The Jeff Beck Oxblood is available in limited numbers. The first 50 of these historic guitars were aged at Gibson Custom to look like Beck’s original, then signed, numbered and played by Beck himself. The next 100 guitars were prepared with Gibson Custom’s V.O.S. finish, bringing the total run to 150 instruments. Each one also comes with a standard Gibson Custom case.
ZPS (ZERO POINT SYSTEM) OF ZR TREMOLO Molla principale Vite di arresto Blocco tremolo Barra di arresto Con la chitarra accordata con precisione, regolare la molla principale assicurandosi che la barra di arresto tocchi il blocco tremolo e la vite di arresto. Se la barra di arresto non tocca il blocco tremolo e la vite di arresto, ruotare la vite di regolazione della molla principale finché...
“The tremolo tail assembly was engineered specifically for the Spectrum ‘5.’ The bridge is an integral part of the whole assembly and is, of course, universally adjustable. The marvel of it all, however, is that the tremolo does not exert any friction (hence no wear and tear) on the strings. The tremolo action causes the whole bridge assembly to move smoothly back and forth.
So, I’m 50+, I’ve never played a guitar, and I’m trying to decide on an electric guitar. I’m less concerned with the brand name, more concerned with high quality and workmanship, and last, I like the tone of the guitars played by the late Pete Ham of Badfinger (especially Baby Blue), and Joe Walsh. I know Ham played a cherry red Gibson SG standard, but I’m seeing quite a few mixed reviews on the quality control and workmanship of the current SGs. I listen to a lot of jam band music (i.e. Widespread Panic) and enjoy the rhythm guitar best. So, where to start and stay under $2000 to get a guitar that will produce the type of sound I’m looking for?

Hoshino Gakki also had semi acoustic, nylon and steel stringed acoustic guitars manufactured under the Ibanez name. Most Ibanez guitars were made for Hoshino Gakki by the FujiGen guitar factory in Japan up until the mid to late 1980s and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China and Indonesia. During the early 1980s the FujiGen guitar factory also produced most of the Roland guitar synthesizers, including the Stratocaster-style Roland G-505, the twin-humbucker Roland G-202 and the Ibanez X-ING IMG-2010.

To answer this question, all you need to do is close your eyes and focus on what is currently going on around you. Just about every sound you hear, whether you are at home or on a busy street, is packed with some dose of reverb. In nature, sound reflects off of multiple objects and surfaces across various distances. Both our ears and our brains are used to reverb by default. That is one of the reasons why even an artificial reverb effect tends to make a track more enjoyable.

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I think Washburn is one of the best out there, From their A series, to HM to x series they all rock. I've had a a-10 since 1980 and it plays great! I have also got the reissues still great quality over the years. The only issue I've seen is Washburn's commitment to catch/keep some artist. Either they can't keep um or they don't want to. Can't see it being the later. Its very difficult to try one of their pieces out as their are very few stores that even stock them. In the 80's early 90s they were everywhere, now?
It’s quite interesting to look into the psychology behind our behavior when it comes to how much we pay for things in connection with how good we think they are. In one experiment, restaurant guests got served the same dish. Some of them payed a high price for their dish and some a normal lunch price. Did the guests think that their food tasted differently? Yes, they did. The guests who payed the high price thought that their food was much better than the people who got it for cheap.
When you access our digital guitar tab database, not only do you have the benefit of our user-friendly browsing, but you have the option to preview the sheet music you've selected before purchase. Leave behind all doubt that you have the version of your guitar hit you've been yearning to learn. Our sheet music includes a range for all skill levels, so no matter where you are on your path down guitar playing, we will have sheet music to benefit you.

From beginners to seasoned professionals, most guitar players will experiment with effects at some point in their musical journey. While learning to play your instrument well should be a top priority, messing around with effects can be a fun way to engage with your instrument and start learning its sound possibilities without a lot of hard practice. There's a huge variety of stompboxes out there, many with very low price tags that make great gifts and can add a new dimension of fun for beginning players.

The Effect: When it comes to effects pedals, those which offer more than one type of effect are usually seen as the best cost effective solution out there. Although many still prefer that standard, standalone configuration, multi-effects pedals have a lot to offer. Take Carl Martin Multi Effects Pedal as an example. This thing is packed to the brim with boutique level effects. Easy to use, a board such as this one can substitute a whole pedalboard depending on the variety of effects you use. One of the other great features of this design is the fact that multi-effect pedals come in both digital and analog form. They have transcended that artificial sounding performance that plagued effects processors some 10 years ago. Today, a multi-effects pedal is every bit as capable as its standalone counterparts. While this design is aimed at everyone, budget oriented users stand to gain the most from it.

Because of the high quality, Gibsons are among the more expensive models of guitars. However, Epiphone, of whom they are the parent organization, produces high quality guitars at much more affordable prices. These guitars are usually slightly inferior to their Gibson counterparts, but the playability and style are similar, and they are still a definitely among the good guitar brands.
There were also a number of guitars that featured the same headstock style as the 700-800 models that featured symetrical hollow or semi-hollow bodies similar to some of the Gibsons. Gibson aficionados refer to the bodies as having "Mickey Mouse ears". One model had a deep jazz guitar-style body. They all had what appear to be humbucker pickups, some black and some plated. The Kent name only appeared on the headstocks.

Check out a set of Elixir strings for yourself to hear and feel the difference.  The coating actually reduces string squeaks as well, providing a consistent sound for close miking and recording acoustic players.  The squeak of the finger over the round wound strings of an acoustic has always been an intrinsic part of the instrument, but hearing the guitar performed without such extra squeaking may change your mind.

Half a step up from standard tuning. Used in most of Johnny Cash's music, for "Love Buzz" on Nirvana's Bleach album - apparently by mistake (according to Come As You Are - Michael Azerrad), 3 Doors Down on "Here Without You" (a capo was probably used), Vektor, Soundgarden's "Black Hole Sun" (The low E string was tuned to Eb/D# for a drop Eb/D# tuning), Nickelback on their song "When We Stand Together", Burzum on his first 3 albums, John Fedowitz in his solo project "Ceremony", and Joe Jackson on "Got the Time".

The world is full of amps. It is so full of them in fact that it is somehow hard to choose not because there is not enough good ones, but too many of them. Which is very unfortunate, as it raises the entry level requirement for understanding what you are buying. This means that a whole lot of people get intimidated when trying to pick an amp. Like if they want a mini amp that they would want to carry with them when they go somewhere. Which is why I sat myself down the other day, bargaining all the while, and compiled a list of the best small guitar amps, for the sake of all the big musicians trying to play them. Hopefully at least some of you will find it more or less useful, since I had to categorize these according to price, sound quality, tone quality, comfort of use and even the general usefulness. What I am trying to say is, it was a lot of work.

Note that the information presented in this article is for reference purposes only. Amplified Parts makes no claims, promises, or guarantees about the accuracy, completeness, or adequacy of the contents of this article, and expressly disclaims liability for errors or omissions on the part of the author. No warranty of any kind, implied, expressed, or statutory, including but not limited to the warranties of non-infringement of third party rights, title, merchantability, or fitness for a particular purpose, is given with respect to the contents of this article or its links to other resources.

The American Deluxe Telecaster (introduced in 1998; upgraded in 2004, 2008, and 2010) features a pair of Samarium Cobalt Noiseless pickups and the S-1 switching system. Models made prior to 2004 featured two Fender Vintage Noiseless Tele single-coils, Fender/Fishman Powerbridge piezo system and 4-bolt neck fixing. Other refinements include a bound contoured alder or ash body and an abalone dot-inlaid maple neck with rosewood or maple fingerboard, 22 medium-jumbo frets, rolled fingerboard edges, and highly detailed nut and fret work. The HH model sported an ebony fingerboard, quilted or flamed maple top and a pair of Enforcer humbuckers with S-1 switching (discontinued as of 2008). As of March 23, 2010, Fender updated the American Deluxe Telecaster with a compound radius maple neck, N3 Noiseless Tele pickups and a reconfigured S-1 switching system for wider sonic possibilities. The new model now sports staggered, locking tuning machines, which provide better break angle over the nut for increased sustain and improved tuning stability.
Many guitarists with instruments that have more than one pickup spend most of their time on the bridge unit. Using a variety of pickup positions when recording will thin or fatten the sound as required, but also help free up space when it comes to the mixing stage. Think of a recorded mix as a layer cake; too much density in one frequency range will cause a headache for the mixing engineer.
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For each slot requiring attention, I use a nut file at a slight downwards angle to widen the slot, making sure not to LOWER it (you should do this at a shallower angle than this photo might imply – you want to make sure that you are JUST slightly downwards compared to horizontal). Just take it really easily here, keeping an eye on the front of the slot to make sure you don’t go too far. Repeat this for whichever slots require widening.
When the lyrics of hit songs feature your brand by name, as a company, you know you must be on the right track. At nearly 150 years in business, innovation has kept this guitar maker constantly on the list of top acoustic guitar brands. Vintage models are coveted and new designs live up to the classic name and reputation. And with a lifetime guarantee, you know these beauties are built to last.
Unfortunately, National’s line of instruments was not well diversified and, as demand for the expensive and hard-to-manufacture tri-cone guitars began to slip, the company realized that it would need to produce instruments with a lower production cost if it was going to succeed against rival manufacturers. Dissatisfaction with what John Dopyera felt was mismanagement led him to resign from National in January 1929, and he subsequently formed the Dobro Manufacturing Corporation, later called Dobro Corporation, Ltd, and began to manufacture his own line of resonator-equipped instruments (dobros). Patent infringement disagreements between National and Dobro led to a lawsuit in 1929 with Dobro suing National for $2,000,000 in damages. Problems within National’s management as well as pressure from the deepening Great Depression led to a production slowdown at National, and this ultimately resulted in part of the company’s fractured management structure organizing support for George Beauchamp’s newest project: the development of a fully electric guitar.[5]
Another classic yet quite rare tone wood, Korina, has a lengthy Gibson pedigree. This elegant, fine-grained wood, also known as African limba, was chosen as the wood for the super-collectible Modernistic Series guitars of the late 1950s, and lives on in the ’58 Explorer and ’59 Flying V available today from the Custom Shop. Korina possesses some similarities to mahogany, particularly in its warmth and resonance, but it also yields degrees of clarity, definition, and sustain that are all its own.

There are, by the way, a number of discrepancies between Japanese Teisco and American Teisco Del Rey literature from 1966. Many of the older models continued to be promoted in Japan, but not in the U.S. Virtually all guitars in U.S. literature are also seen in Japanese catalogs. This does not mean that just because W.M.I. did not promote certain models, they were not still available in America. Many may have gone to Sears as Silvertones, and it’s possible that W.M.I. still brought in guitars other than those in its catalog.

The Guild Starfire V Electric guitar is a deluxe cutaway with loads of outstanding features that gives a fully expressive voice to the user’s playing style and taste. Designed as a semi-hollow electric guitar, the Guild Starfire V features a beautiful thin line body with little twin Guild LB-1bucker pickups that make it suitable for rock, blues, roots and a lot of other variety of music styles.

1939: The #1 brace inside near the neck block changes from 5/16" wide to 1/2" wide, making it roughly twice as wide. This happened at the same time as the popscicle brace addition. The neck block thickness was also reduced by 1/4". About the same time neck width reduced from 1 3/4" to 1 11/16" at the nut, and the bridge spacing reduced from 2 5/16" to 2 1/8".
I'm going to break this review into pros and cons. Pros: Top notch wood, electronics, wonderful bound neck and great machine heads. The action/fretboard are wonderful (after being setup). Sounds beautiful!, and more so if you take my advice. One last pro, all of the cons are easily remedied. Cons: The saddle, nut, and bridge pins are plastic (kind of like putting crap tires on a good sports car). I replaced the saddle and nut with tusk, and for the bridge pins I went with brass. It was like the volume went from a 4 to a 8, and the tone went from nice to beautiful and singing. It was about a 40$ upgrade, that made it sound like a thousand dollar guitar. This is the first time I bought a guitar before playing it. The gamble more than paid off. Been playing guitar for 25 years, and I
A Twitter follower once asked me what electric guitar I’d recommend for a beginner with a max budget of around $200 total (for guitar, amp, tuner, etc.). So, I wrote a blog post for her where I recommended two all-in-one “starter packs” that are a great value for someone with such a low budget. The guitars in those starter packs are worth around $150, give or take.
If you want to get this game, you have a few options. The game is $60 with no guitar cable included; this is the best bet for owners of the original "Rocksmith," as the cable that came with that game works here, too. If you don't have the cable, but have a guitar, the game costs $80. If you need a guitar, too, that'll run you $200 for an Epiphone Les Paul Electric Jr. guitar, plus the game and cable.

Speakers and speaker stacks are a necessary partner for standalone amplifier heads. Take the total power level into account when you're looking at speakers, ensuring you're getting a stack with the muscle you need for the venues you play. Speaker configuration is also important, with larger woofers delivering more powerful bass and smaller tweeters bringing through the high-end.
Replacing switch and jack covers. These are the plastic or metal covers that hold the jack and tells you witch switch is treble or rhythm. The switch cannot be repaired and will need to be replaced, however, a metal jack plate can never break and only will need to be cleaned. A plastic plate will need to be replaced or the screw holes need to be resized, do so properly and make sure every fastener is snug including screws and nuts.
The Blackheart Killer Ant is for beginners that want a better quality, overdriven guitar tone, but do not want to pay the prices that tube amps usually cost. Unlike the Hot Rod Pro Junior III, the Killer Ant is not loud enough for live performance, but it makes a solid practice amp. The Killer Ant is for beginners that want to start playing on an amp with a really good tone and are willing to pay a little more money for that. It’s a solid choice, even with the limited amount of built in features.
Taylors have a "happier" sound and I like the feel of them. I am a novice but from what I have seen for a beginner with an acoustic guitar, they felt and sounded warmer and less tinny than the laminated wood ones. A good rosewood taylor isn't on the cheap side of things but it feels like you can play better than you can. And the model I looked at had strings that were nice and close to the frets so you didn't feel like you were pushing in deep like the keys of an old typerwriter. Go into a Guitar Center or somewhere you can actually feel what you are getting before you buy anything. I got a cheap Gibson online less than a month ago and got what I paid for when it came with the bridge completely missing and a brassy sound when it was played. Buy your stuff in person. I think that Gibson is probably still a good brand, but the quality control of the cheaper models they put their name on is something I might question from my first experience with them...
Jazz guitarists learn to perform these chords over the range of different chord progressions used in jazz, such as the ubiquitous ii-V-I progression, the jazz-style blues progression (which, in contrast to a blues-style 12 bar progression, may have two or more chord changes per bar) the minor jazz-style blues form, the I-vi-ii-V based "rhythm changes" progression, and the variety of modulation-rich chord progressions used in jazz ballads, and jazz standards. Guitarists may also learn to use the chord types, strumming styles, and effects pedals (e.g., chorus effect or fuzzbox) used in 1970s-era jazz-Latin, jazz-funk, and jazz-rock fusion music.
"Our expertise is to customize guitars according to the specifications of our clients. Owning the latest state of the art equipment, craftsmanship and skilled technicians. We take great pride in the quality and designs of our electric guitars and basses. From traditional to unique styles a U.S. Masters instrument rates with the finest in detail, woods, finish, feel, components and consistency. Our designs incorporate some advanced high performance features, some patented, to improve on aspects of sonic response and feel, upper fret access, the ease of playing, comfort and all designed to provide you with one of the finest responding instruments available. Our 100% satisfaction guarantee allows you to buy with confidence!"
The components are adequate. The electronics are good, have good tolerances, but the off board components are cheap and flimsy. The hardware is quite good, especially the enclosure. The PCB is well designed and well labeled. The big problem is that the layout instructions are quite poor and mislabeled in a number of places. There is no bill of materials so the components can be quite difficult to distinguish even when they're labeled. Additionally, product only includes one color of wire and does not include digital instructions as indicated in the product description.
In the 1960s Japanese guitar makers started to mainly copy American guitar designs and Ibanez branded copies of Gibson, Fender and Rickenbacker models started to appear. This resulted in the so called Ibanez lawsuit period. After the lawsuit period Hoshino Gakki introduced Ibanez models that were not copies of the Gibson or Fender designs such as the Iceman and Roadster. The company has produced its own guitar designs ever since. The late 1980s and early 1990s were an important period for the Ibanez brand. Hoshino Gakki's relationship with Frank Zappa's former guitarist Steve Vai resulted in the introduction of the Ibanez JEM and the Ibanez Universe models and after the earlier successes of the Roadster and Iceman models in the late 1970s/early 1980s, Hoshino Gakki entered the superstrat market with the RG series which were a lower priced version of the Ibanez JEM model.
If you decide to use my link to Guitar Tricks when you sign up as a member, I will receive a compensation for my referral. I am not a professional reviewer and my views are biased because I only recommend stuff that I use and like. I appreciate if you follow my links to Guitar Tricks if you like I Really Like Guitars and my review of Guitar Tricks. Thank you!

Years of hard-earned success and fame have not changed his down-to-earth attitude. Even though he has become one of the world’s richest rock stars, he hasn’t married a supermodel or become a pompous art collector. Instead, he’s remained true to his working-class roots, spending his spare time building incredibly cool kustom cars and cruising the streets with his car club buddies, the Beatniks of Koolsville.
The playing of (3-5 string) guitar chords is simplified by the class of alternative tunings called regular tunings, in which the musical intervals are the same for each pair of consecutive strings. Regular tunings include major-thirds tuning, all-fourths, and all-fifths tunings. For each regular tuning, chord patterns may be diagonally shifted down the fretboard, a property that simplifies beginners' learning of chords and that simplifies advanced players' improvisation. On the other hand, in regular tunings 6-string chords (in the keys of C, G, and D) are more difficult to play.
You should be aware of some drawbacks to using the 'free' sites over the licensed sites (or purchasing a book of official TAB). First, the versions of the songs at the free sites were created by folks who enjoy music and did their best to document how to play the song. It may not be correct. Second, even though these sites don't charge for access to the TAB, most are in the business of making money. You'll have to put up with advertisements, often including flashing banners and pop-up ads. Finally, the original artists do not get paid for these transcriptions. If you like what you find, you should follow-up by purchasing the official music from an licensed reseller.
With modern recording systems, track counts aren’t usually much of a limitation any more. In addition to a mic’ed up amp or a feed from pedals into your interface, try to also capture a clean feed of the guitar signal if your amp or pedal board allows a direct output to be routed. If you record this as well as the amp / fx feed, you have another option to re-process the guitar recording in software if you decide the original feed isn’t right.
The Epiphone Joe Pass Emperor II is the signature guitar of one of jazz music’s great guitarists. Joe Pass played on records with Ella Fitzgerald, and his influence has cemented his name among the greats of the genre. The guitar which bears his name is a fine example of a guitar geared precisely towards one genre. It won’t win any awards for versatility, but it is a fantastic instrument for jazz fans of any skill level. Featuring the classic hollow body arch top design of old but with two high quality Burstbucker pickups for a range of silky tones.
These bundles usually throw in a gig bag, so you don’t have to spend extra money to safely transport your gear, as well as spare picks, strings, and an instructable DVD that will help you learn some essential guitar techniques quite fast. You might also want a bundle that comes with a clip-on tuner so that you make sure you can keep your guitar well-tuned on the go.
Today’s beginner guitars are far superior to the hunk of wood with strings I started with, and now there is a huge array of instruments to choose from. In fact, I’d go so far as to say if you only intend to play guitar for fun you’ll never need to spend another dime on gear beyond your starter setup, if you don’t want to. (Except for things like strings and picks, of course.) That definitely wasn’t true thirty years ago.
What is electric guitar tone? Tone is the sound of your guitar. Listen to B.B. King. His tone is rich and thick. You know it when you hear it. A lot of guitar players use pedals and effects to create that tone. Some of you may not be able to afford all those fancy effects. The good news is, you can make use of your hands and the controls on your guitar to create a myriad of tonal possibilities. Robert shows you how to use these components in this electric guitar tone tips guide by showing you 3 incredibly useful and powerful tricks for tuning up your tone. Your volume and tone controls, your controls knobs, and the switch between your guitar pickups can be beneficial in providing lots of tone.
Does anyone know anything about Palmer based Magnum Series PGA-65 guitar amps? I live in Costa Rica and bought one new from a music shop but with the amount of moisture here the original box was destroyed along with any manuals, paperwork, etc.. The amp says it is manufactured in China and is solid state. It is supposedly 65 watts with 2 channels, clean and dirty with EQ sections on both channels. It also has send and returns and a spot to plug in your Cd player, etc.. It has a big badge on the front saying Magnum Series, Palmer Guitar Company, Fl Usa. I didn't pay alot for it and for the price it is a decent sounding amp although I probably will replace the speaker with a Celestion.
Another example is Ovation, the company that almost single-handedly created the acoustic/electric category and radically altered views about how acoustic guitars should be constructed. No matter how hard they tried, Ovation’s repeated attempts to enter the solidbody electric area have failed. Instead, Ovation finally purchased Hamer. However, Ovation’s marketing failures do not mean it hasn’t made some pretty interesting – even innovative – electric guitars over the years, and these represent one of few areas in guitar collecting where you can find excellent, historically significant instruments, often at remarkably reasonable prices. Here’s the scoop on Ovation electrics (touching only briefly on acoustic/electrics).
This project began as a quest to find a really good software piano. Not even the expensive commercial versions were satisfying to my ears.  Most had velocity switching problems and unpleasant tones. I came across the University of Iowa Steinway piano samples which were great but there was room for improvement in the way they were presented.  My goal was to have a selection of piano and other instruments that were pleasant to play and to keep them available for free. Using SoundFont editing programs Polyphone and Viena I have done some editing to allow for expression to give a more enjoyable and realistic playing experience where timbre changes gradually with velocity where possible and without that annoying jump that is commonly found. This was applied to many of the other instruments as well.

Continuing to look at the well-known Fender brand, the Stratocaster American Standard is a higher-priced option with necessary features for the seasoned guitarist. This is another one of the most popular electric guitars ever. In terms of build, the body is a mix of ash and alder, creating a balanced tone for both the sharpness of the upper range chords and the dense resonance of the lower range progressions. The modern bridge has an upgrade of utilizing a block infused with copper and steel saddles for strong intonation and an ease in adjusting pitch. The tuners are placed at varying degrees and heights, with this staggered design creating a decreased in reverberation and excess hum so as to focus in on the clarity of the sound. This electric guitar also has a custom designed single-coil strat known as the “Fat ‘50s”, which is intended to create a fuller sound compared to other guitars. With a comfortable ‘C’ shaped design and durable finish, this 22 fret guitar offers desirable features for the guitar enthusiast. If you’re unsure whether to grab this or our previous Fender pick, read this Telecaster vs. Stratocaster sound article for some more info.

Some of the smaller amplifiers that I like to talk so much about are not really that small. I mean, the Marshall MS4 Mini Micro Full Stack Battery Amplifier is anything but small, in terms of sound at least. It has a powerful volume output that is hard to ignore for anyone, be it in some bar or in the street or at some gig. The tall tower like shape of the guitar is exceptional in design and yes, while the stack is a little on the big side, the affordable price of it and the quality of tone and volume is definitely worth the little bit of a size problem. Definitely worth your consideration!
FX or no FX? Again, it's almost a question of valve or solid state, here. Most valve amps don't come with any effects other than tremolo and reverb, at most. Solid State amps often come with a wide range of features such as digital FX and amp modelling. If you're an have lots of fx pedals, you don't really need a modelling unit, but if you're new to guitar playing, buying an amp with modeling FX might be a good way to get familiar with all those sounds.

While close-miking can indeed be punchy and muscular, you’ll often find it doesn’t capture the full breadth of your electric guitar tone – that is, it simply doesn’t sound the way your amp sounds in the room. That’s because when you stand somewhere near the middle of any room and play an amp that’s placed a few feet away, several other elements affect the sonic picture. The distance between your ears and the speaker (the “air”), the shape and size of the room, materials used to make the walls, ceiling and floor and/or their coverings, the ways in which sound reflects from them, along with other factors all contribute to how your amp really sounds in the acoustic environment. Most engineers find, therefore, that they need to use some form of distant miking when the aim is capturing a realistic amp tone.
Vox's first electric guitars, the Apache, Stroller and Clubman were modelled after solid-body, bolt-neck Fenders, which at the time were not available in the UK. A four-string Clubman Bass followed shortly after. These first guitars were low-priced, had unusual TV connector output jacks and were produced by a cabinet maker in Shoeburyness, Essex. Vox president Tom Jennings commissioned the London Design Centre to create a unique new electric guitar, and in 1962 Vox introduced the pentagonal Phantom, originally made in England but soon after made by EKO of Italy. The first Phantom guitars were given to The Echoes to trial and were used by them until 1970. They were used on many of the recordings by The Echoes and records they did with other artists such as Dusty Springfield. Aside from the unusual body and headstock shapes, Phantoms featured copies of the Fender Stratocaster neck and its attachment, the Strat's three single-coil pick-ups and standard vibrato bridge that in this case copied a Bigsby unit. Aside from being a bit awkward to hold for seated playing, the Phantom guitars now approached professional quality, performance and price. Phil "Fang" Volk of Paul Revere & the Raiders played a Phantom IV bass (which was eventually retrofitted with a Fender neck). It was followed a year later by the teardrop-shaped Mark VI, the prototype of which had only two pick-ups (rather than three) and was made specifically for Brian Jones of The Rolling Stones, again using a Bigsby-like "Hank Marvin" bridge. By the end of the decade, Stones bassist Bill Wyman was shown in Vox advertisements playing a teardrop hollow-bodied bass made for him by the company, subsequently marketed as the Wyman Bass. Many guitar gear authorities dispute that he ever actually used the instrument for recording or live performance. See also Vox Bass Guitar. Vox experimented with built-in effects and electronics, with guitars such as the Cheetah, Ultrasonic, and Invader offering numerous built-in effects. Ian Curtis of Joy Division is known to have owned two white Vox Phantom VI Special effects guitars which had push button effects switches on the scratch plate. Amongst many innovations were the Guitar Organ, which featured miniaturised VOX organ circuitry activated by the contact of strings with fret contacts, producing organ tones in key with guitar chords. This instrument was heavy and cumbersome with its steel neck and external circuit boxes, and rarely worked correctly, but was a hallmark of the ingenuity of this company.
This is where the roads came back together. Kaman continued to play guitar during his building of the helicopter business. He kept his guitars hanging on the wall, instead of in the case, so he could grab one if he felt like playing. As a result he ended up with lots of cracked backs, including one on a favorite Martin. Charles traveled down to Nazareth to get the guitar repaired and Fred Martin gave him a factory tour.
Description: Body: Mahogany - Body Construction: Solid - Neck Wood: Mahogany - Fingerboard: Rosewood - Frets: 22 - Inlay: Dot - # of Strings: 6 - Headstock: 3+3 - Bridge: ABR-1 - Cutaway: Double - Hardware: Nickel, 2x Volume Control, 2x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - Guitar Features: Pickguard - String Instrument Finish: Various
Start with all of the mics clustered together three to six inches from the grille cloth, pointed at the center of the speaker. On a multiple-speaker cabinet, don't assume that all the speakers sound the same. Rather, listen to each of them at a sensible volume, and then mic the one that sounds best. If the speakers sound alike, a miking position close to the floor will generally provide a little more low end.

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One half step down from standard Drop A. Used by bands such as Trivium on some songs from Silence in the Snow and The Sin and the Sentence, Destrophy, TesseracT, Brian "Head" Welch, After The Burial on some songs from their Rareform, In Dreams and Dig Deep albums, Within the Ruins, In Hearts Wake and Periphery. Jim Johnston used this tuning for the song "I Bring the Darkness (End of Days)".

I've had a Sunburst pattern Ventura when I was a teenager.. it was a nice guitar and played well. recently i saw a really well made Oscar Schmidt gs-1 . not expensive at all. My main guitar for many years was a Gibson howard roberts "artist" dove style. wine red and mother of pearl inlay and gold plated. I eventually sold it to a lady in alaska that plays a lot of blue grass and pop. I got full money out of it. I had it 25 years, so it was vintage by now.

When two pickups are wired in series, a good portion of the treble frequencies is lost because the long pickup wire works like a resistor. Any resistor in the signal path will suppress the signal. The formula works like this: The longer the wire, the higher the resistance, and the more treble is lost. We all know this from guitar cables: When you use a very long guitar cable, the sound isn’t as detailed and transparent as it is with a shorter cable. A long cable acts as a resistor.

There was a second single-cutaway version, also called the TRG-1, with a thick waist and vaguely tubby Tele shape. It had a different grill shape and a slightly more rounded version of the Bizarro Strat head, but otherwise it was the same. There was also a version of the double-cutaway guitar with a vibrato. This was a small, metal-covered tailpiece with three springs in the housing and a handle that screwed into a hole in the cover.
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the product took a while to arrive which i was ok with they let u know ahead of time….however the only instructions is a poorly photocopied over view of the board and a few details of other items…nowhere is the wiring schematic… they give you a foot long one color wire not the 3 color connected wire they show here on amazon… kinda bummed on unfinished instructions…. disappointed with the single color wire i mean the foot switch has 9 openings where are the instructions for that? actually while writing this review i down graded it to a 1 star… i was getting more upset with the lack of instructions….

Now you might not have heard of Beauchamp or the company he founded to capitalize on his neat idea, which was initially called Ro-Pat-In Corporation, then Electro String. Eventually, the company took the name of its president and cofounder, George's friend Adolph Rickenbacker—and the rest, as they say, is history. Many others have built on Beauchamp's work since then, constantly trying to refine and improve the sound. Here's an improved pickup design by another guitar great, (Clarence) Leo Fender, from about a decade later:
Deco Tape Saturation & Doubletracker is a unique effects pedal that allows for a wide variety of tonal possibilities.  You can place Deco near the beginning of your signal chain and use the Tape Saturation as a light overdrive.  Or, you can place Deco at the end of your chain, use lower Tape Saturation settings, and provide your entire signal with the tape-like warmth, compression, and added low end harmonics.
Designed to be the greatest all-rounder, the Grand Auditorium shape was the perfect blend of size, shape, volume and comfort, and its modern-day incarnation has seen the likes of the biggest pop star on the planet these days, Taylor Swift pick one up. People forget that before mega-stardom, Taylor was a respected country artist, and it was on a Taylor Grand Auditorium that she plied her trade.
The problem is that most of those beginner guitar books just don’t have enough information to give you the tools that you need to advance past the curriculum in the book. They won’t tell you about some of the more important aspects of theory, and they generally won’t give you exercises or warm-ups that will help carry you into becoming an intermediate or advanced musician.
After all, we each have our own favorites, whether it be a particular player, style or era. However, that doesn’t mean such a list can’t be based on some element of objective reasoning. To some extent, the proof is in all of us: anyone who picks up the instrument borrows at least a handful of techniques and stylistic tendencies that someone else brought to the table. The key is determining which guitarists have had the most impact among the larger number of players—in other words, who has contributed most across the board to the way we approach the instrument.
While Line 6 is probably the best known high-volume preset modeling amp brand, Peavey isn’t far behind – and truly rivals the offerings of Line 6, both in quality and quantity. What’s especially intriguing about this particular amp is that it allows you to choose not just the amp models and a wealth of applicable effects, but that it gives you the power to choose the type of instrument you’re plugging into it – thusly shaping the rest of the options accordingly. Whether you play guitar, acoustic guitar, or bass, this amp can change it sound to suit the instrument. And that’s a lot more than other competitors’ amps have to offer. It also features a tap tempo, USB connectivity, a headphone jack, and more.
Most players will immediately think of the Jazz guitarist Charlie Christian, who brought the Gibson ES-150 to fame with the Benny Goodman Quartet.  Many top notch players realized that the tone these instruments could offer was unparalleled, and began to use them in their own illustrious careers, such as George Benson and Pat Metheny, alongside the other countless masters that wield these masterfully crafted instruments.
: Does anyone know for sure where these originated. I have been told Vox (the England years) made this flat bodied plank guitar in the skiffle days of early 60's/late 50's. Mine is painted white(by hand) with a large black pick guard that curves to envelope the two chrome "toaster" pickups ,bottom of neck, and three control knobs.The strings have a moveable maple bridge(not secured) and a small chrome hardtail heel.The neck has a zero fret at top and 19 more playing frets.There are dot inlays at the 3rd,5th,seventh,ninth,12th,and 17th frets.The headstock is of natural finish light maple with a top edge cut at a sloping angle like Hofner.It has brass tuning pegs,gears and gear plates and the keys are white plastic.The beautiful short neck is true ,natural maple.Along one of the tuning gear plates is the numbers: 35515 which are etched into the wood. Four bolts without any plate hold the neck base to the plain body and a green decal above the pegs at top face of headstock reads: Shadow. The fret board is rosewoodand is laid on neck without bindings.It has six strings and sounds like a short scale Baritone guitar. It also only has one strap peg at bottom since they used to put the other end of strap on a tuning key. No other holes are seen for any former peg at other end of body(where normally found). Please send any info on this small,early,simple but awesome sounding electric skiffle guitar from England(Vox?).Thanks!!!!!
Love love love this guitar! I ordered it because it reminds me of my Dad's old Kay archtop that I initially learned to play on. The retro jazz style of this guitar is awesome. My musician friends love it and and like the sound of it although they haven't heard it plugged in yet. It took me a very short while to get used to the strings (made by the company for this guitar) and while they have a tinnier sound than what I'm used to for an acoustic guitar, they do deliver when it is plugged in. Overall it really seems to be more of an electric-style guitar. The neck is narrow and the body is small - something that I am so happy with! It is extremely playable. I may switch to bronze strings to get a warmer tone, but for now I want to give these strings a chance to sing. I also ordered a case from the company that fits this guitar, and for the price, it is awesome as well! Very light and the guitar fits perfectly and securely. At a recent gig, a complete stranger came up to me to look at and admire this guitar - it truly is a beautiful instrument. The woodgrain is rich and not as red as the pictures make it look. I feel like Stu Sutcliff - don't really need to know how to play - I can simply stand in the background and look cool ;-)
In nature, reverb is an extremely fast series of echoes that reduce in volume over time.  Depending on the size of the environment, the number of repeats and the timing at which they occur will change.  Digital reverb pedals are very good at replicating the differing types.  Basically, you can take small tiled bathroom and the Grand Canyon (and everything in between) with you to your gigs.

If you're in the Boston area and need a repair on your stringed instrument look no further!  I've… If you're in the Boston area and need a repair on your stringed instrument look no further!  I've had Steve repair numerous guitars (4 acoustic, 1 electric) and have had each one repaired better than I could have imagined. Rest assure...if you choose Steve, it is in good hands. His prices are very fair especially for the time and care he puts into his work. As long as he's open for business-go with Steve for all repairs please!!  Great guy, great service!! Read more
1. (n.) A sweet or agreeable succession of sounds.2. (n.) A rhythmical succession of single tones, ranging for the most part within a given key, and so related together as to form a musical whole, having the unity of what is technically called a musical thought, at once pleasing to the ear and characteristic in expression.3. (n.) The air or tune of a musical piece.
About the only thing that all these producers have tended to agree on across the board is that you should try to get your guitar sound as good as you can before you even think about recording. "The stupidest thing that any musician can do," remarks Tony Platt, "is to just plug in and play and say 'make that sound good'. It doesn't work like that. I will always say to the guitar player, for instance, 'Is that sound coming out of your amplifier the sound you want to hear? If it isn't, show me what it is and we'll try to get somewhere close to that before we even put a microphone on.' It's a waste of everybody's time to sit there tweaking stuff until somebody says 'Oh that's good.'"
The result is not that bad and makes justice to the "live" arrangement of the song. However, when producing the recording of the song, I wanted to go further while preserving the "color" of the pedal, which I like so much. First of all, I think the delay time is a bit behind the beat. What's more, the delay line is a bit too present and "blurs" the main riff. Finally, unlike in a live performance, the sound of the guitar would integrate better into the recording if it developed along the stereo width rather than the depth. In short, it is truly impossible to try to make things the way I think they should be with this take. Fortunately, I went through the pains of splitting the signal right before the Memory Boy and I was able to use this "good" signal to apply the desired changes in no time!
The Hughes & Kettner Tube Meister 36 is a distinct looking tube amplifier head that's packed with features. For something that's compact, this amp can do quite a lot of what bigger amps can in terms of functionality, including having three channels that let you switch between clean, crunch and lead and a full set of complementary controls to tweak each channel to your liking. Another interesting feature of this amp is its TSC (Tube Safety Control), which automatically keeps the tube in bias and monitors them to extend their use. Finally, this amp head comes with a built-in Red box DI, so you can plug the amp head straight to any PA system or recording console without any problem. The people also installed a power attenuator into the amp, which lets you lower the rating to just 1 Watt for quiet practice. Wrapping up its features is the built-in reverb, which compliments the amp instead of distracting users.
Breedlove is a semi-recently founded guitar manufacturer that has a main focus of acoustic guitars. Breedlove doesn’t have a massive following like some other brands, so it can be difficult trying to find one to test before purchasing. Breedlove tends to evolve their guitars and tries to push the world of acoustic guitars forward. Their Oregon Concerto Myrtlewood acoustic, for example, manages to produce a big, refined sound and the notes are more resonant. This is due to their tapered myrtlewood body and smaller sound-hole. The body shape is also very important as it’s part of the reason they sound so good and it’s even comfortable to play. All of their guitars are very high-quality and work well for all fingering styles and genres of music. If you want a really great acoustic, you really can’t go wrong with Breedlove.
custom made guitars luthier services alvarez ampeg benedetto boss breedlove collings danelectro ,dean,digitech eastman electro-harmonix ,grinning elk, electro-harmonix epiphone fender- fender-custom-shop fender-usa fulltone g&l gibson godin gretsch guild hagstrom hal-leonard hamer harmony heritage hofner ibanez jackson kay line-6 marshall martin mxr national orange ovation paul-reed-smith peavey prs prs-paul-reed-smith rickenbacker roland silvertone suhr takamine taylor vox washburn yamaha 000-18 00-18 4001 asat-classic catalog champ classic custom-22 custom-24 d-18 d-28 d-35 deluxe es-125 es-175 es-335 flying-v j-45 j-50 jaguar jazz-bass jazzmaster l-00 lap-steel legacy les-paul- les-paul-classic les-paul-custom les-paul-deluxe les-paul-jr les-paul-junior les-paul-special les-paul-standard les-paul-studio lg-1 lg-2 melody-maker mustang precision- precision-bass sg sg-special sg-standard strat,bass guitar,speakers,parts,effects pedals stratocaster- telecaster telecaster-custom telecaster-deluxe telecaster-thinline..Greg's Guitars is the only author of "The Vintage Guitar News and Views.

Martin’s B series basses were big flat-tops with 34″-scale mahogany necks. Designed by Dick Boak, these ABGs used the same bodies as Martin’s Jumbo guitars; measuring 16″ wide with a depth of 4 7/8″, they were large enough to produce decent acoustic volume without being ungainly like other maker’s attempts. The top was solid spruce, the fingerboard was ebony, and the body was either solid East Indian Rosewood (B40) or solid flamed maple (B-65). A Fishman bridge-pickup system was available adding an “E” in the model number. Both basses were also available with fretless fingerboards.
Jazz guitarist George Barnes is known to have played one of these prototypes in public in 1931, though far as I know, there's no recording of it.  Jack Miller played a "frying pan" in Orville Knapp's orchestra at Grauman's Chinese Theater in early 1932. Another musician, Gauge Brewer, bought two of the first available Beauchamp/Rickenbacher guitars, the other was a more conventional electrified Spanish guitar, and played them in a press event in Kansas, and a series of concerts around Halloween that year. Brewer also recorded both of these sometime in the mid-1930s, but it was one of the old direct-to-record recordings, a one-off, never released to the public (my Mom recorded a bunch of those 78s back in the 1940s and 1950s... tape wasn't quite there yet for regular folks).  Andy Iona was probably the first professional Hawaiian player to go electric.
Is it not within the scope of eventual computational science to notate the performance aspect of playing the guitar? Sans keyboard, sans human hand - if not by bedroom producers with too much time on their hands, then by AI analysis and pattern matching logic produced by overfunded grad students spending their Silicon Valley parents' fortunes, their AI guitar-licks algorithms trained by analyzing performance records and accelerometer measurements of real virtuoso guitarists performing? Won't a well trained bot eventually turn out some licks that fall within the scope of enjoyable human performance habits?
In the early 1960s Rickenbacker history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles used several Rickenbacker models in the early years. Before the group broke up, John Lennon would own at least four. This love affair began in Hamburg, Germany in 1960 when he bought a natural-blonde Model 325 with a Kauffman vibrato. Lennon played the original (which was eventually refinished black but still easily identified by its gold-backed lucite pickguard) on all Beatle recordings and in all concerts until early 1964.
The tone controls compensate for and complement the somewhat lifeless and mostly midrange-y character of the average guitar pickup. The gain control, often designed with a pull-boost, basically excites and heats the preamp tubes, which along with judicious use of both the amp and the guitar’s tone controls will begin to produce much of the sonic seasoning and flavor that guitarists and their fans crave as it flows from the speakers.
This is a wide range of electric guitar series that have a stylish body and deliver high-quality sound. Cort guitars are fabricated by South Korean manufactures and have been on the market since 1973. Those who are keen on the appearance of the guitar can opt for this brand of electric guitar. This is an electric guitar that is available at an affordable price range between 10,000 to 40,000 INR.

In this lesson we will study Tennessee Stud as performed by Doc Watson. The tune has a great bluegrass type intro that repeats throughout the song. It applies many of the basic bluegrass principles we have discussed in the Bluegrass Genre section. The chords used are not difficult, however the timing and arrangement are a little tricky. Best to learn a section at a time.
There were East coast and West coast distributors of wholly different instruments bearing the Hohner name in the late 70's-early 80's. One of them had decent guitars, the others were ****************e. Don't know which was which, but I do know the Hohner strat my friend bought new in Upstate NY c. 1980 was a stinkin' piece of crap. Not sure if it was a representative sample.

Pickups and body styles are just scratching the surface when it comes to guitar features. No matter how overwhelming things may seem, though, if you’re only a novice or hobbyist there’s no need in fretting (get it?) over every single feature. Instead, look to the features we mentioned and go from there based on what type of music you want to play. If you’re a big blues and classic rock guy, powerful, full sound is necessary: you’ll likely want a semi-hollow or solid body guitar with humbuckers or P90s. Want to play old school country or folk? Check out hollow bodies. Are you a fan of alternative and punk? Consider a thin solid body with single coil pickups.

The way you fix this is by finding a book that makes you reconsider an aspect of your playing, regardless of what that is. If you’re into metal go ahead and pick up a book on Gypsy jazz. If you’re a dedicated Bluegrass flatpicker try your hand at learning some jazz. If you learn one thing from a different genre that you can routinely apply to your genre of choice you can break yourself out of just about any rut imaginable.
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There are two types of acoustic guitar namely the steel-string acoustic guitar and the classical guitar. Steel-string acoustic guitars produce a metallic sound that is a distinctive component of a wide range of popular genres. Steel-string acoustic guitars are sometimes referred to as flat tops. The word top refers to the face or front of the guitar which is called the table. Classical guitars have a wider neck than steel-string guitars and are strung with nylon strings. They are primarily associated with the playing of the solo classical guitar repertoire. Classical guitars are sometimes referred to as Spanish guitars in recognition of their country of origin.
Orange make great amplifier cabinets that work with a wide variety of heads. In fact, there are many artists out there who like to mix and match their amp+head combinations to get the specific sound out of their head combined with the classic sound of an Orange speaker cab. The Orange PPC212 Guitar Speaker Cabinet - 2x12 has been designed to bring the best out in your Orange amp head by utilising 13 ply, high density 18mm Baltic Birch plywood in a closed back construction partnered with 2 x celestion vintage 30 speakers. This Power Projection Cabinet (PPC) has been designed to last the test of time thanks to the rugged construction.
From Clean to Modern, chose from 8 amp settings, four modulation effects and four delay/reverb effects, with tap tempo. Its Hi-Fi sound can be sculpted by a three-band EQ, giving it a lovely spacious sound distribution; and special off-stage circuit gives it excellent overdrive qualities even at low, discreet volumes. Finally, its sleek designer looks will fit into any living space, especially with its soft tube glow.
I built me my own custom guitar in high school shop class and it was simple i made an Ibanez RG styled body and a Randy Rhodes/Alexi Laiho styled body just so i can swap the 2 when ever i want and i can say the cons are waaaaaaay over exaggerated cause it was VERY cheap to do it i spent a total of $350 to do it and thats even with the the EMG 81's i have in them. I mean yes its only a 1 pickup guitar on each but its how i want the wood was only $60 for an Ash body (thats for both of them not each) and i have a hook up to get free mahogany that i used on the neck for it and mine noooo one could tell the difference between an actual Ibanez RG or ESP Alexi Laiho's signature guitars the only thing that they were able to know it was custom was the head stock being my signature and the parts that were on it and color option i used is NOT used by ether of them but the time is spot on it took 3 months for me to do them but this was of course all during the course of 45 mins for 3 months so it would of been much faster without it being in school but then again i also sort of cheated with mine cause i have been doing carpentry work since i was 8 so i already knew how to do everything professionally
A partial PA is harder to define, but it's essentially any PA system that doesn't have the capacity to mic your whole band. More often than not, in these situations, mics end up on the kick drum and snare drum for the reasons outlined above. In this case, it does help to have a little extra juice in your amplifier, but try to keep it tamed, nonetheless.

Ring modulator: A ring modulator produces a resonant, metallic sound by mixing an instrument's audio signal with a carrier wave generated by the device's internal oscillator. The original sound wave is suppressed and replaced by a "ring" of inharmonic higher and lower pitches or "sidebands".[70][78] A notable use of ring modulation is the guitar in the Black Sabbath song "Paranoid".[79]

In addition to choosing between laminate and solid wood, you also have to consider the type of the tonewood. Of particular importance is the choice of top wood, because it greatly affects the resulting sound. Spruce is popularly used for the tops of acoustics because of its punchy and bright tone. Mahogany tops on the other hand is preferred for its warm tone, with more emphasis on the lower mid frequencies. There are other types of wood that fall between the two, each one bringing a subtly different flavor to the resulting sound.
This full-sized, 22-fret, single cutaway electric guitar features two single-coil pickups and is capable of producing a wide range of tones. With the bridge pickup, you can get that bright, rich, cutting tone known as the country "twang" made famous by artists such as Merle Haggard and Waylon Jennings. With the neck pickup you get a warmer, mellow, bluesy tone, such as that of Albert Collins or Muddy Waters. Additionally, rock musicians as diverse as Syd Barrett, Chrissy Hynde, and Keith Richards have found a way to make their own distinctive sound using this style of guitar.
Fast forward a few hundred years to the world of guitar pedals. The first registered portable effect pedal for guitarists built in 1941, called the DeArmond 601 Tremolo Control, was a clumsy toaster oven-shaped unit with a heavy granite-like exterior. The tremolo effect worked by reducing the signal from the guitar several times a second through an electrolytic hydro-fluid located in a glass canister inside the unit. When activated, the main voltage motor rapidly shook the canister, causing the fluid (water, windex, and even mercury) to stir and splash against the pin and the guitar signal to ground, creating a “watery” tremolo sound.
A functionally solid-body electric guitar was designed and built in 1940 by Les Paul from an Epiphone acoustic archtop. His "log guitar" (so called because it consisted of a simple 4x4 wood post with a neck attached to it and homemade pickups and hardware, with two detachable Epiphone hollow-body halves attached to the sides for appearance only) shares nothing in design or hardware with the solid-body Gibson Les Paul introduced in 1952. However, the feedback associated with hollow-bodied electric guitars was understood long before Paul's "log" was created in 1940; Gage Brewer's Ro-Pat-In of 1932 had a top so heavily reinforced that it essentially functioned as a solid-body instrument.[2] In 1945, Richard D. Bourgerie made an electric guitar pickup and amplifier for professional guitar player George Barnes. Bourgerie worked through World War II at Howard Radio Company, making electronic equipment for the American military. Barnes showed the result to Les Paul, who then arranged for Bourgerie to have one made for him.