One last time we must put aside our expensive tastes and put up with the “economy” version of a guitar that is actually much nicer. The full-scale rendition of Steve Vai’s guitar is, in my opinion, legitimately worth every one of the nearly 300,000 pennies it costs. Per the Ibanez web site, there are a lot of Vai Signature models you can pick from:

Another point to remember about ’65 Teisco Del Rey guitars. While, in reality, Japanese Teiscos were never too particular about consistency in headstock design, they at least tended to show consistency in the catalogs. The American Teisco Del Reys were even more varied, and the ’65 Teisco Del Rey catalog shows a mix of the Bizarro square Strat head (the most predominant), the new ’64 hooked design, and the older elongated Strat design. This is probably explained by the vicissitudes of stockpiles and shipping to the new American market. In any case, it makes it a bit harder to date these instruments.
There have been two documented 1970 Brazilian rosewood D-28's, which are anomalies. The first one was #265783, which was retopped with red spruce in 1993. The second one is serial number 265941. There are several D-35's with mixed woods in the 3-piece back. Like D-35 #258962, which has a Brazilian rosewood center wedge in the back. Note some post-1969 Martins have some Brazilian rosewood, in the bridge, bridgeplate, fingerboard, or peghead veneer.
Effects can be connected via insert points, or the effect send and return loop that is included in most consoles and DAWs (Digital Audio Workstations). When effects are used in the send/return loop, their Mix control should be set to 100 percent wet, so you add back only effected sound to the dry sound, which comes directly through the mixer channel.
SCALE LENGTH What is a "Scale Lenght?" The scale lenght is the lenght the string travels between the nut at the top of the fretboard and the bridge at the mid section of the base of the guitar. To determine the scale length of your guitar you would measure from the front part of the nut where it meets the fretboard to the center of the 12th fret on the neck and multiplying that by 2. Add about 3/16" to that on the low e string and taper that to about 1/16" added to the high e string. This is called compensation and that is why you see that tapered line on a bridge. Go to Stewart MacDonnaldfor more info. They also have a Fret Calculator that helps you determine your particular scale length in addition to a page dedicated to helping you out with tons of free info for your guitar building projects.The fret is the metal of nickle wire that is raised up off the fretboard. I would suggest buying a neck that has been pre made from a manufacturer that fits the design concept that you want to go with. I bought mine from Guitar Parts USA for about $70. You can pay anywhere from $50 to $300 for a neck at online retailers, but surf around and make sure you are satisfied with what you get. Guitarpartsusa will tell you to buy an expensive neck if you are building an expensive guitar, not a $70 neck. But for mine the $70 neck works just fine. Once you get the neck in and you determine what the scale length is you can lay it all out on paper. I recomend buying all your hardware, pickups and knobs before you draw your final template. This will allow to place everything where you want it and know what size holes to drill for the electronics and how big the cavites will need to be for them and the pickups.

Made famous by George Harrison in the ‘60s, the jangly Rickenbacker 360/12 12-string electric guitar has become perhaps one of the most iconic 12-string electrics. With a semi-hollow body and thru-body neck, the 360/12 is able to create a unique tone that is difficult to create with other 12-string guitars. Though this model has undergone many changes and seen many iterations through the years, the newer Rick 360/12 models have a slimmer neck and are still highly-sought instruments.
I have owned a lot of amps over the years. I am also a dealer in music accessories. Please note that we do not sell these amps, so I am not endorsing and using something my shop sells. I recently have bought a couple of amps in a series (I bought one first and then bought another) and have been really impressed. The Vox AV series. http://www.voxamps.com/AVSeries
A few years ago I wanted a mini/parlor guitar. I tried a few, did not like what I heard in the Taylor line and I did not want another Larrivee. The irony of it is, I did buy a Taylor and now realize it was because it sounded like a Larrivee, bright and even. This is an anomaly Taylor, I know that now. I bought a Larrivee Parlor which is okay but I also have learned that I am not a parlor, mini fan. They, for the most part, do not deliver an even enough sound for me. I have played Lowden, Martin, Gibson, Guild, Olsen, Huss and Dalton. I recently played an Irvin guitar. Wow, what a beautiful line of guitars. I want one. It is my next guitar with its sustain, consistency, brilliance and ease of ...more
InstantDrummer: Tempo-synchronized backup drum recordings with adjustable intensity, variation and tempo. No need for tedious drum programming. 1 Demo InstantDrummer comes with RiffWorks T4 (T4 is temporarily unavailable). 9 InstantDrummer sessions by top drum content companies (worth $4.99 each) are included with RiffWorks Standard. Find more than 100 InstantDrummer sessions to use with RiffWorks T4 and RiffWorks Standard.
For acoustic players, the Rogue Beginner Acoustic Dreadnought guitar with Accessory Pack comes highly rated. Included within this pack is Rogue's exceptionally crafted beginner acoustic dreadnought, along with a Musician's Gear Tubular Guitar Stand and premium Pearloid Celluloid pick, an Ernie Ball polish cloth, and 12 80/10 Bronze acoustic guitar strings. Overall, it's a worthy yet affordable pack for any budding guitarist.
On August 21, 1965, during a Beatles concert tour, Randy Resnick of B-Sharp, aMinnesota music store, presented Harrison with a second model 360/12 FG “New Style” 12-string electric guitar, distinguishable from Harrison’s first 12-string by its rounded cutaways and edges. There was a television documentary produced by KSTP TV in Minneapolis documenting this event.
In addition to the alignment problem, there are other problems with using a simple text editor. For example, you'll have to align all the notes of a chord yourself... it's not easy to insert a new passage... if you make a mistake you can't just move the note... and to your system, it's just another text file. If you want to programmatic help to simplify your work, or if you want extra power (such as song playback, chord charts, and scale generation): use a TAB program.
Due to distortion's critical function in modern guitar styles, by far the lion's share of stompboxes are distortion units of one kind or another. Most of these feature intensity and tone controls, but often vary wildly in terms of the sounds they create. You'll be amazed at the different types of distortions that can be produced, from rich, creamy, smooth, and melodic sustain to harsh, jagged, and piercing breakup tones. Many distortion units produce a broad range of textures.
This is a tricky one, because I’d hate to see anyone miss out on a bargain. Unless you really know what you’re doing, buying a used guitar is a risky venture. Definitely, you shouldn’t buy a second-hand guitar without seeing or trying it out. Again, sticking with well-known brands is wise. Look carefully for worn fret boards (pitted holes under frequently-played notes) and grooves in the frets themselves. Check along the neck to see if it’s not too bent— it’s supposed to be slightly curved. Getting problems like these fixed professionally can be expensive and you might as well buy something new in the first place. The bottom line here is that high-quality instruments that have been properly maintained don’t lose any value. A good second-hand guitar should cost you as much as a good new one — but yes, those bargains are out there, too.
Acoustic guitars are generally larger than electric guitars. They also tend to use heavier-gauge strings. Heavier-gauge strings will require a bit more finger strength than the lighter-gauge strings found on electric guitars. Getting comfortable holding the guitar and fretting notes is important on both acoustics and electrics, but may be slightly more physically challenging with acoustics versus electrics.

They are the most common effect group and are used by almost every guitar player from Stevie Ray Vaughan to Yngwie Malmsteen. Most amplifiers have channels for overdrive or distortion, but having these effects as pedals allows you greater variation in tone and allows you to “push” the cleaner channels of your amp harder, giving a different sound to the overdrive channel.


The guitar's contribution to the sound comes from its mechanical construction, including the type of wood used, and the pickup system fitted. The hugely popular Fender Stratocaster uses simple single-coil pickups, which tend to give it a bright, articulate sound that doesn't take up too much room in a mix. Guitars with humbucking pickups, on the other hand, tend to have a thicker, more solid sound that can overpower other guitar parts or other mid-range instrument sounds. Tonal qualities aside, humbuckers by their very nature are designed to reject electromagnetic interference, while single-coil pickups are very susceptible to it. Specialist stacked humbuckers, such as those made by Kinman, Dimarzio, Fender and others, are available for use where something close to the original tonality is desired but without the noise problems, and for serious studio work these are a good option. Note that CRT computer monitors emit a lot of electromagnetic radiation from their scan coils, so a flat-screen LCD display is always an advantage if you need to record guitar into a computer system.
I once did a setup on one that belonged to a friend but it was really wrecked so it wasn't perhaps a fair representation. It seemed to be well built though and the neck was nice enough. The tone was decent too although not exciting - exactly what you'd expect from such a guitar. Overall I'd say it was better than the cheaper squiers (SEs, Affinities etc).
In 1933, Dobro released an electric guitar and amp package. The combo amp had "two 8″ Lansing speakers and a five-tube chassis. Dobro made a two speaker combo amp that was on the market over 12 years before Fender launched its two-speaker "Dual Professional/Super" combo amp. In 1933, Audio-Vox was founded by Paul Tutmarc, the inventor of the first electric bass (Tutmarc's instrument did not achieve market success until Leo Fender's launched the Precision Bass). In 1933, Vega sold a pickup and amplifier set for musicians to use with existing guitars.
All six strings are made from nylon, or nylon wrapped with metal, as opposed to the metal strings found on other acoustic guitars. Nylon strings also have a much lower tension than steel strings, as do the predecessors to nylon strings, gut strings (made from ox or sheep gut). The lower three strings ('bass strings') are wound with metal, commonly silver-plated copper.
In preparation for making these electric guitar pickups, I carefully studied the qualities of both vintage and modern guitar tone. All of my pickups feature grounded shielding to reduce noise from external electric fields and are potted under vacuum to eliminate microphonic feedback. The result of years of building and testing is a family of pickups for guitar, bass, lap steel and other instruments that will help you achieve the tone you desire. All V V G pickups are hand-made in the USA. Several of the new designs offer the user the capability to shape the tone by changing the magnet assembly and reversing the effective winding direction. We're here to help you find your tone!

Overall length is 28 1/2 in. (72.4 cm.), 10 in. (25.4 cm.) width, and 1 5/8 in. (4.1 cm.) in depth, measured at side of rim. Scale length is 15 1/4 in. (387 mm.). Width of nut is 1 3/4 in. (44 mm.). All original and complete, and quite clean overall; there are a few small dings to the finish and some light checking-almost inevitable on the Eko-made Vox instruments. The only notable finish marring is one spot where a superglue repair to a cracked pickguard corner left a bit of residue behind. A very nice little player, with an awful lot of chime! Excellent - Condition.


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Great post a lot of useful information here I found this old acoustic guitar made by lotus I have never heard of this brand and have been trying to research it for about a month now and haven't gotten any closer to finding out the history of it if anyone know anything about them I'm all ears it has a tag on the inside model no. LW 65 or g5 lotus made in japan thanks in advance for any information I can get
Today, Van Halen is one of rock’s most influential and imitated innovators. As unpredictable and flamboyant as Hendrix, Van Halen has had an unmeasurable impact on the guitar community. By the mid Eighties, his self-described “brown” sound, over-the-top techniques (including two-handed tapping), and revolutionary trem-bar effects inspired a generation of aspiring guitarists who bought the one-pickup, one-volume-knob, Floyd Rose–equipped Strat-style guitars that Van Halen made famous.
I would call it waistful or just plain ignorant to buy a $3000 guitar if your learning. Unless your actually a musician, buy yourself a decent$200 fender or whatever it may be and learn on that. Theres not that much diferrence if any at all, at least to someoe who doesnt know how to play yet. If youve got it like that do yourself a favor, buy a $3000 dollar guitarand whn you give up on it like most do in two or three months, find someone who actually plays and can appreciate a guitar of that quality and make his day and give it to someone deserving.
The good people at Cordoba, therefore, sought to make a Spanish-style guitar with the traditional sound of a Spanish guitar, but the slimmer body and slightly narrower neck of a steel-string. They also added in a Fishman-Presys module for switching the guitar from an acoustic sound to an electric (including a built-in tuner), hence the “Fusion” in the model name.
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In the mid-1960s, as the sound of electric 12-string guitars became popular, Vox introduced the Phantom XII, which has been used by Tony Hicks of The Hollies, Captain Sensible of early English punk band The Damned and Greg Kihn, and Mark XII electric 12-string guitars as well as the Tempest XII, also made in Italy, which featured a more conventional body style. The Phantom XII and Mark XII both featured a unique Bigsby style 12-string vibrato tailpiece, which made them, along with Semie Moseley's "Ventures" model 12-string Mosrite, the only 12 string electric guitars to feature such a vibrato. The Stereo Phantom XII had split pick-ups resembling the Fender precision bass, each half of which could be sent to a separate amplifier using an onboard mix control. Vox produced a number of other models of 6 and 12 string electric guitars in both England and Italy.
Epiphone returns with yet another Solid and high-quality Les Paul Standard electric guitar, this time, an ebony styled-version of the Les Paul series. The body of this ebony version is made of solid and durable mahogany wood construction, including a maple top design. The fretboard of this Epiphone Ebony version electric guitar is made of rosewood, containing 24.75 scales.
The prototype was introduced at the 2011 NAMM exhibition. Bolan is seen holding the instrument on the outer gatefold jacket of T. Rex, his first album after shortening the band name from “Tyrannosaurus Rex”. The guitar was stolen from Bolan in London, and for the last months of his career he was using a wine-red 1970s Les Paul Standard. Gibson announced the availability of the Marc Bolan signature Les Paul in February 2011.

The primary starting point for information about Martin guitars is, of course, Martin Guitars: A History by Mike Longworth, one-time pearl inlaying ace and former company historian (4 Maples Press, Minisink Hills, PA). Longworth’s book chronicles the company’s history in very personal terms and provides wonderfully rich detail about Martin’s many guitars through the ages. It should be an essential part of any Martin lover’s library.


The search never stops for the best acoustic guitar to play during jamming sessions, recording sessions and live gigs. Every year, guitar brands keep on coming up with awesome acoustic guitars to take your playing to the next level. So what’s the latest? We have scoured through various models released in recent years all the way through 2018 and picked out 7 of the very best, chosen for their impressive build, unique tonal character, incredible value and overall winning quality. If you’re looking for the best acoustic guitar for your needs, consider this your short list.

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I bought a Palmer acoustic-electric about 10 years ago, for 185.00, used, it's white, with black trim, and still plays very well. I also can't find out where it's made, the neck is still straight, and the tone is good. It says hand crafted inside, and model p-38-12 and a letter I don't recognise, or is a misprint. the pick-ups are near the last frets, small screws, almost hidden. The neck is kinda wide, but you get used to it. Thats all for now, I'll bet all their guitars are pretty good.

Thunders had the riffs to match the glam-trash group’s mascara. He took rock guitar and cooked it down to its essence, playing open chords and switchblade riffs that laid bare the amphetamine urgency behind the Dolls’ concise, catchy tunes. The Dolls had split up by the time punk rock got underway in New York and London, but their influence was profoundly felt on both shores.
Scott Knickelbine began writing professionally in 1977. He is the author of 34 books and his work has appeared in hundreds of publications, including "The New York Times," "The Milwaukee Sentinel," "Architecture" and "Video Times." He has written in the fields of education, health, electronics, architecture and construction. Knickelbine received a Bachelor of Arts cum laude in journalism from the University of Minnesota.
The assets of Kay/Valco were auctioned off in 1969. The upright bass and cello lines were sold to Engelhardt-Link, a new company formed by a previous Valco member, which has continued production (see #Kay basses for details). The Kay name (and some of its trademarks, such as Knox[citation needed]) were acquired by Teisco importer, Weiss Musical Instruments[2] (W.M.I., Sol Weindling and Barry Hornstein), who put the Kay name on the Teisco products beginning in 1973, and continued on through the 1970s.[11][12]
In typical pedal effect chains you will most likely be running cable lengths that are much longer than 5.5 meters. The ME-80 allows you to keep your tone pure when running lots of effects. You can run a cable up to 5.5 metres into the input of the ME-80. The multi effects engine processes up to 8 effects in its internal signal chain. Then the ME-80 outputs your guitar signal as a 2,000 Ohm low impedance signal allowing you to run a much longer cable to the amplifier.

And that’s exactly what reverb effects are trying to emulate: the way a single instrument sounds different in different spaces and reflecting off of different materials. Many common environments that reverb units try to emulate are halls, churches, and chambers. There are some pretty unique reverbs like a particle reverb that adds special effects to make things sound more spacey, and there’s even one that attempts to emulate what we imagine a black hole to sound like.

Leo Fender started Fender Guitars in 1946, and his first innovation was the production of solid body guitars. Up until then, electric guitars were made with hollow bodies, meaning that they were somewhat fragile and somewhat complicated in design. Leo Fender’s guitars offered a more straightforward design; the were bodies made from one solid block of wood and the bridges were simply attached to the body, removing the need for extra calibration of elevated bridges.
the top five in no certain order are…….. JIMI HENDRIX .NIO EXPLANATION NEEDED……..RICHIE BLACKMORE he broght the strat into metal and he led his leads perfectly back into the song ……… .EDWARD VAN HALEN he was the next innovater after hendrix…………DIME BAG DARRELL….he was just plain the baddast ass of them all…………..AND ENGWIE MALMSTIEN he did everything else……..there are lots of great guitar players . but .these five guys set the bar for everyone else
Their are also guitars made with a "compound radius", which is a little rounder in the lower register, and a little flatter in the higher register. The true best of both worlds. Warmoth makes necks with a 10"-16" compound radius, as do some production guitar companies. I have a custom made guitar with a 16"-24" compound radius, and it's REALLY flat. Takes some time to get used to. It's breeze to rip on, but not nearly as comfortable to play rhythm on as my other guitars.

Byrd recommended Kaman show his guitar to folk singer Josh White, who was performing in town at the time. Kaman promptly did so, and for White, it was love at first strum. He enthusiastically agreed to have an Ovation guitar made to his specs, and became the first Ovation endorser, in ’66 and brought his entire family to Connecticut to pick up his first guitar, playing the first Ovation concert with his new guitar. Byrd did eventually get a classical guitar from Ovation, and performed with it for many years.
Next up, Tolerances. The tolerance refers to the accurate rating of the pots ohm, so if it's a 250k pot, then it will be accurately rated at a tight tolerance of around +/-5% to 250k, a true rating. Some low quality pots can creep wildly away from the ratings, you'd be surprised. I've removed CTS pots from US and MIM Fender guitars for example, that were incredibly inacurate. 250k stamped pots that were not even 200k, and also in other cases past 300k. So, why does that matter? Well if for example we're referring to a single coil equipped guitar like a Stratocaster, they recommended a pot ohm value of 250k in both volume and tone positions. If a lower quality pot states 250k but actually reads much lower, perhaps 200k, or even substantially higher, it could result it a darker or brighter tone respectively, than what would bring out the best in the guitars pickups. Quality pots like the CTS 450 series or TVT I have come to trust, have super tight tolerances, +/- 7% and most cases even tighter +/-5%. This accuracy is worth it, a pickup manufacturer sets out to design a certain model of pickup that will sound it's 'best' (obviously this is subjective), optimal is probably a better word, for a certain pot rating. If you're fitting a harness with tight tolerance, accurately rated pots then chances are you're going to be getting the best from your pickup set. That's the important bit for me.
The Perform page allows for editing articulations, adding effects like pedals, and adjusting parameters like monophonic mode, round robin, and the special tapping mode. The Fretboard page displays parameters for the virtual guitarist, such as hand size and fret preference; these parameters are translated into real behavior for the string selection algorithm, mapping MIDI notes to frets and strings intelligently.
The Teisco J-1 was a natural maple-topped guitar with a single pickup near the adjustable wooden bridge, a large affair with a metal cover with six slots parallel to the strings and two round bulbs on either side, very space-age! The stop tail was probably rounded, allowing strings to pass through the body, and was covered with a square metal plate. A small pickguard sat between the pickup and the neck. A volume and tone control sat on another little piece of plastic down on the lower treble bout. Knobs were white plastic knurled with a silver ring around the top.
At the end of the day, this is obviously far from a perfect example, but this is an extremely hard-to-find factory left-handed 1958 Gretsch Duo-Jet, and provides a very rare opportunity for the vintage guitar collector, lefty or righty! I have seen far fewer left handed 50s Gretsch guitars as compared to Fender, Gibson, and even Martin over the years. Lefty 50s Gretsch guitars are insanely rare, especially in the Duo Jet model!
Though these pickups can be modded to fit in other guitars, the Antiquity Jazzmaster flat coil design is intended to serve as an upgrade to the Fender or Squier Jazzmaster series. Popularized in the late ’50s and ’60s, the classic Jazzmaster tone is rich and crisp but, without harshness on the higher register. This pickup comes in both a neck and bridge version that work together to cancel noise and produce that same rich tone with some extra snap and good string response coming out of two Alnico magnets.
So there we have it. Acoustic guitars are not just slabs of wood, one much the same as the other. Each has its own characteristics. Some will major on comfort, while others go flat-out down the path of pure volume. Whatever it is you’re looking for, Dawsons has the whole gamut of acoustic guitar body types, and can help you choose the size and style that’s right for you.
Following the lead of Electro, which was having some success with their cast aluminum alloy bodies, Dobro – still a separate company – introduced its first cast aluminum Dobro Hawaiian electric lap steel guitar, probably in late 1934. Along with the aluminum lap, Dobro also debuted the Standard Guitar, and the Mandolin. Accompanying these was the Dobro Amplifier. All four listed for $67.50. These are all shown in the ’35 Tonk Brothers catalog.
The Fender brand is the parent company of other good guitar brands like Jackson, Charvel, and Gretsch. While all of these are owned by Fender, they each have very unique playing styles and sounds. Fender also produces their Squire series of value guitars. These guitars are entry-level instruments, with decent sound for an incredibly reasonable price.
Squier Affinity Telecaster: The Tele features the same tonewoods as the Strat, with a slightly different single-cutaway body style. It also has two pickups instead of three, and a fixed bridge. Single-coil pickups have a thinner sound compared to humbuckers, and it case of the Telcaster they create the signature twang that put the guitar on the map.

Taylors have a "happier" sound and I like the feel of them. I am a novice but from what I have seen for a beginner with an acoustic guitar, they felt and sounded warmer and less tinny than the laminated wood ones. A good rosewood taylor isn't on the cheap side of things but it feels like you can play better than you can. And the model I looked at had strings that were nice and close to the frets so you didn't feel like you were pushing in deep like the keys of an old typerwriter. Go into a Guitar Center or somewhere you can actually feel what you are getting before you buy anything. I got a cheap Gibson online less than a month ago and got what I paid for when it came with the bridge completely missing and a brassy sound when it was played. Buy your stuff in person. I think that Gibson is probably still a good brand, but the quality control of the cheaper models they put their name on is something I might question from my first experience with them...


Started similarly to PRS, Taylor was a brand that began out of passion and the back of a car. In 1974, friends and coworkers Bob Taylor and Kurt Listug joined together to purchase American Dream, the guitar making shop for whom they both worked. Geared toward producing the most high-quality USA made acoustic guitars they could muster, they changed the name of the business to Taylor Guitars, as it sounded more “American” than Listug. Though they went through some financial troubles initially, the brand eventually grew into what they are today: the number one manufacturer of acoustic guitars in the United States. They’ve also taken it upon themselves to pioneer a business model based around sustainable practices – Bob even goes so far as to travel to competitors to share with them said practices, understanding that, in order for guitar builders to continue to flourish, everyone needs to be an active participant in taking care of the environment. Or else there might come a time when there’s no more wood with which to build guitars. And that makes the El Cajon, California-based brand even mightier.
I began taking guitar lessons from Kenneth when I was 14, and right away, I noticed his ability to mold the lesson into an experience that fit 𝘮𝘺 musical interests and what I wanted to learn. Whether I wanted to learn theory, practice a certain technique or rudiment, or just have fun learning a song, Kenneth could always adapt and make the lesson interesting and enriching. This is a quality that many music teachers lack, and it’s the aspect of his teaching that kept me enticed for so long. In addition to being a great teacher, Kenneth is a passionate music fan of many different genres, and through taking lessons with him, I was exposed to many new musical concepts that opened my eyes to the world of music I was yet to discover. Though I no longer take lessons, I can say for sure that my time with Kenneth has made me a much more skilled, receptive and well rounded musician, and I am very thankful for all the things I learned.
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Are you seeking reliable information and or the evaluation of your vintage guitar's actual real world value today?.... JVGuitars has a simple solution and that is a Joe's Vintage Guitars E-Guitar Appraisal and they are only $45.00 per instrument its fast and its painless and will be conducted by email with no need for damage risk or shipping to and from. Help support JVGuitars service today and go ahead and just order your E-Guitar Appraisal NOW!.. We can send a quick Paypal invoice to you for this E-Appraisal and get started.... ORDER YOUR JVG- E-Guitar Appraisal TODAY! email us your request NOW for your Appraisal at JVGuitars@gmail.com

Gibson announced the new 2012 Les Paul Standard at Winter NAMM 2012. The new Standard features two Burstbucker Pro humbuckers with coil splitting, and Pure Bypass. Pure Bypass gives the option of bypassing the volume and tone potentiometers, sending the signal directly from the bridge pickup to the output jack. The 2012 Standard also features Gibson’s “modern weight relief” as opposed to the chambered body of previous Standards. Other changes include a phase switch and compound fretboard radius.
Interestingly, the 2019 version of this guitar doesn't stray too far from the more expensive Standard model in terms of looks - some even prefer it over more expensive models because of its streamlined appearance. While there are no high grade tonewoods involved, the Les Paul Tribute still uses the same mahogany body and maple top combination. The 24.75" scale length neck also follows after the Standard model, complete with a 22-fret rosewood fretboard and a 1.695" nut width. As the name suggests, this model features a slim taper neck profile that modern players will appreciate. Finally, it is equipped with a 490R humbucker for the neck and a 490T humbucker for the bridge, which reproduces the sound of old Les Pauls from the '60s.
Orion Blue Book Online (at UsedPrice.com): The Orion Blue Book Online will help you determine how much nearly anything that you own is worth, including guitars. This includes electric and acoustic guitars, as well as bass guitars, amplifiers, and other guitar peripherals. The company behind Used Price works in conjunction with Orion Bluebook, which makes this the largest website dedicated to pricing used musical instruments. The website is browsable by the first letter of your instrument's manufacturer or make. It has every major guitar manufacturer and most obscure ones.
A neat recording solution for when you want the sound of a speaker running flat out, but without being thrown out of your flat by your neighbours!A practical method endorsed by those engineers who don't like to leave their comfortable chairs too often is to combine the above techniques by using two close mics, one on-axis and one off-axis, plus one distant mic a few feet from the cabinet. If the close mics have very different characteristics, for example a capacitor mic on-axis and a dynamic mic off-axis, you'll get an even greater choice of tonality, as you can vary the mic balance being recorded. Switching the phase of individual mics can often yield interesting combinations and, if you really don't want to leave that chair, you can also delay the ambience to increase its effective distance when it is combined with the other mics. Each millisecond of delay is roughly equivalent to 12 inches of added distance.
Fun !...Top 5...Such a good game I love it I would defiantly reccomend this game to all console users the graphic las the entertainment is just great you can play either online or offline so that's good so many different missions to play all at different difficulty so they ain't too easy but they also ain't too hard I ate this 5 stars for everything of people like shooting games car games then go get this game coz it is all of those things it is just excellent....The graphics are amazing though but I'm going to trade it in for something I enjoy more if this is your type of game I would recommend it but I mostly play games like Diablo and wolfenstein thought I might like it but don't and I don't have anything negative to say about it because it looks and plays great just not my cup of tea
Not all guitars sound the same. The type of pickups, strings, wood, and body style all dictate the sound a guitar makes. One of the most important decisions a guitarist can make is whether to get a solid body, semi-hollow, or hollow body guitar. A solid body has a cutting tone with plenty of sustain, whereas a hollow body has a warmer, more rounded sound.
The first of the easy guitar chords for beginners is E minor, followed by E major. Next you learn A minor and C major, all in the open position, which means the chords contain open strings and are played at the nut position. The next chord is D major, followed by A major. You will learn the B major chord, which is a barre chord with the root note on the A string. After this you learn the B7 open chord, which sounds really nice.
Categories: Guitar manufacturing companies of the United StatesGuitar amplifier manufacturersManufacturing companies based in ChicagoManufacturing companies established in 1890Companies disestablished in 19681890 establishments in Illinois1968 disestablishments in IllinoisDefunct companies based in IllinoisMusical instrument manufacturing companies of the United States
If you're a Zakk Wylde fan, take a look at his signature Les Paul or the exclusive Graveyard Disciple with its authentic Floyd Rose tremolo bridge. For the metalheads among us, there's the Brendon Small Thunderhorse Explorer, a mahogany axe based on the one Brendon plays in concert with Dethklok. To satisfy Beatlemaniacs, Epiphone also has a Casino guitar inspired by John Lennon’s famous six string.

I’ve never played a gig without an amp, but I am prepared to… Instead of spending a ton of money on AXE FX (which a good amp can be a small fraction of the cost of AXE FX, especially if you still need to buy monitors, power amp, etc…), I keep a Line6 Sonic Port in my bag I can use with my iPod, iPad, or iPhone. Cheaper than AXE-FX. I do use the Line6 Sonic Port into my iPad for recording tracks for different projects. A lot less than AXE-FX and easier to use. Another option.


The prime advantage of Epiphone is that you get a guitar built to the same specs as the Gibson Les Paul, at a greatly discounted price. With that being said, an Epiphone is not equal to a Gibson simply because it shares the same design. The craftsmanship is where the two brands differ the most, as USA made Gibson’s utilize higher quality materials than the Epiphone line. Epiphone uses a cheaper mahogany in the construction of its guitars, while the electronic components are lower quality as well.
Travis adapted the syncopated rhythms of Ragtime Piano music to the guitar – (the term syncopation refers to deliberately playing off the regular beat). Travis would pick the strings alternating the bass note on the low E and A strings. This style of finger picking was given the name ‘Travis picking’ and went on to influence Chet Atkins and Scott Moore’s ‘Rockabilly’ sound.
Large-scale traffic in guitars between Japan and the United States began in the very late ’50s. Jack Westheimer of Chicago’s W.M.I. corporation has published his recollection of having begun to bring in Kingston guitars purchased from the Terada Trading Company in around 1958. The Japanese themselves began advertising their wares to American distributors as early as July of 1959, when Guyatone ran a small space ad touting small pointed single cutaway solidbodies more or less resembling Teisco’s mini-Les Pauls.
Most guitar especially for those which have more than 1 pickup have selector switch. Attached on the body and normally below the 1st E string on the body of a stratocaster guitar. And on the top shoulder for Les Paul. Its a basic things to understand the switches on which pickups its toggling. First, you need to understand what is the switch for???
Telecaster is considered to be the oldest solid body electric guitar in the world. Capturing that type of pedigree is not easy, but Squier managed to pull it off. Handling the Squier by Fender Vintage Modified Telecaster brought back some of the best memories of my youth, when Telecaster was the go to axe. This is definitely one guitar worth trying out.
Certainly, the response to these innovative guitars at the time gave no indication. They tanked pretty quickly. No one has ever even seen a real Moderne, and players didn’t warm up to the Explorer and V until the 1970s. These models even inspired at least two new American brands – Hamer and Dean – both dedicated to making “improvements” on the Gibson originals. Japanese manufacturers also picked up on the appeal of these designs.
The most musically satisfying types of distortion tend to be progressive, where the audio waveform becomes more 'squashed' as the level increases. Hard clipping, by contrast, tends to sound harsh. All these types of distortion introduce additional harmonics into the signal, but it is the level and proportion of the added harmonics that creates the character of the sound. Harmonically related distortion can be added at much higher levels than non-harmonically related distortion before the human hearing system recognises it as such, so there is no way to define a percentage of distortion below which audio is acceptable or above which it is unacceptable. The reason that digital distortion has its own character, which most people find less musically pleasant, is because it is not usually harmonically related to the input signal. For example, quantisation distortion, which results from sampling at too low a bit depth, sounds quite ugly, though many dance and industrial music producers have found a use for it, and some plug-ins deliberately introduce it.
Compression/Sustain – a dynamic effect that smooths out the highest and lowest volume levels of your guitar signal to a more consistent level. A compressor also has the side effect of increasing the sustain of your guitar signal. Compression boosts the overall level of your guitar while clamping down on the volume of the loudest parts to prevent clipping. Compressors usually have an attack knob that allows you to control how fast it takes the compressor to start effecting the tone and a threshold knob that sets the volume level that the compressor starts clamping down on peaks.

To make the OM more suitable for banjo players, the neck was made narrower and less V-shaped than previous Martins. The fingerboard was narrowed from the then-standard 1 7/8" to 1 3/4" at the nut. In addition to make the OM more banjo-like and to give it a distinctive look, banjo style tuning pegs were used. To do these, the headstock had to be made solid, instead of slotted. Previously Martin headstocks had all been slotted with tuners attached to the side mounted on a single plate for three tuners. No single-unit guitar tuners were available, so banjo pegs were a natural.
Firebird is one of those less known, but legendary Gibson models. The 2016 version brings the core of what this bodyshape is all about, with more modern components. Even though my experience with Gibson Firebird is very limited, it’s one mighty guitar. It comes with mini humbuckers, and the sound is pretty unique. You can play anything from rock to metal on this bad boy, without being limited in any way.
Ever since Christmas Day 1967,I have been trying to find out who made my MIJ guitar I got as a gift that year.Today I found out who made my little Dover when your excellent book came in the mail.I was always puzzled I’ve never seen another Dover and despite many inquiries to guitar mags-nobody else had heard of the brand either.Back in 2009 I sent several pix of my whole collection to Vintage Guitar Mag-they only printed on pic,and that was the one with the Dover-even though there were several others that I thought were more historically significant.The guitar looks like a 3/4 size attempt of making a Jazzmaster copy as it had the strange Meito plastic pickups with the 6 little chrome triangles where the pole pieces usually go.I noticed that Sakai Mokko also made Sears guitars and that really clicked with me as my mother worked at Sears in Toronto at the time and that’s where she bought my Dover.I will try to send some pix your way.
Gibson makes authorized copies of its most successful guitar designs. They are less expensive than those bearing the Gibson name. A former competitor, Epiphone was purchased by Gibson and now makes competitively priced Gibson models, such as the Les Paul and SG, sold under the Epiphone brand,[69] while continuing to make Epiphone-specific models like the Sheraton, Sorrento, and Casino. In Japan, Orville by Gibson once made Gibson designs sold in that country.[70] Gibson has sought legal action against those that make and sell guitars Gibson believes are too similar to their own.
The downside is you do pay a considerable sum for the pleasure! Still, the playability, comfort and tone on offer from is exceptional – as we highlight in the complete Taylor A12e review. It sports a Grand Concert body made from solid Sitka spruce on the top, with laminate sapele back and sides, along with a mahogany armrest for optimal ergonomics.

I have an acoustic Decca and a brand new Fender acoustic. Not only is the Decca easier for me to play because I have tiny little doll hands, I think it would hold tune if I threw it out of a moving car. I put both the Fender and the Decca into storage for two years - I just got them out recently. The Fender popped the B string and took a good twenty minutes to tune. The Decca was *STILL* *IN* *TUNE*. Plans have changed; I am selling the Fender and keeping the Decca!


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Specifically, the book includes exercises to focus on sweeping, alternate picking, string skipping, and bending in addition to arpeggios and legato. Keep in mind, this book builds on the skills you’ll learn and practice along the way. Having said that, intermediate players can jump a few chapters and still get a ton of value out of the guitar exercises in this book. In that way, it really can function as a choose-your-own-adventure type way to learn guitar that matches your current skill level.
He embodies the stylish sideman identity forged by guitar greats like George Harrison and Keith Richards: a neatly trimmed pudding-basin haircut, and a stage presence that never upstages the frontman. Yet, he is intriguing in his own right. Marr’s post-Smiths career has been stellar. He’s worked with everyone from New Order’s Bernard Sumner (in Electronic) to Oasis to John Frusciante, and has been quite active recently with both Modest Mouse and the Cribs. He has an uncanny knack for being around whenever cool music is happening.
The reason being that guitar manufacturers will usually look to keep costs down in the pickup department. This is particularly true for budget models, which will usually be fitted with stock pickups that do the job, but fall short of truly impressing. So guitarists with an affordable, but playable guitar may wish to upgrade their pickups, to make their favorite axe gig-worthy.

An utterly odd topic would be a discussion of woods for a certain tone. Wood does no magic to the tone. It has properties which might change the resonant behavior of a guitar body. But, that it does by some very course parameters, say stiffness and specific weight. Of very same importance is the shape of the plank which is referred to as “the body”. Stiffness, weight and shape work all together.
It’s 1951, a dark, rainy night on the backstreets of Memphis, Tennessee. Ike Turner and His Kings Of Rhythm are packing the gear into the station wagon, getting ready to head off to the studio to record a track for producer Sam Phillips, a track that the Rock and Roll Hall Of Fame will one day honor as the first rock and roll song of all time, ‘Rocket 88.’ (Although, distinctly unfairly, the song will be credited to singer Jackie Brenston and the imaginary band ‘His Delta Cats.’) “The amp—a Fender Bassman—was in the trunk of the car and it fell out, right on the road,” Ike Turner told Guitar Magazine’s Rick Batey in 1998, “and it was raining, so the amp got wet. When we got to the studio and plugged it in one of the tubes went ‘pop.’ We didn’t have no more tubes—so that’s where the fuzz came from.’

I don’t have a list of 10 top acoustic guitar brands, but I certainly think Martin would have a place on it, with a focus on their steel string instruments). Wechter may be the foremost manufacturer of resonator guitars. I’ve mentioned Gibson, and would like to add Breedlove as well. I’m quite certain that there are others equally worthy of an acoustic guitar list and I rather hope somebody more knowledgeable than I am will compile one.
Before Nathan Daniel started the Danelectro company in 1947, he made amplifiers for Epiphone from 1934 to 1946. Epiphone wanted Daniel to make amps for them exclusively, but he preferred to stay independent. Instead he founded the Danelectro company in 1947 and started making amplifiers for Montgomery Ward. By 1948 Daniel expanded and became the exclusive guitar amplifier producer for Sears & Roebuck. At the same time he was also supplying other jobbers such as Targ & Dinner of Chicago.

I HAVE A P38-12E I BELIEVE MINE WAS MADE IN SPAIN ALSO. LATER THEY WERE MADE IN MIAMI AND LATER IN CHINA KEEP IT IN GOOD SHAPE I HAVE MANY GUITARS ACOUSTIC AND ELECTRICS. EXCELLENT ACTION AND SOUNDING GUITARS FOR THE PRICE I HAVE GIBSON,EPIPHONE,IBENEZ, THE BEST SOUNDING 12 STRING I EVER OWNED WAS A TAKIMINE. WHICH WAS STOLEN IN LAS VEGAS. EVEN HAVE A 12 STRING ACOUSTIC I MADE. I ADDED A FISHMAN AND MADE IT ELECTRIC I ALSO PUT A TUNEMATIC BRIDGE ON IT. THEY ALL HAD DIFFERENT SOUNDS BUT THE ACTION ON THE PALMER IS THE BEST. I EVEN HAD A VICTORIA VIOLIN BASS WAY BEYOND A HOFNER. JUST BECAUSE YOU DIDN'T PAY BIG BUCKS DOESN'T MEAN ITS NOT BETTER THAN A MARTIN. I PLAYED MY UNCLES MARTIN HE MADE AT THE FACTORY WHEN HE WORKED THERE. AND IT CAME NOWHERE CLOSE TO MY PALMER OR TAKAMINE. PALMER CAME CLOSE TO MY 1960s GIBSON DOVE. DOVE HAD A BETTER SOUND PALMER HAD BETTER ACTION. HOLLYWOOD PHIL. GUITARIST AND SINGER FOR THE GWB BAND. I'M ALSO HEAD SOUND AND LIGHTING TECH FOR THE METAL BAND BLACKFATE.

Fender once again has proved itself to be a great name in the guitar industry by introducing this super acoustic model. It’s a full-size guitar and is IDEAL FOR BEGINNERS to start their musical journey as guitarists with it. It’s designed for learners so you must not expect too much from it, but yet, it is capable of producing great sounds in the hands of an advanced player that’s why claimed to be best suited for all styles of music.

The guitar is an instrument capable of truly heavenly tones but capturing this sound in a recording is never as straight-forward as you'd think. Here at Prime Loops we've been changing strings, tweaking amps and adjusting mics to deliver only the finest tone imaginable to your DAW! We used a 1985 Gibson Les Paul electric and a Martin DC-16RGTE acoustic with Fishman, Marshall and Orange amps, recorded through an AKG C214 microphone, so STUDIO GUITARS guarantees to make the hairs on the back of your neck stand on end!
About the only thing that all these producers have tended to agree on across the board is that you should try to get your guitar sound as good as you can before you even think about recording. "The stupidest thing that any musician can do," remarks Tony Platt, "is to just plug in and play and say 'make that sound good'. It doesn't work like that. I will always say to the guitar player, for instance, 'Is that sound coming out of your amplifier the sound you want to hear? If it isn't, show me what it is and we'll try to get somewhere close to that before we even put a microphone on.' It's a waste of everybody's time to sit there tweaking stuff until somebody says 'Oh that's good.'"

The Telecaster is known for its ability to produce both bright, rich, cutting tone (the typical telecaster twang) or mellow, warm, bluesy tone depending on the selected pickup, respectively “bridge” pickup or “neck” pickup. The bridge pickup has more windings than the neck pickup, hence producing higher output, which compensates for a lower amplitude of vibration of the strings at bridge position. At the same time, a capacitor between the slider of the volume control and the output, allows treble sounds to bleed through while damping mid and lower ranges.[3] A slanted bridge pickup enhances the guitar’s treble tone. The solid body allows the guitar to deliver a clean amplified version of the strings’ tone. This was an improvement on previous electric guitar designs, whose hollow bodies made them prone to unwanted feedback. These design elements allowed musicians to emulate steel guitar sounds, making it particularly useful in country music. These characteristics make the Telecaster a versatile guitar, usable for most styles of music including country, blues, rock, and jazz.


Nashville studio engineer Glen Snoddy discovered the Fuzz-Tone sound when recording Marty Robbin’s 1960 hit “Don’t Worry About Me.” Allegedly an overloaded transformer blew in a Langevin tube module, transforming Grady Martin’s bass guitar into a distorted, heavy fuzz. Some put the event down to another case of amplifier malfunction. Either way, Martin continued to use the tone throughout 1961 while Snoddy transistorized the malfunctioning circuit through trial and error, and sold it onto Gibson in 1962.
What equally contributes to the Entourage’s place on our list of the best acoustic-electric guitars is its nuanced and bright acoustic sound. This signature tone comes courtesy of a select pressure-test solid cedar top and wild cherry back and sides. The electronics on this model are easy to use and compact, highlighted by a pewter plate giving the entire package a stylish appearance.​

These 8 free guitar lessons are from Chris Buono’s 60 Electric Guitar Techniques You MUST Know where he’ll describe and demonstrate 65 of the most popular electric guitar techniques found in blues, rock, jazz, metal and other contemporary genres of music. He also shows you how they’re notated in standard notation and tablature to help you get the most out of reading or writing sheet music, tabs, and charts.
Mic placement is pretty crucial. You can get a million different EQ responses depending on where you throw the mic in front of the cab. I personally have the best luck - or at least I think so - when I back the mic off a little bit. I know a lot of engineers throw it right on the grille to get the bass boost, the proximity effect and all that garbage, but I find that if I back it up about six inches, I get a more balanced EQ curve.
The Effect: Compression rose to fame in the rock and roll era, many famous musicians used (and still do) compressor pedals in order to add distinctive sustain in their performances, attracting the listener’s attention and making them stand out from the diverse instruments playing along. Some of the most famous compression pedals are the “Ross Compression” and the classic “MXR Dyna”, which have been subject to imitations and remakes ever since their original releases. Compression pedals have remained popular to this day, and are considered a must-have in many guitarist’s arsenals.

Rock On Good People (it’s actually rockongoodpeople) is another YouTube channel really designed to funnel viewers towards the creator’s website, www.nextlevelguitar.com which—no surprise—has heaps of stuff you can buy. But that doesn’t mean that Rock On Good People doesn’t provide a long list of free videos ranging from lessons for beginners through to how-to-play-techniques aimed at experienced players. What I like about Rock On Good People is the cool vibe you get from all the presenters, no matter the style or subject of the lesson, and some of the videos take you further down the guitar-playing track with themes like “Tips For Improving Your Live Shows”. That might seem a long way off, when you’re currently trying to get your head around playing basic barre chords, but these videos have hints and advice that are good seeds to plant in your mind early, even if you’re still some years off jumping off your first Marshall stack and into the mosh pit.


When you've put your blood, sweat and tears into developing your talent, you want your music to sound amazing. And with the proper recording gear, you can ensure your sound is captured exactly how you intended. From audio interfaces to studio monitors to extremely powerful subwoofers, this section's wide range of recording gear offers up plenty of examples of ways to make your recordings better than ever. The right audio/video arrangement can take the stress out of recording, giving you more time and energy to concentrate on what's most important - your music. If you're unsure where to start the search for recording gear, checking out some of the top-rated and best-selling products is definitely the way to go. Want to attach your mic directly to your PC or Mac? The Blue Icicle performs dual functions as an XLR to USB adapter and a studio-quality microphone preamp. Offering a quick and easy way to perform digital and audio recording, this handy tool is a must for every musician's gear bag. Maybe you're in the market for a studio monitor? If that's the case, the Mackie MR8 mk3 8" 2-Way Powered Studio Monitor is a fantastic choice. Built with a clear focus on accuracy, this low-profile studio monitor is perfect for musicians who really want to capture the full character of their music. This section is also home to an assortment of GoPro video cameras. With a GoPro, you can record your set firsthand from the stage, giving your fans a unique "view from the top." Take a look at the GoPro HERO+ LCD for example - this camera captures your world in stunning HD video. It's rugged, waterproof and built into its own protective case - exactly what you need to record those high-energy shows. Another fantastic GoPro option is the HERO4 Session. Smaller and lighter than any other GoPro currently on the market, the HERO4 Session captures 1080p60 video and 8MP photos in a simple design that's so compact it can go just about anywhere. This is just a quick sampling of what's available when it comes to recording gear. There are lots more products to consider, so spend some time browsing through them - you never know when the right piece of equipment is going to leap off the page and into your professional setup.
There are literally hundreds of potential models we could show you, including a wide range from Martin themselves. But, as an example, we’ve chosen to share this rather attractive number called the Martin 00-18V. This guitar is a great demonstration of the top end of the price range, and features a host of show-stopping additions. Martin has great pedigree in the world of acoustic guitars – more on that later – and the Songwriter Deluxe is a great yardstick against which other dreadnoughts can be measured.
To do hammers-ons and pull-offs, you simply click the switch for it on, and every time you play two notes within a small enough interval it plays them as a hammer-on or pull-off. This seems great until you realize it still does this even if you hold those two notes down together like you were playing a chord. To not have the first note immediately cut out, you have to switch this feature off.
The kind and quality of woods and other materials, as well as features such as onboard electronics, also figure in the price of a guitar. With a well-built guitar that is made using quality materials, you can be sure to have a sturdy instrument that will last for years, as opposed to a low-end product that you may need to replace because the neck snapped.
This book comes from the former editor of Guitar One magazine who has been playing since he was 14 years old, so he has a reputation of knowing a his way around a guitar neck AND knowing how to write. Let’s face it, when you are trying to learn guitar through reading a book, the author's ability to write and communicate is crucial. Anyway, this book delivers a “workout program” for your fingers, giving you a technique driven approach to learning the guitar and actually improving in record time. The exercises are designed to help with dexterity and accuracy.
Solid Body: This build is rather self-explanatory, meaning there is no sound box (as typically seen in other instruments, especially acoustic guitars) but instead relies on an entire electric pickup system to gather the vibrations of the strings to portray your sound. This typically dominates the preferred ‘guitar type’ category unless you’re aware of what the differences are in terms of sound (telecasters, Ibanez, etc.). The perks of this solid build include the ability to be amplified at very high volumes without feedback worries, giving us more combinations when it comes to shapes\designs, and are very responsive to the use of effects since it’s nearly entirely dependent on amplification. Preferred genres? Rock, punk, metal, classic rock, etc.

As a long time player conveying the skill, craft and passion of this art, which is as much as a science, players of ANY and every instrument can unanimously agree that there are no “best” players. Some have great moments that were captured and regurgitated in the media time and a get which put them in a permanent vista. This is greatness? Hardly. I’ve seen A LOT of players, some included in the article and the majority chanted by the readers on this board screw things up beyond repair–some during the opening of their first song of the performance. OUCH that hurts…but it happens. Some completely lost track with what they were doing during a show casing of their solo work…oops. Yep it happens, like sometimes happens to singers who forget their lines–it doesn’t matter that they have written the song they were performing. Yea, we hear about this stuff every now and then, however at the end of the day, this doesn’t matter. The truth is, people hear only what they want to hear and will by their very disposition, ignore the negatives and embrace the positives of their work–alas this is why this supportive listeners are called FANS.
Re-amplified Distortion: This re-amplified distortion is audible by comparison, when switching between a solid-state and valve amplifier in real time. By paying close attention, it is heard as a fine spurious inter-cluttering within the music. This is clearly noticeable with efficient speakers but not with inefficient speakers. Valve amplifiers are inherently linear. Their natural gain is small and therefore require minimal or no negative feedback.
Super info. thks. Just found your site as I too, had some questions about action. I have a Martin D-28, manufacture date late 2013 and I purchased new in Feb. of 2015. It has always been humidified and kept in the case. I only really noticed the ‘high’ action when I changed to drop D tuning and I noticed amplified ‘string whip’. I estimate the height to be 4mm. I re-tuned and looked again and the action is noticeably higher than my Epiphone EJ 200 and Simon & Patrick Woodland Folk. I think, as you have said, the guitar is just getting acclimatized to it’s ‘new’ home. Play ability is still good, (although the player needs work!) but I think I will take it back to Folkways Music to have the Tech take a look. Thks. Great site, I will bookmark it!
This comprehensive set contains the most detailed version of the Yamaha C5 Grand plus a full compliment of performance sounds to cover all your needs from pads, strings, EPs, orchestra, synth, organs, guitars and many other instruments. At 971mb in size (with 592mb dedicated to one outstanding piano with five brightness levels to choose from)  it is designed for the fussy pianist who also wants a full bank of sounds at their fingertips.

Other artists, such as George Benson, John Lennon, and the world renowned B.B. King would use the instrument to its fullest capability to produce a clean, bright, woody tone reminiscent of fully hollow guitars, while being able to provide the volume levels to perform in much larger concert halls without the inherent issues known with fully hollow body guitars.


I am running the TimeLine, Mobius, Big Sky and Flint along with a few JHS drive pedals and a POG. I have a 5 channel true bypass looper and use a DMC-3XL and TNT tap to control my MIDI devices. In the past I have had all of my drives and POG in the 5 channel looper. But I have reduced significantly the number of drives I am running. I run a SP compressor and an EM-Drive at the beginning of my chain that are my always on pedals & I’m not sure I need them in my loop. I also cut down to 2 drive pedals (JHS Double Barrel & Jetter Gold Standard). Would I be able to run the TimeLine, Big Sky, and Mobius through the bypass looper and leave them always on but bypass through that? Should/Do I need to use a TRS to do this run since I am going straight into the in/out signals? I’m trying to do some experimenting but wanted to get your opinion as well.
Coming in as the fourth-most recommended multi-effects unit is the Boss ME-80, which is the upgrade to the older Boss ME-70. This is probably most comparable to the Line 6 POD HD500X in terms of having an all-in-one, full-featured multi-effects and amp-modeling unit. But the great thing about the Boss ME-80 is that it costs nearly half what the Line 6 does! Furthermore, the Boss is a very different animal in how you interact with it, which you can pretty much tell just by looking at the two pedals side by side.
There was a question from Benhur about Cort. If you lived in England you may know them better. They are an Indonesian company who builds many of the lower price point guitars for the big names like G&L and Fender just to name a. Few. Lower price doesn’t always mean less quality. Cort has a following in their own skin, and many with other well known names just may not know they are playing a Cort.
A range of other effects are used in various genres. "Wah-wah" and "synth" bass effects are associated with funk music. As well, since the 1960s and 1970s, bands have experimented with "fuzz bass" where the bass is distorted either by overdriving the amp or by using a distortion unit. Fuzz bass was used by psychedelic rock bands in the 1960s and early 1970s and in traditional heavy metal bands (Led Zeppelin) during the same era. Octave-generating effects, which generate an octave below the pitch being played are also used by bass players. Many bassists in modern-day hard rock and heavy metal bands use overdrive pedals specifically made for bass guitar. Since the late 1980s, bass-specific overdrive pedals have been available; these pedals maintain the low fundamental pitch. Using a regular guitar distortion pedal for bass would result in the lower frequencies being greatly lessened. Well-known overdrive effects for bass include the BOSS ODB-3 Bass Overdrive[1], Electro-Harmonix Bass Blogger[2], Tech21 Sansamp Bass Driver[3][4], the DigiTech|DigiTech XBD Bass Driver [5], and the Electro-Harmonix Big Muff.
The majority of favoured mic pairs seem to include the trusty SM57, but its most popular partner appears to be the larger-diaphragm MD421 — users include Bob Rock, Bruce Fairbairn, Alan Winstanley, Joe Barresi, Simon Dawson, Stephen Street and The Matrix. Also high on the list is the pairing of the SM57 with a large-diaphragm condenser of some type, and Steve Churchyard, Toni Visconti, Jim Scott, Stephen Street, and John Leckie all name-check the U87 in this role.
In fact, it’s the same hand-fabricated bobbin, Alnico II bar magnets and plain enamel mag wire that featured on the original. And with a similar construction comes a similar vintage P-90 tone, with plenty of brightness and bite. Available in both bridge and neck models, the Antiquities look the part too, with authentic-looking aged black plastic dog-ear covers.
Naturally, if a seller can get more money by calling what they have a “lawsuit guitar”, they’re going to do it. Unfortunately, some writers who should know better have taken to using the term for any old Japanese lookalikes, copys, knockoffs, etc, of (mostly) American guitars. Some sellers are using terms like “lawsuit era” or “pre-lawsuit” which don’t mean anything at all.
Who created the first distorted electric guitar sound in history? I’ll tell you: the first adventurous player to plug a hollowbody guitar into a tube amplifier way back in the 1930s, that’s who. We might have forgotten his name, or maybe there was no one there to witness the event, but you can bet he lifted up that guitar, checked out his new amp, saw that the loudness control went to 10, and cranked it up to hear just what it could do.
You need to know what colour code your pickup wires are. If the 4-wire pickup is a Seymour Duncan then the link above should work for you, if it’s another brand of pickup then you’ll have to figure out how to correct for the appropriate colour wires e.g. DiMarzio pickups use a different colour code on their wires to Seymour Duncan and they’re all fairly easy to find on the web.
The double cutaway body and its higher fret access made the SG become the perfect axe for the slide guitarist.  Duane Allman of the Allman Brother’s Band is one of the most highly revered slide guitarists of all time, and he chose the SG as his weapon of choice.  Allman was even known to pass the fret board entirely and create notes in a high range that were not previously capable of being played with normal slide technique.
The first analog delay units used magnetic tape to record the original signal and play it back shortly after. The most famous tape units are the Echoplex and the Roland Space Echo. As cool sounding as these units are they require a fair amount of maintenance and they are rather large and aren’t practical for the gigging musician. But boy do they sound good!
There have been several changes in the amplifier world since we last took a look at this mega amp article, spurring us to refresh a lot of content. We have replaced some models in our top ten chart, such as the Bugera Trirec and the Vox AV15, with a host of new additions. These include classic combos like the Fender Champion 100 and the Vox AC15C2, with some awesome heads such as the EVH 5150III and the Boss Katana, as well as the super portable Roland Cube Street.
The first great thing about this guitar is its amazing look. It has a Paulownia body with the metallic blue finish and a bolt-on construction. It comes with a dean vintage tremolo bridge which works quite well compared to others. One more advantage of this product is its cost. It is one of the most affordable electric guitars out there. It has a three-way toggle dual dean humbuckers which give you great volume and tone controls.

Zen guitar is not about scales and memorizing chords. Instead, it is a masterpiece of why to play guitar, helping you get through the times where learning guitar gets frustrating, and believe me, it will at some point get frustrating. But if you can get through that and push on, you’ll be rewarded with mastery of an instrument that will give you personal fulfillment and a lifetime hobby that brings achievement and satisfaction.
The people at VOX know a thing or two about creating great sounding amps, after all the AC30 is probably one of the most famous amps of all time. The VOX Valvetronix VT40X modelling guitar amp actually recreates the sound of these great amplifiers and so many more. In fact, you have 11 famous amps to choose from which can expand to 20 when using the included Tone Room Editor as well as 13 effects built in. The hybrid digital/analog power amp provides you with all the warmth of a tube amp but with digital stability! If you want more power, you have the VOX VT100x or the smaller version – the VOX VT20X.
On some amps with a number of input and output jacks, the jacks may be consolidated in a patch bay. Some amps have an input jack for a foot-operated switch which can be used to turn on an effect or switch to a solo channel. Some higher-end amps have a Speakon speaker jack for an extension speaker. In the 2010s, the Speakon jack is often used in high wattage amplifiers, because the design of the connector, which is shielded from human touch, prevents electrical shock from a high-powered amplifier. Some amplifiers have a "tuner out" jack, for sending the instrument signal to an external electronic tuner. Bass speaker cabinets often have two 1/4" jacks. These are provided so that one speaker cable can be plugged into the first jack and connected to the power amp; if the bassist wants to use a second cabinet, a second speaker cable is plugged into the second jack and then into second speaker.
If you mean the Guitar Hero III guitar then there are two switches on the back. The one just below the neck of the guitar (It looks like a quarter of a circle.) detaches the neck so you can store the guitar AND the neck in a smaller space, and the switch towards the side of the guitar detaches the faceplate so you can put a different faceplate on, or play without a faceplate.
A well known South Korean guitar brand, cort guitars is swiftly rising up in Indian markets. This brand is famous for producing acoustic, bass and electric guitars at less cost. Its starting price is 10,000 Rs and comprises of some best models like VL, all the G and Aero series and classic rock. If you want to buy this guitar, then you may purchase from online website or firm official websites as well.
Ibanez is a Japanese brand of guitars that have long been associated with progressive, jazz, and metal music. They offer a wide range of styles and models for all different playing types, and they have been around since the late 1950’s. Like Fender guitars, they have the wider string spacing, and the guitars often feature a whammy bar. Occasionally models incorporate a Floyd Rose Locking Tremolo system which secures the tuning of the strings.

The Neoclassical Speed Strategies for Guitar is another book we’d recommend more for the seasoned player. This one provides an excellent introduction into fingerpicking with helpful illustrations of exactly how to position yourself for the quickest and most efficient playing. It includes lots of helpful examples and exercises to make it easier to master.
While some Supros were more or less re-branded Nationals, many represented totally unique designs in the Valco line. When the Supro equivalent to the National Grand Console was introduced in 1958, it featured a radically different body design. In place of the National’s conventional all-wood construction, the Supro 1475B Console Sixteen featured two wooden necks connected by three chromed metal rods that ran all the way through each neck. It’s not obvious why this design was chosen; it doesn’t have any advantages other than its unique aesthetics, and I don’t believe it could have made construction any cheaper. The Supro was cheaper than the National – $175 vs $235 – but the difference was likely due entirely to the more “exclusive” name on the National.
When technology changed from valve to solid-state, it was noticed that solid-state amplifiers lacked warmth and bass performance, and had to be twice as powerful as valve amplifiers, to sound as loud. Current Drive: Solid-state amplifiers behave in ‘Voltage Drive’. This acts as a short circuit (zero output impedance, or 100% damping factor) across the speakers, causing excessive damping, which reduces efficiency, limiting responsiveness. Valve amplifiers behave in ‘Current Drive’. This represents an open circuit across the speaker without over damping, allowing maximum response and efficiency.
Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 6 In-Line - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: 3-Color Sunburst
sorry this has SOLD OUT: Poor mans Authentic Blues Parlor guitar from way back. This is the real deal used over 60 years this is what some poor share cropper genuine American Blues men would have been able to afford back in the day and subsequently used throughout the south by mostly poor Black folks where the berth of the blues was born of course this is from the place where great things happen BORN in USA baby and is widely considered and is acknowledged to be by most all of our greats in US or British Rockers - Jazz players & Country too all these greats players feel that these original US Southland blues is the truest of ART FORM's PURE and RAW ....you feel it in your soul... this original sounds was not overly sophisticated at all it was RAW that was its beauty this sound from this old Stella is Authentic like that and is RAW and its woods are good - solid Burch wood and actually is an excellent tone wood in fact in those days Burch was widely used and my belief is that is a characteristic in the tone of this Original blues... Classic sound to this guitar OK it has it.... I have a few of these Stella's and love them, when you want to record and lay down an authentic REAL old school style rhythm track or play it on your porch swing and sip mint julip from a mason jar to get in the mood you can do it with this guitar its the real deal. This guitar is old did I say at least 60 likely older that being said it plays well it really kinda does... with pretty good action for what it is as good as it was 60+ years ago I recon. Tuners work, body is in good shape it aint goin anywhere its prety well made it has surface cracks and they are there and not a problem they have been there 40 years and have not gotten any worse not in the 15 years I have owned Stella! Like the movie STELLA! I could not resist the reference but I digress, Condition is Vintage good obviously not new or mint but she is 100% cool Authentic bluesman material if you want that old time Mississippi Delta to Chicago raw blues this old vintage American Icon of a Poor mans Parlor guitar, this is a classic threw & threw... I suppose I could have simply said it sounds good.... ahow ow ow ow.

Continuing with the rock and metal theme we’ve got going, we come to the Schecter Omen 6. At the time of this writing, the Omen 6’s price on Amazon is about $50 cheaper than you’ll find anywhere else. I hope that continues long after I publish this, because the Omen 6 is an amazing guitar and finding it under $300 is a steal (and may not last long).
Another tone control we almost all come in contact with is the amplifier tone stack, as sketched out in Figure 3. A sequence of evolution at Fender led up to the 1957 Bassman becoming the prototype for most amplifiers’ Treble/Bass/Mids control knobs. Marshall and Vox used a similar system. The amplifier “tone stack” is just that – a stack of two or three potentiometers which provide treble, bass, and sometimes midrange controls.

The standard practice for many distributors was to offer a line of guitars based on popular American designs like Les Pauls and Strats, for example, along with a few original designs. And all were offered at a bargain price or were at least inexpensive enough to compete with the American manufacturers. While the majority of imported Asian-built copies from the era aren’t considered to be of very good quality, the Lotus brand was an exception, mainly because of the factories they were built in.
Southpaw Guitars has over 900 Left Handed Guitars and Basses In Stock at any time. At Southpaw Guitars you will find a knowledgeable friendly sales staff to provide Service, Assistance, and Guidance as you purchase your Dream Guitar. Furthermore, You will not be greeted by hold music, transferred between departments, treated discourteously, or given the sell what we have routine. We are conveniently located in Southwest Houston. 713-667-5791
An incredible acoustic baby right handed guitar, natural in color without a case. It has a solid wood and Nato fret board that constitutes of 19 frets. It also has an awesome mid range boost, has adjustable truss rods, is light in weight, and is easy to operate, making it suitable for an entry level guitarist. The prices are relatively fair, ranging from INR 9,990. You can get more details on the product by clicking on the following link:

The new AC15 'Twin' retains the all-important dual-EL84, cathode-biased output section of its forebear, but otherwise it's very different. A quick scan across the top panel reveals two inputs for independent access to either normal or top boost channels. One benefit of the bigger, 2x12 enclosure is that it provides ample room for a full-length reverb tank, housed in the bottom. There's also an in-built tremolo effect, with controls for depth and speed. But the whole point of this amp is the pair of 25-watt Celestion G12M Greenback speakers. They are the speaker of rock in so many cases and while purists might hope for Celestion Blues, they would add a good £300 at least to the price; and he increased power handling of two Greenbacks on the end of just 15 watts is quite a tantalising prospect. It's fair to say that even with the master volume set-up, the magic doesn't really start happening until the amp's lungs are at least half way open, but happily, that's not far from perfect for many of today's pub and bar gigs - it may even be too much for some. The AC15 'Twin' does sound magnificent when clean, but listen carefully to those amps or this and it's rarely completely undistorted. That harmonically rich drive that was never supposed to be there is the key characteristic that latter day, non-master volume AC users find hardest to replicate.

Every electric guitar has a series of electronics that give the guitar its unique sound. Fender guitars signature sound comes from their five-way switches and single coil pickups where as Gibson Les Pauls comes from their three way selectors, multiple tone knobs, and humbucker pickups. Many other aspects of electric guitars affect the tonal qualities of the instrument, but the electronics cannot be overlooked. In this article, I will talk about different electronics in electric guitars as well as some common repairs. For more information about electric guitar pickups, see the electric guitar pickup page.
Mastering guitars isn’t a piece of cake, mainly if you are a greenhorn. You get lost in the labyrinth of types of guitars, each having different size, shapes, and price values. Most of these especially hunt your wallet, burdening down your pockets with hefty price tags. As an amateur, you find no other option but to pay the said amount hoping to get something useful. Indeed, the best electric guitar brands are usually inclined towards the more pricey side. If you have background knowledge about the best brands, who knows you may get your desired guitar in an affordable range. Through this article, you will learn what different types of guitar brands are available in the market.
Reverb pedals come with all kinds of different layouts. Even so, some of the controls are virtually universal. The first one we would like to mention is the dry/wet knob. This control is what you use to mix your original signal and the effect itself. When the knob is turned all the way to dry, there will be zero reverb present in the signal. As you move towards wet, the amount of reverb increases.
The design of this guitar probably makes it stand out from the “crowd.” This is another awesome six string acoustic guitar from the brand Juarez available in sunburst and black . It is designed for the right handed and mostly comes in Sunburst color without a bag. The body is made from blackwood with the top laminated with Linden Wood. The entire structure has a natural gloss finish, with the fret board having up to 18 frets. The hardware structure has a chrome finish. Prices are quite fair, ranging from INR 2,790. Find more details below.
A great app for playing and basic editing of general midi files is Sweet Midi Player which includes a lyric viewer for midis with lyrics/chords. You can load one of the General Midi SoundFonts above to greatly improve the sound quality. For Windows PC use the free program Coolsoft VirtualMIDISynth to install a new GM SoundFont (Get the latest version 2.1.0 for Windows 10).
Some pedals, such as clean boost pedals and transparent overdrive pedals merely provide a much powerful signal to feed into the preamp section of the amp, causing natural overdrive. Overdrive pedals can provide both a boosted signal and an already distorted signal. Distortion pedals have different kinds of circuits that provide different kinds of distortion; the pedal provides an already distorted signal. Digital overdrives and distortions rely on electronic means of producing the signals, with some resorting to modeled sounds.
Acoustic guitars are generally larger than electric guitars. They also tend to use heavier-gauge strings. Heavier-gauge strings will require a bit more finger strength than the lighter-gauge strings found on electric guitars. Getting comfortable holding the guitar and fretting notes is important on both acoustics and electrics, but may be slightly more physically challenging with acoustics versus electrics.
I purchased this about 8 months ago (it is my first acoustic guitar) so I could learn to play again, I'm a singer by trait, but wanted to pick up a guitar again after a very long break. I did not want to spend a lot of money, but I didn't want junk either, while at the same time I wanted something that would translate well into performing live too. I did my research, and personally, it came down to this or the Yamaha APX-500 (But I really want the Mrk 1 not 2), so I settled for this.
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Non Locking Tremolo TREMOLO FAT/SAT MONTAGGIO DEL BRACCIO DEL TREMOLO L'inserimento e la rimozione del braccio del tremolo sono operazioni estremamente semplici. Inserire il braccio nell'apposito foro sulla piastra di base del tremolo. Tirare il braccio per rimuoverlo. REGOLAZIONE DEL BRACCIO DEL TREMOLO (SAT PRO) Per regolare l'altezza del braccio, rimuovere il coperchio della molla del tremolo dal retro della chitarra e utilizzare una chiave a brugola da 3 mm per girare la vite di regolazione dell'altezza sulla parte inferiore del blocco tremolo.
I wanted the action lowered on two acoustics and a strap button put on. I called 6 different places around town, each one quoting me prices ranging from $50-$60 for the setup (action adjustment) and another $10 for the strap button. I called Franklin Guitar and Repair and was quoted at $25-$30 for the setup and $5 for the strap button. What a steal! So I took both guitars. He looked at one and said all it needed was minor adjustments, which he did right then and there for free. The other, he kept overnight to adjust and add the button. I picked it up today. $15 TOTAL.
If anybody needs a Bridge, I have a Teisco Roller Bridge for sale, it is a a copy of a Gretsch Roller bridge but includes a solid steel Base like a Rickenbacker Bridge Base. The string saddles are rollers which are adjustable side-to-side for proper string spacing, and each side of the bridge is adjustable for Height. It is in excellent condition, probably from 1965 thru 1968. On a scale of 0 to 10, it is a 8.
Shimming a neck: The best shims are one piece and the full size of the neck pocket. For this veneer from the hardware store works well. However, it is very hard to get an even taper on these. The next best option is to use masking tape. Masking tape is paper which is wood fiber so it's almost as good as a solid shim, and much better than the smaller shims which leave large gaps which impedes the transfer of vibration, and could cause problems later on. To make a tape shim, lay strips of tape side by side perpendicular to neck, and add layers to provide the taper. i.e. stripe 1- 1 layer, stripe 2- 2 layers, stripe 3- 3 layers. Place the neck in the pocket, mark outline of pocket, and trim just inside outline.
Located in Reno, Nevada, our shop, The Strings of Reno provides services to both local musicians as well as those located throughout the United States and even abroad. If you are nearby, and would like a one on one appointment please give us a call. If you are not within driving distance of Reno, NV, please call or email us with the nature of the work you need taken care of. We are not just about guitars, if it has strings, we can fix it!

Tonhöhe ebenfalls gehoben und kann auf die gewünschte Tonlage eingestellt werden. Der Ibanez DOWNSHIFTER erlaubt es, die Tonlage einer Saite durch einfache Hebelbetätigung auf eine vorgegebene gewünschte Position zu senken. Um präzises Tuning für sowohl Auf- und Ab-Positionen zu erzielen, müssen Sie beide Hebeleinstellungen vor Betätigung des Downshifters voreinstellen.
too many to the point their incredibly over rated for me personally, there's a world outside of Gibson that cost a fracton as much and will blow peoples heads off. I have a custom 7 string I bought off craigslist someone made that's worth about 500 dollars because I didnt pay for some name on the headstock and so on. All my friends from blues and jazz lovers to metal would rather play my guitar. more frets for soloing than their les pauls active pickups a Floyd rose locking tuners 4 big reasons right there

Some Craigslist and EBay sellers have been claiming the 500 and 600-series Kents are made by Teisco. I think we’ve shown that that’s not the case. Some sellers also describe those early Kents as having “Ry Cooder” pickups. As most of you know, Ry Cooder is an incredibly talented multi-stringed-instrument musician. David Lindley, another great talent, gave him a pickup from an old Teisco guitar. The photo at left is exactly like it. Cooder put the pickup into one of his Stratocasters and liked the sound so much that he got another one and put it into another Strat. These pickups are also described as “gold foil” pickups. There are variations in the pattern of cut-outs on the chrome covers of different pickups. I don’t know if the others sound any different, but if I were looking for a “Ry Cooder Pickup”, something like the one pictured here is what I would be looking for. The pickups have become worth more than the guitars they are on, consequently, as the guitars are bought up and trashed for their pickups, their prices are going to rise.
Read Full Review This electric guitar from Schecter has an awesomely low price for beginners out there with a genre of music in mind is to play rock and lots of heavy metal. The guitar has similarities in design with the Schecter Omen 6 series which is a higher model to the C-1 SGR, but the C-1 SGR also has the humbuckers for its pick-ups controlled by master volume, single tone control and a 3-way toggle to switch between pick-ups to get near on what the higher model can do.
The guitar is hand-made by Martin's top luthiers, using exotic cocobolo wood for the back and sides, mixed with a more conventional solid sitka spruce top. As expected from a high-end instrument, this guitar features impressive visual appointments, most notable of which is its ivoroid binding, beautiful rosette and fretboard inlays. While its price tag and looks may push you to just hide this guitar in the closet, know that this instrument is built to make music in the road or in the studio. Martin employed modern bracing and construction techniques to ensure the guitar stays reliable, beautiful and great sounding for a long time. Those that are lucky enough to own this guitar have themselves a treasure that they can pass down to the next generation of players.

Discrete models describing the low frequency behavior of stringed instruments have appeared in the technical literature for more than 25 years. These models are very useful in understanding the nature of acoustic-structural interaction, but only when they are correctly tuned to match the measured response of a particular instrument. The tuning process is easiest when FRF measurements are made... [Show full abstract]


1960's Kay, Model K-1 "SG-Style" Electric Guitar. 1 single coil Pickup. Great, original "see-thru" Mahogany-color finish. Bound fingerboard. Laminated maple neck and laminated Mahogany body. Volume and Tone control and adjustable truss rod. With the exception of some "Battle Scars" on lower bout of body (see photos) the finish and wood in great shape. Plays and sounds great. Stop Tailpiece. Not many finish chips. Very shiny. Frets in great shape with no visible wear. We have completely done a "Pro" set up on the guitar, including cleaning all the electronics, tightening and lubing the machines, oiling the fingerboard, adjusting the neck and action for great playability (clearance at the 9th fret = .011 when fretted at the first and the body) and cleaning and polishing. Plays and sounds great. We also installed a new set of .009 strings.  No case included.
Every skilled worker needs to look after their tools and musicians are no exception. Sure, wear and tear is normal—especially when you play your instrument often—but a little T.L.C. will ensure your musical gear continues to look, play and sound amazing for years. At Guitar Center Repairs, you'll find a dedicated team of certified musicians who take pride in helping you reach your highest level of playing potential. Make no mistake, your music maker is in the best of hands at GC Repairs. When it comes to looking after your musical equipment, certain things should be left to professionals—pickup installation, wiring customization and structural repair, to name a few. Mind you, there are tasks that every guitarist can take care of at home, including regular polishing and restringing. Of course, not everyone has the time to continually look after their instrument and bringing it to Guitar Center is a great way to save yourself time and ensure that the job gets done right. With that being said, GC's services go well beyond cleaning and string changing. For those of you who own a stringed instrument and find the action is higher than it once was, a truss rod adjustment is definitely in order. Or, maybe you want to personalize the look and sound of your guitar—in which case, an expert will be more than happy to swipe out your pickups for a new set, replace the pickguard or perform any other task to give you an axe that’s entirely your own. Honestly, your best bet is to browse this entire section and see what else is offered in the way of repairs, maintenance and modifications. Who knows, maybe your local GC is having a free guitar setup day, so feel free to have a look around this page or take a swing by the store in your area. Our friendly and knowledgeable staff is always happy to speak with other local musicians and setting up a quick appointment for your instrument will do wonders for your musical enjoyment. From nut and bridge replacements to even amp electronic upgrades, Guitar Center Repairs has you covered.

Now, to answer your question I would have to point out a series of popular brands and what they are popular for. After that, you make a decision on which one is best for you. You might see where I’m going with this. There is no single best guitar brand the same way there is no single best car brand. But we do have the Ferraris and Lamborghinis, as well as the Toyotas and Nissans of the guitar world!
The panel on top carries the controls for an old school look and feel overall, consisting of a master volume, gain, bass, treble and the model AC10 comes equip with a built-in reverb effect that makes it even more powerful and articulate to use. This amp is at top of its class when used at home, awesome for a recording studio and bringing it on stage to cover a small to medium size venues.
This model comes in Takamine’s NEX cutaway guitar body, and features a slimline mahogany neck with 12”-radius rosewood fretboard. The result is an acoustic that plays really quickly, and is more than comfortable right up in the high frets. Ideal for virtuoso players. Takamine also use their own preamp system here, which includes three-band EQ and gain controls, mid contour switch, notch filter and EQ bypass. It all sounds great.
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The Stratocaster’s sleek, contoured body shape (officially referred to by Fender as the “Comfort Contour Body”[5][6] ) differed from the flat, slab-like design of the Telecaster. The Strat’s double cutaways allowed players easier access to higher positions on the neck.[7] The body’s recessed “beer gut” curve on the upper back, and a gradual chamfer at the front, where the player’s right arm rests, aided player’s comfort. The one-piece maple neck’s wider “dogleg”-style headstock contrasted with the very narrow Fender Telecaster’s headstock shape. The strings are anchored on a through-body pivot bridge attached with springs to a ‘claw’ in the tremolo cavity on the back of the guitar.
Although acoustic guitars have recently surpassed electrics in popularity, the electric guitar is still the most prominent instrument in rock music, and it’s a key component in many country, R&B, pop, and jazz groups. If you want to play in a band, you’ll probably want an electric guitar. You’ll also want one if you want to develop the ability to play melodies and solos because electric guitars are, in general, better designed to accommodate fast fingering and more able to stand out in a musical group.
000-15: Base model of the upper end Martin Guitar line. All mahogany orsapele construction. ‘A Frame’ “X” top bracing, 14 frets clear, Optional model 000-15S 12 frets clear. All -16 and -16 series 000 instruments have long scales (25.4″) and 1-11/16″ nut widths, in contrast to the -18, -28, and -45 series, which have the ‘traditional’ 24.9″ 000 scale, retaining the 1-11/16″ nut width.

This beautiful wood is not a very common tonewood for the construction of a guitar body, but you may see it more commonly in neck construction. However, it has been done to build a guitar body, and it was done well on the famous Gibson J-200 that the Epiphone EJ-200SCE also imitated. It’s a very solid, hard, and dense wood that has amazing sound punch and bright tones.
These 8 free guitar lessons are from Chris Buono’s 60 Electric Guitar Techniques You MUST Know where he’ll describe and demonstrate 65 of the most popular electric guitar techniques found in blues, rock, jazz, metal and other contemporary genres of music. He also shows you how they’re notated in standard notation and tablature to help you get the most out of reading or writing sheet music, tabs, and charts.
The fit and finish are as amazing as one would expect, and the general aesthetics of the guitars are just awesome to look at. They aren't gaudy or try-hard, but refined and subtle in their expression. Strumming a single cord will tell you all you need to know about the tone quality of this guitar, which is what really matters. It has that Martin twang and a lot of it.
For my tastes, position 1 on a clean tone can be a bit too boomy. Even if one backs the volume a bit to take the edge off, it doesn't quite suit acoustic-style strumming. Position 2 is perfect for these sorts of things, though. I'd always use it for the small high chords you often find in funk and reggae. Position 2 is also a nice way thinning a distorted tone without it cleaning up too much, like Position 1 with the volume dialled down does. If you have your rig set so Position 1 screams, Position 2 will sing.

This list would have been incomplete without us mentioning the Shure SM57-X2U. Because it is a plug and play device, as it uses USB connectivity, this microphone enables its user to record itself/herself while jamming to his/her favorite songs.  As its manufacturer claims this unit is capable of offering a frequency response that is tailored for vocals. What is more, the model also has brightened midrange as well as bass roll off.


As you can see, this is simply a case where the Les Paul Custom is a feature-rich product, with more qualities that Epiphone can highlight as buying incentive. All the same contextual advice applies, as the LP Custom is every bit as versatile as the Standard (if not more) and can hang in just about any musical style. When deciding between them it's more a matter of price and aesthetics than any kind of style or playing scenario.
The way you fix this is by finding a book that makes you reconsider an aspect of your playing, regardless of what that is. If you’re into metal go ahead and pick up a book on Gypsy jazz. If you’re a dedicated Bluegrass flatpicker try your hand at learning some jazz. If you learn one thing from a different genre that you can routinely apply to your genre of choice you can break yourself out of just about any rut imaginable.
Amps available in ’61 included the large HG-8 (recommended for use with the EG-TW and Harp Guitar), the Amp-75C, Amp-73C, Amp-72A, Amp-72B, Amp-72C, Amp-71A, Amp-71B, Amp-71C, Amp-30, Amp-4C, Amp-15 and Amp-86 bass amp. These came in a varity of shapes, mostly with either a single color covering with a tweed grillcloth, or the two-tone Amp-30 or the two-tone Amp-15 with a cross-shaped grillcloth area. All had the Swan-S logo. These were most likely still all tube amps at this point in time.
I have been using it since 3 years. It is not even costly. Its good looking and I think its even better than gibson. It even very easy to tune for it has a very good sound quality. More over it has a beautiful look like a guitar. Even a beginner should be advised to buy this guitar for it cost a minimum of 3000 rs. So as it is less costly and more quality it's the best for me. I even like lakewood but its cost is just my dream.

Pedals that fit this description usually end up being more of a problem than anything else, but that’s not the case with Behringer. We get rudimentary but functional controls, which allow you to dial in a decent variety of reverb effects. Same goes for shaping said reverb. You have a certain amount of maneuvering space to work with, which might not seem like a lite when you put this thing next to a boutique model.
[author image=”https://www.producerspot.com/wp-content/uploads/2014/02/alan-steward-avatar.jpg” ]Alan Steward is a Producer, Engineer and Musician with over 30 years experience in the music business. He worked with Grammy winning artists from the Temptations to the Baha Men. His music has been used in TV shows and feature films. He is also well-known as a producer of loops for music production and owns a recording studio in Germany.[/author]
Remember when I said that there were 2 amps widely used as practice amps and tools for guitar tech’s? Well, the Orange Micro Crush Mini Guitar Amplifier Combo is the other one. Warm ups before gigs, during set ups and maintenance work, this amplifier is relied upon to provide accurate sound and incredible tone anywhere, anytime. This is one of the best cheap amps available thanks to the fact it’s made by one of the most respected amplifier manufacturers in the world, powered via 9V battery and busts out some seriously amazing clean and dirty sounds.
Make your next guitar one of a kind. Every luthier set sold by OregonWildWood is visually unique and distinctive - even sets within the same species vary greatly in color, contrast and figuring. You'll find the largest online selection of guitar woods available - all special within their own right. All are exotic, beautiful, unique and superior. Each set is individually pictured giving you the opportunity to choose the perfect one for your next guitar.

By the turn of the century, new-metal grinders and post-grunge plodders had given loud guitars a bad reputation. Then Jack White hit the reset button. With each savage riff, he reconnected hard rock and roots music and showed that a blues-based band could escape what he calls "note-pushing Stratocaster white-blues bullshit." And he didn't let his analog leanings prevent him from ingenious use of a DigiTech Whammy pedal – the secret behind the faux-bass thunder of "Seven Nation Army" and the screaming leads of songs like "Ball and Biscuit."
Make sure you have a sharp pair of wire cutters and a pair of those pointy nose pliers for bending and cutting component leads. Don’t forget solder too. There are a whole bunch of solder specifications covering materials, size, process etc. You’ll need rosin core solder. It comes in different thicknesses. 0.031” diameter is a common size, and will work for most pedal projects. Solder is normally sold in reels by weight. A 1/4lb reel will be enough to last a good few pedal projects. Lastly, get lead free, no clean solder. Although not strictly necessary for personal projects, lead-free solder is common now and safer. No clean, means that you can leave the flux residue behind without having to clean it off, and it won’t damage your board.
The Takamine brand helps prevent big brand manufacturers from setting their prices too high - by showing them that great guitars can be produced at reasonable prices. On top of their bang per buck reputation, Takamine is considered as the pioneer of installing built-in pickups into acoustics, something that is now a common configuration offered by majority of guitar builders. The Takamine P3NY showcases how impressive tonewoods and electronics can be implemented without ridiculously jacking up the price.
Second, just like removing the pickup selector, you will need to access the back electronics cavity or remove the pickguard. Refer to the pickup selector section for more details. Take note of what wires are soldered to what lugs before you remove the pot. If you are not familiar with electric guitar wiring, I suggest that you draw a picture of the selector and label the soldered wires. Once you know where everything has be wired, you can cut the wires close to the lugs and remove the old pot. Then you can bolt the new pot in place, solder the wires on the lugs, replace the cavity covers or pickguard, and replace the knob. For more information about how to solder wiring, see the soldering page.
Jim Root: Featuring mahogany body, maple Modern C shaped neck, ebony fretboard in Flat Black finish, maple in Flat White, 22 Jumbo frets, EMG pickups, EMG 81 in bridge position, EMG 60 in neck position, strings-through-body hardtail bridge, locking tuners, 3-way switch, single volume knob and large headstock.[18] Along with his Jim Root Telecaster, it is the only Fender guitar equipped with EMG pickups as standard.
I figured it was a bad choice of pickups and eventually, with great anticipation, purchased a set of P-Rails after hearing the great demos of them on youtube. I am a pragmatic engineer and used to believe that the tone of an electric guitar MOSTLY came from the pickups. How WRONG was I. The P-Rails sound just as muddy as the JB and M22V (in fact, the M22V should be really bright because it's a lower winding count an lower DC resistance p'up).
In addition to the Les Paul, Gibson is a brand well known for pioneering some classic guitar shapes and constantly innovating, introducing concepts such as the humbucker, the digital guitar, and – most recently – the Min-ETune automatic tuning unit. Since the fifties, Gibson electric guitars have been used by everyone from James Hetfield to B.B. King.
A 6 stringed right handed electric guitar that mostly comes in black color. It has its body made of bass wood and fret board made of rosewood with 22 frets. The dimension of the guitar is 9 x 9 x 3 cm  that is easy to handle. The model is quite affordable with prices ranging from around INR 9,071. Its beauty makes it have the required curb appeal for stage performances and give motivation in studio. More information can be found on the link that follows.
In January 2017, Vox introduced the MV50 amp head and amp sets. Described by Vox as a hybrid amp, the amp heads are called the MV50 AC, the MV50 Clean, and the MV50 Rock. When paired with the BC108 cabinet, each is then described as the MV50 AC set, the MV50 Clean set, and the MV50 Rock set respectively. Vox states the MV50 AC is designed to provide the sound of a VOX AC30, and that the MV50 Clean is designed to provide clean tones with a lot of headroom as inspired by the sound of American amplifiers. Vox states the MV50 Rock is designed to provide the more aggressive high gain sound of vintage British amps. In January 2018, Vox announced two new MV50 amp heads: the MV50 Boutique and the MV50 High Gain.
Simple mistake that the beginners do is not selecting the right pickup on the right time. For example Normally they put the switch for the bridge pickup for soloing or do the powerchords. But then, to do some plucking, clean strumming or ryhthm, they still using the bridge pickup. So the sound is so dry, They should change it to toggle number 2(or for 5 way switch, toggle number 2 or 4)
The first signs that the times they were a-changin’ began to appear in 1960 with the debut of the T-60 and the EB-1. The T-60 (named for the year) was a more-or-less Jazzmaster-shaped guitar with an extended upper horn and backward-sloped lower cutway. Even the pickguard was similarly shaped, although not tripart, bearing three pickups, the bridge pickup angled slightly like a Strat. Controls included one volume and one tone and a chicken-beak rotary selector. This had a covered bridge/tailpiece assembly. The headstock was a long, extended variation on a Fender Strat head, with six-in-line tuners, with a round sticker Teisco logo on the round tip. Fingerboard inlays were the soon-to-become-signature rectangles along the upper edge. However, the most striking detail was the so-called “monkey grip,” a handle-shaped cutout on the top of the lower bout. This design would continue through the ’60s (two decades before Ibanez would introduce it on its JEM guitars!).

Morris D-41 copy vintage 1980s Japanese high end hi class Exotic Brazilian Jacaranda Rosewood tone woods body it has detailed fancy inlay perfling and in in amazing condition. Here we are proud to present to you a Classic dreadnought high quality Guitar made of vintage aged tone woods with impeccable workmanship and top quality materials fit and finish rivals the best of the best. This guitar was made by the premier custom shop builders of Japan in the Terada factory and are well known for making Ibanez's top of the line series guitars like the Artists - musician- the George Benson line as well as many others Some of the great Aria's top of line guitars and a few other makers they have the great woods and skills to make some of the finest instruments made period and this Morris is one of them. Just have a good look and you'll see for yourself. One of the finest D-41 type guitars made She's approaching 40 years old and in superb vintage condition I'm looking for dings still and don't see them it's really in sweet condition WOW it's rare to find such fine examples like this all round nice I suspect this beauty will not last long. She is currently in our JVGuitars shop for a full set up and will receive a JVG-Martin upgrade which consists of new fit Martin bone nut & compensated saddle set a full fret dressing and polishing and a beautiful resonant set of solid ebony bridge pins with brass ring and inlaid Abalone detail as well as a new set of Martin 80/20 phosphorus bronze strings and a full body polish. Just in pics soon to come. To enquirer contact Joe: jvguitars@gmail.com .
Playability and tone are two of its most commended traits. Many describe its neck as very easy on the hands, while others describe the overall playing experience to be better than their other acoustic guitars. The TK-40D preamp gets a lot of nod from users who want to fine tune their amplified sound, while there are also many who are satisfied with its acoustic sound.
Reverb sits at the other end of the tonal kaleidoscope, serving usually to add warmth and depth to a clean tone. Practically speaking, reverb simulates the sound of your guitar being played in a larger physical space. Imagine shouting at the top of your voice in a cloakroom. Then imagine doing the same thing in a church and you’re somewhere near there. Ok, that’s an extreme example, but approximating the sound as it reverberates around is quite a seductive thing when applied to a guitar. There are plenty of good examples of it being used to add a bit of life to an otherwise sterile clean tone.
Definitely, Diary of a Madman is like…the groundwork for so many great songs out there today. And if you listen to that live solo after Suicide Solution, which is only done live, it's just crazy what he could do that you didn't think he could do. If he was still alive, even if he left Ozzy, we would have seen even better stuff from him. Crowley and Crazy Train were actually more watered down marketable songs. That's more or less why Randy was GOING to leave Oz in the first place.
i bought one in 1966, my first guitar, i paid 38.99 for it at a gibson dept. store in ft. worth, tx. it was mij under the same name and was marketed in canada as regent guitars and in the u.s. later as kent guitars. it is in the same catagory (some say better) as teisco its competator, some say there was some interfacing between the 2 companies. i really enjoyed it and wish i still had it, it played great and sounded great. i found this while surfing 4 another!!!
Strumming Patterns: Not surprisingly, light distortion works great for strumming patterns, since it’s an effect without any timing or repeating issues.Chords: Depending on where the chords are being played, light distortion can work for swells and ringing chords.Short Arpeggios: This isn’t a place where you will hear a lot of distortion utilized. In some cases it can work, but it’s not a hallmark tactic.Quick Solos: If you’re dealing with a louder bridge solo, light distortion will often be coupled with another effect (delay, tremolo, chorus, etc.) to give it that extra boost.

At the onset, we decided to stick to DIY electric guitar kits that can be bought from online retailers in the mainland US, to ensure that the ones we list are accessible. We then took note of popular and highly rated kits, which for this updated required us to gather around 700 relevant user and expert reviews and ratings. All these data are then fed into the Gearank algorithm, which gave us the scores that allowed us to narrow down the list to just the top 6 kits. For more information about this process see How Gearank Works.
The main reason this exists is because some players prefer to drive their amplifier's preamp with high gain to achieve distortion instead of using an emulation through a pedal. This means that you can't push modulation and time-based effects into the preamp since distortion will come after them. Again, you can do this but it will sound horrible because it breaks our four main rules above. Nobody wants a muddy, smeared, and washed out tone, and thus the effects loop exists.
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We received a quote so promptly and after already seeing so many other rates in the DFW area, I knew instantly that this was the best value. My 8 year old son is shy and even though he was super interested in learning how to play the guitar, I worried that he’d have a hard time connecting with whoever we chose. After about 5 minutes into the lesson, that fear was long gone. Jack was awesome with him and very patient. He showed up right on time which was great because any parent knows that adding one more thing to an already busy schedule isn’t always the easiest thing to do. Great experience so far!

The tuner goes first. This one is pretty easy. It doesn’t want to hear an effected signal; it wants to see the direct input from the guitar. Another reason for putting the tuner first is that if you’re using any true-bypass pedals, the TU-3 will give them a buffered signal, which will protect your tone from loss of signal in the cables when other pedals are off. This is another one of the reasons there as so many TU tuners in pedalboards worldwide, even ones using nothing else but boutique true-bypass stompers.


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There are many variations on the solid-body guitar theme. Companies such as Ibanez, Yamaha, PRS, Jackson and many others make solid-bodied guitars. Generally you get what you pay for, but provided you avoid the very cheapest models, and stick with reputable brands (such as those mentioned above) you can spend a relatively small amount of money and get a guitar that will last you long into your playing career.
I do all my recording through my Axe FX, though there are many ways to USB record to computer. That being said, I plan to play live using my Ax and my other FRFR gear. I’m using a Matrix 1600-watt amp and a Matrix 2×12 (FRFR) cab and will run direct-out to PA when the time comes. I see no reason to lug around a half-stack or stack let alone the consistency and versatility of this setup. This is my first time using FRFR, and was tempted to go with a hi-end head and cabinet combo, but the up front investment will be worth it. I won’t ever have to buy effects pedals or change heads when I want a different sound. I did add a Mission SP-2 expression/volume pedal and also use my old Pod X3 Live for a midi controller. As for volume, I’m confident that my setup will hold its own vs. most other half-stack setups. I may add an Atomic CLR or another Matrix 2×12 (like the one I have) for a monitor later on. Another important factor is my band does cover songs and the Axe setup allows me to tailor my tone to match the bands we cover at the click of a switch. As a guitarist and computer tech/nerd, it doesn’t get any better than this for me. The configuration possibilities are endless.

The characteristics of your Kingston are very similar to what other owners have reported: occasional scratchy and erratic performance of the electronics, intonation problems, and action that is hard to control (notably due to the lack of a truss rod). Although I can’t verify this, one estimate indicates that over 150,000 Kingston guitars were sold in the U.S. during the 1960s! It’s obvious that quantity trumped quality when it came to producing the guitars, and it isn’t surprising that the electronics have some issues after all these years.
“If Gibson offers two pickups, let’s have three!”  This simple statement by Leo began a revolution in sound for electric guitarists by offering 3 single coil pickups instead of the usual 2 humbucking pickups that Gibson offered players.  These lower output pickups provided a thinner sound, but with more tonal variants.  Players could now have clear chunky rhythm tones alongside cutting trebly lead tones, while the inclusion of the middle pickup gave players access to the “spongy quack” distinctive of the Stratocaster’s “in between” positions.

The most common route for absolute beginners will likely be a good, old fashioned guitar instruction book. We’ve all seen at least one of these kicking around. They tend to have a guitar and some interesting 80s-inspired graphics emblazoned on the front. The typical format is either an encyclopedia of scales and chords (indeed, some on this list follow that formula), or a series of songs broken down into digestible theory tidbits often accompanied by an ancient information vessel known as a Compact Disc.
With Fender’s trademark quality and sleek playability, this model features the classic pairing of solid spruce on the top, with mahogany back and sides. The ‘Easy-to-Play’ mahogany neck is fitted with a 20-fret rosewood fretboard that is rolled for added comfort. The hardware is good for the price, and comes with several convenient accessories (depending on the marketplace you purchase from).
the fifth, which is a perfect fifth above the root; consequently, the fifth is a third above the third—either a minor third above a major third or a major third above a minor third.[13][14] The major triad has a root, a major third, and a fifth. (The major chord's major-third interval is replaced by a minor-third interval in the minor chord, which shall be discussed in the next subsection.)
The F Series Martin electrics were before my awareness of the diversity of the guitar universe, but I recall the appearance of the GTs, which got to stores in Wisconsin in the summer of ’67. I recall admiring the cool shapes and burgundy finish, although I’ve never been a fan of DeArmond pickups and, rightly or wrongly, always considered them a weakness. As already indicated, the GT Series was hardly a winner and fell victim to the general guitar malaise that swept the world guitar markets in around 1968. The same guitar bust that did in Valco/Kay and a host of Japanese guitarmakers did in Martin’s archtop electrics.
The tremolo effect is a fluctuation in the guitar signal’s volume. By lowering and then raising the volume of the guitar you get a very cool effect. As you adjust the rate of the volume change you get faster fluctuations in volume. Tremolo is one of the early effects found on some  guitar amplifiers, though it was often mislabelled "vibrato." Vibrato is a variation in pitch, not volume. 

This affordable signature model for Iron Maiden guitarist Adrian Smith is an exemplary classic metal guitar for the money. It features a Jackson slim D profile neck with immaculately finished frets, while the oiled maple neck a joy to motor around on. Allied to the surprisingly good build quality, this imparts a premium feel to the SDX. Tonally, the body might not quite enjoy the snap and sparkle of Smith's alder-bodied American original, but basswood is a great tonewood anyway, particularly once you're piling on the gain. The bridge humbucker is plenty powerful, with just enough detail to prevent it sliding into the woolly morass suffered by many lower-end units, and the single coils give you more than a sniff of Strat flavour, making the SDX a versatile guitar indeed considering its heavy metal association. The Floyd Rose Special bridge also does a solid job of keeping you in tune, no matter how crazy you get. A versatile guitar capable of covering many bases, and perfect for nailing your favourite Maiden tunes? What more could you need, bar the white high tops and tight strides?


I like some of the less known models and smaller brands. Deans are very nice, Cort has some very nice models (and cheap crap too..), Fenix LP copies (depending on the model/age) are great and I've got a Morgan strat that seems to just get better every year. Korean Yamahas are pretty nice and so are the ones from Taiwan. Korean/Chinese Epiphones vary quite a bit so try before you buy. Don't care for most Korean Ibanez and ESP/LTD models.

The EG-6N had a similar profile but tuners were mounted on a square-topped head with the buttons facing up. This had a dark square-ended fingerboard with dots and a single chrome-covered pickup with black center insert and exposed poles (same as on the SD-2L/4L), volume and tone control. The EG-8N was similar except for having a light fingerboard with black dots, and two of the chrome/black insert pickups, volume, tone and threeway select. A folding stand to hold the steels was available (this was a standard Teisco product from the mid-’50s on).


: Values? Well, with the prices of 1960s American and British guitars through the roof, collectors and musicians turn to the next-best-thing, and that would be European and Japanese guitars. In general, any made-in-Japan solid-body electric guitar in good cosmetic shape, that's complete and playable, is worth at least $100, and any acoustic-electric, at least twice that. The more pickups it has, the more elaborate the controls, and the more flashy the pickguard, the more it's worth. Same goes for the body and headstock shape. The standard shapes that copy Fender and other manufacturers aren't as desirable as some of the weirder shapes. A Decca solidbody with an unusual body shape, with 3 pickups and an unusual original finish would probably be in the $250-350 range to the right person. An acoustic-electric with the same specs would probably be worth $100 more than that. I've seen some of the exceptional Teisco solidbodies go for $500-600, but that's uncommon. In about 2006, I saw a Teisco (one of their Mosrite copies) from about 1967 that was in flawless condition for sale in an instrument shop in Tokyo for 200,000 Yen (about $1,900). I wouldn't be surprised if it sold for that.
In 1967 Vox introduced a series of guitars which featured built in effects such as Distortion (fuzz tone), Repeat Percussion (percussive tremolo), Treble/Bass Booster and a wah-wah operated by the heel of the picking hand pushing on a spring-loaded lever over the bridge. The Delta phantom style guitar and bass, the Starstream teardrop 6-string, and Constellation teardrop bass had such effects.
If the microphonic problem is not due to the cover, or is with a singlecoil pickup you have two options. First is to wax pot the pickup. The second is to pot the pickup in something else. Laquer was once commonly used, but it can cause a problem with some types of insulation (disolving it) and prevents future repair (other than full rewind). I have found a great alternative to both. It is vinyl sanding sealer. (I'm using Sherwin williams wood classics interior sanding sealer) This stuff penetrates deeply, dries solidly, and allows for repairs same as wax does. It requires no special equipment or care. Just submerge the pickup wait till bubbles stop appearing, pull it out and set it on a paper towel to dry. Once the excess has run off (a minute or so) wipe off the top and bottom of the pickup with a rag and allow it to finish drying. In it's intended use it dries fully in an hour. I leave them overnight.
Mostly everything about a guitar in this price range feels premium, and the sound quality and playability is enough to put a smile on any guitarist’s face. You also start to find advanced features such as brand-name pickups, active pickups, and EverTune bridges, as well as unique signature models that are too expensive for manufacturers to produce as a budget line.
Echo and delay are created by copying the original signal in some way, then replaying it a short time later. There's no exact natural counterpart, though the strong reflections sometimes heard in valleys or tunnels appear as reasonably distinct echoes. Early echo units were based on tape loops, before analogue charge-coupled devices eliminated the need for moving parts. Today, most delay units are digital, but they often include controls to help them emulate the characteristics of the early tape units, including distortion and low-pass filtering in the delay path and pitch modulation to emulate the wow and flutter of a well-used tape transport.
custom made guitars luthier services alvarez ampeg benedetto boss breedlove collings danelectro ,dean,digitech eastman electro-harmonix ,grinning elk, electro-harmonix epiphone fender- fender-custom-shop fender-usa fulltone g&l gibson godin gretsch guild hagstrom hal-leonard hamer harmony heritage hofner ibanez jackson kay line-6 marshall martin mxr national orange ovation paul-reed-smith peavey prs prs-paul-reed-smith rickenbacker roland silvertone suhr takamine taylor vox washburn yamaha 000-18 00-18 4001 asat-classic catalog champ classic custom-22 custom-24 d-18 d-28 d-35 deluxe es-125 es-175 es-335 flying-v j-45 j-50 jaguar jazz-bass jazzmaster l-00 lap-steel legacy les-paul- les-paul-classic les-paul-custom les-paul-deluxe les-paul-jr les-paul-junior les-paul-special les-paul-standard les-paul-studio lg-1 lg-2 melody-maker mustang precision- precision-bass sg sg-special sg-standard strat,bass guitar,speakers,parts,effects pedals stratocaster- telecaster telecaster-custom telecaster-deluxe telecaster-thinline..Greg's Guitars is the only author of "The Vintage Guitar News and Views.
These are world class guitars and have got probably the best feel any guitar can give apart from that u can play everything on these guitars from classic rock to jazz and blues followed by metal. the main thing that these guitars are known for is their finish and there unique necks which are really fast and not too thin which keeps your tone and feel in place. I would say that these guitars definitely deserve a place in the top 3 and definitely do watch out for the petrucci signature models
im from the phillipines and there are a lot of japanese acoustic guitars here but when i try researching some obscure brands i cant seem to find any information on them. the brands i cant seem to find anything are "koga" (different headstock logo from the ones i found online), "jumbo" and "jaxon". hopefully you can help me get some info on these brands? thanks! :)
The Vox T-60/AC-100 bass amplifier uses two 15-inch cabinets and thirty-to-forty watts of solid-state power using "germanium transistors".[5] The Sunn Model T was used by The Moody Blues, Kiss, Queen, The Who's John Entwistle and Rush's Geddy Lee.[5] The Sunn used a 150-watt amp with "four 12AX7WA tubes, followed by two 12AX7A tubes, and powered by four 6L6GC tubes".[6]
That is, if the tone caps in parallel filtered from within th 1k-2k and 3k-5k frequency band with the pot determining how much of those ranges are filtered off, then moving the 2nd cap parallel to the pot should shift the 2k window of the bigger cap so it would be filtering less of the 3-5k at one end of it’s sweep, and more of the 1k-3k filtered at the other end of it’s sweep. (my frequency selection and math here are conceptual only, and not to be taken as accurate measurements).

If you’re new to the world of guitar pedals, it can be a little daunting if you’re thinking to yourself “which guitar effects pedals do I need?”. Maybe you’ve bought your son or daughter a new guitar for Christmas or their birthday, or you’ve decided to really get serious when it comes to changing your sound up and you want to know where to start, what guitar effects pedals do and what sounds different guitar pedals make. Either way, we’re here to help with our handy guide to guitar effects pedals, complete with sound examples.
Bass amplifier equipment manufacturers include a variety of different types of companies, ranging from companies that only make individual components (e.g., Accugroove loudpeakers, a speaker manufacturer) to companies that only make bass amplifiers and loudspeakers (e.g., Gallien-Krueger). At the other end of the spectrum are companies that offer bass amplification equipment as part of a much broader offering of different types of instrument amplifiers and public address systems (e.g., Peavey, Carvin A&I or Yorkville Sound.)
You honestly could get a single multi-effects unit that will already have thousands of the most popular stompboxes built in, plug it into your PA or headphones, turn on one of the many built-in amp modelers, and you’re good to go. This is actually a solution that many touring musicians have gravitated towards, as it is so much easier to just carry around a single multi-effects unit compared to a pedalboard with several different pedals and a separate amp.
This truly is a pleasure writing about the best kept secret in the guitar world. The G&L Legacy Tribute. I own a USA Hamer Gold Top Archtop Standard with P-90's and it's stupendous guitar. But like all Les Pauls and high quality Mahoganies, it has a growl suited for certain kinds of Rock N Roll. However, there is another voice in my guitar arsenal and I only have one other. The G&L Legacy Tribute. This guitar can cover the other half. I bought this used for $299 and four years later I still can't put it down. So I have a $2600 guitar and a $299 guitar and love them equally. What does that tell you about the Legacy Tribute?
Hi Dan! Thanks for the kind words! As somewhat of a newbie, you may find a semi-hollow-body guitar more flexible and versatile, especially if you are still finding trying to figure out what genre you are going to focus on. If you are set on the hollow-body go for, but ,if you are on the fence, the versatility of the guitar is something to consider. Those are my thoughts. Good luck!
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It starts off with a chambered basswood body with an arched maple top, that follows the Pro Jet single cutaway shape. Because of the semi-hollow body, it is lighter on your shoulder and on the ears, and many notice that it emphasizes the high frequencies a bit more. Playability is also light, thanks to this guitar's shorter 24.6" scale length. The maple neck is topped by a 22-fret rosewood fretboard with a standard 1.6875" wide nut. Giving this guitar its biting tone are two Blacktop Filter'Tron Humbuckers.
The Fender Stratocaster is one of the most iconic electric guitars in music history, and its equally distinctive sound is down to its selection of pickups. Although you’ll occasionally find a humbucker, traditionally a Strat will feature three single-coils – one each at the bridge, middle, and neck positions. They offer that sweet, bright, chiming single-coil sound that’s perfect for all styles of soulful music – from blues and country, to classic rock – and are perfect for lead guitarists, as they slice through even the densest mix. There are some excellent Stratocaster pickup sets around, although be sure to check out the Lace Sensor Blue-Silver-Red set on our chart for something with a little extra edge.

The Yamaha's FG series FGX800C is a perfectly machined instrument. If there is one thing Yamaha is known for, it's the quality of their mass-produced acoustic guitars, which people like to pooh-pooh due to the romanticization of extremely expensive handmade guitars. Yamaha has perfected this machining process to a point where you wouldn't really be able to figure out if the instrument was put together by a luthier or if it was made on a factory floor somewhere. This is the case with nearly every accessible guitar these days thanks to machines reducing errors and driving prices down.
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 Great, low priced, vintage project Les Paul "copy" guitar. Guitar as photo'd only. Multi-pieced Mahogany, double bound body with a carved top. Bound rosewood fret board with simulated mother of pearl "block" style fret markers and dot side markers. Frets still in good "playable" condition. Good neck profile. Missing nut and tuning machines on headstock. Pick-ups function but guitar will need to be rewired to work properly and missing toggle will need to be replaced.  Bridge needs work and it has a Gibson style stop tail piece. No gig-bag or case included. Would make a great vintage, Japanese, project / player guitar.

An incredible acoustic baby right handed guitar, natural in color without a case. It has a solid wood and Nato fret board that constitutes of 19 frets. It also has an awesome mid range boost, has adjustable truss rods, is light in weight, and is easy to operate, making it suitable for an entry level guitarist. The prices are relatively fair, ranging from INR 9,990. You can get more details on the product by clicking on the following link:


The Yamaha Pacifica has long proved a benchmark for quality and specification, and the 112V remains one of the best guitars for beginners. The 112 is far from fancy and simply concentrates on the bare necessities. Yet the construction is of excellent quality. Trust us, if looked after this will be a guitar for life. By design it's an altogether more modern, brighter and lighter take on a hot-rod Strat. But when we say brighter that doesn't mean overly shrill. In fact the bridge humbucker will surprise some, it's beefy without being too mid-range heavy and although the coil-split proves a little bland played clean, with a distortion boost it's a pretty useful gnarly and wiry rhythm voice. It's good to have the choice too when mixed with the middle pickup - switching between the full and split coil here is subtle but, especially with cleaner 'class A' amp voicings, there's enough character difference to be useable. The solo single-coils impress - plenty of percussion and with a little mid-range beef added from the amp these get you to the correct Texas toneland. Neck and middle combined produces a fine modern Strat-like mix - the added brightness will cut through a multi-FX patch nicely.
As a teacher I use a strat because it’s relatable, comfortable, and clean/clear tones. The gibson doesn’t have warmer overtones. That’s not a thing. It has weaker overtones, so a stronger fundamental. That’s why it sounds warmer/duller, and the fender sounds more lively/brighter, because the fender (longer scale) have more overtones to ring louder. That lets you hear mistakes more easily, and is helpful to improve more quickly.

In some small to mid-size venues, such as bars and nightclubs, the PA system may not have the capacity to provide the bass sound for the venue, and the PA system may be used mainly for vocals. Bass players in bands that play at a variety of venues, including these types of small to mid-size venues, may need to be able to provide the bass sound for the venue, and so they will require a large combo amp or bass stack with this capability.


Tube amps are appreciated for their high fidelity, which allows for the player’s ability and the quality of the guitar to be put to full fruition, and for their equally natural overdrive, which is achieved easier than with most solid state amps. However, besides being more expensive as an initial purchase, tube amps will also prove harder to maintain since lamps have a tendency of blowing up and are themselves quite expensive.
The classical guitar also became widely used in popular music and rock & roll in the 1960s after guitarist Mason Williams popularized the instrument in his instrumental hit Classical Gas. Guitarist Christopher Parkening is quoted in the book Classical Gas: The Music of Mason Williams as saying that it is the most requested guitar piece besides Malagueña and perhaps the best known instrumental guitar piece today. In the field of New Flamenco, the works and performances of Spanish composer and player Paco de Lucía are known worldwide.
Sound images are very similar to visual images. If you're in a large auditorium, but standing on stage right next to an actor's face, you will see every nuance of his face, pimples, pores and all. You will not see his whole body though, and you won't see him in the context of the rest of the stage or the room. If you move back to the tenth row, you will lose some of the facial detail, but you will gain perspective. If you move to the rear of the auditorium you'll lose all the detail of the actor's face, but you see the whole enchilada in perspective.
Though the line between the two is easily smudged, where multi-effects processors create a broad spectrum of effects, modeling processors can recreate the sound of particular instruments and amplifiers, like a Gibson Les Paul played through a stack of Marshall amplifiers, or a Fender Stratocaster played through a Fender Deluxe Reverb amplifier. A modeling processor offers you the ability to make your guitar and amp combination sound like whatever guitar and amplifier sound you want—even if you don’t own either guitar or amplifier. You are limited only by the number of models programmed into the modeling processor when you plug your guitar into one.

You can divide these further into cabinets and combos. A cabinet is simply an amplifier without a head. The head is all the knobs and so on that can be tweaked to produce variations in tone and volume. Combos include the head, so they're often preferred as they're easier to port around. However, if you want a multi-speaker setup, you'll want to opt for cabinets with separate heads.
The arched top Strats all had maple necks, rosewood ‘boards, black hardware, Floyd Rose licensed locking vibrato systems, and slight finish variations. The SSL-1 had a single humbucker with a volume control that had a push-pull coil tap. This could be had in metallic black, purple burst, white pearl, red pearl, and pink fire. The neck on the early SSL-1 is described in different sources as having a stain finish or as having an oil finish; there’s probably a clue to dating sequence here, but I don’t know the answer.
The positions (that is where on the fretboard the first finger of the left hand is placed) are also not systematically indicated, but when they are (mostly in the case of the execution of barrés) these are indicated with Roman numerals from the first position I (index finger of the left hand placed on the 1st fret: F-B flat-E flat-A flat-C-F) to the twelfth position XII (the index finger of the left hand placed on the 12th fret: E-A-D-G-B-E; the 12th fret is placed where the body begins) or even higher up to position XIX (the classical guitar most often having 19 frets, with the 19th fret being most often split and not being usable to fret the 3rd and 4th strings).

If you like the traditional look of a Fender Stratocaster, but want something a bit more modern with a little more output for heavier blues, rock, and metal tones, the ESP LTD SN-200HT is a fantastic value for the money. You’ll get a great range of tones thanks to the humbucker in the bridge position, and two single coils in the middle and neck positions.

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Another acoustic guitar. This one sounds nice for fingerpicking arrangements and in general has a steadier sound than the Ibanez. If I had to choose just one of the guitars it would be this one. This one has a much rounder and fuller sound than the Ibanez. Both guitars go well together as they have different sounds to each other. This sound font also has the same presets as the one above.
Of course, for the guitar string vibrations to have an effect on the magnetic field of the pickups, they too need to contain a ferromagnetic metal; this can be either iron, cobalt, or nickel. There are a large number of different string compositions, but often they will consist of steel, a combination of iron, carbon, and sometimes chromium. The chromium can help prevent corrosion, as it forms a layer of chromium oxide which prevents the string from further attack by oxygen in the air. Additionally, the strings can sometimes be coated with various polymer additives to help inhibit corrosion. However, these additives can sometimes have a negative effect on the tone of the guitar.
Description: Body: Mahogany - Body Construction: Semi-Hollow (Chambered) - Top Wood: Maple - Carved - Neck Attachment: Set - Neck Wood: Mahogany - Fingerboard: Richlite (Paper/Phenolic Resin Composite) - Inlay: Dot - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Resomax - Cutaway: Single - Hardware: Godin Tuner, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Seymour Duncan - Pickup Configuration: H-H - String Instrument Finish: High Gloss Cherryburst, Creme Brulee, Black, Burgundy
Rule 1—There are no rules. The sound you’re after might not be made by what we could call the appropriate or logical signal path, but that’s not always the issue. The issue is this: what does it sound like? If it makes the sound you’re after, then it’s right…although, you may have to do something about the noise. Traditional pedal board arrangements were designed for certain reasons, and keeping the noise down is one biggie. Following the principles of how sound is made in physical space is another (see Rule 4 coming up). But the final choice is yours. As a very wise man said: if it works, don’t fix it.
Bassists who want a more powerful low end may use a subwoofer cabinet. Subwoofers are specialized for very low frequency reproduction, with typical maximum useful high frequencies of about 150 or 200 Hz, so a subwoofer cabinet must be paired with a full range speaker cabinet to obtain the full tonal range of an electric bass or upright bass. In addition, subwoofers intended for PA system use have much higher power handling requirements than do subwoofer designs for high fidelity home use. Bass guitar players who use subwoofer cabinets include performers who play with extended range basses with include notes between B0 (about 31 Hz); and C#0 (17 Hz) and bassists whose style requires a very powerful sub-bass response is an important part of the sound (e.g., funk, Latin, gospel, R & B, etc.).
The Les Paul body style actually encompasses a few different designs: solid, solid-arched, and solid-chambered. Solid Les Pauls are made from a solid piece of wood, with some having a significantly arched top and a maple cap and some lacking a curved top and the maple cap. Chambered Les Pauls are arched, but the inside of the body is chambered, so there are a few cavities underneath the top.
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When buying your first guitar, it’s sensible to stop and think about what you are buying it for. Is it just something to learn on? Will you be upgrading in a year or two when you start thinking about forming a band, gigging, and recording? If so, you may be better off trying one of these affordable electric guitars, which all offer a solid platform on which to learn.
The panel on top carries the controls for an old school look and feel overall, consisting of a master volume, gain, bass, treble and the model AC10 comes equip with a built-in reverb effect that makes it even more powerful and articulate to use. This amp is at top of its class when used at home, awesome for a recording studio and bringing it on stage to cover a small to medium size venues.
String sage Ernie Ball reckons it’s made some of the world’s strongest strings with the Paradigm set, which promises longer string life while retaining the company’s iconic Slinky tone and feel. Ultra-high strength steel can be found in the wound and plain strings, plus reinforcement at the ball end, enabling them to lock in tune fast and hold up to aggressive styles. There’s even plasma-enhanced wrap wire for increased corrosion resistance, too.
Conventionally, guitarists double notes in a chord to increase its volume, an important technique for players without amplification; doubling notes and changing the order of notes also changes the timbre of chords. It can make a possible a "chord" which is composed of the all same note on different strings. Many chords can be played with the same notes in more than one place on the fretboard.

While these guitars are known for their warm woody sound, they are capable of being used in almost any genre that doesn’t require massive amounts of gain, which is prone to feedback.  The guitarist for the Black Keys, Dan Auerbach, is a modern example of a player who will drive the instrument to distortion, but still maintain the jazzy blues quality these instruments are known for.

What a Beauty! This is a beautiful example of a RARE Vintage Japanese Alvarez 5053 made on 1/11/74. This one is Rare folks with its Old style script logo in mother of pearl inlay check that out...The first thing you can't help but notice on this guitar is how beautiful this guitar looks amazing fit & finish apperance is top shelf..its as good or pretter then others including the Martin ... its not just pretty guitar to look at and admire either it is really well build to play built using some very EXOTIC and beautiful looking tone WOODS as well very high end feel to this one ...as seen in the pics ( new better pics soon to come )It was built using a beautiful grained Sitka spruce top and the gorgeous Back is vivid book matched Brazilian Rosewood as is the sides BR and this examle overall is truly a stunning example, along with the backs center flamed maple section in contrast of the Brazilian Rosewood side sections WoW!, and the beautiful vintage hexagonal cellulloid inlays. modeled after the Martin D41, this guitar is in excellent used vintage collectible condition with only a few finish checks to this guitars glass like finish that one has that warm natural patina only a real 37 year old guitar can earn. Overall very good - excellent vintage condition! It's bound body is masterfully ornately - multi bound, as is the Honduran Mahogany neck & headstock is bound. Action is excellentt and can be easily adjusted up or down to meet your preference by way of an easily adjustable bridge . Truly is a great playing & sounding highly collectible Japanese vintage guitar in its own right. Its Very rare and it has old Alvarez Script Logo! Who cool is that....This is a super rare guitar that tend to go quickly that is getting harder and harder to find! in any condition let alone like this baby it both plays beautifully but it sounds fantastic! Let me know if interested Thanks for looking! Joe.

Yngwie Malmsteen released his Concerto Suite for Electric Guitar and Orchestra in 1998, and Steve Vai released a double-live CD entitled Sound Theories, of his work with the Netherlands Metropole Orchestra in June 2007. The American composers Rhys Chatham and Glenn Branca have written "symphonic" works for large ensembles of electric guitars, in some cases numbering up to 100 players, and the instrument is a core member of the Bang on a Can All-Stars (played by Mark Stewart). Still, like many electric and electronic instruments, the electric guitar remains primarily associated with rock and jazz music, rather than with classical compositions and performances.[37] R. Prasanna plays a style of Indian classical music (Carnatic music) on the electric guitar.
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