Lou Pallo, a longtime member of Les Paul’s performing trio until the virtuoso’s death in 2009, earned a signature Les Paul model in late 2010. Nicknamed “The Man of a Thousand Inversions,” Pallo played a Les Paul Custom in the Les Paul Trio. However, the Les Paul on which he consulted for its design features a Standard headstock and body but Custom fretboard block inlays including at the first fret. The body wood is natural-coloured mahogany while the top is ebony-painted maple and bound in single-ply binding like the production Standard. The guitar features, unusually, a black-covered P-90 single-coil pickup at the neck—the same pickup that was standard on the Les Paul from 1952 to 1956—and a double-coil Dirty Fingers pickup without a cover but with a black pickup frame at the bridge. The familiar “rhythm/treble” poker chip around the toggle switch is also black, and the guitar features no pickguard. (Interviewed for the guitar’s introduction, Pallo himself said he had actually wanted the guitar to feature a cream-coloured pickguard, cream-coloured Dirty Fingers frame, cream-coloured P-90 cover, and cream-coloured poker chip.) The Lou Pallo model also features a small reproduction of Pallo’s signature in the twelfth-fret inlay. Pallo introduced the guitar at New York’s Iridium club, where the Les Paul Trio played for many years. Pallo explained for a video of the event that he rejected Gibson’s original idea to put Pallo’s signature on the headstock, out of respect to his old friend and partner, suggesting the inlay signature in its place. After introducing the guitar to the gathering, Pallo played the jazz standard “Begin the Beguine” on the instrument.
Setting up an electric guitar will bring out the true potential of that specific instrument. A poorly setup guitar will be harder to play due to high strings and neck bending, and will sound subpar with improper intonation. Electric guitar setup cost will cover all of these adjustments and more. For a price close to $50, your guitar will also have its neck adjusted so that the playability is as good as possible over the entire fret board. In the ideal setup scenario, the string height will be optimized so that playing is easy. The height of the strings should also provide for the best sound as they are able to ring free of the frets, allowing for the cleanest and strongest possible signal for the pickups to capture.

A functionally solid-body electric guitar was designed and built in 1940 by Les Paul from an Epiphone acoustic archtop. His "log guitar" (so called because it consisted of a simple 4x4 wood post with a neck attached to it and homemade pickups and hardware, with two detachable Epiphone hollow-body halves attached to the sides for appearance only) shares nothing in design or hardware with the solid-body Gibson Les Paul introduced in 1952. However, the feedback associated with hollow-bodied electric guitars was understood long before Paul's "log" was created in 1940; Gage Brewer's Ro-Pat-In of 1932 had a top so heavily reinforced that it essentially functioned as a solid-body instrument.[2] In 1945, Richard D. Bourgerie made an electric guitar pickup and amplifier for professional guitar player George Barnes. Bourgerie worked through World War II at Howard Radio Company, making electronic equipment for the American military. Barnes showed the result to Les Paul, who then arranged for Bourgerie to have one made for him.

I am very pleased with my new guitar, it is perfect... beautifully crafted, comfortable, just perfect for me...Rosewood and spruce and dynamic design ...wow; top of the line case, and the price was substantially less than full price, less than 50%!. There was absolutely nothing wrong with its packaging, as the description indicated. I was a bit nervous thinking it was going to arrive banged up, scratch or damaged, but the box was in good condition and the case was impecable. I got it two days after ordering it, and played it the next day at a school concert. Next will take it to a luthier to get it set, get better strings and an amp. Totally souped! Thanks Amazon for my musical gift for the holidays!
Before recording, make sure that the guitar is in tune, with a fresh set of strings, and that you check the tuning regularly. New strings always produce a brighter sound and better sustain. If the instrument has been properly set up, string and fret buzz should be minimal; while this type of noise is much less obvious when playing through heavily- distorted or overdriven amplifier settings, it can be very distracting when using clean settings or recording directly.

Here's a cool tip: If you ever needed to compare sizes between two items, say tuner shafts and a drill bit, but don't have a micrometer, try this. Use a crescent wrench! adjust the jaws to fit the first item, and then see how the other piece fits! Also great for taking measurements of something round. Fit the wrench to the object, and then lay the tool on a ruler and measure the gap. It's much more accurate!
Though comfortable playing many styles, Atkins was most often associated with country music and the acoustic guitar. By using a combination of his fingers and a thumb pick, he created his signature “fingerpicking” sound—a style somewhat inspired by fellow guitarist Merle Travis. Atkins even recorded a duo album with Travis, as well as with other respected guitarist like Doc Watson, Les Paul, Jerry Reed and Mark Knopfler.

You’re probably not going to damage your laptop by plugging in a guitar. But take it easy. Instrument output is usually about 10dB louder than mic level and 10dB quieter than line level. But there’s a big variation between instruments, and of course, your guitar has a volume output. On an electric, it’s just an attenuator — there’s no active circuitry, the volume knob just knocks down the output of your pickups, some use it as creative control, some just to match a cheap amp better.

The Sweetwater Used Gear Marketplace is a lot like Craigslist or eBay, only it's exclusively for gear, and it's 100% free — there are absolutely no charges or fees involved. Buying or selling, you'll be interacting directly with other musicians and audio enthusiasts, so we've included some tips below to help navigate your transactions. Learn More | Safe Shopping Tips

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If any item fails to meet your expectations at any time, please return it for a refund or exchange. From tuners to endpins, everything we sell at Stewart-MacDonald is backed by our rock-solid guarantee of satisfaction. This is how we do business, ever since selling our first 5-Star Banjo Head in 1968. We proudly continue this tradition by offering quality products and standing behind them.
ESP is another huge brand in the realm of electric guitar, with huge bands like Metallica, The Rolling Stones, Deftones, Lamb of God, and Slayer endorsements in full swing. Any fan of this kind of acts will be very interested in starting with an ESP of their own. Like Fender and Gibson, ESP has a more affordable range known as LTD. This kit includes an electric blue H-51 guitar with 24 frets and dual humbuckers, as well as a 12 pick sampler set, gig bag, guitar stand, strap, 10-foot instrument cable, and a tuner.
We've had a thread here in the last couple months about Squires, with some pretty discerning forum members praising their quality and tone. You don't need to spend a lot of money these days for a good guitar. The one the OP bought was years ago. The fierce competition in the guitar market since the economy went bad, has forced manufacturers to up their game, and recent production is of a much higher standard.
The size of the acoustic guitar body also influences its voice. Larger instruments, with dreadnought or jumbo bodies, generally produce more volume. They also tend to have warmer, rounder tones that accentuate bass notes. Smaller guitars, such as parlor, concert and “000” models, usually have a brighter sound that accentuates their middle and treble ranges.
Many bass players believe that tube amplifiers produce a "warmer" or more "natural" sound than solid state amplifiers when lightly or moderately driven, and more pleasing distortion characteristics when overdriven. Some performers also believe that tube amps have a greater level of perceived loudness for a given amount of amplifier power. Even though tube amplifiers produce more heat than solid state amplifiers, few manufacturers of tube amplifiers include cooling fans in the amplifiers' chassis. Usually adequate cooling is provided by passive convection. Adequate airflow is needed to prevent excessive heat from shortening the tubes' lifespan or producing tonal inconsistencies.[13] Tube amplifiers require more maintenance than solid state transistor amplifiers, such as replacing vacuum tubes or rectifying the tubes.
There sure are a lot of electric guitar options to choose from in this day and age. Thankfully, your choice doesn't have to be a difficult one to make thanks to world-leading guitar companies like Epiphone. In fact, Epiphone specializes in a wide range of electric guitar value packages, assembled specifically to help budding enthusiasts begin their musical journey on the right foot. If learning how to play the guitar is something you've always wanted to try but were never sure where to start, consider this section your launching pad.
Hi Dan! Thanks for the kind words! As somewhat of a newbie, you may find a semi-hollow-body guitar more flexible and versatile, especially if you are still finding trying to figure out what genre you are going to focus on. If you are set on the hollow-body go for, but ,if you are on the fence, the versatility of the guitar is something to consider. Those are my thoughts. Good luck!
Description: Body: Basswood (Tilia, Linden, Lime) - Neck Wood: Maple & Wenge - Neck Construction: 5 Piece - Nut Width: 54mm - Fingerboard: Rosewood - Frets: Jumbo - Inlay: White Dot - # of Strings: 7 - Scale Length: 27" (69cm) - Headstock: 4+4 - Bridge: Gibraltar Standard II-8 - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black, 1x Volume Control, 1x Tone Control, 3-Way Switch - Circuit Type: Active - Pickups: EMG 808 - Pickup Configuration: H-H - String Instrument Finish: Cobalt Blue Metallic, Galaxy Black - Made In: Japan
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What's funny is that guitars with cheap pickups very often sound better direct than guitars with "good pickups". I have an Epiphone Special I with ( presumably GFS ) P90-style pickups and that thing sounds great direct. It's also fine with a band thru an amp if the band doesn't play too loud - if the band's too loud the low mid buildup means you gotta EQ a lotta bass out and it loses it's girth.
Sometimes, your guitar may need more than a standard set-up. The frets need to be in reasonable shape in order to progress with the set-up. Often you will see that the frets are not level - this is crucial to the playability of the instrument. I have a precision technique for achieveing a perfectly true fret dress which I've been developing for 3 years.
In nature, reverb is an extremely fast series of echoes that reduce in volume over time.  Depending on the size of the environment, the number of repeats and the timing at which they occur will change.  Digital reverb pedals are very good at replicating the differing types.  Basically, you can take small tiled bathroom and the Grand Canyon (and everything in between) with you to your gigs.
All product names, logos, and brands are property of their respective owners, and are in no way associated or affiliated with The Top Guitars.  Product names, logos, and brands are used solely for the purpose of identifying industry-standard products and brands used by The Top Guitars for the business of post production sound, and any related awards or honors therein. Use of these names, logos, and brands does not imply any co-operation or endorsement.
During final construction, a small section of the outside corners is carved or routed out and filled with binding material on the outside corners and decorative strips of material next to the binding, which are called purfling. This binding serves to seal off the endgrain of the top and back. Binding and purfling materials are generally made of either wood or high quality plastic materials.
A one of a kind 6 stringed electric guitar that is right handed and mostly comes in black. The body is made of bass wood where as the fret board is made of maple. The neck also consists of white dot inlay. The product price ranges from about 15,350.00 which is quite cost effective considering the adorable features of the guitar. More information concerning the product can be found by clicking on the following link.

At that time European craftsmen operated under the guild system. The guitar (in its modern form) was a relatively new instrument, and most guitar makers were members of the Cabinet Makers’ Guild. The Violin Makers’ Guild claimed exclusive rights to manufacture musical instruments. The Violin Makers’ Guild filed appeals on three occasions – the first in 1806 – to prevent cabinet makers from producing guitars. Johann Martin is mentioned in a surviving submission dated 1832.
I have a 12-string Lyle in really good shape. Bought as a b-day present from me back in late 1970's from a pawn shop. I need to take it to a luthier to have it set up better, but it sounds really good. Just right now the action is a little high, but not that much wear. For a long time, I put it away, finding it hard to chord as a relative newbie back then. But now, I am more than ready. It does say it was made in Korea ~ which makes it seem a little more rare. The sound is still great or maybe even better! Wish I knew what it was worth, but I hope the guy I find to set it up will know more.
It is easy to make the mistake that the tone control set-up in an electric guitar is a simple single stage Resistor / Capacitor filter, where the two components are in series, the other side of the capacitor goes to ground, the signal is applied to the other end of the resistor and the output is measured across the capacitor. If that were so then your first calculation is roughly correct, while in a practical situation in the second, the capacitor would be fed from the impedance of the signal source. Lets say this is a test generator with an impedance of 600 ohms – the -3dB cut off would be around 12kHz. This is not the case for the typical electric guitar.

Late 1938: Scalloped "X" bracing with "rear shifted bracing", where position of the "X" moved further than one inch from soundhole (exact measurement varies, for example: a 1941 D-18 has 1 7/8" distance). So the X-braces were moved about 7/8" further down. And the tone bars were angled more parallel with the length of the guitar and further apart. These late-1938 to late-1944 guitars had deeper scalloped braces than the 1938 and prior forward or advanced braced guitars. This gives the late 1938 to late 1944 Martin guitars improved bass response (don't let anyone tell you that war-time Martins are not as good as pre-1939 Martins!)

Eric Patrick Clapton, CBE, is an English musician, singer-songwriter and guitarist. He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's "Top 50 Guitarists of All Time". He was also named number five in Time magazine's list of "The 10 Best Electric Guitar Players" in 2009 In the mid-1960s, Clapton left the Yardbirds to play blues with John Mayall & the Bluesbreakers. Immediately ...more on Wikipedia
EQ pedals do exactly what you would think.  They allow you to set the tone of your sound through equalization.  Just like on your radio, they can adjust the bass, mid, and treble frequencies of your tone.  Depending on the type of EQ stompbox you have, you may have different ways of tailoring your tone.  There are two main types: graphic and parametric.
If you play with your guitar’s tone controls all the way up, your tone is going to be trebly and bright — possibly even painfully shrill at high volumes. To get a handle on their range, get a clean sound cooking out of your amp and play at every numeral stop on your instrument’s tone pot dial. And for multi-pickup models, do that for each individual pickup and all the blended settings. Find a few positions you like, and while playing a tune you know by heart, roll to different settings for verses, choruses and solos and see how tonally diverse and interesting things become. On stage this can be a very impressive way to create fresh sounds — subtle, but noticeable — without relying on pedals or amp channel switching.
In addition to the Valvetronix, Vox has developed a line of analogue effects pedals. Dubbed Cooltron, the line provides guitarists with vintage sounding overdrive, compression, boost, distortion and tremolo. The pedals use low-power 12AU7 tubes to create vintage soft-clipping preamplification. Two of the Cooltron pedals, the Big Ben Overdrive and the Bulldog Distortion, won the Guitar World magazine Platinum Award.[3] Cooltron pedals:
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Before we go into the parts of an electric guitar, it’s worth noting that there are three different body types: solid body, hollow body, and semi-hollow body. The main difference between them is the way the bodies are constructed, and the amount of resonance they produce. If you’re into punk, rock, metal, or any style of fast or heavy music, then it should be solid body all the way. It allows for louder sounds and more sustain, while avoiding the feedback issues that affect some hollow bodied instruments at higher volumes. The hollow and semi-hollow bodied guitars on the market will appeal to players who prefer softer styles, such as jazz, country and blues, as well as soft rock and pop, as they offer a full, rich and more resonant sound with lots of bass. Beginners will be best off sticking to a solid bodied guitar, as they are easier to handle in most scenarios. For the rest of this anatomical breakdown we’ll focus on solid body guitars.

Micro size and simple for live performance. 4 types of guitar effect in one strip: compressor, overdrive, delay and reverb Design for blues, jazz and country music etc. Max. delay time: 500ms Aluminum-alloy, stable and strong, LED indicator shows the working state. Sonicake Multi Guitar Effect strip Sonicbar Twiggy Blues is an effects pedal combo for roots/outlaw rockers. It combines the four most important effects: compressor, overdrive, delay and reverb in one, and it features a built-in cabinet simulator for getting a real stack sound straight from the PA system. It’s a tool that can take you back to the 60's, to that golden age of rock n' roll. Taste it! Specification: Power: DC 9V 5.5x2.1mm center nagative, 105mA Max. delay time: 500ms Dimension: 262mm ( D ) x 64mm ( W ) x 4.
Many arguments can be made for Peej’s gifted lead guitarist (and corn-dogging, cheese-mongering Stevie Ray Vaughan acolyte) Mike McCready, but it’s Gossard whose songwriting and toothsome licks propelled the Seattle grunge icons early, record-setting releases. The winsome chords of both “Daughter” and “Black,” the white-knuckle smash of “Animal” or “Deep” or “Do the Evolution” — all were anchored by Gossard, a quiet type more invested in classic-rock craft than classic-rock showmanship.
Totally disappointed in the workmanship.. No quality control.. the fret bars raised off the neck are so sharp that they almost cause lacarations in your fingers, they Pickups are the Cheapest you can get and I am very disappointed in the quality control and what product exactly they are trying to put out the door... maybe revamp your product and put out least worth getting a good review over...
The Epiphone G-400 features a mahogany body and neck and a rosewood fingerboard. It has Alnico Classic PRO™ pickups with coil-splitting on both pickups via a push/pull control on the pickups’ volume controls which gives you a lot of tonal variety. If you want to nail it like Angus Young, Eric Clapton in his Cream days or Tony Iommi from Black Sabbath, the PRO gives you the sound of a true SG without the vintage price tag.
In the 1980s, digital rackmount units began replacing stompboxes as the effects format of choice. Often musicians would record "dry", unaltered tracks in the studio and effects would be added in post-production. The success of Nirvana's 1991 album Nevermind helped to re-ignite interest in stompboxes. Some grunge guitarists would chain several fuzz pedals together and plug them into a tube amplifier.[47] Throughout the 1990s, musicians committed to a "lo-fi" aesthetic such as J Mascis of Dinosaur Jr., Stephen Malkmus of Pavement and Robert Pollard of Guided by Voices continued to use analog effects pedals.[48]
I don't need freaky pointy demon guitar graphics or anything like that.....this $249 Agile makes my mouth water. For the price of two cheap pedals or one great pedal it's a guitar that you could work with. Ibanez makes the stylish P90 Jet King for about $375...If I were on a tight budget I'd rather have the basic Agile. Yes I'm aging! Get off my lawn you Jet King kids!!
Much of this is probably thanks to an outdated a pedal with a two-function switch that is labeled “Chorus” and “Vibrato.” These words will trigger a sigh of awe and wonder from many a guitarist because, of course, they are the labels on the mode switch of the famous Univox Uni-Vibe. This pedal is a good place to start because it was one of the first of the transistorized effects of this type to become widely available, and it occupies a patch of ground all its own in the world of things that go “swoosh”. That said, and despite the name and switch labeling, the Uni-Vibe is more akin to a four-stage phaser than what we today consider to be a chorus pedal, even if that’s the label on its most-loved setting. The deception is forgivable when you remember that the Uni-Vibe’s intention was to reproduce the chorus-type sound—or “chorale” sound, as it was often labeled—produced by a Leslie rotating speaker cabinet used with a Hammond organ. Also, the unit existed before there was much categorization of such things: it was a guitar effects footpedal, it had its own sound… and that was all anyone needed to know. The Uni-Vibe—and the better clones that have followed it down the years—is based around a discrete transistorized circuit with four sets of light bulbs and light cells and a low frequency oscillator (LFO) which does the shifting work to move the peaks and notches. Unlike the drawing-board phaser discussed above, however, the frequencies of each stage of the Uni-Vibe are set differently, so it could be argued that there is indeed more of a chorusing of the sound.
With that in mind, the quality of said effect is satisfactory, to say the least. You maybe won’t see the same level of refinement as you would in some stand-alone models, however its reverb comes across as fairly organic. On top of that, you are presented with several decent options. All of that aside, the real value of this Zoom comes from its ability to combine up to 6 effects at any given time.
Learning how to play guitar on an acoustic style guitar brings about the benefit of forcing you to learn better habits at the beginning rather than unlearning them later, which is exponentially harder to do, because they're a bit more unforgiving about hiding your errors, especially because you won't be hiding behind a string of distortion and reverb pedals.
Original Martin OMs from approximately 1929 to 1931 are extremely rare and sell for high prices. Many guitarists believe that the OM—a combination of Martin’s modified 14-fret 000 body shape, long scale (25.4″) neck, solid headstock, 1-3/4″ nut width, 4-1/8″ maximum depth at the endwedge, and 2-3/8″ string spread at the bridge—offers the most versatile combination of features available in a steel-string acoustic guitar. Today, many guitar makers (including many small shops and hand-builders) create instruments modeled on the OM pattern.[5]
However, even for recording experts who can discern if something was done at Columbia Records Studio A or Olympic or wherever, it’s challenging to define a percentage of influence that the studio provides. “I don’t know that you can measure it in any way. It’s really more an ineffable quality of sound and aesthetics,” Horning Schmidt says. “You can measure frequency response and you can measure decibels but in my research I’ve found that back in the thirties and forties, you had engineers saying ‘you can’t just go by the meters. You have to use your ears.’”

Nice list but how did the Hagstrom Ultra Swede not make the cut? Not only does its quality exceed most of what Epiphone has to offer (not knocking Epi, just sayin) and match many other brands 3x+ its price, it is (in my opinion) also one of the most versatile guitars I can think of. Actually, it seems Hagstrom is ignored or forgotten in what seemingly appears to be every comparison or "top ten" list available... What gives?
The Afterneath gets a place on our favorites list, largely because of the "Drag" feature that allows you to sort of delay the decay of your reverb effect, giving off an ambiance that trails off behind each original note as it bleeds into new notes. It's a very unique reverb effect, which blends particularly nicely with a fretless bass in the example video below. 
Smaller speaker cabinets with one, two, or four speakers, are more commonly used than the 8x10", because while the 8x10" cabinet is able to produce huge volume and powerful bass tone, the cabinets are very heavy and hard to transport. The 2x10" and 4x10" designs are popular for bassists who need less stage volume and an easier-to-transport cabinet to take to rehearsals and gigs. Some bassists own two or more smaller cabinets, such as two 4x10" cabinets. This way, a bassist playing a stadium concert on one day can bring both of her 4x10" cabs, but then if she is playing a nightclub show the next day, or going to rehearsal, she only needs to bring one 4x10" cab.

Similar to Jackson guitars, B.C Rich is famous for their sharp jagged edges and heavy metal sounds. The influence of their hard rock and heavy metal sound spans decades. Bands such as Motley Crue and Slayer are just a few of the bands that made B.C Rich guitars such a huge staple in the world of heavy metal. When you see the shape of B.C Rich guitars, there is no doubt as to what kind of music is going to come from them. B.C Rich offers a decent selection of guitars ranging from beginner up to pro-level instruments. They even have models that don’t have that signature “heavy metal” jagged style. Most B.C Rich guitars have a mahogany body and at least some of the components are made from rosewood. Obviously, the quality depends on the price, but even their highest priced models could still use a few upgrades to really bring up the sound quality.

I have a Les Paul Gold Top copy I bought new in the mid 70's. It has no brand name anywhere on it. I have done all the research I can and have found no conclusive results.I'm at a loss. It plays great! I do have pics. if that will help. Thanks for any help' It was bought in Montgomery Al. Clarence Carter's guitar player bought one while I was in the store so I figured ...must be a okay guitar. So I bought it. On the little square plate on the back it is hand engraved #0059. Thanks
It's Mal - i posted the comment ref the muted G string on my Epi Les Paul 1960 Tribute - thanks for your response it was very good of you. I'm going to be playing (when i say playing i really mean faffing with) my guitar later so i'll have a look at the saddle, though i have rubbed my finger over it to see if there were any obvious issues which there wasn't. I have also rubbed the graphite from my clutch pencil over it when changing strings - no improvement; i'll get magnifier out and take a closer look and let you know, i may take you up on your kind offer if i'm still stumped.
Supro guitars were first produced in the 1930s by the National Dobro Corporation (rebranding as Valco in the 1940s), with the first solid body electrics produced in the early 1950s. The company produced guitars with numerous names on the headstock, with Supro and National being the best known. They produced some interesting guitars in the 1960s, including some of the earliest fiberglas-bodied instruments; financial pressure necessitated a merger with Kay of Chicago in 1967, but the new comapany only managed to limp on until 1968, before folding and ending all guitar production.
This mod is a little different—and definitely not as affordable as the ones we’ve been talking about up to this point. When players think about modifications that involve tuning machines, the subject revolves around tuning stability. That’s all well and good, but I’ve rarely encountered a quality machine that slips—because the mechanical torque required to turn the tuner’s capstan is pretty stout. Problems of pitch are usually more related to capstan wobble or a bad nut-slotting job.
Fender vs. Gibson is really not the issue. It has more to do with the weight factor as well as hard-tail vs. vibrato bar. A Telecaster will probably give you the same tuning stability and basic tonal range as an SG, but you might just as well consider an Ibanez or Charvel and get the result you want. A good guitarist can play ANY guitar and get a good result. A bad guitar, conversely, will sound awful no matter how well it’s played if the intonation, electronics, and tuning stability are bad. A Telecaster can be a large guitar. A Les Paul will generally seem lighter, maybe be more comfortable with a shorter scale length, but cost more. A Stratocaster will sound lovely to Strat fans, but then you have a lot of tuning and quirky pickup issues you won’t get with a hard-tail. You may find the Ibanez with a Floyd Rose vibrato bar may give you the best of both worlds, stability and dive bombs. The guitar I recommend for beginners is the Gibson SG, because it is comfortable in size and scale length, achieves both bright and thick tones, and is generally affordable. For prospective Whammy-bar shredders, I would lean towards a Charvel or Jackson at first, and maybe consider a MusicMan. The premium Strat or Les Paul is very desirable and very playable for anyone who has the fingers to bring out the sounds, but if you don’t have the fingers, imo, wait until you do.
bought at a tiny store in holland, back then they said to me the guiter was already 20 years old. he was looking a new, and bought it for 1000,- dutch guildens. thats maybe...445,- euro now. thats nothing compared to the prices they ask for a vox guitar they make TODAY! thay are building guitars again and ask pricies beginning by: 2000,- euro's. I wanna know when my guitar was bild, he has a chrome plate at the back with made by japan on it too.

I got this lyle acoustic (w-400) for $40 at a yard sale - it is THE MOST INCREDIBLE GUITAR you could ever ask for - looks just like a martin d-18 - solid spruce top - sweet figured mahog b&s's - back of headstock even has the valute like a martin - just kicks my buddies real d-18 to pieces - he's so jealous - if you get the chance to own one don't pass it up - it will probably be too cheap to pass up and you WILL regret it later (like I have been kicking my own ass for decades for passing up a 60's Gibson byrdland for $400)
The MG-100 has so many features, its hard to name them all. But, here we can list: 13 classic amp models via NUX's TS/AC technology, vintage 3-band passive EQ modeling for every amp model, 6-band graphic EQ designed specifically for electric guitar (120hz,250hz,750hz,1.6khz,3.2khz,6.4khz), 11 cabinet models, seamless and quick preset switching , loop sounds can be played with drum machine, rhythm beat synchronously. The aux in jack makes it easy to practice along with MP3, CDs and other inputs. Large color TFT LCD panel (160 x128), graphic interface making the overall operation easy and intuitive. A total of 72 presets, 36 factory + 36 user presets.
If you just start playing into a Windows PC, you’re going through a software construct called an audio device driver, through another software construct called the Windows Mixer, and finally into your recording program. If you then loop that back to play out so you can hear your guitar plus all effects, you again go from that DAW program to the Windows Mixer and to the device driver. That can take a really, really long time in music terms.
The Blues Junior's compact dimensions, light weight and pedal-friendly credentials have made it one of the most popular gigging combos in the world, but for 2018, Fender has updated it to the new Mark IV specification, which features various tweaks, including Celestion’s excellent A-Type loudspeaker. Controls include gain, bass treble and middle, reverb level and master volume, with a small push-button ‘Fat’ switch. In use, the Junior unleashes a stunning range of Fender tones, from spanky, sparkling cleans, to fat and smooth midrange crunch that’s spot on for blues and classic rock. The Fat switch adds a generous midrange boost and can be remote-controlled from a footswitch for greater versatility, while the improved reverb circuit is very impressive, with no noise and a smooth, warm delay that feels more integral to the overall amp tone, harking back to the best blackface reverbs of the 1960s. No matter what guitar you use, the Blues Junior flatters single coils and humbuckers alike, not to mention drive pedals with plenty of volume. The sounds are top-drawer, comparing well against many so-called boutique amps costing four times the price. Factor in the compact dimensions and light weight, and it’s easy to see why the Blues Junior remains a firm favourite.
So what is the point of getting a small guitar amp? I mean you can get a whole lot of sound out of a medium sized amp without all of the sound issues that the small amps have. And yeah they are more ungainly and harder to lug around, but at least they have the sound and power required to handle a live performance and even band practice. Plus you can turn down the sound and practice at home just as well, right?’
Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Goldburst, Redburst
Why do these genres not require the use of a tone knob, or sometimes, require a tone knob to be fully open? Well, for metal and hard rock, first of all, most of the tone shaping happens on the amp and/or on the pedals, especially for those who use high gain distortion pedals. The pickups on typical hard rock and metal guitars are humbuckers, which are warmer and have less treble. Couple that with high gain and high output pickups which compress the signal and also take some of the treble away, and keeping the tone knob open becomes that much important so that the tone will not be muddy and keep its cut and punch. For country, well, I guess that’s just *the* sound of the genre, and wide open Telecasters and Stratocasters are the weapons of choice.
While you can play one through an electric guitar amp, an acoustic guitar will sound its best if it is played through a dedicated acoustic amplifier. While similar in structure to electric guitar amps, acoustic amps are primarily designed to offer transparency. In other words, it strives to reproduce the tone of your acoustic guitar’s natural sound as closely as possible. Interestingly, they almost exclusively come in a combo format, while most acoustic amps will have two channels – one for the instrument and the other geared towards microphone use. The AER Compact 60 represents what a great acoustic guitar amp looks and sounds like, with enough power for stage use as well as a high-end organic tone.

In the late 70’s digital technology boomed and made its way into the guitar community. It first entered in the form as rack units which were expensive and relatively large. As costs came down and the technology shrank, digital delay pedals were introduced into the market by Boss in 1984 with the Boss DD-2. Since then as technology advanced, delay pedals now offer many features in a very small box such as tape echo, analog, reverse delay, modulated delay, and loopers.
For guitarists who must have original-era Strat® sound, look and feel, the Classic Series '60s Stratocaster Lacquer epitomizes the instrument during its second decade, when musicians used it to conjure and create electrifying sounds never before imagined or experienced. With authentic features including a nitrocellulose lacquer finish in classic Fiesta Red, everything about it takes you back to a wildly creative time when rock music came into its own—from surf to psychedelia and more—and players started to discover in earnest just what a phenomenal instrument the Stratocaster really was.
While it may not look like a classic amplifier, if you're into classic rock style tones for home use, the Yamaha THR10C is probably the amp that you really need. Ideally, we would all be rocking with big amps, but not all of us have the space or acoustically tuned rooms to let loose. And since we are using low volume amps more often, Yamaha designed their THR line to be the best in providing you with just that - low volume performance for jamming, practice or recording. The THR10C is part of this line, featuring the same 10W setup and stereo 3" speakers, but with tones that replicate the sound of classic amps. It also houses some essential effects which include reverb, delay, chorus and more. In addition to the usual clean to overdriven tones, Yamaha also equipped this unit with acoustic guitar amp and bass amp models, so you can directly play or record with those instruments. All these features are packed in a distinct and portable profile, and is powered either by the supplied AC adapter or via 8 x AA batteries.
Hold on now, this is my story, right? Anyways, realizing that I don’t use multiple amps live, and that I tend to stick with 1 basic amp sound, this was going to be easier than I thought. The amp sound I use is more of a Fender Twin sound with a little more mids, but not as much as say, a Deluxe. The gain is something I get from my pedals (like an 805 Overdrive and a Vapor Trail Analog Delay).  I didn’t need a device for live playing that replicated dozens of amps, cabs, and microphones. My setup is simple: Good pedals plugged into a simple modeler like the Tech 21 Fly Rig 5.  It is a simple amp modeler with reverb that I can even use as a full pedalboard if mine goes down. Getting use to IEMs with a well-mixed band took a little bit of doing, but after a few gigs, I had adjusted just fine. You can change your own balance of the band in your own ears, but it is sort of like listening to a CD and playing along with it. It is not much different than what I do at home, anyway, so once I got over the ‘hangup’ of not carrying my amp (my back thanks me), and not seeing my amp behind me, it made a lot of sense. We take 50% less gear now to gigs, and the recordings (and reviews) are much, much better. My ears don’t ring for 2 days after. I can still get glorious feedback (from my pickups hearing the PA sound), and all of the little tricks I do on guitar remain in tact. The pickups on my guitar still deliver the same sound. To my ears, it is easier to mix out front, and much, much easier to balance all of the instruments without all of the stage volume. We also have a lot more room onstage to move around. 
In the Guitar Setup & Maintenance course, Greg Voros devotes an entire DVD to electric guitars. Rather than talk in the abstract about setting up all electric guitars, he’s picked two very popular ones to use for demonstration purposes. He’ll teach you how to adjust the action, the bridge, and the pickup heights, as well as how to adjust the neck for precise relief, in order to get the best action possible on your electric guitar.
This guitar is a great platform for making a few mods to turn this into something that punches away above its weight. For more on this, check out this blog post from guitar experts Mike and Mike’s Guitar Bar, who also go to the trouble of running down the various aspects. Alternatively, you could save about $50 by opting for the Vintage Modified Jazzmaster, instead.
Another popular value pack comes courtesy of one of the greatest rock'n'roll guitarists of all time. For those who have an appetite for destruction, look no further than the Slash AFD Les Paul Guitar Outfit. Endorsed by the Guns N' Roses shredder himself, this pack comes with the killer AFD Special-II guitar that's equipped with new Ceramic Plus humbucking pickups, and a built-in Shadow pickup ring E-tuner. Additionally, this pack also contains a custom gig bag with the Slash "Snakepit" logo, Slash signature Dunlop Tortex picks, and much more.
Arch top body 16" wide across the top, carved spruce top, back not carved by arched by braces, rosewood back and sides, f-holes, style 45 backstripe, bound ebony fingerboard, 2 white/black/while lines inlaid down length of fingerboard at the edges, abalone hexagonal fingerboard inlays on 8 frets (a few make with pearloid), vertical "Martin" pearl peghead logo, gold plated parts, sunburst top finish.
Yamaha is famous around the world for its incredible, quality, instruments. Its electric guitars are no exception. The Yamaha Pacifica Series PAC112V Electric Guitar, Old Violin Sunburst is another example of Yamaha's on point production. This guitar has a solid alder body, a maple bolt neck, rosewood fingerboard, and a five-position switch with coil tap. Plus there's the tremolo - a vintage tremolo with block saddles.
Lastly, we have the M-100FM. This guitar features a body that is similar that Super Strat style Ibanez is known for, packed with a great set of pickups. This is a mid range guitar, but one that is very capable compared to its immediate competition. If you need an axe that looks good and plays good as well, ESP LTD M Series M-100FM is the ESP for you.
Fender was started by Leo Fender in 1946 in Fullerton, CA. Leo Fender sold his company to CBS in 1965. In 1985 Fender employees purchased the company. Leo Fender founded Music Man in 1975, and later founded the G&L Musical Instruments company. Fender brands currently include brands include Fender®, Squier®, Guild®, Gretsch®, Jackson®, Charvel®, EVH®, Tacoma…

Two full steps down from normal tuning. Used by bands such as Queens of the Stone Age, Kyuss, Sleep, Spiritual Beggars, In Flames (until Clayman), The Black Dahlia Murder, Asking Alexandria on Reckless and Relentless, Bring Me The Horizon, Architects, First Signs of Frost, Dismember, Dethklok, Immolation, High on Fire, Cold, Dream Theater, Arch Enemy (since the Angela Gossow era), Entombed, Amaranthe, Nails, Cataract, and The Smashing Pumpkins.
In this guitar lesson you’re going to learn 7 of the most basic guitar chords for beginners. These beginning guitar chords are the first ones every guitar player should learn. They are sometimes referred to as open position chords, because they are played in the first few frets of the guitar and all contain at least one open string. If you are looking for easy guitar chords for beginners, these are the ones to start with.
Now, instead of just containing part of the sound completely, the tone knob is hooked up to a capacitor. The capacitor doesn't let everything through. Basically, it starts with the highest frequencies, letting them through to be contained rather than go to the amplifier. The more of the signal you send to the capacitor, though, the more of the spectrum it is forced to let through, meaning that more and more of the high end of the continuum is let through - the rest of the current is sent back and is let out through the line to the amp.
We spent 45 hours on research, videography, and editing, to review the top choices for this wiki. One of the best things about an electric guitar is its portability. Most times, however, you can't say that about the amps you need to go along with them. Fortunately, these mini amplifiers have come along, developed by the top names in full-size models, and offer incredible sound quality in an exceedingly portable package. We've ranked these micro monsters by tonal character, power, and control. When users buy our independently chosen editorial picks, we may earn commissions to support our work. Skip to the best mini guitar amplifier on Amazon.
Today we are going to show you some of the best effects pedals from this category, which you can get right now. We have chosen a variety of flavors as well as price ranges, thus making sure that anyone can have access to a good reverb no matter what. More importantly, we want to use this opportunity to familiarize you with reverb as a guitar effect.
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Set-ups include diagnostics, redressing and buffing frets, cleaning fret board, tightening hardware, restring, adjusting nut slots, truss rod adjustment, balancing tremolo, adjusting action, setting intonation, checking electronics, adjusting pick ups, detail and cleaning. Electro/acoustics get balance of output, and archtops have bridge located and taped.

Multi-effects units are exactly what the name implies—single units that offer many different effects and allow those effects to be used singly or in combinations simultaneously. Most will offer just about all the effect types discussed in this guide and many more. Typically they include dozens if not hundreds of effects presets—combinations of effects and effect parameters designed to achieve specific sounds with the touch of button or footswitch. Most also allow you to also save your presets for instant recall.

You know Eddie Van Halen, that legendary guitar player who pretty much knocked the music world on its ear with his innovative sounds and playing style back in the late ‘70s. For years he partnered with brands such as Kramer, Ernie Ball and Peavey to create signature models of his guitars, as well as the real guitars he used onstage. Now he has his own company: EVH.

Your fighting skills are legendary — you have all the right moves, the sharpest strategies and the guts to battle your way to the top. But when you enter the Mortal Kombat Tournament, the competition rises to a whole new level. It will take everything you have not only to prove you're the best, but to stay alive. Hang on tight because, ready or not, you're in for the fight of your life. Mortal Kombat X delivers the fast-paced fighting action that fans of the franchise have come to know and love, fueled by brand-new technology that elevates your experience to the next level. Enter the brutal world of Mortal Kombat with cinematic presentation that offers stunning visuals. Rise to the challenge of the competition with all-new gameplay. Craft your fighting and strategic styles with the ability to choose from multiple variations of each character. Prove your dominance with fully connected online play that lets you decimate the competition and show you're the best in the world. Steel yourself for battle — the fight for global supremacy, and your life, is on.
OK, I’ve put a new set of strings on now. We’re now going to carry out the following steps, just like we did in the general electric guitar setup post. 1. Check and adjust neck bow (how straight the neck is) 2. Check and adjust saddle height 3. Check and adjust the intonation (how far back or forward the saddles need to sit at the bridge to keep your guitar as in tune as possible no matter what fret you’re playing)

I don't have enough good things to say about this shop.  Are you used your music shop being being run by snotty musicians who judge you based on the skinniness of your jeans or number of piercings?  Well, this ain't that shop.  James, the owner,  is super helpful and knowledgeable, and stocks his shop with really top quality gear.  I'd recommend this place primarily for pedals and amps, as well as for checking out some small batch electric guitar manufacturers (like their gorgeous Asher collection).  That being said, they have a really nice selection of Breedloves, Rain Songs, Guilds, Martins, Gibsons in the acoustic section as well.  

So many new guitarists, and even not so new guitarists, play with the volume and tone knobs turned all the way up all the time and then shell out lots of money for pedals when they are not satisfied with their tone before taking advantage of what the guitar can do (and it's a lot). Then of course, your amp's tone controls can refine things even more.
For those students who want a simple path to good sound and don’t want to confront a wide range of tone and effects options, we recommend the Orange Crush 12. It’s a fairly traditional amp with controls for Bass, Midrange, Treble, Volume, Gain, and Overdrive (distortion). There’s nothing on the Crush 12 that can’t be sorted out with a few twists of a knob and strums of the strings.
This string overview is useful for understanding what choice to make that suits your play style the best.  As players, we are always searching for the highest possible functionality, while balancing tone and playability for the genre we play.  Check out what brand and gauge your guitar heroes use to help you zero in on your perfect string set and keep on rocking!
Sometimes a guitar cab gets mic'd up differently night to night, plus every voice is unique, and every snare drum "speaks" differently (just ask a drummer). All of these minute changes and differences can and will affect the EQ decisions you'll have to make. This is why I'm such a strong believer in ear training and learning how certain parts of the frequency spectrum present themselves outside of their source-specific applications. That being said, these tips can be helpful as a place to start your search, but are not gospel by any means. So without further adieu, let's begin.
A musician is only as good as the songs he or she plays - except when you're improvising, of course! And even for those of us who write mostly our own music, there's always room for a repertoire of the classics. Building up your musical library starts with the tablature available in this section, and where it ends is up to you. If you're like most musicians, you'll probably spend your whole life collecting and trying your hand at new music. And with material here for guitar, bass, ukulele, banjo, mandolin and even violin, there's something for virtually everyone. Cover the songs in your own personal style or try your hand at recreating them as they were first recorded; it's up to you.
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Now, imagine having that same signal but with your guitar’s volume on its half way setting. That same degraded signal comes out even worse as it only had half of the voltage to work with from the get-go. In order to minimize the amount of signal loss, it is always suggested that the guitar’s volume is kept at its max setting and either manually adjust the output level from the amp or better yet, from a dedicated volume pedal, as is the choice for most professional musicians. A volume pedal in an effects chain will control the output volume of everything that is placed before it, so it’s pretty much almost always a good idea to place it at the end of the chain if it’s going to be your main form of overall volume control.
While recording AC/DC's Back In Black, Tony Platt used a pair of condenser mics to pick up different speaker cones and give a wider sound to each guitar: "I developed a technique for recording guitars with two microphones roughly pointing at different speakers, which can be spread out in the stereo mix so it's not just a series of mono point sources. It makes for a more open-sounding guitar. That sound suited their particular technique, which involved Angus and Malcolm playing the same chords but with different inversions to get a very big unison guitar sound."
There are different ways to play electric guitar. One is to just play the electric guitar, and to take it as it is. Another way is to play the guitar as a sort of synthesizer. With the right effects (delay, reverb, volume swells, added octaves), no one would even know that it was a guitar. Neither way is wrong, but we refer to both as "playing electric guitar" even though they're being used in completely different ways that may as well be different instruments. Drama ensues.
Now, let’s consider the tone knobs. Eric Clapton was one of the first guitarists to realize the power within those unassuming plastic spinners. His famed “woman tone” sound during Cream relied on rolling the pots on his Gibson Les Paul Standard, SG or ES-335 all the way off and turning the treble and midrange of his superbly overdriven Marshall amps high. Similarly, jazz guitar players who are looking for a classic tone roll their pots back until they get in the Wes-Benson-Burrell-Pass-etc. zone.
i have played fender most of my life .Fast neck and comfortable .However when my musical interest changed to southern rock i decided to buy a gibson . The mahogony body sounds different as does the string thru design of my firebird .Now i play both .Out of the box i prefer gibson and dont need to change a thing .I see many fender players always looking for “that sound” changing pickups pots etc.and using many boxws to change the tone.All i use with my gibson is a wa wa and overdrive
The guitar output jack typically provides a monaural signal. Many guitars with active electronics use a jack with an extra contact normally used for stereo. These guitars use the extra contact to break the ground connection to the on-board battery to preserve battery life when the guitar is unplugged. These guitars require a mono plug to close the internal switch and connect the battery to ground. Standard guitar cables use a high-impedance 1⁄4 inch (6.35 mm) mono plug. These have a tip and sleeve configuration referred to as a TS phone connector. The voltage is usually around 1 to 9 millivolts.