Hello, Our rhythm guitarist had a 12- string Mark X11 guitar by Vox back in 1967. It had a protective back pad ( 8 sided) on the back that snapped on. It was only made from 1964 - 1967. In mint shape, the Italian made one is worth at least $1,000.00 and the Engish made one is worth at least $1,500.00. Remember that is for a Mint shape guitar.(Info from Blue Book of Electric guitars -7th Edition 1999) You can see our guitarists sunburst Vox Mark X11 at Myfirstband.com ,click on Indiana -(SOS) Society of Sound page. There is a group shot and a close up in color of him with it. Peace........Rockin Rory in Indiana
In 1964, The Rolling Stones‘ Keith Richards obtained a 1959 sunburst Les Paul.[19] The guitar, outfitted with a Bigsby tailpiece, was the first “star-owned” Les Paul in Britain and served as one of the guitarist’s prominent instruments through 1966. Because he switched guitars often enough in that period (using models ranging from the Epiphone semi-hollow to various other guitars made by Guild and Gibson), Richards is sometimes forgotten as an early post-1960 Les Paul player.[20][21] In 1965, Eric Clapton also recognized the rock potential of the late 1950s Les Paul guitars (particularly the 1958–1960 Standard sunburst models), and gave them wide exposure. He began using Les Pauls because of the influence of Freddie King and Hubert Sumlin, and played a 1960 Standard on his groundbreaking album Blues Breakers – John Mayall – With Eric Clapton. At the same time, Mike Bloomfield began using a 1954 Les Paul goldtop he apparently purchased in Boston while touring with the Paul Butterfield Blues Band, and recorded most of his work on the band’s East-West album with that guitar. A year later, he traded it to guitarist/luthier Dan Erlewine for the 1959 Standard with which he became most identified. Concurrently, such artists such as Peter Green, Mick Taylor, Jeff Beck andJimmy Page began using the late-1950s Les Paul Standards.
This is the Autumn Brown El Dorado. The finish is outstanding, and it’s also very easy to handle at only 7 lbs. We used 24 extra fat frets. Dual humbuckers provide the sound, and it comes with a whammy bar. We used gold hardware to complement the nice finish. Like other Big Lou guitars, this one features our 1 7/8″ nut width and 8mm string spacing. The construction involves a “set” neck, so it can’t be swapped out, but the factory is ISO9001 certified, so this guitar is a very high quality instrument. Considering the price at $379, it’s a great value. I really tried to keep the cost down, but that arched top costs a small fortune to build. If you can make a statement by playing, that’s the best. But if your still in training, this guitar will make a statement just sitting there. I took the first one off the assembly line for myself. I had to have it.
Tone shaping possibilities of overtone and spacious ambiance of Tera Echo is now versatile, thanks to the Boss’ flagship multi dimensional processing technology. Apart from those vintage options, the updated COSM preamps in this pedalboard include new additions like crunch and metal (for Metal Style players - see our review on the best Noise Gate pedals).
The AS is a semi-acoustic guitar built to tackle just about any genre of music you throw at it. The pickups are mounted into a sustain block for increased sustain and feedback elimination. The 17th fret joint features comfortable access to higher notes. Super 58 Custom Pickups The Super 58 Custom pickups deliver the smooth, nuanced tones and the biting growl of blues. Ebony Fret board w/ Art star Fret Edge Treatment The Ebony fret board with Art star fret edge treatment provides tight response and smooth left-hand fingering. Bone Nut The Bone nut provides richer tone from low to high. Specifications: neck type: Art star 3pc Mahogany/Maple set-in neck body: Flamed Maple top/back/sides fret board: Bound Ebony fret board w/Pearl & Abalone block inlay frets: Medium frets w/Art star fret edge treatment bridge: ART-1 bridge tailpiece: Quick Change III tailpiece neck pu: Super 58 custom (H) neck pu bridge pu: Super 58 custom (H) bridge pu Neck Dimensions: Scale: 628mm/24.7" a: Width at Nut - 43mm b: Width at Last Fret - 57mm c: Thickness at 1st - 20mm d: Thickness at 12th - 22mm Radius 305mmR Body Dimensions: a: Length - 19 1/4" b: Width - 15 3/4" c: Depth - 2 5/8".
This tuning may also be used with a capo at the third fret to match the common lute pitch: G-c-f-a-d'-g'. This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments, such as, for instance, "La Canción Del Emperador" and "Diferencias Sobre Guardame Las Vacas" by Renaissance composer Luis de Narváez.
I’ve tried some guitars for beginner, being beginner myself! And let me tell you… around 500 USD and under 1000Usd they are plenty BUT. Avoid Epiphone. I got one and let me tell you, the material is weak. I’m mean the construction material. Some time after buying my Epiphone standard pro (lespaul) I tried a PRS SE245, it is a single cut too but… man, the playability and the quality of construction are absolutely not comparable. For the price I think it is the best single cut you could find! And to say the truth, now I started to play correctly. I’ll sell my first one and I’m going to buy a PRS McCarty 594. PRS is really high quality material. From bottom line to high end models!

I don’t recall how I got his number, but when I called Dana Sutcliffe to talk about what is probably his most famous—at least known famous—guitar, he said we should do lunch. Dana lives just down the road from me in Delaware, so it was an easy meeting. I asked if he’d ever had Vietnamese pho (beef noodle soup, one of the world’s most perfect foods), and since he hadn’t and since he loves to eat, we met one day in one of South Philadelphia’s numerous pho parlors to discuss the genesis of the Alvarez Dana Scoop. It was, as it turns out, all the result of an accident.


Neither player uses any sort of stomp boxes in their rigs. In an effort to emulate his heroes, Bo keeps it straight ahead, using no effects at all, while Frank opts to program his effects via rackmount gear and to make setting changes through a MIDI controller. The advantage is that he can change gain levels, EQs, and effects instantly with one tap, instead of having to do the stomp box break dance in time for the next down beat. Both axemen prefer to get their overdrive the old-fashioned way, by driving the tubes in their amps. 

Other defining features include its 3 on a side tuners on a painted headstock, a bound neck and body with trapezoid or block inlays on rosewood or ebony, and its Tune-O-Matic bridge with the Stop Bar tailpiece.  While some of these features are wonderfully cosmetic, the components such as the bridge set-up and pickup selection gave the Les Paul the massive sound and sustain for which the guitar is renowned.

UPDATE 10/21: The good news first - I'm still absolutely loving the game and steadily improving. I'm only able to play about one to two hours a day, but even though that's all the time I'm able to put in, I'm already to the point of being able to play along with a song. But (here comes the downside), with my improvement audio lag has become a real issue. Before I was so horrible that I couldn't hit the right notes at all, let alone on time, so it didn't make much difference. But now that I've improved, it's a problem. To be fair, they warn you about this in the form of a pamphlet inside the game box, so it wasn't out of nowhere. I was just hoping that since I wasn't using HDMI, the lag wouldn't be too horrible. Wrong.
Even with the myriad finish options, this latest model looks very much like the original Strats from Fender's original production line. As a testament to how effective the original design is, most of the specs and even the hardware design are followed even to this day. Speaking of specs, the current iteration features the same double cutaway alder body and bolt-on maple neck with a scale length of 25.5", narrower nut-width of 1.685" and SSS (Three Single Coil) pickup configuration. Giving this guitar its authentic quack and chime are three V-Mode Strat Single-coils.
Iidi began manufacturing guitars in 1958 in Nagoya, Japan. Iida is still producing guitars, but mostly in their factory located in Korea. They were mainly responsible for producing acoustic and semi-acoustic rather than electric guitars for major manufacturers Ibanez and Yamaha. There is speculation that Iida may have assisted Moridara for a short period in making Morris badged guitars, but that is not verified.
In any case, by late 1933 or early ’34, Dobro expanded its amp line to include what is probably the first twin-speaker amplifier! This had a football-shaped speaker grille with lyre and Dobro insets, and two 8″ Lansing field coil speakers. Nothing else is known about this amp, but it may have had the same chassis as the single-speaker version. It can be seen on page 104 of Guitars, Guitars, Guitars (All American Music Publishers, 1988).
The difference extends far past just the look and feel.  Roundwound strings have a shorter life, create more string noise, and wear on your frets more, but feature a brighter tone, longer sustain, and lower tension.  You'll also hear more harmonics and be able to grip them better for bending and finger picking.  Flatwounds last longer and have a warmer sound... pretty much the opposite of what we listed for roundwound's.
"Like any music technology, it's just a tool to help someone express their creativity. The gear never makes the player, but there's a purpose to it in certain playing situations and that's all good. As long as some guys are not hiding the truth of their playing behind it. A good player's a good player, and they usually sound good on an acoustic guitar simply because because they can actually play the damn thing.
Prince at #10 just shows me that whoever made this list hasn't seen him play that often. And really, KR doesn't even need to be on the top 10. JH is way overrated, yes on the list, but NOT #1. But anyways, cool to see Prince even on the list. Those stupid people writing those comments are probably the ones that say "Prince plays guitar?" They are so living in a box!
When you’re talking Gibson, mahogany is frequently going to factor into the brew. And that’s a wonderful thing. This is the classic ingredient of the multi-wood body, and one of the most common neck woods also, but is very often used on its own in single-wood bodies. On its own in an SG, Les Paul Special, or Les Paul Junior, mahogany’s voice is characteristically warm and somewhat soft, but extremely well balanced, with good grind and bite. It has the potential for good depth, with full (though not super-tight) lows, velvety highs, and a slightly compressed response. Overall, think round, open, warm.
Distortion is usually generated by three distinct sources: the power amp, the preamp and the speakers. Many players overlook power amp distortion when trying an amp, but the power amp section is the source of what guitarists describe as low-end chunk and balls. Audition the power amp by turning the master volume way up and turning down the gain. The sound should be lively, with a crisp attack that jiggles your trousers.
The Effect: Metal has become the prevalent genre when it comes to music that involves guitars. Dialing in a proper distortion can make or break the sound of your guitar as well as your entire band. Coincidentally, it’s so easy to go overboard with distortion, all while being certain you are on the right track. The very first step is to get a dist box that is suitable for metal. Something like Electro­Harmonix Metal Muff carries just enough punch to get the job done, but not enough to drown your tone completely with gain. You’ll find this to be a reoccurring theme with a number of great metal dist boxes. At the end of the day, it all comes down to your prowess and skill. Every good metal guitarist know that it’s all about the unity of equipment and knowledge. With that said, these pedals will get you started.
As the market for iOS devices and apps has grown, so has the availability of affordable stompboxes and processors that can store downloaded effects. Being able to sample, purchase, and download effects through an iOS app or digital download gives you access to a whole new palette of sounds. Though relatively new, in years to come this may well become the way in which most players will assemble their effects libraries.
Arai, Aria, Aria Pro II, Aria Diamond, Apollo, Arita, Barclay, Burny, Capri, Cimar, Cortez (electrics only), Columbus, Conrad, Cutler, Dia, Domino, Electra, Epiphone, Granada, Hi Lo, Howard, Ibanez, Lindberg, Lyle, Luxor, Maxitone (this guitar differs from Tama's Maxitone badge), Mayfair, Memphis, Montclair, Pan, Pearl (electrics only), Raven, Stewart, Tempo, Univox ,Vantage,V entura, Vision, Volhox, Washburn, Westbury, Westminster, Westone
hey paul. i have a dorado 6 string acoustic. they really are beautiful guitars (for the price and value). if you email me (swiver84@hotmail.com) i will send you pictures of it. i'd like to see some of your dorado as well, i've only seen a couple others on ebay. i lost one on ebay yesterday by 1$! i am still kickin myself in the butt for that one. it went for 36$.

We began the process by creating a 'short-list' of brands that have amps selling in the sub $1000 price range with amps that have strong enough ratings to be short-listed for any of our other electric guitar amp guides. This gave us the following 22 brands to consider: Blackstar, Boss, Bugera, California Tone Research, DV Mark, Egnater, EVH, Fender, Hughes & Kettner, Ibanez, Laney, Line 6, Marshall, Orange, Peavey, PRS, Randall, Roland, VHT, Vox, Yamaha and ZT.

For example, bass guitar frequencies are on the relatively low end of the tonal spectrum. However, plucking a bass string can create a sudden, short burst of high and mid-frequency sounds. You need your bass amp to be loud enough to make those low-frequency sounds strong and audible in the mix, but you don’t want to flatten your band mates or blow out your speakers by sudden pops of high-frequency sounds.
We tried adding treble to the acoustic guitar.. It sounds like a xylophone, only the highs are heard. Panning is a good idea. I remember doing it with several synthesizer tracks to make more space. Unfortunately we already have a compressor in the pedal-board and it doesn't help much. The dynamics are flat but the electric guitar is still screening the acoustic one even at a quite low volume. I guess it will still be so... whatever we do. I wonder how people manage 4 or more guitars all at once. – SovereignSun Jan 10 '17 at 9:28
Melodyne is a software application for OS X or Windows with which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie. You can modify each note and thereby influence direc...
Dean has always had the reputation of making fast, loud and articulate guitars and is famed for its wide range of eye-catching models, including the ML Series and the iconic Razorback. Signature models are also a specialty and they produce guitars for the likes of Dave Mustaine and Michael Angelo Batio, as well as huge line of Dimebag Darrell signature guitars.

The Japanese copy juggernaut got off to a fast start, and the second major Univox guitar was the Lucy, a lucite copy of the Ampeg Dan Armstrong, again produced by Arai, introduced in 1970. This guitar had a surprisingly thin bolt-on neck (especially compared to the Ampeg original) and a slightly smaller body. The fingerboard was rosewood with 24 frets and dot inlays. This had a fake rosewood masonite pickguard with volume, tone and three-way select. Like the Ampeg, the Lucy had a Danelectro-style bridge/tailpiece with little rosewood saddle. Unlike the Ampeg – which had Armstrong’s groovy slide-in epoxy-potted pickups – this version had a pair of the chrome/black insert pickups jammed together at the bridge. Other Japanese manufacturers also made copies of the Ampeg lucite guitar, notably carrying the Electra (St. Louis Music) and Ibanez (Elger/Hoshino) brand names, with versions of the slide-in pickups. In ’71, the Univox Lucy (UHS-1) was $275 including case. Just how long the Lucy remained available is unknown, but it probably did not outlive the original and was gone by ’73 or ’74.
When Charlie Christian got on the bandstand with Benny Goodman in 1939, he single-handedly propelled the electric guitar into the mainstream. Though he wasn’t the first guitarist to plug in and play electrified, Christian’s performances as a soloist on Goodman tracks like “Flying Home” and “Honeysuckle Rose” document the first instances that the electric guitar was used effectively as a lead instrument in a Big Band setting.
This is breathtaking and very inspiring pop-rock music with great energy and bright motivational atmosphere. Main instruments are electric guitar, digital synth, bass, strings, piano and drums. This exciting and uplifting track could be a perfect choice as background music for any video production, multimedia projects, Youtube channels, narrations or life stories, films and other projects.
Most people think of Roy Orbison as the super-smooth crooner who sang songs like “Crying,” “In Dreams” and “Only the Lonely.” But Orbison was also a wicked guitar player, who ripped out several impressive solos on early Sun Records singles like “Ooby Dooby.” In fact, Sun owner Sam Phillips was more impressed with Orbison’s guitar playing than his singing during the early days of the rocker’s career.

How are we supposed to choose an Ibanez model? Well, here’s what we went with. Made out of mahogany with a vintage look to appease the masses, the Ibanez Roadcore RC365H offers a retro feel with a modern sound. The f-hole on the lower part of the guitar creates a deep and rich resonant sound, while the neck contains an RC bolt that adds both warmth and depth to the notes. Due to the stringing throughout the body and an improved bridge, tuning becomes easier while switching through progressions, while the rosewood fingerboard presents both style and comfortability. The highly touted feature on this guitar is the custom designed Core-Tone pickup, reducing additional hum and reverberation for clarity in tone. With various tones provided by a three-way selector, this electric guitar offers high-quality features while maintaining a classic rock-and-roll vibe.
Rack-mount gear has become somewhat of a lost art for guitar players since the late 90’s. Nonetheless, rack gear is great for people who want programmability of preset tones, the ability to interchange components, and those who love seeing bright lights flicker as all of your gear goes to work! So for the rack-gear heads that still exist on this earth, we’ve compiled what we think are the 10 best rackmount pre-amplifiers of all time.

The fretted instrument market is in many ways an excellent leading edge indicator of world economic conditions as a whole. China is not only rapidly advancing in the fretted instrument market but in all areas of manufacturing. Furniture factories in North Carolina are closing due to competition with imported Chinese products of equal quality for far less money. Numerous other industries are moving offshore. As you have all noticed the price of gasoline has risen dramatically in recent months. It should be noted that China now consumes approximately an equal amount of petroleum to Japan. This was certainly not the case five years ago. If OPEC and other producers pump the same amount of oil as they used to, but China emerges as a new player consuming this much fuel, it should come as no surprise that prices will go up. China now is a major importer of fuel, wood and agricultural products. Commodity prices in general are rapidly rising. China is not only becoming a world leader in manufacturing but it is becoming one of the world's leading consumers of all sorts of raw materials and commodities. While the per capita income in China and the per capita consumption of fuel is much lower than in the USA, their population is well over a billion people. At the rate they are going it will not be long before they consume fully as much fuel and other raw material as we do and have an economy which could rival the annual GNP of the USA. Not only are they an economic and manufacturing powerhouse, but they have a huge army. As their manufacturing capability increases not only quantitatively but qualitatively they become more and more of a super power. While the USA may have won the cold war with Russia, at the rate things are going as much as American consumers may benefit from inexpensive but high quality-guitars, furniture and other products from China, we may find ourselves in the uncomfortable position of no longer being the only world super power.
Sawtooth ST-ES Carc is another affordable electric guitar that both beginners and intermediate players can use for practising their skills. It comes with a sycamore body with a black finish and has a pickguard or vanilla cream color. It comes with almost all the accessories needed - tuner, amp, picks, cables and basic online lessons too. You also get a gig bag with it which very few guitars give you and normally you have to buy it separately.
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Even cheaper (abour $40) is the Behringer Guitar Link (review: Behringer Guitar Link UCG102 USB Interface Review). One nice thing is the long cord.. you can sit a ways away from your PC without needing an extender, and like the line 6, it’s also got a headphone output. They offer some guitar effects software as well, via download, and a basic DAW program. Worth checking out, as this does check every basic box for forty bucks. I have not used this, but I have used other Behringer audio interfaces. Cheap, basic, but they do include ASIO drivers (read ahead).
It’s a good idea to make a template for your wiring on any guitar where the controls aren’t mounted to a pickguard (like a Strat) or a control plate (like a Tele). To make the template, put a piece of non-corrugated cardboard over the guitar, use finger pressure to find where the control holes are, and very carefully poke through the cardboard with a punch or a nail to make a hole for your template. You can enlarge the holes with a pencil or a round file until they are big enough for the controls to be mounted snugly. It’s also a good idea to write what is supposed to go where on the template with a marker.

There are of course, other buttons and positions featured on guitars. BB king’s Lucille had a switch to toggle different values for R11 (thus going from moody chords to punchy ‘Lead’ with a finger and no need for extra gear). Advanced guitars may have phase and antiphase switches for humbuckers or dual pickups. The jackson 5 Telecaster I think is an example as it has both a phase and anti-phase wiring on their pickup selector.


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Turning our attention to the main controls on the front, it actually doesn’t look as intimidating to use as some owners of it make it out to be. Yes, you can get lost in tweaking and tinkering with amp models and effects until you’re blue in the face - but we actually find the interface to be nice and uncluttered, with all the footswitches and knobs nicely spaced out. On the top left there’s a small screen with some knobs surrounding it, and this is where the majority of your tweaking and editing will take place. Across the top are seven knobs which are meant to replicate what you would find on your amp. If you’re interested in the amp modeling part of the POD HD500X, you’ll appreciate having things like DRIVE, BASS, and PRESENCE immediately available. Two footswitches on the far left of the unit are responsible for up/down menu navigation, eight switches labeled FS1 to FS8 are assignable to individual effects, and finally there are two switches dedicated to the Looper function, and Tap Tempo/Tuner. You can also clearly see an expression pedal built-in on the right of the unit.
Being a PODHD user for many years now, I am but one of the many who commend its balance of versatility and sound quality. Like many reviewers, it allows me to gig and record conveniently, often times plugging straight to PA with great results. I've also seen a number of professionals using PODHD500X's in their concerts, so it's not surprising that even experts at Music Radar were convinced, saying: "The modelling is excellent throughout, with authentic-sounding amps and quality effects".

A variation on Drop E, A with the G flattened one half step to F♯; this tuning is identical to 6-string Drop A, with two E strings added: one above, and one below. Like Drop E, A; this tuning allows easy fingering on the E since it is a standard fourth interval below the A. It also provides three high strings a fourth apart instead of the usual two. The tuning is used by Infant Annihilator on their album The Elysian Grandeval Galèriarch. A 7-string variation of the tuning without the high E (E-A-E-A-D-F♯-B) was used on their previous album The Palpable Leprosy of Pollution and is used by Enterprise Earth/Delusions of Grandeur guitarist Gabe Mangold.
PRS: One of the best guitar brand one can go for (if they don’t want to go for the custom-built route). Their guitars look beautiful and sound buttery smooth. They have the most beautiful looking tops and inlay among non-custom guitars. The craftsmanship and attention to detail on PRS guitars is just exquisite. Of course they do have their custom shop called Private Stock and the Private Stock guitars are so gorgeous and meticulously built that anyone who sees them will be awestruck by their beauty, not to forget the sound of those guitars are like the voice of angels.

All of the hardware is gold on this model, and while it’s stock Epiphone stuff rather than licensed equipment, it’s of good quality, and we don’t expect it to be difficult to keep in tune. The eSonic preamp and NanoFlex pickup system are both excellent and really help the guitar to come alive. In terms of looks, there are no particularly notable features, but the combo of gold hardware and florentine cutaway make for an attractive design.

Continuing the example of making comparisons of specifications, there are Guilds in this price range that come with all solid woods, a rosewood fretboard, and with built-in tuners. Also, Epiphone Masterbuilt has solid wood acoustics, even some with cedar tops which are highly sought after by finger style players, plus they have a rosewood fretboard, a built-in tuner, two pickups and deluxe tuning machines. Moreover, both of the above guitars sell for less than the Taylor 200 series model you listed. So which is better?
Now check both the open and the 12th fret notes again. You’ll have to tune the open string again because by moving the saddle, the tension of the string will have changed and so will need to be retuned. Once you have correctly moved the saddle so that both the open string and the 12th fret are in tune, you can move on to the A string. Repeat until all of the strings have been done. Note that on this particular guitar, the (thick) E, A and D saddles could not be moved far enough forward to intonate correctly, so I had to swap their orientation to give a bit more distance.
A Distortion pedal is a must, it really helps bring out those chords, solos and riffs and makes sure they stand out. It gives you the volume jump when you need it and changes the overall sound of your guitar, giving it power and aggression. Of course, you don’t always have to dial in the pedal for bone crushing riffs as a distortion pedal can provide a smoother sound, but at least the option is there!
Two-point rocking tremolo or fulcrum vibrato: Features individual string saddles that are adjustable for intonation and height. These are mounted on a bridge that rocks on two bolts mounted on the guitar top. The bridge has a broad perpendicular plate that extends through the body of the guitar. This free-floating plate is attached to the inside of the guitar by springs that match the tension of the strings. Locking tuners, which clamp down on the strings, help keep tuning more stable.
If you do find yourself at a concert and there’s not a Fender onstage, there’s an exponential chance that there will be a Gibson – if not both. Getting their start as a small mandolin manufacturer in Kalamazoo, Michigan in 1902, the brand eventually went on to start building guitars, inventing the archtop style of guitar by using the same building techniques as violin manufacturers. In the 1930s, Gibson had made their first electric guitar, but it wouldn’t be until 1952 that the brand would unveil what is still their most popular and iconic guitar ever built: the Les Paul. Now based out of Nashville, Tennessee, Gibson’s storied history is littered with the presence of some of the greatest guitarists of all time, including B.B. King, Chuck Berry, Slash, Jimmy Page, Pete Townshend of the Who, and Angus Young of AC/DC.
Various manufacturers have developed attractive looking multi-effects pedals and claim that their product is the "best". After searching forums, reading customer reviews and talking one on one with the experts, we have shortlisted some of the best multi effects pedals of this year. If you're looking at delaying sound, you may wish to look at a pedal with a delay effect.

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In terms of the electronics, we are once more faced with a System 66 unit. You get a three-band EQ, a built-in tuner, and a versatile mid-range slider that allows you to really tune those mids to perfection. Overall, if you appreciate a comfortable guitar that sounds good and will take on any stage performance you can dish out, this Yamaha is something to look into.

Let's discard the keyboard idea. And the human hand idea. Let's isolate the guitar player from the instrument. The player can manipulate only three parameters - the tone, velocity and duration of sounds to be generated. We have that in MIDI. (Okay, the guitar player can dance and wear a costume, but for our purposes, that's not part of the equation.)


Unlike the Gio model of Ibanez included in their guitar package that only has two humbuckers for pick-ups. The GRX70QA has the three pick-ups configuration made popular by Ibanez consisting of neck humbucker, middle single-coil, and humbucker for the bridge. This pick-up combination goes well with the 5-way switching controls, volume and tone, to harness the sound esteemed for the kind of play.
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If you were a fan of almost any kind of contemporary popular music when you were growing up, there was probably a time when you thought that it might be cool to learn how to play guitar. Whether you admired the road-going, globetrotting, fly by night lifestyle of rock stars or you just thought it might be a good way to pick up chicks, there’s something viscerally desirable about garnering even a modicum of instrumental mastery. And that very well might have something to do with the allure of the instrument itself.
A closer look at a 1981 Gibson Victory MV-II electric guitar. The Gibson Victory MV, or 'Multi-Voice' guitars had very wide tonal palettes; with coil-tapped humbuckers they could produce typical Gibson tones, but were also designed to 'out-Fender' Fender. Two models were launched in the summer of 1981. Whilst the MVX, was designed to do everything a Stratocaster could do, the MVII was 'primarily for the discerning country player' - placing it squarely against the Telecaster.
The main purpose of the bridge on a classical guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings. The bridge holds the strings in place on the body. Also, the position of the saddle, usually a strip of bone or plastic that supports the strings off the bridge, determines the distance to the nut (at the top of the fingerboard).
A guitar recital may include a variety of works, e.g. works written originally for the lute or vihuela by composers such as John Dowland (b. England 1563) and Luis de Narváez (b. Spain c. 1500), and also music written for the harpsichord by Domenico Scarlatti (b. Italy 1685), for the baroque lute by Sylvius Leopold Weiss (b. Germany 1687), for the baroque guitar by Robert de Visée (b. France c. 1650) or even Spanish-flavored music written for the piano by Isaac Albéniz (b. Spain 1860) and Enrique Granados (b. Spain 1867). The most important composer who did not write for the guitar but whose music is often played on it is Johann Sebastian Bach (b. Germany 1685), whose baroque lute works have proved highly adaptable to the instrument.

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This Yamaha Pacifica features a Strat sound that is very good, especially since the humbucker can be tuned into a single pickup by lifting up on the tone control. Like with every other strat, it has a five-way switch which allows the player to select the bridge pickup, the bridge+middle pickups, the middle pickup, the middle+neck pickups, or just the neck alone. In the event that you are tired of the strat sound and you would like to return to Led Zeppelin, simply flip to the humbucker and get set to go!
80/20 Bronze strings are a mixture of Bronze and Zinc.  They are also referred to as Bronze/Brass strings and are extremely common, much like Phosphor Bronze.  One of the main differences is this variety produces a very bright tone that enhances articulation and pick attack.   This effect can be lost very quickly depending on how much the player sweats and how often they clean their strings.  This choice can be a little more demanding on the wallet, due to having to change them more often.
These bundles usually throw in a gig bag, so you don’t have to spend extra money to safely transport your gear, as well as spare picks, strings, and an instructable DVD that will help you learn some essential guitar techniques quite fast. You might also want a bundle that comes with a clip-on tuner so that you make sure you can keep your guitar well-tuned on the go.
In this buying guide, you’ll learn the essentials of what effects pedals do and which ones to look for depending on the kind of tone you want to experiment with. Here’s the quick overview: effects pedals (also called “stompboxes”) are electronic devices that connect in-line with your guitar and amp to change the signal going through them. Some work with analog circuits and some are digital, but they’re all powerful tools for shaping your sound in endlessly creative ways.
STEM educators will take part in an intense five-day electric guitar design/build institue. Each faculty member will build his/her own custom electric guitar and will engage in student centered learning activities that relate the guitar design to specific math, science and engineering topics. Participants leave this weeklong experience with their custom-made guitars, curriculum modules with short term assessments that can be immediately integrated into the faculty team school curriculum.
As can be seen from our reviews above, it clear that the best guitars are those that meet the needs of the player—whether beginner or intermediate player—the best electric guitar should be able to provide quality sound, last for a considerable time, easy to play and always reliable when needed. Although every single guitar listed here are of top quality, there are different guitar for every budget, style and genre of play.

Martin & Co is without a doubt one of the most reputable acoustic guitar makers in the world, so if you or someone you know is planning to spend a lot of dough on an acoustic guitar - it best be a Martin. One of the more recent releases from Martin that deserve special mention here is the 00-42SC John Mayer, a signature guitar inspired by the classic Stage Coach(SC) design, which were prevalent in an era where small bodied parlor guitars were highly favored.
REGOLAZIONE DELL'INTONAZIONE (FAT20) Per garantire l'assenza di movimento, ogni selletta è provvista di una vite di fissaggio. Per regolare l'intonazione, allentare la vite di fissaggio della selletta con una chiave a brugola da 2 mm (D). Per regolare l'intonazione, inserire una chiave a brugola da 2,5 mm nella vite della selletta sul retro del tremolo.
The late 60s and 70s produced even more bizarre and berserk creations. The birth of Mayfield and Mullen’s VOX King Wah pedal sealed its place in guitar history during overbearingly long, Clapton-esque guitar solos. The 1978 Pro Co RAT, whose design was a re-imagining of the Arbiter Fuzz Face, arose partly from error: A botched resistor band created a harsher, clipped audio waveform. Its use has supported nearly all “alternative” rock genres in the last 30 years: 80s punk, American indie rock, Grunge (the RAT played a crucial part in Cobain’s quiet-loud-quiet-loud composition), not to mention Britpop and grindcore.
Vacuum tube or "valve" distortion is achieved by "overdriving" the valves in an amplifier.[40] In layperson's terms, overdriving is pushing the tubes beyond their normal rated maximum. Valve amplifiers—particularly those using class-A triodes—tend to produce asymmetric soft clipping that creates both even and odd harmonics. The increase in even harmonics is considered to create "warm"-sounding overdrive effects.[37][41]
1W 1x6 1x8 acoustic Amp Amplifier Amplifiers Amps Battery Powered Amps Beatles beginners combo amps Danelectro Disclaimers Effects Pedals Electric Guitars Epiphone Fender Fender Amps Fender Mustang Gretsch Guitar guitars Ibanez Les Paul Marshall modeling amps Orange Amplifiers Orange Micro Crush Peavey Amps pignose Portable Amps Practice Amps Review Reviews Rogue Solid State Amps Starter pack stompboxes Stratocaster Telecaster Tube Amps Vox Vox Amps Yamaha
Great guitar this is my 2nd one fist one i purchesd in 2010. Had to pown it I was realy upset about it but nothing i could do. I was so happy to find another one here on Amzon!!! Only thing it did not come with A pick card as addvertized. Thats why iam giveing it 4 in stead of 5 stars. Case that comes with it is realy cheep you would think the money invested the would at least give you a padded soft case.I have orderd a hard shell Gator case for it it will be here in 2 days. This is why it gets 3 stars. Iam a pro. Guritist and song writer,singer. Guitar it self gets 5 stars
The 1960s were the Golden Age for guitars in America. The folk music boom was followed closely by the British Invasion and the demand for guitars skyrocketed as young people by the millions started making their own music. The Silvertone Amp-In-Case model 1457 was the entry point for thousands of them. Some of the most sought-after Silvertones are from this era … more

Often forgotten when it comes to in-depth reviews, the best acoustic electric guitar can be pretty tricky to find. Guitarists often know what they’re looking for when it comes to a standard electric or acoustic guitar, but there are some additional things to look out for when it comes to the fusion of the two. On a bit of a budget? Check out the top acoustic electric guitars under $1000 here. Perhaps you are a beginner, if so - check out the top electro-acoustic guitars under 300 bucks! Want something more luxurious? Try an acoustic electric for under 700 bucks.

A direct line can be drawn from “Rumble” to “My Generation,” “Anarchy in the U.K.” and “Smells Like Teen Spirit.” The song is often credited as the origin of the power chord, but it also heralded the transformation of rock from the music of youth to the soundtrack of juvenile delinquency. Several radio stations banned “Rumble” because they thought it was too sexy, raunchy and violent. Wray even dressed like a juvenile delinquent, embellishing his greasy black pompadour with a leather jacket, jeans and shades at a time when most white rock and rollers still took fashion cues from Perry Como and Bing Crosby.

Additional mics can be used to capture different tones from the amp and/or some ambient room sound. When recording open-backed cabinets, great results can be obtained by using a second mic at the rear of the cab. When this technique is employed, it’s wise to invert the phase on one of the channels. To create a sound that’s larger than life, try recording a part with close and distant mics and pan the two channels, then repeat the process, panning the channels in the opposite direction. Two close mics pointing at different parts of the speaker – one dead-centre and the other towards the far edge – will pick up the full range of the speaker’s tone.
Matsumoku is one of the Japanese manufacturers that did not survive long after the heyday of the 1970s guitar market despite having a long tradition of quality stringed instrument craftsmanship. Matsumoku produced guitars for major manufacturers Greco, Guyatone and Yamaha. Matsumoku made Arai, Aria, Aria Pro II and Aria Diamond badges, with Aria being their primary badge for a majority of this time frame. Badged guitars known to have been made by Matsumoku include Apollo, Arita, Barclay, Burny, Capri, Columbus, Conrad, Cortez (electrics only), Country, Cutler, Dia, Domino, Electra, Epiphone, Granada, Hi Lo, Howard, Ibanez, Lindberg, Lyle, Luxor, Maxitone (this guitar differs from Tama's Maxitone badge), Mayfair, Memphis, Montclair, Pan, Pearl (electrics only), Raven, Stewart, Tempo, Univox ,Vantage, Ventura, Vision, Volhox, Washburn (in 1979 and 1980), Westbury, Westminster and Westone. Possible Matsumoku badges include: Bruno, Crestwood, Conqueror, Eros, Mako, Memphis, Orlando and Toledo.
The Line 6 POD Farm program is famous for its amp simulation, however many users have realized that the quality of its modeled effects are equally superb. Some even use the POD Farm strictly for its effects! It has a huge collection of FX - up to 94 - and it modeled some of the most popular stompboxes including the MXR Phase 90, ProCo Rat, Uni-Vibe, Arbiter Fuzz Face and Big Muff Pi. It also includes modeled versions of old analog devices like the EP-1 Echoplex. Setting up is a breeze with its simple carousel-style interface, which lets you visualize your signal chain. Current Retail Price $49.00
Yes, the Les Paul is a signature model for the late, great guitarist Les Paul.  This signature instrument is one of the few models to ever have other famous players have signature versions of their own.  The impact of the Les Paul has made it one of the most recognized instruments on the planet, due to its amazing versatility and high quality of craftsmanship.
I got this lyle acoustic (w-400) for $40 at a yard sale - it is THE MOST INCREDIBLE GUITAR you could ever ask for - looks just like a martin d-18 - solid spruce top - sweet figured mahog b&s's - back of headstock even has the valute like a martin - just kicks my buddies real d-18 to pieces - he's so jealous - if you get the chance to own one don't pass it up - it will probably be too cheap to pass up and you WILL regret it later (like I have been kicking my own ass for decades for passing up a 60's Gibson byrdland for $400)
PRS McCarty 594 Electric Guitar The PRS McCarty 594 is a vintage-inspired electric guitar with plenty of premium appointments such as a . It’s part of the Core Electric Series, the company’s lineup of high-end guitars. This means that the McCarty 594 has all the bells and whistles you can expect from a premium instrument. For pro musicians, this is an investment worth every penny.
This Fender Modern Electric guitar features an apine body and mini-toggle-coil-split-switch with modern humbucker pickups. It comes with a C-shaped maple neck, a maple fretboard with 9.5-inch radius consisting of 22 jumbo frets. It has a Stratocaster middle pickup, a three-ply pickup guide and a five-way pickup switching for maximum sound control and sustains.
Modelling effect – Many BOSS modelling effects use COSM or Composite Object Sound Modelling, which uses computer-processing power to digitally precisely model the electronic, mechanical, and magnetic characteristics inherent to an instrument, amplifier, or speaker, and also to create completely new sounds. Modelling effects can be dynamic or time-based – it can even make your guitar or amp sound like a completely different type of guitar or amp.
I think it's OK to find out what the knobs are supposed to do, so you know roughly what to expect, but I would thoroughly recommend just sitting for half an hour and playing around with all of them, just seeing what sounds you can get. You'd be amazed what tonal variety you can get from moving the volume knob before you go anywhere near the tone knobs.
Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function.[27] Dominant sevenths are often the dominant chords in three-chord progressions,[18] in which they increase the tension with the tonic "already inherent in the dominant triad".[28]
Since a guitar’s sound is primarily determined by the interaction of the strings vibrating and the magnets in the pickup, you might wonder why wood makes a difference. In fact, the wood has a significant effect on the way a guitar sounds. The resonance from the wood determines how long the strings vibrate and the shape of their motion. Wood also allows the pickup itself to move. This combination makes wood an important factor in the overall tone of the guitar.
@Joe Mullikin – Yes, you can place each of the Strymon pedals within their own loop while engaged in your switcher using the LEFT INPUT and LEFT OUTPUT jacks of these pedals and just use the loop switcher controls to bring the effects in and out of the signal path. Make sure to use standard mono TS instrument cables as the jacks are unbalanced and do not benefit from TRS connections.
Yamaha is famous around the world for its incredible, quality, instruments. Its electric guitars are no exception. The Yamaha Pacifica Series PAC112V Electric Guitar, Old Violin Sunburst is another example of Yamaha's on point production. This guitar has a solid alder body, a maple bolt neck, rosewood fingerboard, and a five-position switch with coil tap. Plus there's the tremolo - a vintage tremolo with block saddles.
In 2017, Slash was named Gibson Brands' first Global Brand Ambassador. And to celebrate, Slash has designed his first Signature Firebird for Epiphone! Slash’s Limited Edition Firebird features the classic Firebird profile that has gone virtually unchanged since its debut in 1963 and is made with a AAA Flame Maple top and a 3-piece Mahogany body in a Translucent Black finish chosen by Slash. The traditional Firebird style pickguard is layered white and black and has Slash’s “Skull & Top Hat” log in red. The Mahogany neck is glued to the body with a deep-set neck tenon and has a standard 24.75" scale and a rounded custom "Slash" profile. The Pau Ferro fingerboard has single-ply cream binding with Pearl trapezoid inlays, a nylon nut, and 22 medium jumbo frets along with a 2-way adjustable truss rod. The back of the Firebird's traditional reverse headstock has Slash’s Snakepit logo in gold.
Gretsch was founded in 1883 and started out making banjos - it wasn't until the 1930s that they began producing guitars - but during the 1950s their guitars began to take on legendary status. During the 1960s their popularity hit stratospheric levels because George Harrison was playing a modified 1957 Gretsch Duo Jet that he bought second hand for £70 from a ship crew member in Liverpool who had bought it brand new in New York. Most collectors agree that the 50s & 60s are the most sought after Gretsch guitars.

The primary means of identifying the model number of Kent guitars is via a label on the back of the headstock. Through the years many of those labels have fallen off or been peeled off. They do not add anything to the appearance of the guitar. The 700 and 800 guitars had a round foil sticker with the model number and sometimes serial number pressed into it, kind of like Dymo tape labels. The look a lot nicer than the white paper one used on earlier models, but they still can fall off over the years, and they are harder to read.
Kamico guitars were lower-priced versions of Kay's original guitars. They were among the first guitars to use a humbucker type pickup, predating Gibson by some few years.[citation needed] Produced along with Kay brand name guitars from 1931–1951, according to most sources. The most recognizable model is the Jumbo Jazz. Kay also made banjo's under the kamico name.

I have a vox valvtronics amp I bought a while ago it has a real preamp tube and loads of very accurate effects great reverb 3 kinds good modulation effects awesome distortion and tube overdrive and very important it is easy to adjust effect level and a power knob that lets you adjust output 1 to 60 watts like a pr attenuator its great so you don't loose that sound of a cranked up amp when you don't want it to loud it also has a easy to use tuner this amp is very user friendly unlike some modeling and effects carrying amps and you can easily adjust effects levels with separate knobs no confusion also a pedal to control effects is available for about 50 dollars is a great studio or small gig still amp and saves a lot because all of the effects it offers its like having a vox tone labe on top of a amp exactly you can sound like van halen led Zeppelin pink floyd lady gaga or the beatles and more and the price is very competitive to all others in its category
2.      Weight – a LOT less. This is important if you’re leaving the garage for the first time and don’t have roadies, if (like me) you’re trying to not injure your back anymore lugging equipment), if you’re a touring band trying to spend less on cartage and more on crew, or if you’re a worldwide act who needs to truck and fly your stage rig between continents.
Launch price: $1,499 / £1,211 | Type: Amp modeller/multi-effects pedal | Effects: 70 | Amp models: 41 guitar, 7 bass | Connections: Standard guitar input, standard aux input, XLR mic input, standard main outputs (L/mono, R), XLR main outputs (L/mono, R), standard stereo phones output, 4x standard send, 4x standard return, s/pdif digital in, s/pdif digital out, AES/EBU and L6 Link out, Variax, MIDI in, MIDI out/thru, USB, 2x expression pedal, Ext amp, CV | Power requirements: Mains power (IEC lead)
Luthier Steve Lamb has been providing quality instrument repair in Fort Worth for over 30 years. Steve’s years of experience has provided musicians, collectors, students and friends the information and service necessary to keep their instruments in shape. Lamb’s Music is an authorized service/warranty center for most guitar manufacturers including – Fender, Gibson, Martin, Taylor and more.
This preamp can also offer a gain control. Essentially, it’s what drives the power levels of the signals to the amp, but it can also boost volume. If the preamp doesn’t have a gain control, it can be assumed that it’s already factory-set to a certain level of gain. One way around the lack of a gain control is to use the volume control on the main amp. Either way, it’s very helpful when you find you need to compete in a multi-instrument band when you feel like you’re being drowned out or you’re experiencing unwanted feedback when you do try to vie for being heard.
I'd never heard of this brand but was recently in a store in North Carolina looking for a nylon string guitar. The salesman asked me if I was "open minded" and if I'd be receptive to trying a brand that I probably had never heard of. He handed me a really pretty instrument with a very different looking headstock. I immediately figured he was showing me a very expensive instrument. I asked how much it cost, but he didn't answer. He simply replied "Try it, then let me know what you think." I had no idea how much this guitar would cost, and honestly I hate guessing games, but the guitar was really beautiful. I played several classical guitars there that day. A Yamaha, a Cordoba and an Alvarez, but the Merida was unquestionably the best sounding (and looking).

Some guitarists and guitar makers avoid this by including an additional resistor, around 4.7kOhms, in series with the capacitor. This provides a minimum level of resistance, so the tone circuit is never at “zero” even when the knob indicates it. You can see in the chart that around 4kOhms (about “1” on the tone pot knob), there’s no hump in the midrange, just a very rapid falloff in the upper mids and treble frequencies.
Further down the Seagull line, looking at models outside of the Artist Series, the components and woods aren’t the same but we still see an impressive attention to detail. The Seagull S6 Original is a bare-bones acoustic, perfect for beginners and intermediate players. This is a guitar worth checking out if you need a solid acoustic and don’t want to break the bank.
Struggling to get your guitar sounding sweet and creamy? Don't fret! STUDIO GUITARS is here to warm up your sound with a selection of certified studio-fresh guitar loops recorded by Prime Loops' own professional master of the strings! Using some of the most classic equipment around, we've covered every curve of this awesome instrument's sound with an incredible collection of acoustic and electric guitar samples.
If you’re using a bunch of high gain pedals, or a lot of pedals chained together, chances are you’ll get a little bit of hum or unwanted buzzing coming from your amp. This is especially noticeable if you’re using high gain amps and guitars. If your amp is buzzing when you’re not playing anything, you might benefit from a noise gate pedal as they cut out all that unwanted noise but preserve your tone.
At Kay, we knew this project was not just assembling parts and a Kay "Kel-von-a-tor" chevron headstock logo and calling it a Kay Vintage Reissue. The 1950's guitars of that time not only have a special look, but a special sound. To just make another mass-produced vintage looking guitar, as other companies have already done, was not enough. Only an electric guitar that could duplicate the '50s sound would be successful. To remake the products in the United States was a challenge, but it was more of a challenge to reproduce the instrument off-shore and still maintain the necessary strict quality control. The Vintage Reissue Line sat on the back burner for many years until all the components were able to come together. The Vintage Kay Reissue project came alive when Roger Fritz came into the picture.
At some point, I'm guessing near the end of the Buegeleisen & Jacobson ownership-era, a few hollow and semi-hollow body guitars were sold. They shared some of the hardware and necks of the 7-800 series guitars but had symmetrical bodies and no tilted pickup. The bodies resembled the Gibson ES-335 and ES-175T. They appeared to be equiped with humbucking pickups. I'm not following those, but I'd love to have that 175T copy. See the very end of the Varieties page for some photos.

The SSL-10 had become the SSX-10 ($387), with humbucker/single/single pickups, pretty much the same. This came with jumbo frets, a satin-finished neck and a 14 degree backward pitch on the head. The rosewood ‘board now sported the “wave” or triangular wave inlays popular on Kramers, Charvels and Jacksons of the period. No mention is made of vibrato, but that doesn’t mean it didn’t have a tradition-style unit. Colors were now Carrera midnight blue, metallic black, purple burst, dark red, white pearl and blue pearl, all with chrome hardware.


Best brand in price/quality relation. I have 4 guitars, an epiphone explorer goth made on korea, and Jackson KV2 made on usa and 2 ibanez. RG320PG P2 and a RGT6EX, both made on indonesia. The first one is the cheaper, but the sustaine, action a comfort is very nice for a bugget guitar. I've played bugget guitars of other brands, and ibanez is far superior. In fact, my RG320 P2 is nice as some others guitars that cost twice of it price. Mi RGT6EX is excellent, to me must worth $1000 USD but the real price is close $800 USD or less.

In late 2012 I decided that I had all the modern guitars I needed. I’m not gigging much, just writing and recording. There were a couple of vintage guitars I was interested in. A Vox teardrop, especially the Mark IX, and the Fender Coronado. The Voxs turned out to be too expensive for me, especially the Mark IX, which was a 9-string beast meant to sound similar to a 12-string. Those are very rare and priced out of my range. The Coronado, I might be able to afford one day, but I’m not as interested as I was. The new reissues sell for about $700, but they’re different from the originals in several important ways.


A Direct Inject signal can capture the power-tube distortion sound without the direct coloration of a guitar speaker and microphone. This DI signal can be blended with a miked guitar speaker, with the DI providing a more present, immediate, bright sound, and the miked guitar speaker providing a colored, remote, darker sound. The DI signal can be obtained from a DI jack on the guitar amp, or from the Line Out jack of a power attenuator.

ASSEMBLE Now you can put it all together! By this time you'll be so excited you'll forget about the electronics and start to string in up before you get the electronics in but it's ok, we'll get there. Start with bolting on the neck in the same fasion that you did when you test fitted everything. Then follow that with the tuners, bridge and pickups. Don't forget to run the wiring for the pickups when you put them in. 

sorry this has SOLD OUT: Poor mans Authentic Blues Parlor guitar from way back. This is the real deal used over 60 years this is what some poor share cropper genuine American Blues men would have been able to afford back in the day and subsequently used throughout the south by mostly poor Black folks where the berth of the blues was born of course this is from the place where great things happen BORN in USA baby and is widely considered and is acknowledged to be by most all of our greats in US or British Rockers - Jazz players & Country too all these greats players feel that these original US Southland blues is the truest of ART FORM's PURE and RAW ....you feel it in your soul... this original sounds was not overly sophisticated at all it was RAW that was its beauty this sound from this old Stella is Authentic like that and is RAW and its woods are good - solid Burch wood and actually is an excellent tone wood in fact in those days Burch was widely used and my belief is that is a characteristic in the tone of this Original blues... Classic sound to this guitar OK it has it.... I have a few of these Stella's and love them, when you want to record and lay down an authentic REAL old school style rhythm track or play it on your porch swing and sip mint julip from a mason jar to get in the mood you can do it with this guitar its the real deal. This guitar is old did I say at least 60 likely older that being said it plays well it really kinda does... with pretty good action for what it is as good as it was 60+ years ago I recon. Tuners work, body is in good shape it aint goin anywhere its prety well made it has surface cracks and they are there and not a problem they have been there 40 years and have not gotten any worse not in the 15 years I have owned Stella! Like the movie STELLA! I could not resist the reference but I digress, Condition is Vintage good obviously not new or mint but she is 100% cool Authentic bluesman material if you want that old time Mississippi Delta to Chicago raw blues this old vintage American Icon of a Poor mans Parlor guitar, this is a classic threw & threw... I suppose I could have simply said it sounds good.... ahow ow ow ow.


The written history of the classical guitar can be traced back to the early 16th century with the development of the vihuela in Spain. While the lute was then becoming popular in other parts of Europe, the Spaniards did not take to it well because of its association with the Moors.[citation needed] Instead, the lute-like vihuela appeared with two more strings that gave it more range and complexity. In its most developed form, the vihuela was a guitar-like instrument with six double strings made of gut, tuned like a modern classical guitar with the exception of the third string, which was tuned half a step lower. It has a high sound and is rather large to hold. Few have survived and most of what is known today comes from diagrams and paintings.
By 1939, Supros had grown again. The ’38 line was essentially intact with the addition of a number of new resonator acoustics. New was the No. 23 Supro Arcadia Guitar, a sunburst birch-bodied resonator made by Harmony. This had a simple nickel coverplate with two concentric circles of round holes, a slightly-rounded head with an oval Supro metal logo plate. The fingerboard had four dot inlays, the body two f-holes. Cost was $22.50.
Carrying on the tradition of his hero, Derek Trucks has taken Duane Allman’s sound and technique and forged ahead with one of the most soulful slide sounds ever to be heard.  His uncle, Butch Trucks, was the drummer for the ABB, and Trucks began to play with the band at a very young age before becoming a full time member and keeping Duane Allman’s heritage alive for a new generation of listeners.
We certainly can’t have a best cheap electric guitars list without the awesome Epiphone G-400 Electric Guitar, Worn Cherry. In fact, this guitar will make most peoples’ “best guitars” lists thanks to the fact they’re built to such high standards and they sound absolutely fantastic. The budget friendly price tag makes it an affordable option for beginner guitarists, but you’ll often see these Epiphone SG models on the professional stages of the world thanks to the sheer playability and build quality.
String sage Ernie Ball reckons it’s made some of the world’s strongest strings with the Paradigm set, which promises longer string life while retaining the company’s iconic Slinky tone and feel. Ultra-high strength steel can be found in the wound and plain strings, plus reinforcement at the ball end, enabling them to lock in tune fast and hold up to aggressive styles. There’s even plasma-enhanced wrap wire for increased corrosion resistance, too.
Absolutely killer amp in my opinion the best of that era as the De-luxe is too thin sounding and the Twin too loud, perfect working order excellent for small gigs and recording! Now! The important bit I will not ship abroad anymore due to minor damage caused to previous shipping and mistreatment and me having to issue partial refunds, so strictly no postage through EBAY'S SHIPPING SCHEME you can of course organise your own couriers at your risk, back to the item, it works and functions as it should with the exception of a mild hum when reverb is engaged otherwise it's perfect
R9 is also the output resistance of the guitar, and together with R6, forms a high output resitance instrument. Now for perfect transfer of electrical energy we need a low output resitance, but this is not possible in this case. Hence, we need a pre-amplifier to convert the signal to be more friendly to other driving electronics, and eventually, speakers. This power transfer is unpredictable, so another element of the tone of the guitar is the (usually external, unless using active pickups) pre-amplifier. Generally, tube pre-amps are highly unpredictable and unstable, which is why many guitarists still prefer them, as they generate more harmonics == richer sound, but this gear may be counterproductive in certain environments where minimising electrical noise is crucial, as the fillament inside a tube creates a fair bit of electromagnetic interference.
The slide part on that track was quite difficult to simulate, but again, the guy I have playing in my band, that I've been playing with for a while, can do it, and he and my son are the only two guys I know that play it right. Recently, I had Ronnie Wood playing with me, and he did a good job with it. I think if you have your head on it, it can be done.
Believe it or not, some thought should be given as to where the compressor goes in your signal chain. A good rule of thumb is to place any gain-type effects before modulation effects: i.e., compressors and overdrives before delays or flangers. Another one that's practically set in concrete is to put the compressor before any overdrive, distortion, or fuzz pedal. This is why most guitarists place the compressor first, in order to send a stronger, better signal to the other effects.
While it can be a troubling task to find the perfect electric guitar to bring out your inner rock star, we hope that our electric guitar reviews & our comprehensive guide has helped you narrow down your choices. Our best piece of advice is to determine the type of genre you’re interested in playing. That will be a good basepoint for you to work from in order to determine the best electric guitar that fits your needs. Afterward, it is important to select the guitar that has the best components to give you the highest quality of sound. The color does not matter too much but the next most important factor to think about is certainly the wood type used to build the electric guitar. Picking the right type of wood is going to more or less, create better or worse sound.

My first guitar, bought out of an advert in Kerrang over 20 years ago. I think it was branded "Axe" and it had absolutely nothing good about it. Some sort of MDF body, horribly bowed neck (couldn't be adjusted as the truss rod was broken), high frets everywhere (you could pull them out with your fingernails, fortunately), slipping tuners, hopeless bridge, hopeless nut, everything. Nearly put me off playing before I'd got started.
Classical Guitar The classical guitar is a variation of the Spanish Guitar, from its construction, size, weight, wood and the sound it produces. Classical guitars have six nylon strings, rather than metal strings used in other acoustic guitars. The shape, construction, and material of classical guitars vary, but typically they have a modern classical guitar shape, or historic classical guitar shape (e.g., early romantic guitars from France and Italy). Classical guitars are also typically played with the fingers rather than a pick (as steel-string acoustic guitars are often played).
Epiphone is to Gibson what Squier is to Fender. Meanwhile, the Les Paul is Gibson’s Stratocaster. Probably one of the most famous guitars on the planet, the Les Paul has been played by the likes of Slash, Jimmy Page, and Bob Marley. Epiphone, luckily, has made it available to the world with a price that won’t break the bank. And it’s an excellent guitar for those starting to play rock music.

I think it's just a matter of how you prefer to restring your axe. Personally I use a peg winder and just thread all six through the body of the guitar (BC Rich Warbeast for practice, Ibanez for live play) at one time and then go through and wind them all up and tune accordingly. I think though that the main reason I do this is because restringing my Ibanez is not for the faint of heart, so it's way easier for me (I have one of those, I don't remember the model, that you have to lift the bridge up off the body and thread the strings underneath) doing it that way rather than going one at a time.
In a way, guitars are a lot like cars — spending more money can get you more performance through different specs and trims. The extra money usually goes into paying for better parts rather than more options; there aren’t a whole lot of places to add to a guitar (unless you want the ZZ Top spinner installed). Big bucks can get you better quality wood, a nicer finish, higher-end hardware, and fancier inlays. Some of these upgrades can alter the sound or simply make help playability. For example, the same guitar cut from poplar won’t sound as good as one cut from alder wood. Better tuners mean your axe will go out of tune less often. That said, some guitars will offer features that others don’t, such as tremolos and automatic tuning. Do your research and, as always, know what you need versus what you simply want.
Another example is Ovation, the company that almost single-handedly created the acoustic/electric category and radically altered views about how acoustic guitars should be constructed. No matter how hard they tried, Ovation’s repeated attempts to enter the solidbody electric area have failed. Instead, Ovation finally purchased Hamer. However, Ovation’s marketing failures do not mean it hasn’t made some pretty interesting – even innovative – electric guitars over the years, and these represent one of few areas in guitar collecting where you can find excellent, historically significant instruments, often at remarkably reasonable prices. Here’s the scoop on Ovation electrics (touching only briefly on acoustic/electrics).
Now you see why these Spectrum 5s are so desirable! It is not clear, by the way, how many (if any) were ever made with ebony necks. The few I’ve personally seen had maple necks. Certainly the expense of the ebony would have been enormous and hard to justify on the Teisco brand name. Also, with the density of ebony, the guitars probably would have been hard to balance. In any case, these are the Holy Grails of Teisco!
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Large speaker cabinets such as 8x10" enclosures may have wheels and a "towel bar" and dolly wheels to facilitate transportation. Speaker cabinets with 1/4 input jacks typically have two parallel jacks, so that the amp head may be plugged into one cabinet, and then a second cabinet can be "daisy chained" by connecting it to the first cabinet. Cabinets with horn-loaded tweeters often have an attenuator knob for controlling the tweeter. Some 2000s-era speaker cabinets may have Speakon jacks; these jacks are often used with high-wattage amps, because they are safer, as the cable connections are hidden inside the connector and thus it is impossible for the user to touch the metal contacts when plugging in the amp cable.
In high school wood shop class, while other kids were building bookshelves that tilted, coffee tables that bowed, and paddles to smack each other with, Crisler was building a guitar. He later attended the Roberto-Venn school of Luthiery in Arizona and became a guitar researcher at Schecter Guitar Research and continued to enhance his knowledge of the guitar. Later, working for places like Guitar Center and Mars Music, which has since closed its doors, Crisler learned the ins and outs of the guitar, how to quick fix problems, and create solutions for unfixable problems. In the '80s, when Van Halen was touring in support of their album 1984, he had the opportunity to go back stage and repair Eddie Van Halen's guitar. "I thought I was so cool," he says. But he'd finally obtain the right to call himself a "guitar master."
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