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CAUTION: If you find that the truss rod is very difficult to turn, then stop now and take your guitar to the guitar shop. It may be that there is a problem with the neck or the truss rod and you may damage the guitar by forcing it. Believe me, you do not want to damage the truss rod. If, instead of tightening the truss rod, you need to loosen it, do so by turning it anti-clockwise (counter-clockwise). Again, a quarter turn at a time. Once you have got the gap to 0.012” (or whatever gap you prefer), you will have finished this step. Feel free to remove the capo at this stage if it is attached.  
Searching for Guitars market values? You have come to the right place! IGuide?is proud to host the online Guitars Price Guide.The price guide is maintained by Jon R. Warren, whose price guide books have been the authority on collectibles values since 1985. The searchable database consists of detailed reports on a ever-growing list of items. Each report includes current market values in ten different grades, as well as a section for "Real Market Data", actual prices fetched at auction. The database is updated daily. 

The Marshall CODE412 - 4x12 Speaker Cabinet is a powerful monster designed as a companion to your CODE 100 head. A classic angled cabinet that is packed with four 12” speakers, each with a 30-watt output. This extremely affordable 4x12 amplifier cab is perfect for those in need of a high-quality option for their set up, whether you have a CODE or not. A single input makes it easy to plug and play and the 24kg weight ensures you won’t break your back carrying it to practice. It’s also Marshall’s most affordable friendly speaker cabinet, making it a great choice for those on a budget.

However, unlike a boost pedal, the overdrive effect is not dependent on the amplifier to have a distorted sound. The overdrive pedal will internally boost the input signal so much that the top of the signal wave will be forced to naturally shrink itself. This is called soft clipping and it simulates amplifier like clipping as though an amplifier was being overly driven, hence the name overdrive. The distortion pedal will also boost the input signal but will then add resistors within the circuitry to not just shrink or soft clip the wave form but completely flatten the wave peaks. This is called hard clipping. For more understanding on the differences between soft clipping and hard clipping see the illustration below.


The Effect: Vibrato effect, often mistaken for a tremolo, is the type of guitar effect that alters the pitch of your signal. The result is very similar to that which you get when you operate the tremolo bar on your guitar. There are different types of vibratos out there, but the most common division is between analog and digital units. Analog vibratos are known for their clarity and organic feel that comes from analog pitch shifting.
There you go! That's the way to go about it. Now keep practicing till you get perfect. I am sure you would get these bass guitar tabs for beginners in few attempts. These were some of the best guitar tabs for beginners. There are some best acoustic guitars for beginners that you can select among the different types of guitars. Buy the best guitar, so that you do not come across any problems later on. You could also purchase some guitar tab software and practice the notations. There are many musical sites that provide you with free guitar tabs and tutorials, that you can refer to. They may also help you get a broader view on how to play guitar tabs. Learning any instrument is fun and helps you overcome fatigue, thus rejuvenating your power and mood. You can definitely trust me on that!
@NeilMeyer I used to believe that as well until I started noticing songs that used the flatted 7th degree chord instead. It's generally easier to play those major chords for a beginner than diminished chords. Since the answer is provided for beginning students, I presented the easier approach. Notice the chart also leaves out some major keys which feature more difficult to play chords. Keeping it simple for newbies. Tim referenced this (music.stackexchange.com/q/29817/16897) – Rockin Cowboy Jan 18 '16 at 17:26

Description: Guitar Type: Bass - Bass Type: Electric Solid Body - Body: Alder - Top Wood: Maple - Flamed - Neck Wood: Maple - Neck Attachment: Bolt - Neck Construction: 3 Piece - Nut Width: 54mm - Fingerboard: Rosewood - Frets: 24, Medium - Inlay: Abalone - # of Strings: 6 - Scale Length: 34" (86cm) - Headstock: 3+3 - Bridge: Mono-Rail IV - Cutaway: Double - Hardware: Black - Circuit Type: Active - Pickups: Bartolini Humbucker - EQ/Preamp: 3 Band - String Instrument Finish: Amber
Today we are going to show you some of the best effects pedals from this category, which you can get right now. We have chosen a variety of flavors as well as price ranges, thus making sure that anyone can have access to a good reverb no matter what. More importantly, we want to use this opportunity to familiarize you with reverb as a guitar effect.
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Maybe it's time for you to start to think about what is comfortable for you to play. 10-46 is probably the most standard size used by players. Although, I'd put money on the fact that your Mockingbird came with 9s. Mine did, and they were the first things to go (very fast, but too floppy). While there is some merit to staying with 9-42 for familiarity's sake, making the move to a 10-46 set should be pretty easy to do while you're still learning.


A combo amplifier is a unit in which both the amp and speaker is integrated. You plug a guitar into one of these, turn it on and you are ready to play. The obvious benefit of a combo is that you have everything you need in one standalone unit, while the sound tends to be optimized by the manufacturer to be the best it can be – there’s no worrying about matching it with a good speaker. Combo amps also tend to be cheaper than heads and, as such, are excellent for beginners. While some are very capable of small to medium-sized performance, the drawback is that combos are limited in power compared to a head. They also tend to be much heavier, which can be a pain when regularly transporting it.
While SG Guitars kits are sold in a number of different timber varieties, if you are looking to match the original as closely as possible you will be best selecting a model constructed with a Mahogany body and Maple neck with Rosewood or Ebony fretboard. * Gibson has recently transitioned from Rosewood to Richlite due to New CITES Regulations For All Rosewood Species.
I am a giging, solo acoustic musician from Ohio, performing in Western NY, Buffalo. I only had Acoustic Electrics, 6 and 12 strings until I bought my first Godin A6 Ultra. (Acoustic and Electric Pick-ups). The A6 was impressive in it's own right, so I started looking at other Godin products, and ran into a 5th Ave Kingpin 1. Acoustically it was a 3 star, as I have a couple of Taylors and an Epiphone Masterbuilt that this guitar is no match for unplugged. HOWEVER !! This guitar was designed to be plugged in, and the Tone and ease of Play come shining through when the p90 is in the loop.
your right brian i been a acdc freak since u all been out in the early n mid 70s the greast band of all time. and i seen acdc 37 times through out the united states. i love my memories with the band and still watch and listen to the cds and dvds of the band. brian johnson is the best thing that happen to acdc since bond scott death. keep rockin guys i love u with a passion. mark
You’ve decided to pick up an axe and learn to shred like one of the pros. While mastering the guitar is no easy feat itself, before you even start jamming you’ll probably find yourself looking through site after site trying to find the right instrument. It’s hard. There’s an expansive list of components to be taken into account: body styles, wood types, pickups, bridges, necks — and that’s just scratching at the surface.

Description: Body: Maple - Flamed - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 3+3 - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Diecast, Gold, 2x Volume Control, 2x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Sunburst, Orange
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However, John Leckie states an interesting preference for an SM58 and U67 rig instead: "SM57s tend to be that little bit brighter than the SM58, which really isn't what you want when you're miking up an electric guitar amp. You really want to pick up a flat signal, an 'unstimulated' signal I suppose is the word... The U67 gives you the warmth and a broader sound."
Amongst the best guitar brands in India for acoustic guitars, Martin is one that stands out. Martin is one of the best known brands for its steel-string guitars. It is a leading manufacturer of flat top guitars which produce top notch sound quality. However, the company is best known for their signature dreadnought acoustic guitar with X-bracing. It is truly one of the best guitar brands for some of the best quality guitars in the market.
Speaking of overdrive and distortion, I come from the slightly less-is-more school. I recently heard Eddie Van Halen say he likes to crank things until they’re ready to explode, and then backs them down just a hair. I dig that way of thinking, and it applies whether you get your distortion from a pedal, a cranked NMV (non-master-volume) amp, or an amp with a more modern preamp-gain circuit.
In 1962 Vox introduced the pentagonal Phantom guitar, originally made in England but soon after made by EKO of Italy. It was followed a year later by the teardrop-shaped Mark VI, the prototype of which was used by Brian Jones of The Rolling Stones. Vox guitars also experimented with onboard effects and electronics. The Teardrop won a prize for its design. In the mid 1960s, as the sound of electric 12 string guitar became popular, Vox introduced the Phantom XII and Mark XII electric 12 string guitars. Vox produced many more traditional 6 and 12 string electric guitars in both England and Italy. It may be noted that the Phantom guitar shape was quite similar to that of first fretted electric bass guitar, the Audiovox "Electric Bass Fiddle" of 1934.
The Japanese copy juggernaut got off to a fast start, and the second major Univox guitar was the Lucy, a lucite copy of the Ampeg Dan Armstrong, again produced by Arai, introduced in 1970. This guitar had a surprisingly thin bolt-on neck (especially compared to the Ampeg original) and a slightly smaller body. The fingerboard was rosewood with 24 frets and dot inlays. This had a fake rosewood masonite pickguard with volume, tone and three-way select. Like the Ampeg, the Lucy had a Danelectro-style bridge/tailpiece with little rosewood saddle. Unlike the Ampeg – which had Armstrong’s groovy slide-in epoxy-potted pickups – this version had a pair of the chrome/black insert pickups jammed together at the bridge. Other Japanese manufacturers also made copies of the Ampeg lucite guitar, notably carrying the Electra (St. Louis Music) and Ibanez (Elger/Hoshino) brand names, with versions of the slide-in pickups. In ’71, the Univox Lucy (UHS-1) was $275 including case. Just how long the Lucy remained available is unknown, but it probably did not outlive the original and was gone by ’73 or ’74.
Bottom Line: The Boss ME-80 seems to be aimed at the beginner and intermediate guitarist who is getting into the effects game. What guitarists love about it is that it tries hard (and succeeds) at replicating the feel of messing with a pedalboard full of effects. Unlike the Line 6 POD HD500X, you won’t need the manual! We’re not necessarily taking a dig at the Line 6 pedal - that one very much has its merits, is FAR more customizable and editable, and arguably the effects and amp modeling sound a bit better. The Boss ME-80 is just a different style, and judging by the user reviews we read people really enjoy having all the knobs for all the effects immediately available. The Boss ME-80 is also a tremendous bargain considering how powerful it is. Sure, it’s not exactly cheap, but it’s a very well-made, intuitive, nice-sounding all-in-one multi-effects pedal which is great for practice, studio recording, and live use.
Yamaha-C5-Salamander-JNv5.1- Arguably the best free piano on the internet and better than many of the expensive ones as well. Modified for sf2 with five brightness levels with optional resonance and this set includes the new Dark, Mellow and Dynamic Grands.  All in a set at 592mb in size.  This version has the detailed 15 velocity layers for seamless expression.
Pickguards were white pearloid, or sometimes tortoiseshell, the neck used a string tree, and the all-around makeup of the guitar was bigger than later iterations — thicker necks, bigger and heavier bodies, larger fret markers. One obvious differentiator is the logo on the headstock; the earlier models, and even a few released as they moved into Phase Two, had a raised plastic “Univox” logo on the headstock.
Overdrive and distortion are effects that introduce harmonics to your guitar tone by pushing more volume into a circuit until it can’t handle it anymore and starts to break up. The types of sounds you can get from an overdrive or distortion range from a light boost to a full on metal crunch. Overdrive and distortion effects are great when placed after a compressor but before any of your other effects.
Nowadays, you can find many in-between sets, but you'll want to have a solid understanding of what the gauges are in terms of actual measurement and how they affect your ability to perform with your desired tone.  These relatively open descriptions will also differ from acoustic strings to electric strings, so your experience in handling many types of guitar strings and gauges is paramount in making the right choice.

What makes a good beginner electric guitar? Well, it should be cheap and easy to setup so you can start playing immediately. After comparing almost 13 guitars, we believe that Squier by Fender Bullet Strat is the best electric guitar for beginners. You don't have to take my word for it, but there has been some pretty solid positive reviews about this guitar.
The way you connect your amp, speaker and DI box depends on whether the DI box has a built-in dummy load.If miking isn't practical, or you don't want to find space for a soundproof speaker/mic box, then perhaps one of the available DI options will give you the result you need. I was once reviewing an analogue guitar preamp that provided several programs, both clean and overdriven, and I noted that one of the clean settings sounded really superb. When I checked the manual, I found this was the bypass position! The reason it still sounded good was that the unit was matching the high impedance of the guitar to the medium impedance of the recording system and, for clean sounds, you can get this same effect by using any good-quality active DI box that offers a high-impedance (500kΩ or more) input. A little compression will add density and 'spring' to the sound (experiment with the attack time to get the best 'pluck' sound, as too fast an attack can squeeze all the life out), while reverb will put back the missing sense of space.
We would also recommend starting off with a DIY guitar pedal building kit. We created a list of the best DIY pedal kits here. Places like Mammoth Electronics and Build Your Own Clone (BYOC) have some fantastic sounding kits available – they even come with a step by step guide to lend you a hand along the way. Even Amazon has a killer tube drive pedal kit!
Up next comes another compact model and our second Yamaha recommendation. This time around, we are looking at their Yamaha FSX830C model. Unlike all of the guitars we have mentioned so far, this one isn't a dreadnought. Instead, we are looking at a standard concert shape with a cutaway. Now, you do have the choice of eleven finishes and body types, and since the options are nearly endless we've narrowed down to our favorite configuration, but definitely look at the others, there's some neat options in there.

“This is a very complicated mix of economy versus market, demand versus what products are they putting out, versus are their products as good as they used to be, versus what’s going on with the Internet, versus how are the big-box stores dealing with what’s going on,” Smith says. “But I’ll tell you this: You put a magic guitar in a case and ship it to a dealer, it will sell.”
Its not exactly the same as an amplifier, but you can come close, or you can use the effects, looping capabilities and other features of the app to create new sounds that aren’t at all like what you would get from an amplifier. Many pro audio manufacturers sell foot pedals that feature amp modeling too - Boss, Digitech, TC Electronics, Roland just to name a few.
Solid body guitars were the next step in guitar development, with Leo Fender creating a modest instrument called the Broadcaster, which was then rebranded as the Telecaster. The Stratocaster came later and, in addition to the changes in the pickups, included contours in the body that made the guitar more streamlined and easier to play while standing up. Today, the Stratocaster is still the most iconic electric guitar shape; it’s associated with guitar wizard Jimi Hendrix, and many beginners end up with a Stratocaster-style guitar. Gibson introduced their own line of solid body guitars, the considerably swankier Les Paul.
Got myself a Palmer today 050627, it´s a doubleneck 12/6 and seems to be of rather good quality. Needs some neck adjustment but so did my brand new Gibson LP to :-). Mine was imported from Germany to Sweden from a firm called JJ Music (JoJo) but i also have trouble finding out were they are built, what kind of wood and so on is used. Would be nice if someone knew something about these guitars or were to find something about them on the net. I really don't want to disassemble the guitar to check what kind of mics and stuff are used.
Controls available are extensive, but pretty straight forward and the quality of the entire package defies logic when you consider the price. In terms of budget reverbs, this one is among the best you can find at the moment. Behringer keeps pushing the line further and further by delivering quality and versatility to those who are limited financially.
Squier model Telecasters are sold by Squier, a Fender-owned import brand. These can bear the Telecaster name, since Squier is owned by Fender. Squier guitars, especially the Telecasters, have gained popularity[citation needed] and a good reputation amongst guitar players,since it has expanded its production of guitar models.For example a 1989 Korean Squier Telecaster made in the Samick factory could be considered tonally superior[citation needed] to a modern American produced guitar besides necks being more comfortable in general.Template:Citation neede Squier has a wide range of different Telecaster type guitars available, from the entry-level Affinity Series to the better quality Standard and Classic Vibe Series. However, Standards are often used by beginners. Also available are the Artist Series and Vintage Modified Series. Among other famous musicians, Sheryl Crow has occasionally used a Squier Telecaster for recordings and live performances.[4][dead link]
I had gotten rid of all my effects pedals a long time ago because I wasn't using them. So when I saw this little processor and the price I thought I would give it a Try. I was amazed at all the sounds and tones this thing puts out. For the little money you spent it is deff. worth it. I have not yet messed around with the drum settings but I will. This will be loads of fun to play around with. A deff. 5 star rating.
Why We Liked It - If you’re looking for an electric acoustic guitar that’s just great all round, and doesn’t have a large price tag, then this Yamaha has to come into consideration. It has all of the construction features you’d expect from a solid mid-range choice, with the addition of quality hardware, and nice touches like the scalloped x-braces. For those interested in Yamahas FG series, can always look at the alternative products, the yamaha FGX700SC.
That day, I learned about the array of amazing things you could do with effects pedals. Sure, guitar is about your hands, but you also have to play with your feet. You have to know when a song needs more distortion, and when a song needs a jangly chorus with reverb. Without effects pedals, you’re painting with only primary colors, you’re singing in only a major key, movie-acting with one emotion. Guitar pedals open up a world for you in music. Of course wonderful music has been made in the time before such magical machines existed, and great music will continue to be made without them as well. They’re just tools after all. But what glorious tools they can be.
The National aluminum Hawaiian lap steel was a slightly fancier version of the Dobro, with a National logo shield shape employed as the bridge assembly/pickup cover. This had gold-colored paint on the relief sections and a tapered, rounded head with a single cutout in the center. This now had a volume control on the top of the lower bout, with the 1/4″ jack also on the top. The Dobro, National and soon-to-appear Supro aluminum lap steels were reportedly all designed by Rudy Dopyera.
Stewart MacDonnald has a great finishing schedule that I would recomend reading before you start the painting process. You shouldn't need to fill any pores on the neck because necks are usualy made from maple which is a tight grain wood. All that's need for it is a sanding with 220 grit paper unless you want to leave the neck natural and unfinished. I recomend using at least a few coats of sanding sealer of clear gloss laquer to protect the wood fromdirt and grime that comes from playing.
This comment is directed towards the video of the gentleman changing guitar strings. I have an LP Junior, so I don't thread my strings through the guitar body. But I'm curious why he is turning the guitar completely over, flipping the guitar towards himself each time when he could in fact just lean the guitar away from himself, leaving the back of the guitar facing him? I know that seems a bit nit picky, but it would be tremendously more efficient just leaving the guitar on its side with less risk of the string damaging the guitar surface. Any thoughts or am I just missing something?
Power-tube distortion is required for amp sounds in some genres. In a standard master-volume guitar amp, as the amp's final or master volume is increased beyond the full power of the amplifier, power tube distortion is produced. The "power soak" approach places the attenuation between the power tubes and the guitar speaker. In the re-amped or "dummy load" approach, the tube power amp drives a mostly resistive dummy load while an additional low power amp drives the guitar speaker. In the isolation box approach, the guitar amplifier is used with a guitar speaker in a separate cabinet. A soundproofed isolation cabinet, isolation box, isolation booth, or isolation room can be used.
The models in the California Series come in three Fender-exclusive body styles: Newporter, Malibu and Redondo. All of the models have a painted solid Sitka spruce top, solid mahogany back and sides as well as unique bracing patterns to deliver an articulate, highly responsive and balanced tone. The mahogany neck and pau ferro fingerboard and bridge give the guitar a rich and warm overall sound.
Launch price: $4,081 / £3,029 | Body: Caramelized ash/flame maple | Neck: Caramelized flame maple | Scale: 25.5" | Fingerboard: Caramelized flame maple | Frets: 24 | Pickups: 2x Charvel Custom MF humbucker, 1x Custom MF single coil | Controls: Volume, tone, 5-position selector switch, 2-position toggle with multiple switching options | Hardware: Recessed Charvel locking vibrato, Sperzel locking tuners | Left-handed: No | Finish: Natural
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Maple is a very hard type of wood with good tonal qualities and good sustain. Guitar necks are traditionally made from maple, in part because of its strength, and in part because the material can highlight and amplify the wood in the body. Maple is also often used as a top for the guitar body, partly because it is beautiful (think flame, or quilted maple tops), and partly because it can brighten a sound that would otherwise be murky.
“As a general rule, the more powerful the magnet the more high frequencies you’ll get, and also the more low frequencies as well. The high frequencies don’t really need a lot of power to drive them, but the bass frequencies do. However, it’s also down to the coil windings you use and the gauge of wire. So it's not just the magnet that’s responsible for the change.”
POWER – amps are created for amplifying the sound (duh) in the first place. Of course, nowadays amps are these versatile things that can do pretty much anything but cook you a scrambled egg (maybe SOON?). But power is expensive. This might sound like some deep statement I make as I look into the sunset but what I mean is wattage is not a cheap thing to come by. That is why most inexpensive models or practice models (which are often the same) do not have a lot of wattages. While this might be disheartening, trust me, as a beginner you won’t need a lot of watts. I mean unless you are a prodigy you will be spending a lot of time practicing on your own whether it be in your room, basement or wherever. You won’t be needing the wattage that much unless you are playing with other instruments or on stage. AND if you are going on stage, then you should be great enough not to need a practice amp, in the first place.
Full hollow-body guitars have large, deep bodies made of glued-together sheets, or "plates", of wood. They can often be played at the same volume as an acoustic guitar and therefore can be used unplugged at intimate gigs. They qualify as electric guitars inasmuch as they have fitted pickups. Historically, archtop guitars with retrofitted pickups were among the very earliest electric guitars. The instrument originated during the Jazz Age, in the 1920s and 1930s, and are still considered the classic jazz guitar (nicknamed "jazzbox"). Like semi-acoustic guitars, they often have f-shaped sound holes.
Loose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!
It has been stated repeatedly that the CEO is a challenge, toxic whatever and yes, all of it is true. Many if not most people who take a management position here don't last a year. This is especially true at Corporate where at any given time half of the positions are open because employee turnover is off the charts and they are horrible at recruiting talent to get replacements hired. That's a really bad combination to have in a company. So the first question you have to ask yourself is: do you want to show a job that only lasted six to twelve months on your resume with a company that has a positive, almost cult like global brand image? Or another way, how will you explain your short tenure to the next company you interview with and make them believe you weren't the problem? When I was outside Nashville and told people I worked for Gibson 100% of them said "that's a great company" even though they had no clue. It's highly likely your next potential employer will think that way as well.
Established over a century ago as a piano and reed organ builder, Yamaha has since expanded into building other musical equipment and even went on to successfully expand into other industries. But in all this success, Yamaha continues to stay true to their musical roots, producing highly rated instruments, amps and other gear. While they are not primarily a guitar amplifier builder, Yamaha's extensive reach and resources give them an almost unfair advantage over the competition, as exemplified by the success of their THR line of desktop guitar amplifiers. This line of portable amps combines Yamaha's penchant for student friendly features and modern studio functions that many guitarists appreciate, ultimately securing Yamaha a special spot on this list.

: "Later, in the '70s, a line of low-priced Japanese-made instruments were imported and sold under the Dorado name in an effort to compete with the flood of imports inundating the market. Flattop acoustics and solidbody electrics alike were sold under the Dorado name. None hold much in common with Gretsch's own guitars." Also, that Gretsch had been sold to Baldwin prior to 70's; reacquired

i have an old Dorado solid-body electric serial # 0726454 on the neck plate it says STEEL ADJUSTABLE NECK, then the serial number, then made in japan. it has abalone fret markers, and dorado is in abalone in the headstock, blonde finish white-black-white-black pickguard, and a funky trem. i was told once that maybe guild had made this guitar... seems pretty unlikely... and that it retains it's original value, it all seems pretty unlikely... but i don't know... please help!!!
This is where the roads came back together. Kaman continued to play guitar during his building of the helicopter business. He kept his guitars hanging on the wall, instead of in the case, so he could grab one if he felt like playing. As a result he ended up with lots of cracked backs, including one on a favorite Martin. Charles traveled down to Nazareth to get the guitar repaired and Fred Martin gave him a factory tour.
by lexxus gomes The amp that you use can fundamentally change the sound of your guitar. For example, many "hard rock" musicians like the "chug chug" of a Marshall stack, while blues guitarists may like a Blues Deville. I kind of like the "clean" sound of a Fender Twin Reverb, myself, although I usually just record without an amp into my mixer, and use a guitar effects processor to simulate an amp sound.

My first Custom was a Charvel/Jackson Star body with a custom white paint with bullet holes and dripping blood from the holes ! My friend and Guitar teacher Randy Rhoads helped me get started on the right track in 1980 ,before I was playing in clubs and headlining shows later in the 80s and 90s,I was set with the perfect guitar! Gibson is just a brand name,Epiphones are better then Gibsons ,your just paying for a name,same with Fender! Remember,one of the greatest guitars was made for less then $300,so you should never really spend more then that unless it is a custom ,then you can do what you have to!
As the name implies, TheFretWire DIY 175 kit is based on the popular ES-175 hollow body guitar, following its shape and configuration, but using more cost effective materials. More importantly, it lets you customize your own archtop as you prefer - you can make it into a classic jazz box, or add some cool paint jobs to turn it into a rockabilly style instrument.

A hard-tail guitar bridge anchors the strings at or directly behind the bridge and is fastened securely to the top of the instrument.[20] These are common on carved-top guitars, such as the Gibson Les Paul and the Paul Reed Smith models, and on slab-body guitars, such as the Music Man Albert Lee and Fender guitars that are not equipped with a vibrato arm.
Only two or three frets are needed for the guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of music.[87][88] Each major and minor chord can be played on exactly two successive frets on exactly three successive strings, and therefore each needs only two fingers. Other chords—seconds, fourths, sevenths, and ninths—are played on only three successive frets.[89]
I got this guitar just a couple months ago, not knowing much about guitars and not really knowing much about quality or anything I did a lot of research about what would be the best purchase for the right price for a beginner guitarist.. and I stumbled upon the Yamaha FG700, Fantastic reviews and ratings for beginners with great overall quality and overall sound, especially for the cost. I did a bit more research, comparing instruments and what not just to be sure I didn't purchase something that was made out of cardboard and shoe strings when I stumbled upon the Yamaha FG800, which was said to be the upgrade of the 700. I did some reading and though it didn't have as many reviews it was said to have improved sound and durability for the exact same price. Knowing that Yamaha has pretty much always been rather good quality
The one-piece maple neck was discontinued in 1959. From 1959 until summer 1962 the fingerboard was a piece of rosewood milled flat on the underside and glued to the maple. This has become known as a “slab fingerboard”. The slab fingerboard was approx 4.8 mm at its thickest point in the center of the neck under strings 3 and 4. From mid 1964–1979 the rosewood and maple were pre radiused and the fingerboard became known as curved, round laminate or “veneer”, having an even thickness across the neck unlike the previous slab type. This design change was made because Fender encountered problems with some of the necks twisting with the slab design and this new method of construction reduced this problem significantly. Maple fingerboards were available as a special order only. The following year the pickguard design changed to a 3-ply (4-ply on some colors) “multi-layer” with 11 screw holes. After purchasing Fender in 1965, CBS began to offer both a maple neck with a separate glued-on laminated maple fretboard in 1967 (known as a “maple cap” neck) and the rosewood fretboard over maple neck remaining the other neck option. Three years later, the CBS-owned Fender companies re-introduced the 1-piece maple neck after a 10-year absence. The primary reason for the switch to rosewood in 1959 was that Gibson guitars had rosewood fingerboards and customers wanted this. Also, the maple fingerboards discolored very quickly because the old nitro cellulose lacquer was not very durable and wore through on the fretboard very quickly.
ESP LTDs are a ripoff. All the money goes into the finish and nothing else. Cheap hardware and poor electronics. All of the LTDs I've ever owned couldn't stay in tune worth a damn, have noisy, pop-y switches and crappy pots. I have the Viper 400, and it's an overrated turd. Luckily I got it for a steal. Thing can't stay in tune AT ALL. I will be replacing the alleged Grover tuners with real Grover lockers. That still doesn't solve the issues with the soft finish and ultra-noisy electronics. Plus it has a humpy neck, a cracking neck joint (like all of my LTD set-necks) and the frets were likely leveled by a monkey considering the quality.
The pre-amplifier section of a guitar amplifier serves to amplify a weak instrument signal to a level that can drive the power amplifier. It often also contains circuitry to shape the tone of the instrument, including equalization and gain controls. Often multiple cascading gain/clipping stages are employed to generate distortion. Because the first component in a valve amplifier is a valve gain stage, the output level of the preceding elements of the signal chain has a strong influence on the distortion created by that stage. The output level of the guitar's pickups, the setting of the guitar's volume knob, how hard the strings are plucked, and the use of volume-boosting effects pedals can drive this stage harder and create more distortion.
Why We Liked It - The Martin DRS2 will take some beating as one of the all-round best electric acoustics you can buy, simply because you’re getting the finish and tonal quality of a much more expensive guitar for a solid price. Whether you’re mainly looking for a traditional acoustic you can occasionally amplify, or you need something professional grade for gigs, this could be it. In terms of recording your guitar, you can mics for guitars or a microphone for the guitar amp. If you're looking for an alternative, check out the Martin Road Series DRS1 Dreadnought.
Over the years, Muddy has famously criticized EM, but around the time of its release, he seemed to have a different attitude. Blues fans claim he always hated it but the following proves otherwise. Six months after EM, the same line-up reassembled and recorded a sequel called After The Rain (1969) that still has distortion on it but isn't as overtly psychedelic. If Muddy hadn't liked EM, he would have had enough say at Chess to dismiss a follow-up, but instead he went along with it. In fact, Pete Cosey says "I'll never forget as soon as I walked into the studio for the follow-up and Muddy saw me he threw his arms around me and said ‘Hey, how you doing, boy, play some of that stuff you played on the last album." After The Rain's songs alternate between Chicago blues and distorted guitar tracks. There's a marked difference on After The Rain with Paul Oscher (harmonica) and Otis Spann (piano) from Muddy's old band joining in and Muddy playing lead guitar on several tracks. On the Chicago blues tracks, more prominent bass and drums put the music into a rock setting, but it's Muddy's slide guitar playing that highlights them. Muddy really let's loose with some striking, tenseful slide work on tracks like "Honey Bee," "Rollin and Tumblin" and "Blues and Trouble" that just send a chill through your bones. On the other side of the album, the guitar on "Ramblin Mind" lashes and cries out in dense fuzz while on "Bottom of the Sea," the fuzzy leads seem to hang in the air along with an innovative bowed bass and harmonious organ in the background (the bowed bass is also used on the record on "I am The Blues").

The Ibanez Artcore AF75, PRS SE Standard 24 and Schecter PT, for example, are priced below $600 and have been highly rated. They’re not exactly cheap money-wise, but they’re definitely worth a lot more. Getting one of those from the get-go will make playing guitar a lifetime passion. “Cheap” guitars may seem more affordable at first, but many of these are poorly made and can be more costly in the long run because of constant repairs and replacements.

The two most prominent electric guitar brands overall are Fender and Gibson. Although you won't find guitars with those labels on the headstock in this price range, both of them have sub-brands under which they sell their entry level models: - Fender owns the Squier brand and Gibson owns the Epiphone brand. Other well-known brands that have guitars in this price range include Dean, ESP, Ibanez, Jackson, Kramer and Yamaha and Washburn.
My interests are in the Kents with the script logo on the headstock, body, and pickups. The headstock is Gibson-ish with tuners on both sides. The pickup nearest the neck is tilted, regardless of how many pickups are on the guitar. One model, the 742 has four pickups with switches, volume and tone knobs for each. Overkill, to say the least, and I have read somewhere that they don’t sound very good. However, I have seen some youtube video where a 742 sounds pretty good in live performance. A lot of the sound comes from a proper setup and the hands of a skilled player. Hopefully I’ll be able to find out for myself someday. Regardless, the 742 is one funky-looking guitar.
A great debate has raged hot and heavy throughout the guitar playing world since George Beauchamp and Rickenbacker invented the electric guitar. It's a debate that's ignited feuds, torn apart families and has surely broken some hearts and continues to this day. What debate drawn from the innocent depths of guitardom could illicit such a foul and unexpected response?
If you’re looking for a unique sound that delivers an exaggerated twang, than the Gretsch G5422TDC Electromatic is the best electric guitar to offer these features. Designed with wider frame and a hollow body, this guitar utilizes “Black Top” Filter’Tron pickups to deliver a dynamic sound that is both bright and focused in its tone. The toggle has three positions that allows the user to customize the balance of the tone, and all strings on the guitar are able to deliver strong intonation due to the Adjusto-Matic bridge. The vibrato tailpiece adds resonance and depth to the sound quality, and by utilizing maple for the body frame there is a clarity provided within the tone that is unique to that design. With a three position pickup, open-back tuners, and a rosewood fingerboard, this retro style guitar provides a high-quality option for musicians alike. Here’s a great G5422TDC video for some samples of that warm hollow-body sound.
Mark Tremonti is well-known as an avid gearhead and first impressions of the MT 15 are of a purposeful, working player’s tool with no unnecessary bells or whistles. The MT 15 has clean and lead footswitchable preamp channels, with gain and master volume on the lead channel, and volume on the clean channel. Both channels have their own bass, mid and treble controls with a master presence control and a pull boost on the clean channel to add a mild overdriven edge. Around the back things are kept simple with a series effects loop plus a half-power switch which drops the MT 15 from 15 watts RMS down to around seven watts. At first glance there’s no channel indicator, however, when powered up all the MT 15’s valves are lit by LEDs which change colour: red for lead, blue for clean – very visible and very cool. The lead channel has no less than five gain stages and the amount of gain and distortion on tap is huge. However, it’s also been carefully sculpted into a stunning barrage of harmonic filth that flatters every note and power chord. Often, very high gain can easily descend into an unpleasant mush that’s perceived more as noise than music, yet the MT 15 manages to 
avoid this and retains exceptional clarity and articulation. The clean channel offers plenty of headroom to cater for any guitar, while pulling the channel mid-boost function adds a sweet vintage Fender overdrive with a medium-fast response that’s great for country picking or blues.
Now, if you are an electric player who doesn’t like using any pedals, that’s perfectly fine. Just be honest about the reasons. If you just like the sound of your guitar and your amp, cool. If you just want to keep things simple, I understand. That’s your preference, and it doesn’t make you better in any way than someone else who does. If you’ve been a genuine listener of music, you’ve seen and heard players who’ve blown their audiences away on un-amplified classical guitars, and players who blow us away with lots of pedals on their boards.
If you’ve never listened to Chet Atkins, you should do it right now. The rockabilly player was a skilled instrumental guitar player, playing most of his songs without any backing from other musicians. For a great sample of his talent, give a listen to his version of “Mr. Sandman.” His alternating thumb rhythm and syncopated melodies are marvels of beauty and precision on the instrument.
A. It is never too late to learn how to play a musical instrument. An acoustic guitar does present some unique challenges for beginners, including the formation of calluses over time. Some working professional guitarists actually develop deep grooves on their fingertips after years of performing. But this is not a requirement in order to become an accomplished amateur guitarist. Practically every musical instrument places some physical demands on players, but developing skills like muscle memory and improvisation are tangible benefits of that extra effort.
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From the 1920s to the 1940s, upright bass players who wanted to strengthen the acoustic sound of their instrument had to use small portable PA systems or guitar amp combos designed for acoustic guitar or archtop guitars. Since these systems were not specifically designed to amplify bass instruments, it is unlikely they provided good low-frequency sound reproduction (particularly guitar amps, which are not designed to go down as low in pitch as the low E (41 Hz) and A (55 Hz) strings). In the early 1920s, it was very hard for an upright bass player (indeed for any musician) to find any amplifier and speaker system to make their instrument louder. The only speakers that could be bought during the early 1920s were "radio horns of limited frequency range and low acoustic output", and the cone speaker (which is widely used in modern-era amp cabinets), was not offered for sale until 1925. The first amplifiers and speakers were PA speaker setups; while an upright bassist could potentially have used one of these early PA systems, they could only be powered with large batteries, which made them heavy and hard to carry around. When engineers developed the first AC mains-powered amplifiers, they were soon used to make musical instruments louder.

Semi-hollow guitars can be seen in the hands of many guitarists who have especially signature sounds. For example, John Scofield has been playing the same Ibanez AS-200 since 1981! Larry Carlton helped define the sound of the ’70s as one of the top call session guitarists of all time, and did it with his Gibson ES-335 (in fact, Carlton is known as Mr. 335). John Lennon, Gary Clark Jr., Jack White, Dave Grohl — guitar titans past and present use semi-hollow guitars.
The Jasmine S35 acoustic guitar has its share of criticisms, most notably its heavier strings and bargain basement appearance, but what keeps it popular with customers is the starter kit. Other entry-level acoustic guitars rarely include the accessories that the Jasmine S35 offers. It is also valued as a good back-up guitar for advanced players who want a dependable spare on hand during performances.
[Attention Korg Pa3x /Pa4x owners and Korg Pa700/1000 owners- I have a special version of this 6-velocity layer piano in .set format that will load to your Korg in compressed format at 116mb (equivalent to 232mb) - This set sounds wonderful on the Korg and uses 22 oscillators for outstanding realism including resonance, key-off and pedal effects. Send me an email (see bottom right) and I can provide a download link or go to the demo on SoundCloud here Korg Pa Yamaha C5 and follow the download link]

FX or no FX? Again, it's almost a question of valve or solid state, here. Most valve amps don't come with any effects other than tremolo and reverb, at most. Solid State amps often come with a wide range of features such as digital FX and amp modelling. If you're an have lots of fx pedals, you don't really need a modelling unit, but if you're new to guitar playing, buying an amp with modeling FX might be a good way to get familiar with all those sounds.
The Fender Hot Rod Deluxe or its big brother the Deville come to mind. I have a hot Rod Deluxe tube mode 40 watts and it really pumps out the volume. The simple foot switch allows four settings from clean, mean, beyond mean and in your face. It really makes slide guitar sound like a male cat calling to a female in heat. Also, it can be mellow. I have seen many youtube videos with Eric Clapton playing a Tweed Model. I also own a Line 6 Duo Verb, Line 6 DT50, and of course and old US Made Peavey 5150 Eddie Van Halen Signature Model. The Peavey really pumps up the heat and the sustain is as wide as the Grand Canyon.
Unlike many of the other pedals, which are designed to create dramatic or exciting effects, these units take care of the less glamorous (but still very important) jobs in creating your tone. Sound-conditioning effects are the ones that will give the finishing touches to your sound, making the difference between “amateur garage band” and “international touring guitarist.”
In this example I used the "Sub Engineer Bass" patch included in the Kontakt 5 bass collection. But there are no rules in this regard: a simple sine oscillator can do the trick just fine. Back in the '60s and '70s it was not unusual to use a Rhodes to achieve the same effect, and Roland's famous JUNO-106 was also used on countless occasions with the same goal in the '80s. Just give it a go with whatever you have at hand!
I started out doing pretty much what I do now on an acoustic and transferred it to electric when I was able to get a paper route and buy a crappy red electric guitar. I knew the value of working stripped down and I still do, although in this day and age I've made a lot of records with different sounds. I must say I really love what technology can afford you.

One of the most appreciated brands on the market at the current time, the Epiphone by Gibson surely won’t let you down. The company was founded 144 years ago by Anastasios Stathopoulos and is still running today. This brand is known for producing top-notch guitars that many players love and recommend, the reason why its popularity increased over the years.
The pitch shifter is one of the most versatile effects in the pitch category.  Often used with a rocker pedal like a wah-wah or volume pedal, the pitch can be swept up or down by a specified amount in a smooth glissando-like bend.  It’s typical to hear a player use a range of one or two octaves for the sweep, so the shifted pitch lands back on its original note, but in a higher or lower octave.

Pickups convert the mechanical energy of a vibrating string to an electrical signal, allowing it to be amplified, processed and reproduced.[1] Pickups vary greatly in construction, size, types of materials used, as well as various electrical properties, but are generally divided into two categories – single-coil and double-coil (also known as humbucker).[2]
Silvertone was the “musical” brand for the Sears, Roebuck & Company, beginning nearly a century ago. The big boom was ukuleles in the ’teens and twenties. The first Silvertone product was a hand-cranked phonograph introduced in 1915. Silvertone radios were introduced in the early 1920s. Silvertone guitars appeared in the 1930s, with electric 6-strings appearing in the early ’40s

I play in cover bands. Own large collection of pedals, some I love, some stink. Then I found out that the only people that care about the effects are other musicians. The people( girls dancing mostly) could care less. So now I got a tuner, and drive pedal for solo tone....that's it, and my tone is awesome and hassle free. For studio cats it may be a different story.

This depends on personal preference; changing the order of drive pedals changes how they sound when used together. For instance, a clean boost placed before a heavy distortion or fuzz will result in a louder boosted signal hitting the heavier distortion circuit which in turn works that circuit harder and you get heavier distortion. If you place that clean boost after the heavy distortion, it will just make the original distorted sound louder. Experiment with different placement order and you will find your own preference.


The honest truth lies with the listener’s ear and capability to identify a sound with an individual player.  B.B. King was known for his tone and only later revealed his secret mentioned above.  It wasn’t even really a secret; it was more of a physical shortcut that allowed him to express himself.  You should choose what feels and sounds best for your own musical expression.
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Orion Blue Book Online (at UsedPrice.com): The Orion Blue Book Online will help you determine how much nearly anything that you own is worth, including guitars. This includes electric and acoustic guitars, as well as bass guitars, amplifiers, and other guitar peripherals. The company behind Used Price works in conjunction with Orion Bluebook, which makes this the largest website dedicated to pricing used musical instruments. The website is browsable by the first letter of your instrument's manufacturer or make. It has every major guitar manufacturer and most obscure ones.
Johnny was a strange case, a rock and roll outsider who was obsessed with uniformity. And that obsession helped forge the Ramones aesthetic: the identikit leather jackets and ripped jeans worn by each band member, the single surname shared by all four (in the absence of any actual familial kinship) and the terse pacing of the music itself, with not a single excessive note or lyrical utterance.
These pedals are different, but are both based on the same idea. Pitch shifters shift the whole pitch of your guitar up or down by a set amount (often an octave), giving you a higher or lower tone than would normally be possible. Jack white uses a Whammy pitch shifter in the solo for Seven Nation Army, which has a foot pedal that rocks back and forth (similar to a wah pedal) allowing you to go up and down a full octave or more smoothly and quickly.

You will be able to chord the guitar with comfort and has bend strings. You will be able to play with ease as it has c shaped neck with satin finished. Its three single-coil pickups can allow you to play the rock and jazz sounds, two-tone sound controls, 5-way switches to pick up. ITS Synchronized Tremolo chrome allows you to create a flat pitch and sharp sound. This is just the right guitar in your certain budget to get the best quality assurance and peace of mind. 
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SPEAKER-LANEY-LA30Stock Code: 558568Guitar Amp Items Available: 1Stock ID: 558568Available at Cash Converters Pinetown only. Subject to availability.Please visit the store to view and purchase the product.Cellphone number 083 459 1248 (Whatsapp) Telephone number 031 701 9017 - speak to JennyBuy with confidence -This product is covered by the Cash Converters guarantee.Faulty goods returned within 6 ...
Because most “top 10 guitar posts” throw a bunch of guitars up there, tell you they’re “the best” and give you little information about them. That’s unhelpful on its best day and dangerously misleading on its worst. Because “best” and “top” are not concrete terms in this sense, unless you’re talking about sales figures, which they almost never are.
Control knobs and buttons are typically on the front of the cabinet or chassis, though in some cases, the knobs are on a recessed panel at the back of the top of the amplifier. The most basic amps only have a few knobs, which typically control volume, bass and treble. More expensive amps may have a number of knobs that control pre-amp volume (or "gain"), distortion or overdrive, volume, bass, mid and treble, and reverb. Some older amps (and their re-issued versions) have a knob that controls a vibrato or tremolo effect. The 1/4" input jack is typically mounted on the front of the amplifier. In the simplest, least expensive amplifiers, this 1/4" jack is the only jack on the amplifier.
Pitch shifter and harmonizer: A pitch shifter (also called an "octaver" for effects that shift pitch by an octave) raises or lowers (e.g. "transposes") each note a performer plays by a pre-set interval. For example, a pitch shifter set to increase the pitch by a fourth will raise each note four diatonic intervals above the notes actually played. Simple, less expensive pitch shifters raise or lower the pitch by one or two octaves, while more sophisticated and expensive devices offer a range of interval alterations. A pitch shifter can be used by an electric guitarist to play notes that would normally only be available on an electric bass. As well, a bass player with a four string electric bass can use an octave pedal to obtain low notes that would normally only be obtainable with a five-string bass with a low "B" string.
Judging by many of my last few years guitar purchases (on Ebay and elsewhere), I’m the kind of a person who seems to think he’s the kind of a person who likes guitars with a lot of knobs and switches. I’ve bought several multi-pickup guitars. Old ones, new ones, new ones made to look like old ones (not those stupid “relic-ed” ones, though…I’m an idiot, but I’m not stupid). Yet, as I look at the keepers in my collection, I’ve only kept one guitar with more than four knobs, and none with more than two pickups. Odd.
to heat up the tubes in certain amplifiers , when the tubes are heated up you get a better sound and the tubes last longer is what I've been told. remember to change your tubes and have them adjusted on a yearly bases to keep the amp sounding great if you're an experienced player this really comes in handy. Get a pro to do it the first time so nothing bad happens.
When Leo and the boys at the big “F” ranch developed the Tele, they put a big slab of steel under the bridge-pickup coil. This reflected the magnetic field up and toward the strings. In the words of Seymour Duncan’s Evan Skopp, this gives it more “crack”—which, if you’re addicted to twang, is a good thing. The better news is that you can attach a plate (sometimes called an elevator plate, because of how it elevates the magnetic field toward the strings) to any single coil whose pole-piece magnets are exposed at the back.
Unfortunately, not many reference materials are available to document in complete detail, but we can hit some of the highlights, and illuminate a number of relationships along the way. If you have catalogs, ads or pictures of guitars that can help fill in some of the blanks, please let me know (Michael Wright, PO Box 60207, Philadelphia, PA 19102).

Budget, feel and sound! Don't worry about who plays what or brand names. NONE of that matters if the guitar does not FEEL good to you and have the SOUND that you are looking for. Of course, most people have a budget and there is no need in trying $2000 guitars if you can't afford one, except for expanding your education about different types of guitar.
One of the quirkier instruments to emerge from the JMI/Vox operation in the 1960's (And that's saying something!) The Mando-Guitar never really caught on in a big way but remains a very cool and actually quite functional oddity. This is essentially an double-strung octave guitar; some describe it as an "octave 12 string guitar" but the strings are actually tuned in unison, not the octave arrangement of a conventional 12-string. The idea was to make an instrument that played in the mandolin range but was tuned as a guitar, as few of the Beat-era guitarists who were JMI's customers had a clue how to play mandolin! A few of the first Mand-Guitars were produced at Jennings' Dartford, Kent factory but the great bulk of extant examples were built by Eko in Recanati, Italy. With its small artist-palette shaped solid body and short 15" scale neck this is a very handy instrument, and with two Vox pickups has a fairly wide range of tones. There have been a number of similar instruments inspired by this design created in more recent decades, but the Vox Mando-guitar remains the original and coolest of all mini-guitar efforts.
Ibanez is a Japanese guitar company that started out making outstanding copies of classic guitars, and has gone on to be one of the most revered guitar builders in the world. This is one of the top brands of heavy rock, and Ibanez instruments are known for the thin, fast necks and outstanding build quality. They’ve also led the way when it comes to 7-string guitars.
I have been a rock drummer for 40+ years. Due to extreme back surgery I am laid up for a few months so I decided to try a little guitar. I wanted something that both looked and sounded good, but did not want to spend a fortune. My son in law just bought a very similar Martin guitar. He was amazed when he saw and played my Jameson, and completely shocked when he was told that he paid 10 times what I did. The finish looks like glass. Not a single flaw that I could find. The color is deep rich and absolutely beautiful. The sound both acoustic and electric is exceptional. My jam buddies are constantly asking to borrow it. These are guys that on a daily basis play vintage models of Gibson, Fender, Martin. My only observation rather than complaint is that I would have liked a better,
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Compression is somewhat of a utilitarian effect, though I suppose some players see it as a key part of their sound. Essentially, compression is used to even out your sound. In recording situations this means helping instruments blend together by smoothing out the peaks and valleys inherent in the overall frequency spectrum. Louder sounds, like the crack of snare drum or a shout from a vocalist, become smoother, softer and woven into the overall mix.
There are a lot of choices out there for the prospective buyer of a fine guitar. It's no secret; a handmade instrument can cost a lot. For that matter, any of the better guitars purchased from a quality manufacturer is going to command what most people would consider to be a lot of money. Are there compelling reasons to spend your money on a handmade guitar from a custom builder rather than from a brand name factory or custom shop? There certainly are! … [Read More...]
Now that we mentioned some of the exotics, it’s time to go back to the roots. Epiphone Les Paul Standard is as old school as it gets. Legendary LP body style that brings a no-nonsense combo of hardware has always been the way to go. I actually have one of these, and after years of playing it keeps surprising me. I’d say it easily punches way above its price range.
Most guitars and basses have one or more tone knobs, which offer a simple form of EQ control. Using these tone knobs adds or cuts the treble frequencies of the instrument’s signal. Most guitar and bass amps also have some tone control available, usually in the form of a 3-band EQ section, allowing you to control bass, mid, and treble frequencies with independent knobs. These knobs boost or cut frequencies when you turn them up or down. Some amps and effects offer more precise control of equalization as we’ll see next.
Lastly, we have the bread and butter of Schecter’s mid-range selection. Schecter Omen Extreme-6 is one of their oldest and most popular models to hit the market. This guitar brings a decent balance of price, performance and build quality. While it’s not as fancy as the previous models we have mentioned, as soon as you pick it up you know it’s made for serious business.
Thought you'd like to know. Before Christmas, I stopped by a local music shop to buy my 12 year old granddaughter a new guitar to replace an old Beaver Creek she'd been banging on for a few years. Since I'm an old folky from the 1960s, I thought a low end Gibson or Martin would give her both good sound and some bragging rights at her school's guitar club. The shop owner was in the acoustic guitar room strumming something I had never seen before and quickly told me I should forget Martin or Gibson and get what he was playing. It was a Seagull. An equal sound for half the price, he said, so I looked it over, strummed the few chords I could remember, and bought it on the spot. Later, I was still pondering how a little Canadian guitar could be called better than a Martin or Gibson when I found your ratings post. I do believe I kept repeating "Oh my God, it's true!" over and over. And she loves the guitar, especially the smaller neck and fuller sound. Thanks for helping this old folky who always thought Martin and Gibson were names to be spoken in hushed reverence believe in something new.

Kaman and his technicians began by building traditional square-backed guitars, but by the sixth prototype were using oscilloscopes to develop the now familiar bowl-backed shape, its spherical shape being self-reinforcing, thus eliminating the need for bracing. After some experimentation, the carved, round-crowned Ovation three-and-three headstock was developed. The modern Ovation guitar with a Lyracord back was born.


Martin’s re-entry into electric manufacturing is related to the association of Richard (Dick) Boak with the C.F. Martin company. Dick Boak, with dreams of being a luthier and constantly working on guitar projects on his own, joined Martin in 1976 as a draftsman. In 1977 Boak was assigned to the project of designing an electric guitar for Martin. This resulted in the development of the E-18, EM-18 and EB-18 guitars and bass. The first prototypes of this new electric guitar series were produced in 1978, ten years after the demise of the GT-70/75, and production commenced in 1979 with guitar serial number 1000.
First, let’s start with the switch. Like the Gibson-style switch, the Stratocaster’s is used to select between different pickups and combinations thereof. In this picture of Jimi Hendrix and his Stratocaster, the switch is just above the knobs. It’s a little hard to see because of the white pickguard, but if you have this type of guitar, you’ll have no trouble finding it on your own instrument.
Of course, if you already have the basics down, there are plenty of books here that offer an assortment of sheet music for your favorite songs. If you're a fan of the Beatles, for example, check out the Beatles Complete Scores Book. If you're more of a Pink Floyd fan, be sure to pick up the Music Sales Pink Floyd The Wall Guitar Tab Songbook. Maybe you're a fan of the Piano Man? Then get a hold of the Hal Leonard Billy Joel Greatest Hits Volume 1 & 2 Piano, Vocal, Guitar Songbook. To be honest, it really doesn't matter where your musical interests lay; we've got you completely covered. Books, sheet music & media are a must for any performer. They can help you keep your skills sharp, as well as help you develop new ones. Whether you're learning how to play an old favorite or writing a new song all your own, books, sheet music & media can make the process much easier.
Schecter's C-6 Plus belongs to their basic line of guitars. It features their own Super Strat body shape which is finished with a glossy charcoal burst finish. The tonewood of choice for this build is basswood, an inexpensively sourced wood, which is what allows such a nice guitar to be priced at this range. There are some aspects of basswood which work great with guitars designed for heavier genres, and on top of that, it is light weight. Don't take this for granted since it'll be hanging on your shoulders and back for long periods of time.

It is useful to know the fundamental relationship between voltage, current and resistance known as Ohm's Law when understanding how electric guitar circuits work. The guitar pickups provide the voltage and current source, while the potentiometers provide the resistance. From Ohm's Law we can see how increasing resistance decreases the flow of current through a circuit, while decreasing the resistance increases the current flow. If two circuit paths are provided from a common voltage source, more current will flow through the path of least resistance.
Love love love this guitar! I ordered it because it reminds me of my Dad's old Kay archtop that I initially learned to play on. The retro jazz style of this guitar is awesome. My musician friends love it and and like the sound of it although they haven't heard it plugged in yet. It took me a very short while to get used to the strings (made by the company for this guitar) and while they have a tinnier sound than what I'm used to for an acoustic guitar, they do deliver when it is plugged in. Overall it really seems to be more of an electric-style guitar. The neck is narrow and the body is small - something that I am so happy with! It is extremely playable. I may switch to bronze strings to get a warmer tone, but for now I want to give these strings a chance to sing. I also ordered a case from the company that fits this guitar, and for the price, it is awesome as well! Very light and the guitar fits perfectly and securely. At a recent gig, a complete stranger came up to me to look at and admire this guitar - it truly is a beautiful instrument. The woodgrain is rich and not as red as the pictures make it look. I feel like Stu Sutcliff - don't really need to know how to play - I can simply stand in the background and look cool ;-)

A good starting point when recording is to place the mic close to the grille and positioned over the centre of the speaker. However, it's worth moving the mic a little off centre if you're after a less toppy sound.Guitar amps tend to use 10-inch or 12-inch speakers without tweeters or crossovers, so they have a very limited upper-frequency response. These speakers may be used singly or in multiples, in either sealed or open-backed cabinets. The familiar overdrive sound was almost certainly discovered by accident when early amplifiers were driven beyond their design limits in an attempt to obtain more volume, but because of the restricted top end of the speaker systems employed at the time, the distortion was stripped of its more abrasive upper harmonics and actually sounded quite musical. So, what started out as a side effect of limited technology soon became adopted by blues players and turned into a distinctive style, which later evolved into rock, and then into heavy metal with all its spin-off genres.

Most[citation needed] early blues harmonica players throughout the 20th century[when?] have been known for using Hohner Marine Band harmonicas[citation needed] because they were the most available at the time[citation needed]. However, as other harmonica companies[who?] began to expand and Hohner produced different types of harmonicas, harmonica players started to develop preferences[vague].


Bassists pairing an amplifier "head" of a certain wattage and a speaker cabinet (or speaker cabinets) with a certain wattage power-handling capacity may require advice from music store amplifier expert or an audio engineer. One of the reasons that many beginning bassists choose combo amps when they are starting is because with a combo amp, the manufacturer has ensured that the speaker and power amp are compatible from a power handling and impedance perspective. While there is a widespread belief that an amplifier with a rated wattage that is higher than the rated wattage on a speaker cabinet will harm the speaker, in fact, a clean, un-clipped power amplifier signal can be above the rated wattage of a speaker without damaging the speaker, as long as the power amp is sending out a clean, unclipped signal. There is a much higher risk of damaging a speaker when a clipped (unintentionally distorted) power amplifier signal is sent through it, even if the wattage is far below the rated wattage of a speaker. For example, a bassist could use a 700 watt power amp which is running with zero power amp clipping through a speaker cabinet rated at 500 watts without damaging the speaker; however, if a 100 watt power amp that is heavily clipping is plugged into the speaker cab, this could blow the speaker.
First, you have 11 different modes, including the TonePrint option, just like the Flashback delay. Then you have a true bypass circuit with an analog dry-through signal, which perfectly preserves the natural tone and EQ of your acoustic guitar (again, similar to the Flashback's setup). When you're using the effect, we would advise tinkering with the mix to get about 35-50 percent of your dry signal coming through.
: I, too, am searching for more info on my Kent. It's a Model 834, violin shaped with a cutaway. Mine is red with "racing stripe" binding on the edge. It's sounds INCREDIBLE (very vintage) and plays well, though I find the neck very narrow. There was an E-Bay auction for a couple of framed ads which featured this model, plus the 833, 835 and 836 from 1967 (one of the pictures, from what I could tell, looked exactly like mine). I also tracked down a picture of one that is a Yellow 67 with a Bigsby-Style vibrato (mine lacks this). If anyone finds a source for more Kent info, I'd love to hear from you...

Solid Body: This build is rather self-explanatory, meaning there is no sound box (as typically seen in other instruments, especially acoustic guitars) but instead relies on an entire electric pickup system to gather the vibrations of the strings to portray your sound. This typically dominates the preferred ‘guitar type’ category unless you’re aware of what the differences are in terms of sound (telecasters, Ibanez, etc.). The perks of this solid build include the ability to be amplified at very high volumes without feedback worries, giving us more combinations when it comes to shapes\designs, and are very responsive to the use of effects since it’s nearly entirely dependent on amplification. Preferred genres? Rock, punk, metal, classic rock, etc.

Ibanez Mikro GIO Electric Guitar in Black w/ Bag. The guitar is in good working condition does have few marks and one nick. Does not include stand just used to take pictures. Includes guitar strap and Ibanez bag. Please contact me if you have any problems with your purchased item and I would be Happy work with you to help make your Transaction a Pleasant Experience.           Please check photos carefully and use the enlarging tool. Some photos are taken with a flash and may cause the image to appear darker in some areas. Photos are an important part of the description and the condition of each item.Thanks for Looking!!           Also please verify the correct shipping address before bidding. Payment is expected within 48 hours.    
For a long time Yamaha were regarded as one of the best producers of student guitars but their reputation didn't go far beyond that. And it's true that they make excellent guitars for beginners, I am one of the many who originally learned to play on their student nylon string C40. BTW I'm one of those guitarists who thoroughly recommend initially learning to play on a nylon string guitar.

Setting up a mic to record the natural acoustic sound of the guitar strings can add percussive character when blended with the amp sound, especially if you are capturing old-school archtop sounds. For best results, the guitar needs to be isolated from the amp to prevent excessive bleed. This technique gives a good front-end attack to the sound and plenty of definition. A small condenser is the best mic for the job, and it’s worth using a high-pass filter as well.
Italiano: Leggere Tablature per Chitarra, Español: leer los acordes de una guitarra, Deutsch: Gitarren Tabs lesen, Português: Ler Tablaturas de Guitarra, Français: lire une tablature de guitare, Русский: читать гитарную табулатуру, Nederlands: Gitaartabs leren lezen en spelen, Bahasa Indonesia: Membaca Tab Gitar, 中文: 看懂吉他谱, العربية: قراءة تابات الجيتار
Spruce has historically been the wood of choice for acoustic flat-top guitar soundboards. However, Luthiers and other large guitar manufacturers very often choose more economical and readily available woods rather than top-quality spruce. Redwoods and cedar, for instance, are often used in soundboards by American guitar-makers to great effect. In some cases, two different woods are used together to give the guitar a distinctive appearance and tone.
Beautiful Teisco Electric Guitar refinished in sea foam green or Daphne blue color, it has a custom series parallel pickups toggle switch, nice low action, sweet sound, plenty of tonal possibilities. Buy with Confidence....... Blessings! Item will be well packed, shipped and insured to any of the 48 contiguous States, No Alaska, No Puerto Rico, No Hawaii, No International buyers.
Together with Marshall and Vox, Hiwatt is considered to be one of the main contributors to what we commonly refer to as the “British sound.” The company’s history is older than the name, with owner Dave Reeves building his first custom unit in 1963. This earned a great deal of praise on the local scene for its reliability and virtually established the company’s character.  
The Vox AC30CH Guitar Amplifier head contains all that gorgeous AC30 tone thanks to the classic 12AX7 tubes in the preamp and EL84 tubes in the power amp,. However, you have the option of hooking upo your own cabinet to mix and match the sound, or complete your set up with Vox V212C Speaker Cabinet or even the limited edition VOX V212C Extension Guitar Speaker Cabinet, White Bronco.

If you are a beginner, you may have heard of electro-acoustic models. In the future you may want to consider one of these, as they will allow you to plug into an amplifier and project your sound across a room, concert hall or stadium (well, you have to dream big!). However, for now it’s wise to stick with a solely acoustic model, which will be cheaper and less complicated to use.


This is a very general question, but I will attempt to answer. I'll not get into brands, buy what "feels" right and has a good tone. If, a beginner, a good acoustic can be bought new for $200.00 - $300.00. If, you are an experienced or professional player, "The Sky is the Limit" only limited by how much you want to spend. My first guitar was used, and I paid $50.00. Now, I play a Gibson Song Writer, $3500.00. Hope this helps.
Electric guitar is still the most prominent instrument in rock music, and it’s a key component in many country, R&B, pop, and jazz groups. Every electric guitar player needs an amplifier because most electric guitars are barely audible without one. You’ll need one to play with other musicians, which is one of the most important ways to develop your musical skills. Because the amp is as important to a guitarist’s sound as the guitar, most teachers consider it essential to use an amp at least part of the time when you’re practicing. You can’t develop your own sound without spending some time experimenting with the controls on your amp and guitar.
It’s as simple as it gets: On/Off, Tone and a “clean-to-drive” Volume switch that becomes dirtier at higher volumes. Anything else you will need stomp-boxes, which this amp pairs well with thanks to its no-frills concept. Just do yourself the favour and invest in high-end pedals – otherwise you will ruin the amp’s exquisite tone with unsuitable digital effects.
Different forms of manipulation of similar bucket brigade delay chips were also at the center of the more advanced chorus and flanger pedals that emerged in the late 1970s. With ICs that themselves were capable of creating a controllable time delay in any given signal, the job of harmonically modulating part of a split, delayed signal to produce a warbling chorus or swooshing flange sound became a lot easier.
I personally don't like the shape of the Valkyrie...it just looks odd to me. Try a few Epi's...some are pretty nice. Stay away from the G310s...I suspect they may be made of balsa wood..and the Specials. But the G400s, the customs and the Tony Iommis, all of which I have played, have been pretty decent in terms of fit, finish and sound. I'd really love to play a Prophecy at some point...they look pretty rad.
Recently Vox has emerged as a leader in the digital amp modelling market[citation needed] with the release of its Valvetronix line of digital amplifier modellers. Utilising Korg's REMS modelling software, the Valvetronix are driven via a low-power tube preamp stage and a solid state power amp. The latest line, the AD15VT / AD30VT / AD50VT / AD100VT, has received awards and praise[citation needed] for its recreation of eleven classic guitar amplifiers. The company did not reveal which non-Vox amplifiers were modelled in the product manual. The eleven amplifier types as named on the dial are:
Neither player uses any sort of stomp boxes in their rigs. In an effort to emulate his heroes, Bo keeps it straight ahead, using no effects at all, while Frank opts to program his effects via rackmount gear and to make setting changes through a MIDI controller. The advantage is that he can change gain levels, EQs, and effects instantly with one tap, instead of having to do the stomp box break dance in time for the next down beat. Both axemen prefer to get their overdrive the old-fashioned way, by driving the tubes in their amps.
When Martin turned to jobbers rather than direct sales, more variation in cases took place. Depending on what part of the country you bought your Martin, the jobber would supply a similar range of cases - chipboard, hardshell, or deluxe hardshell, from the case manufacturer of their choice. So cases on old Martins can vary greatly. This changed in 1972 with the blue thermoplastic case which was included with the sale of all new Martins.
Chorus pedals can provide a nice subtle doubling effect to the guitar or an extreme “watery” effect when maximized. Famous tunes that use chorus is “Come As You Are” (1991) by Nirvana, and “Brass in Pocket” (1979) by The Pretenders. But basically almost any clean guitar sound in the 80’s had some chorus on it! Certain effects are timeless such as overdrive, reverb and delay. Other effects like chorus can evoke certain time periods such as the 80’s so that is something to keep in mind when using an effect.
Now check both the open and the 12th fret notes again. You’ll have to tune the open string again because by moving the saddle, the tension of the string will have changed and so will need to be retuned. Once you have correctly moved the saddle so that both the open string and the 12th fret are in tune, you can move on to the A string. Repeat until all of the strings have been done. Note that on this particular guitar, the (thick) E, A and D saddles could not be moved far enough forward to intonate correctly, so I had to swap their orientation to give a bit more distance.
I’m starting at guitar too at sixty years old, my opinion is that it’s not the guitar, but the time put into practicing, you can dup any type of sound with the features from amps, and guitar processors. You can even make an electric guitar sound like an acoustic. I purchased a line 6 150 watt amp, and a processor from line six, and I can dup any type of guitar sound. I built my own guitar
1. Examples. There are a handful of examples in this book and that's about it. I expected much more in the way of alternate wiring examples but they were only mentioned in passing it seems. Additionally if you're looking for good step by step instructions you wont find it here. The instructions are average at best and never really go deeper than "put this wire here and that wire there" . It's step by step,but just barely. Don't expect any deep explanations on the theory behind why certain wirings do what they do or why they sound the way they do. It's cursory at best.
For experienced players, you already know what kind of questions need to be brought up when purchasing a guitar. For beginners, a great starting point is to look at what your favorite guitarists play. By taking your own musical tastes into consideration, you can narrow down your choices to models that will provide the tone and sound you already know and love. But whatever you're looking for, you can be certain that the perfect guitar for you can easily be found, right here. Just take a look around and see for yourself.

FINISH DRILLING THE HOLES After you have shaped and carved the body and the neck holes are drilled and the cavities routed out, you can preposition all of you parts and drill the last of the holes. Start with the pickup rings. It is good to assemble them first and then drop them into the cavity so you can line them up and mark where you will need to drill. Make sure they aren't crooked when you line them up. I like to have the neck bolted on so I can line them up with it. I do the same thing with the bridge. Be sure to check that the scale length is correct and that it is lined up with the neck as well. Drill the holes for the mounting screws and then the string through holes. Try to keep the drill as straight as possible when you do this because you will be going all the way through the body and if they aren't straight you will see it on the other side. This is the time that I wish I had a drill press. 

The sound quality is pretty excellent. Relative to the Zoom, Line 6, and Boss multi-effect pedals, the distortion on the DigiTech is surprisingly nice. The reverbs are absolutely gorgeous, which is no surprise given they are Lexicon algorithms. Chorus and delay also sounds great, and the effects’ parameters are easy to set up and adjust using the row of knobs below the display. We also find the noise gate works extremely well at taming any unruly noise issues caused by dirt effects. Overall, we’re impressed at how the RP500 replicates a lot of the “classics.” A quick note on the presets - they are less than stellar, so don’t judge this pedal by them. You’ll have to play with them a little bit to arrive at better, more usable sounds.
Though the guitar is played through an amplifier which is often miked and recorded, the engineer or producer may later decide to use a different amplifier tone that's better suited to the character and timbre of the song, while preserving all the nuance and inflection of the original performance embedded in the direct track. The re-amp device allows the dry track to be sent to an amplifier again and properly miked and re-recorded for use as the final track.
On some amps with a number of input and output jacks, the jacks may be consolidated in a patch bay. Some amps have an input jack for a foot-operated switch which can be used to turn on an effect or switch to a solo channel. Some higher-end amps have a Speakon speaker jack for an extension speaker. In the 2010s, the Speakon jack is often used in high wattage amplifiers, because the design of the connector, which is shielded from human touch, prevents electrical shock from a high-powered amplifier. Some amplifiers have a "tuner out" jack, for sending the instrument signal to an external electronic tuner. Bass speaker cabinets often have two 1/4" jacks. These are provided so that one speaker cable can be plugged into the first jack and connected to the power amp; if the bassist wants to use a second cabinet, a second speaker cable is plugged into the second jack and then into second speaker.

Sawtooth ST-ES Carc is another affordable electric guitar that both beginners and intermediate players can use for practising their skills. It comes with a sycamore body with a black finish and has a pickguard or vanilla cream color. It comes with almost all the accessories needed - tuner, amp, picks, cables and basic online lessons too. You also get a gig bag with it which very few guitars give you and normally you have to buy it separately.
The principal difference among the Strats was in finish options. All had 21-fret maple necks, three single-coil pickups, volume and two tone controls, and five-way select. The SWG came in yer basic red or black, with maple ‘board and chrome hardware. These had traditional non-locking vibratos. The SGV was offered in red with white graphics. The SSX was the dusey, with purple burst (white outside, purple in center), tiara turquoise, blue pearl, metallic white, black and candy apple red finish options, with… with matching colored maple fingerboard and (that’s and) matching chrome hardware.
In 1961, Grady Martin scored a hit with a fuzzy tone caused by a faulty preamplifier that distorted his guitar playing on the Marty Robbins song "Don't Worry". Later that year Martin recorded an instrumental tune under his own name, using the same faulty preamp. The song, on the Decca label, was called "The Fuzz." Martin is generally credited as the discoverer of the "fuzz effect." [18]
Hi! In this instructable I will be showing you how to fix and/or upgrade guitar electronics. This is applicable to most electric guitars, but I will be using a Fender Stratocaster. It is easier than most people think, especially if you know how to solder. Before you start, find a wiring diagram for your guitar and purchase the parts that are needed.

This is my new, energetic positive corporate music track with confident bright mood, which contains happy optimistic piano and synth solo, driving electric guitars, drums and live bass. This track can be used as a motivational musical background for business websites, computer games, tv or radio jingles, advertising and commercial youtube video, etc. Enjoy!

While larger frets do seem to result in a rounder tone, perhaps with increased sustain too, they also yield a somewhat less precise note than narrower frets—at least, as examined “under the microscope.” Unless it is very precisely shaped, and frequently dressed, the broad crown of that jumbo fret can “blur” your note ever so slightly, which might even be part of the sonic appeal for some players—the way, for example, a tweed Deluxe is a little blurrier or hairier at most volume settings than a blackface Deluxe. Be aware, however, that the phenomenon can work against some sonic goals too.

In 2017, Slash was named Gibson Brands' first Global Brand Ambassador. And to celebrate, Slash has designed his first Signature Firebird for Epiphone! Slash's Limited Edition Firebird features the classic Firebird profile that has gone virtually unchanged since its debut in 1963 and is made with a AAA Flame Maple top and a 3-piece Mahogany body in a Translucent Black finish chosen by Slash.
Modifying this guitar is also quite easy and you can add things to it to make it a lot better. Overall, it is just the right value for your money item to have. Again, if you are an intermediate or expert level player then avoid this guitar. If you are a beginner & looking for the lowest price electric guitar for beginners clicks the button on this one. With the price you pay, I am pretty sure you will be impressed by the performance of this guitar. Here is the link to buy this product or know more about it –
Hello everyone. Today we’re going to do a setup on a Les-Paul-style guitar. For this post, I’ll be setting up a “Burny Super Grade” guitar, but the set up is the same for most Les-Paul-style guitars. I already have a general electric guitar setup post over here: http://diystrat.blogspot.com/2011/03/how-to-set-up-electric-guitar.html, but there are a few Les Paul specific areas I’d like to go into here.
There were differences between the pickups as well – the National had slanted units under enormous covers, while the Supro featured 8-string versions of the Alnico V pickups found on many Spanish-style guitars. The difference in tone proved to be minimal. The Supro has a more refined sound than its cheaper cousins with the famous string-through pickup, but it can still be raw and biting when required. Although it is a single-coil pickup, it has excellent hum rejection and sounds wonderful either overdriven or clean. The guitar has plenty of sustain and a surprising level of output, making it an excellent instrument for rock and roll as well as country music.
I’ve never played a gig without an amp, but I am prepared to… Instead of spending a ton of money on AXE FX (which a good amp can be a small fraction of the cost of AXE FX, especially if you still need to buy monitors, power amp, etc…), I keep a Line6 Sonic Port in my bag I can use with my iPod, iPad, or iPhone. Cheaper than AXE-FX. I do use the Line6 Sonic Port into my iPad for recording tracks for different projects. A lot less than AXE-FX and easier to use. Another option.

Let’s face it, without people listening and responding to your music, there’s not much point in you throwing all you have into that hobby or business. Furthermore, it is relatively hard to be a passionate musician and to work in a more reliably financial-rewarding job alongside it, so one of your primary goals as a musician is bound to be to crack the music business and start making millions.
As this effect is more pronounced with higher input signals, the harder "attack" of a note will be compressed more heavily than the lower-voltage "decay", making the latter seem louder and thereby improving sustain. Additionally, because the level of compression is affected by input volume, the player can control it via their playing intensity: playing harder results in more compression or "sag". In contrast, modern amplifiers often use high-quality, well-regulated power supplies.
In 1942, Valco unveiled a new Hawaiian lap steel, the Irene, which was offered as a Silvertone in the ’42 Sears catalog. Clearly inspired by the Supro’s first wood-bodied Hawaiian with the pear-shaped body from ’36-37, the Irene had a slightly narrower body and more squared-off corners, and was covered in white pearloid. It also featured a light-colored, painted-on pickguard with dark position markers. Basically, this had the same pickup and control plate as featured on the Clipper.
We are still in the testing phase with this system, and our representatives are still finding out how to give you the best possible experience. Therefore, it may happen that we do not understand you (please speak clearly in either German or English only), that equipment is being tried out by other customers temporarily, or that there are problems with the connection. Please do not hesitate to give us feedback whenever anything like this happens, so that we may learn from this and improve our service.
Our first impression of this guitar was that something must be wrong. Surely this guitar is way more expensive than we thought? We doublechecked and the truth is that it’s just incredible value for money. Both the design and the sound are wonderfully good and we understand why Schecter describe their Schecter Hellraiser guitars as having “raised the bar on sight, sound, quality and affordability”- we totally agree!

The question is now - do you need the entire bundle? When it comes to the presets, the guitars are all very unique, but because of the mass amount of tone-shaping available once you start twisting and manipulating away there becomes less and less of a distinction — the bundle being over a third less than individually purchasing them doesn’t help the decision making factor at all.   

There are many, many variations of the electric guitar. Science has told us that in order for sound to be naturally amplified, there needs to be a chamber in which sound can resonate. Just look at the construction of the ancient amphitheaters, or the way that the human body has natural resonating chambers that allow us to use our voices, or a stand up bass, with its large, chambered body designed to amplify the resonating strings.

FU was non-stop work & fun at the 2014 NAMM Show in Anaheim California! It was great to be back in the southern California sun with 85 degrees while freezing snow and blizzards were happening back east! The fun started with an opening night party with Eddie Van Halen and the launch of several new EVH Guitar models. The rest is just a blur but here are some out-takes to enjoy, For more behind the scenes photos check out our Facebook page!
The Squier Bullet Strat Hard Tail Brown Sun Burst is a fantastic option for beginner guitarists out there and those who need an affordable budget friendly option for recording or practising. This guitar makes our cheap electric guitars that don’t suck list thanks to its high-quality basswood body and comfortable “C” shape profile on the neck that is super comfortable to play. This high-quality guitar also includes a set of three standard single-coil strat pickups allowing you to mix up your sound via the 5-way pickup selector. Solid, chrome hardware and a hard tail bridge for added resonance finish off the guitar nicely whilst the budget friendly price tag makes it affordable for everyone. A Fender Stratocaster style guitar at a fraction of the cost.

The Effect: Volume pedals are a simple, yet frequently essential piece of equipment for many musicians out there. This device’s function is quite self-explanatory – it allows the user to control the level of the sound output, allowing them to increase or decrease the volume of the instrument. Additionally, many of these products can also operate as expression pedals, or a control for some of the other effects on your pedalboard. These gizmos are typically known for being strong and sturdy pieces of gear, as they should since they get stomped on quite a lot. If you are looking for a proven solution, go for the Boss FV-500H, if not, check out our Best Volume Pedal reviews to find your perfect match.


It's the neat switching that makes this very classic-looking Tele act a little differently. All the standard Tele pickup selections - bridge, bridge and middle (in parallel) and neck - are in place, but it's a four-way switch, as opposed to the standard three-way; the additional selection provides us with both pickups in series for a bigger, louder and more humbucker-like 'secret' sound. The volume control has the S1 push switch in the top of the control knob: pushed down, the parallel and series-combined pickup selections are out-of- phase, giving three additional sounds over the standard Tele. The Baja sticks relatively close, of course, to the classic 60s Tele recipe. The rosewood 'board and alder body just seem to give that lovely smoothness to the high end that will make it less ear-wearing, especially if you're swapping over from an older-style humbucking Gibson. The standard mix is typically classic, wider than a Strat's but still nicely textured; the neck pickup here sounds a little fuller than some older readers or vintage Fender electric guitar owners will remember.
Left Handed 1968 Fender Strat with an insanely rare Blonde Custom Color! This had to have been a special order guitar – has “Blond” written in the neck pickup cavity(see pic). I think I’ve seen one other factory left-handed Blonde Strat, but certainly not from the Hendrix era(both the white Woodstock and black Band of Gypsies Strats were from 1968).
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Fender, or the Fender Electric Instrument Manufacturing Company, as it was properly known, was started in 1946, in Fullerton, California, by Leo Fender. The early designs effectively wrote the book on the solid body guitar manufacture; his approach of simple guitars using quality parts, easily assembled (most specifically the replaceable neck) proved an immediate sucess. Guitars like the Fender Stratocaster, Telecaster, Jaguar and Precision bass have barely changed since their very first inception; Fender simply got it right first time round.
In 1932, John Dopyera left Dobro and came back into the National fold, regaining control of the company. We can only speculate that the absence of Beauchamp has something to do with his decision. National and Dobro merged in 1935, becoming the National Dobro Company. However, until the end of the ’30s, when National Dobro finally completed its relocation to Chicago, Dobro instruments continued to be made in L.A. by what had been the separate Dobro Corporation, even though it was a part of National Dobro. Got it? Hmmm…
Some of the most impressive pieces of equipment come in small packages and in the shape of an item you would not expect to be as good as it is. The proof of this is the deceptively simple looking Mugig Portable Amplifier for Electric guitar, with 10W of power. This piece of equipment is on the big side of small, but is perfect in every single aspect of it, other than the size. The design is simple and understanded, the ease of transport is guaranteed, while the sound takes over the mind and heart of the musician and the crowd instantly. It is possibly the best electric guitar amp that I have gotten to mention on this list.
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Yes, split sound probably won’t be as loud as the other singles. The Cool Rails is really like a single coil sized version of our Jazz humbucker, so if you are after a more single coil sound, you can try the Vintage Rails, which is more of a single coil sound in a humcancelling format. You can always move the Cool Rails to the bridge position as well.

Unfortunately it’s during this critical time that a lot of people get discouraged and may even give up on playing altogether. The first 6 months of learning guitar are critical, statistics show that if someone can still be playing at 6 months they will be much more likely to go on to play guitar for life, so the first 6 months are actually the most important time.

The strongest thing I did for Joni as a producer on Song to a Seagull, from 1968, was keep everybody else off of that record. She was a folkie who had learned to play what they call an indicated arrangement, where you are like a band in the way you approach a chord and string the melody along. She was so new and fresh with how she approached it. It's the reason I fell in love with her music. She was a fantastic rhythm player and growing so fast. She had mastered the idea that she could tune the guitar any way she wanted, to get other inversions of the chords. I was doing that too, but she went further. I understood her joy in using bigger tools later – jazz bands, orchestra. But the stuff she did that was basically her, like 1971's Blue, was her strongest stuff. Match her and Bob Dylan up as poets, and they are in the same ballpark. But she was a much more sophisticated musician.  By David Crosby
Description: Body Construction: Solid - Neck Attachment: Bolt - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 22 - Inlay: Dot - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, Diecast, 1x Volume Control, 1x Tone Control, 5-Way Switch - Pickups: Humbucker - Pickup Configuration: H-S-H - String Instrument Finish: White, Black, Red, Sunburst
Slot Peghead vs. Solid Peghead (steel string models): Most models converted from a 12 fret slot peghead to a 14 fret solid peghead around 1934 (except the OM series, which went 14 fret in 1929/1930 and the style 17 and 18 models which were available in 14 fret style in 1932). Basically if the guitar has a 14 fret neck, it will have a solid peghead. If it has a 12 fret neck, it will have a slot peghead. Note there were some post-WW2 gut string and classical models (i.e. 0-16NY) and some post-WW2 special order steel string guitars (i.e. 1967-1993 D-18S) which always have a slotted peghead.
Wah and EQ manipulators work best before distortion and overdrive devices, near the start of the signal chain. The one exception is the Fuzz Face or any vintage-style fuzz, which needs to be slotted in before the wah. Try it – put your wah before and after your distortion and listen to how different it sounds. Also, compressors tend to work best when placed before drive effects.
When jazz guitarists play chords underneath a song's melody or another musician's solo improvisations, it is called "comping", short for "accompanying" and for "complementing".[citation needed] The accompanying style in most jazz styles differs from the way chordal instruments accompany in many popular styles of music. In many popular styles of music, such as rock and pop, the rhythm guitarist usually performs the chords in rhythmic fashion which sets out the beat or groove of a tune. In contrast, in many modern jazz styles within smaller, the guitarist plays much more sparsely, intermingling periodic chords and delicate voicings into pauses in the melody or solo, and using periods of silence. Jazz guitarists commonly use a wide variety of inversions when comping, rather than only using standard voicings.[3]

Everything about the shape and feel of the S6 Original is meant to be as close to familiar acoustic guitars as possible, including its playability, which is brought about by its 25.5" scale length, 1.8" nut width and 16" fingerboard radius. Tone wise, you're getting a crisp yet warm tone thanks to its pressure-tested solid cedar top, which also adds to the overall earthy appeal of the instrument.
Tremolo can be a subtle effect, as heard in “Born on the Bayou”by Creedence Clearwater Revival and Gimme Shelter by The Rolling Stones, or more distinct as heard in “Crimson and Clover” by Tommy James and the Shondells and “Bones”by Radiohead. Tremolo has been around since the earliest days of the rock era, and was popular with rockabilly and surf guitarists.
Early forms of the talk box, such as the Heil Talk Box, first appeared in Country Music circles in Nashville in the 1940',s 1950's, and 1960's, by artist like swing band pedal steel player Alvino Rey, Link Wray ("Rumble"), Bill West, a Country Music steel guitar player and husband of Dottie West, and Pete Drake, a Nashville mainstay on the pedal steel guitar and friend of Bill West. Drake used it on his 1964 album Forever, in what came to be called his "talking steel guitar." The device used the guitar amplifier's output to drive a speaker horn that pushed air into a tube held in the player's mouth, which filters and thereby shapes the sound leading to a unique effect. The singer and guitarist Peter Frampton made this effect famous with hit songs such as "Do You Feel Like We Do" and "Show Me the Way," as did Joe Walsh on "Rocky Mountain Way." On Van Halen's cover of "You Really Got Me" Eddie Van Halen uses a talk box after the guitar solo to make a sound similar to a person having sex. Newer devices, such as Danelectro's Free Speech pedal, use a microphone and vocoder-like circuit to modulate the frequency response of the guitar signal. Some Talk Boxes include: The Dunlop Heil Talk Box, Rocktron Banshee, and Peter Frampton's own company,Framptone.
Foden: In 1912 to 1917, Martin made guitars for concert guitarist William Foden. These are similar to the standard Martin models, but have simple soundhole rings and a 20 fret fingerboard (instead of 19). Made in sizes 0 and 00, the styles were similar to Martin's Style 18, 21, 28, and a pearl trim model. Only 27 of these guitars have been documented to date.
The noise out of my chain drives me nuts. I want it when I want it, not when all is shut off. I am running a Clapton Signature Strat with humless pickups into my Blues Deluxe. No effects and it is quiet as the dead of night. Plug in the effects (All Boss BTW) and it just starts humming. I have been playing with it and cant seem to isolate the culprit (s)… Frustrating.
Talk box: A talk box directs the sound from an electric guitar or synthesizer into the mouth of a performer using a tube, allowing the sound to be shaped into vowels and consonants with movements of the mouth. The modified sound is then picked up by a microphone. In this way the guitarist is able create the effect that the guitar "licks" are "talking". Some famous uses of the talkbox include Bon Jovi's "Livin' on a Prayer", Stevie Wonder's "Black Man", Mötley Crüe's "Kickstart My Heart", Joe Walsh's "Rocky Mountain Way", Alice in Chains's "Man in the box" and Peter Frampton's "Show Me the Way".[66][67]
Overdrive originally resulted from the natural breakup that occurred when a tube amp received an overly hot signal from a guitar. This pushed the tubes to deliver a subtle, warm breakup. Generally overdrive is a more subdued, natural form of distortion. While you don’t have to use an overdrive effect with a tube amp to get a great sound, the combination of the two can produce a rich, pleasing tone that many guitarists prefer. The first overdrive effects were designed to push more signal into a tube amp, giving it the very throaty, mid-range tone associated with Stevie Ray Vaughan. With that in mind, many of today's pedal makers have created circuitry to add that desired tone when used with a solid state amps as well. Since overdrive is a signal boost, adjustments from your volume knob will create a variety of different sounds.
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Following a raft of recent updates, the MS-50G now boasts over 100 effects and 22 amp models, six of which can be used simultaneously in any order. Add a chromatic tuner into the equation, and you're looking at a pedal for all seasons. The very playable amp models cover the popular options: there are three Fenders ('65 Twin Reverb, '65 Deluxe Reverb, Tweed Bassman), a Vox AC30 and a Marshall Plexi. You also get a Two-Rock Emerald 50, while a Diezel Herbert and Engl Invader cover the high-gain side of things. Effects include modulation, filter, pitch shift, distortion, delay and reverb. Most are generic, but some, particularly in the overdrive/distortion category, are modelled on well-known devices - the Big Muff and TS-808, for example. Each patch can be constructed from a chain of six effects blocks, each with a modelled amp or effect, DSP permitting. It all adds up to the most practical, cost-effective way to expand your pedalboard by adding a single pedal.

@Dax – Sorry to hear that you are having trouble with the pedals in your setup. If the pedals work on their own in front of the amplifier isolated one at a time, this is likely related to a setting or connection with the pedals. Please shoot us an email to support@strymon.net with full details on the amp make and model, the inputs and outputs used on both the amp and each of the pedals, and the setting of the switch on the back of the pedals. Also, include whether this happens on every preset or only certain presets with each pedal.
Some early Valco instruments continued to make it into the marketing pipeline – early on, at least. Probably as a sign of the increasing difficulty in getting product, the Spring/Summer 1942 Sears catalog sported a full complement of Supro guitars, essentially the ’41 line, all labeled with the newly-chosen Sears brand name, Silvertone. Shown in the ’42 Sears catalog were the Supro Capitan and Supro Rio, now renamed the Silvertone Crest (carved torch logo) and Silvertone Spanish (no logo), respectively. The Capitan had a standard trapeze tailpiece rather than the Dobro variety, with permanent cord coming out of the top of the lower bout!
When I first tried multisourcing, on a solo project by Club Foot Orchestra guitarist Steve Kirk, I used an air mic, a direct source (Manley tube DI box or speaker emulator output from Kirk's Marshall JMP-1 tube preamp), a close mic on a clean-sounding Fender Princeton amp, and close and distant mics on a cranked-up Marshall cabinet (see Fig. 2). And that was just for the first rhythm track! As you may imagine, mixing was a lot of fun, and after that day there's been no going back to the old SM57 shoved up against the grille cloth. If you dare, you can take it from there. The only limitations are your time, the guitarist's patience, and available tracks. Oh yes-and lots and lots of mics.
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Let’s start off with a real classic for a classic player! This Fenders vintage modified style Strat hss has captured the happy way of the 50’s, available in Surf Green, Daphne Blue and Fiesta Red and it’s a guitar that just makes your life a litter bit more worth living. The design is very much like the 1950’s electric guitars, from the soft V-shaped neck, maple fretboard and 8-hole pickguard down to the smaller things, like the knobs and the switch tip- everything just brings us back!

While many appreciate its bulk of features, there are a few who feel that Fender went overboard, and should've limited the voicings to just a few to ensure that sound quality is not compromised. On the other hand, there are some who felt that the extra features are nice, but they are turned off by the need to use a computer to get full access to all the controls.


POLISHING Once you have completed the wet sanding you wil have a pretty smooth surface that is almost a dull shine. You can either hand polish the finish or use a polising attachment to buff it out. Stew Mac has a polishing pad that attaches to you drill. Or you can get 6" foam bonnets from an auto parts store that will fit over the sanding disk attachment you may already have. It is best not to use any thing made from cotton because it will cut through the finish. Stew Mac also has polishing compounds that you will use in order working you way down to the swirl remover. It's on the expensive side so I use McGuires polish that you can get from the auto shop. If you use a buffing attachment make sure that you uae a different attachment for each grade of polish. Don't use the same pad for each one. Also remember to wait 10 minutes after buffing before you wipe off the surface. The lacquer gets hot and soft after buffing so give it time to cool. You will have to hand polish the cutaways, don't attempt to use the buffer on the edges of the guitar or cutaways because you will burn though the finish.
Dobro – we’re still in Dobro territory here, not National – quickly followed suit in 1934 with the Dobro Electric Resophonic guitar. This was basically a wood-bodied Dobro resonator guitar with a Stimson pickup just in front of the handrest. Unlike the All-Electric, this had the poles perpendicular to the strings. This also did not especially go over, and dropped from sight before the year was up.
Johnny Thunders’ snot-nosed New York take on Keith Richards’ cool is one of the pillars on which punk rock was built. An Italian-American guy (birth name John Anthony Genzale Jr.) from Queens, he was born a little too late to be part of the Sixties rock explosion. But the bands of that era were his influences, and he put his own spin on them in the early Seventies as the New York Dolls came together with Thunders on lead guitar.
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