I Have a '70 lyle hummingbird and its a solid spruce top and mohagony neck back and sides. My guitar luthier fully inspected it. Mine is in near mint condition and sounds identical to the '64 Gibson Hummingbird my luthier has. He was trully freaked out by this.. ha ha He keeps trying to buy it from me but im affraid im hanging on to mine. It seems there is alot of contradictory information on these guitars. It is super hard to get more than a small paragraph of info on these things. One site out there has several catalogs from lyle guitars but they require a payment or paid membership to view them. If you are interested google lyle guitar catalogs. There is one that sold for 600.00 at joes vintage guitars.com Its Identical to mine. If I find any more info Ill post as discovered.

The assets of Kay/Valco were auctioned off in 1969. The upright bass and cello lines were sold to Engelhardt-Link, a new company formed by a previous Valco member, which has continued production (see #Kay basses for details). The Kay name (and some of its trademarks, such as Knox[citation needed]) were acquired by Teisco importer, Weiss Musical Instruments[2] (W.M.I., Sol Weindling and Barry Hornstein), who put the Kay name on the Teisco products beginning in 1973, and continued on through the 1970s.[11][12]
Epiphone finds it right to imitate Gibson for their guitars. Now owned by Gibson, the brand still brags about its Gibson-like style, especially when it comes to Les Pauls, SGs, Flying Vs., Explorers, and other Gibson classics. For greenhorns, the Epiphone Les Paul Standard comes in as the best choice offering quality specs in an affordable range. From then onward, you can get your hands on the Les Paul PlusTop PRO and the Les Paul Custom PRO without burdening your pocket.

The earliest extant six-string guitar is believed to have been built in 1779 by Gaetano Vinaccia (1759 - after 1831) in Naples, Italy; however, the date on the label is a little ambiguous.[37][38] The Vinaccia family of luthiers is known for developing the mandolin. This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar.[39] The authenticity of guitars allegedly produced before the 1790s is often in question. This also corresponds to when Moretti's 6-string method appeared, in 1792.
In addition to building world-class custom basses and guitars, our luthiers also perform a wide variety of guitar repairs, restorations, modifications and upgrades. Whether you have an electric guitar, acoustic guitar or a bass, new or old, feel free to bring it by the shop for a free assessment. We have the experience, skill and equipment to provide maximum playability.
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Great website and very informative on readers experiences with Martin guitars. My 1995 Martin HD 35 has been nothing but a problem child since purchased new. The truss rod is frozen and the low e is fully 4/32 above the fret board at the 12th fret..nearly impossible to play fingerstyle. I bought a pak of new bone saddle material from the Martin 1833 shop and lowered it to playable height by making a new saddle…easier to play but considerable difference in tone experienced. String angle at the bridge changed I guess the tonal quality.
The stars of the show are inarguably the pickups: the EMG Retro Active Hot 70 set, which goes for $200 alone. This combines a ceramic humbucker at the bridge and Alnico V humbucker at the neck—both open-coil—to produce the hot tones of Van Halen and other ’70s hard rock acts. They’re active pickups, too, wired to a FET preamp that minimizes noise and levels outputs.
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Pedals. I have a basic rule when it comes to overdrives, distortions, and fuzzes: When I engage them, I want the volume to either stay the same or increase a bit, so I’m “pushing” the amp with the pedal. Because drives compress the sound, they can tend to seem louder overall when you turn them on, but actually they might be reducing the overall peak level. I don’t want to diminish the natural output level coming out of my guitar, and I don’t want my guitar tone to vanish in the mix when I hit a pedal. As I mentioned earlier, I often run the tone control quite low on drive pedals, which I feel keeps them sounding warm and natural.
Note that the competition for our pick in this “simple beginner’s amp” category was much more hotly contested than our other picks in this guide. The Crush 12 just barely edged out two other amps that our panelists liked. One is the Stage Right 611800, a very loud, 40-watt amp with built-in reverb that’s a great choice for those who need a powerful amp on the cheap (although that person probably isn’t a beginner). The other is the Vox Pathfinder 10, an amp with a simple control setup that our panelists loved, but a rather bright and blaring sound that some liked and some didn’t. Both are mentioned in the competition section below.
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In 2003,[73] Gibson debuted its Ethernet-based[74] audio protocol, MaGIC, which it developed in partnership with 3COM, Advanced Micro Devices, and Xilinx.[73] Replacing traditional analog hook-ups with a digital connection that would, "...satisfy the unique requirements of live audio performances," may have been the goal of this project.[74] This system may require a special pickup,[73] but cabling is provided by a standard Cat-5 ethernet cable.[73][74]
Charlie Christian and Django Reinhardt are generally held to have initiated the use of the guitar to play melodies and improvisations over other instruments, the former using an early form of amplification, the latter playing forcefully on an acoustic guitar. Over the years, jazz guitarists have been able to solo in standard jazz idioms, such as bebop, cool jazz and so on, while in also absorbing influences from rock guitarists, such as the use of electronic effects.
4-conductor humbuckers are fun to wire because they offer many combinations to play with. Some pickups have another bare wire which is there for shielding and should always be grounded. Manufacturers have their own color code, so make sure you find the right color code before connecting anything. Below is color code diagram for common pickup manufacturers.
The 600 series pairs maple back and sides with a spruce top that has gone through Taylor’s torrefaction process, which accelerates the wood’s aging process through heat. We couldn’t find a single fault with this guitar’s build quality and the 612ce is an unbelievably comfortable guitar to play. The tone is still that of a maple guitar, but a more refined one than we’re used to. Likewise with the torrefied spruce: it’s immediately familiar, but with enough difference to cause a cocked ear. Strumming out chords and standard singer-songwriter fare was pleasing, and it put in a good shift with some country-style flat-picking, but it is fingerstyle playing that this guitar lives and breathes. By any token these models from the 600 series are stunning guitars. They have a laudable ecological footprint, they look superb and they have rich, unexpected tonal qualities. 
While the Boss MS-3 is a fairly recent release, it does have quite the number of reviews, most of them coming from users who have nothing but good things to say about their experience with the unit. One user summarized what most reviewers felt by saying that the MS-3 is a "game changer". But it's not just about its amp and effects switching, because many were just as impressed with the sound quality of many of its built-in effects, including its overdrive and modulation sections. It's compact and portable design is also very much appreciated, making it an easy addition to any setups.
You don't have to use plug-ins! Some synths such as the Virus TI have very flexible effects built in. You don't have to create audio effects in your sequencer. For example, I use the Access Virus synth, which features a simple delay effect, with the added bonus that all its parameters are available in the modulation matrix. One favourite trick involves routing velocity to the delay colour parameter. For parts that get brighter with increased velocity, it adds extra animation and bite if the echoes also get brighter. Unusually, the Virus also features four-way audio panning, so you can position an audio signal anywhere between the main stereo outputs and a second pair. If the second pair of outputs is routed to an external effects unit, you can play with the concept of moving a note around in a space, where its position also determines the treatment it gets. More fun can be had by modulating reverb time and colour via an LFO. The same LFO can then be used to control filter cutoff, EQ frequency and maybe wavetable position too (if your Virus is a TI). In this way, timbral changes happen at the same time as effect changes. Paul Nagle

Here we have a cool vintage piece. Made in USA and is highly Possible this is a Gibson Archtop. Great Original condition make this a great find...this one is a Solid 8.5/10 condition. This one still has the original tuners and pick guard too. The neck is straight and the frets are still OK...and wow what a supprise this one plays great!..nice vintage tone...no repairs or damages just natural play wear and dings etc associated with a true vintage player....EZ on the eyes see the great detailed bindings! and wow this baby sounds very nice...great for Jazz .
The Chord Harmonica consists of two harmonicas hinged together. Together, they are capable of playing 48 chords. They are 23 inches long, and each chord takes up 4 holes. The chord harmonica is used to provide chordal and rhythmic backing in an ensemble, much as rhythm guitar might do. Jerry Murad's Harmonicat's 1947 "Peg O' My Heart" was played on a Chord, with a cleverly arranged sequence of chords that produced the impression of a melody. Hohner's main Chord is known as the Hohner 48, because it plays 48 chords. Hohner from the 1930s to the late 1960s also produced the Polyphonia No. 8, which played 36 blow-only chords, in three rows. The concept failed and is often frowned upon by professional 48 chord players.
Here we have yet another fine 1971 Yamaha FG75 made in Japan Nippon Gakki Red Label Grand concert like Gibson LGO-1 but sounds better for less New Arrival: Be sure to ask for "Clean Boy" This example is just like our other 71 FG75 Nippon Gakki but this guitar is much cleaner and is JVGuitars rated in very good + condition- Excellent vintage for a 42+ year old Vintage Red Label Nippon Gakki FG75 .. its one of the nicest we've seen, this baby makes an excellent Parlor style guitar thats fun to play because of its good action, and it sounds absolutely great... upgraded to Martin bone Nut and compensated saddle and upgraded fancy bridge pins .... for a good volume transfer and superior tone over the old plastic parts,,,, we dressed the frets as well. not a crack anywhere to be found, great vintage patina but no structural damages or abuse or neglect this instrument has been well taken care of as one can tell from its condition and playability ... this one plays very nicely and is ready to enjoy .... for a song Original Specifications: - Year(s) Sold: 1968-1974 - Top: Spruce- Back / Sides: Agathis - Neck: Nato - Fingerboard: Indian Rosewood - Bridge: N/A - Notes: Folk Guitar Classic Type - Upper Bout - 11-1/8” - Waist - 9-5/8"- Lower Bout - 14-5/8" Ok so thats what the official specs are but here is what we se and have seend with 2 other fg75;s we have had, one I had to refinish its back and when sanding off the mahogany finish it was blond flamed maple sides and back,,, as this one surely looks to be just look at that flamed back and sides this example is kind of special looking. She;s got it going on just check her out. Yamaha Nippon Gakki guitars are highly respected at being well made and of great value and after 40+ years this example has stood the test of time and is still a formidable player you can compare its sound to a much more expensive guitars tone they are simply wonders to find one this nice is RARE… get her before she’s gone. Any questions or to buy it contact Joe: JVGuitars@gmail.com Thank you for your interest..
Necks are described as bolt-on, set-in, or neck-through, depending on how they attach to the body. Set-in necks are glued to the body in the factory. They are said to have a warmer tone and greater sustain.[citation needed] This is the traditional type of joint. Leo Fender pioneered bolt-on necks on electric guitars to facilitate easy adjustment and replacement. Neck-through instruments extend the neck the length of the instrument, so that it forms the center of the body, and are known for long sustain and for being particularly sturdy.[citation needed] While a set-in neck can be carefully unglued by a skilled luthier, and a bolt-on neck can simply be unscrewed, a neck-through design is difficult or even impossible to repair, depending on the damage. Historically, the bolt-on style has been more popular for ease of installation and adjustment. Since bolt-on necks can be easily removed, there is an after-market in replacement bolt-on necks from companies such as Warmoth and Mighty Mite. Some instruments—notably most Gibson models—continue to use set-in glued necks. Neck-through bodies are somewhat more common in bass guitars.
The Kay guitar company's origins date back to the 1890's, starting with the Groeschel Mandolin Company of Chicago, Illinois. The company's name was changed to "Stromberg-Voisinet" in 1921, and shortlyafterwards, in 1923, Henry Kay "Hank" Kuhrmeyer (the origin of the name "Kay") joined the company and quickly worked his way up to the top. By 1928, Kuhrmeyer had bought the company and that same year the company started producing electric guitars and amps.
Lastly, there is a core group of survivors in this company. Nice people but probably not the most dynamic or skilled. That said, they manage to get the job done under some pretty trying circumstances. Getting hired and quitting or getting fired after 6 months makes their job much more difficult because they needed to train you and it takes time away from their work only to have that person leave. If you don't have what it takes to work here then stay away because this causes more harm to all involved including yourself. There are people working under stress with families to provide for who don't need to get hosed by some 'guitar dude" who couldn't cut it. In summary, don't get starry-eyed because you think guitars are cool and that will carry the day. Think about what this place will do to your credentials and ability to move on to the next stage of your career which working at Gibson will force sooner than you expect and by all means, be considerate of those special folks who will have to re-fill the gap after you leave.
In the entry-level market, brand-name guitar companies are usually forced to make their guitars with cheaper materials. There is a simple reason for this. Most major brand-name companies have a brand owner (sometimes an American company). That company buys from a factory in China, and in Australia they will have a distributor who will sell to a retailer (your local music store). It’s pretty easy to see why they can be forced to use cheaper materials. There is a lot of price pressure to get a guitar manufactured at a low enough price for everybody to take their cut of the profit down the chain.

Korg SDD3000 Preamp Clone Great project! Since I finished it, it become one of my always on pedal! With a extremely subtle compression... Eclipse Device-2 DOPAMINE OVERDRIVE based on the Klon Centaur circuit. Materials: 01. Xicon 1% metal film resistors. 02. Kemet 5% MLCC (C0G) 03. WIMA Box Film... Refractor Black Octopus Pedalworx More build reports
Route the body. You’ll need to make a cavity (a hole that goes partly through the body of the guitar) in the back of the guitar to fit the electronics for the volume, tone, pickup selection controls. You will cover it later with a bit of material (usually hard plastic). You’ll also need one cavity in the front of the guitar for each of its pickups. Rout the pickup cavity (or cavities) to the depth recommended by the manufacturer.[9]
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If your instrument receives regular maintenance, then you are likely to avoid any unneeded guitar setup cost. A properly cared for guitar will be regularly cleaned, oiled, and treated gently at all times. Of course, this is not possible for all people, as their preferred style of music may negate the ability to treat a guitar gently (metal and punk are good examples). Having the guitar setup can be thought of as maintenance in itself, as it is an invariable need in environments that have inconsistent weather patterns (which would be virtually all of them). The cost of a guitar setup can be insignificant if you maintain it on a regular basis.
One of the oldest guitar effects, vibrato changes the pitch of the signal at a constant shifting rate. Vibrato adds motion to your tone, but without the “choppy” feel of a tremolo. Vibrato adds a more fluid movement. The slightly detuned, slightly chorus-ey modulation emphasizes bends and makes chords more interesting to the listener. Jimi Hendrix was a visionary user of the Uni-Vibe, which at its core is a vibrato pedal.

Soft and soulful is the second name of Fender guitars and basses. They are famous for their fruitful and enchanting tone. It is one of the most recognized brands in the world. Every note that is played on this guitar is pleasant and pure. There are two factors that contribute to such a thrilling tone. Firstly, the majestic shape of the 'strat' in resonating wood and secondly, the perfect configuration of three pick ups. The pick ups are usually singe coiled. However, there are cases where double coiled third pick ups have been used. Fender is a very popular guitar brand, and artists like Eric Clapton who plays extremely soft music, and heavy metal bands such as Iron Maiden have also used the same brand. Models like Stratocaster and Telecaster have etched their names among the greatest guitars ever made. Fender offers myriad of designs, styles, and configurations. If you are a beginner, then go for any Fender model, it's probably the best guitar for novices or amateurs.

Gibson has produced three Jimmy Page signature models. The first was issued in the mid-1990s. It was based on a stock Les Paul Standard of the time (rather than the more prestigious and historically correct 1958/1959 re-issues issued by the Gibson Custom Shop). The modifications were based on Jimmy Page‘s “#2” 1959 Les Paul, which had been modified with push-pull potentiometers on all four control knobs, as well as mini push-pull switches under the pickguard. This first version of the Jimmy Page Signature did not have the mini-switches under the pickguard, nor did it replicate the custom-shaved neck profile of Jimmy Page’s guitar, but it did include the four push-pull pots. With all four pots pushed down, the guitar operated as normal. Pulling up the volume pot for the Bridge or Neck pickup turned the respective pickup into a single coil, rather than humbucking pickup. Pulling up the tone pot for the Neck pickup changed Bridge & Neck pickups wiring from series (stock) to parallel. Pulling up the tone pot for the Bridge pickup put Bridge & Neck pickups out of phase with each other. The first iteration of the Jimmy Page Signature utilized Gibson’s then-current high-output humbuckers: a 496R in the neck position and a 498T at the bridge.

Im wanting to build my own 8 string fanned fret with a 30" scale length and a bit more string spacing than a standard 8 string. My Ibanez rg8 has about 9mm from center of string to center of string. I figure I will build a few with cheap lumber from home depot without expecting to play it at all. I want a neck through style as well. Does anyone know where to find some info on building something like this and specifically how to properly set up the frets?
Two full steps down from normal tuning. Used by bands such as Queens of the Stone Age, Kyuss, Sleep, Spiritual Beggars, In Flames (until Clayman), The Black Dahlia Murder, Asking Alexandria on Reckless and Relentless, Bring Me The Horizon, Architects, First Signs of Frost, Dismember, Dethklok, Immolation, High on Fire, Cold, Dream Theater, Arch Enemy (since the Angela Gossow era), Entombed, Amaranthe, Nails, Cataract, and The Smashing Pumpkins.
What type of environment are you playing in? This is an important consideration when determining how many watts your amp should have. If you practice in an apartment surrounded by neighbors, a low wattage combo option is going to minimize potential conflicts. If you play live gigs in small club environments, it is possible to get by with as little as 50 watts. Larger venues require a larger amp that can move more air with its speaker. You should also take in to account how many other musicians you are playing with, and if there is a second guitarist, as you will want a tone cuts through the mix as opposed to getting buried.
Unfortunately, not many reference materials are available to document in complete detail, but we can hit some of the highlights, and illuminate a number of relationships along the way. If you have catalogs, ads or pictures of guitars that can help fill in some of the blanks, please let me know (Michael Wright, PO Box 60207, Philadelphia, PA 19102).
This deal leapt out of the page at me straight away. The Fender Squier series has been around a while and even though it’s a budget guitar, you can always rely on Fender for great quality. But what I like the most about this package is that everything you need is included (apart from a guitar stand) and the Frontman 10G amplifier has some extra features that are excellent. The amp has an input for a playback device to jam along to (like your iPad or Smart phone, or even a CD player) plus a headphone output for when the neighbours get too annoyed. A Gain control and Overdrive switch let you grunge everything up, or you can dial it back to a classic, clean Fender sound.

Festive music track with cheerful and happy mood, with “We Wish You A Merry Christmas” song melody. I’ve included in pack different logo and looped versions of this track, for your comfortable using. This celebratory track can be used for Winter Holyday projects, children arcade games, as New Year jingles, advertising and Youtube commercial video. Enjoy!
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The MG30 is a good place to start. A reliable and lightweight transistor amp, loud enough for jamming and with straight-forward features, it’s especially good for beginners to understand how amps work (e.g. figuring out what the “mids” are on the EQ). Along with a headphones output and aux input (to play along to songs) it also has a useful effects bank with a choice of chorus, phase, flanger or delay, plus two types of reverb!
Fender California Series Classic This acoustic guitar series will make you swoon with its original Fender body shapes, fully painted tops of solid Sitka spruce and matching Stratocaster-style headstocks. But the California Series Classic models don’t only have the looks; they also have the sound and tonal quality to match. We don’t expect anything less from Fender, and this lineup surely delivers.
Wildwood Guitars is proud to be recognized as one of nine authorized online Gibson dealers. We invite you to browse our extensive inventory and discover the magic of one of the greatest American brands of all time. Located in the heart of Tennessee, the Gibson Memphis factory is known for crafting the majority of Gibson’s incredible semi-hollow and hollowbody instruments. These guitars are overflowing with the soul of the city they’re born in, and they represent the ultimate in both vibe and versatility.

If you’re shopping for an electric guitar as a gift, find out what kind of music and artists the budding guitarist wants to emulate. It’s better to let them know you’re shopping by soliciting their input rather than “surprising” them with a guitar that’s out of sync with the music they love. For example, giving a traditionally-styled guitar designed to produce super-clean, undistorted tone to a heavy metal fan is unlikely be a hit.
Boogex is a guitar amplifier plug-in with a variety of sound shaping features.  With Boogex it is possible to get heavy distorted sound as well as slight distortion sound.  Boogex is also able to apply any speaker cabinet impulse response (selection of built-in impulses is available).  Processing latency is very modest - 96 samples (2.1 ms at 44.1kHz).  Boogex comes with several example factory presets.
The problem of the recent Gibson bashing is well-founded. There were quality issues over the last maybe 15 years. The thing is that a Gibson is still a dream for a lot of people. They get better and giving themselves a present after putting money away. Then, after several years, maybe decades of anticipation they get crappy quality for several thousand dollars. The brand is alive, they can bounce back, but the managment...instead of the elevator, they should take the japanese business shortcut. As soon as the quality and passion is back, people will love to buy one. Hope they'll get back on track before 2020. - MountainGoat
My visit to NAMM showed me that we’d definitely find at least a couple of good beginner’s amps for less than $100, so we decided to make that our price ceiling for this test. That’s enough to buy an amp loud enough to play with a small combo, compact enough to fit easily into a small bedroom, and light enough for kids to carry. Beginners don’t need more than that. And when you consider that most people who take up a musical instrument don’t stick with it long, it’s wise to limit the expenditure until one really needs a larger or more fully featured amp.
Terry Kath and Stevie Ray Vaughan for me over anyone on that list but Jimi. I’ve seen Page, Clapton, Billy Gibbons, Brian May, David Gilmour, Steve Howe, Eddie Van Halen, Buddy Guy, Keith Richards, Pete Townshend, Mick Ronson, Kerry Livgren, Joe Walsh, Don Felder and Carlos Santana among others. Totally subjective as is all art and I have weird taste.
Our list of best electric guitar brands will remain incomplete if we do not add Schecter in it. Schecter Guitar Research is a firm that evolved from a startup into a guitar giant during the recent years. Aimed mainly at the heavy metal side, Schecter produces several guitars that metal players look. However, players from all genres will find something of their wish at Schecter as it touches every side of this domain. Created with the utmost care, delicacy, and artisanship, these guitars exhibit the most amazing and high-end features that suffice to surpass most expensive brands in the market today.

The significance of Les Paul’s contributions to his Gibson guitar design remains controversial. The book “50 Years of the Gibson Les Paul” limits Paul’s contributions to two: advice on the trapeze tailpiece, and a preference for color (stating that Paul preferred gold as “it looks expensive”, and a second choice of black because “it makes your fingers appear to move faster on the box”, and “looks classy―like a tuxedo”).[11]
Midco International, a former musical distributor, sold the Lotus brand as an exclusive trademark of guitars during the 1970s and 1980s. Like many other distributors, Midco commissioned a manufacturer in Asia to build guitars under a unique brand name. However, many of these factories in Asia received requests to build guitars for multiple manufacturers/distributors, meaning the same guitar could essentially end up under multiple trademarks. This isn’t much different from what Harmony, Kay, and other house-brand jobbers from the Chicago area were doing in the 1940s through the 1960s.

This aim of this site is to provide high quality SoundFonts (virtual musical instruments in sf2 format) that can be played using a midi keyboard connected to a computer, tablet or smart phone. Emphasis has been placed on real or acoustic instruments particularly piano and other favourites for keyboard players (pads, strings, electric pianos, organs and orchestral) but some SoundFonts here also include high quality guitars, some synths and ethnic instruments. There is also a nice GM set for playing general midi files. The SoundFont format sf2 is widely supported by lots of programs/apps and devices.

If you want to take your tracks to the next level, a multi effects processor can do the trick. For a high-end example of what one of these units can do, check out the Eventide H8000FW 8-Channel Ultra-Harmonizer Effects Processor. It supports 24-bit audio and comes with an impressive 1,600 pre-set effects. Some are even pre-customized for 5.1 surround sound, so production for home theater playback is a cinch. Its smorgasbord of I/O options includes AES/EBU, ADAT, S/PDIF and FireWire with sampling up to 96kHz, so whatever you're looking to connect to the H8000FW, it's a safe bet that you can get the job done. Of course, not all of the processors here are quite as advanced. There are plenty of setups out there that just need a straightforward solution, and if that sounds like yours, don't worry: you'll find plenty of those here as well. Take the TC Electronic M350 Reverb and Effects Processor, for instance. This single-space rackmount is easy to fit into any budget, living up to TC's reputation of delivering amazing bang for your buck. It's loaded with 15 different effects plus 15 reverbs, and even includes control software for your AU/VST environment.

So many new guitarists, and even not so new guitarists, play with the volume and tone knobs turned all the way up all the time and then shell out lots of money for pedals when they are not satisfied with their tone before taking advantage of what the guitar can do (and it's a lot). Then of course, your amp's tone controls can refine things even more.
When you’re just starting out you generally play in less than ideal conditions and your soundman, if one is present at all, isn’t going to be as well versed in his/her craft as someone who works in larger venues. Because the guitar is resistant to feedback and gives you the option to sculpt your tone without having to rely on a console, it will prove to be a valuable asset.
A common theme with these models is the capability to easily access the highest notes of the instrument, alongside dual humbuckers and massive sustaining bodies.  The Explorer, much like the V, is now a very common electric guitar shape in the heavy rock and metal genres, but was widely used in other styles as well.  This is evidenced by one of the most famous Gibson Explorer players, Allen Collins of Lynyrd Skynyrd.
I hope the list is somewhat correct on peoples lists although it is just an opinion! and just a small thought and insight on angus young he might not make the top 50 for me he plays just a few chords and everything sounds the same, he is with a unique voice and a band who was made by bon scot that put ac/dc on the map!! I know of no really good guitar player that names angus young as their inspiration or was influenced by angus young it is just that his work was too simple!!
The Articulations page exposes all of the Shreddage II articulations to the user in a fully-customizable mapping scheme. The user can activate articulations via keyswitches or velocity ranges. The Engine page reveals the back end of Shreddage II for users seeking to tweak Shreddage II into the ultimate performance tool, with controls for velocity response, transposition, pitch bend range, resonance controls, pedal behavior, and control over noises like release and pick.
The pitch shifter is one of the most versatile effects in the pitch category.  Often used with a rocker pedal like a wah-wah or volume pedal, the pitch can be swept up or down by a specified amount in a smooth glissando-like bend.  It’s typical to hear a player use a range of one or two octaves for the sweep, so the shifted pitch lands back on its original note, but in a higher or lower octave.

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The Epiphone LP Special II Les Paul Collection Electric Guitar is a GREAT GUITAR for $169.00 (The average selling price at the time of this review). The pickups, tune-o-matic bridge and stop piece are the same ones used in Epiphone's more expensive guitars, and are similar to what's used in much more expensive Gibsons. Although the tone adjustments have been simplified to a toggle between the three pickup combinations and an overall tone control for both pickups, this is not as big a deal as many might make of it. Given the vast array of other things that influence electric guitar sound -- strings, amp choice and settings, effects pedals and so forth -- the guitar sounds great as is.
"Bring up one mic at a time and get it to optimum level on your board. To check that they're all in phase, make sure the signal is adding and not subtracting as you add in the other mics. If not... reverse the phase. Then start to put up each mic, one at a time... as you move the faders back and forth, you'll hear the greatest EQ, because of the phase relationship... Then if you flip the phase on one of the mics, you can really have some fun — it'll act like a filter."
Danelectro's new '59XT guitar was an exciting announcement at NAMM 2018, and we're stoked to have a chance to test out this sharp-looking axe. Control-wise, the guitar keeps it simple, with a three-way pickup selector switch stacked above tone and volume control knobs, but it ups the game with a Wilkinson tremolo and a lipstick pickup. Watch along as Andy tests out the Dano's sound, and look below for more information about how to get one of your very own.

Ibanez is a Japanese guitar manufacturer which was founded in the year 1957. Ibanez was the first Japanese company to gain a foothold in exporting guitars to United States and Europe. They were the pioneer to produce the seven- strings guitars. Ibanez has produced several guitar models including the Electric Guitar Models, the Signature Models, Bass Guitar Models, and Acoustic Guitar Models etc. The Ibanez guitars are one of the best in the world.

Coming from the back of its introduction in 2006, this Hellraiser series of Schecter’s electric guitar is proving to be a game changer in the strumming market, by excelling far ahead in areas like sight, sound, durability, quality, and affordability—a stark definition of a unique electric guitar. These set of Hellraiser guitar are not only beautiful but also versatile.
Nashville studio engineer Glen Snoddy discovered the Fuzz-Tone sound when recording Marty Robbin’s 1960 hit “Don’t Worry About Me.” Allegedly an overloaded transformer blew in a Langevin tube module, transforming Grady Martin’s bass guitar into a distorted, heavy fuzz. Some put the event down to another case of amplifier malfunction. Either way, Martin continued to use the tone throughout 1961 while Snoddy transistorized the malfunctioning circuit through trial and error, and sold it onto Gibson in 1962.
The GrandMeister Deluxe refines the German firm's best-selling compact head, with four flexible channels and a host of built-in effects. Just about everything is MIDI-powered, so you can edit and store presets to your heart's content. The rear panel includes the latest Red Box recording output, and there's also a new improved iPad app that you can use to edit and store presets, either at the end of a lead or using a wireless MIDI adaptor. The GrandMeister Deluxe 40's four channels sound quite different from those of its predecessor: they're more balanced, with slightly less treble emphasis and a smoother but no less powerful bass response. There's plenty of headroom on the clean channel, which dovetails seamlessly with the higher-gain crunch channel. Both clean and crunch are very tweed-influenced, dominated by a warm midrange that's equally flattering to humbuckers and single coils, especially when boosted and laced with a little of the GrandMeister's digital reverb, which can be combined to taste with delay, chorus, flanger, phaser or tremolo. The two American-voiced lead channels have all the gain you could possibly need for almost any musical genre, from classic rock to modern drop-tuned metal, with a nicely sculpted top-end that squeals and snarls on demand. As a do-it-all tool the GrandMeister 40 takes some beating. All of its many features work efficiently and it's hard to point the finger at shortcomings, because there really aren't any.

The MC5 was founded by guitarists Wayne Kramer and Fred “Sonic” Smith, friends since their teen years and veterans of the Detroit garage rock scene. They honed a two-guitar attack that owed much to the heavy rock sounds being popularized at the time by acts like Cream, the Jimi Hendrix Experience and Led Zeppelin. But Kramer and Smith laid down their riffs with more reckless abandon and a greater sense of desperate urgency than any of those groups.
Since National had applied for a patent on the single cone (US patent #1,808,756), Dopyera had to develop an alternative design. He did this by inverting the cone so that, rather than having the strings rest on the apex of the cone as the National method did, they rested on a cast aluminum spider that had eight legs sitting on the perimeter of the downward-pointing cone (US patent #1,896,484).
Delay/echo effects can sound pretty good when plugged directly into an amp’s input (See Example 3, above)—hell, the Edge built a whole career out of doing just that—but if you want absolutely clean, pristine delay and echo effects with no distortion, the effects loop is the only way to go. Reverb effects should always be patched into the effects loop (See Example 4, below) unless you always play through the cleanest of clean sounding amps. Overdriven or distorted reverb just ain’t very pretty, and it can destroy any semblance of clarity or definition and smear your sound like the ketchup on a baby’s face when it’s trying to master the fine art of eating a messy pile of French fries.
Guitar Center Repairs is your go-to spot for expert stringed instrument repairs, upgrades and servicing. Located inside every Guitar Center store, our staff of experienced, certified technicians will keep your guitar or other stringed instrument in peak playing condition and help you get the most out of your investment. We also repair and modify other equipment like effects pedals, amps and more at select locations. Set up an appointment or stop by any Guitar Center today.

A pedal itself can have an effects loop, but the most commonly used place is on the amplifier itself. You'll see on most amps (but not all) some form of output labeled as Effects Send or Preamp Out accompanied by an input labeled Effects Return or Power Amp In, respectively. Both sets of outputs and inputs refer to the effects loop that you can add between the preamplifier and the power amp section of your amplifier.
Wah – a frequency-based effect that creates a sound similar to a voice saying “Wah”. A Wah pedal uses a filter that sweeps across the frequency band. In a pedal wah, pressing the toe down will make the guitar signal brighter; heel down makes the signal darker. The filter can be controlled either automatically by electronics within the pedal or manually by the use of an expression pedal giving the guitarist’s hands-free control over their tone.

The most underutilized sonic tool that electric guitarists have is built right into their instruments: the volume and tone dials. Most players tend to leave their guitar’s volume up full and set the tone knobs in one place and work from there, but with a little practice it’s easy to get used to using these potentiometers or pots — which are contacts that control voltage — to sculpt interesting sounds.
Rickenbacker continued to specialize in steel guitars well into the 1950s, but with the rock and roll boom they shifted towards producing standard guitars, both acoustic and electric. In 1956, Rickenbacker introduced two instruments with the “neck through body” construction that was to become a standard feature of many of the company’s products, including the Combo 400 guitar, the model 4000 bass, and, later, the 600 series.
First introduced as a 35th Anniversary Edition Guitar in 2009, it joined Taylor’s standard line up as a Specialty Model in 2010. The Baritone model features a Grand Symphony body and a longer 27-inch scale length which enables it to be tuned from B to B while maintaining normal string tension. It comes in either 6-string or 8-string option. The 8-string models incorporates a pair of octave strings that double the 3rd and 4th (D and A) strings. Solid wood back and sides available for the Baritone model are Tropical mahogany or Indian Rosewood with rosewood binding and an abalone rosette.
Some of the best pedals in this segment, like the TC Electronic Sentry, will allow you to set both the volume threshold where the noise gate kicks in, and the type of interference you want to filter out. The important thing to remember about noise gate pedals is that they only eliminate hissing when you don’t play. As soon as you do, the pedal disengages and the noise comes back. With that said, noise gate pedals are essential for a good tone.

Most Fender guitars are equipped with single-coil pickups. They have a lower output level than dual-coil pickups but sound brighter and sharper, which is perfect for clean and crunch sound. Both the Telecaster and the Stratocaster generally have an ash or alder body, a maple bolt-on neck and a rosewood or maple fretboard. Some other Fender models were also moderately successful (the Jazzmaster, the Jaguar or the Mustang). Squier, a brand that originally manufactured strings, was bought by Fender to become a sub-brand and sell guitars manufactured in Japan from 1982 onwards.
The best place to start is with a small tube amp. This kind of amp is far less forgiving, leaving you nowhere to hide. It sounds counter-intuitive, I know. You’re looking for the best choice and here I am telling you one that will make things more difficult. But think of it as tough love – forcing you to confront your technique and learn the right way to play a chord or scale progression.
It's like saying the wood handle of a hammer effects the tone generated by hitting a nail. The nails been hit, vibrations through the wood afterward are pointless. Unless the guitar itself is metal and hollow, you would hear sound generated acoustically, as you would with any acoustic instrument. An electric guitar is not an acoustic instrument in a classical sense.
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Seagull Maritime The Seagull Maritime acoustic guitars are made of all-solid tonewoods, making them a great option for those looking for the best acoustic guitar with a full sound. The top is made from pressure-tested solid spruce while the sides are made of solid mahogany wood for a well-balanced tone. The craftsmanship is superb and it has the sound quality to match.
Growing popularity of the guitar in the early 1900s, fueled by the growing popularity of folk music and country and western music, led to a demand for louder and more percussive guitars. In response, many companies began to use metal strings instead of catgut. These became known as steel-string guitars. By 1921, Martin had focused production towards this type of guitar.
Kingston guitars were built in Japan and imported into the U.S. by Jack Westheimer, who was an early pioneer of importing and distributing Japanese instruments during the late 1950s and 1960s. At first, Kingston guitar models were limited to acoustics that were similar in style to Harmony’s Stella line. Westheimer’s electric line at the time was built in Japan by Teisco and branded as such before the name changed to Teisco Del Ray. By the mid-1960s, however, Westheimer was no longer importing Teisco (or Teisco Del Ray) guitars, and he turned his attention back to the Kingston trademark, but added electric guitars this time.
CALIFORNIA PLAYER models express unique personal style with bold looks and inspiring sound. The satin finish mahogany neck features an easy-to-play, slim-taper “C”-shaped profile suitable for any playing style. When it’s time to plug in, solid-top California Player models also feature a Fishman pickup/preamp system for incredible amplified performance with pure, rich and resonant tone.
Basicly it is a HD digital sound interface plus with a MIDI controller and footswitch. It is has unique design with different HOST mode and switching MODE to work with the host softwares. We are proud of that it is now maybe the best thing you can find to use on stage with software FX. The special designed analog signal chain mixing with the digital codec give the best dynamic response and sound quality. We did AB with lots of other interface and be so confident on its performance.
While we are on the subject of cute little things, I want you to consider the idea of a small amplifier with a cute name but with the looks of Marlon Brando in his early years. Wait, no, that is incredibly freaky and not something anyone wants to imagine. I mean how would you even connect your guitar to that? What I mean is imagine an incredibly handsome amplifier. Well, now that you have, let me ruin your dreams by directing your attention at the pignose 7-10 legendary portable amplifier, which is an actually rather handsome piece of equipment. The great thing about this beautiful box is that it also has a great sound, comparable to that of its betters (read: of the more expensive models). Being very light and fun to possess, it is highly portable and loud enough to captivate audiences. A great, affordable small amplifier that does not look Marlon Brando in any way, and thank god for that.
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Quilted - Neck Attachment: Neck-through - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Frets: 24 - Inlay: Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black, Diecast, Nickel, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Black, Blue
I'm going to break this review into pros and cons. Pros: Top notch wood, electronics, wonderful bound neck and great machine heads. The action/fretboard are wonderful (after being setup). Sounds beautiful!, and more so if you take my advice. One last pro, all of the cons are easily remedied. Cons: The saddle, nut, and bridge pins are plastic (kind of like putting crap tires on a good sports car). I replaced the saddle and nut with tusk, and for the bridge pins I went with brass. It was like the volume went from a 4 to a 8, and the tone went from nice to beautiful and singing. It was about a 40$ upgrade, that made it sound like a thousand dollar guitar. This is the first time I bought a guitar before playing it. The gamble more than paid off. Been playing guitar for 25 years, and I

Description: Guitar Type: Acoustic/Electric - Body Size: AEG - Top Wood: Cedar - Back: Mahogany - Sides: Mahogany - Neck Wood: Mahogany - Nut Width: 43mm - Fingerboard: Rosewood - Binding: Ivoroid - Frets: 21 - # of Strings: 6 - String Type: Bronze - Scale Length: 25.4" (64cm) - Headstock: 3+3 - Bridge Construction: Rosewood - Cutaway: Single - Rosette: Abalone - Hardware: Chrome, Diecast Tuners - Pickups: Fishman Sonicore - EQ/Preamp: Ibanez AEQ-SP1 - String Instrument Finish: Low Gloss natural
Tempo Delay: Most plug-in and hardware delays now allow you to automatically sync delay times to MIDI clock and then specify the interval of the repeats in terms of note values rather than milliseconds. A trick here is to use two simultaneous tempo-based delays with, say, a triplet delay setting, panned hard left, and a straight-note delay panned hard right. Things can get more interesting still if you apply this technique using ping-pong delays, so that alternate repeats bounce from one side of the stereo spectrum to the other. To create a true 3D effect, play around with the amount of original signal left in the middle. Depending on the intervals between your repeats, you can turn simple guitar and synth lines into complex, arpeggiator-like patterns or totally spaced out ambient pieces. Stephen Bennett

Description: Body: Mahogany - Top Wood: Mahogany - Neck Attachment: Set - Neck Wood: Mahogany - Neck Construction: D-Shape - Fingerboard: Ebony - Frets: 24 - Inlay: Pearl - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tune-O-Matic - Bridge Construction: Ebony - Hardware: Black, Grover Tuners - Pickups: Seymour Duncan Live Wire - Pickup Configuration: Dual - String Instrument Finish: Charcoal Burst, Vintage Burst

One of the most over looked and shockingly good guitars I have ever played in my 23 years of chopping wood. In their rich history there have been little misses, but over all Aria guitars are supreme to their competitor especially at the price point. My 1977 Aria les paul copy has at leased twice the balls as my buddy's 6 year old Gibson and tons more playability. Forget about comparing to epiphone, seriously. eBay yourself a Aria electric and you WILL be pleasantly surprised. Aria acoustics; If your reaching for a nylon, Aria makes some of the best classical guitars with a history of employing some of the most well noted artisans of the craft, such as Ryoji Matsuoka. Fine craftsmanship all around, built with quality woods and have a tendency to get better with age, laminated or not. As for steal strings, I've only played one to be honest, but this Martin 'lawsuit' was a work of art. Thank you.
The guitar offers a beginner some great features in sound and playability. For starters, it is technically a Les Paul (giving you a great “cool factor,” which is important when you’re first starting out). It cuts a couple corners that a Standard or Special Les Paul won’t, like the fact that it’s a bolt-on neck, and there are proprietary single coil pickups (as opposed to the standard humbuckers you’ll usually find in a Les Paul).
Although a lot of engineers prefer to mic up the single, best-sounding speaker cone of a multi-speaker cab, some blend the sounds of more than one. Steve Churchyard: "If I'm using a 4x12 cabinet, I find two of the best-sounding speakers, and I'll put an SM57 right on axis and right on the cone of both those guys. Then I'll mix them in the control room, combine the two together. It seems a little different than just using one mic. It's not twice as good, but it's just mixing the character of two different speakers."
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Quilted - Neck Attachment: Neck-through - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Frets: 24 - Inlay: Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black, Diecast, Nickel, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Black, Blue
Watching the short documentary posted above about Joe’s youthful experiences with MXR pedals was a real treat for me and sent me nostalgically back to those childhood days discovering pedals with my friends. I don’t know a whole ton about Joe’s use of particular pedals and such, but I’d definitely love to learn more. I do, however, appreciate how indispensable they are to an electric guitarist, especially a supremely talented one like Joe. Watching Joe’s fingers as he plays is magic, but I definitely need to start paying attention to how he’s playing guitar with his feet.
Now I know the image above will give some people fits. Just the idea of doing a gig without your favorite amp roaring behind you is enough to send people to their sheds, grabbing pitchforks and lighting torches. This article is about why some guitarists choose to go direct at gigs. Going direct doesn’t replace the traditional guitar/pedals/amp formula that has powered popular music for over 60 years. Bass players and acoustic guitarists have gone direct for years, and technology is catching up to the ears of electric guitarists. Of course, no one is trying to tell every guitarist to do this, but it does seem to have merit in certain situations. Those situations are exactly what we will be talking about here. 
I've used 3 effects applications till now: Amplitube podfarm and guitar rig 5. The best software I found so far is guitar rig the sound it gives is amazing it has some pretty good presets and it has an intuitive interface I recommend trying out demos of every software to see which better suits you. I recommend guitar rig. I would suggest using a PC instead of a laptop because they're processor intensive. Anything that's part of the is series is great (i3 i5 i7). Good luck and remember to get asio4all drivers google it and get the newest drivers
There are some guitarists who place the compressor last, though, to boost their signal just before it hits the preamp of their amplifier. The drawback to this approach is that any hum or hiss introduced by other effects will be increased by the compressor's output gain. Sometimes you can remedy this by placing a noise gate before the compressor, however, the noise reduction can have an effect on the tone quality. A best-of-both-worlds approach might be to put your compressor first and use a signal booster just before your amplifier. Some guitarists also like the sound of putting their wah or envelope filter before the compressor to give it a wider frequency range to affect. Experimentation is always encouraged, but putting the compressor first is recommended.

I could not afford an American or European guitar when I was 12, but Sam Ash sported a Japanese stratoslabber, with 1, 2, 3, or 4 pickups. Each extra pick up was another eight dollars! I bought the 2 pick up model for $24 and brought it home. What a square slab. The wood had the aspects of cardboard, it was probably what is called basswood. The pickups were single coil, chrome covered, and no better than a deArmond harp mike. My brother returned it, and bought a better looking tele style Japanese guitar I believe by Kent, with tin foil inserts in the pick ups. It went from Kandy apple red, to natural, to white, and finally to trunk-splatter grey with Seymour Duncan pickups and Grover tuners. I finally sold it in 2009.
It also comes in a colour that is unique and leaves most other guitars in the dust - their OPB colour, or Open Pore Black finish. It’s a matte black guitar. Matte (or a satin finish) means that you won’t have the grubby finger marks or oil stains that a glossy finish would have. Plus, if you play for a while and your palms get sweaty, this matte finish won’t be slick and slipper - unlike guitars with a glossy finish.
In late 1960, the amp was redesigned with three, rather than two, channels, each with two inputs, and offered with an optional Top Boost, or Brilliance, circuit, which introduced an extra gain stage and separate bass and treble controls. The Top Boost feature proved popular enough that it became standard on the AC30/6 (so named for its six inputs). Its chimey high end was a signature of the Beatles’ early recordings and was later favored by guitarists like Brian May, Tom Petty, Peter Buck and The Edge, whose 1964 AC30/6 has been featured on every U2 album.
Bold and brash, the chest-thumping sound of Fender's big-bodied California Series Redondo Player acoustic-electric was designed to inspire you from the moment you pick it up. The exclusive slope-shouldered Redondo body shape has a rich, commanding voice that fills any room. The gloss metallic top, back and sides, as well as a matching painted 6-in-...  Click To Read More About This Product

The Model EP-17-T was a regular-sized thinline with a single round cutaway, bolt-on neck, non-dipped three-and-three head, dots, three pickups, adjustable bridge, plain trapeze tail, elevated guard, three rocker switches plate-mounted on the upper shoulder, and controls on a rectangular strip on the lower bout. All three were offered in shaded mahogany finish.
The first design was an Early Telecaster model, called Squier, with a single mic. The main contribution Leo Fender did, was the bode and neck removal separetly. In previous models, when the guitar need repairs, the complete instrument needed to be sent, while, after Leo fender design, the plate could be unscrew and sent to the shop only the damaged part.
One of the most popular and widespread pickups in history is the single-coil, played by more legends than we can count – from Jimi Hendrix and Eric Johnson, to Jeff Beck and Yngwie Malmsteen. Renowned for their delightfully bright and clear tone, the single-coil is exactly as the name describes – a single set of magnetic pole-pieces, wrapped in a thin wire coil. Simple in design, but complex in their sound, with exceptional dynamics, sparkling highs, and huge twang. They are great for all styles of music, from classic rock to country. Generally found on all kinds of models from a huge range of brands, single-coils are famously the exclusive pickup on both Fender Stratocasters and Telecasters. The DiMarzio DP419 Area 67 is a good example of a great single-coil pickup and a must for Hendrix fans, although check our dedicated single-coil category for more.
Preamp, or gain, controls (sometimes called “volume” on master volume–equipped amps) let you dial in impressive-sounding distortion at low volumes, but excessive preamp distortion can sound too compressed and sizzling at high volumes. Turn down the gain and crank up the master volume until the amp is set at the output level you’d normally play at. Now, slowly increase the gain until the sound becomes as distorted as you want it to be. If the tone is buzzy and lacks dynamics, the amp will have all the onstage presence of an American Idol reject.
While the HSS Bullet Stratocaster isn’t available in a left-handed model, the similar, somewhat more costly Affinity Series Stratocaster is available in a left-handed version. This guitar differs from our top pick in that it uses slightly higher quality of parts and has a higher quality finish (based on our experience with the Affinity Series Jazzmaster); it has a single-coil pickup instead of a humbucker in the bridge position (which will be noisier and also brighter-sounding); and it has a vibrato bar.
Why do these genres not require the use of a tone knob, or sometimes, require a tone knob to be fully open? Well, for metal and hard rock, first of all, most of the tone shaping happens on the amp and/or on the pedals, especially for those who use high gain distortion pedals. The pickups on typical hard rock and metal guitars are humbuckers, which are warmer and have less treble. Couple that with high gain and high output pickups which compress the signal and also take some of the treble away, and keeping the tone knob open becomes that much important so that the tone will not be muddy and keep its cut and punch. For country, well, I guess that’s just *the* sound of the genre, and wide open Telecasters and Stratocasters are the weapons of choice.
The body of a classical guitar is a resonating chamber that projects the vibrations of the body through a sound hole, allowing the acoustic guitar to be heard without amplification. The sound hole is normally a single round hole in the top of the guitar (under the strings), though some have different placement, shapes, or numbers of holes. How much air an instrument can move determines its maximum volume.
In addition to building world-class custom basses and guitars, our luthiers also perform a wide variety of guitar repairs, restorations, modifications and upgrades. Whether you have an electric guitar, acoustic guitar or a bass, new or old, feel free to bring it by the shop for a free assessment. We have the experience, skill and equipment to provide maximum playability.
 This Tempo guitar combo amplifier with tremolo and reverb effects is well-used, but still delivers great retro sound. If you're looking for genuine vintage guitar sounds, the Tempo delivers in a delightfully trashy way. The sound is twangy and clear, but you can overdrive the volume a bit to get a raw lo-fi sound perfect for garage punks, mod revivalists, surf rockers, etc. and This solid state amp was made by Japanese guitar manufacturer Tempo. It has three inputs, just like you'd expect from a late '60s - early '70s model. The temolo speed is adjustable from slow to fast, and though the intensity is not adjustable, it has a nice "just right" sound that's not too mellow or too choppy. The reverb sounds like a classic spring reverberation unit, and it gets the job done well. The cabinet measures 18 inches x 13 inches x 7 inches and houses one 8-inch loudspeaker. Check out the short video below to hear the Tempo in action and examples of the tremelo and reverb, both at maximum settings. Finding all of this great stuff for you guys has left me with virtually no free time, so please do not laugh at my years-out-of-practice playing style when you hear the sloppy Link Wray and Duane Eddy riffs...
Guitarists and bassists who want to extend what their instruments are capable of have a huge arsenal of effects pedals and processors they can turn to. From subtle to outrageous, guitar and bass effects pedals and multiprocessors help you capture inspiring sounds off recordings as well as spark your own creativity. Keep reading to get the details on the many types of guitar and bass effects you’ll find at Musician’s Friend. We’ll also get up close with some completely unique stompboxes.
This is easily the most popular category of effect, and sonically is the natural first-step away from the thin sound of a straight, clean amplified guitar. If a player only owns one pedal, chances are it’s a distortion, fuzz, or booster box, and plenty of players have collections of several or even dozens of units from this genre, and use two or three at a time on their pedalboards for different colors and textures and levels of sonic sizzle. Yep, of the players who want to change their guitar’s pure sound in the first place, more probably want to filth it up than all of the other options combined.
Phrase sampler: Like a loop pedal, a phrase sampler will store loops or phrases of even greater length. The more expensive and sophisticated phrase samplers will save multiple phrases or loops, drum and bass, rhythm guitar, or practice solos. Some have USB connectivity and can hook up to your computer for uploading, so you never lose a loop or phrase.

:I purchased a Dorado Model 5990 in 1972 new and it was DISTRIBUTED by Gretch, made in Japan. This is a low price "starter" guitar that equals many higher priced brands. I can let it sit for weeks and it stays in tune. Age has mellowed the sound and it plays as well as any fender, Gibson, or even Gretch, of equal construction all things considered.

Dobro was founded by John Dopyera and a brother after he left National Guitar in 1928. The history of Dobro and National is long and complicated. Dobro merged with National in 1934. They contracted with Regal to build their guitars and for a time Regal was the exclusive builder of resonator guitars. They lost the rights to the names during World War II which led to a number of other names. The Original Musical Instrument Company was the last name used with Hound Dog being a brand of resonator guitar when Gibson eventually purchased them in 1994. Gibson currently sells Dobros (single cone, spider bridge resonator guitars) and Hound Dog brand guitars. Epiphone has also made resonator guitars.
Compared to the guitar amp rankings, the bass amp list is largely dominated by heads rather than combos. Notably, many of the entries on this year's rankings come from the recent wave of ultra-portable, Class D bass amp—a topic we've covered before. Clearly, this subcategory of bass amp is dominating the market, and it's likely that there will be at least a few new entries under that heading at NAMM next month.
We've already heard the story of Muddy's rise from a Mississippi planation to a Chicago blues legend but that only took his career so far, at least in his chosen style of music. Eventually, bands that were influenced by Muddy like the Rolling Stones (named after one of his songs), Animals, Yardbirds, Cream and Hendrix became big, raising Muddy's profile but not getting him the same level of success his descendants were having. Marshall Chess, son of the president of the label who worked at the company had the idea to try something different by putting Muddy's music into a psychedelic setting to appeal to a younger audience. After discussing the project with Muddy, he went for it. He wasn't forced into it as some have been led to believe.
A while back I bought a GuitarPort, a product from Line6 that was one of the earliest guitar-to-PC interfaces. It cost me $99. It connects through USB and I could plug the guitar into it. I could play amp models and effects through my PC and the sound would come out of the computer speakers. (Headphones are of course an option through the PC speakers)
Jazz guitarists integrate the basic building blocks of scales and arpeggio patterns into balanced rhythmic and melodic phrases that make up a cohesive solo. Jazz guitarists often try to imbue their melodic phrasing with the sense of natural breathing and legato phrasing used by horn players such as saxophone players. As well, a jazz guitarists' solo improvisations have to have a rhythmic drive and "timefeel" that creates a sense of "swing" and "groove." The most experienced jazz guitarists learn to play with different "timefeels" such as playing "ahead of the beat" or "behind the beat," to create or release tension.
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The guitar’s ‘shoulders’ – where the body meets the neck joint – will usually be slightly more sloped than you’d see in a classic dreadnought acoustic, while the base of the body will also be narrower than larger sized guitars. All of which makes for a more comfortable and less physically intrusive playing experience. Another obvious benefit of this is the portability of parlour guitars. Their relatively smaller form factor means they lend themselves well to being slung in a case and carted off to gigs with less hassle than, for example, a jumbo-sized acoustic.
A standard Squier Stratocaster is mass-produced in factories located in Indonesia or China. For its construction, Squier usually uses woods readily available in those countries, such asagathis and basswood. They also use stamped metal hardware and multiple pieces of wood in construction to reduce waste and to lower costs. In some cases, the body is laminated, much like a plywood, rather than consisting of two or three solid pieces glued together.
Also included was the GP, an equal double-cutaway model with a mahogany body, flamed maple carved top, glued-in neck, fine-tune bridge and stop tailpiece. The only models I’ve seen, which were also advertised, had twin humbuckers and conventional electronics. One source refers to a GP-1, which by nomenclature would suggest a single humbucker, but it’s not known if this ever actually existed. Also, it’s not clear if the GPs came in parts or fully assembled.
Once CNC (computer numeric control) equipment was introduced into guitar factories starting in the late 1980s and continuing on into the 1990s, it became far less of an issue where a guitar was made. Many of the CNC machines were made in Japan. In some cases the difference between an American-made guitar versus a Japanese-made guitar versus a Korean-made guitar was little more than where the machine was located. To make a guitar in the USA involved putting a Japanese-made CNC machine on a boat and sending it to the US whereupon it could be programmed in the USA and then American or other wood could be fed into the machine, which would spit out components made to tolerances within a few thousandths of an inch of the programming. By contrast a Japanese-made guitar would be produced by leaving the CNC machine in Japan, programming it with a disc done in the USA, and then importing wood to be put into the machine which would spit out components to the same specifications as those which would be made by a similar machine in the USA. A Korean-made guitar could be remarkably similar since the Japanese-made CNC machine could be sent to Korea whereupon the same process could be done there. By 1990 the quantity of guitars made in Japan was nowhere near what it had been earlier, but Korean production was in high gear. While some Japanese instruments have come to be viewed as quite desirable and collectible, I have seen little evidence of such activity with respect to Korean instruments, but the fact remains that the better-quality Korean guitars are remarkably good and most certainly are suitable for use on stage or in the studio.
While the company officially started by importing Spanish guitars, the Ibanez that we know really started in the late '60s when they began copying popular American guitar designs. As expected they got flak for their unofficial "lawsuit" copies, but this ultimately inspired the company to improve on existing designs and develop their own. Soon, virtuosos and big name guitarists like Steve Vai, Joe Satriani and more took notice, propelling the Ibanez brand into world wide renown. Now Ibanez is as big as it gets, with a wide variety of instruments, pedals, and amplifiers under their name. They make it to this list with the high ratings that their amps are receiving, headed by their Tube Screamer Amplifier series, which comes with the circuit of their popular boost/overdrive pedal built into the amplifier section.

With smaller combos, it is worthwhile experimenting with their position within the room, especially when a distance mic is being used. For example, raising the combo further from the ground will result in a different reflected signal path length for ground reflections. Placing a reflective material such as hardboard or linoleum on the floor between the amp and mic will emphasise any coloration this produces. Where a small combo or practice amp lacks bass end, you can try to exploit the boundary effect by placing a mic in the corner of the room, then facing the amplifier into the corner. If the added bass is too much, move the mic and amplifier away from the corner until the tonal balance seems right.
the product took a while to arrive which i was ok with they let u know ahead of time….however the only instructions is a poorly photocopied over view of the board and a few details of other items…nowhere is the wiring schematic… they give you a foot long one color wire not the 3 color connected wire they show here on amazon… kinda bummed on unfinished instructions…. disappointed with the single color wire i mean the foot switch has 9 openings where are the instructions for that? actually while writing this review i down graded it to a 1 star… i was getting more upset with the lack of instructions….
As previously stated, a dominant seventh is a four-note chord combining a major chord and a minor seventh. For example, the C7 dominant seventh chord adds B♭ to the C-major chord (C,E,G). The naive chord (C,E,G,B♭) spans six frets from fret 3 to fret 8;[49] such seventh chords "contain some pretty serious stretches in the left hand".[46] An illustration shows a naive C7 chord, which would be extremely difficult to play,[49] besides the open-position C7 chord that is conventional in standard tuning.[49][50] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second-highest note in a second inversion of the C7 chord is lowered by an octave.[49][51][52] Drop-two chords are used for sevenths chords besides the major-minor seventh with dominant function,[53] which are discussed in the section on intermediate chords, below. Drop-two chords are used particularly in jazz guitar.[54] Drop-two second-inversions are examples of openly voiced chords, which are typical of standard tuning and other popular guitar-tunings.[55]

There’s 12 footswitches for you to control all your sounds and effects as well as a smooth expression pedal that can control swells, wah and even make parameter changes. A looper with 20 mins of record time is ideal for songwriters, buskers and those who need to be able to write music anywhere. It especially shines when coupled with the HeadRush FRFR-112 2000 Watt Powered Speaker.
The E minor chord is one of the simplest to play because you only use two fingers Take extra care not to allow either of them to touch any of the open strings, or the chord won't ring properly. Strum all six strings. In certain situations, it may make sense to reverse your finger position so that your second finger is on the fifth string, and your third finger is on the fourth string.
The best guitarists of all time, voted on and ranked by many music fans, with photos and other info. With help from the wisdom of the crowd, you'll find a comprehensive ranking of the greatest guitar players in history. All the top guitarists are on this list - monster guitar heroes from rock, metal, blues, and alternative music. Are you on Team Eddie or Team Jimi? How about both!
OK some people will know this already but let’s just be clear about switch terminology. A switch as you see it on the bench in front of you will often be a set of switches, mechanically connected within a single assembly. Wikipedia explains. The important thing to remember is the number of ‘poles’ is the number of switches that you have ganged together off a single lever in the component and the ‘throw’ or ‘way’ part describes how those switches operate.

The Gruhn Guitars repair shop has been world renowned for decades for its unrivaled expertise, skill, and respectful repair practices. Though our full-time staff of luthiers primarily focuses on repairing and restoring the instruments we make available for sale, beginning in 2016 we are also pleased to offer our repair services to loyal customers as an extended benefit of buying an instrument from Gruhn Guitars. Instruments purchased from Gruhn Guitars will be moved to the front of our repair queue and will be repaired at a discounted labor rate. As a sign of our appreciation for your business, Gruhn Guitars is here to help you for years to come to keep your instrument in the same prime working order as when it was listed for sale at the shop.
1963 D-28e. This model is a paradox. Martin took a great guitar with great flattop tone, and then added DeArmond pickups and knobs to the top. This ruined the tone (a flattop develops most of its tone from the vibrating top). And the DeArmond pickups don't amplify the acoustic properties of the guitar. So you end up with a electric guitar sound, while playing a flattop. Because of this, the value for D-28e's is really low. Some people go to the extreme of re-topping this model. This essentially gives you a vintage Brazilian rosewood D-28, but with a new top. A double edge sword of originality versus usability. Martin made only 284 D-28e's from 1959 to 1964, before giving up on the model. Rare, but for very good reason (no one wanted them, then or today!).
Any experienced professional guitarist will tell you there’s usually a big difference between what works on the live stage and what works in the studio. Most discovered early on that the carefully honed live tone they were so proud of just didn’t work on the recorded track, for any of several reasons, or not without a lot of tweaking and readjustment, at least. The first thing you’re likely to discover is that it’s a lot harder to record satisfactory overdriven and distorted guitar sounds than it is to record clean or mildly crunchy sounds, a revelation that often goes hand-in-hand with the fact that big amps tend to be more difficult to record satisfactorily in general.
A. If you're a beginner or you're buying for a beginner, you'll probably want to start with a fairly basic guitar, just in case you don't like playing. You can also find sets or starter packs that come complete with a small practice amp, a lead, a strap, and other useful items for new guitarists. These usually work out cheaper than buying the items separately, but not significantly cheaper, so don't worry if you have your heart set on a guitar that doesn't come as a starter pack.
Note that we paid little attention to the power ratings of these amps. Judging a guitar amp by its power rating is usually a bad idea for many reasons. First, small increases in power have almost no effect on a guitar amp’s maximum volume. All other things being equal, doubling the power gets you only a 3-decibel increase in output, which is barely noticeable. To get double the perceived volume, you need 10 times as much power. A 100-watt amp might be twice as loud as a 10-watt amp, but a 20-watt amp will only be slightly louder than the 10-watt amp.

Beautiful Teisco Electric Guitar refinished in sea foam green or Daphne blue color, it has a custom series parallel pickups toggle switch, nice low action, sweet sound, plenty of tonal possibilities. Buy with Confidence....... Blessings! Item will be well packed, shipped and insured to any of the 48 contiguous States, No Alaska, No Puerto Rico, No Hawaii, No International buyers.

Russell is not only one of the hardest working technicians in Dallas but also a classically trained guitarist with a degree in classical guitar performance from SMU. To supplement his income playing classical guitar, he joined the Brook Mays team before finding a home at Charley's Guitar Shop. "Having a background as a player helps with cutting through the issue," he says. "I think the real part of guitar repair is being able to observe what's going on with the guitar but also understanding what the player is going through."
There’s 200 unique patch locations for you to assign your own sounds with and make use of the effects for guitar and bass, including world class BOSS delays, reverbs, mod/pitch effects, overdrives, distortions such as the DS-1 and Metal Zone and more. A built-in tuner is extremely handy as is the onboard USB interface which allows you to load presets onto the unit. This multi-effects unit allows you to access the free MS-3 Editor/Librarian software on a Mac or PC where you can make changes to your effects, assign parameters and sculpt your sound in complete detail for later recall when you’re playing live. You can mix whatever pedals and sounds you want and have that preset ready to go in seconds.

Epiphone is regarded as one of American’s oldest and most revered musical instrument manufacture, which was founded in 1873 by Anastasios Stathopoulos. Their headquarters located in  Nashville, Tennessee, United States. Their produce amplifiers, mandolins, banjos, effect units etc. The company is owned by Gibson Guitar Corporation. Their guitars are the best selling one in Indian market. Available at Rs. 13,000/- onwards (approx). For more details, visit Epiphone.com.
Gibson makes authorized copies of its most successful guitar designs. They are less expensive than those bearing the Gibson name. A former competitor, Epiphone was purchased by Gibson and now makes competitively priced Gibson models, such as the Les Paul and SG, sold under the Epiphone brand,[69] while continuing to make Epiphone-specific models like the Sheraton, Sorrento, and Casino. In Japan, Orville by Gibson once made Gibson designs sold in that country.[70] Gibson has sought legal action against those that make and sell guitars Gibson believes are too similar to their own.

Have you ever looked at a guitar and wondered, "How do they make that?" Or thought to yourself, "I bet that I could build my own guitar," but never actually tried it? I have built several electric guitars over the years and through trial and error have learned many helpful tips that anyone who might want to tackle this sort of project needs to know before starting out. This kind of thing does require some wood working skill and also requires some specific tools as well but not all the fancy stuff that a guitar manufacture has. Building an electric guitar is time consuming and requires the completion of several steps before your project gets finished but be patient and you'll be happy with the results. I tend to go into detail so as not skip any steps or tips you need along the way, and use pics from other projects that I did as well so you can get more that on reference. If you set out to make a guitar you'll find that it takes quite a bit of time so you'll have time enough to go back and read other info if you just want to skim through the first go round. So I hope this helps all the future guitar builders out there!

With the bridge in a locked position, bring the strings to your preferred tuning and check the neck curvature. If you don't intend to keep the instrument in standard concert pitch, tune it as you intend to normally tune it- half a step down, three steps down, whatever. Also, you should have the gauge of strings you intend to use on the guitar at this point, if you did not already. Both the string gauge and the tuning of the strings dictate the amount of tension that is going to be pulling on the neck, and everything about the adjustments you are about to make is affected by the tension on the neck.

A partial PA is harder to define, but it's essentially any PA system that doesn't have the capacity to mic your whole band. More often than not, in these situations, mics end up on the kick drum and snare drum for the reasons outlined above. In this case, it does help to have a little extra juice in your amplifier, but try to keep it tamed, nonetheless.
I purchased a Lyle model A690 recently from an old man in northern California who had gone blind and developed arthritis and didn't feel like playing anymore. He mentioned in passing that he had found (?) The guitar somewhere. The case was thickly covered in dust and pretty much rusted toast, but the guitar is immaculate, looks brand-new with the exception of the tuners, rusted tight. The serial is #480 so I guess its fairly old, but how old is my question? A weird aside; in the case was a handful of fender-style medium tortoise-shell picks monogrammed Eddie Kramer. Does that ring a bell for anyone? Any and all information would be appreciated! Thanks!
I’ve tried some guitars for beginner, being beginner myself! And let me tell you… around 500 USD and under 1000Usd they are plenty BUT. Avoid Epiphone. I got one and let me tell you, the material is weak. I’m mean the construction material. Some time after buying my Epiphone standard pro (lespaul) I tried a PRS SE245, it is a single cut too but… man, the playability and the quality of construction are absolutely not comparable. For the price I think it is the best single cut you could find! And to say the truth, now I started to play correctly. I’ll sell my first one and I’m going to buy a PRS McCarty 594. PRS is really high quality material. From bottom line to high end models!

Manne guitars - This Italy based guitar manufacturer produces instruments with unique features. The first Manne guitar was built in 1986 and they continue to provide finely crafted instruments based on some very original design concepts. Manne's design philosophy: hand craft the finest stringed instruments then offer them to the public at a reasonable price.
SOLD OUT: Super condition its been kept in the case over 25 years WoW!... JVG just set-up and plays wonderfully no buzz no drag its EASY to play now and it has NO WEAR almost like owning NEW Vintage! Sounds good ! its loud and robust TONE this is a great deal on an absolutely wonderful guitar. This was well crafted in Korea in the late 1980's same as Japan spec incredible. Lots of vintage guitar for a great price Its woods are as follows... Top is Spruce nice straight grained and may be solid cant see a seam it is what it is as made, the back and sides are all a fine instrument grade mahogany as is the neck a medium slim profile neck feels great , the headstock has the rosewood overlay with Fender logo in mother of pearl with gloss finish to front headstock as the body is gloss front - sides and back and the back of neck smartly in satin finish to not show finger prints easily.. Fit and finish is rated JVG at very good - excellent vintage easily Near Mint rating I'm still looking for a dink and cant find one yet, but thats not to say there may be something minute somewhere but I looked it over good and she qualifies for near mint rating vintage and is WAY BETTER than average. The fingerboard I believe is ebonized rosewood and shows no divots at all... same with frets I polished them pre set up and I can attest they are excellent too... Neck angle and action is very good straight and as a result the action is set to within Martin spec and plays excellently with no buzzing. Original tuners on board and are good quality and do the job well, intonation on this guitar is good so it sounds sweet up or down the fingerboard... surprisingly great tone for a guitar anywhere near this price point, You will be very pleased. Comes with its original semi hard chipboard case black good all latches and handle are good, Here is a great sounding and playing Vintage Korean guitar that will be sure to please. Questions ? asl Joe jvguitars@gmail.com .

Chushin is still in operation today in Nagano, Japan and does business with guitar giant Fender. I believe that Chushin may have been a member of the Matsumoto Musical Instruments Association listed further down because both companies produced Fresher guitars during different periods....with Matsumoto beginning production and Chushin ending it (perhaps because the Association was disbanded?). During the 1960-1980 period they were responsible for badges Bambu, Cobran, El Maya and Hisonus as well as some Charvel, Fresher and Jackson badges. The company may have possibly made some guitars with the Aztec, Maya and Robin badges, but that is not verified. Guitars made by Chushin from this period are well-made and appreciated by guitar enthusiasts worldwide.
In 1964, The Rolling Stones‘ Keith Richards obtained a 1959 sunburst Les Paul.[19] The guitar, outfitted with a Bigsby tailpiece, was the first “star-owned” Les Paul in Britain and served as one of the guitarist’s prominent instruments through 1966. Because he switched guitars often enough in that period (using models ranging from the Epiphone semi-hollow to various other guitars made by Guild and Gibson), Richards is sometimes forgotten as an early post-1960 Les Paul player.[20][21] In 1965, Eric Clapton also recognized the rock potential of the late 1950s Les Paul guitars (particularly the 1958–1960 Standard sunburst models), and gave them wide exposure. He began using Les Pauls because of the influence of Freddie King and Hubert Sumlin, and played a 1960 Standard on his groundbreaking album Blues Breakers – John Mayall – With Eric Clapton. At the same time, Mike Bloomfield began using a 1954 Les Paul goldtop he apparently purchased in Boston while touring with the Paul Butterfield Blues Band, and recorded most of his work on the band’s East-West album with that guitar. A year later, he traded it to guitarist/luthier Dan Erlewine for the 1959 Standard with which he became most identified. Concurrently, such artists such as Peter Green, Mick Taylor, Jeff Beck andJimmy Page began using the late-1950s Les Paul Standards.
Today, Van Halen is one of rock’s most influential and imitated innovators. As unpredictable and flamboyant as Hendrix, Van Halen has had an unmeasurable impact on the guitar community. By the mid Eighties, his self-described “brown” sound, over-the-top techniques (including two-handed tapping), and revolutionary trem-bar effects inspired a generation of aspiring guitarists who bought the one-pickup, one-volume-knob, Floyd Rose–equipped Strat-style guitars that Van Halen made famous.
Call of Duty: WWII Pre-order and get the Multiplayer Upgrade, includes a Weapon Unlock Token and Multiplayer 2XP* *Weapon unlock and 2XP usable in multiplayer only. 2XP limited to 4 hours of gameplay. Call of Duty® returns to its roots with Call of Duty®: WWII—a breathtaking experience that redefines World War II for a new gaming generation. Land in Normandy on D-Day and battle across Europe through iconic locations in history’s most monumental war. Experience classic Call of Duty combat, the bonds of camaraderie, and the unforgiving nature of war against a global power throwing the world into tyranny. Game Overview Call of Duty: WWII creates the definitive World War II next generation experience across three different game modes: Campaign, Multiplayer, and Co-Operative. Featuring stunning visuals, the Campaign transports players to the European theater as they engage in an all-new Call of Duty story set in iconic World War II battles. Multiplayer marks a return to original, boots-on-the ground Call of Duty gameplay. Authentic weapons and traditional run-and-gun action immerse you in a vast array of World War II–themed locations. The Co-Operative mode unleashes a new and original story in a standalone game experience full of unexpected, adrenaline-pumping moments.
If you've ever seen an electric guitar, you'll have noticed that most of them have solid bodies that are thinner (and sometimes much smaller) than those of acoustic guitars. Although most electric guitars are wooden, the material from which they're made is not critical. As George Beauchamp (pioneer of the modern electric guitar) pointed out in his patent back in the 1930s: "The body may be varied considerably in size, shape and construction, and may be constructed of various materials without departing from the spirit of the invention"; his original design suggested the body could be made from "a simple integral casting of metal such as aluminum." Early electric guitars were made from all kinds of materials, including molded Bakelite (one of the first plastics) and sheets of soldered brass.

Distortion effects are really like an overdrive pedal taken to another level. Many distortion pedals are simply overdrive pedals with the ability to dial in a higher gain setting (“Gain” can be thought of as the volume going into the overdrive components of the pedal). Some pedals will also have a built in equalizer to shape the tone of the distortion.

Unlike many of the other pedals, which are designed to create dramatic or exciting effects, these units take care of the less glamorous (but still very important) jobs in creating your tone. Sound-conditioning effects are the ones that will give the finishing touches to your sound, making the difference between “amateur garage band” and “international touring guitarist.”
If a guitar is going to be our other half it has got to be comfortable to play. Does that fit in on this one? It sure does! It would be easy to assume that if they have spent so much time making it look good they probably didn’t have time to make it ergonomic, but that’s exactly what they’ve done! The guitar has a deep belly cut, a hidden forearm contour and a neck joint that makes it easy to play high up on the fretboard.
This one SOLD pictured has been SOLD OUT: This is one of my favorite vintage Alvarez guitars and is always truly a very good surprise just how great these sound / impressive and I have collected more than several over the years of this very model vintage era lawsuit guitar in AMAZING Condition. Here we have a wonderful and very clean example of a Vintage Japanese Acoustic its a late 1970's great Alvarez 5056 with the most intricately detailed inlay work everywhere on the body.... the front & back in Abalone & the fingerboard is rich - dark and wavy grained it looks to be Brazilian Jacaranda Rosewood and has the Gorgeous Tree of Life in mother of pearl & abalone inlayed into the rich rosewood fingerboard WoW!,even the bridge has Mother of pearl inlaid, (you should have a real good look to come to your own conclusions if its something you like ) and the frets are in very good original condition... action is very good nice & low adjustable either way with no buzzing anywhere on the fretboard real nice playing example here folks.. The finish has a natural golden patina as seen to it and this guitar is strikingly beautiful. No cracks, no repairs, very good - excellent vintage used condition and is JVG rated at 9/10 WoW!... She's very EZ on the eyes to say the least and a premium performer this vintage piece has had over 33+ years to age and mellow and was a one owner California guitar in above better than average condition... no splits or cracks or separations or repairs ever... I believe this to be the cleanest best playing vintage 5056's we have ever had in JVG or seen for that matter. This one is a real pleasure to play! HERE IS A LINK TO CUT & PASTE TO SEE MANY MORE PICS OF THIS INSTRUMENT: https://picasaweb.google.com/gr8bids/Alvarez5059TreeofLifeVintage?authkey=Gv1sRgCNLn6LnEg8bmCQ#slideshow/5613001158042817730 .
Epiphone currently produces several models of the Les Paul including the entry level “Les Paul Special II”, which is generally made of a basswood body and a veneered top, a bolt-on neck (with dot inlays instead of the usual trapezoid inlays), lacks a binding, and has simplified electronics.[25] The next model up is the “Les Paul 100”, which costs approximately $US300, has similar features but it has the standard Les Paul wiring, mahogany body and a higher-quality paint job. The Epiphone Les Paul Studio is the least expensive Les Paul model to have a carved top and a set neck (features considered central to the feel and sound of more expensive Les Paul models), and is between $350–$400 depending on features and finish. The standard models are the “Les Paul Standard Plain Top” and the “Les Paul Standard Plus Top”. They cost $US550 and $US650 respectively. They both feature a solid mahogany body with a maple veneer and carved top; the “Plus” model includes a “flamed” maple finish while the “Plain” top is unfigured.[26]
But not everyone hated the album. Pete Cosey was later told by Hendrix's valet that before he would perform live, he'd listen to "Herbert Harper" for inspiration. In the '70's, when Marshall Chess went to visit the Rolling Stones rehearsal space, he saw a poster on the wall for the Electric Mud album. Led Zeppelin's bassist John Paul Jones cites Electric Mud as the inspiration for the basic riff behind "Black Dog." Marshall Chess also notes "the English accepted it; they are more eccentric." Strangely enough, rapper Chuck D of Public Enemy has emerged over the years as the biggest supporter of the record, stating "To me, it's a brilliant record. I've played it a thousand times." Chuck D also explained part of the intent of the record saying "It took me a while to warm up to traditional blues, but what struck me right away was the Electric Mud thing." Based on the success of Electric Mud, another blues musician on Chess, Howlin Wolf, was forced into recording a psych record. This Is Howlin Wolf's New Album (subtitled And He Doesn't Like It) (1969) isn't as good as Electric Mud although it did yield a minor hit with a psyched out version of "Evil." Chubby Checker even released a psych record (Chequered (1971)) that sounds better than you'd expect, though it only came out in England.
I started by consulting with an old friend, Ken Korman, guitarist of the New Orleans band The O-Pines and a serious aficionado of guitars both expensive and cheap. He gave me some good ideas of what kinds of guitars had hit the market in the last few years and a few models we should consider considering. A walk through January’s National Association of Music Merchants (NAMM) show in Los Angeles gave me further insight.

One of modern metal's key figures, Dimebag Darrell founded Pantera with his brother, drummer Vinnie Paul Abbott – forging a style that combined brutally precise, punk-honed grooves with splatter-paint melodic runs. After he was tragically shot by a deranged fan during a show with his band Damageplan in 2004 – on the anniversary of John Lennon's death, freakishly enough – the tributes rolled in from fans, peers and forerunners. "One of the greatest musicians to grace our world," Black Sabbath's Geezer Butler said simply. "Rest in peace."
Another Japanese brand is Yamaha. They started making pianos and organs in 1887 and since then they have made all sorts of things. You know Yamaha motor cycles? Yep, same brand. But even though they seem to have a hard time deciding what kind of a brand they are they manage to make pretty decent musical instruments, often for affordable prices, so if you want to find a cheap but good guitar they probably have something that could work.

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The RockJam RJEG02 is coming from the hills of RockJam’s successful 15 years of producing some of the best and highly selling brands in the market. This full size, quality guitar contains a whammy bar, a guitar strap, a 10-watt amp, spare strings, electric guitar picks and a gig bag—making it a complete package suitable for the beginner and professional electric guitar player.
I have a friend with a cool little music store here in St. Louis. I pop in from time to time since he always has a great selection of vintage lap steels, as well as an ever-changing assortment of oddball pieces to check out. As I was on my way out the door after one of my most recent visits, I spotted an early 80s Harmony “Flying V,” and immediately stopped in my tracks.
The electric guitar was born out of necessity. Going back to the big band era, acoustic guitar players needed an instrument that could be heard over all the brass and woodwind instruments. They also need to be heard over the banjos and mandolins on the front porch. In the 1930s, companies such as Rickenbacker and Gibson started to add guitar pickups to their instruments, which allowed musicians to plug them into an amplifier for added volume. Rickenbacker added a pickup to their Hawaiian guitar (also known as a lap steel guitar) “Frying Pan” model, and similarly, Gibson added a pickup to their electric Hawaiian EH-150 model. Soon after that, Gibson introduced the iconic ES-150, which gave players the very best of both worlds. It gave guitarists a world-class Gibson hollow body guitar with a built-in pickup, which made it the perfect fit for guitarists who played large ensembles. In 1951, Fender revolutionized the electric guitar market even further by unveiling the first ever mass-produced solid body electric guitar, now known as the Telecaster, which was introduced in order to combat the feedback that hollow body electric guitars produced. Then in 1952, Gibson worked closely with one of the most widely respected guitarists of the era to create the first Gibson solid body electric guitar, now known as the Les Paul and named after its co-inventor.