Besides insulting Taylor Swift in a way even Katy Perry would bristle at (“Nobody would confuse the pop star’s chops with Bonnie Raitt’s. But she does play a guitar.”), Edgers manages to make it through an entire history of the electric-guitar industry as it stands without quoting more than one female guitar player — the Runaways’s guitarist Lita Ford. Any person who has actually interrogated the music landscape deeper than, say, an Eric Clapton record would recognize that the electric guitar isn’t dying. The throngs of women who play electric guitar just don’t get exalted or celebrated in the same way as aging men. But there are legions of women playing guitar — maybe Edgers just hasn’t been paying attention.

I will Provide lessons to Beginner and intermediate Guitarists. I can also teach theory and show you how to apply it to your instrument. I am willing to travel but you must provide me with gas money and an extra expense for coming to you. you can come to my home for lessons and we can work in the dinning room. iv learned many genres and can teach you how to play in almost any band. please keep in mind I'm not here to teach you songs. i wanna make you into and all around good musician. I had a lot of success teaching children and adults.

Washburn was founded in 1883 in Chicago. The company was founded by George Washburn Lyon and Patrick J. Healy. Lyon and Healy were sheet music publishers who expanded to musical instruments. The current Washburn guitar company was formed in 1964 when Rudy Schlacher began importing guitars under the Washburn name. Washburn guitars are no longer made in the USA. Lyon & Healy is still in existence as a manufacturer of harps in Chicago.
While most single-coil pickups are wired in parallel with each other, it is possible to wire two or more of them in series, producing a fuller and stronger sound not unlike that of a humbucker.[26] This is a popular modification for instruments with two single-coil pickups like the Fender Telecaster and the Fender Jazz Bass. For the former, special 4-way switches are available to replace the stock 3-way switch and provide a series wiring position.[27]

I wish I had a cool story to attach to this guitar, but really this one is a history lesson regarding the development of Japanese guitar manufacturing.  Plus, it’s an example of some rare component combinations (like the pickups) that make guitars like these worth buying.  THEY’RE SO CHEAP!!  Hell, buy one of these for $200, send it to Dano and sink another $100 into it, and you’ll have yourself one hell of a player!  It’s like recycling, dude.
Since digital effects use DSP, manufacturers have made the most of the processing power by adding amp modeling features. To the point that amp modeling has become a standard feature, and has even overtaken effects in popularity. If you already have a good amplifier, then amp modeling is not important, but it's still a good addition for the extra versatility amp modeling provides.
The wonders of digital delay arrived on the pedalboard in the early 1980s with what seemed massive capabilities of long delays, clean signal reproductions, and the endless fun of one, two, or up to 16 seconds of looping delay. In many cases, in the early days, reproductions weren’t really all that clean (or were cleaner than analog, but colder and harsher too), and many delays were prone to digital distortion if pushed, or poor resolution on the decay of the signal. Even so, the techno-power of the new technology stamped all over the bones of the old analog delay units, and for a time threatened to bury them entirely.
Superb guitars. Lakewood have both standard and custom production of 12-fret cutaway guitars. Other producers do not offer standard production - except of Taylor, but Taylors at the same price level are made technologically cheaper, resp. at the same quality level are much more expensive. My impression is that Lakewoods have a little bit lively sound than Taylors. I am interested in well made, i. e. with high quality craftmanship, 12-fret cutaways and the brand is not so important for me.
The numbers back him up. In the past decade, electric guitar sales have plummeted, from about 1.5 million sold annually to just over 1 million. The two biggest companies, Gibson and Fender, are in debt, and a third, PRS Guitars, had to cut staff and expand production of cheaper guitars. In April, Moody’s downgraded Guitar Center, the largest chain retailer, as it faces $1.6 billion in debt. And at, the online retailer, a brand-new, interest-free Fender can be had for as little as $8 a month.
I work out of my home shop in Idaho Falls, Idaho.  I do repairs for clients and guitar shops all over the United States.  I’d love to help you repair or restore your guitar.  Repair prices are based on a rate of $60 per hour.  These prices apply to guitars in otherwise good working order.  Your repair may vary depending on the condition of your guitar and the specifics of the work needed. Please contact me using the contact page if you have a repair that you would like to discuss.  Consultations are always free.

The SG Special by Epiphone is our hands down top pick. As you'll know by know, Epiphone is one of the best guitar manufactures in the business – so the quality of this guitar is absolutely amazing. Its epic red devilish double-cutaway design gives easy access to all 22 frets. It has a hard maple neck and a slim taper D-profile which ensures durability and rigidity. The fretboard is made of rosewood which makes it easy to learn to play. This guitar is all about that rock sound - it's equipped with two open-coil and noise-free humbucker pickups. The hardware is carved from nickel and is available in two dazzling finishes, cherry, and ebony.
TC Electronics implemented their TonePrint technology into this stompbox. TonePring allows you to import your own presets, which you previously design using a piece or proprietary software. Such a configuration of features and controls ensures borderline endless possibilities. None of that matters much if the quality of tone itself isn’t on par. In this case, you definitely don’t have to worry about that.
You are right, we will have the whole guitar amplifiers section of out website completely revamped in the next few weeks! We made vast content improvements on all other sections of GuitarFella and now it is time to work on the amps. Thanks a lot for the remark and make sure you check us out in 2-3 weeks, I guarantee you that you will like the results!

Adolph Rickenbacher was born in Switzerland in 1886 and emigrated to the United States with relatives after the death of his parents. Sometime after moving to Los Angeles in 1918, he changed his surname to “Rickenbacker”. This was done probably in order to avoid German connotations in light of the recently concluded First World War as well as to capitalize on Adolph’s distant relation to World War I flying ace Eddie Rickenbacker. In 1925, Adolph Rickenbacker and two partners formed the Rickenbacker Manufacturing Company and incorporated it in 1927. By the time he met George Beauchamp and began manufacturing metal bodies for the “Nationals” being produced by the National String Instruments Corporation, Rickenbacker was a highly skilled production engineer and machinist. Adolph soon became a shareholder in National and, with the assistance of his Rickenbacker Manufacturing Company, National was able to boost production to as many as fifty guitars a day.[4]

Choosing guitar strings is like choosing lenses and frames for your glasses.  There is a right strength of lens for you and when you switch frames it may take some adjusting to get used to.  This analogy is referring to the bridge height, nuts, and truss rod tension.  Do take your time to experiment but once you settle it's best to keep using the same gauges so you can dodge the lengthy set-up process from happening again.
If you already have an electric guitar and you're looking for replacement strings, carry cases, guitar stands, or other accessories, you've come to the right place. offers a selection of tools and accessories designed for players of every age and skill level, from beginners to pros. Look for amplifiers, cables, and microphones too—you can enjoy great selection right here online, with no need to make a special trip to the guitar shop.
How long it takes to learn guitar depends on how good you want to get and how much practice you put in. How good you can get with 1-2 hours a day for a few months depends on what methods you use to practice. There are effective practice methods that will help you make the best use of your time. This course is one of the best. It's not just about how much you play but how effectively you play that will determine how good you will get.

Effects are fun, and can make mixing a more creative process, but it's worth bearing in mind that they won't help in situations where the basic principles of recording have been ignored! Used with care, effects can help turn a good mix into a great one, but they are seldom successful in covering up other problems. It is also very easy to over-use them — sometimes their most valuable control is the bypass button, and it is certainly worth learning to use the basic effects well before throwing lots of complicated tricks at your sound. As long as you let your ears decide what is right, you should be OK, and a little critical listening to your favourite records will give you a feel for what works and what doesn't. 
Unlike the Gio model of Ibanez included in their guitar package that only has two humbuckers for pick-ups. The GRX70QA has the three pick-ups configuration made popular by Ibanez consisting of neck humbucker, middle single-coil, and humbucker for the bridge. This pick-up combination goes well with the 5-way switching controls, volume and tone, to harness the sound esteemed for the kind of play.
Every guitarist would love to have a place all to themselves to play their heart out, but the reality is that we can't all be so lucky. Family, neighbors and roommates are usually a factor, and they're not as likely as you are to appreciate that you finally nailed that tough passage at two o'clock in the morning. Here's another situation where headphone guitar amps come through for you: since you're the only one hearing it, you can focus on your sound completely. With a headphone amp, there's no more curfew on shredding.

A volume pedal is ideal for those guitarists out there who like to use volume swells or fade-ins, and those who don’t want to have to use the volume pot on their guitar to do so! All you do is apply pressure on the front or back of the pedal to get the desired effect and you’re good to go! They’re super simple to use and only change the signal rather than the tone of your guitar or bass.
Tone pot usually connected just as a variable resistor (one lug is not connected), so you got some “small” resistance (when compared to amp’s input) and a cap going to the ground. When you crank your tone there is no significant resistance, so all signal above cutoff freq is shunted to the ground (with graduate slope) — but still this is the brightest position of the tone pot.
By 1954 the Teisco line had begun to grow. Some valuable reference is available in a Japanese history of Teisco guitars, which is written completely in Japanese (which I unfortunately can’t read). This has an early photo of the company’s founders and presumably engineers and designers, mugging around a car parked in front of the Teisco factory. The photo is from the ’50s (1954 or later), and the instruments in their hands and surrounding them are at the core of the ’50s line. Shown were two small Les Pauls, two single-cutaway archtop electrics, at least three Hawaiian lap steels, and at least four amplifiers.

I started out doing pretty much what I do now on an acoustic and transferred it to electric when I was able to get a paper route and buy a crappy red electric guitar. I knew the value of working stripped down and I still do, although in this day and age I've made a lot of records with different sounds. I must say I really love what technology can afford you.
As well, even though some bass guitar players in metal and punk bands intentionally use fuzz bass to distort their bass sound, in other genres of music, such as pop, big band jazz and traditional country music, bass players typically seek an undistorted bass sound. To obtain a clear, undistorted bass sound, professional bass players in these genres use high-powered amplifiers with a lot of "headroom" and they may also use audio compressors to prevent sudden volume peaks from causing distortion. In many cases, musicians playing stage pianos or synthesizers use keyboard amplifiers that are designed to reproduce the audio signal with as little distortion as possible. The exceptions with keyboards are the Hammond organ as used in blues and the Fender Rhodes as used in rock music; with these instruments and genres, keyboardists often purposely overdrive a tube amplifier to get a natural overdrive sound. Another example of instrument amplification where as little distortion as possible is sought is with acoustic instrument amplifiers, designed for musicians playing instruments such as the mandolin or fiddle in a folk or bluegrass style.
Winner of the prestigious Music Inc. Product Excellence Award, 2017, the HeadRush Pedalboard Guitar Amp And FX Modelling Processor wholeheartedly deserves a spot on our best multi FX pedals list, thanks to the huge amount of effects within as well as its vast array of amplifier, cabinet and mic models. This is one of the best options for working musicians, yet still remains affordable.
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May Music Studio's Guide: The May Music Studio isn't a true "blue book." Rather, it is the website of a guitar studio that provides a quick tip guide to help you determine the fair market value of your guitar. The studio has years of appraisal experience and though they no longer offer appraisal services, their wisdom is distilled in the evaluation tips that they describe on their site.
Rolling Stones best electric guitarist list should've been nicknamed the best average guitarist list. I didn't give this guy the time of day because I thought the bucket thing was to cover up how badly he sucks. Turns out it's the opposite. He's just weird. It's too bad the average person doesn't have the capacity to enjoy this type of advanced music.

It’s 1951, a dark, rainy night on the backstreets of Memphis, Tennessee. Ike Turner and His Kings Of Rhythm are packing the gear into the station wagon, getting ready to head off to the studio to record a track for producer Sam Phillips, a track that the Rock and Roll Hall Of Fame will one day honor as the first rock and roll song of all time, ‘Rocket 88.’ (Although, distinctly unfairly, the song will be credited to singer Jackie Brenston and the imaginary band ‘His Delta Cats.’) “The amp—a Fender Bassman—was in the trunk of the car and it fell out, right on the road,” Ike Turner told Guitar Magazine’s Rick Batey in 1998, “and it was raining, so the amp got wet. When we got to the studio and plugged it in one of the tubes went ‘pop.’ We didn’t have no more tubes—so that’s where the fuzz came from.’

Charlie Christian and Django Reinhardt are generally held to have initiated the use of the guitar to play melodies and improvisations over other instruments, the former using an early form of amplification, the latter playing forcefully on an acoustic guitar. Over the years, jazz guitarists have been able to solo in standard jazz idioms, such as bebop, cool jazz and so on, while in also absorbing influences from rock guitarists, such as the use of electronic effects.
Even with the myriad finish options, this latest model looks very much like the original Strats from Fender's original production line. As a testament to how effective the original design is, most of the specs and even the hardware design are followed even to this day. Speaking of specs, the current iteration features the same double cutaway alder body and bolt-on maple neck with a scale length of 25.5", narrower nut-width of 1.685" and SSS (Three Single Coil) pickup configuration. Giving this guitar its authentic quack and chime are three V-Mode Strat Single-coils.
This page is a work in progress and as new information is revealed it will be added to the list. But I can't do this alone, folks. See a guitar not listed? Tell me! Listed below are the major manufacturers, known badges and suspected badges to the best of my knowledge in written and list form to make it easy to find out WHO MADE YOUR GUITAR! In some cases I won't know because the badge you have may be extremely rare and virtually unknown to even seasoned collectors.
Older 1800s Martins are a challange to date (since they don't have a serial number like 1898 and later Martins). A "New York" stamp does not immediately suggest that the Martin guitar is from the 1830s for example. To accurately date pre-1898 Martins you must be familiar design and ornamentation appointments and the changes that took place in each model throughout the 1800s. Most useful though is the stamp, but you can only use the stamp on the INSIDE of the body on it's center backstrip (visible through the soundhole) to date a guitar. And even then you can only date to a period (and not to an exact date). For example if it says on the center back strip, "C.F. Martin, New York", then the guitar is pre-1867. If it says, "C.F. Martin & Co., New York", it is between 1867 and 1897. Note 1860-1890s Martins have a date (year of manufacture) penciled on the underside of the top. Check with a mirror, looking just below the soundhole and between the braces.
Another piece of advice most experienced guitar players will give you is to keep your reverb pedals near the end of your signal chain. The reason for this is simple but requires a more colorful explanation. Imagine your signal chain as a conveyor belt for ice cream. As the signal leaves your guitar, it is just a plain vanilla mass that gets another layer of flavor as it hits different pedals. Distortion might add a nice chocolate glazing, then we have the modulation with its meticulous icing, and so forth. A reverb pedal in this context are sprinkles. You don’t want to add them at the beginning since they can completely change the way every other ingredient that comes afterward behaves. You add sprinkles at the end. In appropriate amounts only.
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Quilted - Frets: 24, Jumbo - # of Strings: 6 - Headstock: 3+3 - Bridge: Floyd Rose Special Tremolo - Cutaway: Single - Hardware: Satin Chrome, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickup Configuration: H-H - String Instrument Finish: Transparent Amber Sunburst, Transparent Black, Transparent Red
One of the greatest things about being a touring musician is having the opportunity to see, hear and play with some of the greatest guitarists on the planet. Over the course of my career, I’ve performed with legendary guitarists like Ted Nugent, Steve Cropper, and Glen Campbell, to drop just a few names. Playing lead for a headline act like Toby Keith also allows me to watch fantastic guitarists like Keith Urban and Brad Paisley take the stage before me.
I estimate that fewer than one in a thousand of all Axe-Fx units in the word today are used on world-class stages with great PAs. In fact, MOST players probably don’t use a P.A. at all, or rely on one to bring their personal sound to the venue (with the same caveats they’d have when mic’ing a traditional amp). These players use personal stage monitors, power amp and speakers, or a traditional guitar amp. And all of the things I’ve just mentioned should also be placed next to the many guitarists who are not playing on stage at all, ever. Studio monitors—whether they are modest to magnificent—give you a really satisfying new way to play.

I learnt to play guitar in my late teens, mainly because it was cool and the girls seemed to like hanging out with guitar players. I started off with a couple of weekly lessons with an elderly lady who managed to teach me some basic chords. After that I continued learning from friends because, imagine this, there was no internet at that time and no cool dudes who knew how to teach to play pop and rock guitar. Well, I strummed my acoustic hard and moved into playing folk and some bluegrass and had fun basking with friends on weekends and during school holidays.

While you're doing your strumming and picking lay that part of your hand on the strings by the bridge of your guitar. This will mute or partially silence the strings. On an electric guitar going through an amp, this can become a percussion instrument. The trick is to use it for a percussion effect and then raise that hand up when you want to let the strings rings er.. ring.

These are world class guitars and have got probably the best feel any guitar can give apart from that u can play everything on these guitars from classic rock to jazz and blues followed by metal. the main thing that these guitars are known for is their finish and there unique necks which are really fast and not too thin which keeps your tone and feel in place. I would say that these guitars definitely deserve a place in the top 3 and definitely do watch out for the petrucci signature models
This is a more muffled bass, suited for blending in or behind distorted guitars but useful for any situation when a bass sound without so much clarity is needed. It is also a much smaller file than the rest. Originally I made this just for my own personal use but decided it might be useful to others as it fits some pieces where the washburn bass doesn't.
The traditional Firebird style pickguard is layered white and black and has Slash's "Skull & Top Hat" log in red. The Mahogany neck is glued to the body with a deep-set neck tenon and has a standard 24.75" scale and a rounded custom "Slash" profile. The Pau Ferro fingerboard has single-ply cream binding with Pearl trapezoid inlays, a nylon nut, and 22 medium jumbo frets along with a 2-way adjustable truss rod. The back of the Firebird's traditional reverse headstock has Slash's Snakepit logo in gold.
The construction allows the soundwaves to resonate freely within the body’s hollow airspace as well as around the violin-style F-holes and throughout the solid glue joints. Everything – from the body wood and construction to the neck wood and pitch – contributes to the tone of the 2019 Gibson ES-335 Figured guitar. This model boasts impressive depth and sustain in addition to an exceptional resonance that you can feel through the guitar’s body.

When Jimi Hendrix came on the scene in the late 1960s, he was like nothing anyone had ever seen before. His ability to use volume, feedback, wah pedals, and other sonic devices to their maximum effect was awe-inspiring. Eric ‘God’ Clapton saw Hendrix for the first time and thought he would be the end to his career. There may be more technically impressive guitar players, but it’s hard to find anyone who played with more adventure or spirit than James Marshall Hendrix.

Type – the dielectric used in the capacitor. Polyester and polypropylene are most common, with ceramic capacitors also being popular, especially in lower-end instruments. Reissues of vintage instruments often use reproductions of vintage paper capacitors, which are also popular aftermarket replacements. Finally, audiophile-grade polypropylene film and foil capacitors are sometimes used in custom instruments, although their size can prove problematic as they're designed for use in audio amplifiers and consequently have working voltages in excess of 500 V, far higher than anything encountered inside an electric guitar.[16]
The following year, the company hired designer Lloyd Loar to create newer instruments.[11] Loar designed the flagship L-5 archtop guitar and the Gibson F-5 mandolin that was introduced in 1922, before leaving the company in 1924.[12] In 1936, Gibson introduced their first "Electric Spanish" model, the ES-150, followed by other electric instruments like steel guitars, banjos and mandolins.
Also shown in ’60s Bizarre Guitars, but not in the Teisco book photo, is a ca. 1954 Hawaiian Teisco EG-R which was sort of shaped like a Gibson and which had the same pickup as the J-1, with more elaborate symmetrical metal rocket shapes on the sides, housing the volume and tone controls. A chrome dome sat in front of the pickup between it and the dot-inlaid fingerboard. The head was stubby and rectangular. This was very “Moderne” looking, very Buck Rodgers.
Other aspects to consider are the strings and bridge. One other reviewer said the saddle was too high, but it’s easily lowered. Ask a guitar tech for help if necessary. This is a good model to have if you’re in a climate with specific seasonal changes in humidity, as it’s not overly sensitive to extremes. It’s still a good idea, however, to purchase a humidifier block, for the purpose of regular care.
In launching the AZ series, the goal was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern ?third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, it has decades of accumulated knowledge and a history of pushing the boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities. The harmonic balance between bridge and ...
What equally contributes to the Entourage’s place on our list of the best acoustic-electric guitars is its nuanced and bright acoustic sound. This signature tone comes courtesy of a select pressure-test solid cedar top and wild cherry back and sides. The electronics on this model are easy to use and compact, highlighted by a pewter plate giving the entire package a stylish appearance.​
The electric guitar was essentially born in 1929—long before the advent of rock and roll music. The first commercially advertised electric guitar was offered that year by the Stromberg-Voisinet company of Chicago, though it was not a smash hit. The first commercially successful electric, Rickenbacker’s “Frying Pan” guitar, didn’t kick off rock ’n’ roll yet either, but it did inspire competitors to jump into the electric guitar market. Invented in 1931, the Frying Pan had an electromagnetic pickup made out of a pair of horseshoe magnets placed end-to-end to create an oval around the guitar’s strings, with a coil placed underneath the strings. The pickup, a device that converts the strings’ vibrations into electrical signals that can be amplified, was bulky and unattractive, but it worked. The commercial version of the Frying Pan was a hollow cast-aluminum lap-steel guitar, and wasn’t an immediate hit beyond some Hawaiian, country, and blues musicians. It differs from the traditional Spanish-style guitar in that it is played horizontally, on a stand or in the player’s lap, and has a sliding steel bar that can be moved along the frets for a gliding effect.
Enter exhibit A: A late 60’s KENT short scale variation on the very popular (then and now) “Beatle” violin shaped bass. As you can see from the photos, this isn’t your average violin bass. While many, from the classic Hofner that Paul McCartney turned a few kids on to, to the Teisco and Black Jack Japanese models, didn’t stray far from the violin shape, this Kent takes a few attractive and stylish liberties with the standard template.
This right handed 6 string guitar is just so incredible. It is renowned to have been built in high expertise, from a brand that has been in the market for quite a long period of time. It has advanced  frets that make it unique in terms of sound and tune produced. It is quite easy to set up and operate, making it suitable for beginners. The  main reason is the price which is also relatively fair, ranging from around INR 3,999. Find more on:
If you’re looking for an acoustic-electric guitar that sounds great but comes at an affordable price, then you can’t go wrong with the Oscar Schmidt OD312CE. This guitar features 12 strings for a depth and richness you couldn’t achieve with a 6-string guitar. The sound of the strings is further amplified by the select spruce top for a ‘woody’ warm tone.
I’ve been searching for my dream guitar forever and I finally found it in the Yamaha APX600 (best starter electric acoustic by the way). Found this package and was honestly nervous that it was good quality for such a good price, but it is the best thing I could’ve done! Guitar can in perfect condition and hard case is sturdy and locks well, it is an INCREDIBLE deal for this quality of a case. Extras are a nice addition, but not crazy necessary. But honestly, with a price like this, they almost feel free. Great customer service also. Don’t pass this deal up! Couldn’t find it anywhere else.
The 4000 series were the first Rickenbacker bass guitars, production beginning in 1957. The 4000 was followed by the very popular 4001 (in 1961), the 4002 (limited edition bass introduced in 1977), the 4008 (an eight-string model introduced in the mid-1970s), the 4003 (in 1979, replacing the 4001 entirely in 1986 and still in production in 2012), and most recently the 4004 series. There was also the 4005, a hollow-bodied bass guitar (discontinued in 1984); it did not resemble any of the other 4000 series basses, but rather the new style 360-370 guitars. The 4001S (introduced 1964) was basically a 4001 but with no binding and dot fingerboard inlays. It was exported to England as the RM1999. However, Paul McCartney received the very first 4001S (his unit was left-handed, and later modified to include a “zero fret“).
There aren’t really any structured lessons—like, where you’re starting at the beginning and working your way sequentially through—you have to browse through the playlists and find what’s best, but the quality of the lessons and wide variety of topics will have everything covered. JamPlay is a sampler for the website, where you’re offered a subscription service to complete courses, which explains the kind of shotgun approach to the videos made available on YouTube. But the size and breadth of the topics you can access for free still makes it a great channel.
So, how to use the tone knob? Open it to get a trebley sound, and roll it off to get a warmer, darker tone. Experiment. Some guitars sound best with the tiniest roll back on the tone knob, some songs require a certain combination of tone and pickup settings to sound best. Try to listen to the John Mayer DVD “Where the Light Is” and try to emulate the guitar tones there using only your pickup selector and knob. He uses different guitars and settings, but a lot of those can be emulated just with your guitar’s controls. Experiment.
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"With a note of music, one strikes the fundamental, and, in addition to the root note, other notes are generated: these are the harmonic series.... As one fundamental note contains within it other notes in the octave, two fundamentals produce a remarkable array of harmonics, and the number of possible combinations between all the notes increases phenomenally. With a triad, affairs stand a good chance of getting severely out of hand."
The first burst of interest in Explorer-style guitars in the 1970s, led by players such as Rick Derringer and Sammy Hagar, was followed by a hiatus at the end of the decade when guitarists followed an Alembic-style lead. However, natural-finished neck-through guitars with sophisticated electronics didn’t cut it with the heavy metal bands that became more popular in the early 1980s with the New Wave of British Heavy Metal and the subsequent American response, chiefly out of Los Angeles. Poofy hair and skin-tight spandex begged for guitars with in-your-face style. The radical Explorer shape was perfect for making the right kind of personal stage statement. Manufacturers jumped on the bandwagon. Baby Deans, Ibanez, Aria, Cort… Even Gibson offered Explorers in cool custom graphics.
Though the guitar is played through an amplifier which is often miked and recorded, the engineer or producer may later decide to use a different amplifier tone that's better suited to the character and timbre of the song, while preserving all the nuance and inflection of the original performance embedded in the direct track. The re-amp device allows the dry track to be sent to an amplifier again and properly miked and re-recorded for use as the final track.
The Univox/Aria Les Paul openly copied its American original, but would never be mistaken for it because it continued many characteristics typical of Japanese production at the time; a bolt-on neck with the usual narrow fingerboard, sitting relatively high on the body, zero frets, block inlays (with rounded corners) and rounded ends. The headstock was a copy of the Gibson open book. And, obviously, it didn’t have Gibson humbuckers, favoring instead a design with 12 adjustable poles in a metal cover with a narrow black insert slit in the middle, sitting on black surrounds. Controls were standard three-way with two volumes and tones. The knobs were those tall, skinny gold kind seen on many early Japanese copies. Hardware was gold-plated. These first Univox Les Paul copies survived into the early ’70s, but were probably gone by around ’74. By ’71, the model was called either the Mother or the R&B Guitar Outfit and was available in either black (U1982) or gold (U1983) finishes. Also by ’71, the Univox logo had changed from the early plastic version to the more common outlined block letter decal.
SG Special is pretty much the same thing as the Les Paul 100. The most obvious difference is the body style. Other than that, you get very similar electronics and overall build quality. A lot of people learned their first chords on this guitar, still keeping it as one of their favorite axes. I’ve played this thing a few times and it definitely has some juice.
Two other Spanish guitars were available in 1954 which were not shown in the Teisco history photo, the J-2 and the TN-54. These are pretty much a mystery. The J-2 was likely a two-pickup companion to the J-1, although by a few years later, both these models had become double-cutaways. Whether that was the case with the J-2 from the beginning is unknown, but unlikely. The description of the TN-54 is completely unknown.
Your skill level on the guitar is another factor that should be taken into consideration while shopping for the perfect instrument. It is generally wise to start out with a lower quality model when you are first beginning to study the guitar, whereas a veteran player with a trained ear will likely require the bells and whistles of more high end gear. If you’re a beginner, it’s a great idea to start out with a Yamaha or a Fender Squier, for example, as you get plenty of quality to learn on without breaking the bank. It’s wise not to go overly basic, however, as cheap guitars will have harsh playability that will leave a beginner with painful calluses that may scare them away from the instrument.
Rickenbacker manufactures three distinct pickups for their current standard models: Hi-gain, Vintage Single Coil Toaster Top, and Humbucking. All three pickup designs share the same footprint, allowing them to retrofit into most current or vintage models. The tone varies from one style to the next, partially because of the types of magnets used[13] but also due to the amount of wire wound around the pickup’s bobbin.
Regarding truss rods, all vintage Martin instruments post-1934 have *non-adustable* truss rods (T rod). This means the neck better be straight, otherwise an expensive repair will be in order. To check neck straightness on a guitar, first tune the guitar to pitch. Then hold the low-E string down at the 1st and 14th frets. Note the distance between the bottom of the low-E string, and the 7th fret. You should be able to put a medium guitar pick in this space. Any more, and the neck is "bowed". Any less, and the neck is "back bowed". Repeat this with the high-E string (the same results should be seen; if not, the neck has a "twist" to it).
This full-sized, 22-fret, single cutaway electric guitar features two single-coil pickups and is capable of producing a wide range of tones. With the bridge pickup, you can get that bright, rich, cutting tone known as the country "twang" made famous by artists such as Merle Haggard and Waylon Jennings. With the neck pickup you get a warmer, mellow, bluesy tone, such as that of Albert Collins or Muddy Waters. Additionally, rock musicians as diverse as Syd Barrett, Chrissy Hynde, and Keith Richards have found a way to make their own distinctive sound using this style of guitar.
Reverb is the persistence of sound in a particular space after the original sound is removed. When sound is produced in a space, a large number of echoes build up and then slowly decay as the sound is absorbed by the walls and air, creating reverberation, or reverb. A plate reverb system uses an electromechanical transducer (actuator), similar to the driver in a loudspeaker, to create vibration in a plate of sheet metal. A pickup captures the vibrations as they bounce across the plate, and the result is output as an audio signal. A spring reverb system uses a transducer at one end of a spring and a pickup at the other, similar to those used in plate reverbs, to create and capture vibrations within a metal spring. Guitar amplifiers frequently incorporate spring reverbs due to their compact construction. Spring reverberators were once widely used in semi-professional recording due to their modest cost and small size. Due to quality problems and improved digital reverb units, spring reverberators are declining rapidly in use. Digital reverb units use various signal processing algorithms in order to create the reverb effect. Since reverberation is essentially caused by a very large number of echoes, simple DSPs use multiple feedback delay circuits to create a large, decaying series of echoes that die out over time.
A Zoom G3X review is not complete without talking about the inclusion of a tuner and looper with built-in rhythm patterns. Just like all of this pedal’s functions, calling up the tuner is very easy; you just hold down the middle footswitch for a couple seconds. As we covered in our best looper pedal guide, a looper is an indispensable practice tool, and the fact that you get a pretty nice one in this unit is a huge plus in our book. The G3X gives you 40 seconds of loop time, which is ample time to record something interesting. You get 41 very basic drum patterns, and while they don’t sound amazing, it’s nice that they sync with the looper. Have a look at this 3 minute demo video of a performance using the looper and other Zoom G3X effects:
Even by the mid 1970s costs to manufacture instruments in Japan were rapidly rising. Labor was still cheaper than in the USA (it isn't anymore), but real estate, raw material, fuel, transportation costs and virtually all other manufacturing costs were fully as much if not more in Japan as in the USA. The Japanese were able to compete in the international market due not only to low labor costs at that time but also due to highly efficient manufacturing techniques and the fact that their low-cost workers were skilled and highly motivated.
After steel strings were the norm, rectangle bridges were still used on the lower end Martin models and smaller body models. Bridges don't last forever unfortunately, and the rectangle models are easy to reproduce. Hence here's some specs that may help you determine if a rectangle bridge is original. A Martin rectangle bridge should be 6" long and 1" (or slightly less) wide. The top of the bridge should have close to a 16" radius lengthwise. The tallest point of the bridge should be between the A & D strings, and the lowest at the high E string. The wing thickness is about .095".
The word distortion refers to any modification of wave form of a signal, but in music it is used to refer to nonlinear distortion (excluding filters) and particularly to the introduction of new frequencies by memoryless nonlinearities.[32] In music the different forms of linear distortion have specific names describing them. The simplest of these is a distortion process known as "volume adjustment", which involves distorting the amplitude of a sound wave in a proportional (or ‘linear’) way in order to increase or decrease the volume of the sound without affecting the tone quality. In the context of music, the most common source of (nonlinear) distortion is clipping in amplifier circuits and is most commonly known as overdrive.[33]
Several notable ranges of similar guitars were produced with different finishes and features; whilst some companies lumped all variants together with a single model name - i.e. a Fender Stratocaster is a Fender Stratocaster, irrespective of it's finish, in many cases Harmony split it's models, giving a different model designation depending on finish, inclusion of a tremolo etc.
Rule 2 - This order is defined by nature and physics. Consider this scenario. You scream and your lungs, mouth shape, and vocal chords define the frequencies that come out. You cup your hands around your mouth to shape the waveform and affect the stereo width. Then your voice goes out into the air and into the Grand Canyon where it bounces around and comes back at you with reverb and delay. If you don't at least follow this fundamental order, you'll be too far out of touch with your listeners and you won't be able to sound acceptable within the mix of a song.
One of the best and most affordable gigging amps I have ever played. Blackstar accommodates all styles and budgets and should be in place of line 6. Too many people want traditional tone, but Blackstar brings a new edge to the table and builds extremely reliable tough as nails amps with new ideas like the ID series amps, I own an ht40 and am extremely impressed. Get one.
Since guitar players are automatically cool, that means cool guitar players are the coolest of the cool. In this issue, we exalt this elite class of cold—the players who even we would sell our wives and first born just to have some of their mojo rub off on us. Some of them are pioneers who paved a bold, daring path to define new styles of cool, while others are simply the kind of guitarists we want to be when we never grow up (which is part of being cool).
This beast features a classic Sitka spruce top with a rosewood back and sides combo. We have already mentioned a few guitars that feature these types of tonewood. However, the difference here is that the Martin DCPA4R is a handmade instrument that brings you the craftsmanship of Martin's top luthiers. If you appreciate craftsmanship, you'll love this instrument.
Jeff Beck: select alder body with a thinner C-shaped maple neck, contoured neck heel, rosewood fretboard with 22 medium-jumbo frets, three dual-coil Ceramic Vintage Noiseless pickups with 5-way switching, LSR Roller Nut, Schaller locking tuners and an American 2-point synchronized tremolo with stainless steel saddles. Available in Olympic White and Surf Green finishes (Artist Series, Custom Artist), as well as a “Custom Thinskin Nitro” version with a “Thinskin” nitrocellulose lacquer finish.

If you pine for the days when giants scarred the earth with odes to their arena-sized wangs, then Michigan’s Greta Van Fleet are your new jam. Not only do they look like they’ve stumbled out of the pages of 70s Vogue, they also have a preternatural knack for brow-raising classic rock anthems. Guitarist Jake Kiszka is highly capable, combining Page-like pentatonic ping-pong with a bag of lead licks that channel everyone from Jefferson Airplane to Mike Campbell. 
I'll second the neck comment, conditionally. My first guitar was a hand-me-down Monterey archtop acoustic that had been my uncle's, and it have a sharp V neck. Out of nostalgia I bought another Monterey on eBay and its cross section feels like a tomato can lying in my hand. After a refret it plays smoother and easier than anything that fat has a right to. The original frets..., not quite.
Dogwood Guitars is a full-service setup and repair shop. We are equipped to handle all of your acoustic and electric guitar adjustment and repair needs. The prices listed below are labor estimates and do not include parts such as new strings, bone blanks, fret wire, etc. I give free no-obligation evaluations of any guitar so that you can make an informed decision about your instrument and its care. Guitars are like cars; they need some routine maintenance to perform at their best.
Orion Blue Book Online (at The Orion Blue Book Online will help you determine how much nearly anything that you own is worth, including guitars. This includes electric and acoustic guitars, as well as bass guitars, amplifiers, and other guitar peripherals. The company behind Used Price works in conjunction with Orion Bluebook, which makes this the largest website dedicated to pricing used musical instruments. The website is browsable by the first letter of your instrument's manufacturer or make. It has every major guitar manufacturer and most obscure ones.
Southpaw Guitars has over 900 Left Handed Guitars and Basses In Stock at any time. At Southpaw Guitars you will find a knowledgeable friendly sales staff to provide Service, Assistance, and Guidance as you purchase your Dream Guitar. Furthermore, You will not be greeted by hold music, transferred between departments, treated discourteously, or given the sell what we have routine. We are conveniently located in Southwest Houston. 713-667-5791

So last week I wrote about if it made sense to replace the speaker in an amp, or if it would be better to just get a different amp, I'll bet some of ya saw this weeks topic coming, right?  Once again I must begin by stating that even though we design, build and sell pickups here, we will NOT offer biased information (I promise); remember, we are real-world guitar players too.  Yep, we also need to carefully watch how we spend our money lest we find ourselves without a roof over our head!  And I mean really, I could take being homeless ... but I'd NEVER do that to a good GUITAR! Shall we dive in?
Squier Affinity Telecaster: The Tele features the same tonewoods as the Strat, with a slightly different single-cutaway body style. It also has two pickups instead of three, and a fixed bridge. Single-coil pickups have a thinner sound compared to humbuckers, and it case of the Telcaster they create the signature twang that put the guitar on the map.
An instrument unlike any other, the electric guitar gives musicians a feeling and hands-on experience that's nearly indescribable. Even with the same electric guitar, no two players sound exactly alike. Every nuance of the player's hands comes out in the electric guitar's tone, both in fretting and plucking the strings. The best players master not only command of the electric guitar, but also its interaction with their effects and amplifier. It's difficult to imagine a world without the combination of the electric guitar and amplifier, yet it's still relatively new in music. By the turn of the twentieth century, it only made sense that the popularity of the guitar would soon be combined with the onset of electronics. Over the past 75 years, the electric guitar has established itself as one of the most iconic, unforgettable instruments in the world. From jazz and big band to rock 'n' roll and funk, popular music would be drastically different today had it not been for the electric guitar.