn't anywhere near as natural to play as, say, a Korg Kaoss Pad. Here's something Kaoss Pad 3 owners can try at home: choose effect DL2 (Smooth Delay) in which the pad controls delay time on the X-axis and depth on the Y-axis. Next route your favourite solo patch through it and set the FX depth to about 12 o'clock. Solo wildly whilst simultaneously stroking the top right-hand corner of the Kaoss Pad with short, circular motions. With practice, you should be able to produce delicate pitch sweeps as the delay shifts in time. As you control depth by vertical motion, practise diagonal upwards sweeps followed by vertical downward ones to smoothly dampen the effect. Hey, it takes years to master the violin, so a few evenings spent waggling your finger over flashing LEDs shouldn't be too arduous. Next try the same technique with lush solo pads: simple yet devastatingly effective! Paul Nagle
Launch price: $2,099 / £2,499 | Body: Ash | Neck: Roasted maple | Scale: 25.5" | Fingerboard: Roasted maple | Frets: 22 | Pickups: Music Man SH single coil, Music Man SH humbucker | Controls: Volume, tone, 3-way selector switch | Hardware: Music Man Modern hardtail bridge, Schaller M6-IND locking tuners | Left-handed: | Finish: Trans Buttermilk, Trans Black, Trans Maroon, Satin Natural

This guitar comes with a 25.5-inch scale, 20 frets, and a 1.68-inch nut. The rosewood bridge features a compensated saddle for a smoother tone and warmer sound. The mahogany SlimTaper D profile neck makes it easy to play even if you’re a beginner, while the Grover machine heads will ensure your guitar stays well-tuned for an accurate musical performance.
Charles Kaman put a team of employees to work on inventing a new guitar in 1964.[2][7] For the project, Charlie chose a small team of aerospace engineers and technicians, several of whom were woodworking hobbyists as well. One of these was Charles McDonough, who created the Ovation Adamas model.[8]Kaman founded Ovation Instruments, and in 1965 its engineers and luthiers(guitar makers) worked to improve acoustic guitars by changing their conventional materials. The R&D team spent months building and testing prototype instruments. Their first prototype had a conventional“dreadnought” body, with parallel front and back perpendicular to the sides. The innovation was the use of a thinner, synthetic back, because of its foreseen acoustic properties. Unfortunately, the seam joining the sides to the thin back was prone to breakage. To avoid the problem of a structurally unstable seam, the engineers proposed a synthetic back with a parabolic shape. By mid-1966, they realized that the parabolic shape produced a desirable tone with greater volume than the conventional dreadnought.[9]
McCarthy's probably one of the toughest guitar masters on this list. His craftsman's hands know not only how to help your instrument make magic again but also (we assume) how to put you in an arm or leg lock and make you scream "Uncle" if you mouth off too much about your guitar's condition. It's probably why guitar tough guys like Zakk Wylde of Ozzy Osborne and Black Label Society, Izzy Stradlin of Guns 'n' Roses and Jason Newsted of Metallica gravitate toward his repair shop. (Not to mention the guys of Motorhead). They know they're dealing with a true master.
Music Go Round® is your ultimate used gear resource—we buy used musical instruments all day, every day. We understand the value of your instruments and make it easy for you to sell or trade. Bring your used music gear, such as guitars, drums, amps, bass guitars and pro-sound equipment —we’ll pay you $$$ on the spot—and you take home that must-have piece to your collection.
Oh and you play really great sounding exercises in blues, rock and country that encourage you to noodle around and find your own riffs and leads to play over the tracks which is something that I had never really been inspired to do before with any other book. The author doesn't just throw a bunch of tired, boring, public domain yankee doodles and scarborough fairs because he is too cheap to pay royalties or some crappy tunes that a kindergardener could write but actual original pro sounding tunes and riffs. Yes, I HAVE been around my fair share of crappy guitar lesson books, thanks for asking!
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The output of the rails is a crunchy, high sustain rock tone that turns your Strat into a much heavier and hard-hitting instrument. The pickguard, pots and five-way volume selector are all included with the wiring taken care of. It’s also really easy to change pickups using a solderless method that allows you to remove and add pickups by simply using screws.

With a 25.5” scale length, the 314ce features a Grand Auditorium body shape with a playability-enhancing Venetian cutaway, allowing good access to the highest of the 20 frets. The top of the body is made from solid Sitka spruce, along with solid sapele back and sides, leading to a beautifully rich and powerful tone that’s well balanced between warm and bright.
Straight away meeting the essential criteria and tonal platform for a good small solid state combo amp for practicing at low volumes with a pocket friendly price tag is Orange Crush 20RT. This dual channel 20 watt guitar amplifier that also comes in a 35 watt version is the upgraded model of the well received Orange Crush 20 for having a built-in spring reverb effect and a chromatic tuner which are the kind of features great for daily use.
You honestly could get a single multi-effects unit that will already have thousands of the most popular stompboxes built in, plug it into your PA or headphones, turn on one of the many built-in amp modelers, and you’re good to go. This is actually a solution that many touring musicians have gravitated towards, as it is so much easier to just carry around a single multi-effects unit compared to a pedalboard with several different pedals and a separate amp.
Musicians, audio engineers and record producers use effects units during live performances or in the studio, typically with electric guitar, bass guitar, electronic keyboard or electric piano. While guitar effects are most frequently used with electric or electronic instruments, effects can also be used with acoustic instruments, drums and vocals.[3][4]
Growing popularity of the guitar in the early 1900s, fueled by the growing popularity of folk music and country and western music, led to a demand for louder and more percussive guitars. In response, many companies began to use metal strings instead of catgut. These became known as steel-string guitars. By 1921, Martin had focused production towards this type of guitar.
Distortion is usually generated by three distinct sources: the power amp, the preamp and the speakers. Many players overlook power amp distortion when trying an amp, but the power amp section is the source of what guitarists describe as low-end chunk and balls. Audition the power amp by turning the master volume way up and turning down the gain. The sound should be lively, with a crisp attack that jiggles your trousers.

If you do record the bass both via a DI and a miked-up cab, and combine them later, as suggested above, you’ll want to pay attention to the relative phase of the two tracks. Even if the mic is placed very close (an inch or so) to the amp’s speaker, that track will still be slightly delayed (on the order of milliseconds), due to that small distance, relative to the DI track. Small delays like this can cause comb-filtering when the tracks are combined (at close to equal levels), which produces cancellations and reinforcements in the frequency spectrum that can impart a nasal, hollow, or slightly “flangey” sound, weakening the tone. You can see the time difference if you line up the waves in the DAW and zoom way in. You can either advance the amp track (via editing) or delay the DI track (via editing or a plug-in) until the two line up—the resulting tone should be fuller, and ultimately sit better, with a more solid low end, in the mix.

There are of course, other buttons and positions featured on guitars. BB king’s Lucille had a switch to toggle different values for R11 (thus going from moody chords to punchy ‘Lead’ with a finger and no need for extra gear). Advanced guitars may have phase and antiphase switches for humbuckers or dual pickups. The jackson 5 Telecaster I think is an example as it has both a phase and anti-phase wiring on their pickup selector.

While there’s still 9 more guitars to talk about on this list, you really can’t go wrong with stopping here, at the Les Paul Standard. This guitar is one of the most sought-after electrics in its price range. If you’ve ever played a Les Paul Epiphone before, you know what we’re talking about. Besides being a legendary guitar invented by the artist, inventor, and guitarist, Les Paul, this guitar also has what it takes to be legit, such as ProBucker-2™ and ProBucker-3™ pickups with coil-tapping. You can find this guitar for literally one dollar under $500 at most stores. 

I’m getting a bad hum that almost goes away when I turn the volume up completely….gets loud as I turn it down. Someone rewired the guitar with 2 pair wire…..they attached a ground to the vol and tone pots everywhere the wires went….and also the body of the switch. I think it’s a bad ground loop problem….I’m going to change everything to single strand wire. I’m guessing there’s a voltage difference somewhere and it gets close to normal when I turn it all the way up on the volume pot.

The Teisco TG-54 was a two-pickup Les Paul, named for the year it was designed, 1954, not long after the original! It had a large white plastic covered pickup at the neck, set into the pickguard, and a slanted metal-covered pickup set into a metal tailpiece assembly, sort of like a Telecaster. Again, strings passed through the tail assembly and the body. Similar to the J-1, the volume and tone controls (same knobs) sat on a small rectangular plate, this time metal like a Tele, with an added chicken-beak three-way rotary selector switch.
Every ZZ Top tour is a treat for guitar geeks, as Gibbons uses the occasions to unveil a six-string surprise. (Last year it was an elusive Gibson Moderne.) But what really makes Gibbons cool is a certain undefinable quality called “vibe.” Anyone who has ever met Billy and gotten to know him—however briefly—has an outrageous story to tell about the encounter.
Breedlove is a semi-recently founded guitar manufacturer that has a main focus of acoustic guitars. Breedlove doesn’t have a massive following like some other brands, so it can be difficult trying to find one to test before purchasing. Breedlove tends to evolve their guitars and tries to push the world of acoustic guitars forward. Their Oregon Concerto Myrtlewood acoustic, for example, manages to produce a big, refined sound and the notes are more resonant. This is due to their tapered myrtlewood body and smaller sound-hole. The body shape is also very important as it’s part of the reason they sound so good and it’s even comfortable to play. All of their guitars are very high-quality and work well for all fingering styles and genres of music. If you want a really great acoustic, you really can’t go wrong with Breedlove.
Jazz guitarists use their knowledge of harmony and jazz theory to create jazz chord "voicings," which emphasize the 3rd and 7th notes of the chord. Some more sophisticated chord voicings also include the 9th, 11th, and 13th notes of the chord. In some modern jazz styles, dominant 7th chords in a tune may contain altered 9ths (either flattened by a semitone, which is called a "flat 9th", or sharpened by a semitone, which is called a "sharp 9th"); 11ths (sharpened by a semitone, which is called a "sharp 11th"); 13ths (typically flattened by a semitone, which is called a "flat 13th").
Yes, most of them are very useful! These days there are hundreds of online tutors offering great guitar lessons. And there’s no need to throw your money at the first offer you see, as a lot of quality instructional and tutorial videos are completely free on platforms such as YouTube. Generally, paid courses tend to be better because they are tested and are well-structured, and – in theory – you should be able to progress faster. But it all depends on your budget and on your will to learn on your own.
While a little on the pricey side, their products are seen as particularly powerful and reliable overall. The H&K Trilogy is well appreciated for its versatility, allowed by the high level of German technology and engineering involved in its construction.  It has easy MIDI control and three channels, a clean, crutch, and lead, all with boost options that give a lot of freedom to musicians who are into experimenting.
Description: 2014+ Model. Body: Maple - Flamed - Top Wood: Maple - Flamed - Neck Attachment: Set - Neck Wood: Mahogany - Nut Width: 43mm - Fingerboard: Ebony - Frets: Medium - Inlay: Pearl & Abalone Block - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Gotoh 510BN - Bridge Construction: Ebony - Cutaway: Double - Hardware: Gold, 2x Volume Control, 2x Tone Control, 3-Way Switch - Circuit Type: Passive - Pickups: Super 58 - Pickup Configuration: H-H - String Instrument Finish: Vintage Yellow Sunburst - String Instrument Accessories: Hardshell Case - Made In: Japan
"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.

To set up guitar pedals, use a short patch cable to connect your guitar directly into the tuner pedal if you’re using one. If you’re using filter effects pedals, like auto-wahs and envelope filters, connect them next. Plug in your compressor pedal after the filter pedals, followed by pitch-shifting, overdrive, and distortion pedals. Set up your modulation pedals, like chorus, flanger, tremolo, or phaser pedals, near the end of the chain so they’ll have a richer sound.
Joan Armatrading, Roy Clark, Jim Croce, Kevin Cronin, Neil Diamond, Al Di Meola, Robert Fripp, Mick Jagger, Greg Lake, Adrian Legg, Paul McCartney, Brian May, Freddie Mercury, Jim Messina, Steve Morse, Eddie Rabbitt, Kenny Rogers, Richie Sambora, Tom Scholz, Seal, Bob Seger, Paul Simon, Rick Springfield, Eddie Van Halen, Josh White, and Nancy Wilson;[32]
Hertz Guitar is a well known brand, which manufactures high quality guitars. The company was originated from Shanghai,China and North Korea. Their musical instruments were introduced on September 2009. They offer world class quality instruments from world class branded production houses. They maintain international standard. It mainly focuses on musical instruments as well as accessories. They manufacture a wide range of guitar. Available at below Rs. 12,040/- (approx).

Compared to building something from scratch, the kits listed here are relatively easy to work with. Still, there are some that require more patience and experience, like those with set-necks and hollow bodies. On the flipside, there are kits that make life easier for you with their no-soldering required electronics and bolt-on necks. It is recommended that beginners go for easier builds, but with so much information available in the internet age, it should not hinder you from getting what you really want - just make sure to be patient and do your homework.
That said, unless the beginner had a specific focus, I never have a problem recommending Line6 spider amps. Lots of options built right in (so you save a fortune on effects you may want to experiment with), and they don’t sound bad at all. I played one a few years back in a rock band and got compliments on my sound all the time, and I put nothing else in the signal path, I played straight in using one of their floor controllers at a gig. I think the whole setup (and this was the 120 watt one) cost me something like $350 bucks.
Replace or upgrade your guitars volume and tone controls with the best quality pots available from CTS, Bourns, Fender, Alpha, Alps and more. From full size to mini pots, long shaft and short shaft pots, blend pots and stacked concentric pots, push/pull pots and more, we have the pot you need! Not sure which pot is right for your project? Then check out the Guitar Electronics FAQ Page for more info on pot values, pot tapers and more.
If you have a little bit more to spend than what you pay for the Epiphone LP Special II you might want to consider the Epiphone Les Paul 100. It has a mahogany body with a maple top, mahogany neck and rosewood fingerboard. It’s got solid tuners and hardware, a 3-way switch and two tone and volume knobs. It’s slimmer and therefore much lighter than the Gibson Les Paul. The Epiphone LP 100 feels and plays good. It’s a reliable and durable guitar. A great choice for rock and blues!
If you’ve ever stepped foot into a music store, you’ve seen a Hal Leonard book. They’re iconic in the annals of guitar-learning lore. They’re not the hippest or the most accessible, but they nevertheless remain key fixtures. This compendium combines the three books of the method into one. Just about everything you need to know is in here somewhere, though it’s commonly said that an instructor is needed to parse the flow of information. Still, it’s a great reference and if it makes sense to you out of the gate, there’s the potential to learn a lot from this classic tome.
Some bass amps may have additional controls for onboard effects such as bass chorus or a knob for controlling a multi-effects unit (which might include a suboctave generator, chorus, reverb, fuzz bass etc.). Some 2000s-era amps may have a knob to control digital amp or speaker emulation settings (e.g., emulating the tone of a huge 8x10" speaker stack or a vintage tube amp by famous makers, such as the Ampeg SVT).
The modern "tone block" is a design-based marketing approach from EBMM starting in their guitars a few years back. It originally involved routing out an alder body, fitting a block of mahogany from just behind the bridge to the neck join and applying a top to the guitar. It is an alteration of the design and some purists believe they hear a difference in the tone of the guitar versus plain alder bodied or mahogany instruments.
That's a bit if an exaggeration but you're allowed. I would venture to claim that the snobs are those who proselytize Fender and Gibson as being the best (especially Gibson). It's been demonstrated a million times over that they are not. Which does not mean they don't make guitars many people want and like. Especially Fender (I have a GREAT Highway One Strat) who have managed to reach a wider audience with the pricing structure of the Fender brand than Gibson has with the Gibson name. The reason we see so many of them in the hands of pros (and their sheepish followers) is that these companies can afford to buy "stage presence". I would put PRS in that group too; however PRS makes better production guitars than both the above. And I'm not being a snob since I can't afford a PRS.
When Bob Dylan described the Band's "wild mercury sound," he was really talking about Robbie Robertson's guitar, as exemplified by his torrid, squawking solo on "Just Like Tom Thumb's Blues" from their 1966 tour. But by the time the Band were making their own LPs, Robertson had pared down his approach, evolving into a consummate ensemble player. "I wanted to go in the opposite direction," said Robertson, "to do things that were so tasteful and discreet and subtle, like Curtis Mayfield and Steve Cropper… where it was all about the song."
These samples are released under the GNU GPL license. The source code being the sf2 files (of which contain the audio samples and settings). The samples and settings can be accessed within Viena and Translator Free on windows or Swami on linux. This license means that you can do what you like with them but if you create any samples from them or improve on them then you have to use the same license in your projects. This way it keeps it open source (and therefore free). This license is only concerned with the source code. Any music you create with them is nothing to do with me (i.e. you take all the royalties and use whatever license you like).
Subtlety: You don't always have to make longer echo or delay effects obvious in the mix for them to be effective. Once you've set up the delay times and panned them to suit your song, try dropping the delay levels until you scarcely notice them during most of the mix (listening on headphones often helps set the most suitable level). This generally results in intriguing little ripples of repeats that you notice at the end of verses or during pauses, that add interest and low-level detail to the mix. Martin Walker
Why would that be “magical thinking”? Unless you play a sine wave with a synth, the timbre of every instrument is made of a set of freuquencies, a dominant frequency plus a ton of harmonics (which is, I take it, the overtones people talk about). Woods, like every other material, resonate at particular frequencies, and consequently might emphasize a particular subset of these frequencies rather than another subset. Hardly magical thinking.
If you mean the Guitar Hero III guitar then there are two switches on the back. The one just below the neck of the guitar (It looks like a quarter of a circle.) detaches the neck so you can store the guitar AND the neck in a smaller space, and the switch towards the side of the guitar detaches the faceplate so you can put a different faceplate on, or play without a faceplate.
That's right. It's neck first, then bridge height, then intonation (at least the way I do it). Nut height can be taken out of the equation by putting a capo on the first fret, so it can be sorted out later if there are any problems with it. Of course if you were to put a capo on the first fret, you'd need to compare that with the 13th fret when setting up the intonation.
A free, guided tour of the Taylor Guitars factory is given every Monday through Friday at 1 p.m. (excluding holidays). Taylor’s expansive 145,000 square foot manufacturing facility is located east of San Diego (about 20 minutes from the downtown area) in El Cajon, California. No reservations are necessary for the tour, although the company asks that large groups (more than 10) call in advance at (619) 258-1207. Taylor encourages guests to arrive at its Visitor Center, where the tour begins, 10-15 minutes prior to tour time to sign in at the reception desk. The tour lasts approximately one hour and 15 minutes. While not physically demanding, it does include a fair amount of walking.
Guitar Center Twin Cities provides comprehensive guitar repair services for the Roseville area. Our repair technicians are as passionate about your guitars and basses as you are, and we have the experience needed to keep them performing at their best. Whether you need a quick adjustment to make your guitar easier to play, or a complete guitar rebuild, we have the tools and know-how to take care of your instrument. Guitar Center Twin Cities can also help build a maintenance plan that fits you and your guitar or bass needs, including custom setups, restrings and more. We also take care of fret repairs, hardware and pickup installations, upgrades and customizations, bone and graphite services and more.
It’s the knob that controls a potentiometer (informally a “pot”) which acts as an inhibitor of sorts (when used in conjunction with a capacitor), bleeding off the high end frequencies of a guitar’s pickup (or pickups) signal that has passed through the volume control and is on it’s way out of the guitar, giving it a “warmth” (think muffled-ish) sound.
There are two distinct kinds of transistors used in fuzz pedals, germanium and silicon. In the early 1960’s silicon transistors were fairly new and very expensive and germanium was the norm. Germanium transistors are susceptible to temperature changes and noise so they can be unreliable at times. They do have a very distinct tone, they also react very well to the guitar’s volume knob by cleaning up very well. As silicon transistors became less expensive they largely replaced their germanium counterparts in pedals due to their stability. The Silicon fuzzes generally produce more gain but often don’t clean up as well.
A marvelous acoustic guitar with 6 strings and natural color. it has its body made from mahogany and a spruce top. The fret board is also made from mahogany. It one of the most beautiful guitar producing incredible sound. It is designed to suit the needs of the beginner in guitar playing. The price ranges from around INR 14,760 depending on available offers. To find more product information relating to Epiphone DR-212, click on the link below:
Rickenbacker is another famous American brand created in 1931 to build Hawaiian guitars, called "Frying pans" due to their typical shape. The brand incorporated guitars to its catalog a bit later. The models created by Roger Rossmeisl (Combo 4000 guitar, 4000 bass), a former Gibson collaborator and future Fender man in the 1950's, enjoyed a lot of success and became the brand's most typical designs. The 360, 370, 620, 660, and 4003 models can be connected to a Rick-O-Sound unit (a box with two mono outs) via a stereo 1/4" jack, which allows the two or three pickups to feed different amps. Most instruments have a dual truss rod and a varnished rosewood fretboard. Their distinctive jangle and chime emphasizes high frequencies, giving pretty good results with clean sounds. The Beatles, and especially John Lennon, often played Rickenbacker guitars at the dawn of their careers. Tom Petty, The Jam and R.E.M. are also Rickebacker users.
For the typical two-figure Boss pedal price, the RC-1 gives you the stereo connection, some onboard memory and a little more recording time. However you do lose the true bypass and analog dry-thru circuit that makes the TC Electronic Ditto so attractive to guitar players. Still, for acoustic rigs, I find the Boss RC-1 to be the most ideal looper pedal option and a better value than something like the Ditto. 
The main benefit with tube amps is the tone. They offer what is often described as a pure, natural, creamy or fluid guitar tone, which is incredibly responsive to the player’s dynamics. When pushed hard enough, they overload and produce natural overdrive (which is how overdrive first came to be). While their tone is hard to beat for all styles of music, tube amps tend to be expensive, harder to maintain and heavier than other amps. For more on tube amps, check out our dedicated tube amp page.
Martin opened its “Custom Shop” division in 1979.[7] Martin built its 500,000th guitar in 1990, and in 2004 they built their millionth guitar. This guitar is entirely hand-crafted and features more than 40 inlaid rubies and diamonds. It is worth an estimated $1,000,000.[8] As of 2007, Martin employs 600 people. Thirteen workers are devoted to quality assurance[citation needed]. In October, 2009, Martin purchased at auction a D-28 that was played by Elvis Presley in his last concert for $106,200.[9]

You may be questioning why we’ve not covered bass pickups in this article. However, to keep things simple, we decided to stick solely to guitar pickups. If you are looking for a new tone or more power for your beloved bass, check out our dedicated articles on Jazz Bass pickups and Precision Bass pickups for all you need to know, as well as recommendations.
Just as it’s important that the guitar, amp and effects are performing to spec, make sure that all cables are functioning properly (it’s uncanny how many times a lead that was working fine yesterday suddenly develops a fault just before a take). It’s a good idea to ensure that spares are available. That goes for strings, too – valuable recording time can be lost just because a string has broken and no one has a spare. Some engineers will try to insist you use brand new strings when recording, but don’t be bullied into it if you prefer the warmer sound of a played-in set; that applies especially to bass, as new bass strings can introduce undesirable harmonic content into the sound.
Hi everyone! I have a quick question regarding string action. I have just gotten my 2003 Standard set up a few months ago, but I am having trouble with how low the action is; strings slip off of my fingers during bending now. If I just turn the screws on the Tune-O-Matic bridge to heighten the action a little bit, without touching or adjusting the truss rod, individual saddles, or tailpiece, will that screw up my intonation?
The brand’s biggest boom through the fifties and sixties was largely down to the birth of rock n’ roll. Thanks to their excellent hollow and semi-hollow models, Gretsch guitars were used by icons including Chuck Berry, Chet Atkins, Bo Diddley, and George Harrison. Since 2002 the production side of things has been run by Fender, although the Gretsch family still own the company.
Depending on the type of music you're playing, you may actually want your compressor pedal at the end of your chain. For example, if you're playing country music, a compressor pedal at the end of the chain squashes everything, regardless of the effects you're using. With rock music, on the other hand, it typically works better right after the filter pedals.

Two new models that would eventually become mainstays joined the Teisco line in ’65. Theye were two double cuts with slightly more flared horns, in a sort of tulip shape. Both had a single, wide, chrome-covered pickup with poles exposed along one edge. This was similar to the old MJ-1 but by ’65 would become the new SM series. Both had bolt-on necks with bound rosewood fretboards and the top-edge rectangular inlays. The E-100 had a bridge/tailpiece assembly, volume and tone on a small pickguard, and one of the elongated Strat-style heads. The ET-100 had a platform vibrato. As a sign of things to come, the Teisco Del Rey ET-100 had a regular Strat-style headstock, the first to appear on Teiscos, as far as I’m aware.
This Ibanez has a flamed sycamore top, and delivers a well balanced sound unplugged or plugged in. It has a great finish that is referred to as vintage violin. Owners of this guitar say it sounds great as the similarly priced Seagulls and Yamahas. The price has recently dropped on this guitar, which was a pain point for many owners. At $250 it’s a steal given the quality. The onboard pre amp contains a tuner, which is nice for beginners to always stay in tune. The slim neck will also make for great playability. Click here for more pictures and details.
For those who like that 1950s style Gretsch sound, you’ll appreciate the Gretsch Dual-Coil humbuckers which can go from glass like cleans to smooth low growls to all out riff worthy dirt when you add some distortion to your amp. The single cutaway design and maple neck with gloss polyester finish make it extremely comfortable to play too. A guitar beginners and professional musicians alike, can enjoy.
Absolutely killer amp in my opinion the best of that era as the De-luxe is too thin sounding and the Twin too loud, perfect working order excellent for small gigs and recording! Now! The important bit I will not ship abroad anymore due to minor damage caused to previous shipping and mistreatment and me having to issue partial refunds, so strictly no postage through EBAY'S SHIPPING SCHEME you can of course organise your own couriers at your risk, back to the item, it works and functions as it should with the exception of a mild hum when reverb is engaged otherwise it's perfect
There are a couple of tricks you can try. One is to get an allen key wrench that is SLIGHTLY too large and take a small file to it to taper all six sides slightly. The other trick, which I use sometimes on Stratocaster saddle height screws, is to use a suitably-sized Torx wrench. They're already tapered, and since they're six-sided-star shaped, they grip the corners really well, even if there's a bit of crud stuck in the screw.
i've got a a Ricky Tom Petty model (same as the 660-12) that I've had for almost 20 years. Plays great and the sound difference compared to a 360 is minimal, and I like it better because it has the old toaster pickups. The only thing I had to do it was pull off some of the windings on the pickups. They were up to 12K ohms, which is very high and makes the guitar sound too thick. Unwound to about 8K and they sound much better. I had a different Ricky with the narrow neck and it was painful to play at best with my fat fingers. The wider neck is a dream to play.
Its the type of clipping you would expect to hear from a tube amp that been naturally gained up by cranking the volume levels really high.  Some players refer to this sound as Crunch.  These Overdrive pedals, such as the famous Ibanez Tube Screamer, can also be doubled up to give two gain stages:  Slight Crunch and Creamy Velvet Lead.  They sound as good as they might taste, if they were flavors of cereal or ice cream.  Many players found their tone by using two overdrive pedals back to back.
This guitar follows after the tried and tested formula of old Stratocaster design, from the double cutaway alder body to the bolt-on maple neck, down to its triple single coil pickup configuration. The scale length follows after traditional builds at 25.5", while the neck profile (modern C) and narrower nut width of 1.65" makes this guitar viable for modern players. While it doesn't have vintage voiced pickups, the default pickups are not so bad either, and will give you the distinctive Strat tone that almost everybody loves.
Bass combo cabinets and speaker cabinets are typically cube- or rectangle shaped. However, some small- to mid-sized combo amp cabinets have a wedge shape, like a keyboard amp or a stage monitor speaker cabinet. The wedge shape, also called a "rock back" feature, enables a bassist to point their speakers up towards themselves, to make it easier to hear their sound.
Plate reverb and spring reverb were the first attempts to simulate reverb in a portable device. The plate and the spring, respectively, are made of metal and attached to a transducer. The signal is fed to the transducer, which causes the plate or spring to vibrate. Reverberations bounce around the plate or spring. A pickup at the other end, converts the spring or plate's vibrations back into an electrical signal.
I’m also going to go out on a limb and suggest the earliest Univoxes also included the ‘Lectra, a version of the one-pickup Aria 1930 violin bass (made by Aria). These were basically violin-bodied basses originally inspired by the Gibson EB-0, and popularized among imports by Paul McCartney’s use of the Höfner violin bass, copied by EKO. This was a hollowbody with no f-holes, Cremona brown finish, single neck pickup, bolt-on neck with position dots along the top of the 22-fret bound rosewood fingerboard. Strings anchored to a covered bridge/tailpiece assembly.
DR Strings makes strings that were specifically designed for drop d tuning, other alternate tunings, and even standard tuning. Known as DDT strings, DR spent over two years perfecting them. DR created a new patent pending method for constructing these strings to ensure great performance with lower pitches. Because of the amazing construction, and their ability to quickly lock into tune so quickly, DR calls their DDT's "Superstrings". Why not try a set? DDT's are available for electric guitar or bass guitar.

A sub-brand under the same umbrella as German brand, Behringer, Bugera has been flying under the radar for some time – though they make some surprisingly clever amplifiers. The BC15 is one such amp. Styled like its predecessors from the ’50s and ’60s, this vintage-inspired amp benefits from a single 12AX7 vacuum tube giving it a lot more warmth and character than for which you’ll pay. And don’t let its size fool you, either – while it only has a single 8″ speaker, it offers up a whopping 30 watts, making for a surprisingly loud little machine. For the price, it’s seriously difficult to do better than this.

In late 2012 I decided that I had all the modern guitars I needed. I’m not gigging much, just writing and recording. There were a couple of vintage guitars I was interested in. A Vox teardrop, especially the Mark IX, and the Fender Coronado. The Voxs turned out to be too expensive for me, especially the Mark IX, which was a 9-string beast meant to sound similar to a 12-string. Those are very rare and priced out of my range. The Coronado, I might be able to afford one day, but I’m not as interested as I was. The new reissues sell for about $700, but they’re different from the originals in several important ways.
The heaviest heffalumps in this year’s roundup, share a few strands of DNA with early Mastodon, blending bludgeon and benign  in ambitious and unpredictable ways. Brady Deeprose and Dan Nightingale form the two-pronged guitar attack, leading these lofty compositions from blast-beaten brutality to doom-y sludge and back again. Their debut album Mire was released last month and is the sort of fully-formed statement that requires metallers to pack a spare pair of pants.
When you are also tracking a close mic at the same time, you might try variations of the approaches discussed in the sections above on distant-miking or ambient-miking to get a little or a lot more room sound into the brew. This often will capture the best overall sound for a range of musical styles – the close mic delivers punch and plenty of midrange grind (depending on mic choice), while the distant mic – placed from about 12″ away to several feet – adds depth, dimension, and the natural reverberation of the space. After careful consideration for both mic placements (using the “position, listen, re-position” techniques discussed above to find ideal on-the-track sound from each mic), some skill in the mixing process is also often required to make the most of any multi-mic setup. The discussion about phase alignment in the sidebar (“Correcting Phase Issues”) is often a big part of this post-tracking approach to maximizing multi-mic techniques, but also be aware that you can use whatever proportional blend of the two tracks works best, a variety of effects and dynamic treatments on each track, and whatever panning of the pair best suits your overall mix, from dead-on together to any different pan of each within the stereo field.

The "Slide Guitar Extension Nut" presents a bad case of convenience to the manufacturer (only having to make one size) disguised as a convenience to the customer (pretending one size fits all). This thing is not very versatile. With an outer string spread of 1.75", it's made for a wide guitar neck so if yours is only average, the outer strings will be suspended off to the sides of the overall width of the neck. That's not insurmountable but it's also not something every budding slide player wants to tolerate.

Yamaha is famous around the world for its incredible, quality, instruments. Its electric guitars are no exception. The Yamaha Pacifica Series PAC112V Electric Guitar, Old Violin Sunburst is another example of Yamaha's on point production. This guitar has a solid alder body, a maple bolt neck, rosewood fingerboard, and a five-position switch with coil tap. Plus there's the tremolo - a vintage tremolo with block saddles.
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