The simplest close-miking technique using a single mic is one that’s familiar to anyone who has gigged in a venue large enough to have a full sound-support system. Stick a Shure SM57 or similar dynamic mic within an inch of the grille, and away you go. This technique frequently delivers a direct, punchy, in-your-face guitar tone that feels muscular in rock-oriented tracks. If you have a Royer R-121 ribbon mic or some other good ribbon or condenser option that can handle the sound-pressure levels involved in close-miking a guitar cab, these will offer variations on the traditional mids-forward SM57 flavor. In many circumstances this simple technique proves entirely adequate, or at least makes a good foundation to build upon, but you still need to consider exactly where to position that mic, and subtle variations of approach will reveal nuanced differences in the tones you can achieve. Also, if you’re playing a combo or extension cab with more than one speaker, listen carefully to determine which is the best-sounding speaker – or the one that’s right for the track – and mic that one (if you’re not sure, and have two appropriate mics, record two speakers to separate tracks to select from later, more of which below).
I have an old Montclair that my uncle modified. He told me that is a '52 but the info here dates it as '60-62 if I remember correctly. I just registered over at the forum, I thought you guys might get a kick out of seeing this guitar. My uncle stripped almost all the paint, there's a bit under the bottom of the neck just to show how it was. He added a hand carved bridge and custom binding on the backside. Also there are a few other unique mods. I really am interested to see what you think about this guitar. It is my main player and has been for years now, an amazing sounding punchy guitar. Hopefully I'll be able to post up some pics at the forum. Cheers! -Gabriel-

Acoustic amplifiers produce an uncolored, "acoustic" sound when used with acoustic instruments with built-in transducer pickups or microphones. The amplifiers often come with a simple mixer, so that the signals from a pickup and condenser microphone can be blended. Since the early 2000s, it has become increasingly common for acoustic amplifiers to provide a range of digital effects, such as reverb and compression. As well, these amplifiers often contain feedback-suppressing devices, such as notch filters or parametric equalizers.[22]


{ "items": 1, "margin": 0, "loop":true, "dots":true, "lazyLoad":true, "autoplayHoverPause":true, "navElement": "div", "nav": false, "itemElement": "li", "stageElement": "ul" //"jqueryLazyLoad": true, //"jqueryLazyLoadOptions": { "effect": "fadeIn", "skip_invisible": false, "threshold": 300 }, //"autoplayHoverPause":true, //"responsive":{ "0":{ "items":5 }, "1158":{ "items":6 }, "1340":{ "items":7 }, "1500":{ "items":8 } } }
Despite the fact that there are many great beginner guitars out there, Ibanez holds the title of owning starters designed specifically for metal. The way they have achieved this reputation is quite ingenious. They have delivered the same body style shared with their higher-end models. Ibanez GRX20ZBKN is a good example. It is a basicguitar that packs a mean punch.
Looking for Used Gear? You may have just discovered your future. Music Go Round franchisees started out as customers of our stores. They have a love of music, they love gear and they understand the industry. Most importantly they’ve taken their passion and turned it into a business they’re proud of which is an asset to the music scene in their community. Who wouldn’t want to own a business where every day they were doing what they truly love? Sound interesting?
Some pedals, such as clean boost pedals and transparent overdrive pedals merely provide a much powerful signal to feed into the preamp section of the amp, causing natural overdrive. Overdrive pedals can provide both a boosted signal and an already distorted signal. Distortion pedals have different kinds of circuits that provide different kinds of distortion; the pedal provides an already distorted signal. Digital overdrives and distortions rely on electronic means of producing the signals, with some resorting to modeled sounds.
It will take time to write and update all of the content at once. Come back regularly and I promise that there will be always something new for you to read, the list with essential guitar effects will be constantly updated. If you are just starting out, we recommend going through some online guitar training before you dive in the guitar pedals world.
RARE Epiphone Vintage FT-150 Bard Lefty Conversion with bone saddle. Spruce top, rosewood back and sides. Medium to low action. Beautiful sounding and playing guitar. Superb projection. Rivals guitars costing thousands.In excellent cosmetic condition with normal fretwear for a guitar it's age, and tiny dings here and there but nothing that stands out and looks gorgeous. Includes original right-handed, adjustable bridge. Includes hard shell case and original right-hand adjustable bridge if you wanna convert it back to a righty!
New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition
GuitarFX™ guitar software (it's on the market since 1997!) enables you to turn your computer into a guitar effects processor. Simply plug your guitar into the microphone or line input of your sound card, run this software, then press "Start" button. To stop playbacking pre-recorded guitar sounds click once on a picture of a small red lamp placed left to fx-slot with "Playback wav" title. Enjoy real-time crazy distortion smoothed by power filters and shaped by multi-band equalizers! Author of GuitarFX™ offers several presets, including "hard rock", "high gain lead" and "solo" effects. However, you can click through several menus to easily create custom tones. They can be saved as pre-sets for future use. Pre-sets can be assigned to "hot keys" F1..F12. Among the effects, you can apply 4 types of distortion, noise gate, wah-wah, compressor, EQ, flanger, reverb, chorus, delay and a number of other filters and effects. You can save your recordings to your hard drive. GuitarFX has the "software effects chain builder" with 16 fx slots. Clean guitar signals go to the top fx slot, then they are passed through all fx slots from the top to the bottom and go to the sound card output from the bottom fx slot. You can move any fx slot up. To do this place your mouse cursor on the top part of the appropriate "Tune" button and then do right mouse button click. Also you can move any fx slot down. To do this place your mouse cursor on the low part of the appropriate "Tune" button and then do right mouse button click.

All Gibson-brand guitars are currently made at three facilities, depending on the type of guitar. Solid body electric guitars such as the Gibson Les Paul and the Gibson SG are made in Nashville, Tennessee. Semi-acoustic guitars such as the Gibson ES Series are made in Memphis, Tennessee. Full acoustic guitars such as the Gibson J Series are made in Bozeman, Montana. The Nashville and Bozeman facilities are off-limits to visitors, but the Memphis facility gives regularly scheduled factory tours.

Basicly it is a HD digital sound interface plus with a MIDI controller and footswitch. It is has unique design with different HOST mode and switching MODE to work with the host softwares. We are proud of that it is now maybe the best thing you can find to use on stage with software FX. The special designed analog signal chain mixing with the digital codec give the best dynamic response and sound quality. We did AB with lots of other interface and be so confident on its performance.


The beauty of the Yamaha FG800 Acoustic goes way beyond skin deep with its solid Sitka spruce top complemented by a Nato back and side. The mellow, well balanced tone offers excellent note definition, worthy of dreadnoughts costing far more. Quality materials such as a rosewood bridge and fingerboard, black and white body binding and more make FG Series acoustics sweet buys with a great reputation.

This is where the roads came back together. Kaman continued to play guitar during his building of the helicopter business. He kept his guitars hanging on the wall, instead of in the case, so he could grab one if he felt like playing. As a result he ended up with lots of cracked backs, including one on a favorite Martin. Charles traveled down to Nazareth to get the guitar repaired and Fred Martin gave him a factory tour.
The reason: The dynamic range of music can exceed 60db (power ratio 1:1,000,000). Transients within the music can exceed 20db (power ratio 1:100). Therefore amps under 60Watts and ‘Single Ended Class A’ will not be discussed in this text. Valve amplifiers are used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS systems, audiophile stereo amplifiers, military applications (such as target acquisition and radar) and very high power radio and UHF television transmitters
Founded by a father and son, Ryohei Tahara and the unknown Tahara. I do not know which was the father and which was the son. The company existed until the late 1979 when it was bought up by Saga Musical Instruments. In all, the company existed less than a decade as Tahara. Both the Maya and El Maya badges are attributed to Tahara. Saga Musical Instruments exists to this day.
Make sure that only the notes you deliberately play actually sound. Guitar strings aren't isolated systems like the tone generators of a synthesizer; if you simply leave them open they may ring even though you've never actually played them. Always watch out carefully for such “rogue sympathetic vibrations” and make sure you properly stop strings that sound in unintended ways.
Melodyne is a software application for OS X or Windows with which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie. You can modify each note and thereby influence direc...
{"eVar4":"vintage: guitars","pageName":"[gc] vintage: guitars: supro","reportSuiteIds":"guitarcenterprod","eVar3":"vintage","prop2":"[gc] vintage: guitars","prop1":"[gc] vintage: guitars","evar51":"default: united states","prop10":"brands","prop11":"supro","prop5":"[gc] vintage: guitars","prop6":"[gc] vintage: guitars","prop3":"[gc] vintage: guitars","prop4":"[gc] vintage: guitars","channel":"[gc] vintage","linkInternalFilters":"javascript:,guitarcenter.com","prop7":"[gc] vintage"}

Although electric guitar sounds vary dramatically, they are all essentially midrange instruments with little or no extreme high- and low-end information. With the tone controls on the amp and the guitar itself, recorded electric guitar sounds often need little in the way of EQ if the desired tone was produced at the recording stage. However, if the sound needs a bit more bite, try boosting the upper mids somewhere between 2.5 and 5kHz. For added warmth, a little boost around the 250Hz range should thicken the sound, while muddiness is often dealt with by cutting a few dBs at around the 200Hz mark.
Great guitar for the aspiring 4-10 yer old. This Lotus 20.25" scale, Kid's Strat copy is in excellent condition! Featuring a maple neck, an unbound rosewood fret-board, simulated mother of pearl fret marker, dot side markers, graphite nut, 6 "in-line" head stock, and an adjustable truss rod. 3 strat style, single coil pickups with 5 position selector. Volume and tone controls. (While not photo'd, the guitar does include the whammy / tremolo bar). This guitar is in great shape with virtually no wear to the original gloss black finish. I actually special ordered it when I worked at Colorado Springs Music Company for my son. I think he took it out of the gig bag a couple times. Comes with a thick padded "codura" gig bag.
Your own write-up suggests that the RP500 is "best of the best" for nailing classic amps/effects, and for being affordable; additionally your own write-up suggests Zoom should not be "best of the best" since it's tonally inferior to both the Digitech and the HD500X. Finally, the M5 isn't even a multi-effects pedal. It can model any single effect, that is all: it shouldn't even be mentioned here. Otherwise I like the actual write-ups: they're informative.
Another classic yet quite rare tone wood, Korina, has a lengthy Gibson pedigree. This elegant, fine-grained wood, also known as African limba, was chosen as the wood for the super-collectible Modernistic Series guitars of the late 1950s, and lives on in the ’58 Explorer and ’59 Flying V available today from the Custom Shop. Korina possesses some similarities to mahogany, particularly in its warmth and resonance, but it also yields degrees of clarity, definition, and sustain that are all its own.

Consider the use of a power soak. A power soak is a supplemental piece of equipment used in-line to reduce the volume output of an amp while maintaining tone and sustain. The signal moves through the line to the power soak, which absorbs part of the full power of the amp. This adjusted signal is transmitted to the amp, resulting in quieter volumes.[26]
Charles Kaman put a team of employees to work on inventing a new guitar in 1964.[2][7] For the project, Charlie chose a small team of aerospace engineers and technicians, several of whom were woodworking hobbyists as well. One of these was Charles McDonough, who created the Ovation Adamas model.[8]Kaman founded Ovation Instruments, and in 1965 its engineers and luthiers(guitar makers) worked to improve acoustic guitars by changing their conventional materials. The R&D team spent months building and testing prototype instruments. Their first prototype had a conventional“dreadnought” body, with parallel front and back perpendicular to the sides. The innovation was the use of a thinner, synthetic back, because of its foreseen acoustic properties. Unfortunately, the seam joining the sides to the thin back was prone to breakage. To avoid the problem of a structurally unstable seam, the engineers proposed a synthetic back with a parabolic shape. By mid-1966, they realized that the parabolic shape produced a desirable tone with greater volume than the conventional dreadnought.[9]
This guitar is one of the more affordable left-handed variants that you will find on the market. With a 41-inch body and a full-scale, you won’t find any limitations to the music you wish to play. The body is 3 inches thick which not only makes it comfortable to hold but also play. The cutaway gives you good access to higher frets while also increasing the appeal of the guitar.
Not the first commercially available flanger pedal, but probably the first that really worked properly with the full sonic depth of the effect, the A/DA Flanger was made possible by the advent of the SAD1024 chip (others were used through its lifetime, depending upon availability). It hit the shelves in 1977, and was shortly followed by Electro-Harmonix’s equally beloved Electric Mistress, and MXR’s big, gray Flanger. Nearly every big maker slapped its own flanger on the butt and sent it toddling down the pike within the next few years. These were serious pedals in their day, the big boys requiring their own regulated onboard AC power stage to run all that thirsty silicon. Most required a serious investment on behalf of the impoverished guitarist, too. A/DA’s unit retailed at $199.95 when introduced, and others went for even more. Not a steal, when you consider that minimum wage was $2.30 an hour in 1977.

Play power chords easily with one-finger barre'd across two (or three) strings. Simply place your index finger over the sixth & fifth stings at the same fret. (You can also barre the 4th string, which is also a D, and will match the root of your chord one octave higher.) The resulting power chord is named after the note played on the sixth string. At the first fret, it's D#5, at the third fret, it's F5. For tunes blues-rock tunes that use a lot of 5 & 7 power chords, such as those made famous by Chuck Berry, Drop D tuning allows you to play those 7 chords as though they were normal power chords.
On the back of soundboards is a pattern of struts and braces that provide stability to the soundboard, while allowing it to vibrate as uniformly as possible. The choice of wood used for these struts and braces is much less critical than it is for the soundboard. However, the bracing pattern can have a significant impact on the sound of the instrument. Guitar makers have tried many different bracing patterns in attempts to add distinctive tonal qualities to their instruments. In addition to bracing patterns, hardwood plates designed to add support to the bridge and soundhole areas are also commonly attached to the underside of soundboards. Though the acoustic impact of these plates are minor compared to the bracing patterns, their size, shape and wood type can also affect the tone of the guitar.
TC Electronics implemented their TonePrint technology into this stompbox. TonePring allows you to import your own presets, which you previously design using a piece or proprietary software. Such a configuration of features and controls ensures borderline endless possibilities. None of that matters much if the quality of tone itself isn’t on par. In this case, you definitely don’t have to worry about that.
The previous drawing illustrates the electrical and magnetic function of a single-coil pickup. Some pickups might use six permanent magnets in place of the six pole pieces to create the magnetic field, but the idea is the same: create a steady magnetic field around a coil in proximity to the guitar string. The name "single-coil" pickup becomes more significant when compared to the humbucker or "dual-coil" pickup.
{ "thumbImageID": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Natural/J46217000007000", "defaultDisplayName": "Fender American Professional Stratocaster Maple Fingerboard Electric Guitar", "styleThumbWidth": "60", "styleThumbHeight": "60", "styleOptions": [ { "name": "Natural", "sku": "sku:site51500000138952", "price": "1,499.99", "regularPrice": "1,499.99", "msrpPrice": "1,500.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Natural-1500000138952.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Natural/J46217000007000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Natural/J46217000007000-00-60x60.jpg", "imgAlt": "" } , { "name": "3-Color Sunburst", "sku": "sku:site51500000030467", "price": "1,399.99", "regularPrice": "1,399.99", "msrpPrice": "1,400.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-3-Color-Sunburst-1500000030467.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-3-Color-Sunburst/J46217000001000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-3-Color-Sunburst/J46217000001000-00-60x60.jpg", "imgAlt": "" } , { "name": "Sonic Gray", "sku": "sku:site51500000030468", "price": "1,399.99", "regularPrice": "1,399.99", "msrpPrice": "1,400.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Sonic-Gray-1500000030468.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Sonic-Gray/J46217000005000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Sonic-Gray/J46217000005000-00-60x60.jpg", "imgAlt": "" } , { "name": "Sienna Sunburst", "sku": "sku:site51500000030466", "price": "1,499.99", "regularPrice": "1,499.99", "msrpPrice": "1,500.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Sienna-Sunburst-1500000030466.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Sienna-Sunburst/J46217000004000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Sienna-Sunburst/J46217000004000-00-60x60.jpg", "imgAlt": "" } , { "name": "Antique Olive", "sku": "sku:site51500000030469", "price": "1,399.99", "regularPrice": "1,399.99", "msrpPrice": "1,400.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Antique-Olive-1500000030469.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Antique-Olive/J46217000006000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Antique-Olive/J46217000006000-00-60x60.jpg", "imgAlt": "" } , { "name": "Olympic White", "sku": "sku:site51500000030470", "price": "1,399.99", "regularPrice": "1,399.99", "msrpPrice": "1,400.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Olympic-White-1500000030470.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Olympic-White/J46217000002000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Olympic-White/J46217000002000-00-60x60.jpg", "imgAlt": "" } , { "name": "Black", "sku": "sku:site51500000030471", "price": "1,399.99", "regularPrice": "1,399.99", "msrpPrice": "1,400.01", "priceVisibility": "1", "skuUrl": "/Fender/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Black-1500000030471.gc", "skuImageId": "American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Black/J46217000003000", "brandName": "Fender", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/American-Professional-Stratocaster-Maple-Fingerboard-Electric-Guitar-Black/J46217000003000-00-60x60.jpg", "imgAlt": "" } ] }
×