Every guitar player loves pedals. We all have at least a handful in our collection and will always try a new one we come across. When you're starting out, you probably know when you need something, but you aren't exactly sure what it is. You may not even know what flanging or phasing actually does to your signal and how that's different from a chorus effect. We're offering below some great effect choices that will add some character without overtaking your sound, so you can really distill out what each of these effects do. While distortion and overdrive have their place (and are usually the effects beginners jump to initially), the following picks offer some other alternatives that will feed your creativity and help get you started.
Aside from what brands to choose from and finding out the right budget to spend on an amp. Initial search for a guitar amplifier generally leads beginner players on figuring out that there are actually different types of guitar amps in the market. This is where they start to care deeply enough to know which amp sounds better and what will fit their playing the best.

Having spent years developing the JDX 48 and Headload, it only made sense that Radial would develop a solution for guitarists who didn’t want to use an amp at all; hence, the JDX Direct-Drive™ was born! The Direct-Drive lets guitarists choose between three different amp voicings: “Combo”, “Stack” and “JDX 4×12”, with further controls to adjust the brightness of the amp. The guitarist simply plugs in their guitar through their pedals, into the JDX Direct-Drive and out to the board with an XLR cable. There are additional outputs for attaching to onstage amps or speakers as well for guitarists who are more comfortable having volume with them on stage. The engineer can then mic the amp and mix the two signals together to get the best tone out of the PA system.
In this style, the guitarist aims to render an entire song — harmony, melody and bass — in something like the way a classical guitarist or pianist can. Chord roots cannot be left to the bassist in this style. Chords themselves can be used sparsely or more densely, depending on both the individual player and his or her arrangement of a particular piece. In the sparse style, a full chord is often played only at the beginning of a melodic phrase.[4] The denser chordal textures, in contrast, approach chord soloing (see below). A third approach is to maintain a steady, busy bass-line, like a New Orleans pianist. Here, no more than two or three notes are played at a time, and the full harmony is indicated by arpeggiation. Exponents of this style often come from a country, folk or ragtime background, such as Chet Atkins, although it is also sometimes employed by straight-ahead jazz practitioners, for instance Martin Taylor. Chord-melody is often played with a plectrum (see Tal Farlow, George Benson and others); whereas fingerstyle, as practised by Joe Pass, George van Eps, Ted Greene, Robert Conti, Lenny Breau or hybrid picking as practised by Ed Bickert, Laszlo Sirsom and others allows for a more complex, polyphonic approach to unaccompanied soloing.
Volume Swell Normally guitar has a very fast attack. It is at its loudest just after a not has been picked and there is a definite picked sound. You can get a softer pad style sound be picking with the volume off or very low and then raising the volume as the note/chord plays. This can be done with the guitar's own volume knob, but sometimes it is more convenient to leave your picking hand free and use a rocker pedal. By adding delay and/or reverb you can soften the note's ending also so that it doesn't stop abruptly.
2) The neck edges at the fret board are not rounded and tend to be rather sharp which can really start to hurt your hands if you play for awhile . Typically this is where guitar companies skimp on their budget models and Yamaha didn't disappoint. But it's an easy fix for a Luthier who will just take some sand paper and sand down the sharp edges and dress the end of the frets if needed. Also, its an easy fix for someone with a steady hand, good eye, and a women's fingernail file. It took me about 10 minutes to round the neck edges with a fingernail file and it didn't even require touch up paint thereafter as the fret board is solid wood and the same color all the way through. She feels like a dream now and I can play all day long without the sharp neck edge digging into my hand, and my hand just glides ever so smoothly up and down the neck as it should.
The difference between laminate and solid wood is that laminate is several thin sheets of wood glued together, while solid wood is a solid piece of wood. The glue that binds the pieces of laminate together reduces the amount that your guitar vibrates, which in turn lessens your volume and frequency production (tone). Solid wood resonates more efficiently, so instruments that use it are louder and sound better. On the flipside, laminated woods are cost effective, reliable and resilient to weather changes.

Someone recently posted one of my pedal demos in a thread on a guitar forum and stated that he really liked the sound of the pedal in the demo. Another forum member chimed in and said that for some reason, everything I play through usually sounds good. Shortly after, forum member “Squank” replied, “It’s a talent. Most gear can be dialed in to sound at least decent.”


Your guitar is equipped with a volume knob – but that doesn’t mean you won’t benefit from a volume pedal. Very useful for various applications, the volume pedal can act – as you imagine – as a pure volume for your guitar signal (placed right before the amp) and also as a master volume if placed after your amp. By using a stereo volume pedal you can further expand the tonal possibilities of your setup. Ernie Ball makes a variety of volume pedals with different specifications (in order to match your guitar, amplifier or musical needs). Mooer offers a very compact and stylish pedal, the Expline – while Boss still sells to this day the FV-500-H, a pedal that passed the test of time and still performs amazingly well.
Dorado is a line of Japanese made guitars imported and sold by Gretsch in the 70's. I am looking for a 5965 which is the smaller of the steel string line, had a sunburst finish, sealed tuning pegs and an adjustable bridge. The market worth is between one and two hundred dollars depending ....... Please post if anyone knows of a real good one with original case.
While many electric guitar amp cabs have "open back" designs (actually partially open back, as part of the back is usually enclosed in panels), open back cabinets are rarely seen in bass amp cabs, except in the smallest, least expensive practice bass amps. The reason that open back designs are not used with bass amp cabs is that open back designs make it hard to reproduce low-frequency sounds, which are crucial for bass cabinets. On electric guitar amp cabs, the reduction of some very low-frequency sounds may be desirable, as it makes the cabinet less "boomy"; however, for a bass cabinet, this loss of bass frequencies is generally seen as undesirable.
Guitar FX BOX is acting just like a good collection of analog effect pedals. Just plug your guitar into the sound card input and your guitar will sing and scream. You can apply a wide range of high quality effects to guitar, voice, and other inputs real-time - I/O delay is really low, almost undetectable. This is achieved using DirectSound, WDM streaming or ASIO for fast access to the sound card hardware and special DSP algorithms optimized for real-time processing. Besides high sound quality, Guitar FX BOX features intuitive user interface, supports presets and hot keys for quick presets changing, MIDI/Game controllers pedals, configurable tuner, metronome, file input/output. Currently included effects: Overdrive/distortion, Amp&Speaker cabinet simulator, Echo, Pitch shifter, Reverb, Wah-Wah, Chorus, Tremolo, I/O Equalizers, Dynamic compressor, Phaser and Volume swell.
While most beginner electric guitarists focus on the actual guitar when purchasing equipment, the amp actually plays a far larger role in the overall sound. The best made guitar in the world is not going to sound good through a cheap, poor quality amp. However, any decently made guitar can sound quite good when played through a good amp. So, a guitar amp should not be an afterthought purchase for a beginner.

There’s always been something special about playing a great guitar riff. Riffs that are memorable, get stuck in your head, and that everyone knows are actually in many cases are relatively easy to play. That’s because most people remember simple melodies that they can hum along to. I don’t think many people would be able to hum along to “Through the fire and flames”.


Brian Moore - Known for their innovative custom electronics and distinctive designs, Brian Moore Guitars continue to produce guitars that go beyond the conventional. Aside from their custom-built instruments, they now carry a host of artist signature models. One of their more popular products is the iGuitar, which feature acoustic MIDI, piezo, 13 pin Synth and more.
Automatic Track Creation & Loop Recording: A new layer (track) is created each time you start recording and each time a Riff loops. Stack layers on top of each other (bass, guitar, vocals) to create a Riff. Use looping to create multiple tracks, do multiple takes, etc. Each layer has controls for mixing and effects. (4 tracks with T4, 24 tracks with Standard)
Last week we talked about choosing the right “Guitar Effects to Expand Your Sound” with sub-topics of “Guitar Effects Used By Your Favorite Pro Guitarists” and “Guitar Effects To Use For Each Music Genre”. Now that you’ve hopefully acquired some pedals of your own, there is another important topic that greatly influences the outcome of your tone – your pedalboard order.

A diagram showing a wiring modification for a Les Paul or a similar electric guitar with two humbuckers. Wiring schemes using four push-pull pots for additional pickup combinations were made popular by Led Zeppelin guitarist Jimmy Page and later produced as a signature model by Gibson. The modification shown in this diagram is an evolution of the original concept combining coil splitting, phase cancellation and parallel/series switching for a total of 22 different pickup combinations.
Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, and pickups. However, some features are present on most guitars. The photo below shows the different parts of an electric guitar. The headstock (1) contains the metal machine heads (1.1), which use a worm gear for tuning. The nut (1.4)—a thin fret-like strip of metal, plastic, graphite or bone—supports the strings at the headstock end of the instrument. The frets (2.3) are thin metal strips that stop the string at the correct pitch when the player pushes a string against the fingerboard. The truss rod (1.2) is a metal rod (usually adjustable) that counters the tension of the strings to keep the neck straight. Position markers (2.2) provide the player with a reference to the playing position on the fingerboard.[18]

Now you might not have heard of Beauchamp or the company he founded to capitalize on his neat idea, which was initially called Ro-Pat-In Corporation, then Electro String. Eventually, the company took the name of its president and cofounder, George's friend Adolph Rickenbacker—and the rest, as they say, is history. Many others have built on Beauchamp's work since then, constantly trying to refine and improve the sound. Here's an improved pickup design by another guitar great, (Clarence) Leo Fender, from about a decade later:
Even when using noise-cancelling pickups, guitars tend to be relatively noisy sound sources, especially when used in conjunction with high levels of overdrive, either from a pedal or an amplifier. High levels of gain are needed to produce overdrive sounds, so any source noise will be increased accordingly. If an attempt is going to be made to remove some of the noise by electronic means (such as a gate, expander or single-ended noise-reduction unit), it may be best to leave this until the mixing stage, so that an incorrectly set gate or noise filter doesn't ruin a good take. However, gates should be used before delay or reverb effects to prevent the tail end of the sound being shut off abruptly when it falls below the gate threshold. If you simply have to record with delay effects, a dedicated guitar gate pedal placed before the delay unit will probably work best. If you are also using an overdrive pedal, then the gate should come after this so that it can deal with circuit hiss as well as hum from the guitar pickups. Note that all-in-one floor units tend to include gates at an appropriate point in the signal path, between the overdrive/amp section and the effects.
Fender once again has proved itself to be a great name in the guitar industry by introducing this super acoustic model. It’s a full-size guitar and is IDEAL FOR BEGINNERS to start their musical journey as guitarists with it. It’s designed for learners so you must not expect too much from it, but yet, it is capable of producing great sounds in the hands of an advanced player that’s why claimed to be best suited for all styles of music.
WARTUNG Herzlichen Glückwunsch und vielen Dank dafür, dass Sie sich für ein Produkt von Ibanez entschieden haben. Ibanez legt bei seinen Produkten die höchsten Standards an. Alle Ibanez- Instrumente werden vor der Auslieferung unserer strengen Qualitätskontrolle unterzogen. In dieser Anleitung wollen wir beschreiben, wie Sie das Äußere Ihres Instruments pflegen und Ihre Gitarre in dem Zustand halten, wie sie bei Auslieferung ab Werk war.
The ’62 EG-NT, EG-K and EG-Z were fairly primitive and appear to be leftover from the mid-’50s. The EG-NT had a small rectangular body with the bass side flush with the neck and the treble sticking out a bit to handle the controls. The head was stubby three-and-three with a circle Swan logo sticker and the fingerboard had painted diamond markers. The pickup looks to be the old slotted pickup of the early J-1, but may not be, with volume control. The EG-K was the Teisco version of the Rickenbacker Frying Pan, with a round body and neck with a head wider than the neck. This, too, had the rectangular head with a circle Swan logo. Markers were diamonds, the pickup was the slotted J-1 pickup, with one volume control. The EG-Z had an asymmetrical body with a short width on the bass side and a longer width on the treble side, with diamond markers and the stubby head. This had the old slotted J-1 pickup with volume control.
It also has an overwhelming amount of sheet music in it. These music sheets allow you to practice what is being taught in the given chapter, which is nice, but going through the books, I felt there was a lot left unexplained. This was probably a result of them trying to simplify things as much as possible, but this actually leaves holes in the padawan guitarist's knowledge.
The two ’71 piggyback bass amps included the 1060 Bass Amplifier System ($530), featuring seven tubes, 105 watts, two channels, four inputs, volume, bass, middle and treble controls on each channel, presence, variable impedance, and a cabinet with one Univox 15″ speaker with 22-ounce dual diameter Alnico magnet and 2″ voice coil, plus a fully loaded reflex cabinet with true folded horn principle (you ampheads may know what the heck that means!). The grille had two large square cutouts with rounded corners. The 1245 Bass Amplifier System ($385) offered five tubes, 60 watts, two channels with the same controls as the 1060, and two 12″ Univox speakers with 20-ounce Alnico magnets and 2″ voice coil.

I have a Lyle Acoustic Guitar Model 690 purchased about 1966 or 67. It appears to be in near brand new condition as I've rarely played it and it has been stored in a felt lined case its entire life. All the keys still turn, it has steel strings. I'm ready to part with it and want to ask a fair price and not get soaked. Does anyone have any idea what this beautiful instrument is worth?

Considered by many to be the first master of the electric guitar, Charlie Christian was an unbelievable jazz player with stellar improvisational skills. His quick, fluent runs down the fretboard made for some of the most inventive and innovative jazz of all time. For a sample of Christian’s great guitar work, give a listen to his song, “Swing to Bop.”


Harmoniser – a frequency-based effect that sounds like a second guitarist is playing in harmony with the original guitar signal. The effect is created by doubling the guitar input signal and then shifting the pitch of the double up or down at a certain interval (usually a 3rd, 5th or octave). The harmony effect is often used in the metal and hard rock genre to play solos.
What’s the point in having these lists anyway? There’s always going to be anger over people who were left out/included on the list when they didn’t deserve to be… And to say that any of the musicians mentioned so far aren’t talented is ridiculous, there’s no limit in the world on how much talent there is, so why does this list have to be limited to 10? Just saying…
We have taken a look at the many varieties of electric guitars available in today’s market (you can read about the types of acoustic guitars and even guitar strings as well).  With this many options, it is wise to consider the genre and tone you are searching for by researching what your favorite artists choose to craft their sound.   Your choice may be based upon visual appeal and cool factor, but make sure the instrument you choose is capable of producing the tone of the style of music you play from your heart!  It's a large selection of body styles but hopefully now you're also comfortable with all of the sounds of the various types of electric guitars.
While often overlooked, the speakers are an amp’s most crucial component—they’re the last thing standing between all that electronic gobbledygook and the sound that reaches your ears (except for yo’ mama’s fist, but that’s another story). Different sized speakers have different tonal characteristics, and you should consider speaker sizes the same way you’d consider an amp’s wattage rating. Speakers are like booty—small ones are tighter and big ones have more bottom end. But like a pair of pants, cabinet design can shape bottom end as well. Which is why a closed-back 4x10 cabinet may put out more bass than a 15-inch speaker in an open-back cabinet.

Pre-delay on the reverb can help separate it out from the source sound. If your reverb has no controls for pre-delay, you can simulate this using a simple delay on an aux track before the reverb. Decay Settings: Choosing the most appropriate reverb treatment for a song can be surprisingly difficult, especially if you have hundreds of presets to choose from. So, instead of regarding reverb like the glue that holds the mix together, try adjusting its parameters (and in particular the decay time) while listening to the reverb return by itself. If the decay time is too long you'll hear a continuous mush of sound; if it's too short you'll scarcely hear it unless its level is turned right up. Somewhere in the middle you should find a setting that adds rhythmic interest to your song, without overpowering it, making the reverb work for its keep. This is also a useful technique when using several reverbs in a song, to make sure they complement each other. Martin Walker
Back when they were starting, Jackson guitars were only available to the elite few, mostly heavy metal artists. After being acquired by Fender, Jackson has since expanded into the entry level realm with mass produced versions of their popular guitar designs, including the Dinky shape. The JS11 Dinky does just that, making the Jackson Dinky a beginner and student friendly instrument that more players can enjoy.
You planned out your hardware but it is best to make the purchase after you know you have the body and neck built and made sure they will fit together. If you have made it to that point, you are ready to put in the hardware components. Realize that you may need to do some basic soldering. If you need some guidance in that area, you can get it in a free course on metalworking.

Ultimately, be aware that the key to sounding the way you want lies in your hands and your head more than anywhere else. The way a player attacks the strings — the nuance, dynamics, and subtleties of the playing technique — usually has a bigger influence on how he or she sounds than any other single ingredient in the rig. Try to play mindfully, being keenly aware of the variations in sound produced when you simply play the guitar differently, and you will quickly develop an original voice.
I am a giging, solo acoustic musician from Ohio, performing in Western NY, Buffalo. I only had Acoustic Electrics, 6 and 12 strings until I bought my first Godin A6 Ultra. (Acoustic and Electric Pick-ups). The A6 was impressive in it's own right, so I started looking at other Godin products, and ran into a 5th Ave Kingpin 1. Acoustically it was a 3 star, as I have a couple of Taylors and an Epiphone Masterbuilt that this guitar is no match for unplugged. HOWEVER !! This guitar was designed to be plugged in, and the Tone and ease of Play come shining through when the p90 is in the loop.
Dick Dale is a prominent Stratocaster player, who also collaborated with Leo Fender in developing the Fender Showman amplifier. In the early 1960s, the instrument was also championed by Hank Marvin–guitarist for the Shadows, a band that originally backed Cliff Richard and then produced instrumentals of its own. So distinctive was Hank Marvin’s sound that many musicians, including the Beatles, initially deliberately avoided the Stratocaster.[citation needed] However, in 1965, George Harrison and John Lennon acquired Stratocasters and used them for Help!, Rubber Soul and later recording sessions; the double unison guitar solo on “Nowhere Man” is played by Harrison and Lennon on their new Stratocasters.[10][11][12][13]
If the gap is perfect, congratulations – you may now move on to step 2. If the gap is too large, then you need to tighten the truss rod a little (similarly, if the gap is too small, you need to loosen the truss rod). Locate the adjustable end of the truss rod. On every Les Paul style guitar I have seen, the adjustable end of the truss rod is located under the truss rod cover, located on the peg head. To remove this, simply unscrew the two (or three) screws and lift/slide the cover off.
In the 1970s and 1980s, with jazz-rock fusion guitar playing, jazz guitarists incorporated rock guitar soloing approaches, such as riff-based soloing and usage of pentatonic and blues scale patterns. Some guitarists used Jimi Hendrix-influenced distortion and wah-wah effects to get a sustained, heavy tone, or even used rapid-fire guitar shredding techniques, such as tapping and tremolo bar bending. Guitarist Al Di Meola, who started his career with Return to Forever in 1974, was one of the first guitarists to perform in a "shred" style, a technique later used in rock and heavy metal playing. Di Meola used alternate-picking to perform very rapid sequences of notes in his solos.

The Neoclassical Speed Strategies for Guitar is another book we’d recommend more for the seasoned player. This one provides an excellent introduction into fingerpicking with helpful illustrations of exactly how to position yourself for the quickest and most efficient playing. It includes lots of helpful examples and exercises to make it easier to master.
By 1941, much of the pre-war Supro line had disappeared, to be replaced with what would eventually turn out to be a good portion – and look – of the post-war Supro line. Gone were the Supro Avalon Spanish, the acoustic resonators and the nifty amp-in-cases. The Supro Avalon Hawaiian was gone, in name, though its spirit was directly inherited by another lap, the Clipper. Also gone were the mated pickups in favor of a more traditional design with exposed polepieces. These with some variations, would prevail for the next decade or more.
Amongst the best guitar brands in India for acoustic guitars, Martin is one that stands out. Martin is one of the best known brands for its steel-string guitars. It is a leading manufacturer of flat top guitars which produce top notch sound quality. However, the company is best known for their signature dreadnought acoustic guitar with X-bracing. It is truly one of the best guitar brands for some of the best quality guitars in the market.
This site is dedicated to all you guitarists out there who ever owned an old Japanese Teisco guitar, especially those of you who started out with one and still have it today. I created this site out of frustration at not being able to identify the model of my first Teisco despite my best online and off-line efforts. I found out (eventually!) that it's an SS-4L made some time in the early/mid 60s.
Generally, guitarists with an array of pedals like to put their drive pedals first. This includes your overdrive, distortion, fuzz, or boost pedals. Some guitarists have more than one of these, and they usually go at the beginning of your chain. The reason for putting them first in your pedalboard order is because you will be distorting or boosting the purest version of your guitar tone. Putting a delay pedal before distortion means that the echoes from the delay pedal would themselves become distorted, resulting in an unnatural and messy sound. If you’re using an overdrive and a boost, it’s wise to put the boost first – that sends a stronger signal into the overdrive to get the most out of it.
Parallel coils: coil tap connection needs to be broken for this kind of wiring, so three lead pickups cannot be wired this way. The idea is to join start of each coil with finish of the other coil. One on those connections will be hot, the other ground. Parallel coils will sound more like a single coil sound, noticeably quieter and shallower than a series connection.

It’s ironic that Leo Fender, the creator of the most influential instrument in rock music, wasn’t actually a fan of rock ’n’ roll; he preferred country and western. But it goes to show you that once something new is out there, you can’t stop makers and players from reinventing it, adapting it for new purposes, taking it apart and putting it back together in new ways. The electric guitar is a prime example of unintended consequences. Initially, it just wanted to be a bit louder, but it ended up taking over and reinventing popular music and culture. Will we even recognize the sound of the electric guitar 10 or 20 years from now? I, for one, hope not.
The original Overdrive pedals were created to mimic the sound of tube amps being cranked to 10. This will cause the tubes to be pushed to their limits, producing a crunchy and aggressive tone. The sound of overdriven tubes are certainly iconic as it gave birth to the sound of Rock ‘n’ Roll. However, the problem with bringing your volume up to 10 to overdrive your tubes is that it gets really, really loud--safety hazard loud.
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I like the pseudo PTB scheme where the tone cap (I prefer .033 or .022mF) is attached to lug 3 of the pot and to ground. Lug 2 is connected to the Volume pot’s lug 1 and there’s an additional small cap (0.001mF or smaller) connected between tone pot lug 1 and Vol pot lug 2. Assume both pots are Log types: with tone at 7.5 (ie halfway along the pot’s sweep) there is no appreciable treble cut, and the volume pot gives a pretty even tone throughout its range. With tone pot higher than 7.5 bass is cut as you roll back the volume, with tone pot lower than 7.5 treble is cut. Minimum bass setting – vol approx 3, tone full up. Minimum treble setting vol full up, tone full down. I have this in most of my guitars and love it.
For better or worse, by 1982 the taste for natural-finished, neck-through guitars with lots of switches and active electronics had begun to move on. On the horizon were the brief affair with weird-shaped “heavy metal” guitars and the impending first Strat-mania and the rise of Superstrats which would pretty much define the remainder of the decade. 1982, and the 18 and 28 Series, marked the end of Martin’s direct manufacture of electric solidbody guitars.
They say good things come in small packages. Well, "they" weren't wrong! The Orange Micro Terror Guitar Amplifier Head is no bigger than a lunchbox, but packs enough power to stand up to some of the bigger amplifiers out there, especially when you connect it to a 2x12 or even a 4x12 cab. It features a combination of solid state and valve technology and throws out 20w of pure power thanks to the 1 x 12AX7/ECC83 pre amp valve. Easy to use, affordable and even easier to carry around, you can easily gig with this or use it as a practice amp at home when coupled with the custom built Orange PPC108 1x8 Closed Back Speaker Cabinet.
The Ibanez RG series is basically synonymous with shreddable metal music. Inspired by the classic JEM series of the glammy 80s rock years, this GRGR120EX guitar is perfect for the guitar player who aspires to be a real metalhead. The body is made of solid alder and it comes with a slick black binding. There are two super-high-output, extra-snarly Infinity R pickups that will respond well to overdrive and distortion pedals. Moreover, a rosewood fingerboard with classic Ibanez sharktooth inlays and sharp black hardware make this guitar look like the real deal.
Ibanez is the most important Japanese guitar brand, and this new book tells the story of the electric guitars the company has made since the late 50s. The story tracks the fortunes of Ibanez from its early years as a copier of prime American models to later success as a creator of impressive original designs. The big break came in the late '80s with the launch of Steve Vai's JEM models and the related RG design, which have ensured Ibanez's popularity among metal and extreme rock players. Players include George Benson, Phil Collen, Allan Holdsworth, Pat Metheny, John Petrucci, Lee Ritenour, Joe Satriani, John Scofield, Mick Thompson, and more, many of whom are featured or interviewed for this book. With a gallery of full-color pictures of famous guitars and players, a reference section detailing production years and specifications, and a section covering how to interpret serial numbers. 160 pp.
Official Vintage Guitar Price Guide: This print guide, published by Vintage Guitar and Bass, is an annual guide that is re-published with updated information each year. The webpage above is handy because it shows links for all guides that have been published in one place and will continue adding links for future years. The link shown for each guide will take you to a store online where you can purchase the guide. It is known for being extremely thorough, and its latest edition, the 2017 guide, has appraisals for 2,000 brands of guitars, basses, amps, effects, mandolins, steels, lap steels, ukuleles and banjos.

Different people have different opinions on what makes a vintage guitar. For the purposes of this site, a vintage electric guitar or vintage bass is one that was produced in the golden age of rock and roll. From the very early 1950s when Fender first produced the Esquire and Broadcaster, and Gibson the Les Paul; to the early 1980s, when both of these companies sold to their current owners.


Cadsoft Eagle is a very popular tool with pedal builders. A basic version can be had for free. There are limitations on board size and number of layers in the free version, but these won’t come in to play for the majority of basic analog effects pedals.  Element14  includes a host of documents and tutorials.  If you get into complex designs or full professional use later,  full versions of Eagle, at time of writing cost $575, and $1640.

Description: Body: Maple & Poplar & Maple - Body Construction: Semi-Hollow (Chambered) - Top Wood: Maple & Poplar & Maple - Neck Attachment: Glued - Neck Wood: Maple - Neck Construction: 1 Piece - Fingerboard: Rosewood - Binding: Cream - Frets: 22 - Inlay: Pearloid block - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: ABR-1 - Cutaway: Double - Hardware: 2x Volume Control, 2x Tone Control, Grover Tuners - Pickups: Burstbucker 1/Burstbucker 2 - Pickup Configuration: H-H - String Instrument Finish: Faded Cherry - String Instrument Accessories: Hardshell Case, Certificate of Authenticity - Made In: America

Alternatively – and often most effectively – you can fix phase issues in the digital realm. Record your two-mic signal on two separate tracks, then zoom in on the sound waves in each of the two channels in your DAW’s editing window until they are huge and you’re seeing the full up-and-down crests and troughs of the waves. Now, drag or nudge the sound wave of the ambient mic forward (i.e., to the left of the screen) a few milliseconds at a time until the sound waves line up perfectly. Listen again, and you should hear a very different blend that is fuller, richer, and more “together.”
The brand boasts of a remarkable following. The famous Fender Stratocaster is deservedly regarded as the guitarist’s electric; it has a long lineup of musicians who used and still use it for studio recordings or live performances. A few names: Jimi Hendrix, Eric Clapton, George Harrison of the Beatles, The Edge of U2, and Jeff Beck of the Yardbirds. The enduring popularity of this model is largely due to its incredible versatility; it bridges styles and genres with ease.
Two other totally new guitars debuted in November of ’88, the ST-3 ($225) and ST-4 ($235). These were both Strats, with maple necks, rosewood fingerboards, volume and two tones, five-way select, chrome hardware, SAT non-locking vibrato, in black, white or red with graphics. The ST-3 had three single-coils, whereas the ST-4 had a ‘bucker and two singles. Cases or gig bags were extra.
In the late 50s, McCarty knew that Gibson was seen as a traditional company and began an effort to create more modern guitars. In 1961 the body design of the Les Paul was changed due to the demand for a double-cutaway body design.[17] The new body design then became known as the SG (for "solid guitar"), due to disapproval from Les Paul himself. The Les Paul returned to the Gibson catalog in 1968.
Position 2 (outside coils, parallel connection): this one is more exciting because all poles do something. Pole 1 connects bridge pickup coil tap to ground, effectively splitting the bridge pickup. Pole 2 connects bridge pickup hot lead to the output. Pole 3 connects neck pickup coil tap to pole 4 which connects it to the output. What we end up with is a coil from bridge pickup coil tap to hot lead and a coil from neck pickup ground to the coil tap. Because of the way poles 2 and 4 are connected, these two coils will be paralleled.
The only known American distributor of Lyle guitars is the L.D. Heater Music Company. A small warehouse based in Beaverton, Oregon, L.D. Heater was owned by Norlin, the parent company of Gibson, and known more for their exclusive production rights to Alembic instruments. As protection from potential lawsuits, Lyle guitars were part of the contract that stated under which brand names Gibson-licensed guitars could be produced and distributed.

The first trick is the most obvious one: to double a crunch or heavily distorted guitar with a clean one. By sub-mixing a clean sound, you will be able to retain some precision, which is no minor detail considering that distortion has the annoying tendency of blurring sound. For this trick to be as transparent as possible, the crunch and clean performances must be as similar as can be. That being said, if you have a hard time getting that perfection, you can always "cheat": be it by editing the clean sound to make it match the original performance or simply doing some reamping with the first take, as discussed previously. In both cases the trick ought to work wonders because the clean take is only meant to be "felt" but not distinctively heard by the listener.
Whoever first got the sound down on tape, vinyl, acetate or whatever, it’s hard to imagine that adventurous, pioneering electric guitarists like Charlie Christian, Lonnie Johnson, T-Bone Walker and others didn’t crank up that brown electric suitcase to see just what it could do. Even if they were banned from such sonic mayhem on the bandstand or in the recording studio, you can bet a few juke joints and basement jams rang with the sound of distorted guitar right back into the 1940s and even the ’30s. Do you doubt it? Plug a fat-sounding Gibson ES-150—with its beefy ‘blade’ pickup—into an EH-150 or BR-1 amp wound up to max. Dirty? Damn straight. As for distortion, there are no more ‘firsts’ to be claimed. For sheer variety of sounds, however, the modern guitarist has it all over his predecessors.
The first impressive thing about the Zoom G3X is its build quality. This unit is solid, which puts our fears to rest that Zoom may have sacrificed build quality since the G3X is more on the budget side of the price spectrum. In the reviews and recommendations we read, several owners make it a point to comment that it feels like a serious piece of equipment that could withstand some abuse because of its sturdy metal construction. The G3X can be powered with a 9V adapter (which is conveniently included), or four AA batteries. Zoom claims about 6 hours of battery life, but in our experience manufacturers tend to exaggerate battery life a bit. Still, battery power is very convenient if you’re traveling with the G3X and want to do some on-the-go playing, or just taking it from room to room in your house (to save some money in the long run we recommend rechargeable batteries).
Your skill level on the guitar is another factor that should be taken into consideration while shopping for the perfect instrument. It is generally wise to start out with a lower quality model when you are first beginning to study the guitar, whereas a veteran player with a trained ear will likely require the bells and whistles of more high end gear. If you’re a beginner, it’s a great idea to start out with a Yamaha or a Fender Squier, for example, as you get plenty of quality to learn on without breaking the bank. It’s wise not to go overly basic, however, as cheap guitars will have harsh playability that will leave a beginner with painful calluses that may scare them away from the instrument.
First of all build quality. CTS's sturdy casings, brass shafts and contact patch, solid connections are second to none, and importantly are precision made by a company who have been doing so for a long long time. Fitting a well made pot will mean you'll likely only need to do it once in that guitar, that's important I feel! There are however a lot of different variations of CTS pot, and that is why I now only swear by the 450 Series, and 'TVT' Series, both are constructed with the same components, I like consistency here! Which is why you'll only find these models of pot in my harnesses. I've seen some lower quality series' of CTS pots that have been wildly inconsistent, which I'll get to next..
MY kid brother has been playing drums since he was a kid , until I snuck him into a bar at 15 one night and he set in with the house band , he played all my music. He was good so he & the lead guitarist clicked & they released a CD that took off & then the guitarist was killed , my brother got a doctorate in music and has played on several good CD's , MTB being but one. he can now play nearly everything and has released two more CD,s ,and owns his own studio , me I'm only an electrician but I understand Harmonic heating in electronics . its right that a watt is a watt,& it's a way to measure power & its sold in kilowatt hours, but even though a watts is a watt when measured, its a measurement of energy , it still depends on how it's used as to how far it goes or what you get from it ,it has a lot to do with how clean or distorted it is as to how loud it seems , people will perceive it differently , the only way to find to find how loud ? a decibel meter, another measurement .
Most of the time, a chord diagram will not show you the finger numbers. They will leave that up to you, because different people sometimes play chords differently. Some people cannot play an A chord like this, because their fingers are too big, and this fingering is very cramped for them. Instead, they play an A with a mini-barre, using the same finger for more frets. For example, I could bar my 1st finger across the 4th, and 3rd strings at the second fret, then place my 2nd finger on the 2nd string, second fret (see image on the left). This gives me more room between the frets, and also frees up my 3rd and fourth fingers to pick out melody and bass notes. It’s just a preference, you can play the chord how you prefer.
I bought this kit for myself. I wanted the satisfaction of building and playing my own guitar. The price was well within my budget. I did upgrade the electronics, put on a Bigsby tailpiece, a new roller tune-o-matic bridge, and planet waves self trimming tuners. The items in the kit were fine to use, but i wanted a one off guitar, that would have the sound and the look I wanted.
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And just a quick note: I do not buy or sell guitars. I have no idea what any given guitar from this period would sell for. I don't know if some of the listed guitars are indeed valuable. My sole purpose is to help people looking specifically for information on the maker of their MIJ guitar. So please...don't ask me what your guitar is worth. To me, they're all priceless.
Due to the good critical response received, the ATH-M50x can be considered the flagship of Audio-Technica headphones, and it definitely doesn’t disappoint. It’s clearly a professional product, so much so in fact that philistines who dare compare it to models directed at casual entertainment get verbal beat downs in comment sections from its many fans.
The company initially manufactured only traditional folk instruments,[citation needed] but eventually grew to make a wide variety of stringed instruments, including violins, cellos, banjos, upright basses—and a variety of different types of guitars, including classical guitars, lap steel guitars, semi-acoustic guitars, and solid body electrics. Some of Kay's lower-grade instruments were marketed under the Knox and Kent brand names.
Just wanted to get back with a thank you note. I received the kit last week and installed it in my Stratocaster with Texas Special p'ups. It's absolutely brilliant. Not only is the Blend control a superb new addition to the tonal options, but the pots also feel so sturdy and smooth. Feels like I have some custom build now. Just amazing, thank you! In addition, the treble bleed mod is the icing on the cake. I’m no longer afraid to roll down the volume knob." - Andrei Custom Blender Mod for Strat®  
hey paul. i have a dorado 6 string acoustic. they really are beautiful guitars (for the price and value). if you email me (swiver84@hotmail.com) i will send you pictures of it. i'd like to see some of your dorado as well, i've only seen a couple others on ebay. i lost one on ebay yesterday by 1$! i am still kickin myself in the butt for that one. it went for 36$.
There are lots of adjustment points built into modern electric guitars. And unless you know what you're doing (and why), these adjustments can tempt you to mess around with your guitar and make things worse instead of better. With this book, you can avoid that trap. You'll find step-by-step instructions for setting up your guitar, replacing strings, changing string gauges, dealing with common electronics problems, and more.
If you're new to distortion and overdrive pedals, you might be wondering what the difference is between them. For the most part, they do the same thing and are both often referred to as gain pedals. How they differ is that distortion pedals usually provide a harsher, grittier tone with increased sustain. When it comes to distortion, think of genres like grunge and death metal. On the other hand, overdrive pedals are designed to emulate the sound of a tube amp when you increase their volume. The result is a warm yet crunchy sound that's ideal for playing blues and classic rock. Of course, one is not better than the other, and the right distortion or overdrive pedal for you will be a matter of personal preference.
I have had some dog bad guitars! You and every one passes up Rickenbacker. I just dumped mine, I had two in my life they are bad out dated guitars. I saw people come in a store to buy one, they play one with a great Fender amp and walk out with some other brand. You do not see and of the greats play them. The sounds of the 60's is not a Ricky. Look for them and you will only see old photo of Lennon play one, no solos!
Morris D-41 copy vintage 1980s Japanese high end hi class Exotic Brazilian Jacaranda Rosewood tone woods body it has detailed fancy inlay perfling and in in amazing condition. Here we are proud to present to you a Classic dreadnought high quality Guitar made of vintage aged tone woods with impeccable workmanship and top quality materials fit and finish rivals the best of the best. This guitar was made by the premier custom shop builders of Japan in the Terada factory and are well known for making Ibanez's top of the line series guitars like the Artists - musician- the George Benson line as well as many others Some of the great Aria's top of line guitars and a few other makers they have the great woods and skills to make some of the finest instruments made period and this Morris is one of them. Just have a good look and you'll see for yourself. One of the finest D-41 type guitars made She's approaching 40 years old and in superb vintage condition I'm looking for dings still and don't see them it's really in sweet condition WOW it's rare to find such fine examples like this all round nice I suspect this beauty will not last long. She is currently in our JVGuitars shop for a full set up and will receive a JVG-Martin upgrade which consists of new fit Martin bone nut & compensated saddle set a full fret dressing and polishing and a beautiful resonant set of solid ebony bridge pins with brass ring and inlaid Abalone detail as well as a new set of Martin 80/20 phosphorus bronze strings and a full body polish. Just in pics soon to come. To enquirer contact Joe: jvguitars@gmail.com .

Although Ibanez’s S series is designed to be far more versatile than the RG guitars, its Iron Label collection is built for one, brutal purpose: heavy metal. The SIX6FDFM represents exactly what we consider a ‘value-for-money’ guitar: It sports many premium specs, is skewed towards a single use, and, at a little under $1,000, won’t hemorrhage your bank account.
Supro guitars were first produced in the 1930s by the National Dobro Corporation (rebranding as Valco in the 1940s), with the first solid body electrics produced in the early 1950s. The company produced guitars with numerous names on the headstock, with Supro and National being the best known. They produced some interesting guitars in the 1960s, including some of the earliest fiberglas-bodied instruments; financial pressure necessitated a merger with Kay of Chicago in 1967, but the new comapany only managed to limp on until 1968, before folding and ending all guitar production.

If you like the traditional look of a Fender Stratocaster, but want something a bit more modern with a little more output for heavier blues, rock, and metal tones, the ESP LTD SN-200HT is a fantastic value for the money. You’ll get a great range of tones thanks to the humbucker in the bridge position, and two single coils in the middle and neck positions.


The ultimate in superb workmanship, total versatility. This deluxe 4 pickup electric will be played with pride by the most experienced performer.  Four simulated split pickups make possible virtually unlimited sound combinations. Powerful magnetic pickups are height adjustable. Ultra fast steel reinforced neck. Head and Rosewood fingerboard bound in White. .22 Nickel Silver frets (plus zero fret), 8 “N” shaped pearl position markers, 4 volume controls, 3 position rotary tone control (high-medium-low), Rhythm-Solo-Switch, 4 slide pickup switches.  Advanced type tremolo arm.  Chrome adjustable roller-type bridge.  Highly polished yellow-to-red-to-black sunburst finish.  Size 41″x14″.

8. Fender Champion 40-watt 1x12 ($179.99): If you are looking for a great introduction into the world of Fender tone, you need to look no further than the Fender Champion 40. This solid state amp with Fender classic styling allows you access to a variety of on-board effects like Vibratone, tremolo, delay and many more. The two amp channels allow you to switch between Fender Blackface clean or a variety of different amp voicings, accessing the sounds of other Fender amp greats. The ability to add a footswitch pedal allows you to switch channels and effects with great ease at the tap of a button. There’s a reason why Fender is the go-to company for many of those in the music community.

But Lou’s edgy lyrical stance and image spawned something even more fundamental to deviant aesthetics: punk rock. It is with considerable justice that he graced the first cover of Punk magazine in 1976 and was subsequently dubbed the Godfather of Punk. Lou embodied a new kind of rebel hero, an amalgam of two distinctly different but equally vilified social pariahs: the disaffected intellectual and the scumbag street hustler. In recent years, he’s added a third persona: the grumpy old man.


Not to mention the difference tones created when two pure tones (sine waves) are produced at the same time (which, important to mention - pure tones only exist in theory, every sound we hear is comprised of overtones...) - then the additional difference tones created by the interaction BETWEEN difference tones - it's basically a fractal relationship. Anybody who has spent a significant amount of time studying the physics of sound knows that the interactions that occur between sounds are so complex and immense that it's almost silly to assume that just because "wood isn't magnetic" that the natural resonance of the wood wouldn't in turn accentuate certain overtones over the fundamental tone coming off the string. You can't say that the note "has already left the string," when the note takes place over time - even a staccato note has an attack, sustain, decay, and release envelope much in the way that a synthesizer does (this is where the idea for artificial dynamics envelopes came from anyway).
3) The pedal switch. Placed on the top of the pedal, pressing it with your foot turns the effect on and off. This is where the name “stomp boxes” comes from – you “stomp” the box to turn on the effect. Pedals are most commonly placed on the floor next to each other so they can be toggled with your feet while you play with your hands, but larger units are often placed in large racks on top of one another, as otherwise they would take up too much floor space.
Anytime you hear a screaming or raunchy sounding harmonic by way of loads of gain come jumping out of your speakers, it’s likely a result of pinch harmonics. Pinch harmonics follow the same basic idea of harmonics, except this time the contact is made with the skin of your pick hand thumb right after picking a note. Where you do this determines the pitch of the harmonic.
Then, there are the venues where all you get is a vocal mic or two, where you're left to curate your sound all by yourselves. This category accounts for the vast majority of places a young band will play, and if you can hone your tone here you can hone it anywhere. What's most important is that you keep your amps low enough to allow the drummer to play at about 80% intensity. That way, the audience can actually hear all those important vocals, and when your drummer kicks it up to 100%, and you stomp on your distortion pedal, the audience will actually feel a shift.
In the Ethereal reverb, you can layer two delay effects, where both have four different delay types to choose from, via the black button labeled "Delay Modes." These modes allow you to assign different subdivisions to each delay layer which, when stacked on top of the reverb effect, give you some really unique decay sounds that trail off from the initial signal. 
The Ibanez Artcore AS53 is a semi hollow-body guitar created for guitar players from diverse genres as blues, country, rock and jazz. The guitar feels nice and has a compact and comfortable body. The tone is rich, warm and full. If you are looking for that fat hollow body sound, this guitar makes it possible to switch from jazz to every semi-hollow rocking style of music. A combination of quality and affordability.

These probably were not made very long, due to the intensity of the war effort. In 1942, production of resonator guitars ceased for good (except for their brief revival on the fiberglass models of the mid ’60s). The acoustic Hawaiian craze had peaked and was already being replaced by electric Hawaiian music, as reflected in the growing line of lap steels. By the end of World War II, resonators were obsolete, and music would be dominated by big-bodied dreadnought and jumbo acoustics, or electricity.
In standard Boss fashion, you get a set of four no-nonsense controls and a footswitch that is as durable as the case it’s installed in. However, none of this means anything if the reverb effect isn’t up to the expected level. Fortunately for us, Boss didn’t disappoint with this one. You get a reverb effect that is in that sweet spot when it comes to versatility and quality.
Gibson 2012 SG Special '70s Tribute Electric Guitar, Left-Handed (with Gig Bag)   New from$649.00In Stockor 12 payments of $54.09 FREE 2-DAY SHIPPING Gibson 2017 SG Faded Electric Guitar, Left-Handed (with Gig Bag)   New from$659.00In Stockor 12 payments of $54.92 FREE 2-DAY SHIPPING Gibson 2017 Les Paul Standard Electric Guitar, Left Handed (with Case)   New from$2,299.00In Stockor 12 payments of $191.59 Free Ground Shipping Gibson 2019 LP Junior Tribute DC Electric Guitar, Left Handed, (with Gig Bag)   New from$799.00In Stockor 12 payments of $66.59 Free Ground Shipping See All Left-Handed Electric Guitars
Epiphone is regarded as one of American’s oldest and most revered musical instrument manufacture, which was founded in 1873 by Anastasios Stathopoulos. Their headquarters located in  Nashville, Tennessee, United States. Their produce amplifiers, mandolins, banjos, effect units etc. The company is owned by Gibson Guitar Corporation. Their guitars are the best selling one in Indian market. Available at Rs. 13,000/- onwards (approx). For more details, visit Epiphone.com.
As I tried to point out, what is high action is based on personal taste for the most part. Also, Martins traditionally have higher action than many other manufacturers. But unless it is a true defect in the particular guitar, from wood swelling or shrinking, etc. action is easily adjustable, but it is recommended that you have a certified Martin warranty repair person do that, unless you are comfortable with such adjustments.
Having said this, if it’s for a child under 12 we normally do recommend a nylon string as it’s easier for them to press the strings down. Some children can have tougher hands than others, so if you have a rough and tumble child, they mght be able to handle steel strings earlier than usual. Check out our buying guide for Choosing a Guitar for a Child for more information.
Hi Dan! Thanks for the kind words! As somewhat of a newbie, you may find a semi-hollow-body guitar more flexible and versatile, especially if you are still finding trying to figure out what genre you are going to focus on. If you are set on the hollow-body go for, but ,if you are on the fence, the versatility of the guitar is something to consider. Those are my thoughts. Good luck!

i am writing this now because i can't even look at this guitar without thinking about this experience, and still can't enjoy playing this very expensive and special vintage piece. i went to great lengths to get all the way to this shop, it was extremely difficult, several trains, a really long walk. then i waited a truly insane 3 months, and then went to the same lengths to pick it back up. he did say to me to bring it back, but that was impossible. never in my life, in NY or LA, or anywhere in between have had to wait more than 1-2 days for any service on any guitar. in my experience he takes on way more work than he can handle and apparently doens't do a thorough job. 3 months is obscene. 1 month is unacceptable. bad experience, 100% waste of time & money. if he refunded my money it would not come close to the amount of time i had invested in getting here & back. truly negative experience. waste of much time.
Nothing sounds as good as a tube amp turned up to 10. You can do this with some old amps, and they will sound fairly clean; others will explode. Use caution and keep an eye out for plumes of smoke. Newer tube amps generally have separate preamp and master-gain controls that can duplicate the gritty anarchy of yore, minus the lease-breaking SPLs. For jazz and other clean guitar styles, it's okay to turn the volume down a bit, as long as you don't "underdo" it.
Students and expert alike describe this guitar as a fun instrument, and goes further by commenting that it has exceeded their expectations. From its fast action playability to the quality of the finish, the Epiphone SGSpecial continues to rake in compliments. Several people even said that it comes surprisingly close to the feel and sound of a Gibson SG.

About a year ago (or maybe more) I was in a real Marc Bolan/T Rex phase, and I came across a Lotus Les Paul copy in my local Sam Ash used for $199. Like the idiot I am, I played it, and it played and sounded good, so I bought it. Well, that did not sit well with my folks, who made me take it back a few days later. It had a bolt-on neck and was quite heavy, but other than that, it looked sweet. I even was smart enough to take a picture of it:
The desire for innovative sounds has intrigued musicians in every culture since the dawn of time. Oscillating the volume of a note is an ancient technique — we’ve been able to do it with our voices as long as we’ve been capable of singing. Any musician playing a stringed instrument can create tremolo effect — they simply move the bow or finger back and forth while sustaining a note, as violinists and cellists do. But what about other sounds? How has the addition of mechanical and digital devices changed our music?
History: Before solid-state technology, Valve amps were manually assembled by large teams of women in conditions that would not be accepted today. For domestic application the majority were not well made. Before manufacture, designs were scrutinised and modified to reduce production cost. Valve count kept to minimum, cheapest components used at voltage rating limits, safety standards almost non-existent.
If you're looking for one of the best Strats Fender has to offer, be sure to check out the Fender American Professional Stratocaster. Developed with pickup master Tim Shaw, its brand-new V-Mod single-coil pickups are voiced specifically for each position, mixing alnico magnet types to produce powerful, nuanced tones with original Fender sonic DNA. For metal guitarists, have a look at the Jackson JS32 DKA electric guitar. Swift, mean, and easy to play, this guitar offers classic Jackson tone and playability at a more than affordable price. If you're looking for a Les Paul guitar, a great choice is the Epiphone Les Paul Custom PRO electric guitar. If you're ready to step up to a Gibson Les Paul, the 2019 Gibson electric guitar lineup is in-stock.
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