At the beginning of the Teisco saga, Teisco instruments were primarily built for domestic consumption in Japan. The early guitars were fairly high quality by contemporary Japanese standards. As the ’60s dawned, Teisco increasingly got caught up in the export market, and by the mid-’60s were major players in the low-end or beginner arena, with instruments sold primarily by mass merchandisers such as Sears and at discount department stores which were rapidly developing at the time. It was mainly in this latter niche that Teisco guitars are known in the U.S. In order to give this narrative some structure, I’ve divided the Teisco history into four basic periods: I-Gibsonia; II-Frumpy Fender-ama; III-A New Spectrum of Originality; and IV-Copydelia.


The GRX70 showcases how good Ibanez is at producing great value guitars, they sure know how to keeps other guitar manufacturers on their toes. It has all the makings of a mid-tier instrument, complete with dive bomb capable bridge and great looking aesthetics, but packed inside a super affordable entry-level instrument. The basswood body with quilted art grain top is gorgeous, and a trio of pickups gives you tons of tones. A standard tremolo handles divebombing and other whammy acrobatics. This axe is perfect for burgeoning rockers who want a versatile guitar for all occasions. All in all, the Ibanez GRX70 gives you a whole lotta guitar for the money!.

Also in 1952, Kay introduced the matching K-162 "Electronic" Bass, which was the first commercially available thinline-hollowbody electric bass guitar, and the second production electric bass guitar after the Fender Precision Bass debuted in 1951. Due to the use of K-162 by a bassist of Howlin' Wolf, Andrew "Blueblood" McMahon, it is commonly known as the "Howlin Wolf" bass. These instruments[clarification needed] are believed to be the first semi-hollow electrics[citation needed] (i.e., thinline-hollowbody electric with solid center-block), predating the Gibson ES-335 by six years. Their unique design[clarification needed] featured a flat top with no f-holes, a free-floating arched back, and two braces running along the top. The result was a semi-acoustic instrument that was feedback-resistant while retaining natural acoustic resonances. In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog,[citation needed] "tuned like the first four guitar strings but one octave lower." Structurally this bass was basically same as K-162 bass, except for the higher pitched tuning and the addition of a white pickguard.
Thanks for popping in! Yeah, that g-string issue's a real pain. I also get it on acoustics for the same reason. I've found that, aside from sloping the slot DOWN on the peghead side, if you also try to provide a gentle (side) edge where it starts to head towards the g tuner, that helps too. What I'm trying to say is that you should try to give as clear a path as possible to the tuner to reduce interference/friction. I've tried to illustrate what I mean here: https://lh3.googleusercontent.com/-_9c955WEOiM/UI8xvC_nvFI/AAAAAAAADAA/RQmXf_beWUc/s754/nut-slots.jpg but let me know if it's not clear. More on making a nut here, by the way: http://diystrat.blogspot.tw/2010/10/making-bone-nut-from-scratch.html
Harmony Hollywood H38- OK, here's the one we will sell. She's about the same as above but with opposite color combo. This one has a nice vintage DeArmond Gold Foil Pickup. Action is medium, but if you would like a lower action, we will be happy to cut that bridge a bit down. Guitar is in  nice vintage condition. All original except the period style Rosewood Bridge and reproduction Harmony Pick Guard. SOLD
If anyone has earned the right to two spots on this list, it’s Fender. Sitting squarely at the top of the guitar and amp game, this Southern California company might be at their peak at this very moment – and that’s a very good thing for you, if you want to get into playing guitar. This Super Champ X2 amp is a hell of a value, boasting the welcome bounce of Fender’s signature sound in a package that wont break the bank. And what’s even cooler about it is that it has 16 different amp modeling selections – meaning you still get the warmth of tube amplification with the right amount of modeling amp versatility. It also comes with two channels that can be controlled via an optional footswitch, and it’s equipped with a USB port for easy and quiet recording.
It does sound intimidating when you read platitudes like "There is no official rule on how to do it, and you should break the rules and experiment because that's what art is, and you'll invent something new." Some people even tell you to figure it out yourself, which is equally absurd. It developed over decades. No one person is going to just sort it out by themselves over night.

Once you have a board design complete, you can send it out for manufacture. Years ago this used to be the major challenge for the home or small builder, but these days a large number of board manufacturers have a web presence and will quickly fabricate single, or low volume boards for fairly modest cost. Eagle (or whichever CAD software you are using) outputs a set of files called gerber files. These files can be emailed or uploaded over the web to the board manufacturer who will plug these into their manufacturing tools and then send the finished boards to you in the mail.
Compared to building something from scratch, the kits listed here are relatively easy to work with. Still, there are some that require more patience and experience, like those with set-necks and hollow bodies. On the flipside, there are kits that make life easier for you with their no-soldering required electronics and bolt-on necks. It is recommended that beginners go for easier builds, but with so much information available in the internet age, it should not hinder you from getting what you really want - just make sure to be patient and do your homework.
In many ways the Fender Stratocaster is the antithesis of the Gibson Les Paul style guitar. The first thing I notice when I sit down to play a Strat style guitar is the fantastic body shape - it's just a perfect fit. The Strat typically has a scale length of 251/2 inches which is considerably more spaced out than the Gibson. While a Gibson has the warm humbucker tone, a vintage Strat tone is thin and sharp, almost cutting. To achieve this there are three single coil pick-ups with staggered coils which equalise the prominence of all the strings. The humbuckers Gibson use are basically two single coils wired parallel to cancel some of the background hum that the Strats suffer from. In doing this however they loose some of the higher frequencies which give the Strat their sharp, jangling tone. The massive Fender scratch plates were originally used to protect their pick-ups from picking up too much background buzz and they've become one of the Stratocaster's most distinctive features. The Strat also has the tremolo bar which the Gibsons lack. For the uninitiated the name 'tremolo' is a bit of a misnomer as the 'whammy' bar actually allows you to pitch bend by tilting the bridge back and stretching the strings while the 'tremolo' effect usually refers to changes in volume.

“Guitar has always been an extension of my thoughts without having to put it into words,” says Marcus. “It’s a form of meditation allowing my mind to cut off and to speak through the instrument.” Players often say this sort of thing and it’s often nonsense, but before you scoff, listen to the live medley on 2017’s Due North EP and you’ll hear the truth in this statement. A new King is born? We think so.
During World War II, instrument manufacturing at Gibson slowed due to shortages of wood and metal, and Gibson began manufacturing wood and metal parts for the military. Between 1942-1945, Gibson employed women to manufacture guitars. "Women produced nearly 25,000 guitars during World War II yet Gibson denied ever building instruments over this period," according to a 2013 history of the company. Gibson folklore has also claimed its guitars were made by "seasoned craftsmen" who were "too old for war."[13][14]
I play in cover bands. Own large collection of pedals, some I love, some stink. Then I found out that the only people that care about the effects are other musicians. The people( girls dancing mostly) could care less. So now I got a tuner, and drive pedal for solo tone....that's it, and my tone is awesome and hassle free. For studio cats it may be a different story.
Most of the modern electric guitars are provided with several tones and volume controlling circuits which helps in controlling the string vibration and thus the electrical charge produced. These adjustments are mainly done with the help of knobs provided on the neck of the guitar. Thus, the more the number of electrical circuits, the better the guitar can be adjusted for different sounds.
Excellent article. I have found that is a complete waste of time trying to convince guitarist of anything contrary to what they already believe about instruments. The level of passion for the “wood doesn’t matter” camp is truly astounding. We are not testing a new drug or solving cold fusion. The question is simple, does wood make a difference in the tone of an electric guitar? Intuitively, it would seem strange if it didn’t; but, there are many factors that are going to affect the sound produced from a guitar; isolating them is as difficult as creating a study that will convince anyone of an idea they already are clinging to. I think this is a pretty good experiment, better than most I have seen. In the end though, who cares?…really. If someone would like a guitar made out of a Formica counter top…go for it, locking tuners, the pickups and strings of your choice…you’ll be ready to rock. And won’t you be the clever one? As for myself, my opinion, musical instruments have character, a soul if you will. That character comes from the material it is made out of and the craftsman that made it. There is no object more alive than a musical instrument. For arguments sake, lets grant the “wood doesn’t matter” their entire argument. I’d still buy the korina instrument over the countertop. And like most stubborn asses who play guitar, you won’t convince me otherwise.
In a pinch, you can check for standard string action using a business card; it should just fit between the fret and the string at the 12th fret. Be prepared to adjust the neck at least a couple of times a year, particularly if you live in an area with large humidity swings between summer and winter. If your action is very low and you're still having difficulty playing bar chords, etc., you may want to switch to lighter gauge guitar strings. Be prepared to re-adjust the neck after you restring, because lighter strings exert less pressure on the neck, so you may now have an underbow.
Yamaha is known for focusing, in modern years, on band instruments. But at one point in their tenure in the early 90s, they owned a good share of the student model market with their beautiful Pacifica line. Thankfully, in the past few years, they’ve reintroduced mass runs of this guitar, and it is a great option for a first-time guitar player. Why? Well if you ask any older player who once started on a Pacifica, most of them will tell you that they still have it in their collection somewhere, both for sentimental value, and because it’s built like a tank and plays well.
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Even with such a lightweight configuration, the Fishman F1 system is still more than capable of rendering the tone of the DCPA4R with a great deal of accuracy due to the superior tight focus on the preamp. This guitar is our pick for the top acoustic electric guitar if price is no object. There are many other awesome models out there and we urge you to check them out as well, but you'll likely find that your search could have ended right here.

The amplifier includes buttons for four different amplifier simulations: Clean, Crunch (a typical rock/blues sound), Metal (self-explanatory), and Insane (a version of Metal that our panelists found so distorted as to be nearly unusable). Like the Champion 20, it has a gain control (which is labeled Drive), and it adds a midrange control to its bass and treble controls.
Joan Armatrading, Roy Clark, Jim Croce, Kevin Cronin, Neil Diamond, Al Di Meola, Robert Fripp, Mick Jagger, Greg Lake, Adrian Legg, Paul McCartney, Brian May, Freddie Mercury, Jim Messina, Steve Morse, Eddie Rabbitt, Kenny Rogers, Richie Sambora, Tom Scholz, Seal, Bob Seger, Paul Simon, Rick Springfield, Eddie Van Halen, Josh White, and Nancy Wilson;[32]
Music is an art, which can create pleasure in our mind. We can do it with the help of a good musical instruments like guitar, flute, harmonium etc. This art has the power to change our mood. Here we are introducing top ten best guitar brands with price in India. These brands are providing high quality guitar. Most of the musicians choose these brands. All are ensuring high performance. Some of the companies provide quality guitar at affordable prices. Our list covers ten well known company. They offer wide range of guitars. If you are looking for a good guitar brand, check out our list.
Birmingham’s Table Scraps add a grunge-y Midlands mud to the garage rock sound established by the likes of 13th Floor Elevators and The Cramps. Guitarist Scott sticks to a “three-pedal limit”, using a Death By Audio Fuzz War (“a versatile monster”), Echo Dream 2 and Boss DD-3 to jarring effect to create freaky, DC59’d melodic lead bursts. As Scott says: “Once you try 12-string everything else only sounds half as good.”

Although Gibson guitars are expensive, they are the highest quality guitars out there. The guitar is made of high quality wood that makes your guitar create rich and smooth tunes. One of the most famous guitars created by Gibson is the Les Paul. The Les Paul is used by multiple celebrated musicians all over the world and it has been used many different times in musical history, meaning this guitar has survived for ages. Gibson is one of the most popular and praiseworthy guitar names on the market. Investing in a Gibson will be like carrying an award in your hands.

The Hawaiians are likewise hard to identify. One looks to be similar to the later Teisco EG-7L, with a Gibson sort of shape and a pair of offset rocket shapes on either side of the pickup which house roller wheels for volume and tone. A second appears to have a rounded body similar to a Rickenbacker frying pan, looking perhaps like the later Teisco EG-K. This had the same slotted pickup as the J-1, and a single volume control. Finally, there’s an unidentified eight-string lap with an elongated sort of rectangular body and an elevated fingerboard. This had a volume and tone with white knobs, and the tuners were behind the head, rather than sticking straight up, as on later eight-strings.
It’s important to note in this discussion that loudness, generally measured with decibels, could potentially be labeled “good” or “bad” in so far as certain levels are known to usually produce pain in humans. For example, the United States government’s Occupational Safety & Health Administration (OSHA) regulates how employers and workers behave around noise levels that approach 85 decibels. As music fans, we may boast about how the Slayer concert caused our ears to bleed, but sling a jack hammer or stand under 747 jet engines for eight hours a day and see how fun those loudness levels are. But that’s volume, not quality of tone.
Sound engineers prevent unwanted, unintended distortion and clipping using a number of methods. They may reduce the gain on microphone preamplifiers on the audio console; use attenuation "pads" (a button on audio console channel strips, DI unit and some bass amplifiers; and use electronic audio compressor effects and limiters to prevent sudden volume peaks from vocal mics from causing unwanted distortion.

Launch price: $999 / £899 | Type: Amp modeller/multi-effects pedal | Amp models: 33 | Effects: 42 | Connections: Standard guitar input, minijack stereo aux input, standard main outputs (L/Mono, R), XLR main outputs (L/Mono, R), standard stereo phones output, standard Send (L/Mono, R), standard Return (L/Mono, R), MIDI in, MIDI out/thru, USB, expression pedal | Power requirements: Mains power (IEC lead)

12. Once your wiring loom is complete, install it in the guitar, and reattach the pickup and ground wires. Test the guitar through your amp and make sure everything is working. If it is, congratulate yourself on a job well done. If it’s not, check that you’ve wired everything together properly. Also, check your solder joints and redo any that aren’t shiny or look a little iffy.


Lyndon Laney established his brand in 1967 in Birmingham (England). In those days, he was also playing in a band with a couple of guys you might've heard of: John Bonham and Robert Plant. You might also know Tony Iommi (Black Sabbath) who happened to be one of his first clients. The LA100BL is a must among heavy-metal guitarists, while the KLIPP aims to be more versatile. The AOR (Advanced Overdrive Response) series provides more gain every time, contributing, in part, to the brand's constantly growing reputation. Among Laney addicts, we could mention Ace Frehley of Kiss and Mark Knopfler of Dire Straits.
The top of the guitar has the greatest impact on the tone quality of the instrument. The sound generated by the guitar's strings is transmitted by the bridge to the top where it is amplified. As discussed below under Tonewoods, the wood used for the top strongly influences the tonal characteristics of the guitar. The sound generated by the guitar's strings is transmitted by the bridge to the top where it is amplified. That is why, as mentioned above, the larger the soundboard, the larger the sound.

Beginning about 1975, Hoshino began introducing original guitar and bass models to the market. At first, their original designs were subtle variations on the copy models. For example, the "Custom Agent" (model 2405) was basically a Les Paul with a fancy scroll headstock, a fancy pick guard, and, yes, fancy inlays on the neck and body. The Professional model 2671 was a Les Paul with a "vined" neck and a fancy headstock. But soon, the overall shapes of the guitars changed, and models known as the "Weir" (after Bob Weir of the Grateful Dead), "Artist" and "Musician" were introduced. By 1978, Hoshino had ceased production of all of its copy models and was truly producing 100% original designs. These guitars are not just beautiful, but are some of the best crafted guitars of all time, by any manufacturer, and represent the pinacle of guitar-making skill and quality.
Even cooler was the ’66 Vibra Twin (Teisco Del Rey EP-12T), a twelve-string version of the Vegas. This had a slothead variation of the check mark head, with tuners facing alternatively out or back. The trapeze tail picked up the same angular design of the Vegas vibrato. Despite the Del Rey number, the EP-12T did not have a vibrato. The Teisco Del Rey in the ’66 catalog differs from the Vibra Twin shown in ’60s Bizarre Guitars in that it adds a third rotary select for solo/rhythm/bass sound tones, whereas the Teisco omitted this feature. Figure on finding either.
Compressor pedals add a softening effect too, by reducing the front edge of notes and amplifying their tails. This increases sustain by bumping up the signal as the note fades out. Most compressors allow you to control both the thresholds (upper and lower limits) and the knee (the speed with which the signal is raised or lowered). The big appeal for guitarists is the compressor's ability to simulate the natural compression that tube amps generate when driven at medium to high levels. A good compressor can help thicken up the sound of your guitar and add extra punch to your performance.
The American Nashville B-Bender guitar is modeled after the personally customized instruments of some of Nashville’s top players, featuring a Fender/Parsons/Green B-Bender system, two American Tele single-coils (neck, bridge), a Texas Special Strat single-coil (middle) and five-way “Strat-O-Tele” pickup switching. Ideal for country bends and steel guitar glisses, this Tele is available only with a maple fingerboard.
Another thing you might want to remember when getting your very first electric guitar is that you will need some other equipment to go with it. You might need a music stand, an amplifier, a mic for the guitar amp (click for full guide), different pedals, and so on. While these things are normally not included with you guitar purchase, you might at least get a nice case to keep and carry your guitar in.
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components. The top right shows a modification that allows both pickups to have their volumes adjusted independently when the selector switch is in the middle position: the two bottom connections are simply swapped on each volume potentiometer.
Non Locking Tremolo FAT/SAT TREMOLO TREMOLO ARM INSTALLATION The tremolo arm can be inserted and removed very easily. Insert the arm into the armhole on the tremolo base plate. Pull up on the arm to remove it. TREMOLO ARM ADJUSTMENT (SAT PRO) To adjust the height of the arm, remove the tremolo spring cover from the back of the guitar, and use a 3 mm Allen wrench to turn the height adjustment screw attached to the bottom of the tremolo block.

From Clean to Modern, chose from 8 amp settings, four modulation effects and four delay/reverb effects, with tap tempo. Its Hi-Fi sound can be sculpted by a three-band EQ, giving it a lovely spacious sound distribution; and special off-stage circuit gives it excellent overdrive qualities even at low, discreet volumes. Finally, its sleek designer looks will fit into any living space, especially with its soft tube glow.
So fun...I like...I liked it I liked it a lot but the only thing was it took me awhile to get the email that was supposed to get so that is a kind of backed me up on the game but I'm doing good now though so that is good good good good good good good...The fact that the studio is making Mortal Kombat asked on the next generation console is showing you how much they want to improve on disfranchise if they made it for last GEN consoles as well done they would have not done a justice that it deserves besides the DLC being 30 bucks which is a big downfall for me see nest Jayston predator are one of my all-time favorite colors of all time I just wanted them still good game

Reverb is one of the most popular guitar effects in use. It’s so subtle, natural and valuable that it can easily turn a mediocre track into something more profound. The pedals we have listed above are by far some of the best you can get at the moment. They are not all the same, and each offers its own take on reverb in general. However, all of them will serve you more than well in your search for that tasty reverberation. Lastly, we hope that this guide has helped to clear up some misconceptions about reverbs you might have had.
In Cleveland power trio the James Gang, Joe Walsh combined Who-style fury with Yardbirds-style technical fireworks and R&B crunch, notably on 1970's "Funk #49." The humor in Walsh's bluesy facility came out in the talk-box flight on his '73 solo hit "Rocky Mountain Way." But it was when he joined the Eagles in 1975 that he truly lodged himself on classic-rock radio. Walsh brought a hard-rock edge to the Eagles' easygoing pop songs, creating a series of indestructible licks in the process: See his staccato-snarl riff in "Life in the Fast Lane" and his elegant aggression in the dueling-guitars section of "Hotel California." Walsh influenced the Who's 1971 classic, Who's Next, although he didn't play a note on it: He gave Pete Townshend, as a gift, the 1959 Gretsch Chet Atkins guitar that Townshend played all over that album. Townshend later repaid the favor while talking to Rolling Stone in 1975: "Joe Walsh is a fluid and intelligent player. There're not many like that around."

as an old school country picker i prefer the fender tele for the crisp twangy sound and also the feel of the fingerboard. I find a strat to be poorly designed with the volume control badly in the way to say nothing about the clumsy tremelo arm. I have modified some strats and made them playable for my slyle.A humbucker in the neck position on a tele is rite sharp for the blues.As for gibson they make a fine instrument,just not my style.
In preparation for making these electric guitar pickups, I carefully studied the qualities of both vintage and modern guitar tone. All of my pickups feature grounded shielding to reduce noise from external electric fields and are potted under vacuum to eliminate microphonic feedback. The result of years of building and testing is a family of pickups for guitar, bass, lap steel and other instruments that will help you achieve the tone you desire. All V V G pickups are hand-made in the USA. Several of the new designs offer the user the capability to shape the tone by changing the magnet assembly and reversing the effective winding direction. We're here to help you find your tone!
The noise out of my chain drives me nuts. I want it when I want it, not when all is shut off. I am running a Clapton Signature Strat with humless pickups into my Blues Deluxe. No effects and it is quiet as the dead of night. Plug in the effects (All Boss BTW) and it just starts humming. I have been playing with it and cant seem to isolate the culprit (s)… Frustrating.

Normal people define cool as laid-back, excellent or highly skilled, but most guitarists define cool as Jimmy Page circa 1975 in a black velvet bellbottom suit decorated with embroidered dragons, playing a Les Paul slung down to his knees. As the musical mastermind behind Led Zeppelin, one of the greatest rock bands of all time, Page elevated the guitar riff to an art form, crafting orchestrated overdubbed parts that bludgeoned listeners like the hammer of the gods.


You have to take into account that these are low budget guitars, so there will be compromises in terms of materials, pickups and hardware. The experienced guitar player might require a higher standard. That being said, if you have between a 100 and 300 dollars to spend and you do want to learn to play guitar than these guitars are really worth the investment.
• Trapeze: Although the trapeze tailpiece was original equipment on the very first runs ofGibson Les Pauls, they are mostly the province of hollowbody and semi-hollowbody guitars, ranging from the L-5-CES to the Epiphone Regent. Early ES models also came with trapeze tailpieces. These devices attach to the heel of the guitar’s body and have slots for strings to pass through. Once the strings are installed and tightened to proper tension, the tension suspends the tailpiece in air — providing the appellation trapeze. The principle behind trapeze tailpieces is that they dampen the natural resonance of the strings less than stop tailpieces. These tailpieces also transmit the string tension to the guitar’s side, rather than its belly. The downside is they are the hardest tailpieces to string, since strings tend to drop out of their slots until they are at tension. In that respect, they take some getting used to.
Steve Vai is without a doubt one of the most eminent musicians the world has ever known. In 1987, Vai teamed up with Ibanez to develop and design the JEM electric guitar, which incorporated a series of innovative designs. To make his guitar truly unique, Vai had a “handle” carved into the body of the guitar – something that has since become known as the “monkey grip.”
The best advice any guitar player can give when it comes to figuring out which guitar to get is to buy the best model your money can afford. In most cases, this advice is rock solid. Even if you are a beginner who isn't sure whether or not you want to commit to playing guitar long term, you can always sell the guitar with a minimal loss, like a decent car versus a junker.  Think of it as an investment as long as you maintain and take care of it.

We considered more than 20 amps for this guide and gave the 10 most promising models a hands-on test. Our testing panel agreed that any of these amps would at least be good enough to get a beginner started, and that for reasons of personal taste, some players might prefer one of the ones we didn’t pick. Here are the others we tried, with a couple of notes about our panelists’ impressions.
I always respond to these enquiries as I have played some in UK shops and like them a lot .Well designed and made though I am sure the odd duffer gets through like most imports .Trev Wilkinson did the designing ,though it should really read ,modifying ,as most are other makers basic designs,.The Les Paul lemon drop is superb judging by reviews and I loved their S types ..Worth the money it seems .I would prefer a Vintage Strat , 335 or Les Paul to the other cloned alternatives .I did buy an Epiphone Dot but after playing a Vintage 335 ,wish I had bought it instead .The ones I played were Chinese
Yamaha is the most revered and leading manufacturer of full-line musical instruments. With its wide range of guitars, the company has become a best seller and is easily one of the best guitar brands in India. The C Series are the popular and affordable nylon string guitars by Yamaha suitable for beginners and young learners. The electric guitars of Yamaha available in India are of the Pacifica and RGX series. The Pacifica series offers the most value for money combining affordability with performance.
Throughout the 40’s, racial segregation was still in force across America, however within the music community, (both listeners and musicians) race boundaries were beginning to disappear. African American music (a.k.a ‘Race Music’) was popular with white communities too and with the vast melting pot of musical styles by that point including Folk, Country, Jazz and Delta blues, something exciting started to take shape.

AJL: It’s a brand that specialises in making Gypsy acoustic guitars and archtop jazz box guitars. Each guitar is handmade by master luthier Ari-Jukka Luomaranta from Finland, and when I say he makes it, I literally mean he makes it all alone without any employees. I’m not exactly a classical guitar or jazz box fan but I understand why people love his guitars. He puts extreme attention to even the most minute details while making each of his guitar. Each AJL guitar is like a testimony of his art and dedication. He chooses the best quality woods to work with and by his undying passion for making guitars he creates masterpieces.


C.F. Martin & Company is a U.S. guitar manufacturer established in 1833 byChristian Frederick Martin. Martin is highly regarded for its steel-string guitarsand is a leading mass-manufacturer of flattop acoustics. Martin instruments can cost thousands of dollars and vintage instruments often cost six figures. The company has also made several models of electric guitars and electric basses.
SCALE LENGTH What is a "Scale Lenght?" The scale lenght is the lenght the string travels between the nut at the top of the fretboard and the bridge at the mid section of the base of the guitar. To determine the scale length of your guitar you would measure from the front part of the nut where it meets the fretboard to the center of the 12th fret on the neck and multiplying that by 2. Add about 3/16" to that on the low e string and taper that to about 1/16" added to the high e string. This is called compensation and that is why you see that tapered line on a bridge. Go to Stewart MacDonnaldfor more info. They also have a Fret Calculator that helps you determine your particular scale length in addition to a page dedicated to helping you out with tons of free info for your guitar building projects.The fret is the metal of nickle wire that is raised up off the fretboard. I would suggest buying a neck that has been pre made from a manufacturer that fits the design concept that you want to go with. I bought mine from Guitar Parts USA for about $70. You can pay anywhere from $50 to $300 for a neck at online retailers, but surf around and make sure you are satisfied with what you get. Guitarpartsusa will tell you to buy an expensive neck if you are building an expensive guitar, not a $70 neck. But for mine the $70 neck works just fine. Once you get the neck in and you determine what the scale length is you can lay it all out on paper. I recomend buying all your hardware, pickups and knobs before you draw your final template. This will allow to place everything where you want it and know what size holes to drill for the electronics and how big the cavites will need to be for them and the pickups.
Other Ovation innovations include composite tops and multiple offset sound holes on guitar tops, pioneered in the Adamas model in 1977. Kaman Music has also sold budget guitars—and even mandolins and ukuleles—based on similar design principles to the Ovation such as the Korean-built Celebrity series and the Korean or Chinese-built Applause brand.[citation needed]
Sometimes, I find the way that they progress songs odd, and that it actually makes them more difficult by causing you to use screwy timings, use easy and incorrect finger movements that you have to completely change when new notes are added, or when it would be simpler to just use cords (for example, in higher ground there is a part where you first play through and have a G and then an A on the 6th string. A beginner will probably play the G with the index finger and then the A with the ring finger. But later these turn to power cords and this no longer works as you have to slide your hand down. I've found that type of issue common, particularly with this song - I've only played about 6 songs so far in the game). Likewise, the strategy of playing is not always the best, for example they'l play a 2, 3, and 6 on the 6th string and maybe an open 5th string and the 2nd fret of the 5th string. Much easier and more efficient to convert the 6th fret on the E string to the 1st on the 5 string to keep everything within a reasonable reach(cheating by moving the note does work since the game is based on tone, but is not something a beginner would know)
Although acoustic guitars have recently surpassed electrics in popularity, the electric guitar is still the most prominent instrument in rock music, and it’s a key component in many country, R&B, pop, and jazz groups. If you want to play in a band, you’ll probably want an electric guitar. You’ll also want one if you want to develop the ability to play melodies and solos because electric guitars are, in general, better designed to accommodate fast fingering and more able to stand out in a musical group.
Strumming Patterns: Tremolo is a tough fit here for the same reason as delay. Timing and repeating issues both tend to cause problems.Chords: This can work if used sparingly, especially when strumming patterns are simple and chords are allowed to ring.Short Arpeggios: Particularly if played during a verse, short arpeggios are easily benefited and improved by a light tremolo effect.Quick Solos: Any unique, lead guitar part that needs something extra can be a good spot for the tremolo effect. Usually this will occur during the bridge of a song.
We all have heard that tone starts in the hands of the guitarist.  Different players can play thru the exact same amp and guitar rig and produce sounds on opposite ends of the spectrum.  I like to refer to this base sonic level as the DNA of a player.  Thanks to mad scientists tinkering in their evil laboratories of sound, we now have the ability to alter a guitarist’s tonal genetic code with effects pedals.

While there are many exquisite guitars that can easily take this spot, this one hit the shelves in 2016 and is the A-grade of what Gibson has to offer!  The Gibson Les Paul Standard 2016 T Electric Guitar is a testament to Gibson’s fine craftsmanship, tone, and reputation – that’s why it’s our top pick and is the best all-round electric guitar for serious users who want the prominence and notoriety of owning a Gibson!
The first guitarist to chain effect pedals together, Hendrix combined their tones and textures with whammy bar squeals and growls and unorthodox playing techniques to make the guitar sound like a symphony, animals, armies or the far reaches of outer space. While most Sixties psychedelic music was banal bubblegum pop with fuzz-tone guitar hooks, Hendrix made music that actually sounded like a trip after ingesting a cocktail of LSD, mushrooms and THC.
The extra-versatile twin-channel layout with independent controls delivers a wide variety of tones from clean to overdrive. The Sonzera 20—which we recently reviewed—packs a hell of a punch for players who need a versatile workhorse amp that pairs well with pedals and sounds incredible on its own for any style of music. While the Sonzera 50 Combo is well suited to the stage, the 20 is easy to haul to gigs, has a lower output that’s better suited for the studio—and its “American style” voicing thanks to its 6L6 power tubes (the Sonzera 50 features EL34 tubes).
While known primarily for their acoustic and acoustic-electric guitars, Takamine produced a limited run of very high quality solid body electric guitars in the early 1980’s.[1] These are the GX100 (Gibson Explorer body style), GX200 (proprietary type body style similar to a Stratocaster, stop tailpiece bridge), GX200-T or TB, (same as GX200 only with a tremolo bridge) GZ300 (proprietary design) and GZ340 (proprietary design). The GX200 and GZ340 contain factory DiMarzio made pickups.[2]
Quirks? Some. The old Rola was kind of tired, so I saved it and put in a new Jensen Mod I had laying around (not a bad little speaker, but not a vintage Jensen, either…expect a future upgrade). The 7F7’s are supposed to be very loud and micro-phonic (which was why we don’t tend to see them in guitar amps after the mid-late 40’s), but this one sounds just fine. And they’re cheap, so it’s not like you’re hunting down good EL86’s or anything. Also, one thing that took some getting used to was the tone knob is backwards by contemporary standards. That is, turn the creamy chickenhead to the left, you get more treble (and more drive and volume). Turn to the right, and it gets very bassy and like a chewy jazzy tone.
click on the red highlighted portion of instrument that you want to download then click win 32 for 32 bit operating system..then copy the dll file and paste it into c:/program files 86 :/imageline /flstudio/plugins/vst and paste here refresh the fl studio by going add then channel and then more plugins and start scanning ..find that instrument by name and enjoy

Treble is really a form of gain boost that must be considered while gain-staging our signal path. With good tone, a note should ring like a bell, not slaughter like a machete, and that is accomplished by shaving some attack off the waveform and rounding off the frequency response. A bit off rollback on the tone knob takes you into the ballpark, along with your amp settings (I have a dedicated treble-cut on my AC30 that is necessary to tame my telecaster). Once I am in the ballpark, I use the volume knob to fine tune, and personally I tend to let it be from there, relying on a gain-boost pedal to lift my sound when necessary without altering the tone.


The Indiana Thin Body Acoustics give you all the sonic punch you need but in a more compact body size. Starting with a spruce top that's matched to mahogany back and sides, the I-TB2 Series were created for acoustic players that find that a traditional dreadnought body size is a bit too bulky. Having a tighter profile gives these guitars and almost electric guitar feel and they're perfect for the stage or studio. Great action and playability right out of the box! An on-board 3 band EQ gives you total control at the touch of a button and all players love the extended cutaway for upper fret access. Sealed diecast tuners, nickel silver frets, gold hardware, high gloss finish and 10 Year Warranty make the Indiana Thin Body Acoustic series a great alternative for any player.


Whether playing scabrous grindcore in Napalm Death or juxtaposing smooth, almost Pink Floyd–like blues solos over the surgically precise death-metal riffage of Carcass, Steer always managed to find a way to inject some ear candy into genres known for avoiding it. By 1993, when Carcass released Heartwork — its last true death-metal album (before embracing death’n’roll) — Steer had masterminded a hook-filled songwriting style that perfectly balanced metal virility with honest-to-God melody, something countless bands are still attempting to copy.
The primary starting point for information about Martin guitars is, of course, Martin Guitars: A History by Mike Longworth, one-time pearl inlaying ace and former company historian (4 Maples Press, Minisink Hills, PA). Longworth’s book chronicles the company’s history in very personal terms and provides wonderfully rich detail about Martin’s many guitars through the ages. It should be an essential part of any Martin lover’s library.

The acoustic guitar lends itself to a variety of tasks and roles. Its portability and ease of use make it the ideal songwriter's tool. Its gentle harp-like arpeggios and rhythmic chordal strumming has always found favor in an ensemble. The acoustic guitar has a personal and intimate quality that is suited to small halls, churches and private spaces. For larger venues some form of amplification is required. An acoustic guitar can be amplified by placing a microphone in front of the sound hole or by installing a pickup. There are many entry-level acoustic guitar models that are manufactured to a high standard and these are entirely suitable as a first guitar for a beginner.
Amongst the best guitar brands in India for acoustic guitars, Martin is one that stands out. Martin is one of the best known brands for its steel-string guitars. It is a leading manufacturer of flat top guitars which produce top notch sound quality. However, the company is best known for their signature dreadnought acoustic guitar with X-bracing. It is truly one of the best guitar brands for some of the best quality guitars in the market.
I've used 3 effects applications till now: Amplitube podfarm and guitar rig 5. The best software I found so far is guitar rig the sound it gives is amazing it has some pretty good presets and it has an intuitive interface I recommend trying out demos of every software to see which better suits you. I recommend guitar rig. I would suggest using a PC instead of a laptop because they're processor intensive. Anything that's part of the is series is great (i3 i5 i7). Good luck and remember to get asio4all drivers google it and get the newest drivers
I can't even begin to tell you how much I love mine, both for sentimental reasons and due to the fact that you couldn't buy that kind of quality nowadays for under a grand! I too, like the OP, am getting ready to do some restoration/ TLC on mine. New nut, saddle, bridge pins, tuners upgrade, and eventually fretwork. If you guys ever see one at a pawn shop, pick it up quick!! They can usually be bought for under $300!!!!

Gibbons has also twisted more than a few towering tall tales in his time, but his life is so surreal that it’s hard to tell where the truth ends and the trip takes over. His colorful manner of speech, known as “Gibbonics,” has made him one of Guitar World’s favorite interview subjects, especially since his poetic ponderings are loaded with insight, wisdom and a unique sense of humor.
The Teisco brand name stands for 'Tokyo Electric Instrument and Sound Company'. Teisco was founded in 1946 by renowned Hawaiian and Spanish guitarist Atswo Kaneko, and electrical engineer Doryu Matsuda. Teisco guitars sold in the United States were badged "Teisco Del Rey" beginning in 1964. Teisco guitars were also imported in the U.S. under several brand names including Silvertone, Jedson, Kent, Kingston, Kimberly, Tulio, Heit Deluxe and World Teisco. While guitars manufactured by Teisco were ubiquitous in their day, they are now very collectable.
In the face of this mounting conservatism, Ovation entered the solidbody marketplace with an in-your-face design consistent with the radicalism of its Lyracord bowl-backed acoustics. In ’71 it unveiled the battleaxe-shaped Breadwinner, followed by its upmarket brother, the Deacon, in January ’72. As you might expect, despite the unusual shape (rounded upper edge, deep single cutaway at the double octave, s-curved lower edge, and asymmetrically scooped out lower bout) these also featured some innovations. Both had two-octave bolt-on Ovation fingerboards, the former unbound with dots, the latter bound with diamonds. Both had mahogany bodies, the Breadwinner with a kind of spackle finish (white, black, tan or blue), the Deacon a sunburst finish. The Breadwinner had a molded plastic bridge/tailpiece assembly with adjustable plastic saddles and chrome hardware; the Deacon had a similar unit with metal saddles with gold hardware. Early Breadwinners had the jack on the back of the body, but this quickly migrated to the pickguard; some transitional examples have both jacks on the back and pickguard. These Ovation guitars were remarkably ergonomic, well-balanced when standing and cradling comfortably on the knee if you preferred to sit.
Hi Dan! Thanks for the kind words! As somewhat of a newbie, you may find a semi-hollow-body guitar more flexible and versatile, especially if you are still finding trying to figure out what genre you are going to focus on. If you are set on the hollow-body go for, but ,if you are on the fence, the versatility of the guitar is something to consider. Those are my thoughts. Good luck!
When you’re starting to become serious about playing the guitar, the question of “what amp should I get” is bound to pop up. There’s quite a deal of variety out there, with many brands and models, and constant innovation adding new features to choose between with each passing year. It’s enough to baffle even an intermediate player, let alone a rookie who’s just getting started. To ensure that you get the right amplifier for your needs, you’ll first need to know a bit about how the amp’s specifications translate to real life.

Masacre takes a great deal of my time, but in normal days I am also a guitar teacher in my hometown, Medellin. I counsel young rock bands as well, with the purpose of sharing my knowledge and experience with those who start in this road. I've been part of the selecting jury at several local rock festivals and when I am available and things work out, I join some of my friends and put together tribute bands to play at local clubs, paying homage to those bands that inspired us since childhood, such as Black Sabbath, Kiss, Ozzy Osbourne, Dio, and others.
Featuring classic Fender design, smooth playability, and simple controls, the Squier Classic Vibe Telecaster '50s is a great first electric guitar. The fixed bridge and quality tuning machines ensure simple and reliable tuning stability—a potential frustration for new players trying to learn on poor quality guitars. Single volume and tone controls along with two bright-sounding single-coil pickups give the beginning player a wide range of tones that are easy to control. The Telecaster has been a mainstay in music for decades and is especially associated with great country, pop, surf and rock sounds.

If you play with your guitar’s tone controls all the way up, your tone is going to be trebly and bright — possibly even painfully shrill at high volumes. To get a handle on their range, get a clean sound cooking out of your amp and play at every numeral stop on your instrument’s tone pot dial. And for multi-pickup models, do that for each individual pickup and all the blended settings. Find a few positions you like, and while playing a tune you know by heart, roll to different settings for verses, choruses and solos and see how tonally diverse and interesting things become. On stage this can be a very impressive way to create fresh sounds — subtle, but noticeable — without relying on pedals or amp channel switching.


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As far as reliability goes, a guitar is actually quite simple to make reliable. Build, sound quality and playability are much more important than reliability per se, simply because if the guitar is at least half-decently made it usually turns out to be quite dependable. The biggest reliability issue would be a guitar that cannot stay in tune very long. This is something that often happens in regards to the build and material quality of acoustic guitars, but with electrics it’s something that can usually be corrected by swapping out the tuning machines to locking ones, or at least better-performing ones as well as setting the intonation and neck relief correctly.
So, I was looking for a single-ended amp. Say what you will about class A/B amps (and, to be fair, most of the great recorded tones in rock history are class A/B push-pull amps), some of them don’t really get singing until they’re too loud for the bedroom or studio. Sometimes you just need to hear that cranked tone without getting the knock from the neighbors. To quickly recap:
This is the brand of guitars manufactured by a Japanese company and are available in India. The company creates incredible custom – shop instruments and high-quality original designs, liked by some of the best professionals on the planet. They produce electric guitars that provide high performance and are long-lasting in terms of duration and quality. E-10 is one of the most popular guitars of this brand. The starting price of ESP electric guitar is 16,000 INR approximately.

Another great practice amp in the running for best electric guitar amp for beginners is the Blackstar HT Series HT-1. It’s a 1W tube amp with a single 8″ speaker. It features 2 channels (clean and overdrive), stereo MP3 / line input and external speaker output. It’s use of dual-triode ECC82 tubes provides the crunch and break-up characteristics of a traditional 100w amp at a much lower volume. It also has EQ, Gain and Reverb settings.
I HAVE A P38-12E I BELIEVE MINE WAS MADE IN SPAIN ALSO. LATER THEY WERE MADE IN MIAMI AND LATER IN CHINA KEEP IT IN GOOD SHAPE I HAVE MANY GUITARS ACOUSTIC AND ELECTRICS. EXCELLENT ACTION AND SOUNDING GUITARS FOR THE PRICE I HAVE GIBSON,EPIPHONE,IBENEZ, THE BEST SOUNDING 12 STRING I EVER OWNED WAS A TAKIMINE. WHICH WAS STOLEN IN LAS VEGAS. EVEN HAVE A 12 STRING ACOUSTIC I MADE. I ADDED A FISHMAN AND MADE IT ELECTRIC I ALSO PUT A TUNEMATIC BRIDGE ON IT. THEY ALL HAD DIFFERENT SOUNDS BUT THE ACTION ON THE PALMER IS THE BEST. I EVEN HAD A VICTORIA VIOLIN BASS WAY BEYOND A HOFNER. JUST BECAUSE YOU DIDN'T PAY BIG BUCKS DOESN'T MEAN ITS NOT BETTER THAN A MARTIN. I PLAYED MY UNCLES MARTIN HE MADE AT THE FACTORY WHEN HE WORKED THERE. AND IT CAME NOWHERE CLOSE TO MY PALMER OR TAKAMINE. PALMER CAME CLOSE TO MY 1960s GIBSON DOVE. DOVE HAD A BETTER SOUND PALMER HAD BETTER ACTION. HOLLYWOOD PHIL. GUITARIST AND SINGER FOR THE GWB BAND. I'M ALSO HEAD SOUND AND LIGHTING TECH FOR THE METAL BAND BLACKFATE.

One step up is the combination of a treble cut and a bass cut, with a single knob to select between them, like the one in the Electro-Harmonix Big Muff (Figure 2). The knob selects a blend of highs left over from the bass cut side and lows left over from the treble cut side. If you make the cut frequencies of the treble and bass sides far apart, you get a persistent midrange scoop, as in the original Big Muff. You can also have the bass and treble sides overlap in the middle and get a midrange hump in response. The near-endless variations you can get by tinkering with the relative values of the parts and the need for only one knob make this a favorite in effects.
Reverb works well for acoustic guitars because it's a less intrusive effect that doesn't overtake the clean signal. Echo and delay pedals can be more difficult to tame from a feedback perspective, especially when the echoing trail gets too long. With reverb, you can have a thick effected layer with a relatively short trail behind it, especially with the HOF's short/long switch. 
The central idea behind Vintage® is to offer accessibly priced, vintage-looking guitars with great finishes, quality parts, and features that are typically found on guitars costing upward of a thousand dollars. So, to design an industry-leading line of professional but affordable guitars, Trev Wilkinson joined forces with JHS over a decade ago. These instruments now include class-leading Wilkinson®-designed hardware.

You can assemble your own system from disparate components, hardware and software, and spend a lot of time and confusion getting them all to work together. But the easiest and ultimately most cost-effective route is to purchase one of the least-expensive Apple Macintosh computers, all of which come with Apple's free GarageBand software installed. This will provide you with a wealth of tools for amp emulation and effects in an integrated environment for multi-track recording and editing (and it includes a wealth of drum machine, synthesizers, and sampled instrument libraries as well.) If you outgrow Apple GarageBand, you can suppliment it by purchasing Apple MainStage for $30 and/or Apple Logic Pro for $200.
Guitar players who haven't done much recording tend to comment that the sound coming back over the studio monitors isn't the same as what they hear when standing in front of their amp at a gig. This is hardly surprising, since studios seldom monitor at that kind of level, so the question they should be asking is whether the sound you hear over the monitors is comparable with the guitar sounds heard on similar records.
Nothing says rock and roll quite like an electric guitar—and whether you're just learning to play or you've been practicing for years, the right instrument can make you feel like a rock star. Selecting the right match for you is a matter of personal taste and playing style, but the broad selection available at Amazon.com can help you find the guitar and the accessories you're looking for.
All of the guitars on this list except for the Blueridge BR-160 are equipped with an electronics system that make them stage- and studio-ready. You can simply plug and play when you need to perform in front of an audience in a crowded or big venue where there’s a lot of ambient noise. If you don’t need amplification – for example if you’re just practicing at home – these guitars sound great unplugged as well.
Another example is Ovation, the company that almost single-handedly created the acoustic/electric category and radically altered views about how acoustic guitars should be constructed. No matter how hard they tried, Ovation’s repeated attempts to enter the solidbody electric area have failed. Instead, Ovation finally purchased Hamer. However, Ovation’s marketing failures do not mean it hasn’t made some pretty interesting – even innovative – electric guitars over the years, and these represent one of few areas in guitar collecting where you can find excellent, historically significant instruments, often at remarkably reasonable prices. Here’s the scoop on Ovation electrics (touching only briefly on acoustic/electrics).
This guitar comes with an undersaddle piezo pickup system and a ¼-inch output. You also get a detachable lap rest so you can comfortably play this miniature guitar. The rosewood fingerboard has 22 medium frets, while the D’Addario EJ15 steel strings ensure superior playability. This compact guitar is small enough to fit even in airline overhead compartments.
Pitch correction/vocal effects: Pitch correction effects use signal-processing algorithms to re-tune faulty intonation in a vocalist's performance [96] or create unusual vocoder-type vocal effects. One of the best known examples of this is Autotune, a software program and effect unit which can be used to both correct pitch (it moves a pitch to the nearest semitone), and add vocal effects. Some stompbox-style vocal pedals contain multiple effects, such as reverb and pitch correction.
Seriously, Yamaha above ESP?! Japanese made ESP guitars are among the best in the world, no wonder so many people play them. They have great designs and an ESP standard is not to high in price compared to a USA Jackson or custom shop guitar. Ibanez prestige are very nice to (I hate the necks personally) but the build is really good. ESP blows Gibson out of the water by a VERY large margin. Gibson has lawsuits against them for selling "USA" made guitars that were discovered to be imports from cheap labor offshore factories. All ESP and Ibanez prestige guitars are made in Japan and are immaculate in terms of quality and consistency. ESP is more a metal guitar but they have much better tone than any of the others listed, the only one here that might have a sweeter tone is prs but for $8,000 and only a fractionally better tone that is subjective they can keep it. I personally like ESP and Schecter best but Jackson is really good too. Not to knock Ibanez, but their necks are way to thin ...more
Yamaha’s also excel in terms of their playability, which is an especially important characteristic for beginners. Too many players sacrifice quality to save money on their first guitar, with the result being that they now have to deal with difficult playability that poses extra challenges to the learning process and can sour the learner’s experience with the new instrument. Yamaha offers an enticing balance between cost and quality.
While close-miking can indeed be punchy and muscular, you’ll often find it doesn’t capture the full breadth of your electric guitar tone – that is, it simply doesn’t sound the way your amp sounds in the room. That’s because when you stand somewhere near the middle of any room and play an amp that’s placed a few feet away, several other elements affect the sonic picture. The distance between your ears and the speaker (the “air”), the shape and size of the room, materials used to make the walls, ceiling and floor and/or their coverings, the ways in which sound reflects from them, along with other factors all contribute to how your amp really sounds in the acoustic environment. Most engineers find, therefore, that they need to use some form of distant miking when the aim is capturing a realistic amp tone.
This is a guitar that feels alot like a pre-CBS Fender strat. It has all the tones. If you didn't already know, G&L stands for George and Leo. As in LEO FENDER. The headstock is a little different, but the pickups are great, not Noiseless but definitely not NOISY either. Mine is a physically heavy guitar. It sounds heavy too - in a good way. Still, I can get all the tones I need from all the pickups. I believe that the neck pickup is superior to the Mexican Made Fender Strat. The pearloid pickguard is pretty. These Indonesian made strats sound great. They're made in the same factory as the Squiers but definitely sound different.
A giant when it comes to the British amplification companies, Vox is always in the conversation when talking about great guitar gear. And that’s no different when the conversation is about amps for beginners. As far as bang-for-your-buck options are concerned, the Valvetronix VT20X definitely ranks at the top – and with good reason: it features tube amp sounds, but with the versatility of a modeling amp (which it is). This impressive hybrid boasts 11 onboard models, 13 effects, and 33 preset programs – allowing you an astonishingly wide range of produceable sounds. And you can control the whole thing from your smartphone, making it easier than ever before. Excellent work, Vox.
Wildwood Guitars is proud to be recognized as one of nine authorized online Gibson dealers. We invite you to browse our extensive inventory and discover the magic of one of the greatest American brands of all time. Located in the heart of Tennessee, the Gibson Memphis factory is known for crafting the majority of Gibson’s incredible semi-hollow and hollowbody instruments. These guitars are overflowing with the soul of the city they’re born in, and they represent the ultimate in both vibe and versatility.
Monte Allums Mods – Tweaking the tone of inexpensive stomp boxes is an obsession of Monte Allums. He started modding mainly because he refused to spend $200 to $300 or more to achieve great tone. Monte believes that most expensive boutique pedals are simply clones of inexpensive pedals, but upgraded with higher-quality components. So his mods and kits feature classic designs with better components to deliver superior tone.
I have an old Zoom 505 all in one pedal plugged into the clean channel of my Peavy Scorpion 2-12 amp. I’m using the distortion, chorus, reverb, delay, etc. programmed from my pedal. I want to add my Crybaby wah so it’s just a matter of easily just switching the order of both pedals and see what works best. Until I upgrade, it should be simple. Here we go. Thanks.
Univox was not, as you might guess, just another isolated Japanese import, but was part of a much larger story of its importer, the Merson company. And in this context, Univox is a part of the much larger story that included names you probably see everywhere but know little about, since they’re off the beaten path, names such as Tempo, Giannini, Westbury, Korg and much more! You’re going to have to pay attention here, because a whole bunch of familiar and not-so-familiar names crisscross through this story.
After the lawsuit Hoshino Gakki abandoned the strategy of copying "classic" USA electric guitar designs and moved to the popular superstrat era in the mid-1980s. The newer Ibanez models began incorporating more modern elements into their design such as radical body shapes, slimmer necks, 2-octave fingerboards, slim pointed headstocks, higher-output electronics, humbucker/single-coil/humbucker pickups, locking tremolo bridges and different finishes.

Since guitar players are automatically cool, that means cool guitar players are the coolest of the cool. In this issue, we exalt this elite class of cold—the players who even we would sell our wives and first born just to have some of their mojo rub off on us. Some of them are pioneers who paved a bold, daring path to define new styles of cool, while others are simply the kind of guitarists we want to be when we never grow up (which is part of being cool).
Of course, the big news was the introduction of the Spectrum 5. This had a slim, highly contoured body with a pointed upper horn pointing up and a hooked lower horn. The body featured a German carve relief along the edge. The head was the new hooked kind from ’64-65, while inlays were triangular “picks,” sort of like Kays of the time. Pickguards were two-part plastic covering the entire area under the strings, with volume and tone controls and stereo and mono jacks. The “vegematic” push-buttons came in five groovy colors.
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The tip of a soldering iron is very hot, around 700F, and can damage the board, component packages, and wire insulation in a fraction of a second, not to mention your own skin, so be careful the tip does not touch anything as you move it in and out of the soldering area. Put the pencil back in its holder when not soldering. Don’t leave a hot iron laying on a bench or table.

Maton earned international renown for their superb acoustic and electric guitars and basses, which have been played by scores of famous performers from The Easybeats to The Wiggles.[1] George Harrison owned one of their MS500 models, which were introduced in 1957 and famed British session guitarist Big Jim Sullivan owned and used a Maton ‘Cello’ guitar for many years during the peak of his career, playing it on recordings with Sarah Vaughan, Sammy Davis, Jr., Johnny Keating and his Big Band and Neil Finn from Crowded House.


Amazing guitars, specially the Custom Series full solids. You can choose from variety of tonewoods and soundboard combination and 4 different shapes. Offering almost every player's preference. You can also choose options such as soundport off-the-rack. Great craftsmanship, amazing tone, and superb playabality at an amazing price. Great guitar, and definitely not an OEM brand. They only make their own guitars.
Did I say WoW....your going to love this one...Here we have a VERY rare GREAT FIND and premium example at that this over 35 year old vintage mandolin has absolutely beautiful flamed AAA Fiddle grade Maple to both the back chevron 2 piece & sides .... this piece is simply gorgeous and has an aged & wonderfully grained figured Sitka spruce top this a VERY High Quality. This is a Japanese made Artist grade Mandolin from the prime Japanese Law-suit era ... the very talented Luthiers built this example... this one was made in the mid 1970's at the famous Ibanez factory in Japan this example is cleverly labeled with a beautiful mother of pearl logo then unheard of " CARLO ROBELLI "... This is a Gibson exact REPLICA of the " F Style " MANDOLIN this M-700 M700 ACOUSTIC Mandolin in excellent vintage condition WoW! its so nice dare I say Near Mint...its over 30 years old and has that aged and mellowed tone and has emerged as a great sounding professional quality constructed PRO level beauty that is available for a fraction of what the very same vintage Ibanez or Aria m-700 Logo'ed Mandolin will cost... ( same factory built those to ) same luthiers same materials... as seen with the great original golden plush lined hard shell case.. all & all one of the best sounding & playing mando's available under $1600.00 vintage F style and beautifully flamed & figured Maple ..looks like old school nitrocellulose lacquer but no visible checking cracks but just one short 3" finish check on back and is almost impossible to see... a few buckle mars on back but so faint not threw finish and again almost impossible to see... guard is also in top shape not all scratched up..this baby is in under the bed for 30 years condition it looks more like its one year old condition wise as it is actually 30+ years old...as you can tell the finish has that aged patina and warm appearance of a vintage Mando.. here is a great one w/ its original hard shell case ..WoW! Its being cleaned up now and is looking as new... the guard's glue just came loose so it will get cleaned prepped & re-glued and ready for another 30 years. I will also be restring her with a new set D'Addario strings we have in stock and set her up... she will ring like a sweet bell and be ready to record with or tour. Copy & paste this link to view many new pics of this beautiful Vintage Japanese crafted Mandolin... https://picasaweb.google.com/gr8bids/70sCarloRobelliFMandolin?authkey=Gv1sRgCNbp6p6_1cicsQE#slideshow/5588480984817011186.
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His tone is incredible and he is capable of an extreme vibrato that is perfect for his style of playing.  It’s obvious he’s not working hard for it.  His choices of strings benefit his economy of motion.  Even though he maintains low action on his Fender Stratocasters and even scallops the frets for acrobatic, tight-rope string walking, his ability is only strengthened by the ease of playing light string gauges.
There’s also the line of self-tuning “robot” guitars that Gibson spent more than a decade and millions of dollars developing. In 2015, Juszkiewicz made the feature standard on most new guitars. Sales dropped so dramatically, as players and collectors questioned the added cost and value, that Gibson told dealers to slash prices. The company then abandoned making self-tuners a standard feature. You can still buy them — they call them “G Force” — but they’re now simply an add-on option.
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