-have any of you ever heard of chet atkins. he could play anything the guys you mention but, they could not or can,t play any thing he played-hell non-finger style players you have to go with nokie edwards from the ventures. you guys are obviously rock only players and listen to only them only -do yourselves a favor and get his albums-mister guitar and workshop-they show just how good he was and then make a comment here
I sold my Yamaha Pacifica 12 and have been trying to find out more about the Italia Rimini 12, the Schecter TSH-12 Classic(which is the new version and I only saw 2 -both sold) and the Eastwood Sidejack 12. I have the money, but finding anything but the Eastwood online, is rather difficult. I still would like to try them out before buying, if I could.

Finally, you’ll want to make sure you have the accessories you need to get up and playing fast. A strap, spare strings (they do break from time to time), and some plectrums are all essentials – and don’t forget an amplifier! You’ll also want a case (preferably hardshell, but soft and padded will do) to store and transport your guitar, and an electric tuner to keep it sounding good. These can all be picked up from your local guitar store, although if you are starting from scratch, you may want to consider a combo kit, which usually offer good value and convenience.
There are a very large number of acoustic guitar manufacturers in the world. However, not all are among the best, but this American brand specializes in acoustic guitars. You will find Martin guitars among the top 10 acoustic guitars in the world. It has greatly influenced the look and shape of the American acoustic guitars. Martin guitars are made from highly seasoned wood, which produces some really melodious tones. Mind you, these guitars can be expensive and taking care of the instrument is extremely important. It makes some extremely beautiful models like D-28 and D-45; however, they also manufacture budget-friendly models.
BAJAAO brings to you the best top notch Electric Guitars from across the world, with the lowest price guarantee. We have a huge range of electric guitars to help you find the one that fits your requirement and budget too. We are dedicated to make sure that we have an instrument that suits you whether you are looking for a beginner’s electric guitar or a seasoned professional’s axe, from the best brands worldwide such as Ibanez, Cort, Fender, Gibson, Aria, Epiphone, Washburn, Walden, Cort, ESP, PRS, Jackson, BC Rich, Dean, Pluto, Squier, Schecter, Greg Bennett, Taylor, and a long list of other brands to buy from. Buy the best Electric Guitars online with BAJAAO.com with the best and affordable price in India. Make your shopping experience a wonderful one with us.
Companion to the TG-64 was the TB-64 bass. This was virtually identical to the guitar – including the three pickups and monkey grip – except it was a bass, so it had no vibrato. Two other basses debuted in ’64, the NB-1 and NB-4. These were basically the same guitar as the TB-64 except they did not have the handle cutout in the body. The NB-1 had a single pickup and the NB-4 had two.
At first the company produced high-quality acoustic instruments for students and working professionals, aiming at providing good value for money and experimenting with the use of Australian woods. In the 1960s they expanded into electric instruments and instrument amplifiers, at first under the nameMagnetone. The early catalogues noted that the warranties on amplifiers and loudspeakers were void if used in situations of “overload or distortion“, reflecting Bill’s jazz background but still incredible to modern electric guitarists of any style.
The device can be mounted on and removed quickly from almost any flat-backed acoustic guitar, using a system of magnetic rails. The ToneWood-Amp is designed for guitars with either a magnetic or piezo pickup (bridge or soundhole), but the team behind the device say they're also putting together a “Technician-Free” pickup bundle for those guitars without a pickup.
Not nearly as popular as single-coils and humbuckers, piezo pickups can be found on electric guitars as well. These crystalline sensors are usually embedded in the saddle of an electric guitar. Piezo sensors operate on mechanical vibration as opposed to magnets to convert sound from vibrating strings into an electric current. Piezo pickups can be used to trigger synthesizer or digital sounds much like an electronic keyboard. Most often, piezo pickups on an electric guitar are used to simulate an acoustic guitar tone. Piezo-equipped guitars often also include magnetic pickups to expand their tonal versatility.
One line bouncing is an "echo." Many lines bouncing randomly is "reverb." If they bounce around for more than a second, it's called reverb. If they bounce around for less than a second, it's Kosher to call it "room ambiance." If the radiating lines are in a room with no reflective walls, they wouldn't bounce back at all, and the room would be called "anechoic." By the way, my imaginary room is only two-dimensional. Real-life rooms are three dimensional.

Schooled in flamenco and jazz, Robby Krieger pushed beyond rock at a time when most players were still bound to the blues. In the Doors, he had the improvisatory flair to follow Jim Morrison's wildest journeys, wrote some of their biggest hits ("Light My Fire"), and picked up the slack in their keyboard-drums-guitar lineup. "Not having a bass player… made me play more bass notes to fill out the bottom," he said. "Not having a rhythm player also made me play differently, to fill out the sound. I always felt like three players simultaneously."
The Salamander Grand (Yamaha C5) has by nature so many velocity samples that it already has a great expressive sound. I have normalised the samples and re-attenuated them to suit sf2 format and simplified it by leaving out some pedal noises and other non-critical sounds. Cut-off frequencies have been adjusted for extra expression and using Wavosaur I have removed the gaps at the front of the samples to greatly reduce latency.
Despite what appears now to a somewhat dated design (all the quasi-organic shapes inspired by Alembic at the time are tough to love with the passage of time), Martin’s 18 Series electrics are actually quite comfortable and yield a versatile number of useful sounds. The neck profile is quite round, not unlike many acoustics, but very easy to play. The frets are small and squarish, which makes them a bit awkward for blues-style bending.
Luthier Steve Lamb has been providing quality instrument repair in Fort Worth for over 30 years. Steve’s years of experience has provided musicians, collectors, students and friends the information and service necessary to keep their instruments in shape. Lamb’s Music is an authorized service/warranty center for most guitar manufacturers including – Fender, Gibson, Martin, Taylor and more.

Effects can inspire you with new creative ideas, or just help you sound like your musical inspirations, go for it. I would urge you to consider a multi-effects unit like a Digitech RP series, or Line6 PodHD series. They can provide you with many options to try before you figure out exactly what you want. Many units can be had pretty cheap used, and as a bonus, most will act as a usb interface, and let you record your playing (for better or worse) to computer. – Michael Cook Apr 29 '13 at 21:39
Fawned over by hard rock-loving guitarists the world over, Marshall is one of the few amplification brands that really needs no introduction. And if you’re looking for aggressive, overdriven rock – this amp is one of the best beginner’s options. What makes this one really special, however, is the sheer number of sound-shaping options it gives you – thanks to its ability to model a whopping 14 MST preamps, 4 MST power amps, and 8 MST speaker cabinets. That’s 448 possible combinations, if you’re keeping score. You can even connect it to your computer via USB or use it as a Bluetooth speaker. If versatility is your top concern (it probably should be), look no further.
The benefit of a compressor lies in that every note played will be at nearly the same amplitude, and therefore nearly equal in volume. This will help normalize tones that are sometimes lost in the mix because of complex overtones, and it will result in a more articulate sound. Notice that if you don’t pick all notes of an arpeggio at exactly the same pressure you will likely get a different sound for each note, especially if you are playing a tube amp. Tube amplifiers react dynamically to stronger and weaker signals it’s the allure of them and thus the non-uniformity of picking at different strengths will be exaggerated. A compressor will fix this problem and normalize all notes of the arpeggio regardless of the player’s technique and equipment, which is consequently why many soloists prefer them.

Above here's a blast from the past. The reissue of the 1960's Harmony Stratotone H49 Jupiter. Originally this guitar was manufactured in Japan, but these babies came straight from China many years later. They copied them right down to the T including those Gold Foil Pups. Guitar is hollow body and has a volume, volume, tone, tone, master tone knob, with a really cool 3 way switch. They don't come up on Ebay to often and this ones like brand new but was briefly used. Sold
As obvious as it sounds, a tuner (or tuning pedal) is fundamental for your rig. It can also act as a mute switch for changing guitars between songs. These days there are many smartphone apps for tuning your guitar – as well as clip-on tuners – but when you need precision and a clear visual indication of the pitch of your strings, nothing beats a good old tuning pedal. The Boss TU-3 is a classic tuning pedal with lots of useful settings – alternatively, you can check out the CPT-20 by Harley Benton which features true bypass connections and a super large LCD display. Need a smaller footprint? Try the Mooer Baby Tuner!

Tonewood (basswood, mahogany, alder...) doesn't matter in an electric guitar unless you're getting ancient pickups for it. Older pickups used to act more like microphones and picked up sound resonating from the guitar body as well as from the strings. Modern technology has fixed that so the sound comes purely from the strings. Most guitar companies that market their guitars for tonewood are guitar brands that have been around since the times of these ancient pickups and based their marketing off of it. Most of them still haven't changed it. I recently read a scientific breakdown (experiment, analysis and all) that thoroughly proved the tonewood debate pointless once and for all. Every variable was accounted for-only tonewood was changed. So, don't worry about the basswood; it could be made from the least acoustic material on earth, and the pickups would give you the same sound as they would have on a different guitar material. I've spent months researching this in depth. (I play, too.)
Experience Rockstar Games' critically acclaimed open world game, Grand Theft Auto V. When a young street hustler, a retired bank robber and a terrifying psychopath find themselves entangled with some of the most frightening and deranged elements of the criminal underworld, the U.S. government and the entertainment industry, they must pull off a series of dangerous heists to survive in a ruthless city in which they can trust nobody, least of all each other. Explore the stunning world of Los Santos and Blaine County in the ultimate Grand Theft Auto V experience, featuring a range of technical upgrades and enhancements for new and returning players. In addition to increased draw distances and higher resolution, players can expect a range of additions and improvements including: New weapons, vehicles and activities Additional wildlife Denser traffic New foliage system Enhanced damage and weather effects, and much more Grand Theft Auto V also comes with Grand Theft Auto Online, the dynamic and ever-evolving Grand Theft Auto universe with online play for up to 30 players, including all existing gameplay upgrades and content released since the launch of Grand Theft Auto Online. Rise through the ranks to become a CEO of a criminal empire by trading contraband or form a motorcycle club and rule the streets; pull off complex co-operative Heists or enter radical, adrenaline-fueled Stunt Races; compete in unique Adversary modes; or create your own content to play and share with the Grand Theft Auto Community.
Tempo guitars and amps offered in 1971 included three nylon-stringed guitars, three steel-stringed guitars, and two solidstate amplifiers. These were pretty low-end beginner guitars probably imported from Japan, though the heads have a Harmony look to them. The N-5 Folk Guitar ($31.90) was standard-sized with spruce top and mahogany body (presumably laminates), slothead, tie bridge, no markers. The GM-62 Steel String Guitar ($29) was also standard size, “light” top and “dark” back with dots, moveable bridge with saddle and stamped metal tailpiece. The GM-300 Convertible Guitar Outfit ($33.90) was a spruce and mahogany slothead with dots and a glued/bolted bridge which could be used for either nylon or steel strings. It came with nylons and an extra set of steel strings. Harmony made guitars like this for Sears in the early ’60s. The N-48 Nylon String Guitar Outfit ($82.50) was a grand concert classical with amber spruce top, maple body, marquetry strip on the slothead and gold hardware, hardshell case included. The N-40 Nylon String Guitar ($45) was grand concert-sized with amber spruce top and “dark brown” body. The F-34 Steel String Guitar was also grand concert-sized with spruce top, “dark brown” body, belly pin bridge, block inlays, and engraved hummingbird pickguard.

It’s curious to note that also tauted in the ’39 Grossman catalog was the National Res-O-Lectric Pick-up Unit, designed to be added to National and Dobro amplifying guitars. This was not sold as an accessory, but had to be factory-installed for $25. On single-cone guitars, the bridge assembly/cover was replaced with the pickup assembly, faced in gloss black Ebonoid. On tricone guitars the pickup would be built in to the silver cover. It’s not clear if these were also mid-’37 developments or if they appeared closer to the ’39 Grossman catalog publication date.
If you have your heart set on a Stratocaster, but can’t justify shelling-out $600 or more for the USA-made Standard Strats, the Squier Standard Stratocaster is a great place to start. Unlike the even cheaper Strats that are included with Fender’s “starter packs,” this guitar is a definite step-up in quality and features a more modern take on their traditional bridge. I personally prefer this bridge style over Fender’s traditional/vintage 6-screw bridges.

This guitar manufacturer started out as a parts supplier in the early 1970s. Atlansia didn't begin production of guitars under their badge until infamous engineer and designer Nobuaki Hayashi of Matsumoku fame became the company's president and chief designer in the late 1970s. Since then, Atlansia has continued to produce cutting-edge guitar designs in Nagano, Japan. The company did not make any other badged guitars other than namesake Atlansia.
This guitar is truly a practice friendly instrument, with its smaller body and shorter scale length of 21.25", this acoustic is definitely easy on the hands. The neck profile is specially beginner friendly, great for first timers who are looking to learn the instrument. The parlor style body makes it easy to handle and carry around, ideal for young players and students of the instrument who travel. The downside to having this smaller body design is the lack of low-end, but it does make up with articulation and comfort.

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Next to the great sounds and looks, the most noticeable thing about Seagull guitars is the incredibly reasonable prices. With Seagull, you get a quality guitar made from superior woods and materials for a lot less than it seems like it ought to cost. The Performer CW Flame Maple is definitely one of the best acoustic-electric guitars under $1000 out there.
For each slot requiring attention, I use a nut file at a slight downwards angle to widen the slot, making sure not to LOWER it (you should do this at a shallower angle than this photo might imply – you want to make sure that you are JUST slightly downwards compared to horizontal). Just take it really easily here, keeping an eye on the front of the slot to make sure you don’t go too far. Repeat this for whichever slots require widening.
Some of the best pedals in this segment, like the TC Electronic Sentry, will allow you to set both the volume threshold where the noise gate kicks in, and the type of interference you want to filter out. The important thing to remember about noise gate pedals is that they only eliminate hissing when you don’t play. As soon as you do, the pedal disengages and the noise comes back. With that said, noise gate pedals are essential for a good tone.
With sharp double-cutaways and the recognizable Rickenbacker body shape made from maple, the semi-hollow Rickenbacker 330-12 12-string electric guitar has proven to be one of the brand's most popular models since the 1960s. The 330-12 has been used for its jangly sound, perfect for pop and various other genres, by the likes of Tom Petty, Johnny Marr, and Peter Buck, to name a few.
The type of potentiometer you should use will depend on the type of circuit you are designing for. Typically, for audio circuits the audio taper potentiometer is used. This is because the audio taper potentiometer functions on a logarithmic scale, which is the scale in which the human ear percieves sound. Even though the taper chart appears to have a sudden increase in volume as the rotation increases, in fact the perception of the sound increase will occur on a gradual scale. The linear scale will actually (counterintuitively) have a more significant sudden volume swell effect because of how the human ear perceives the scale. However, linear potentiometers are often used for other functions in audio circuits which do not directly affect audio output. In the end, both types of potentiometers will give you the same range of output (from 0 to full), but the rate at which that range changes varies between the two.
He has a way about him that makes you stop and listen, but he isn’t in your face. His sound is very melodic, which is why his tone was so perfectly matched to answering the needs of the vocals, yet he still holds his own in every tune. Bright, confident and edgy, he is a serious guitar-player and he has no intentions of holding back! People often say that he carries humour in his music, which is quite a clever characteristic to portray with this piece of equipment.
Overdriven speakers create one of the most desirable distortion characteristics: crunch. The best way to test for this is to dial in a clean setting and turn the volume way up. Low-wattage speakers break up at lower volumes, but they have a tendency to turn to mush at excessive volume levels; high-wattage speakers may not break up at all. Choose a speaker that sounds lively, defined and harmonically rich at volume and distortion levels you’ll normally play at.
The Fender Stratocaster is a model of electric guitar designed in 1954 by Leo Fender, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has manufactured the Stratocaster continuously from 1954 to the present. It is a double-cutaway guitar, with an extended top “horn” shape for balance. Along with the Gibson Les Paul, it is one of the most often copied electric guitar shapes.[2][3] “Stratocaster” and “Strat” are trademark terms belonging to Fender.

Martin opened its “Custom Shop” division in 1979.[7] Martin built its 500,000th guitar in 1990, and in 2004 they built their millionth guitar. This guitar is entirely hand-crafted and features more than 40 inlaid rubies and diamonds. It is worth an estimated $1,000,000.[8] As of 2007, Martin employs 600 people. Thirteen workers are devoted to quality assurance[citation needed]. In October, 2009, Martin purchased at auction a D-28 that was played by Elvis Presley in his last concert for $106,200.[9]

The Les Paul body style actually encompasses a few different designs: solid, solid-arched, and solid-chambered. Solid Les Pauls are made from a solid piece of wood, with some having a significantly arched top and a maple cap and some lacking a curved top and the maple cap. Chambered Les Pauls are arched, but the inside of the body is chambered, so there are a few cavities underneath the top.
Original plate reverbs were mechanical in nature. There was a literal plate inside the amplifier, which would transform input signal into vibration. Then you would have a pickup located somewhere near the plate, that recorded those vibrations. Today, such a contraption comes across as relatively crude, but many still love the unique mechanical sound it produces. Spring reverb uses a pretty much exact same principle, only this time you have a spring in there instead of a plate. The biggest improvement a spring reverb offers is reduction in both weight and size of the device.

Maybe it's time for you to start to think about what is comfortable for you to play. 10-46 is probably the most standard size used by players. Although, I'd put money on the fact that your Mockingbird came with 9s. Mine did, and they were the first things to go (very fast, but too floppy). While there is some merit to staying with 9-42 for familiarity's sake, making the move to a 10-46 set should be pretty easy to do while you're still learning.
It has a solid poplar body with a maple neck and rosewood fingerboard, and based on the early reviews of the Epiphone Les Paul SL, the fit, finish and general playability are all pretty good. It’s loaded up with Epiphone’s reliable tune-o-matic bridge, a volume and tone knob, as well as a three-way selector switch to toggle your pickups and dial in tone. The hardware does feel admittedly cheap, but the general consensus is that this guitar ships well-made, well-setup and more than appropriate for a first-time player.
I just thought you'd like to know that Takamine produced for other names. I've just bought a 1973 Wayne which has a Takamine label inside stating it was made for Wayne. Its a Takamine 375 thats a Martin D35 copy. Wayne were guitar makers in Melbourne Australia in the 1950s and 60s and began importing under their name briefly in the 70s. It sounds amazing.
Never buy a guitar for its looks alone. You must buy a guitar only once you have started learning and know your fingerstyle and the genre of songs you will be playing. Most of the guitars last for more than a decade. This is the reason, you must keep all these tips in mind before buying a guitar. Look for the style of your playing before you buy a guitar. A few guitars have a thicker neck which may or may not be comfortable to you. In each brand of guitars, different layouts and designs are available. Look for the series and the design that provide you comfort while playing the guitar.
"I've always thought that most people mic amps too closely," comments Alan Parsons. "They supposedly make up with an ambient mic, but I much prefer to find a mic position that works and process that, rather than mix in too much ambience." Despite Parsons' disapproval, though, a lot of the engineers I researched divulged that they use additional ambient mics to capture more of the sound of the room in which the guitar cab was recorded.
Overdrive distortion is the most well known of all distortions. Although there aren't many electronic differences between a distortion an overdrive, the main audible one is that a distortion does exactly as the name suggests; distorts and clips the signal no matter what volume is going through it, the amount of distortion usually remains relatively the same. This is where an overdrive differs. Most overdrives are built to emulate the sound of a tube amp overdriving and therefore give the player control of the clipping through dynamics. This simply means that the effect gives a clean sound for quieter volumes and a more clipped or distorted sound for louder volumes.
That's what I'm hoping to address in this post along with clearing some common misconceptions too. The guitar world and community is very big on the vintage thing, and that has filtered down to replacement parts of course too. It is very easy to get lost in the world of 'vintage' style parts making an improvement in tone, so let's cast those notions aside here and look at the facts of why in some cases that's both correct and incorrect. Tim McNelly of McNelly Pickups put it really well in a recent social media post '..New electronics won’t necessarily make your guitar sound any different than it does now. New pots won't NECESSARILY change the tone if you don't know the exact value of the pots coming out..'. I think this is a really great way to put it and a great starting point for this post and discussion (feel free to comment too!).

Primarily, reverb pedals tend to give you a lot more variety and control over the effect than you'll have with an amplifier. In fact, most amps that have reverb will have a single reverb knob that you turn up for more of the effect, or down for less. This can work if you use reverb sparingly, but if you're into the effect and like to use it a lot, that's not enough control to really get the most out of your reverberated tone.

I don’t recall how I got his number, but when I called Dana Sutcliffe to talk about what is probably his most famous—at least known famous—guitar, he said we should do lunch. Dana lives just down the road from me in Delaware, so it was an easy meeting. I asked if he’d ever had Vietnamese pho (beef noodle soup, one of the world’s most perfect foods), and since he hadn’t and since he loves to eat, we met one day in one of South Philadelphia’s numerous pho parlors to discuss the genesis of the Alvarez Dana Scoop. It was, as it turns out, all the result of an accident.
SOLD OUT ! We are VERY pleased to present a very special example Alvarez Yairi Classical guitar . The condition of this high end instrument is excellent plus and this guitar is simply wonderful. This is hand built example by The Kazou Yairi himself, Japanese Master Luthier. For those of you not familiar with the Premier Japanese Master Luthier Kazou Yairi and his masterfuly built instruments you may enjoy this vidio introduction to YAIRI GUITARS http://www.youtube.com/watch?v=NPRyLPouYZM The model is CY116 and is a very high-end professional guitar and is in excellent Plus condition. Only the highest grade woods used as you can see ...choice AAA Flamed-Quilted and is 3-dimensional depth is a work of art as you can see by the pictures. This guitar plays and sound AMAZING and is truly inspirational. This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too. General Specs: Alvarez Yairi CY116 Classical Acoustic Guitar The CY116's Solid Cedar Top is adorned by an elaborate wooden mosaic rosette. Burled Maple Back/Sides give this classical amazing clarity and warmth like the fiery Andalusian plains that inspired the music that this guitar was born to perform. With room-filling projection, the CY116 is a guaranteed conversation starter. You hear it in the elegant pacing of a classical air. You see it in the vivid charm of a folk dance. Specs: Burled Mahogany Back/Sides Solid Cedar Top Mahogany Neck Ebony Fingerboard Scale: 25 1/2" (650mm) Width at Nut: 2" (51mm) Rosewood Bridge Ivory Body Binding Wooden Mosaic Rosette Gold Vintage Open-Style Tuning Machines .

You’ve decided to pick up an axe and learn to shred like one of the pros. While mastering the guitar is no easy feat itself, before you even start jamming you’ll probably find yourself looking through site after site trying to find the right instrument. It’s hard. There’s an expansive list of components to be taken into account: body styles, wood types, pickups, bridges, necks — and that’s just scratching at the surface.

One cheaper ampless option mentioned in the article is the Tech 21 Fly Rig used with pedals in front of it – I actually got a $270 Tech 21 RK5 (very close to being the same thing as the Fly Rig 5 mentioned in the article, but the Richie Kotzen signature version with his signature OMG distortion replacing the “Plexi” OD which is on the Fly Rig 5). I’ve used it direct into a cheap PA at practice and it doesn’t sound good to me that way – however, it sounds really pretty good going into an amp, which is what I did for a set-up-quick-and-get-out-after-playing hour-long gig a few weeks ago, plugging into an amp provided at the place we played at. It still didn’t come close sound-wise to my relatively cheap amp setup (hybrid Marshall JMD 50 watt head into Marshall 1960A 4 x 12 cabinet, no additional effects), but a lot more portable of course. So maybe I need to experiment with adding OD pedals to the RK5 for an improvement in sound.
Maton established itself early on the Australian rock scene in the late Fifties, assisted by Australia’s tariff regime, which made imported guitars far more expensive than the local equivalents. Maton guitars were used by many well-known Australian pop and rock groups including Col Joye & The Joy Boys. The company also made one of the first sponsorship deals in Australian rock, supplying Melbourne band The Strangers with a full set of the distinctive ‘El Toro’ model guitars and basses (notable for their outlandish ‘horned’ body shape) while the group was working as the house band on the TV pop show The Go!! Show in the mid-Sixties.
Chorus is an effect that doubles and detunes your signal. It can add an otherworldly effect to your tone, as well as add emphasis to your playing. Chorus adds shimmer and depth to your signal. While it shines in making clean playing more lush, many players, Zakk Wylde included, use chorus to add a doubling effect to their solos, which really will bring it to the forefront of a song. When used carefully, you can even approximate the sound of a 12-string guitar.
Never buy a guitar for its looks alone. You must buy a guitar only once you have started learning and know your fingerstyle and the genre of songs you will be playing. Most of the guitars last for more than a decade. This is the reason, you must keep all these tips in mind before buying a guitar. Look for the style of your playing before you buy a guitar. A few guitars have a thicker neck which may or may not be comfortable to you. In each brand of guitars, different layouts and designs are available. Look for the series and the design that provide you comfort while playing the guitar.
Regardless of their investment potential or merit compared to Martins, Fenders and Gibsons, the fact remains that clean original Harmony and Kay guitars as well as some of the other interesting student-grade instruments of the 1960s and earlier are quite rare today. Since they were prone to structural problems, many were simply thrown away rather than being repaired. Due to the lack of good repairmen prior to the mid 1970s, attempts to repair such instruments were often as bad or worse than the original problems, further adding to the destruction. Since most of these instruments cost much less than a Martin, Gibson or Fender when new, owners often felt much less of an incentive to take good care of them. Back in the mid 1960s when I was starting out, I saw far more people playing Harmonys, Kays and Danelectos than Martins, Fenders and Gibsons, but for a variety of reasons most of these student instruments have not survived, so that today it is actually a rare occurrence for me to find an original Harmony Sovereign or a good Kay archtop in playable or good cosmetic and structural condition.

Scott Baxendale has been building custom hand made guitars since 1974. Recently he settled in Athens Georgia where he is currently building custom guitars, restoring vintage guitars and teaching the art of lutherie to aspiring craftsman. Scott Baxendale’s legacy of building custom instruments began in 1974, when he arrived in Winfield, Kansas to work for […]

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Went to guitar center and tried 30 guitars. The best was a Gibson hummingbird, and my next two favorites were both seagulls. You can't get a better value under $400. The cedar top on mine sounds fantastic and combined with the cherry sides and back and the mini jumbo shape it brings out the low notes very well while the others seemed to not show the highs. Great guitars
Description: Body: Maple - Burled - Top Wood: Maple - Burl - Neck Attachment: Set - Neck Wood: Mahogany & Maple - Neck Construction: 3 Piece - Fingerboard: Ebony - Frets: 20, Medium - Inlay: Pearloid & Abalone - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: ART-W - Bridge Construction: Ebony - Cutaway: Single - Hardware: Gold - Circuit Type: Passive - Pickups: Super 58 - Pickup Configuration: H-H - String Instrument Finish: Blue Lagoon - String Instrument Accessories: Hardshell Case

Daron Malakian (b. 1975) is the lead guitarist for System of a Down. During the System of a Down era, Daron played IC200's and IC300's on stage. During the Toxicity era, Malakian played a variation of the Ibanez Iceman ICX, with custom artwork designed by his father, then a special edition "DMM1" was released by Ibanez. The DMM1 featured more artwork by Malakian's father, Vartan Malakian (b. 1947). After using Gibson guitars for 5 years, Daron switched back to Ibanez and began using an Iceman again.
Glen Campbell; DJ Ashba, Melissa Etheridge, Nikki Sixx, Mick Thomson; Kaki King, Steve Lukather; Marcel Dadi, Ray Davies,[30] Roy Harper,[31] James Hetfield, Josh Homme, Cyndi Lauper, John Lennon, Country Joe McDonald,John McLaughlin, Yngwie Malmsteen, Bob Marley, Ziggy Marley, Stephen Marley, Roman Miroshnichenko, Maury Muehleisen, Dave Mustaine, Vince Neil, Jimmy Page, Richard Daniel Roman, Shania Twain, Boz Scaggs, Luis Alberto Spinetta, Statler Brothers, Cat Stevens, and Aaron Tippin;[30]

Once the electric guitar had been firmly established by the 1960s and 1970s, guitar designs became increasingly distinctive and reflective of popular music trends. And by the 1980s guitarists were more and more concerned with the look as well as sound of their instruments, regarding their guitars as identifying signatures. Eddie Van Halen decorated his guitar with colored sticky tape, and Prince has had guitars of all shapes and colors custom-created for his stage performances.

If you have a little bit more to spend than what you pay for the Epiphone LP Special II you might want to consider the Epiphone Les Paul 100. It has a mahogany body with a maple top, mahogany neck and rosewood fingerboard. It’s got solid tuners and hardware, a 3-way switch and two tone and volume knobs. It’s slimmer and therefore much lighter than the Gibson Les Paul. The Epiphone LP 100 feels and plays good. It’s a reliable and durable guitar. A great choice for rock and blues!

While Gretsch is known for semi-hollow and full hollow body guitars, and it is only fitting that one of their semi-hollow chambered body models make this list, specifically the Gretsch Electromatic Pro Jet Bigsby. Being part of their Electromatic line, brings with it all the Gretsch goodness minus the premium appointments, at a very accessible price point. It is a true archtop thinline guitar, that passed the same attention to quality and detail that more expensive Gretsch guitars also go through.
Make sure to check out my other 100 guitars!!! shipping to the lower 48 states.I will not ship anywhere else,Make sure to check out my other 100 guitars at my ebay store "Axes Bold As Love Guitars". I have added a new part to my ending statement.I now recommend that all the guitars I sell be set up to your preferences. ALL GUITARS MAY REQUIRE SET UP!!! Players have such varied opinions that I no longer want to hear about it. Here is a very cool SX "Custom Shack Strat". The maple 21 fret neck is from a SX VTG Series and was removed from a brand new guitar.These are very nice necks. Zero fret wear . The very cool Gloss Sunburst body is an aftermarket Body made of very light and resonant Paulownia wood. It was new when I built this guitar,has no dings,or indentations,just light surface scratches.
Modifying this guitar is also quite easy and you can add things to it to make it a lot better. Overall, it is just the right value for your money item to have. Again, if you are an intermediate or expert level player then avoid this guitar. If you are a beginner & looking for the lowest price electric guitar for beginners clicks the button on this one. With the price you pay, I am pretty sure you will be impressed by the performance of this guitar. Here is the link to buy this product or know more about it –
Modulating Offset: The output of solid-state amplifiers is directly connected to 2 DC power supplies through the output transistors. The instantaneous non-symmetry within the music waveform (particularly from the bass notes) is averaged as a modulating DC offset. This modulating offset is small, but it varies the efficiency of the speaker, introducing inter-modulation distortion, amplitude modulating the music. This problem is mostly eliminated by the trend to use an active sub-bass. In valve amplifiers the output transformer isolates the speaker from the amplifier electronics. No modulating offset can be produced.
I haven't listened to all the amps on the list but found the Rivera Knucklehead blew away every Fender, Marshalla and Mesa in the shop when I was testing things out for the clean blues with a PRS. My daughter playfully plugged in a Gretsch baritone, cranked up the gain and Three Days Grace came screaming out with the finest quality. She agreed the Knucklehead was a win.
Guitar wiring refers to the electrical components, and interconnections thereof, inside an electric guitar (and, by extension, other electric instruments like the bass guitar or mandolin). It most commonly consists of pickups, potentiometers to adjust volume and tone, a switch to select between different pickups (if the instrument has more than one), and the output socket. There may be additional controls for specific functions; the most common of these are described below.

While Gretsch is known for semi-hollow and full hollow body guitars, and it is only fitting that one of their semi-hollow chambered body models make this list, specifically the Gretsch Electromatic Pro Jet Bigsby. Being part of their Electromatic line, brings with it all the Gretsch goodness minus the premium appointments, at a very accessible price point. It is a true archtop thinline guitar, that passed the same attention to quality and detail that more expensive Gretsch guitars also go through.

Unintentional phase cancellation can also occur if a guitar's pickups are wired incorrectly, or if a new pickup installed in the guitar has different magnetic or electric polarity from the one it replaced. To fix this, the pickup's magnetic or electric polarity needs to be reversed (which one exactly depends on the respective polarities of the other pickup(s) and whether or not hum-cancelling combinations are desired). While the latter is usually a small matter of reversing the pickup's hot and ground wires,[24] the former may be more difficult, especially if it requires the magnet(s) to be removed and reinstalled in a different orientation, a process which can damage the pickup and render it unusable if not done carefully.[25] This is the case with most humbuckers. On the other hand, single-coil pickups with magnetic polepieces can simply be repolarised by applying a strong enough external magnetic field.

The role of a pickup is simple. They pick up the sound produced by the guitar and create an electric signal which then travels via an amplifier. For instance, pickups do not relate to getting a partner with your music, but they are actually a characteristic of the electric guitar. They serve the same purpose that frets do on an acoustic instrument, but the pickups will determine the vibrations before sending them to an amplifier.
Heres a few no one has brought up … very under rated or possibly not well enough known …. Jeff Beck , Steve Vai , BucketHead , Ry Cooder , Eric Johnson ,Gary Moore , Ritchie Blackmore , Andy Summers ,John Petrucci ,Vivian Campbell , Paul Gilbert , Uli John Roth ,Robert Fripp ,Akira Takasaki ,Steve Howe ,MICHAEL ANGELO BATIO ,CHRIS IMPELLITTERI ,ZAKK WYLDE , Vinnie Vincent , Stevie Stevens , and my choice for best overall would definetely be Randy Rhoads…

If you do have lead solder, the melting temperature is much lower, making for easier connections, but remember to wash your hands after you're done, and not to touch your face while working - lead is poisonous. With lead-free solder, the rosin lets off toxic smoke, so use a small desk fan to blow it away from you while you work, and open a window if possible.

“The tone thing is amazing because you can have one rig, have three different guitar players, and each guy can play the same exact thing and it’s going to sound different,” says L.A. Guns guitarist Stacey Blades. “It’s all in the hands.” Waara from Line 6 agrees. “Any guitar player will tell you, at the end of the day, it’s in your hands and you will sound like you will sound,” he says. The percentage of influence the hands wield is shockingly high.
The device can be mounted on and removed quickly from almost any flat-backed acoustic guitar, using a system of magnetic rails. The ToneWood-Amp is designed for guitars with either a magnetic or piezo pickup (bridge or soundhole), but the team behind the device say they're also putting together a “Technician-Free” pickup bundle for those guitars without a pickup.
The SG Standard is Gibson’s all-time best-selling guitar. It was conceived in 1961 and originally released as the new Les Paul. It featured distinct horn-shaped cutaways, and the neck joint was moved three frets, which made the guitar lighter and allowed easier upper fret access. In addition to these changes, the body was slimmer than the Les Paul Standard and the neck profile was more slender. However, with Mr. Paul preferring the sturdier design elements of his original model and due to contractual complications, his name was ultimately removed. Where Les Paul saw a mutation of his original design, others saw genius—from ’63 on, the Les Paul name was removed and the SG, or “Solid Guitar,” was born.
The assets of Kay/Valco were auctioned off in 1969. The upright bass and cello lines were sold to Engelhardt-Link, a new company formed by a previous Valco member, which has continued production (see #Kay basses for details). The Kay name (and some of its trademarks, such as Knox[citation needed]) were acquired by Teisco importer, Weiss Musical Instruments[2] (W.M.I., Sol Weindling and Barry Hornstein), who put the Kay name on the Teisco products beginning in 1973, and continued on through the 1970s.[11][12]

By panning the distant mics to the opposite side of the mix from the close mic, you can create interesting panning effects for solos. "If it's a rhythm part, you get this huge sound because the whole thing is spread across the stereo spectrum." When double-tracking lead or rhythm parts, a useful trick is to reverse the panning of the direct and distant mics. "If there were two guitarists in a band, I would record them like that, so you got a wall of sound that had a transparency that would allow the drums and bass to come through."

Additional mics can be used to capture different tones from the amp and/or some ambient room sound. When recording open-backed cabinets, great results can be obtained by using a second mic at the rear of the cab. When this technique is employed, it’s wise to invert the phase on one of the channels. To create a sound that’s larger than life, try recording a part with close and distant mics and pan the two channels, then repeat the process, panning the channels in the opposite direction. Two close mics pointing at different parts of the speaker – one dead-centre and the other towards the far edge – will pick up the full range of the speaker’s tone.
If you want to spring for a pedalboard and processor combo that offers multiple effects in one unit, you might want to check out something like the HeadRush Pedalboard with Guitar Amplifier and Effects Modeling Processor. It offers 33 amplifier models, 15 cabinet models, 10 microphone models, 42 effects, and includes an expression pedal, 7" touchscreen, 12 foot switches with OLED Screens, and more.
In the Seventies, Clapton’s work with Derek and the Dominos and his first solo albums added a slew of masterpieces like “Layla” and “Lay Down Sally” to classic rock’s repertoire. The Eighties also saw Clapton’s music featured in movies (The Hit in 1984 and Lethal Weapon in 1987) and commercials (“After Midnight” for Michelob in 1987), while a string of albums produced by Phil Collins established Clapton as a pop/rock icon.
You might be playing guitar in a cramped garage or a poky bedroom – but it’ll sound like you’re gigging a cathedral when you step on a quality reverb pedal. Reverb brings a sense of space, depth and drama to even the most basic guitar parts, and as this video shows, few effects deliver more atmosphere for less effort. Using the BOSS RV-5 as our demo model, we’ll show you just how flexible reverb can be, running through key controls that adjust brightness, volume and more. Then, we’ll show how your playing can benefit from three different reverb types, whether that’s the vintage sound of spring reverb, the rock-club chug of room reverb, or the stadium-sized shimmer of hall reverb.

Randall is a guitar amp manufacturer that specializes in high-gain sounds, and they are revered in the metal community. A Randall tube amp is a force to be reckoned with, but thanks to the late Darrell Abbott of Pantera and Damageplan their solid-state sounds are just as legendary. Dime loved the harsh, scooped sound of Randall amps, and it became his signature sound throughout his early career.
Nor were Decca guitars made for or marketed to children. They were made at the same factory that made Teisco, Teisco del Rey, Kingston, Heit, Kawai and other brands of guitars. Some of these are quite decent beginner's instruments, and some are just flat out interesting/weird. No, they're not the same quality of a Gibson, Fender or Burns guitar from the same period, but they also cost a fraction of one of those guitars. And coincidentally, Fender guitars nowadays are largely made in Indonesia, China and Korea, places that *wish* they could make things as well as they can in Japan, so chew on that before you slag on Japanese-made guitars.
If you're new to distortion and overdrive pedals, you might be wondering what the difference is between them. For the most part, they do the same thing and are both often referred to as gain pedals. How they differ is that distortion pedals usually provide a harsher, grittier tone with increased sustain. When it comes to distortion, think of genres like grunge and death metal. On the other hand, overdrive pedals are designed to emulate the sound of a tube amp when you increase their volume. The result is a warm yet crunchy sound that's ideal for playing blues and classic rock. Of course, one is not better than the other, and the right distortion or overdrive pedal for you will be a matter of personal preference.
SHEILDING Sheilding is good to use if you want to minimize that annoying buzz you can get from surrounding interference that electronic components such as amps can produce. You can use sheilding paint that is a bit more expensive but easier to apply than copper tape. All you do is paint it on and let it dry. It also gets into the areas tape can't reach. To install the tape you basically just apply it to the inside of the control cavity and solder up any seams that might let the interference through. The soldering can be a little tricky since you have to lay down a long bead of it along the seam. Kind of like welding. Here are some futher instructions After this is done you can install the pots and switch. Be careful when tightening them down not to scratch the finish. Add the knobs and get out your schematic for wiring it up.
Youngman is also known for creating some of the best Frankenstein guitars in the Dallas/Fort Worth area. One of his favorites to build is his custom built Indian Esqu-wire Custom, a monstrous guitar with an SG body, a Telecaster neck and Fender pickups. "It's taking shit and making something playable," he says. And his touch must be golden because guitarslingers like Smokin' Joe Kubek, Bnois King and Rocky Athas each own one of his Frankenstein babies.
With a growing popularity of the Les Paul guitars, hundreds of unendorsed imitations and copycat versions had appeared on the markets. However, due to the lack of U.S. legislation to address patent infringements and restrict the import sales, oversea imitations caused legal and financial problems to the Gibson Guitar Corporation. An also troublesome thing was the existence of high quality imitations of vintage Les Paul (and vintage Stratocaster) produced by oversea manufacturers.
Chorus: Generally you won’t hear delay during the chorus, though guitarists who strictly play lead can still find ways to utilize it.Verse: It’s probably the most “delay friendly” portion of a song, providing the lowered intensity that makes room for the extra noise of the delay effect.Bridge: A short solo or lead guitar segment will usually be pretty tame in Christian songs, allowing for the use of heavy delay, as well as other effects.

The full-size Davidson guitar features a maple fretboard consisting of strings that sound very pretty good once you have tune it right out of the box. This Davidson full-size electric guitar comes with die cast tuners designed to keep it in perfect sound shape, followed by a practice amp having an overdrive body, which makes the practice exercise easy and fun-filled. The amp can be tuned with an iPhone App and by the time you set this baby to work, you will surely get your neighbors screaming for the peace.

"This axe is no slave to the past, however, starting with Leo’s PTB™ (Passive Treble and Bass) system which functions on all three pickups for dramatically more variety than the vintage setup. What’s more, the Legacy features a Leo Fender-designed Dual-Fulcrum vibrato, a work of engineering art which allows bending up or down with unsurpassed stability, while offering a silky feel through its beefy aluminum vibrato arm. The Legacy’s hard-rock maple neck features an easy-playing satin finish, comfortable 9 1/2″ radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability. The moment you open the luxurious hardshell case, you’ll be greeted with a stunning instrument and delicious aroma that’ll have your pulse racing."
The version of the instrument that is best known today is the solid body electric guitar. Rickenbacher, later spelled Rickenbacker, did, however, offer a cast aluminum electric steel guitar, nicknamed The Frying Pan or The Pancake Guitar, beginning in 1931. This guitar is reported to have sounded quite modern. Audiovox built and may have offered an electric solid-body as early as the mid-1930s.
The Kay guitar company's origins date back to the 1890's, starting with the Groeschel Mandolin Company of Chicago, Illinois. The company's name was changed to "Stromberg-Voisinet" in 1921, and shortlyafterwards, in 1923, Henry Kay "Hank" Kuhrmeyer (the origin of the name "Kay") joined the company and quickly worked his way up to the top. By 1928, Kuhrmeyer had bought the company and that same year the company started producing electric guitars and amps.
Tempo Delay: Most plug-in and hardware delays now allow you to automatically sync delay times to MIDI clock and then specify the interval of the repeats in terms of note values rather than milliseconds. A trick here is to use two simultaneous tempo-based delays with, say, a triplet delay setting, panned hard left, and a straight-note delay panned hard right. Things can get more interesting still if you apply this technique using ping-pong delays, so that alternate repeats bounce from one side of the stereo spectrum to the other. To create a true 3D effect, play around with the amount of original signal left in the middle. Depending on the intervals between your repeats, you can turn simple guitar and synth lines into complex, arpeggiator-like patterns or totally spaced out ambient pieces. Stephen Bennett
One reason that some bass players choose to use a "bass stack" rather than a combo is that the separate component approach enables bassists to use different speaker cabinets for different shows or activities. For example, a bassist playing a stadium may use an 8x10" cab for this show, but then bring a 4x10" cab for a nightclub show the next day, or a 1x12" cab for a studio recording.

Pre-delay on the reverb can help separate it out from the source sound. If your reverb has no controls for pre-delay, you can simulate this using a simple delay on an aux track before the reverb. Decay Settings: Choosing the most appropriate reverb treatment for a song can be surprisingly difficult, especially if you have hundreds of presets to choose from. So, instead of regarding reverb like the glue that holds the mix together, try adjusting its parameters (and in particular the decay time) while listening to the reverb return by itself. If the decay time is too long you'll hear a continuous mush of sound; if it's too short you'll scarcely hear it unless its level is turned right up. Somewhere in the middle you should find a setting that adds rhythmic interest to your song, without overpowering it, making the reverb work for its keep. This is also a useful technique when using several reverbs in a song, to make sure they complement each other. Martin Walker

That’s not an overstatement, as traces of T-Bone’s influence can be heard in the early recordings of Albert, B.B. and Freddie King, Muddy Waters, and especially Chuck Berry, who adopted many of Walker’s signature licks as his own. A sharp-dressed, flamboyant performer who played the guitar behind his head and did the splits without missing a note, Walker helped reposition the guitar player from the sidelines to center stage, inspiring Buddy Guy, Jimi Hendrix and Stevie Ray Vaughan to copy his impossible-to-ignore moves.

Unfortunately, National’s line of instruments was not well diversified and, as demand for the expensive and hard-to-manufacture tri-cone guitars began to slip, the company realized that it would need to produce instruments with a lower production cost if it was going to succeed against rival manufacturers. Dissatisfaction with what John Dopyera felt was mismanagement led him to resign from National in January 1929, and he subsequently formed the Dobro Manufacturing Corporation, later called Dobro Corporation, Ltd, and began to manufacture his own line of resonator-equipped instruments (dobros). Patent infringement disagreements between National and Dobro led to a lawsuit in 1929 with Dobro suing National for $2,000,000 in damages. Problems within National’s management as well as pressure from the deepening Great Depression led to a production slowdown at National, and this ultimately resulted in part of the company’s fractured management structure organizing support for George Beauchamp’s newest project: the development of a fully electric guitar.[5]
Richard Thompson has been one of rock's most dazzling stylists since his days with Fairport Convention, a British folk-rock band that veered into English traditional music. Shooting out life-affirming riffs amid lyrics that made you want to jump off a bridge, he combined a rock flatpick attack with speedy fingerpicking. His electric-guitar solos, rooted less in blues than in Celtic music, can be breathtaking, but his acoustic picking is just as killer; no one knows how many tears have been shed by players trying to nail "1952 Vincent Black Lightning."
But…Don’t/Never Solder on to a Closed Circle!…Because…If a very strong DC Electric Current Reaches your Axe…It Could…Kill/Maim!..With a AC Current you may if you’re lucky just get your fingers burnt!…You’ve just got to have a Break Somewhere!..So that in The Event of an Electrical Overload!..The Excessive Load can..Drain Itself off!…It’s an Electrical Safety Precaution!…Just like a Fuse!

Single coil pickups utilize a single magnet. They also typically have a lower output than humbucking pickups, which means they aren’t capable of producing as much distortion as a humbucker equipped guitar. However, because they’re not intended to be used with extreme levels of distortion they have a very rich and musical voice when played with lower amounts of gain.
When making solder joints to switches and pots, the lug and wire should be heated by the tip of the iron and the solder pressed (or flowed) onto the joint. In this manner you can avoid cold solder joints as both components are properly heated prior to the application of solder. Melting solder on the tip of the iron does not insure the actual components are being heated properly.
OK, I’ve put a new set of strings on now. We’re now going to carry out the following steps, just like we did in the general electric guitar setup post. 1. Check and adjust neck bow (how straight the neck is) 2. Check and adjust saddle height 3. Check and adjust the intonation (how far back or forward the saddles need to sit at the bridge to keep your guitar as in tune as possible no matter what fret you’re playing)
The Eastcoast Vintage T Series Custom Electric Guitar seen here in Flame Red is a cheap electric guitar that certainly doesn’t suck! It features appointments usually associated with higher tier guitars such as a solid alder body and hard maple neck. In addition, you have a high quality 22 fret rosewood fingerboard as well as 2 x single coil pickups to achieve a wide variety of tones from rock to blues to country – this thing can handle it all. The “T” style bridge is a great feature often found on guitars 3 x the price. A fantastic option and an extremely hard working, handmade guitar for those in need of a high quality first guitar or a great second option for the studio or stage.
Determining the phase of pickups: attach pickup leads to an ohm meter, and then tap on the pickup with something metal, note direction the meter reading moves. Also note which wire is attached to the red test lead. Attach the nect pickup to the ohm meter, and tap on it. If ohm meter reading moves opposite of the direction it did for the first pickup, reverse the leads. When the meter reading moves the same direction, not which wire is attached to the red lead. it is the same as it was for the first regardless of it's color (i.e."hot" or "ground")

This said, the gig bag itself looks like it is top quality, with properly cushioned straps so you can wear it on your back if you need to, making it a great option for carrying it across town or campus. The only thing is, the listing says the guitar is lightweight, but at 16 lbs, some people would not say this is “light.” At least not compared with some of the more inexpensive models in this review list. After all, the back and sides of this instrument are made of mahogany, which is a hard wood. This makes the guitar more durable, but not easy for some to lift.
SOLD OUT ! We are VERY pleased to present a very special example Alvarez Yairi Classical guitar . The condition of this high end instrument is excellent plus and this guitar is simply wonderful. This is hand built example by The Kazou Yairi himself, Japanese Master Luthier. For those of you not familiar with the Premier Japanese Master Luthier Kazou Yairi and his masterfuly built instruments you may enjoy this vidio introduction to YAIRI GUITARS http://www.youtube.com/watch?v=NPRyLPouYZM The model is CY116 and is a very high-end professional guitar and is in excellent Plus condition. Only the highest grade woods used as you can see ...choice AAA Flamed-Quilted and is 3-dimensional depth is a work of art as you can see by the pictures. This guitar plays and sound AMAZING and is truly inspirational. This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too. General Specs: Alvarez Yairi CY116 Classical Acoustic Guitar The CY116's Solid Cedar Top is adorned by an elaborate wooden mosaic rosette. Burled Maple Back/Sides give this classical amazing clarity and warmth like the fiery Andalusian plains that inspired the music that this guitar was born to perform. With room-filling projection, the CY116 is a guaranteed conversation starter. You hear it in the elegant pacing of a classical air. You see it in the vivid charm of a folk dance. Specs: Burled Mahogany Back/Sides Solid Cedar Top Mahogany Neck Ebony Fingerboard Scale: 25 1/2" (650mm) Width at Nut: 2" (51mm) Rosewood Bridge Ivory Body Binding Wooden Mosaic Rosette Gold Vintage Open-Style Tuning Machines .
Choosing the right strings for your instrument and your style of playing might not seem like the biggest deal. After all, the Delta bluesmen of the ’20s, ’30s and ’40s often bought used strings at dry good stores for a few pennies, or boiled old strings to brighten them up. And the proliferation of brands on the market can be overwhelming to the point of leading a player to assume strings are as generic as picks – which aren’t really generic at all, but that’s another story.
The first Touch Guitar Invention started in 1959 with the filing of patent #2,989,884 issued in 1961 as the first touch tapping instrument which could be played on two separated necks Simultaneously by muting the strings at the distal end of the neck along with numerous other claims. Until 1974 it was known as the DuoLectar and with a new patent "the "Electronic Mute" has been known as the "Touch Guitar. It is held in the normal way over the shoulder and design with the left hand playing the lower bass neck in a traditional way and the right hand playing over the top on a neck which has a wider string spacing allowing the hand to be used in both vertical and horizontal angels to the strings. It is absolutely off at all times, until Touched or picked.
Instead of a Tremolo bridge, the Telecaster has what we call an “ashtray” bridge.  This name came about from the original metal covering over the bridge that players decided to remove and use as an ashtray!  Underneath that cover was where the magic was happening.  Instead of six saddles, the original ashtray bridges had three that, in conjunction with its single coil pickup and larger metal surface, created a “twangy” sound that was perfect for any country chicken picker.
Speaking of, you’ll probably look to upgrade either the bridge or the tuners at some point, because heavy whammy use will pretty quickly throw this out of tune. If you don’t use a whammy often, this makes a very fine choice, indeed. The neck is satin finished for better feel. All in all, a very worthwhile guitar that comes in at less than half the price of most of the other options on this list.
Predating many of the newer brands on this list is another Californian company – B.C. Rich, who has been producing heavy rock guitars since arriving on the scene in 1969. Since the seventies, B.C. Rich has been a name synonymous with high-quality electric guitars featuring weird and wonderful shapes, including the Warlock, the KKV and the Mockingbird.
The rest seems like a bit of an odd ball selection. It's the age old argument of technique over substance. BB King puts more into a small handful of notes than Malmsteen does in several hundred. One of the most musical guitar players to have graced the earth. In fact I think it was BB who stated that it's not the notes you put in but the notes you choose to leave out that count. Now that's music.
Pressing a string against a fret reduces the vibrating length of that string to the distance between the pressure point and the bridge, thereby controlling pitch. On nearly every Western fretted instrument, the distance between frets is a semi-tone of equal temperament, assuring the easy achievement of strong sounding chords and single notes that fit our hemisphere’s usual expectations for rhythm sounds and melodies. Understanding the virtues and limitations created by the order of frets opens up the door to ways to escape their constricts, like bending strings, playing slide, using whammy bars, delving into extended technique or trying fretless instruments.

It’s apparent right away that Acousticsamples knows how to sample a guitar, regardless if it’s acoustic or electric. All frets on all the string have, of course, been meticulously sampled and taken through a round of guitar techniques: slides, mutes, hammer-ons, pull-offs, staccatos, fret noises, and a plethora of other articulations — 53 different samples per fret/string.
If you are inexperienced, it is only recommended that you attempt to setup a guitar that is of little value to you, both financially and sentimentally. If you don’t have one that fits these requirements, then it is best to pay the cost of a guitar setup as performed by a professional. The primary risk while setting up the instrument is over adjustment. Working any part of the bridge too much will cause wear and tear, and irreparable damage to the neck is often the result of improperly adjusting the truss rod. It is always hard to justify ruining a perfectly good instrument in order to avoid guitar setup cost.
I’ve been looking for a long time for information on what goes on inside a typical Strat-style 5-way switch, and this site helps me understand these switches a bit more. But I still have questions, though: 1)Why is it necessary to use jumpers from one lug to another? 2)As I understand it, a 5-way switch is 2 separate 4-lug switches wired together, each with 3 input lugs and presumably 1 output lug, OR are these lugs INPUT as well as OUTPUT lugs? (I get the impression that they are dedicated to either input or output, but looking at some wiring diagrams, it appears that inputs from pickups can come from either side of the switch.) 3) Is one side the INPUT side and the other the OUTPUT side, or are both sides of the switch mirror images of one another? In other words, must the signal from the pickup enter the switch at one side, and exit the switch at the other side? It seems I can only really understand how these switches work in terms of inputs (from the pickups) and outputs (to the output jack or volume pot). Without knowing whether a certain lug is acting as an input or an output, it can be hard to understand which way the signal is travelling.

Equalizer or EQ pedals have traditionally been used to boost audio signals for solos. If you want to boost the middle frequencies, the EQ will do the trick and provide a tight tone. Some musicians don’t find boosters and EQ pedals to be necessary in a chain, so make sure you do some research to figure out if this type will really benefit your sound
While Taylor Guitars is most famous for our acoustic guitars, we are also proud of our line of unique electric guitars. We have the T5, our original hollowbody hybrid that bridges both worlds like no other guitar. Check out our T5z, the smaller hybrid with a compact body that electric players will love. And be sure to try the T3, our inspired take on the semi-hollowbody guitar with a sound that comes alive with amazing pickup flavors, plus coil-splitting and tone-shaping versatility.
The first two letters of these names indicate the number of poles, while the last two letters are the number of throws. So a SPST (aka 1PST or 1P1T) means single-pole/single-throw, a SPDT (1PDT or 1P2T) means single-pole/double-throw, and DPDT (2PDT or 2P2T) means double-pole/double-throw. There are many more configurations, including 3PDT devices used for true-bypass switching in effects, and Fender’s 4PDT S-1 switch. Found on push/pull or push/push pots, the DPDT on/on switch is by far the most common, and mini toggles are available in an endless number of variations.

A steel-string guitar tuned to concert pitch endures a tension of about 180 pounds (800 N) on the top of the guitar from the strings[citation needed]. The X-bracing system has been shown to be an efficient technique for preventing the top of the guitar from warping under this force. The braces are generally carved, scalloped and tuned to improve resonance and integrity of the guitar top, such capability being performed by skilled artisans and not readily reproducible by machine[citation needed]. This work is an important factor in determining the timbre of the guitar and a major determinant in the observation that rarely do two guitars ever sound alike, even though they are ostensibly identical in construction.

This body and headstock shape are identical to my Nivico Balladeer, and both guitars are real keepers.  This truss rod cover would become the standard curved plastic type seen on many Matsumoku-made guitars for the next 10 years.  Of course the Palmer badge is missing, but the Palmer name (as it pertains to Japanese imports) was being used as early as 1964.  I’ve seen Kawai S80s badged with the Palmer name.  If you do a search for vintage Palmer guitars, you’ll come up with all sorts of hits but you probably won’t see too many guitars like this one.  These were probably made for one or two years, and I’d bet the pickups were sourced from local Matsumoto.
This 248 page book is part of a series of similar volumes, including The Guitar Grimoire: A Compendium of Formulas for Guitar Scales and Modes, The Guitar Grimoire: Progressions & Improvisation, The Guitar Grimoire: A Compendium of Guitar Chords and Voicings, and so on. You get the idea. Master a few of these and you’re going to to be in excellent shape.
Once you’ve gotten your needs squared away, you’re still going to need to pick an amp. And even if you’re certain as to what you want, it can still be difficult to choose. But that’s where we come in: we’ve rounded up the following 10 amps we believe are the top-tier options for beginner guitarists. So skip the hassles and heckles of guitar store salesmen and choose from one of these superb starter amps.
Here, Rocksmith has a major challenge: It must provide considerably more information onscreen than competitors like Guitar Hero and Rock Band. Those games got off easy—they only needed to relay which of the colored "frets" to play. Because Rocksmith is teaching you to play a real guitar, it has to tell you which fret and which string to play simultaneously. That requires a more complicated visual setup.
I am struggling with the same issues trying to wrap my head around the benifits of constructing my neck through in this fashion . It would appear most of the big dog builders subscribe to this theory though I don't really know why. I read in a post in this forum that it started with a mistake by luthier Carl Thompson when he cut the channel too deep for the neck and was later copied by Ken Smith ,and then Fodera.
Among other things, they’re extremely reliable, sound great and built like tanks, so you can stomp on them for years and they’ll never let you down. However, collecting them all will cost an absolute fortune. Fortunately, the team at Boss have put together a couple of options for those who want a world of Boss effects pedals at their feet. One option is the Boss ME-80 Multi Effects Processor Pedal.
The Supro Spanish Guitar was a non-cutaway archtop built by Regal with electronic components supplied by National Dobro. Except for the fairly modern block-style Supro logo, this was pretty much a typical downscale pressed-top Regal archtop guitar, with a mildly rounded headstock, neck joining the body at the 14th fret, 20-fret rosewood fingerboard, five single-dot inlays, wooden adjustable compensated bridge and a simple trapeze tailpiece. The most distinctive feature was that the guitar had no f-holes. You’ll recall that the ’35 Dobro Electric Spanish was a “conventional” archtop, most likely with f-holes (a comparable National archtop also had f-holes in the beginning, but switched to the non-f-hole design in late ’36 or ’37, following the Supro pattern). The pickguard was typical Regal made of black Ebonoid plastic. In catalog illustrations this appears to have white trim around the edge, but this was apparently company “retouching” to make the pickguard stand out better in the pictures; real examples have plain black ‘guards. The oval, covered pickup sat on a wider oval surround which also held the single volume control. This pickup was nestled down near the bridge. The tuners were Harmony Tune-Rites, with polygonal pot metal buttons. The necks on National Dobro guitars which were entirely made by other manufacturers were glued in. Slightly later, when they began making their own necks and applying them to other bodies, National Dobro Spanish guitars had bolt-on necks.
Description: Guitar Type: Bass - Body: Carbon Fiber (Graphite) - Body Construction: Solid - Top Wood: Cocobolo (Nicaraguan Rosewood) - Neck Wood: Walnut & Bubinga - Neck Construction: 5 Piece - Frets: 24 - Inlay: Custom - # of Strings: 5 - Headstock: 2+3 - Bridge Construction: Carbon Fiber (Graphite) - Cutaway: Single - Hardware: Black - Pickups: Bartolini - Pickup Configuration: Dual - EQ/Preamp: 3 Band - String Instrument Finish: Stained Red, Transparent Flat Black
I sold my Yamaha Pacifica 12 and have been trying to find out more about the Italia Rimini 12, the Schecter TSH-12 Classic(which is the new version and I only saw 2 -both sold) and the Eastwood Sidejack 12. I have the money, but finding anything but the Eastwood online, is rather difficult. I still would like to try them out before buying, if I could.
The Omen-6 is a stripped down take on the Hellraiser, with the same sleek double cutaway design and HH (dual humbucker) configuration, but at a more affordable price point. But what's good about it is how Schecter is able to maintain the premium look and attention to detail at this lower price point, including the carved top design. While the name again implies something evil, this guitar is quite good for the price.
ESP is yet another brand that acquires a notable stance in the history of guitars. Back in the 1980s and 1990s, the company was known for producing high-quality, custom-shop instruments with incredible original designs. Even now, the trend goes on. Today, ESP guitars are among the preferred guitars for most professional musicians around the world. Particularly, the metal and hard rock players mark this brand as their favorite.
The compressions, delays, and modulation effects are super solid, and unless your friends or audience are ultimate tone nerds, nobody will be questioning the quality of those. One particularly cool delay effect that owners of the ME-80 say is a big deal is the TERA ECHO, which if purchased by itself would cost you around $150. The amp modeling is decent quality, perhaps slightly better than what you get on a Zoom multi-effect, but not quite as nice as a Line 6.
While the modifications described above have all been passive (i.e. they don't require an external power source), active electronics considerably increase the number of possible wiring options. These can range from simple preamps that offer a volume boost and buffer the instrument's signal (to prevent loss of higher frequencies in longer cable runs), to multi-band equalisers and more.[30][31] Enterprising guitarists have even built entire effects processors into guitars, such as the Korg Kaoss Pad.[32]
Enter exhibit A: A late 60’s KENT short scale variation on the very popular (then and now) “Beatle” violin shaped bass. As you can see from the photos, this isn’t your average violin bass. While many, from the classic Hofner that Paul McCartney turned a few kids on to, to the Teisco and Black Jack Japanese models, didn’t stray far from the violin shape, this Kent takes a few attractive and stylish liberties with the standard template.
But you should remember that it is still a great value and the best guitar for the money. For this price, I don’t think you will get a better guitar anywhere else. If you are an intermediate or expert level player, this one is not for you. Let’s check out some technical features of the guitar: it comes with bolt-on neck joint, 12”radius of the fingerboard and nickel hardware etc. 
The Squier Deluxe Stratocaster by Fender is another excellent electronic guitar for newbies. The body is made up of basswood which is a soft, light wood with some of the best mid and upper frequency production. A maple neck and fretboard further assists the mid and high range frequency sound. Its C-shaped neck guarantees the best comfort. This guitar features three single coil pickups. One is assigned for master volume control, one tone control for the neck pickup and one tone control for medium pickup. The five-way switch lets you combine these three pickups and produce the widest range of sounds ever!
In the ’80s, with the advent of new digital effects units, the “refrigerator racks” appeared on the scene—custom rigs built for the studio and touring pros of the day. Effects loops in guitar amps also became commonplace—allowing guitarists to insert line-level effects after the distortion generating preamp stages of their amps, and before the power amp stage—a big tonal improvement when using time-based effects like delay and reverb.
I received a Dorado 12 string as a birthday present in the late 1990s, installed a passive pickup, and played it around the house and at small venues for fifteen years or more. For an all-laminate, smaller body 12 string with a trapeze bridge, it sounded great. The neck was comfortable, too. I had a 1965 Gibson B-25 12 for a few of those years, but the neck was way fatter than the Dorado, which I passed along to a friend in need. I can't say the Dorado sounded better than the Gibson, but it sure out-jangled it. Wish I still had it!

the switch is to change pickups and the knobs are for volume and tone. u only need to mess with them if u want to change the sound of the guitar for various songs or styles of music. to tune the guitar u use the tuning pegs on the headstock (at the end of the neck). u need to tune it if it gets out of tune and make sure u replace the strings fairly often especially if u get a nice guitar like a les paul. old strings get tighter and can pull the neck and make it bow forward making it harder to push the strings down to the frets.
Guitars feature many different styles of hardware which have different uses. There is usually a direct relationship between a guitar’s cost and the quality of its hardware. Better hardware can make a difference in a guitar’s tuning stability and versatility. As you can imagine, this is an area where many improvements and upgrades can bring a host of benefits to the user. The most significant hardware components are tuning machines, bridges and tailpieces.
Choosing an electric guitar that addresses these preferences helps guarantee that new players will stay motivated as they learn to play. Musician’s Friend offers a wide selection of ¾-scale, mini, and travel guitars that are ideal for smaller, younger players. Full-sized electric guitar bodies vary considerably in size and weight, and those factors should be considered.
Postscript: About that “capacitor type doesn’t matter” statement: Them’s fighting words in many online forums, especially in the stompbox realm. You’ll often see the inclusion of some rare “mojo” capacitor cited as a selling point for a particular product. I used to think I sometimes could hear a difference—until I built a couple of effects with quick-change sockets for comparing cap types. The audible differences were negligible, no more meaningful than the variations between two caps of the same value and same type. My advice is, if someone tries to sell you anything based on cap type, proceed with much caution. I now strongly believe that cap type is of no importance, at least in guitar and analog stompbox applications.

Another name that is usually associated with PRS is Carlos Santana. He has a number of guitars that bear his name, and this one is probably the most popular one. It’s affordable, sounds great and plays like a dream. After mere hours playing it, I’ve realized just how expressive you can be with it. It impressed me enough to take a high place on my list of guitars that I have to get. Needless to say, it didn’t take me long to make one a part of my collection.
Popular condensers: when it comes to condenser mics for guitar-cab miking, the AKG C414 (in its various flavours — the C414 B-ULS is pictured above left) and the Neumann U87 (centre) are both popular choices. Some producers also frequently look to the U87's predecessors, the U47 valve (pictured) and FET models, and the U67.The characteristics that producers most often seem to be looking for in these mics are their extended frequency response, especially at the low end, and the slightly softer, more diffuse sound imparted by the large diaphragm. These mics also tend to boost the 5-15kHz region, but this boost is rapidly lost as you move off-axis (it is inherently difficult to design a large-diaphragm capsule with an even off-axis frequency response).

Where the cabinet is open backed, it's also worth experimenting with miking from the rear, as this produces yet another range of tonal flavours, usually warmer and less bright than miking from the front. It's also quite permissible to mic both the front and rear of the cabinet simultaneously, but experiment with phase inversion on one of the mics to see which setting gives the best subjective sound. Strictly speaking, one of the mics should be inverted with respect to the other, but that doesn't always produce the best result. If you really want to hedge your bets, use an ambience mic several feet from the cabinet and combine this with the close-miked sound, either summed to mono or with the two mics panned left and right. Using a capacitor mic as the distant mic often produces a more believable sense of space, but anything that sounds good goes with guitars.
Bridge craft USA musical instruments presents the exceptionally designed Glen Burton GA204BCO Acoustic Electric Cutaway Guitar in Black by Glen Burton. Perfect for the beginner or the expert, the full package comes with Strings, Picks, Gig Bag, Strap, Digital Clip-On Tuner, Truss Rod and a 10 Watt Amplifier . This excellent Acoustic Guitar also includes: Flame top; Basswood back and sides Catalpa Neck and Bridge; Rosewood Fingerboard Steel String; Sealed Gear Tuners EQ: Active 4 Band 7545 .

 The type of guitar strings you choose, and how often you change them will not only dramatically affect your tone, but also impact the playability of your guitar. By learning about the different string options available for your guitar, you can find the strings which strike the best balance between great tone and playability. The key components affecting tone and playability come from string gauge, string winding method and the string construction material.

Quite often, power chords are played with only down-strums, and often with a technique called palm muting, which might make it less vital to mute the unused strings. But it is REALLY important to mute them because many songs do use up- and down-strums with power chords (‘Smells Like Teen Spirit' springs to mind). Also, if you don't mute them, and you play loud with distortion, the strings might ring out—even if you don't pick them—and which will make your chords sound messy. So make sure you get your string muting sorted now!
If you’ve been playing for a while, chances are pretty good that you’ve probably already built up a collection of four, five or 10 stomp boxes, which now leaves you with the question of how to hook them all up and use them in your rig. Or perhaps you’ve hooked everything up and wondered why you get howling feedback, excess white noise, hum or silence whenever you engage two or more pedals at once.
It is useful to know the fundamental relationship between voltage, current and resistance known as Ohm's Law when understanding how electric guitar circuits work. The guitar pickups provide the voltage and current source, while the potentiometers provide the resistance. From Ohm's Law we can see how increasing resistance decreases the flow of current through a circuit, while decreasing the resistance increases the current flow. If two circuit paths are provided from a common voltage source, more current will flow through the path of least resistance.
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We used to see and hear Al Di Meola performing his big instrumental hit "Mediterranean Sun Dance" either with unforgatable Paco de Lucia or with his band's members. This time he performed it in duet with Antonio Sánchez, young flamenco guitarist born in Madrid, nephew of Paco de Lucia and Ramón de Algeciras and cousin of J.M. Bandera, who spent four years touring the world...
Quartal and quintal harmonies also appear in alternate tunings. It is easier to finger the chords that are based on perfect fifths in new standard tuning than in standard tuning. New standard tuning was invented by Robert Fripp, a guitarist for King Crimson. Preferring to base chords on perfect intervals—especially octaves, fifths, and fourths—Fripp often avoids minor thirds and especially major thirds,[102] which are sharp in equal temperament tuning (in comparison to thirds in just intonation).

Otherwise, while the manufacturer is considerably shy when releasing specs regarding this product, customer reviews can give us a good idea of how well it performs under real-life circumstances. In brief, it performs well, particularly so for country music and slow rock, especially when paired with a couple more 12” speakers on top of the ones that are already integrated into its chassis.    
2) The neck edges at the fret board are not rounded and tend to be rather sharp which can really start to hurt your hands if you play for awhile . Typically this is where guitar companies skimp on their budget models and Yamaha didn't disappoint. But it's an easy fix for a Luthier who will just take some sand paper and sand down the sharp edges and dress the end of the frets if needed. Also, its an easy fix for someone with a steady hand, good eye, and a women's fingernail file. It took me about 10 minutes to round the neck edges with a fingernail file and it didn't even require touch up paint thereafter as the fret board is solid wood and the same color all the way through. She feels like a dream now and I can play all day long without the sharp neck edge digging into my hand, and my hand just glides ever so smoothly up and down the neck as it should.
A diagram showing a wiring modification for a Les Paul or a similar electric guitar with two humbuckers. Wiring schemes using four push-pull pots for additional pickup combinations were made popular by Led Zeppelin guitarist Jimmy Page and later produced as a signature model by Gibson. The modification shown in this diagram is an evolution of the original concept combining coil splitting, phase cancellation and parallel/series switching for a total of 22 different pickup combinations.
The main benefit with tube amps is the tone. They offer what is often described as a pure, natural, creamy or fluid guitar tone, which is incredibly responsive to the player’s dynamics. When pushed hard enough, they overload and produce natural overdrive (which is how overdrive first came to be). While their tone is hard to beat for all styles of music, tube amps tend to be expensive, harder to maintain and heavier than other amps. For more on tube amps, check out our dedicated tube amp page.
First the lower line models were built for steel strings first. Like the style 17 in 1922, and the style 18 in 1924. Pretty much all models were built for steel by 1927-1929. But unfortunately there was no definative serial number or time line for any 1920s Martin style. This makes it difficult to determine if any particular 1920s Martin guitar is really built for steel strings. Martin didn't just implement steel string design at any one definative point. It was a transition, and apparently a very slow transition. And special orders for gut or steel complicated things.
Another reason that some bassists prefer the "bass stack" approach is that it is much easier to customize a separate preamp/amp/speaker cabinet setup with a bass stack than it is to customize a combo amp. With a bass stack setup, a professional bassist can handpick the brands of preamplifier, graphic equalizer, power amplifier and speaker cabinet(s) they wish to use. It is also much easier to replace defective components with a bass stack than with a combo amp. If the power amp on a combo amp fails, only an electronics technician can repair or replace the power amp. With a bass stack, in which the power amp may be a separate component in a rackmount road case, the defective power amp can be removed with only a screwdriver and a new power amp can be mounted in the rack and connected to the other components. This facilitates replacement of components while on tour. Touring bassists may travel with one or more backup amplifier heads, to use in case the main amplifier head develops a technical problem.
This set has all three of the best pianos available in a size that can be handled by most modern devices devices (PCs or recommend iPhone 8/iPad Pro). Needlessly long samples have been shortened but looping only happens at almost inaudible trailing ends of samples (many after 20s).  If you are looking for a quality set with different piano types to choose from then this is the one. This set is already included in the Nice-Keys-CompletePlus and Nice-Keys-Extreme.
The very first thing to remember about pickups is that the active option is not necessarily better than the passive choice, and vice versa. Each type brings its own set of drawbacks and benefits. Passive pickups might be limited in terms of signal strength and tone shaping, but they are much more expressive in comparison to the active pickups in terms of picking and strumming intensities.
A combination of standard 7-string tuning and an 8th string dropped one full step. Allows to play in the range of a standard electric bass, as well as power chords. Used by Animals as Leaders[47] and Whitechapel (on the songs "Devolver" and "Breeding Violence" from A New Era of Corruption). Also used by Deftones on Koi No Yokan and Gore, Allegaeon, and Emmure on the song "N.I.A. (News in Arizona)". A variation of this tuining is used by Hacktivist with 3rd and 4th strings tuned a whole step up to A and E respectively.

Founded in 1902, Gibson began life producing mandolins and other instruments, before making hollow-body electric guitars in the thirties. Their first solid-body guitar came in 1952 – the Les Paul, which remains one of the most iconic guitars in the world. They are also well known for pioneering some classic guitar shapes such as the SG, the Explorer, and the Flying V. Used by everyone from James Hetfield to B.B. King, Gibson’s are manufactured in three American factories – two in Tennessee and one in Montana.
Before being acquired by Gibson in 1957, Epiphone was one of the most popular guitar brands in the market. It competed with highly renowned guitar brands, including Gibson. These days, Epiphone is known for being a more affordable brand of Gibson guitars. They’re great for playing tunes from the 60s. Epiphone produce cost-effective versions or alternatives of Gibson Guitars. Many musicians claim that Epiphones were their first ever instrument. Epiphones tend to be very popular in the entry level market. Epiphones are great for people who are just starting and want a good brand name for their first guitar. So, if you’re looking for a cost effective entry level guitar, Epiphone would be your best choice.

If they're properly stretched it's usually not a big problem. Usually you can just push down on the new strings around the bridge and the nut and retune a few times to get the slack out, or do the push down/pull up technique to stretch them. I find that most players have more tuning issues from holding down the strings too hard or inadvertently slightly bending them with their fretting hand.
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The roots of effects pedal usage can be traced back to early into the history of the electric guitar, but two people immediately come to mind who really pushed its usage out there:  Roger Mayer and Jimi Hendrix.  We’ve come a long way since those early days and it’s easy to be overwhelmed by the insane amount of options out there.  From good old standbys to newer boutique options, it can be a chore to know what effects pedals could be right for you.
A pedal itself can have an effects loop, but the most commonly used place is on the amplifier itself. You'll see on most amps (but not all) some form of output labeled as Effects Send or Preamp Out accompanied by an input labeled Effects Return or Power Amp In, respectively. Both sets of outputs and inputs refer to the effects loop that you can add between the preamplifier and the power amp section of your amplifier.
After putting 13 inexpensive guitars to the test for 24 hours with a panel of instructors, students, musicians, and a guitar repair person, we think the Squier by Fender HSS Bullet Strat is the best electric guitar for beginners. It’s comfortable and reasonably light in weight, it played well right out of the box (and even better when properly set up), and its complement of pickups and controls offer enough variation of tone that beginners will get a good start on finding their own sound, regardless of the styles of music they’re interested in.

A Reamp® box is essentially the reverse of a DI box and converts a balanced signal into an unbalanced signal suitable for driving guitar amps. Radial makes three different versions of this device with variations in features and in quality of the transformers. For an introduction to reamping there is the passive ProRMP™, for high quality reamping there is the Reamp JCR™, and at the top of the line is the dual-channel active X-Amp™.

CLEAR COATStew Mac sells nitrocellulose lacquer that works realy well for guitar finishing but if your like me you can't afford $10 a can for paint. Or you can check out reranchthough I haven't used any of their products they are a little cheaper. I use Deft spary lacquer. You can get it at Wal-Mart for under $5 a can and it works great. Use the same basic steps that you used when you sprayed you color coats, keeping in mind that you want enough coats so you don't cut through the clear top coat when wet sand and polish it out. Now comes the waiting. The paint has to set for several days to a month to let the solvents that are in the paint to rise to the top and harden. The paint will feel dry but you will notice that it might feel a little sticky or soft when you touch it. I like to do a "nail" test on mine. I use my finger nail and push it into the painted area in the neck pocket to see if it is still soft. No one will see the inside of the neck pocket so it's ok if you scratch it. Once it has cured completly you shouldn't be able dent the finish. It could take longer than a month for certain finishes to harden completely but trust me, you will be glad that you waited. For more information about all the different types of lacquer or clear coats products that are out there and how to choose what may be right for you, check out the drum foundry they have some great info.

From the 1940s through 1990s, the company also manufactured various electric/electronic keyboards. Especially in the 1960s and 1990s, they manufactured a range of innovative and popular electromechanical keyboard instruments; the Cembalet, Pianet, Basset, Guitaret, and Clavinet. In the 1980s, several Casio synths were sold under the Hohner brand - for example, the Casio HT-3000/Hohner KS61midi and the VZ-1/HS-2).
@BLAKTORX - Charvel is a great brand for metal and shred that is really starting to regain some prominence in the music world. I really like the Pro Mod Series. Music Man, too, makes some good gear, but I tried to keep my list to 10. The Ibanez GIO series guitars are good for beginners. Seems like you're into metal. In that price range you might also check out the Jackson JS Series.
The Step Ladder is a passive input attenuator using high quality components for excellent reliability. True-bypass mode provides the maximum signal level. The attenuator pot and two toggle switches allow for flexibility in the amount of signal attenuation when not in bypass mode. Treble bleed capacitors in the circuit retain crisp high frequencies even at maximum attenuation. The Step Ladder is ideal for anything from getting a slight boost while playing single-note acoustic guitar leads or for jumping from clean to overdrive in a high-gain electric guitar amp.

This is our top pick for the best dreadnought guitar under $500. It has the looks of something you’d see in a honky tonk bar. It is a really cool looking acoustic guitar. It is a classic with it’s sunburst color and decorated hummingbird pick guard. It is the more affordable version of the Gibson Hummingbird. It has a solid spruce top with mahogany back and sides. It also has a pickup so you can amplify it for gigs. Owners describe it as having a big sound with great playability. Nice low action will make playing much easier. The tapered neck is great for beginners and makes forming chords less difficult. See more pictures of this guitar here.
There was no “Kent Guitar” Factory. The Kent brand was established in 1960 by Buegeleisen & Jacobson, a musical instrument distributor in New York City. The 500-series models had a metal “K” badge (like the one at left) attached to the headstock of the guitar. The use of a glued-on logo is a good sign that the guitar could appear under another brand name if the manufacturer so desired. The 600-series Kents had the name in metal script letters attached (probably glued) to the headstock. The 500 and 600 series guitars were almost identical. The headstocks were somewhat shaped like those on Fender guitars. Most of those were low-end solid-body instruments.
I think it's unreasonable at best, and more likely impossible, to say with any confidence "Model X guitar will be eaisest for everyone", because everyone's hands are different sizes, everyone's fingers are different lengths and thicknesses, some people prefer smaller or larger frets, everyone has different preferences with regard to neck profile shape, neck width, neck length, body shape, body weight, bridge design (floating vs fixed, TOM vs hardtail, etc.), not to mention pickup types (single coil vs humbucker vs P90, active vs passive) and control layouts (multiple volume/tone controls vs single master volume/tone controls, blade vs toggle pickup selectors).
Also shown in ’60s Bizarre Guitars, but not in the Teisco book photo, is a ca. 1954 Hawaiian Teisco EG-R which was sort of shaped like a Gibson and which had the same pickup as the J-1, with more elaborate symmetrical metal rocket shapes on the sides, housing the volume and tone controls. A chrome dome sat in front of the pickup between it and the dot-inlaid fingerboard. The head was stubby and rectangular. This was very “Moderne” looking, very Buck Rodgers.

Yes, the Les Paul is a signature model for the late, great guitarist Les Paul.  This signature instrument is one of the few models to ever have other famous players have signature versions of their own.  The impact of the Les Paul has made it one of the most recognized instruments on the planet, due to its amazing versatility and high quality of craftsmanship.

Playing Electric Slide is great. I use the neck pick up mostly or the bridge pick up with the tone turned down as not to blow out peoples ear drums, but you can adjust to the tone you prefer. Most people adjust the strings a little further from the neck. I prefer not so I can bend and play normal too. Great slide players. Jimmy Page, Joe Bonnamassa, Joe Perry hope this was helpful
Tokai was founded in 1947 and is based in Hamamatsu, Japan. Tokai began production of acoustic guitars in 1965 and by 1968 was producing electric guitars for the American market. Tokai still exists as guitar manufacturer. Tokai made guitars for Fernandes, Mosrite and Fender Japan. Tokai badged guitars included the house brand Tokai as well as Cat's Eyes, Conrad, Drifter, Hondo, Love Rock, Mosrite, Sigma and Silver Star. Possible badges include Artist Ltd., Gaban, Gallan, Gession and Robin. It's suggested that Tokai made Hummingbird acoustics as well, but if these were related to those made by Humming Bird I haven't quite sorted out yet.

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TC Electronic's Hall of Fame reverb pedal is stacked with features and is easily our top recommendation from this list. The first perk is a mode selector that gives you a total of ten different reverb types, in addition to the TonePrint option. TonePrint is TC Electronic's signature feature that allows you to program tones into your pedal designed by artists and popular musicians.
It is an obvious fact that all those great guitarists must have had a humble beginning, having started with the best beginner guitar that suits them. Some of these artists started with guitars inherited from their parent, friends and/or relatives while others ordered theirs from guitar shops. If you are a newbie yet a guitar enthusiast and you are seeking to buy one among the best guitars for beginners, then there are tips and facts you will have to put into consideration.
I’m super excited for this post as it’s the culmination of some of the biggest names in online guitar lesson providers coming together to offer their advice and insights on guitar chords. Understanding the right way to play guitar chords is one of the first things you’ll learn as a beginner guitar player. It can also be quite frustrating when you are just starting out.That’s why I decided it would be a great idea to get a bunch of experts together all giving their insight into learning more about the wonderful world of guitar chords. I basically asked everyone two questions:

Uh, Roland. I don’t know when was the last time I read about the best amplifiers and one of Roland’s models was not there. That’s not due to their ability to market their instruments to everyone (well, they are good at that too, probably) BUT the main reason why they are always a talk of the town (of a very musical and amplifier obsessed town) is their quality of production. With a lot of expensive amps, they are also graceful enough to give us the MERE MORTALS ability to bath in the glory of what is Roland tone. This CUBE‌-10GX amp is a 10-watt little combo amp with one 8 inch speaker that is ideal for home practice or anyone who needs an inexpensive model that will not ruin their performance. With built-in effects, heavy-duty cabinet design, and a compact construction the CUBE‌-10GX amp might be your best choice for a practice amp that also works as a traveling amp.
The Thunderhead had two humbuckers, gold hardware, a master volume with two tone controls, a pickup blender knob, and a phase reversal switch. Some had DeArmond pickups with metal covers, a large black insert with nonadjustable poles, plus six tiny adjustable pole screws along one edge. The ebony fingerboard was bound with diamond inlays and had the characteristic “mustache” on the end of the fingerboard. The tops and backs featured figured maple laminates. Colors options included a wine red, sunburst natural, and green (on Thunderhead only). The Thunderhead K-1360 had a trapeze tail, the K-1460 a vibrato. The Tornado (K-1160 with trapeze, K-1260 with vibrato) was a downscale version with plain top, chrome hardware, two volume and two tone controls (no phase), and the Schaller pickups.

Late 1944 to about 1949: the bracing was tapered. This stopped in the late 1940s, and was a progressive thing. So unlike scaloped bracing that had a definate endpoint, tapered braces evoloved into "straight" braces by 1949. This is why 1945-1949 Martins are still highly regarded as "better" than their 1950s counterparts, but not as good as the 1944 and prior scalloped braced guitars.
The guitar’s ‘shoulders’ – where the body meets the neck joint – will usually be slightly more sloped than you’d see in a classic dreadnought acoustic, while the base of the body will also be narrower than larger sized guitars. All of which makes for a more comfortable and less physically intrusive playing experience. Another obvious benefit of this is the portability of parlour guitars. Their relatively smaller form factor means they lend themselves well to being slung in a case and carted off to gigs with less hassle than, for example, a jumbo-sized acoustic.

This particular model is a cutaway acoustic-electric hybrid with European spruce top and Indian rosewood back and sides. The electric system is from Fishman-Presys with an onboard tuner. The GK comes with Savarez Cristal Corum high tension strings, and thanks to the low-relief neck, the action itself is easy to handle, making the guitar easier to play. The GK Studio Negra has a deeper, bassier sound than the usual sharp brightness of a “blanca” guitar. Watch the video on the Amazon listing to really get a good idea of what you’ll experience playing this instrument.

New York City native Joe Charupakorn is a guitarist, author, and editor. He has interviewed the world’s biggest guitar icons including Steve Vai, Joe Satriani, Yngwie Malmsteen, Carlos Santana, Neal Schon, and Dave Davies, among many others, for Premier Guitar. Additionally, he has written over 20 instructional books for Hal Leonard Corporation. His books are available worldwide and have been translated into many languages. Visit him on the web at joecharupakorn.com.

Basswood comes from Linden trees, and it is soft and easy to work with. A side effect of being soft is that it also dents easy. Because it doesn’t have much of a grain or color, it’s most commonly used on instruments that have an opaque paint-job, though this isn’t always the case (as in the photo above). Basswood has a warm, balanced sound with great mid range and good sustain.

A 5 way selector is commonly found on guitars with 3 pickups , a humbucker in the bridge , single coil in the middle and a humbucker in the neck. So the 5 way selectors job is to select only one or more pickups at a time to offer different sounds on the guitar. The way the selector is pointed will tell you which pickup is selected and this is common on guitars from all brands. The bottom position is your bridge pickup which is closest to where the strings begin , the middle position is all 3 pickups and the top position closest to the neck is your ....you guessed it neck pickup. The bridge pickup will offer heavier sounds if you play the right notes and the neck for soloing as the output (intensity) of the neck pickup isn't as powerful as the neck for a reason. The more you play the more you'll see uses for switching pickups on the selector. The tone knob on the other hand it depends on how you use it I know a lot of guys who are endorsed and so forth who never touch the tone knob or have guitars built without it , but used properly it can do a lot of stuff from Eric Clapton to Carlos Santana type stuff. you will also see a 5 way selector on guitars with two humbuckers this feature is called a mega or super switch depending on brand. It makes the pickups do different stuff but this feature is usually found on expensive guitars and keep in mind a 3 way blade switch looks like one but only goes in three positions. Bridge , middle and neck.
Ah, this is an interesting subject. I could never play a Rick, nor buy back my 1966 Fender XII, so I bought a Dano, then another which I kept and could play (nut width). Then around 2000 I bought a Yamaha Pacifica 12 -the blueburst with gold hardware. I had the nut intonated, like all my other guitars (this was before Earvana which I am about to try out my first "drop in" on a new parts Strat, Epi Night Hawk and a GS Mini on layaway). The Pacifica is good tho again only 1+11/16ths " and I am ready for 1+3/4 or even better 1+7/8ths. I bought a set of Duncan Designed lipsticks for it, thinking I could easily find a neck with 1+7/8ths nut. No joy, yet, tho I have talked to a builder about one and am trying to sort out whether to do that to the Pacifica or use a really nice looking cherry stained strat body that I've had for 31 years.
You'll then learn G major and the variation you can play of this chord, where you hold the B string at the third fret, or just leave it open. The final chord you'll learn is F major. This one is tricky because its a barre chord, but there is a way of making these types of chords a little easier to learn, as shown in the video. You will also be shown the partial barre chord shape of F major, and will see how moving this shape around gives you any major chord you want to play.
The numbers back him up. In the past decade, electric guitar sales have plummeted, from about 1.5 million sold annually to just over 1 million. The two biggest companies, Gibson and Fender, are in debt, and a third, PRS Guitars, had to cut staff and expand production of cheaper guitars. In April, Moody’s downgraded Guitar Center, the largest chain retailer, as it faces $1.6 billion in debt. And at Sweetwater.com, the online retailer, a brand-new, interest-free Fender can be had for as little as $8 a month.
Signature guitars in India provide a convenient way to cherish the same guitar experience, reminds you of your favorite artist. These are specified guitar models named after the top guitar players, and designed with their instructions to make them a real emblem of their signature music. In fact, some signature guitar brands are directly created by your favorite artists to ensure precision.
JSL, I agree with you on the Mayer comment. Any one who is bashing him needs to listen to his latest live album. kid rips plain and simple. I have to disagree with you on the Van Halen comment, not that he isn't a great player, but to me his playing always lacked substance, no soul to it. Now, I can't stand Clapton, (I won't get into why), but he should definitely be on the list.
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Here we have old "3-hole" this is another great Japanese Vintage Guitar! this one is over 40 years old wow! ...its wonderfully aged woods contribute to its rich great sound... this example is one of the greatest Martin style Copies from one of the finest "law Suit" Acoustic instrument builders of Japan Yamaha Nippon Gakki...This model is the very popular FG-140 RED LABEL ....JUST IN!...so more info soon to come please see the detailed pics of this guitar for a link to many more pictures ( 40 ) or more from every angle Very good- excellent condition If your wondering why we call this one "3-hole" is because someone in its past life had an electric pickup of some type and it came to us with 3 tinny holes in the top... we have since filled the 3-tiny holes one on upper treble bout and 2 below the rosewood bridge... we filled & clear coated so its all solid and is very hard to see but are their also a fine hairline crack threw the finish exists at the bottom of the neck the original owner said its been their more than 20 years and has not changed and is solid...if wanted after sale for free at your request fill sand it and fill with lacquer and sand and buff smooth I expect that would do the trick to cosmetically improve the look of that but its really fine as is... What is rare about this oldie but goodie its all original and even has the original gold lined Yamaha logo Hard shell case in pretty respectable shape too...see the extra pics ( I will have a link to those pics posted later ) for those details... Great sound and pretty EZ to play too I just Cleaned it to remove the grime but leave all the original patina and also dehydrated the woods and she drank it up and after drying we finished it of with a fresh coat of wax finish was applied the woods still shine like a shinny new dime.. great old guitar.. JVG Rated in Very good Original Vintage condition with its share of natural play ware visible upon closest inspection of the neck width is 1-3/4 @ nut and the action is set good at 3-16ths @ 12th fret.. the fretboard and frets still playing well no need for a refret some fret indentations yes but its still plays just fine at 80+%, top has aged naturally with nice Patina now and has several fine finish cracks etc..same as a well loved and played 40+ year old Martin would have at several thousand dollars less than a 40+ year old martin. This guitar has been restrung with New Martin Marquis Strings and sounds great...This one you have the option of buying an original vintage Yamaha Hard Shell Case..these cases are rare and hard to find now the handle was warn and has a replacement quick fix and it works perfectly...just $69.00 additional .

The neck is also made of mahogany and is hand set into the body. Looking at the fretboard, we see a standard rosewood design with white binding and classic trapezoid inlays. Epiphone went with a set of Alnico Classic humbucker pickups. These are very close to what the original Gibson solution had to offer. Classic rock and blues just flow out of these, although you are more than free to crank up the gain and blast some heavy riffs.

Another thing to keep in mind is the purpose of the amplifier. And I don’t mean the actual purpose. We all know that I’m pretty sure. What I mean is what you will be using it for? Are you a beginner who wants to practice a lot in their basement before they ever take their guitar and amp into the daylight or maybe you have been playing for quite some time and want to record your music. MAYBE you have gathered all your strength and confidence (and your band) and decided to gig. All of these situations are somewhat different and various amps work for different purposes. While there are a lot of amps that do all of them together, sometimes getting an amp just for practice might be more efficient and, of course, affordable.

The output transistors of solid state amplifiers can be passively cooled by using metal fins called heat sinks to radiate away the heat. For high-wattage amplifiers, a fan is often used to move air across internal heatsinks.[14] Since transistor bass amplifiers used for large venues need to produce a high output, this usually means that bass amplifiers are very heavy. Most powerful transistorized bass amplifiers use class AB or so-called "push-pull" topology, in no small part because this output circuit scheme can be physically lighter and cooler than an equivalent Class A amplifier. These need heavy transformers and require large metal heat sinks for cooling.

The advantage of this specific package is that you’ve got everything you need to get started right away: guitar (duh), amp, strings, tuner, guitar cable, picks, gig bag, strap, and instructional DVD. Those of you who just wanna get a guitar and start, this is your choice. Squier also makes similar package, but I recommend this over the Squier because the parts (electronics) are higher quality, although the Yamaha costs a little bit extra.
Ovation guitars are produced in the U.S. as well as in Korea and China. Those models in general have a wooden top. Recently Ovation significantly reduced the production of U.S. made Ovation models. From 2010 on better models (e.g., Legend, Elite, Custom Legend, Custom Elite) used to be available, both, made in the U.S. and made in Korea. Before that, the mentioned models were U.S. made. In recent years many U.S. made guitars could be identified by the LX in the product name (e.g., Legend 2077LX), whereas the Korean-made version of the same guitar had AX in its model name (e.g., Legend 2077AX). Again, this name-system has not been used throughout the whole guitar model range (e.g., Ovation 1617ALE). Nowadays only a few U.S. made models are being produced, mostly signature and limited edition models (e.g., Custom Legend 1769-ADII Al DiMeola). Production of the standard model range of Ovation guitars in the U.S. has been seized.[24]
DADGAD was developed by Davey Graham in the early 1960s when he was travelling in Morocco, to more easily play along with Oud music Among the first to use this tuning were the folk-blues guitarists of the 60s like Bert Jansch, John Rebourn, Martin Carthy, and John Martyn. It was many years later in the 1970s that it became established for accompanists of traditional music, predominantly Scottish and Irish. Due to this popularity it is sometimes referred to as "Celtic" tuning, although this is misleading given it's origin and it's primary early use in a quite different field of music. Often vocalized as "Dad-Gad", DADGAD it is now common in Celtic music. In rock music, has been used in Led Zeppelin's "Kashmir".[8] Pierre Bensusan is another noted exponent of this tuning. The post-metal group Russian Circles also employ this tuning, and also plays it in the form of all the notes becoming a half-step down: D♭-A♭-d♭-g♭-a♭-d♭'. Three down-tuned variations are used by the band Sevendust: A Drop C variation, or C-G-c-f-g-c'. (used on the song "Unraveling"), a Drop B variation, or B'-F♯-B-e-f♯-b, and a Drop A# variation, or A♯'-F-A♯-d♯-f-a♯. Neighboring tunings D-A-d-e-a-e' and C-G-c-d-g-a have been used by Martin Carthy. Also D-A-d-a-a-d', was used by Dave Wakeling on the English Beat's 1983 "Save It For Later".
My cousin Mike had a red Lotus LP Custom copy that his mom got for him, it was a bolt-on one, looked just about like the one you have in your pic. It played pretty nice, but the tuners and pickups sucked. We added a set of Grovers and a pair of (then popular) DiMarzio super 2 pickups. Mike used this Lotus guitar for 3 or 4 years until he got a Guild s-100. He sold the Lotus for 125.00 after taking off the DiMarzios and Grovers. He gave me those parts and I installed them on a stripped and mutilated 71 SG Standard that I painted with auto enamel (a nice Candy red). I later sold the SG to Mike. The lotus had a plywood body and was pretty cheap, I wouldn't pay a 100 bucks for one today, if anything. But, back then, it was as good as any, we worked with what we could get. I know we played some excrutiating unison leads (ala Blackfoot, Molly Hatchet,etc) he with his souped up Lotus, me with my Memphis Strat copy, both plugged into my bitchin solid state Crate (looked like a real wooden crate!) amp.
While Taylor Guitars is most famous for our acoustic guitars, we are also proud of our line of unique electric guitars. We have the T5, our original hollowbody hybrid that bridges both worlds like no other guitar. Check out our T5z, the smaller hybrid with a compact body that electric players will love. And be sure to try the T3, our inspired take on the semi-hollowbody guitar with a sound that comes alive with amazing pickup flavors, plus coil-splitting and tone-shaping versatility.