Late 1938: Scalloped "X" bracing with "rear shifted bracing", where position of the "X" moved further than one inch from soundhole (exact measurement varies, for example: a 1941 D-18 has 1 7/8" distance). So the X-braces were moved about 7/8" further down. And the tone bars were angled more parallel with the length of the guitar and further apart. These late-1938 to late-1944 guitars had deeper scalloped braces than the 1938 and prior forward or advanced braced guitars. This gives the late 1938 to late 1944 Martin guitars improved bass response (don't let anyone tell you that war-time Martins are not as good as pre-1939 Martins!)
Some effects, and the boxes that produced them, altered musical periods beyond recognition. The valve-driven Watkins Copicat, for example, will forever be associated with the sound of the late 1950s British music “beat” scene. Developed by Charlie Watkins in 1958, this odd machine supported a tape-recording mechanism that would record and play back any sound with varying lengths of delay in-between the replay heads. The device was critical to the rockabilly sound of the late 1950s, the “beat-group” sound of The Shadows, and the Liverpool Merseybeat scene of early 1960s (as well as the Birminghambeat, or Brumbeat scene). The sensation of hearing a guitar warble and wail to its own output encouraged guitarists to experiment with different styles of attack and vigor. For example, the noise that begins and ends the original 1962 recording of “Telstar” by the Tornados was made using the Copicat by creating a loop of echo and reverb effects. This produced what can best be described as some sort of space-echo/attack-helicopter noise.
Gibson lost the trademark for Les Paul in Finland. According to the court, “Les Paul” has become a common noun for guitars of a certain type. The lawsuit began when Gibson suedMusamaailma, which produces Tokai guitars, for trademark violation. However, several witnesses testified that the term “Les Paul” denotes character in a guitar rather than a particular guitar model. The court also found it aggravating that Gibson had used Les Paul in the plural form and that the importer of Gibson guitars had used Les Paul as a common noun. The court decision will become effective, as Gibson is not going to appeal.[48]

Raising the speaker cabinet off the ground varies the path length of reflected sound reaching the microphone, which can usefully alter the sound in some cases.One way to capture the sound of a large stack, unsurprisingly, is to set up the stack in a large room, play loud and put the mic several feet away so that the combination of all the speakers can be recorded, along with any floor reflections and the subtle filtering effects these may cause. Using this method, the mic 'hears' the guitar sound much as an audience would. Nevertheless, the most common approach is to close-mike the amp with the mic set up very close to the speaker grille and pointed directly at the centre of the speaker cone — where the cabinet has multiple speakers, it's traditional to deliberate over which one sounds best and then mic that one!). Moving the mic to one side produces a less toppy sound, so before reaching for the EQ knob you should try moving the mic.
: I own a Decca guitar, it is what I learned to play on many years ago. From what little I have gathered about them they were an order by mail brand, and you could only get them from a catolog such as Sears & Roebuck. I havent been able to find a price for them or any ifo on what catalogs they were from. Mine has a Ernie Ball Musicman-like peghead (4 one side 2 on the other) and has a metal pick guard with 2 giant switches which seem to have no effect on tone. It has a brown & yellow sunburst paint job (ewwww).I thought I possibly had the only one in existence, lol, guess not.
We would suggest that you don’t check price tags too much when choosing your guitar. If you try a few out in a music shop you can ask them to suggest a few different guitars within your price range and then try them out only thinking about sound, looks and feeling. This way you won’t be fooled by a cheap price tag to think that a guitar can’t be any good, or the opposite, be tricked into thinking that just because a guitar is expensive it has got to be the best.
I have had some truly “nightmare” scenarios with repair people in my time, and you must beware of these folks who love to take your money, but who can totally botch a repair job on a nice guitar! It’s happened often enough to me to make me be very careful whenever I am “trying out” a new repair shop for guitar-related problems. Due to this, I often like to start with bringing them some relatively un-complicated guitar repair problems such as fret jobs and wiring problems, but even these have sometimes turned into nightmares. Today for example, I brought of all things, 3 Lap Steels and one semi-hollow guitar for repairs, but unfortunately the store’s repair guy was not there. We had a good communication though, and they made sure I wrote down the repairs I felt were needed, with a separate sheet for each instrument, and said that he’d be calling me with any questions regarding the guitars and their repairs before tearing into them!

A semi-hollow thinline version appeared in 1968/69, designed by German guitar maker Roger Rossmeisl. Today two versions of the Thinline are available, the ’69 version has two standard Telecaster pickups and a mahogany body, while the ’72 version, based on the Fender Telecaster Deluxe, yields two Fender Wide Range pickups and a solid natural swamp ash body. In 2011, Fender released the Modern Player Telecaster Thinline as a part of the Modern Player series. The guitar features two MP-90 pickups, similar to the Gibson P-90. The Fender Custom Shop has a production model referred to as the “50’s Telecaster Thinline”, designed by master builder, Chris Fleming. Given that the first Thinlines appeared in the late 1960s, this name may seem inappropriate. However, the Custom Shop model, with its ash body and maple neck/fingerboard, as well as Nocaster pickups, shares enough DNA with the 50’s versions of the Telecaster to make the name a good fit.


There were also four full-sized archtops; the Model EP-14, Model EP-15, Model EP-17 and Model EP-18. These were basically all variations on the same guitar, with glued-in necks, non-dipped heads, mini-strip plastic inlays, single rounded cutaway, f-holes, adjustable bridge, trapeze tail and translucent pickguard. Rocker switches were mounted on a small plate on the upper shoulder, while the volume, tone and jack were on a small plate on the lower treble bout. The EP-14 (shaded mahogany) and EP-15 (natural) had two pickups. The EP-17 (shaded mahogany) and EP-18 (natural) had three pickups, some two-tone, some flat rectangular metal-covered.
Trim:  Heel cap: ebony. Fingerboard: ebony bound in white celluloid with scalloped lower end; 24 frets under A and D, 21 nickel-silver frets under G and C; single abalone dots behind 5th, 7th, 9th, 10th (slightly larger), and 15th frets; double mother-of-pearl dots behind 12th fret. Nut: bone. Bridge: mahogany capped with ebony; nickel-silver-plated steel screws to adjust bridge height and pickup contact. Tuners: six nickel-plated steel, worm-gear machine tuners by Grover with convex head surfaces and decoratively cut plate outline. Endpin: black bakelite; extends through tailpiece. Pick guard: imitation tortoise shell plastic raised on wood brace affixed to top with two steel dome-headed screws. Lacquer: dark orange-brown sunburst.
Subtlety: You don't always have to make longer echo or delay effects obvious in the mix for them to be effective. Once you've set up the delay times and panned them to suit your song, try dropping the delay levels until you scarcely notice them during most of the mix (listening on headphones often helps set the most suitable level). This generally results in intriguing little ripples of repeats that you notice at the end of verses or during pauses, that add interest and low-level detail to the mix. Martin Walker
That protection, the MPA argued, ensures that people who create written music and related products earn a fair return for their efforts. They earn income from the sales of books, sheet music, lyric sheets, and other published materials. These individuals and companies work with the creators of music to produce well researched, accurate materials for sale to the public. The creation of these publications require substantial investments of time, materials, and fees. The free posting and distribution of TAB, lyrics, or other music notation, they argue, harms those who made those investments, and followed established business and legal procedures.
OK some people will know this already but let’s just be clear about switch terminology. A switch as you see it on the bench in front of you will often be a set of switches, mechanically connected within a single assembly. Wikipedia explains. The important thing to remember is the number of ‘poles’ is the number of switches that you have ganged together off a single lever in the component and the ‘throw’ or ‘way’ part describes how those switches operate.

Just like Fender, Epiphone – the Gibson subsidiary – know a thing or two about budget acoustics, and this DR-100 (reviewed in full here) more than proves that! With a range of finishes, the DR-100 features a classic dreadnought body shape, with back and sides made from laminated mahogany, with a select spruce top, and black pickguard sporting Epiphone’s iconic E logo.
"Mangoré, por Amor al Arte" is the title of the 2015 movie, the real life story of Agustín Barrios, an influential and important composer and classical guitarist from Paraguay. Born in Paraguay in 1885 talented Agustín was persuaded in his young adult age to move to Buenos Aires, the cultural hub of South America. In Argentina he began an affair with the beautiful Isabel but,...

Ibanez is a Japanese guitar manufacturer which was founded in the year 1957. Ibanez was the first Japanese company to gain a foothold in exporting guitars to United States and Europe. They were the pioneer to produce the seven- strings guitars. Ibanez has produced several guitar models including the Electric Guitar Models, the Signature Models, Bass Guitar Models, and Acoustic Guitar Models etc. The Ibanez guitars are one of the best in the world.
“Hi folks here’s a classic beauty 1974 ALVAREZ 5024 DOVE Japanese crafted Dreadnought acoustic guitar mid 1970’s which is prime time lawsuit era when Japan was out and out copying the great classic AMERICAN DESIGN GUITARS the classics if you will they sought out to make an affordable alternative to the more expensive American built guitars in this case they obviously copied Gibson right down to the details...Like the open book headstock, the overall size -shape- the bridge detail on this is just like one My friend had as a kid it was his dads but we played it too was a wonderful 1964 Gibson Dove it was 1968 we admired it greatly to say the least but with our pocket books at the time forget about it one of my band mates brought one to practice an Alvarez like this one and it to had the tunimatic bridge installed on it, it made the difference to get your acoustic set up to intonate not new or ding and doink free but vintage beautiful JVG rated 8+/10It shines up quite nicely too. Ok here is the story of this guitar just one elderly owner of this California guitar. I have collected no less than 12 of these classics and have had some put away in our warehouse for about 15 years it’s been out of circulation all these years strings loosened inside a caddalic old Gibson case which is not included with this purchase. kept out of circulation over 15 years and not played that much by its original owner she is in better than average for one of these it’s neck is 1-11/16ths width at nut - medium profile- very good frets and rosewood fingerboard and classic inlays and the dove motif pickguard. I noticed it looks as if the treble side tuners were replaced and he chose to use the opposite side simply reversed... they look fine work the same good so I’ll leave that to you to decide , we can do a Grover tuner upgrade for you installed for $125 additional if requested. Other than ,that the bridge has upgraded to high end fossil pins that resonate tone far superior to the original plastic ones. No cracks in the wood or even finish checking none seen... neck joint also is excellent as is neck angle - set for proper relief it’s Mahogany neck is nice and strateght . It’s beautifully grained Sitka Spruce Top is nice - pretty flat not buldging no such issues it’s bridge is also original and is nice and tight to its top.its body is all mahogany and is beautiful as well have a good look, the back of headstock has what Gibson use to call a black stinger painted on... Gibson did that so did Alvarez... I like this one’ds white Alvarez trussrod cover as well .. truss rod is working as it should... The open book headstock mirrors that of the Gibson with the old style script Alvarez logo looking quite cool in deed... love this era.. ok it’s hard to find these that are not rode hard and put away wet... not this baby She’s a one owner sweetie pie... NO CRACKS - NO NECK ISSUES PLAYING REAL NICE contact Joe to buy it: jvguitars@gmail.com Thanks for looking folks!.
I haven't listened to all the amps on the list but found the Rivera Knucklehead blew away every Fender, Marshalla and Mesa in the shop when I was testing things out for the clean blues with a PRS. My daughter playfully plugged in a Gretsch baritone, cranked up the gain and Three Days Grace came screaming out with the finest quality. She agreed the Knucklehead was a win.
When you have a setup that you like, you can easily save it as a track preset — or, better still, create multiple track presets for different types of sounds. Cubase can even make a fine host for live performance, should you decide to trade your rack of effects for a svelte laptop that patches directly into the PA system, as you can switch instantly between racks. (I'll cover how to do this at the end of the article.)
In 1932, John Dopyera left Dobro and came back into the National fold, regaining control of the company. We can only speculate that the absence of Beauchamp has something to do with his decision. National and Dobro merged in 1935, becoming the National Dobro Company. However, until the end of the ’30s, when National Dobro finally completed its relocation to Chicago, Dobro instruments continued to be made in L.A. by what had been the separate Dobro Corporation, even though it was a part of National Dobro. Got it? Hmmm…
We are really proud of our instruments, but what makes us most unique is our people, and your access to them. The world is full of faceless guitar companies, most are big conglomerates. We have a team of passionate guitar people and are committed to giving you unprecedented access to our team. Each member of the team is focused on supporting you. We treat each player like a Michael Kelly endorser. We value personal relationships with Michael Kelly owners and work hard to give you a level of service not readily available from other guitar brands or retailers. Let us help you get the right instrument!

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Now I'm talking to the owner of my local mom & pop shop who sold me my Affinty (which is great but the string spacing sucks). Guy is leaning toward making a deal for an Austin. Maybe I'm dead wrong, but I don't like Austins, they are crap IMO. I told him I have some extra cash and maybe we could work something out, but I just feel like this guy has a lousy inventory of cheap guitars and I will be hard pressed to escape with a decent instrument.
Chuck Berry is the true founding forefather of rock and roll. His guitar playing in the mid Fifties defined the true personality and vocabulary of rock and roll guitar so comprehensively and conclusively that it’s impossible to find any rock player who doesn’t still steal his licks, riffs and tricks today. In fact, Berry doesn’t even tour with his own band; instead, he hires local musicians to back him up, because almost everyone all over the world knows how to play his songs.
The Cordoba C7 spruce-top has a natural finish, complete with rosewood back, sides, fretboard and bridge, and the traditional looking inlay that Cordoba is known for. Plus, there are the Savarez Cristal Corum high-tension strings that come with it, which give the guitar its clear, clean sound. Of course, you might want to change to another set of nylon strings, should you wish it, depending on the sound you truly want.
McCarthy's probably one of the toughest guitar masters on this list. His craftsman's hands know not only how to help your instrument make magic again but also (we assume) how to put you in an arm or leg lock and make you scream "Uncle" if you mouth off too much about your guitar's condition. It's probably why guitar tough guys like Zakk Wylde of Ozzy Osborne and Black Label Society, Izzy Stradlin of Guns 'n' Roses and Jason Newsted of Metallica gravitate toward his repair shop. (Not to mention the guys of Motorhead). They know they're dealing with a true master.
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Lou Reed has been blowing traditional guitar styles to bits since his Velvet Underground days. A fan of Ike Turner's R&B and Ornette Coleman's free jazz, he created epic bad-trip psychedelia on songs like "Sister Ray." "He was rightfully quite proud of his own soloing," wrote fellow New York guitar luminary Robert Quine, "but resigned to the fact that most people weren't ready for it." As a solo artist, Reed kept on ripping up the rulebook: See 1975's Metal Machine Music, a noise opus that took feedback further than Hendrix could have imagined.
Rotating speakers are specially constructed amplifier/loudspeakers used to create special audio effects using the Doppler effect by rotating the speakers or a sound-directing duct. The rotating speaker creates a chorus-type effect. Named after its inventor, Donald Leslie, it is particularly associated with the Hammond organ but is used with a variety of instruments as well as vocals. The Hammond/Leslie combination has become an element in many genres of music. The Leslie Speaker and the Hammond Organ brands are currently owned by Suzuki Musical Instrument Corporation. The stompbox that simulates this effect is the Uni-Vibe pedal.
For most players, the ideal location to place modulation effects—which include phase shifters, flangers, chorus, rotary, tremolo, vibrato and so on—is directly after a compressor and/or overdrive/distortion pedal. When these effects are distorted after the fact, the sound tends to smear and lose definition (particularly with chorus), although there are a few exceptions where distorting a flanger or phase shifter can sound really cool. The best example is Eddie Van Halen, who doesn’t use distortion pedals and instead generates all of his distortion from the amp. When a flanger or phase shifter is placed in front of a distorted amp or overdrive pedal, it can create dramatic thick, jet-like phasing and flanging effects (See Example 2, below).

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After reading through Teach Yourself to Play Guitar, my opinion is that if you are giving a guitar as a gift to someone, this might be an OK book to accompany that. If you wanted to spend a bit more, or are looking for a book for yourself, I would go with the 2nd book reviewed below, the Guitar for Dummies book. It has online video and audio demos, and hearing what you should be playing helps when learning music... 😉
Here’s an interesting (they’re all interesting to me!!!) guitar that shows the evolution of Matsumoku made guitars.  Even the earliest solid body electrics that came out of the Matsumoku plant were made of solid wood and displayed really good wood craftsmanship!  Lots of start up companies went to Matsumoku in the early days because the plant had proper wood drying facilities (if the wood wasn’t dried properly, the guitars often became seriously messed up during the import trip across the ocean).
It is typically not possible to combine high efficiency (especially at low frequencies) with compact enclosure size and adequate low frequency response. Bass cabinet designers can, for the most part, choose only two of the three parameters when designing a speaker system. So, for example, if extended low-frequency performance and small cabinet size are important, one must accept low efficiency.[24] This rule of thumb is sometimes called Hofmann's Iron Law (after J.A. Hofmann, the "H" in KLH).[25][26] Bass cabinet designers must work within these trade-offs. In general, to get extended low-frequency performance, a larger cabinet size is needed. Most bass cabinets are made from wood such as plywood. Gallien-Kruger makes a small extension cab made of aluminum.
From the 1860s on, fan bracing became standard in Europe. Martin and other American builders including Washburn and others since forgotten (Schmidt & Maul, Stumcke, Tilton) used X-bracing instead.[3] The sound of X-bracing may be considered less delicate with gut strings, but it prepared the American guitar for steel strings, which emerged in the first quarter of the 20th century.
The original National and Dobro companies produced the most popular and most imitated acoustic Hawaiian guitars ever made, and Valco was no slouch when it came to their electric successors. Indeed, lap steels are among the most highly regarded of Valco’s products, regardless of the brand name on the headstock. The more affordable steels still command a respectable price considering their ubiquity, and the higher-end models usually match the equivalent Fenders and Gibsons in appraisal. This is particularly true of the National Grand Console, one of the staple steels of the 1950s.
The epic storylines, adrenaline-pumping action and explosive thrills are back. The Fallout franchise returns with Fallout 4. Grab your controller and get ready to dive back into the enveloping storyline of this legendary series. Get ready to return to the epic, award-winning franchise with Fallout 4. This newest chapter brings an all-new open-world environment to life, and has been created by Bethesda Game Studios, creators of Game-of-the-Year-award winners Fallout 3 and The Elder Scrolls V: Skyrim. Will you be prepared for the next Fallout installment?

The fact is, the qualities of different strings can have an effect on your guitar’s resonance and tone, on the quality and responsiveness of your attack as a plectrist or finger picker, and impact your speed and other important factors. And think about your budget. Some coated strings list at nearly $20, while a good basic set of electric guitar strings can be scored for $3 to $4 on sale.
I built me my own custom guitar in high school shop class and it was simple i made an Ibanez RG styled body and a Randy Rhodes/Alexi Laiho styled body just so i can swap the 2 when ever i want and i can say the cons are waaaaaaay over exaggerated cause it was VERY cheap to do it i spent a total of $350 to do it and thats even with the the EMG 81's i have in them. I mean yes its only a 1 pickup guitar on each but its how i want the wood was only $60 for an Ash body (thats for both of them not each) and i have a hook up to get free mahogany that i used on the neck for it and mine noooo one could tell the difference between an actual Ibanez RG or ESP Alexi Laiho's signature guitars the only thing that they were able to know it was custom was the head stock being my signature and the parts that were on it and color option i used is NOT used by ether of them but the time is spot on it took 3 months for me to do them but this was of course all during the course of 45 mins for 3 months so it would of been much faster without it being in school but then again i also sort of cheated with mine cause i have been doing carpentry work since i was 8 so i already knew how to do everything professionally

Make sure it feels comfortable, especially the fretboard and body. Make sure there are no buzzing notes and that the frets are flat and even. Avoid electric guitars with whammy bars as they may be too difficult to tune for beginner guitar players and make the guitar more expensive (maybe one on the next electric guitar you buy). The tuning heads should be easy to tune and stay in place, and try playing the guitar through an amplifier to check for a good sound quality (hopefully no humming or buzzing).
Despite its high production figures, Fernandes is better known in the United States for its Sustainer system, which uses electromagnetism[1] to vibrate a string for an extended period, so long as the user continues to fret a note.[2] Unlike the similar manual E-Bow sustainer, the Fernandes Sustainer can be used with a standard plectrum, because the sustainer is imbedded in the body of guitar. Fernandes' custom shop has installed numerous Sustainers into guitars built by other manufacturers.

Harmoniser pedals are also very useful. You put in the key you are playing and which harmony you would like (3rds for instance – just like in a lot of Iron Maiden songs) and as you play, the harmoniser automatically creates the harmony you have selected. This is great if you are the only guitar player in a band, or if you like to experiment with new harmonies on the fly.
By contrast, tuning (or pitch) correction processors and plug-ins are normally considered processors rather than effects, but they do have creative uses. The idea behind these devices is to monitor the pitch of the incoming signal, then compare it to a user-defined scale, which can be a simple chromatic scale or any combination of notes. Pitch-shifting techniques are then used to nudge the audio to the nearest semitone in the user's scale but, because the amount of pitch-shift required is usually quite small, the result doesn't sound grainy or lumpy, as often happens when large amounts of pitch-shift are generated. Because pitch tracking is used to identify the original pitch, only monophonic signals can be treated.
“The California Series captures the true meaning of a Fender acoustic guitar,” said Billy Martinez, VP Category Manager – Acoustics and Squier Divisions. “From the iconic 6-inline Stratocaster headstock to the original Fender body shapes and organic styling, everything about these guitars is uniquely Fender making them the ultimate tools for artistic creative expression. Whether you’re at the beach or rocking out with a band on stage, we’re offering players of all levels a chance to express their own creative style, standing out in the crowd with the bright colors and energy these guitars give off.

This book comes from the former editor of Guitar One magazine who has been playing since he was 14 years old, so he has a reputation of knowing a his way around a guitar neck AND knowing how to write. Let’s face it, when you are trying to learn guitar through reading a book, the author's ability to write and communicate is crucial. Anyway, this book delivers a “workout program” for your fingers, giving you a technique driven approach to learning the guitar and actually improving in record time. The exercises are designed to help with dexterity and accuracy.
The compressions, delays, and modulation effects are super solid, and unless your friends or audience are ultimate tone nerds, nobody will be questioning the quality of those. One particularly cool delay effect that owners of the ME-80 say is a big deal is the TERA ECHO, which if purchased by itself would cost you around $150. The amp modeling is decent quality, perhaps slightly better than what you get on a Zoom multi-effect, but not quite as nice as a Line 6.
Two-point rocking tremolo or fulcrum vibrato: Features individual string saddles that are adjustable for intonation and height. These are mounted on a bridge that rocks on two bolts mounted on the guitar top. The bridge has a broad perpendicular plate that extends through the body of the guitar. This free-floating plate is attached to the inside of the guitar by springs that match the tension of the strings. Locking tuners, which clamp down on the strings, help keep tuning more stable.
Don’t feel like you have to spend a fortune either. While there are some very pricey boutique pedals on the market that get outstanding reviews, there are also affordable pedals that will do the job just fine. Consider brands like Boss, DOD and MXR for some great pedals at affordable prices. If you end up with a pedal you don’t like as much as you thought you would, you can always trade it in and get something different.
Some combo amp and speaker cab manufacturers sell fitted amp or cab covers, to protect the equipment from dust and inclement weather. Professional touring bassists may place their amp heads, combo amps and speaker cabinets into foam-lined road cases to protect them during transportation. Rackmounted road cases typically have recessed handles on the sides for carrying the case. Touring professional bassists may have roadies who carry their amps and cabinet on and off stage.
Many great players (including Hendrix) placed the wah before distortion... though many of the modern rock guys place it after distortion to make the frequency sweep cleaner. Personally, I prefer the Wah before distortion, but it's personal taste really. Depends a bit on the pedal too - how wide the frequency notch is and what frequency range it covers. I have my Wah on a G-Lab True Bypass Wah Pad, which I think is a great product... I have a few Wahs that I like, the Keeley Mod Vox Wah and the RMC3 are probably my first choices to try out.
We are really proud of our instruments, but what makes us most unique is our people, and your access to them. The world is full of faceless guitar companies, most are big conglomerates. We have a team of passionate guitar people and are committed to giving you unprecedented access to our team. Each member of the team is focused on supporting you. We treat each player like a Michael Kelly endorser. We value personal relationships with Michael Kelly owners and work hard to give you a level of service not readily available from other guitar brands or retailers. Let us help you get the right instrument!
While Laney brand might not sound as familiar to the “uninitiated”, this brand has been producing quality amps for very good prices. The  LG12 is a combo amp with 12-watts. While 12-watts isn’t much it seems to kick in a punch when needed (and plus, you want it for practice and more practice amps don’t have a lot of wattages). Apart from that this combo offers  LG12 12 single channel with switchable drive, CD input, headphone socket (a much for practice) as well as Bass, Middle and Treble control. The tone of this amp is pretty crisp and clean. That’s partly due to the 6.5″ custom-designed speaker. The speaker is not only functional but looks pretty nice. Looks wise this model has top mounted construction, rubber feet for sturdiness and leather handle for ease of transportation. Apart from being a great practice amp, it is also great if you travel around and want a model that can take a punch or two.
SWEET just in a famous Vintage Classic BOOMER Folks from Nippon Gakki RED LABEL 000 OM type Yamaha FG We have just done our JVGuitars set her up with our Martin Bone Nut & Compensated Saddle se as well as upgraded bridge Pins to solid Ebony with Abalone dot with brass ring and of course a new set of Martin Strings 80/20 Bronze 12's.. and this guitar Sounds like a true vintage classic This guitar is AWESOME and is in BEAUTIFUL Condition! Classic Martin 000 OM style copy from Yamaha this guitar rings like a bell with excellent intonation. No Cracks no problemo like so many of these I see and just pass unlike the majority this guitar has excellent play action and is super fun to play! If your looking for a well aged ( almost 50 years ) just try to buy a 50 year old Martin $$$$$$$$$$$ WoW... This guitar is a Boomer surprisingly so but I have carried these FG110 Nippon Gakki's for decades now myself and was always impressed by the good one's... This one will impress you too.... at this price point its hard to beat this old Nippon Gakki Red Label 000. True Japanese Vintage guitar it top vintage condition as seen... Ready to purchase contact Joe at: jvguitars@gmail.com Thank you for your interest in our quality Vintage Guitars, Joe Pics soon to come no worries its excellent!!!.
Due to distortion's critical function in modern guitar styles, by far the lion's share of stompboxes are distortion units of one kind or another. Most of these feature intensity and tone controls, but often vary wildly in terms of the sounds they create. You'll be amazed at the different types of distortions that can be produced, from rich, creamy, smooth, and melodic sustain to harsh, jagged, and piercing breakup tones. Many distortion units produce a broad range of textures.
Also, a quick note on the topic of high pass filters: use them. They can be your best friend, but be careful as they're a double-edged sword. HP filters can quickly clean mud from your mix and open things up, but too much can lead to a thin, weak-sounding mix equally as quick. When applying them, I like to come from the top down, as I find that easier to dial in properly. By that, I mean instead of rolling up an HP filter and listening until I think it's removed what I'm looking for, I start way above with "too much" HP filtering and roll it down until I feel that I have all the information on the bottom I need. I find it easier to hear the effect this way, which therefore allows me to more accurately and effectively control my low end.
The style of music you prefer will greatly dictate the type of guitar you want, so it is safest to stick to the guns (or axes) of your heroes. This way you can get a good and inspiring instrument even when you don't have thorough knowledge of guitar types. For experienced players, you owe it to yourself to understand the pros and cons of different guitar types better, before making big investments. But even then, your preferred style, and the recommendations of experts and professional guitar players that play them will be invaluable.
If the LR Baggs Venue is a little too expensive for your taste, the Acoustimax Sonic Maximizer preamp from BBE gives you a lot of the same controls at less than half the price. Like the Venue, the Acoustimax is ideally designed for the gigging or studio acoustic guitar player who wants to have more control over their tone and be able to adjust for different rooms and environments. BBE delivers this control with a five-band EQ, as well as feedback and frequency dials.
Tremolo is the gentle art of making your signal subtly cut in and out of volume. Think of all those old surf records. Phase and flange are quite similar in essence; phase emulates the sweeping of the frequency band, alternating between cutting the bass and treble frequencies, while flange does a similar thing but with a slightly more extreme sound. Wah is perhaps more well known; the Jim Dunlop Cry Baby wah pedal has been used for decades by players of all genres. Adding a highly distinctive wah-wah sound can elevate a solo into something infinitely more interesting. Or it can add a bit of that classic wakka-wakka sound you hear on classic funk records.
These 1950s models featured the thicker, more sustaining tone of Gibson’s humbucker pickups with the original units known as “Patent Applied For” (PAF) pickups. These PAFs were designed by Seth Lover while working for Gibson in 1955 (U.S. Patent 2,896,491), and debuted on Les Pauls in 1957. This innovation became a standard pick up design for Gibson, and subsequently, many other guitar companies followed suit, outfitting their electrics with copycat versions of the humbucking pickup altered to avoid infringing Gibson’s patent. Gretsch had their Filtertron pickups, and when Fender entered the humbucker market in 1972, it was with the radically different Fender Wide Range pickup. “Standard” humbuckers from other guitar manufacturers and third party replacement pickups from the likes of DiMarzio and Seymour Duncan were only offered after Gibson’s patent had expired.
Mijn first guitar was a Epiphone by gibson sg, it was all right, then I got my gibson sg special(Around 550e), really good guitar, huge difference with the Epiphone. My next was, believe it or not another Epiphone, a Casino limited edition with bigsby, best price/quiality guitar ever(I paid 430e), beautiful guitar, and next week I’m getting a Fender Telecaster American vintage 58′(1755e), I’m very excited about it. I also own a Fender jazz bass classic 70s, it’s a mexican which plays like an american, very proud of this bass. First rate guitars are normally the best, you pay for the quality of the materials and the workmanship and experience, but there are exceptions with second range guitars, you can get very good ones, just good models or plainly good guitars, it’s nice to own both kind of guitars.
Squier model Telecasters are sold by Squier, a Fender-owned import brand. These can bear the Telecaster name, since Squier is owned by Fender. Squier guitars, especially the Telecasters, have gained popularity[citation needed] and a good reputation amongst guitar players,since it has expanded its production of guitar models.For example a 1989 Korean Squier Telecaster made in the Samick factory could be considered tonally superior[citation needed] to a modern American produced guitar besides necks being more comfortable in general.Template:Citation neede Squier has a wide range of different Telecaster type guitars available, from the entry-level Affinity Series to the better quality Standard and Classic Vibe Series. However, Standards are often used by beginners. Also available are the Artist Series and Vintage Modified Series. Among other famous musicians, Sheryl Crow has occasionally used a Squier Telecaster for recordings and live performances.[4][dead link]
In terms of tone, a smaller dreadnought body will be slightly lacking in projecting the low-end frequencies. That doesn't matter here thanks to being an acoustic electric. With that said, the trebles and mids give away its origin, tone-wise. Play a few chords and you'll immediately hear that classic 'Taylor sound' even from a lower mid-range guitar like this one.
The company was founded in 1931 as the Ro-Pat-In Corporation (ElectRo-Patent-Instruments) by Adolph Rickenbacher and George Beauchamp in order to sell electric Hawaiian guitars. These instruments had been designed by Beauchamp, assisted at the National String Instruments Corporation by Paul Barth and Harry Watson.[1] They chose the brand name Rickenbacher (later changed to Rickenbacker), though early examples bear the brand nameElectro.[2]

Non Locking Tremolo FAT/SAT TREMOLO TREMOLOARM-INSTALLATION Der Tremoloarm kann leicht eingesetzt und entfernt werden. Setzen Sie den Arm in die Armöffnung an der Tremolo-Basisplatte. Ziehen Sie den Arm zum Entfernen hoch. TREMOLOARM-EINSTELLUNG (SAT PRO) Zum Einstellen der Höhe des Arms entfernen Sie die Tremolo-Federabdeckung von der Rückseite der Gitarre und verwenden einen 3 mm großen Inbusschlüssel zum drehen der Höheneinstellschraube an der Unterseite des Tremoloblocks.
Was skeptical at first since I own a couple of vintage Martins. Aside from the LX1E being a sustainable responsibly built guitar that has HPL back/sides, hybrid neck/fingerboard, and whose soundhole smells like a Lincoln Log toy set this is an amazing find. Yup- it’s perfect for the overhead bin on airplanes, comes with a good gig bag, and sounds great plugged in. Experimented with .11 gauge string set, but this guitar is really made for either .12 gauge or a true .13 (medium gauge) strings set. This guitar is designed for the combination of heavier strings and assertive strumming or picking to create a sound that belies its small size. It welcomes being pushed, muted, and/or percussively played. Found the same to be true of Martin’s DX regular size guitars which sound amazing for what they are. While the E Sheeran LX model has his logos on it, this
If you are considering a traveler or mini guitar, be sure to read reviews of people who own models that range between $40 - $500, because you will find various reasons to stay away from some of the cheaper models that are under$150.  Some of these guitars that are made that cheaply are not much better than toys in quality, sound and crafstmanship, and at this model and price range, you will get what you pay for.  By investing an extra $100 - $200, you can find some fine travelers and minis that will more than accomplish the job, and in fact, some professionals choose certain travelers and minis over others for playability, quality, performance and recording reasons.
Before it gets shipped to you, each Monoprice guitar undergoes a setup, tuning, and inspection process by Master Luthier Roger Gresco here in Southern California. The setup ensures that the neck is straight, the action is right, and that it will stay in tune. Additionally, it comes with everything you need to get started, including strings (installed), a heavy-duty zippered black gig bag with shoulder strap, and a truss-rod wrench.
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With the neck profile and nut slots correct, approximate the positions of the string saddles for correct intonation. Low E and G string will set back about 3-4/32nds of an inch longer than the exact scale length. The A and B strings will set back 2-3/32nds , The D and high E about 1 32nd. Scale length equals the distance from the fretboard edge of the nut (where the strings bear off) to the middle of the twelfth fret, times 2. If the measurement from the front of the nut to the middle of the 12th fret is 12.75", then you have a 25.5 inch scale length (12.75 x 2= 25.5) Final positioning is done once saddle height is determined, but you need to be close to this final location when determining the saddle height.

Many music purists prefer analog effects. Since they don’t use digital conversion, the signal (purists argue) is less prone to loss, and is more pure as a result. It’s true that digital conversion can cause some natural artifacts of the original sound to become lost, and can sound more “processed.” However, as digital technology has evolved, this has become less of a consideration. Digital effects have the advantage of versatility and precision. Today’s multi-effects processors only exist because of digital processing; many effects can be achieved in a single unit through sheer processing power. Digital signals can also be used to control a wider range of parameters.
I love reading interviews with engineers and producers, but the more of them I read, the more I come up against the basic problem that my brain is like a sieve. I'm forever thinking to myself "I really must remember that technique", but unless I dash off and use it right away the knowledge just skips out of my ear and heads for the hills, probably glad to be free. And even if I vaguely remember reading a fascinating passage about de-essing nose-flutes, I'm damned if I can recall where I read it or who recommended it.
Updated! Now has complete information on how to set up a guitar with a tremolo bar including the Floyd Rose Tremolo System. A complete step-by-step guide to maintenance and setup of your electric guitar. This guide, packed with images, will show every aspect of essential electric guitar care such as changing the strings, adjusting the neck, and setting the action to match your playing style. It will also show you how to fix common electric guitar problems such as buzzing strings, scratchy pots and much more. Electric Guitar Repair and Maintenance is a great resource for any guitar owner. Now at a lower price!
Experience Rockstar Games' critically acclaimed open world game, Grand Theft Auto V. When a young street hustler, a retired bank robber and a terrifying psychopath find themselves entangled with some of the most frightening and deranged elements of the criminal underworld, the U.S. government and the entertainment industry, they must pull off a series of dangerous heists to survive in a ruthless city in which they can trust nobody, least of all each other. Explore the stunning world of Los Santos and Blaine County in the ultimate Grand Theft Auto V experience, featuring a range of technical upgrades and enhancements for new and returning players. In addition to increased draw distances and higher resolution, players can expect a range of additions and improvements including: New weapons, vehicles and activities Additional wildlife Denser traffic New foliage system Enhanced damage and weather effects, and much more Grand Theft Auto V also comes with Grand Theft Auto Online, the dynamic and ever-evolving Grand Theft Auto universe with online play for up to 30 players, including all existing gameplay upgrades and content released since the launch of Grand Theft Auto Online. Rise through the ranks to become a CEO of a criminal empire by trading contraband or form a motorcycle club and rule the streets; pull off complex co-operative Heists or enter radical, adrenaline-fueled Stunt Races; compete in unique Adversary modes; or create your own content to play and share with the Grand Theft Auto Community.

In 1931, Martin reintroduced the dreadnought with X-bracing and two years later gave it a modified body shape to accommodate a 14-fret neck, and it quickly became their best-selling guitar. The rest of the industry soon followed[citation needed], and today the “dreadnought” size and shape is considered one of the “standard” acoustic guitar shapes, iconic for its use in a wide variety of musical genres.

While anything with decent gain could be used for metal, a dedicated metal amp is the only thing a dedicated metalhead would want to use. These amps are actually very similar to other styles of amp, with one big difference – they are loaded with massive gain, which is essential for metal. A perfect example of what makes a great metal amp is the EVH 5150III. Designed with Eddie Van Halen, this all-tube amp head is an absolute beast in term of power and gain, with face-melting distortion and 50 watts of power.
The 2008 Les Paul Standard is one of the first models from Gibson USA to utilize the revolutionary Plek machine in setting up the guitar. The Plek is a German-made, computer controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours—sometimes even days—to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument “Plek’d” and amazingly playable.
During the 1930s and 1940s several companies tried to produce a solid-body electric but none of them were commercially successful. Then Leo Fender released his design in 1950 with a single pickup under the name Esquire, then added a second pickup and sold it under the name Broadcaster but soon had to change it due to a lawsuit from Gretsch who were already selling a drum kit using that name. Thus the "Tele" as we know it today was born.
The Epiphone DR-100 acoustic guitar definitely falls under the category of “entry-level” or “student” instrument, but sound quality has not been sacrificed for the sake of a lower price point. Many guitar instructors urge their students to invest in this model because of its resonant mahogany components. There can be some buzzing because of its lower action, but beginners will have a better learning experience because of the improved tonality. Epiphone is a strong name in guitars, and considering the low price, the DR-100 is a good buy. We recommend it for the mahogany alone, but the tone quality is also appropriate – and perhaps even better than it should be – for the price.

But add some effects to the blend and the results can be even more interesting. Keyboard-like tones can be generated by rolling off the tone pots and employing digital delay, expanding the sound of your band without overstuffing the van, and the gentle application of a phase shifter or wah-wah can bring an interesting voice to warm, low tones. Jimi Hendrix’s “Pali Gap” is a classic example of the latter.
By the 1980s and 1990s, software effects became capable of replicating the analog effects used in the past. These new digital effects attempt to model the sound produced by analog effects and tube amps, with varying degrees of quality. There are many free guitar effects computer programs that can be downloaded from the Internet. Now, computers with sound cards can be used as digital guitar effects processors. Although digital and software effects offer many advantages, many guitarists still use analog effects.
This is essentially the distance measured between the saddle and the nut, or more accurately described as double the distance from the nut to the 12th fret plus some "compensation" added by the position of the saddle. A longer scale length requires higher tension in the strings and results in a brighter tone. A more detailed explanation with examples is presented quite well by Stewart MacDonald and a good description of the implications of different scale lengths can be found on Guitar Player. Guitars based on Stratocaster and Telecaster designs usually have a longer 25.5" scale while Les Paul and SG style guitars are characterized by a shorter 24.75".

However, these two companies were not always in as direct competition as might be assumed; yes they both made guitars, basses and amplifiers, but both tended to play to their strengths; Gibson's expertise was it's luthierie; they stuck to high end electric-acoustics, semi-acoustics and skillfully made solid bodies, whilst Fender excelled at electronics; they made amplifiers and easily built solid body basses and guitars.


Most users and experts agree that the Zoom MultiStomp MS-50G is a high quality and high value pedal. But it's not just about bang per buck, because many are satisfied with the quality of its effect and amp emulations. Even Music Radar is convinced of its performance saying, "While not all of the sounds are going to appeal to all players, there are enough usable tones here to make this a very practical item for just about anybody who uses effects."
As players such as Bobby Broom, Peter Bernstein, Howard Alden, Russell Malone, and Mark Whitfield revived the sounds of traditional jazz guitar, there was also a resurgence of archtop luthierie (guitar-making). By the early 1990s many small independent luthiers began making archtop guitars. In the 2000s, jazz guitar playing continues to change. Some guitarists incorporate a Latin jazz influence, acid jazz-style dance club music uses samples from Wes Montgomery, and guitarists such as Bill Frisell continue to defy categorization.
You honestly could get a single multi-effects unit that will already have thousands of the most popular stompboxes built in, plug it into your PA or headphones, turn on one of the many built-in amp modelers, and you’re good to go. This is actually a solution that many touring musicians have gravitated towards, as it is so much easier to just carry around a single multi-effects unit compared to a pedalboard with several different pedals and a separate amp.
Just bought a Martin D-18GE beautiful sunburst from Franklin Guitar today and was absolutely blown away by the hospitality, friendly atmosphere and knowledge I was met with. I've never written a revie...w before but this place is so good it deserves praise and recognition! I would recommend anyone who wants to buy any level of guitar with all ranges of experience to go check out Franklin Guitar! From beginners to professionals, this little place has what your looking for and will no doubt be a joyful experience. Thanks Pat! See More
The Guitar Chords: Easy-to-Use, Easy-to-Carry, One Chord on Every Page does one thing extremely well: it is spiral bound. It’s more of a reference than anything else, but one that musicians of all levels will appreciate. It covers the gamut of chords with not just one but two variations of each one. Of course, many have more than that, but it’s good information just the same.

What the hell!?!? Jimmy page is the greatest guitarist ever! And this is coming from a guy who has listened to many many types of music... Page is one of the reasons I fell in love Led zeppelin... From Hendrix to Vaughan to Clapton to slash to Johnson to sambora to gilmour to Santana nobody mesmerised me more than page did... He made his guitar TALK. Phhff, bucket head? Gimme a rest! Just give a listen to Achilles last stand or any song from led zeppelin 1, 2, 4, HOTH or Physical Graffiti. In my view all of the albums led zeppelin had produced rocked! Page forever!


Free to use schematics to get started can be had from the web but remember, if you are going to use someone else’s work, either completely or as a starting point for your own design, check first to see what copyright and any other terms are associated with it. If it’s not clear, ask first. There are plenty of open source designs available to use, but schematics, like other written works are covered by copyright law so check you have permission before using them.
Taylor’s proprietary pickup system, the Expression System, consists of ahumbucking induction pickup mounted in the neck and a pair of dynamic soundboard transducers wired to an on board preamplifier designed by Rupert Neve.[10] The entry-level 100 and 200 series use an externally similar system known as ES-T, which utilizes a single under-saddle pickup and no soundboard transducers. The first generation system was powered by a pair of AA batteries. Starting in 2007 the electronics use a 9-volt battery similarly to common piezoelectric and microphonic pickup systems in other guitars.

SOLD OUT Here we have a great 45 Year old Japanese Vintage 1971 Yamaha FG180 Red Label Nippon Gakki Martin like vintage tone for a fraction shes a Boomer low action plays easily WoW! ... Just in and AVAILABLE JVG- Fresh Release: I can tell you this is a real good one folks! No structural cracks or checking in finish, its a beautiful Solid Spruce Top and it is pretty flat with no noticeable bellying and its bridge is tight, action is excellent within Martin specs... This guitar received the JVGuitars SET -UP upgrade to bone nut and compensated martin saddle as well as the brifg pins upgraded to very nice Rosewood with abalone dot detail as well as a new set of Martin Marquis strings ( 12’s ) 80/20 Phosphorus bronze . The neck has a classic feel to it with an excellent vintage finish still shines like glass …excellent with a classic Martin like feel in a soft V Medium Profile and has the correct relief set to within M spec frets are still good - we leveled and dress them. We first took off the old strings and fully clean the fingerboard and re-hydrate the woods before polishing all surfaces and lubricating the excellent upgraded Ping Deluxe tuners, Not to be confused with the similar model made in Taiwan this the famous Nippon Gakki made in Japan one and this is a really good one at that folks. Never abused, well cared for, no cracks, great neck alignment to this day, action excellent, plastic tone robbing parts - GONE! Bone & Rosewood sustains better than ever…. these are know for great “ M” Like vintage tone and is in great vintage condition,
Someone is going to be very pleased. For a Song Any questions or to contact Joe to buy this contact Joe at: jvguitars@gmail.com Thank you for your interest Joe ..
Pickup selectors can wear out over time. The lugs and the rotating switch can loose their tight connect with years of use. Also, many inexpensive guitars made today use cheap electronic parts. You may just want to upgrade your switch for more control and better selections. It is fairly easy to install a new pickup selector. Here are a few simple steps to replacing your pickup selector.
Gain is the strength of the electronic signal carrying your sound. A standalone gain booster is essentially just a preamp, and can be an effective way to overdrive the preamp section of your amp, creating easier musical-sounding breakup and increasing the amp's power. A gain booster in a stomp box lets you instantly boost your sound level for solos without altering your fundamental tone.
Stimson’s basic pickup design was used on most of National Dobro’s subsequent electrics, however, by around 1935 or so, when Supro arrived on the scene, the pickup had been modified to have a single coil wrapped around the two bar poles. Nevertheless, virtually all of National Dobro/Valco pickups were evolutionary descendents of this Stimson pickup.
The 2-6kHz region is good for adding bite or presence to guitar tracks at the mixdown stage.There is no 'right' electric guitar sound because the instrument has no natural sound, so you can use as much EQ as you like without feeling guilty. Even so, getting something close to the desired sound at source is always the best way to work. Should you need to use EQ, here are a few comments concerning the frequency areas you might want to tweak. Boxiness tends to occur between 100Hz and 250Hz, so if this is a problem, use a parametric to tame it. Experiment with the Q setting as you may be able to notch out a narrower section than you think to get the desired result. Cabinet thump can be accentuated by boosting at around 80-100Hz, but take care not to boost anything much lower than this, as you'll just bring up unwanted resonances and hum.
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