I am a giging, solo acoustic musician from Ohio, performing in Western NY, Buffalo. I only had Acoustic Electrics, 6 and 12 strings until I bought my first Godin A6 Ultra. (Acoustic and Electric Pick-ups). The A6 was impressive in it's own right, so I started looking at other Godin products, and ran into a 5th Ave Kingpin 1. Acoustically it was a 3 star, as I have a couple of Taylors and an Epiphone Masterbuilt that this guitar is no match for unplugged. HOWEVER !! This guitar was designed to be plugged in, and the Tone and ease of Play come shining through when the p90 is in the loop.
This includes guitar tutors and coaching software, guitar & amplifier emulators, reference tools and more. You will find tablature software in the Tablature category and software to slow down guitar solos in the Slow Down Music category. Software to tune your guitar can be found in the Instrument Tuners category and specialized chord software in the Chords category. Software designed specifically for bass guitar players can be found in the Bass Guitar category.
By placing two (or more) mics at different distances and angles from your speaker cab you will get two different sounds - and more variation will of course depend on whether these are the same model of mic, or different models. Mics placed further away will capture more room tone, and close mics are more upfront. Angled mics offer a less direct sound. Capture both feeds and blend or select from the two after recording.
Other defining features include its 3 on a side tuners on a painted headstock, a bound neck and body with trapezoid or block inlays on rosewood or ebony, and its Tune-O-Matic bridge with the Stop Bar tailpiece.  While some of these features are wonderfully cosmetic, the components such as the bridge set-up and pickup selection gave the Les Paul the massive sound and sustain for which the guitar is renowned.

1969 Alvarez 5053 Acoustic Brazilian Jacaranda Rare Old Script Logo WoW Here we have one of the very fine Alvarez model#5053 a very High End Japanese crafted Martin D-45 Copy from this golden era. This example is an oldie but a goodie made in 1969 #5053..Bone nut & saddle for the preferable upgrade to a true bone nut & saddle and of course the strings are new Martin Marquis 80/20. This is a unique & exotic true Vintage Japanese version of the classic ornate Martin D-45 again this one was Crafted in Japan by one of the finest acoustic instrument builders from this time period Alvarez, This guitar is possibly even a bit more fancy than even the actual Martin D-45 with the intricate exotic woods inlayed wow see this examples 3-piece back simply gorgeous! The Martin D-45 version just has a 2-piece back in most cases...This example is an Alverez model #5053.,,see pic detail. Bound body(front w/b/w/b/w/b/w, back w/b/w/b),bound neck(white),bound peg head(w/b/w). See the Beautiful detailed Abalone inlay around the sound hole with its white mother of pearl fret markers. With an adjustable Brazilian Jacaranda Rosewood bridge with a bone saddle and sweet smelling exotic looking Rosewood fretboard that is simply stunning. Special truss rod cover that has the word Alvarez in gold lettering. Select Sitka AAA Spruce top, - awesome landscape figure sides are very figured exotic rosewood. Smells great. Wonderful exotic figuring please see the pics. for the back and sides Better pictures to come soon...The superbly detailed ornate Perfling between the woods on the back is just absolutely stunningly gorgeous,unbelievable craftsmanship at this price point!!. I've only seen one other like it. except or the other one we have!!!! yes we have another 1974 available 5053 in stock as well!....WoW! That's Lightning striking twice... Real difficult to find much info on these rare exotics. A truly Beautiful vintage Japanese acoustic guitar and quite the collectible instrument ...for the person wanting only the best at a fair price...not on sale for $6,000-8000 like the vintage Martin would be this one is a true bargain Vintage exotic at under $1500 unheard of.. WoW! What a great find. JVG Rated at a solid 8.5/10 very good original Vintage condition. This one is so very close to our Yairi 5060 we had its amazing...build quality like the Yairi without the signed label...and the price tag for hundreds less a truly great find. .

Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 6 In-Line - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: 3-Color Sunburst
This full-sized, 22-fret, single cutaway electric guitar features two single-coil pickups and is capable of producing a wide range of tones. With the bridge pickup, you can get that bright, rich, cutting tone known as the country "twang" made famous by artists such as Merle Haggard and Waylon Jennings. With the neck pickup you get a warmer, mellow, bluesy tone, such as that of Albert Collins or Muddy Waters. Additionally, rock musicians as diverse as Syd Barrett, Chrissy Hynde, and Keith Richards have found a way to make their own distinctive sound using this style of guitar.
What people may not know is that they have a very affordable line of entry-level guitars.  This line continues the legacy of craftsmanship and prestige that comes with owning a Taylor. Whether you look into their line of Baby Taylors – 3/4 sized guitars that play better than many full-sized budget guitars, or you look into their entry full-sized acoustics, Taylor will not disappoint you.
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GuitarFX™ guitar software (it's on the market since 1997!) enables you to turn your computer into a guitar effects processor. Simply plug your guitar into the microphone or line input of your sound card, run this software, then press "Start" button. To stop playbacking pre-recorded guitar sounds click once on a picture of a small red lamp placed left to fx-slot with "Playback wav" title. Enjoy real-time crazy distortion smoothed by power filters and shaped by multi-band equalizers! Author of GuitarFX™ offers several presets, including "hard rock", "high gain lead" and "solo" effects. However, you can click through several menus to easily create custom tones. They can be saved as pre-sets for future use. Pre-sets can be assigned to "hot keys" F1..F12. Among the effects, you can apply 4 types of distortion, noise gate, wah-wah, compressor, EQ, flanger, reverb, chorus, delay and a number of other filters and effects. You can save your recordings to your hard drive. GuitarFX has the "software effects chain builder" with 16 fx slots. Clean guitar signals go to the top fx slot, then they are passed through all fx slots from the top to the bottom and go to the sound card output from the bottom fx slot. You can move any fx slot up. To do this place your mouse cursor on the top part of the appropriate "Tune" button and then do right mouse button click. Also you can move any fx slot down. To do this place your mouse cursor on the low part of the appropriate "Tune" button and then do right mouse button click.
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Meanwhile, in Sepulveda, Thomas Organ, after importing JMI's British-made amps for a short period in 1964–65, began to produce a line of mostly solid-state amplifiers in the United States that carried the Vox name and cosmetic stylings. With some assistance from Dick Denney, these amps effectively paralleled JMI's own transistorised amplifiers but were different from the British and Italian made Voxes in sound and reliability. To promote their equipment, Thomas Organ built the Voxmobile, a Ford roadster dressed up to look like a Phantom guitar, complete with a Continental organ and several "Beatle" amplifiers. Despite the huge marketing effort, Thomas Organ's Vox products did much to damage the reputation of Vox in the North American market for many years. By 1968, the company had also marketed a line of Vox drum sets (actually made by a German drum company, known as Trixon), which included a kit that featured a conical-shaped bass (kick) drum, that looked more like a wastepaper basket left on its side, and another with a bass (kick) drum, that looked like a flat tire. Such gimmicks did not help sales, and by the early 1970s Vox's American presence was virtually nonexistent.
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Generic PC audio cards often don’t have ASIO drivers. However, there is a freeware thing called ASIO4ALL - Universal ASIO Driver that can turn some of the low-level game friendly Windows audio interfaces (WDM streaming) into an ASIO driver, which is better than nothing. So if you’re going to start with your guitar going direct to the PC sound card, get this next.
One thing is for sure: the advantage of a multi effects pedal is getting a lot of effects in one convenient package, which you can use to learn what guitar effects you actually use on a regular basis. Depending on the type of music you play, your style, and your skill level, chances are you don’t have a need for every effect type under the sun. Pro guitarists’ pedalboards are tailored to the tone and sound they need to achieve. Perhaps fuzz, delay, and compression are crucial, but not a flanger or chorus. Point is, if you don’t yet know this about yourself, a multi-effects pedal is the most perfect and cost effective way to start. Over time, if and when your love for effects deepens, as your budget allows you can start buying individual pedals that are better versions of what’s on your multi-fx unit. The overdrive in your Zoom G3X might be good enough to hold you over, but eventually you might want to get an actual Ibanez TS9 Tube Screamer.
Alvarez has always been an under-rated brand. Beautiful workmanship, great sound- an excellent value for the money. I have one of the old six string "dove" guitars and a Yairi 12 string: both are close to forty years old and both still sound and look great and have never needed any repairs. I also have an old Martin six string. I have done the "blindfold" test with friends to choose the best sound between the alvarez and the martin - alvarez wins every time.
Look for lyrics or chord changes. Many songs have guitar parts made up solely (or mostly) of chords. This is especially true for rhythm guitar parts. In this case, the tab may forgo typical tab notation in favor of a simplified list of chord changes. These chords are almost always written in standard chord notation (Amin = A minor, E7 = E dominant 7, etc.) Simply play the chords in the order that they're listed - if it's not noted otherwise, try playing one chord per measure, but if the changes don't sound right, listen to the song for the strumming pattern.
The most common route for absolute beginners will likely be a good, old fashioned guitar instruction book. We’ve all seen at least one of these kicking around. They tend to have a guitar and some interesting 80s-inspired graphics emblazoned on the front. The typical format is either an encyclopedia of scales and chords (indeed, some on this list follow that formula), or a series of songs broken down into digestible theory tidbits often accompanied by an ancient information vessel known as a Compact Disc.
A common acoustic body style that makes use of a very large soundboard is the dreadnought. Dreadnoughts are distinctive for their square bouts, wide waists, and 14-fret necks. The first dreadnought was developed in 1916, and it has been gaining in popularity ever since. Dreadnoughts are very popular among bluegrass guitarists due to their powerful, driving sound.
Breedlove Guitars was established in 1990 by luthiers Larry Breedlove and Steve Henderson, while working at Taylor Guitars. After moving to Oregon, Breedlove and Henderson began specializing in custom, fingerstyle six and twelve string guitars. In 1991 the first Breedlove guitar model appeared, after experiments with the JLD bridge truss system and various bracing techniques. Around 1994, Larry’s brother, Kim Breedlove, joined Larry and Steve as a master craftsman. Breedlove strives to be environmentally conscious, and is “dedicated to selecting alternatives to endangered rainforest woods.”[1] Breedlove has since expanded to include mandolins and ukuleles.

Fuzz was originally intended to recreate the classic 1960's tone of an overdriven tube amp combined with torn speaker cones. Oldschool guitar players (like Link Wray) (citation needed) would use a screwdriver to poke several holes through the paperboard part of the guitar amp speaker to achieve a similar sound. Since the original designs, more extreme fuzz pedals have been designed and produced, incorporating octave-up effects, oscillation, gating, and greater amounts of distortion.
"I'm the famous guitar player," the late Duane Allman said, "but Dickey is the good one." The two spent less than three years together in the Allman Brothers Band, but they established an epic rapport – jamming at length, trading solos and playing their famous twin-guitar leads. After Allman's death in 1971, the group continued with Betts, scoring with "Ramblin' Man" and "Jessica." For all his blues and slide chops, his roots are in jazz, and you can hear the influence of his clean-toned modal soloing in every Southern rock group that's followed.
A multi-effects device (also called a "multi-FX" device) is a single electronics effects pedal or rackmount device that contains many different electronic effects. Multi-FX devices allow users to "preset" combinations of different effects, allowing musicians quick on-stage access to different effects combinations.[16] Multi-effects units typically have a range of distortion, chorus, flanger, phaser and reverb effects. The most expensive multi-effects units may also have looper functions. Pedal-style multieffects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rackmounted multieffects units are typically mounted in a rack. Guitarists and bassists may mount their rackmounted multieffects unit in the same rack with their preamplifier and power amplifier.
Classical guitars have nylon strings, which are softer than steel strings, and easier to press down. However, the neck is much wider on a classical guitar, which can be a struggle for beginners. The action is likely to be higher, as well. In general, they are softer-toned and don't project as well as a steel string acoustic, which makes for quieter practising, which could be a consideration.

: Nor were Decca guitars made for or marketed to children. They were made at the same factory that made Teisco, Teisco del Rey, Kingston, Heit, Kawai and other brands of guitars. Some of these are quite decent beginner's instruments, and some are just flat out interesting/weird. No, they're not the same quality of a Gibson, Fender or Burns guitar from the same period, but they also cost a fraction of one of those guitars. And coincidentally, Fender guitars nowadays are largely made in Indonesia, China and Korea, places that *wish* they could make things as well as they can in Japan, so chew on that before you slag on Japanese-made guitars.
There’s no disguising what the Jackson Pro Series DK2 Okoume is meant for: shredding. From the tonewoods to the construction to the feature set, everything on this guitar is designed to bring the best out of lightning-speed solos and other fretboard pyrotechnics. That it clocks in at under $900 off the rack makes the Pro Series DK2 a great value buy.
The first subject I concentrated on is (you guessed it) recording electric guitars. What became immediately apparent was that there was a huge range of different techniques being used, and also that there were strong differences of opinion between different professionals, which left the question 'who do I believe?' The only way I could answer that question was to put the different techniques into practice in the studio, and then A/B them to sort the sheep from the goats.
The compressions, delays, and modulation effects are super solid, and unless your friends or audience are ultimate tone nerds, nobody will be questioning the quality of those. One particularly cool delay effect that owners of the ME-80 say is a big deal is the TERA ECHO, which if purchased by itself would cost you around $150. The amp modeling is decent quality, perhaps slightly better than what you get on a Zoom multi-effect, but not quite as nice as a Line 6.
By the early ’80s, MTI was importing Westone guitars from Matsumoku, which had made its earlier Univox guitars (and the competitive Westbury guitars offered by Unicord). Wes-tone guitars continued to be distributed by MTI until ’84, when St. Louis Music, now a partner in the Matsumoku operation, took over the brand name and phased out its older Electra brand (also made by Matsumoku) in favor of Electra-Westone and then Westone. But that’s another story…
The guitar is an instrument capable of truly heavenly tones but capturing this sound in a recording is never as straight-forward as you'd think. Here at Prime Loops we've been changing strings, tweaking amps and adjusting mics to deliver only the finest tone imaginable to your DAW! We used a 1985 Gibson Les Paul electric and a Martin DC-16RGTE acoustic with Fishman, Marshall and Orange amps, recorded through an AKG C214 microphone, so STUDIO GUITARS guarantees to make the hairs on the back of your neck stand on end!
The Epiphone Company is a musical instrument company which was founded in the year 1873. Epiphone is specialized in making Guitars and are one of the largest producers of guitars in the world. Epiphone has several ranges to choose from, as they brand them in different groups. Few of the Epiphone ranges of guitars are, Epiphone Sheraton, Epiphone Casino, Epiphone Texan and The Dot etc. Besides guitars Epiphone also manufactured upright basses, banjos and other forms of stringed instruments.
Open the case and you will find over 689MB of rich guitar tones ranging from 70 to 130BPM. These sensational loops are neatly arranged into 3 categories comprising of 50+ Ballad Hooks, 50+ Steady Riffs and 50+ Upbeat Jams, all applicable to a vast range of genres! From the clean, delay-drenched chime of Ballad Hook 'Serene' to the upbeat overdrive of Steady Riff 'Perpetual' and the crunchy swagger of Upbeat Jam 'Loose', STUDIO GUITARS redefines quality guitar samples and delivers them in stunning 24-bit high definition.
The earliest documented performance with an electric guitar was in 1932, by guitarist and bandleader Gage Brewer. The Kansas-based musician had obtained two instruments from George Beauchamp of Los Angeles, California, and he publicized his new instruments in an article in the Wichita Beacon, October 2, 1932 and through a performance later that month.
Flamenco technique, in the performance of the rasgueado also uses the upstroke of the four fingers and the downstroke of the thumb: the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side. This was also used in a technique of the vihuela called dedillo[40] which has recently begun to be introduced on the classical guitar.
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Beginners face this very common problem when they go for the cheaper options. The strings are usually far from the fret board, and due to lack of knowledge, many think that this is how it was meant to be. Such a guitar brings pain to the fingers since force has to be applied to lower the string to the fret board so as to produce sound. All these difficulties make it very hard for a beginner to learn the guitar. For you to learn the guitar quickly and without problems, you should get a guitar whose distance from string to fret is less.
View a complete range of budget friendly electric guitars over at PMT Online today or call in to your local PMT store to see a full range. We have many electric guitars spanning all budgets, styles and genres including a complete range of guitar starter packs. Alternatively, call 0151 448 2089 to speak to one of our guitar experts to discuss your needs.
Yeah there is no double about it the Epiphone Special 11 is unreal value for money and even though I have over the years filled my Den with guitars some worth a lot of money the Epiphone Special 11 is my go to guitar. I just cannot fault, great tuners, pickups and basically the only guitar I have that stays in tune 90% plus of the time. It is also the lightest of my guitar collection weighing in at about 5.5lbs. For $299 Australian they are an absolute steal. If I could only have one guitar I would go to this Epiphone Les Paul Special 11 ever time.

Epiphone zenith guitar from the early 1960's,made from the 1931-1969,,16-3/8" body,oval pearl inlays,sunburst in color,single wide binding top & back.this guitar has a deep scratch on the top but not thru the wood,a couple extra holes in the top body on each side of the frettboard were it looked like an extra pickguard was,lots of finish crazing on the back of neck.this guitar has a new set of strings and plays and sounds great with nice action.
This has changed with the introduction of the 2018 Gibson Les Paul Studio, which now has white neck binding. Apart from this cosmetic addition, there are other new features. It has cryogenically treated frets, which means the fret wires have been exposed to extreme cold before they were fitted on the guitar’s rosewood fingerboard. The result? More durable frets that don’t wear out as quickly as regular frets.
Gate – A dynamic effect that cuts off or lowers the volume of the output when the input is below a certain volume threshold. Once the input reaches the threshold the gate opens and allows the entire signal through. This is handy when placed in an amplifier’s effects loop for helping to eliminate hiss caused by high gain distortion when the guitarist is not playing.
Replace components. From plugging in and unplugging my guitar so much, the stock input jack lost its grab. So I had an extra Radioshack one lying around, and I soldered it in. Now all my cords are held tight. I also had a problem(common with Teles as I understand it) with my input jack "cup" coming out with wires and all. Once you take a look at how it's held in there, it's an easy fix.
Description: Body: Maple - Body Construction: Solid - Top Wood: Spruce - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony Gold - String Instrument Finish: Natural

Analyzing the notes you are playing plays an important role while you are performing. The built-in chromatic tuner in these pedals shows you the live feed of your notes whether they are sharp, flat or dead. Similarly, one can bypass the currently selected sound fx for maintaining a pure sound when tuning or completely mute the signal for a uniform silence.
The best acoustic guitar brands in India are available for beginners to buy. When buying a guitar at a beginner level, it is good to go with the acoustic guitar. This is the type of guitar that is easy to learn and play. The strings are available in various materials. The make, shape, style, and material used in the strings are the features to look at when you buy a guitar. Acoustic, Electric, Spanish Guitar, Steel, Bass, and Resonator guitars are available in India. You can also find twelve string guitars to buy at a few locations in India. You will find amongst this list, best guitar brands in India for beginners as well as advanced learners.

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Whether you’re looking for the best acoustic electric guitar for beginners or a more advanced model, there are so many options that it might be tough to make the right call. If you want to learn more about some of the most popular guitars but don’t have the time to do your own research, then you can count on us to help you out. We’ve scoured the market and compared countless acoustic-electric guitars so we can recommend the best. Our top choice is the Epiphone Hummingbird Pro.
hey guys im just curious as i just got back from a music store that had to basses from two different brands (local luthiers) and they were virtually the same (5 string, j pickups, Aggie 3 band mahogany body, set neck) the only difference was one had a alder tone block, i personally couldn't hear a difference but the owner of said shop said tone wise it makes a huge difference, any thoughts?

Searching for something to give them a boost, in July ’68, Ovation introduced its first electric guitars – the Electric Storm series. Two models were available initially, the Thunderhead and the Tornado. These were f-hole semi-hollowbody thinline, equal double-cutaway guitars with German-made bodies, bolt-on Ovation necks, and Schaller hardware. Most had Schaller pickups with metal covers, a row of poles along each edge, and split, small, black inserts in the middle. Each was available with or without vibrato.
Oh and you play really great sounding exercises in blues, rock and country that encourage you to noodle around and find your own riffs and leads to play over the tracks which is something that I had never really been inspired to do before with any other book. The author doesn't just throw a bunch of tired, boring, public domain yankee doodles and scarborough fairs because he is too cheap to pay royalties or some crappy tunes that a kindergardener could write but actual original pro sounding tunes and riffs. Yes, I HAVE been around my fair share of crappy guitar lesson books, thanks for asking!
This type of chip delivers a beautifully coloured representation of your sound. It may not be the most accurate and you are limited in the number of repeats and delay time.These are not to be confused with Tape Echo which was used for a long time in the world’s largest studios. No, these pedals were made out of necessity to take a form of delay on the road easily.

The Effect: Vocal harmonizer pedals are among the most powerful tools you can have as a singing guitar player. An average vocal harmonizer will use the input from your guitar, mix it with your microphone’s signal, and produce a harmonic background of your voice that is in tune with the chords you’re playing. More advanced models like TC Helicon Play Acoustic, are capable of doing much more than that. We are looking at complex processors that offer multiple effects, active vocal equalization and so much more. With that said, vocal equalizers come in a variety of flavors. Some are optimized for solo performers, while others are much more relaxed. The great thing about modern vocal harmonizers is that tracking is no longer that much of an issue. It is fair to say that most models you can find on the market right now, will get you pretty solid core performance.
The movement to all-transistor amplifiers probably followed hot on the heels of the hybrid amps of 1968. The 1971 Univox catalog features a new, updated line of tube amps, but also has a little offset-printed flyer showing the Univox A Group of solidstate amps, which probably debuted a year or two before. These had black tolex-covered cabinets with vinyl handles, black grillcloths surrounded by white beading, and, on some, corner protectors. On amps with front-mounted controls, the logo had changed to wide, block, all-caps lettering printed on a metal strip running across the top of the grillcloth just under the panel. Combo amps with this logo treatment included the U-150R and U-65RN. The U-150R ($177.50) offered 20 watts of power running through two 10″ speakers, with reverb and tremolo, three inputs, and six control knobs. The U-65RN ($110) had 15 watts, one 15″ speaker, reverb and tremolo, with three inputs and five knobs. Joining these was the UB-250 ($150), a piggyback bass amp with 20 watts, 15″ speaker cabinet, two inputs, volume and tone. The U-4100 Minimax ($299.50) was a bass combo amp with 100 watts pushed through a 15″ speaker. Controls were on the back, with two channels for bass and normal. This had a rectangular logo plate on the upper left corner of the grille, with block letters and a round bullet or target design.
Hello, Our rhythm guitarist had a 12- string Mark X11 guitar by Vox back in 1967. It had a protective back pad ( 8 sided) on the back that snapped on. It was only made from 1964 - 1967. In mint shape, the Italian made one is worth at least $1,000.00 and the Engish made one is worth at least $1,500.00. Remember that is for a Mint shape guitar.(Info from Blue Book of Electric guitars -7th Edition 1999) You can see our guitarists sunburst Vox Mark X11 at Myfirstband.com ,click on Indiana -(SOS) Society of Sound page. There is a group shot and a close up in color of him with it. Peace........Rockin Rory in Indiana
I don’t recall how I got his number, but when I called Dana Sutcliffe to talk about what is probably his most famous—at least known famous—guitar, he said we should do lunch. Dana lives just down the road from me in Delaware, so it was an easy meeting. I asked if he’d ever had Vietnamese pho (beef noodle soup, one of the world’s most perfect foods), and since he hadn’t and since he loves to eat, we met one day in one of South Philadelphia’s numerous pho parlors to discuss the genesis of the Alvarez Dana Scoop. It was, as it turns out, all the result of an accident.
Side Note: The above is a visual example of how the wrong pedal order screws up your tone. When you compress before using delay, you get a perfectly shaped note ringing out and decaying uniformly over time. If you delay before compressing and even normalize with your make-up gain, you still lose volume and power due to the attack sneaking through first. Then your delayed notes are all also compressed, ruining your fine-tuned echo decay so that all echoes are relatively too loud and don't decay equally over time.
Amongst the best guitar brands in India for acoustic guitars, Martin is one that stands out. Martin is one of the best known brands for its steel-string guitars. It is a leading manufacturer of flat top guitars which produce top notch sound quality. However, the company is best known for their signature dreadnought acoustic guitar with X-bracing. It is truly one of the best guitar brands for some of the best quality guitars in the market.

With the bridge in a locked position, bring the strings to your preferred tuning and check the neck curvature. If you don't intend to keep the instrument in standard concert pitch, tune it as you intend to normally tune it- half a step down, three steps down, whatever. Also, you should have the gauge of strings you intend to use on the guitar at this point, if you did not already. Both the string gauge and the tuning of the strings dictate the amount of tension that is going to be pulling on the neck, and everything about the adjustments you are about to make is affected by the tension on the neck.

The S2 Custom 24 features a mahogany body with book-matched flame maple top, that follows the same double cutaway shape and detailed arch as the original Custom 24. The guitar's mahogany neck is also not far off, being rafted from mahogany with PRS' distinctive 25" scale length. It has a 24-fret rosewood fingerboard that has a comfortably narrow nutwidth of 1.656". Finally, the S2 Custom 24 owes its voice to its dual humbucker pickups that include the S2 Vintage Bass and the S2 HFS Treble - which provide PRS' characteristically open and clear tone. You can push or pull the tone knob for single-coil tones should you need them.
Dobro also sold a Dobro amplifier to accompany the Dobro All-Electric. The first Dobro amp had a large cabinet made by Bulwin of Los Angeles. The grillcover was a smaller version of the typical guitar resonator cover, provided by Rickenbacker. This had five tubes and an 8″ Lansing field coil speaker. The Lansing was probably a matter of convenience because the company was located down the street from Dobro. The rectifier tube was an 80 and the output tubes were two 42s. These apparently had two inputs, volume and an on/off switch. The chassis on these amps were supposed to have been made by Dobro itself, but more than likely they were sent out to some local L.A. radio manufacturers and assembled at Dobro.

@Carl – Sorry to hear that you are having trouble. I am not clear on why this would be happening from the info you have provided. Can you please shoot us an email with details on the input and output connections and how each pedal is being powered when you experience this problem? Also, please also include a video that clearly shows this behavior, your connections, and how each pedal is being powered so that we have a better understanding of what you are experiencing. support@strymon.net

OLD Morris looks to be equal in all respects to our Yairi CY116, exotic wood construction with very nice old woods and excellent workmanship - fit & f instance they make the fit & finish is amazingly nice on the Terada factory made Morris. If your not familiar with Terada they are responsible for some of the finest Japanese guitars on the planet for instance Ibanez George Benson GB10's and all that high end line, most of Ibanez's Artists, and several other top of the line Japanese legends and they know how to make exceptional guitars and this Morris Classical is no different it sounds beautiful and has the vibe that is if you love the looks and feel of a well seasoned fully broken in 40 year patina and your OK with the top finger drag wear your going to love this vintage beauty yes it has plenty of vibe bit it sounds deep and rich too. Nice meaty neck plays easily with great action and with absolutely no cracks oh it has minor doinks and scratches here & there but nothing horrible this guitar qualifies for a VERY GOOD JVG rating overall vintage excellent but with the wear as seen the neck is still pretty slick no major abrasions and the fingerboard is nice too. Yes this is a very nice Ole Classical that has another lifetime of wonderful service to its new owner. I think you will be very pleased. Any questions just drop me an email to JVGuitars@gmail.com . Thanks for looking Joe.
The D-120's all-mahogany body strays from conventional spruce top design, which results in a warmer and more articulate tone. This particular tone is ideal for guitarists who sing, and for those who accompany vocals, it also blends well with conventional spruce top acoustic guitars, easily cutting through the mix with its lower-mids emphasized voicing. And since the body is crafted from solid mahogany, you can be sure that the instrument grows with you, sounding better with age.
I had a 1984 Jackson Randy Rhoads Custom with a serial # in the low 400′s…that thing would sing on a note with high gain and boost with a TS-808 Tube screamer like a Sustainiac guitar…problem was the bridge was mislocated and it wouldn’t intonate correctly…sent it back…made them replace it with a new guitar (didn’t want plugs in it)…the new one had (ermmm…still has as I still own it) the EXACT same pickups, hardware down to the tuning machines, etc…EVERY single piece of hardware was moved over to the replacement (and in the case of the bridge pickup it is a proven fact as that was/is a retail version of an SH-6 wired for series/single coil/parallel…along with the pickguard with the additional hole for switch)…same types of wood used (3 piece maple neck through construction with poplar wings) yet the replacement has NEVER sung on a note. So what does that say? I have to say that the replacement does sound “better” overall in some intangible way…glassier I guess…longer sustain…yet it REFUSES to go into a sustained feedback loop.
The more solid wood there is, the better the overall resonance, sustain and tone of the acoustic guitar. Solid wood, specially those used on the tops of acoustics, also resonate better as it ages. The downside to solid wood is mainly its more premium cost, and not to mention it uses more wood resources than laminate wood. Solid wood is also more prone to damage, so they require extra care especially from changing weather and humidity. Laminate woods are more affordable, and they are also more sturdy and resistant to damage. On the flip side, they will lack the resonance and sustain of solid wood, but this can be a good thing if you're looking for vintage mid-range focused tone.
There's a sick little used Chinese Peavey going for $90 at my local guitar shop. It plays great, but nobody seems to want it. I'm already picking up a MIM strat from there, but after I save up a bit more change I think I'll grab it as well. You always have to dig for the good players, and sometimes you just happen to be lucky enough to find a cheap one on a fluke, doesn't matter where it's from.
Gibson filed a lawsuit November 18, 2010 in Federal court, the Central District of California, against WowWee USA and their Paper Jamz battery operated guitar toys charging trademark infringement.[27][28] The lawsuit claimed the Paper Jamz toy guitars copied the looks of some of Gibson’s famous guitars, the Gibson Les Paul, the Gibson Flying V, the Gibson Explorer, and the Gibson SG. On December 21, 2010 Gibson was granted a request for an injunction against WowWee and retailers in the United States which were selling Paper Jamz guitars: WalMart, Amazon (company), Big Lots stores, Kmart Corporation, Target Corporation, Toys “R” Us, Walgreens, Brookstone, Best Buy, eBay, Toywiz.com, and Home Shopping Network (HSN)[29][30][31] The case was dismissed with prejudice (dismissed permanently) January 11, 2011 by Federal Judge R. Gary Klausner.[32][33]

If you are inexperienced, it is only recommended that you attempt to setup a guitar that is of little value to you, both financially and sentimentally. If you don’t have one that fits these requirements, then it is best to pay the cost of a guitar setup as performed by a professional. The primary risk while setting up the instrument is over adjustment. Working any part of the bridge too much will cause wear and tear, and irreparable damage to the neck is often the result of improperly adjusting the truss rod. It is always hard to justify ruining a perfectly good instrument in order to avoid guitar setup cost.
Now, if you're just getting started and breaking strings every time you try to tune up because you hit the wrong octave, then start out with the cheapest strings.  Once you can reliably tune and play without destroying them, you can work you way up.  Once you have the hand coordination, your learning will be accelerated too.  The right tool for the right job, as Old Grandpappy always used to say.  The best electric guitar available will be garbage with the worst strings on the market.  Choose wisely!
Further down the Seagull line, looking at models outside of the Artist Series, the components and woods aren’t the same but we still see an impressive attention to detail. The Seagull S6 Original is a bare-bones acoustic, perfect for beginners and intermediate players. This is a guitar worth checking out if you need a solid acoustic and don’t want to break the bank.

"Guitarists frequently ask me to recommend a gig-worthy combo that sells for less than a thousand bucks," wrote Guitar World's Chris Gill in the May 2017 issue. "The question is never quite that simple though, as players often stipulate that they need great clean tones with plenty of headroom and that work well with pedals, a solid overdrive/distortion channel that really projects on stage, and really good reverb would be nice, too. While there are a few amps on the market that meet those requirements, the new PRS Sonzera series has jumped to the top of my list of recommendations."
Rack-mounted effects processors are another option, and are often used in pro and home studios as well as in stage rigs.. These effects units offer the same options as floor-based pedals and multi-effects units. They are simply mounted in a rack, and usually can be controlled with a foot pedal or the controls on their front panels. Newly developed iOS app-based and DAW-based effects add even more options to how you go about building an effects collection.

Gibson did not take Fender too seriously at first; Fender were just an amplifier company that made a few guitars. They didn't regard the solid-body Broadcaster launched in 1950 as a serious musical instrument, lacking the depth of tone of a Gibson electric-acoustic. But music was changing, guitarists wanted different sounds, and music was getting louder. Fenders instruments proved to be more appropriate for the emerging musical scenes. Over the next decade Fender created a number of solid-body guitars that defined genres. Guitars like the Stratocaster, Telecaster and Precision and Jazz basses proved to be exceptionally popular and have stayed in production ever since.

As an acoustic guitar player, and not a very good one at that, I'm always looking for some advantages, and by advantages I mean something that will make me sound better, not necessarily play better. So when I heard about a device that can add distortion, or reverb, or echo effects to an acoustic instrument, without needing to plug in to an external amp, I didn't believe it until I saw/heard for myself.
I thank Roger Evans “How to play guitar” for his easy & intuitive written method, a good reason why he is a bestseller & outselling your hard-pushed videos. I can assure you, you will be a better teacher if you buy his book, and you will a top teacher if you read his other books such as “How to Read Music”, “How to play piano”, & ” How to play keyboards”. You will thank me for this advise and you will be a better asset to your potential students.
Great guitar at this price point. Want to make it better? For so little money you can add lighter strings, a bone saddle, bone nut and pins. It's not necessary but they may help some. A bunch of small improvements put together make a big difference. What really does make a difference is having the action set up properly. Lowering it made it much easier to play for me. The finish and craftsmanship on this guitar is excellent.

Echo is a naturally occurring effect. Since the first days of recording, men have attempted to create an artificial method of duplicating this effect. The first attempt were echo chambers (or rooms) that created a “natural” echo. These rooms still exist at some recording studios. Tape echo effects came next, offering portability and variable rates of echo. These units were often noisy, but are still favored for their warm echo tone. Analog delays solved the problems inherent with tape (bad tubes, noisy tape, and misaligned or worn out tape heads) but had limitations in the length of their delay. Finally, digital delays appeared in the 1980s and offered more delay time and added features, but also came with a more sterile sounding tone. Many digital delays now simulate tape, analog, and digital delays
Every year we bring a new opening act on tour with us, and every year I have the harsh task of going on stage after some of the finest players in the business. This summer’s tour was no exception. With Montgomery Gentry in the support slot of the Toby Keith Biggest and Baddest tour, I had my work cut out for me. Two of the best axe slingers the music scene has to offer—Frank Bowers and Bo “two-timechampion” Garrett—have some of the greatest chops and sounds on the circuit today.

Bass amps come with a range of different input and output jacks, depending on the cost of the amplifier and its intended purpose. The least expensive practice amps may only have a single 1/4" input jack and no output jacks. Some practice amps and small combo amps have RCA or 1/8" inputs for plugging an MP3 player or CD player into the bass amp, to facilitate practicing with a recording. Some amps have a high-gain input, for basses which have internal preamplifiers one the instrument. The high-gain input is routed through a pad (attenuator). An amp may also have a low-gain input, which is unattenuated, for regular basses. Some combo amps have a 1/4" auxiliary input, which could be used to plug in a keyboard, drum machine or second bass.
Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Neck Wood: Maple & Walnut - Fingerboard: Maple - Frets: Jumbo - Inlay: Black - Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line, Reverse - Bridge: Lo-Pro Edge - Hardware: 1x Volume Control, 1x Tone Control, 5-Way Switch - Pickups: DiMarzio - Pickup Configuration: H-S-H - String Instrument Finish: White
Founded in 1976, Schecter Guitar Research started out by producing replacement parts for existing guitars of the era. They then took the production a step further by custom building guitars, and have grown steadily ever since. Today, Schecter is known for their extensive line of mass produced electric guitars, and their instruments are well received in the rock, punk and metal circles.
The Effect:To this day, there are 3 main delay pedal types coexist, Tape is usually the most expensive and sough-after (especially Vintage releases) type as they provide very natural sound reproduction. Analog were modernized in the 70’s and they worked on electronics, with a minor drawback according to some as they store up to 3 seconds of Delay time. Digital pedals is the type met with most frequency on today’s market, offering longer-than-usual Delay times and pristine sound reproduction, these are usually your best pick. A lot of players know that they want a delay effect but have no idea from where to start, if you are one of them, try the Boss DD-7 Digital Delay Pedal The most basic and often met controls on Delay pedals are Time, Level and Feedback, you’ll sometimes find them labeled differently but with the same function and purpose.

Harmony was the largest US guitar manufacturer between the 1930s and late 1960s. At the height of the guitar boom in the mid-1960s, Harmony was building more than 1000 instruments per day. Not only were they producing Harmony-branded guitars, there was a time when the Chicago-based factory was making guitars for 57 different brand names and trademarks. At one point, Harmony was selling 40 percent of their guitars through Sears & Roebuck under the Silvertone brand.

“Take a humbucker wound with 42-gauge wire as a benchmark. With an Alnico II magnet, it would have a warm, soft bass response, a very sweet high end and a slightly pronounced mid- range. Alnico III, funnily enough, is not quite as strong as Alnico II. So, the highs tend to be more muted and rounded. Probably the best way to imagine the sound of Alnico III is to think of the early 1950s when this form of magnet was very common. Think of the sounds of the jazz and clean guitar tones from that time – that plummy roundness.

The Gibson Mandolin-Guitar Mfg. Co., Ltd. was founded by Orville Gibson in 1902 in Kalamazoo, Michigan when he brought in a consortium of investors to finance expansion to keep up with demand. Orville had been selling his hand made instruments since 1894 and was awarded a patent for his one-piece designed mandolin in 1898. He also invented Archtop Guitars around that same time by applying similar lutherie techniques to those used on violins.
Students and expert alike describe this guitar as a fun instrument, and goes further by commenting that it has exceeded their expectations. From its fast action playability to the quality of the finish, the Epiphone SGSpecial continues to rake in compliments. Several people even said that it comes surprisingly close to the feel and sound of a Gibson SG.
Shure SM57.Sennheiser MD421.For a rock sound, many (though not all!) engineers will use a dynamic mic placed close to the speaker (sometimes on its own, sometimes in combination with other mics) like this Electrovoice RE20.Why such a strong preference? These days, force of habit has got to be part of the answer, but there is also a lot about the microphone's frequency response which suits guitar recording. For a start, the sub-200Hz response roll-off reduces low-end cabinet 'thumps', which might otherwise conflict with the kick drum and bass in the mix. This also compensates for proximity boost when the mic is used very close to the speaker cone. However, there's also a slight 'suckout' at 300-500Hz, an area where muddiness can easily occur, and a broad 2-12kHz presence peak, which adds bite and helps the guitars cut through the rest of the track.
Controls were volume and tone. A little elevated pickguard sat on the upper treble bout. The earliest examples of these had the little plastic logo on the head. By ’71, these had changed to an outlined block letter decal logo. A fretless version was also available by ’71. The U1970 with frets, and fretless U1970F, were both $220 with case. How long these were available is uncertain, but they were probably gone by ’73 or ’74.
It wouldn't be called a tribute if it didn't follow convention, so having a mahogany body with an arched maple top is expected. Epiphone also designed the neck to mimic the playability of old LPs, giving this guitar a 1960s SlimTaper D profile. However, what makes the Epiphone Les Paul Tribute Plus stand out is the use of two Gibson USA '57 Classic humbucking pickups, which essentially gives this Les Paul a more premium Gibson voice, at a fraction of the price.
With this in mind, rather than taking the category chronologically, let’s accept our good fortune in today having all of history’s distortion sounds at our fingertips—so next time out, we’ll look first at those which transform the guitar and amp’s natural tone least, working toward those which balls it up most. In other words, from the least synthetic to the most synthetic-sounding of the genre.
On the whole, Decca sold a lot of these guitars but the timing was awful.  By 1968 the demand for electric guitars had decreased dramatically.  MCA was about to bankrupt Danelectro, and CBS was cutting all sorts of corners on Fender instruments.  Darker times were coming folks, but for a moment, let’s rejoice in the mid 60s era of records and guitars!
I have my Dad's '68 Kent guitar and am looking to have it restored..any info on parts would be helpful...I think all it needs is the spring for the vibrato (whammy bar)...everything else is there...the rubber piece on the bridge looks quite worn or perhaps brittle (rightfully so). Does anyone know what this guitar is worth? It's in orange sunburst ...It's a left handed guitar
A simple, inexpensive amplifier may have only two tone controls, a passive bass and treble control. In some better quality amps, one or more midrange controls are provided. On the most expensive amps, there may be shelving equalizers for bass and treble, a number of mid-range controls (e.g., low mid, mid and high mid), and a graphic equalizer or parametric equalizer. The amplifier's master volume control restricts the amount of signal permitted through to the driver stage and the power amplifier. When using a power attenuator with a tube amplifier, the master volume no longer acts as the master volume control. Instead, the power attenuator's attenuation control controls the power delivered to the speaker, and the amplifier's master volume control determines the amount of power-tube distortion. Power-supply based power reduction is controlled by a knob on the tube power amp, variously labeled "wattage", "power", "scale", "power scale", or "power dampening".
Ibanez is the pioneer to launch the first 7-stringed guitar. They are the creators of the 7-stringed instrument in 1990 with the collaboration universe. Most Ibanez guitars come with a full-size frigate shape having a top of laminated select dapper. Ibanez guitars have mahogany neck, back, and sides, along with 20 frets on a rosewood fretboard. The Ibanez-branded headstock came with attractive quality and closed chrome die-cast tuners. These all features make the Ibanez guitars suitable for every kind of style and genre of music. However, heavy music is mainly the field where metal crowd flock and let the Ibanez guitars unbeatable.
Wampler would be considered a boutique pedal manufacturer, which means they'll tend to be a little more expensive, but also more likely to give their products more creative attention and include features like true bypass, which you don't get with Boss pedals. It's also a unique blend of delay layers and reverb tones, which can really draw you in and make you want to deviate from the cheaper reverb pedals.
From the outset, wooden bodies had been sourced from existing guitar manufacturers, particularly the plywood student guitar bodies made by theRegal Musical Instrument Company. Dobro had granted Regal a license to manufacture resonator instruments. By 1937, it was the only manufacturer, and the license was officially made exclusive. Regal continued to manufacture and sell resonator instruments under many names, including Regal, Dobro, Old Kraftsman, and Ward. However, they ceased all resonator guitars production following the U.S. entry into the Second World War in 1941.
Watching the short documentary posted above about Joe’s youthful experiences with MXR pedals was a real treat for me and sent me nostalgically back to those childhood days discovering pedals with my friends. I don’t know a whole ton about Joe’s use of particular pedals and such, but I’d definitely love to learn more. I do, however, appreciate how indispensable they are to an electric guitarist, especially a supremely talented one like Joe. Watching Joe’s fingers as he plays is magic, but I definitely need to start paying attention to how he’s playing guitar with his feet.
This is the name given to the amplifier, separate from the speakers. It’s the pre-amp and amp in one box, which is usually placed on top of a cabinet or a stack of speakers. This is a common configuration for large venues, and it might be useful to have a separate amp head if you play a lot of festivals or “battle of the bands” events, where the speakers are generally provided by the organizer.
Near the beginning of Epiphone's thinline semi-acoustic range is 'The Dot', based on the timeless and legendary Gibson ES-335. The Dot feels comfortable to hold and play, and the neck, while by no means clubby, feels substantial in your palm, probably due to the 43mm width at the nut. Its slightly flattened C-profile increases marginally in depth further up the neck, making for a suitably vintage feel. An acoustic strum issues forth a pleasing, resonant ring. We'd wager that the Dot's all-maple construction has got something to do with that, but more obviously, the hollow bouts bolster the acoustic tone, inducing wry smiles to those listening. Before plugging in, listen to Ronny Jordan, then Noel Gallagher, then BB King, then George Harrison and John Lennon. It becomes immediately apparent that this style of guitar is hugely versatile. This Dot is no exception: the pickups, while not packing the punch of USA PAFs, offer everything form smooth and moody, front-position mellowness to screeching, bridge position rawk. It's one of the best electric guitars for jazz at this price point, too. The Dot looks fine, sounds great and plays great. To our minds, that's value for money indeed.
The basic sound of the amplified electric bass or double bass can be modified by electronic bass effects. Since the bass typically plays an accompaniment, beat keeping role as a rhythm section instrument in many styles of music, preamplifiers ("preamps"), compression, limiters, and equalization (modifying the bass and treble frequencies) are the most widely used effect units for bass. The types of pedals commonly used for electric guitar (distortion, phaser, flanger, etc.) are less commonly used for bass, at least in bands or styles where the bassist mainly plays a rhythm section role. In styles of music where the bass is also used as a soloing instrument (certain genres of heavy metal, progressive rock and jazz fusion), bassists may use a wider range of effects units. Jazz fusion bassists who play fretless bass may use chorus effect and reverb for their solos.
Whether he was playing as a Muscle Shoals studio musician or as one of the lead guitarists in The Allman Brothers Band, Duane Allman was brilliant. Both his standard playing and slide playing were some of the smoothest and most adventurous the world has ever seen. To hear Allman at the height of his guitar playing prowess, give a listen to “The Allman Brothers Live at The Fillmore East.”
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Unless it's broken and will need to be replaced, start with obtaining a new nut that is anything to your liking, preferably a blank nut rather than a pre-cut to avoid improper string height. If cutting a blank try copying your old nut and make adjustments if needed using the neck as a guide after cutting out the nut. To do this take a sharp blade that is easy to work with such as an X-acto and cut the finish that holds the sides of the nut. Make sure to cut all of the finish as it will break apart when you take out the nut.
It features a solid mahogany top, supported by laminate mahogany back and sides, which gives a warmer tonality and a very earthy vibe. It also comes with Graphtech NuBone nut and saddle, a premium feature that you normally have to pay extra to add into your guitar. Giving this guitar its amplified voice is a Fishman Presys II 301T electronic pickup/preamp system that comes with a built-in tuner. On top of all that, the Washburn WL012SE does not skimp on ornamentation, which includes the Washburn Parquet rosette and rosewood bindings.

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Pictured is a tremolo arm or vibrato tailpiece style bridge and tailpiece system, often called a whammy bar or trem. It uses a lever ("vibrato arm") attached to the bridge that can temporarily slacken or tighten the strings to alter the pitch. A player can use this to create a vibrato or a portamento effect. Early vibrato systems were often unreliable and made the guitar go out of tune easily. They also had a limited pitch range. Later Fender designs were better, but Fender held the patent on these, so other companies used older designs for many years.