We all know the sound of this effect: It replicates varying degrees of the sound of playing your guitar in the gym showers, a cathedral, or Mammoth Cave, and it has proved itself one of the most atmospheric aural adulterations available. Since none of those locations is entirely gig friendly, however, our ever-handy techs have bottled the flavor in a reliable, portable form. This category covers both echo and reverb effects, since they are versions of the same thing. The term “echo” was used more often in the early days, and is sometimes used today to refer to the distinct and distant repeats of a signal, while “delay” refers to anything from the same, to the short repeats heard as reverb, to the complex, long, manipulated repeats of an intricate digital delay line. Either way, they are both really the same thing, just used differently.


The GT-70 was a re-styled two-pickup, single-cutaway recalling the F-55s. The cutaway retained the wide horizontal angle of before, however the upper bass bout received a more graceful treatment, with a slight inward curve as it met the neck at the 16th fret. The controls were the same as before; the elevated pickguard had become a large white affair, the tailpiece was the V-notched Bigsby. Pickups remained our familiar DeArmond humbuckers. Gone were the plastic bridges in favor of metal adjustable finetune variety. Finishes were either burgundy or black. The first prototype serial number was 203803. Around 1,450 of these were made between January of 1966 and October of 1968.

I bought my amp at my local music store. When I walked in, I told the sales person that I got my El Dorado and I wanted to buy an amp. I asked him if he would mind playing my guitar through the amps in my price range. He readily agreed because he is the person who found Big Lou Guitars on the internet after I tried every brand of electric guitar in the store and believed I needed a big nut guitar because my hands needed an action with more space between the frets and strings. He told me to bring it in when I got it because he wanted to try it. He plugged it in and went up, down, and across the fretboard playing riffs and chords. When he finished, he said “great action, I’m surprised – and the price!”
In terms of tone, a smaller dreadnought body will be slightly lacking in projecting the low-end frequencies. That doesn't matter here thanks to being an acoustic electric. With that said, the trebles and mids give away its origin, tone-wise. Play a few chords and you'll immediately hear that classic 'Taylor sound' even from a lower mid-range guitar like this one.
Distortion pedals is responsible for many of the sounds that you think of when you think ‘electric guitar.’ It’s absolutely classic, and you’ll find that the majority of effects are some flavor of distortion pedal. The results you can get from these stompboxes vary from overdrive-like breakup to smooth melodic power, so it’s important before you take one home that you check for the type of sounds that specific distortion pedal is designed to create. Doing your homework really pays off when it comes to distortion pedals.
This is easily the most popular category of effect, and sonically is the natural first-step away from the thin sound of a straight, clean amplified guitar. If a player only owns one pedal, chances are it’s a distortion, fuzz, or booster box, and plenty of players have collections of several or even dozens of units from this genre, and use two or three at a time on their pedalboards for different colors and textures and levels of sonic sizzle. Yep, of the players who want to change their guitar’s pure sound in the first place, more probably want to filth it up than all of the other options combined.
Not sure I would recommend this for someone over 11 or 12 who is genuinely serious about learning, I probably would have skipped ahead to something larger. But if you are looking for a "toy" that really could inspire a child to develop a talent, this guitar is an ideal choice. One word of caution... the amp/guitar connectors are standard size so there is nothing stopping one from connecting it straight to a much more robust megawatt amp! For the price, five stars easy.
With two decades of experience and thousands of local customers served I found myself unemployed/downsized in 2010 asking myself what I wanted to do next. After some searching I understood that I really enjoy the interaction that takes place in the local store between the customer and the shopkeeper. I know that we can offer the same prices as the big stores and hopefully make the experience more enjoyable.
This is one of the most popular and oldest brands of acoustic guitars available in India. There are various brands and models of guitar available under the umbrella of Gibson Guitar Corporation. ES-335, SG, Flying V, and Firebird are one of the most iconic models of guitars produced by this brand and their classic acoustics include the hummingbird. These are ideal guitars that can be used by beginners made in – the USA. The price of Gibson 6-string guitars starts from 4,000 INR approximately.
Sure, your pickups pick up the sound, and your amp amplifies it, but even before they get to handle it, your precious tone has already been formed by the interaction of string and wood. Pluck a string, and you set into motion a transference of vibrational energy from the strings into the wood of the body and neck (via different coupling elements such as bridge saddles, nut, and frets). The spectrum of sounds kicked out by this acoustic interaction is the biggest determining factor at the heart of the sound that eventually reaches the listener’s ear, however you delay, spin, or distort it along the way. Let’s look at the characteristic voices of a few tone woods, and see how they contribute to our guitar’s sound.

Clock maker Matthias Hohner began crafting harmonicas in 1857, assisted by his wife and a single employee. 650 were made in the first year.[1] Hohner harmonicas quickly became popular, and in his lifetime Matthias built the largest harmonica factory in the world.[2] During the American Civil War, Matthias Hohner distributed harmonicas to family members in the United States who in turn gave them to the soldiers.[3]
Jump up ^ DeCurtis, Anthony (1992). Present Tense: Rock & Roll and Culture (4. print. ed.). Durham, N.C.: Duke University Press. ISBN 0-8223-1265-4. His first venture, the Phillips label, issued only one known release, and it was one of the loudest, most overdriven, and distorted guitar stomps ever recorded, "Boogie in the Park" by Memphis one-man-band Joe Hill Louis, who cranked his guitar while sitting and banging at a rudimentary drum kit.
Our fretwork is one of the things we are most proud of. We go to the extreme to make sure that your guitar is going to play the best it can. The fingerboard is planed under tension. The fretting process is done with epoxy fretting. We use a special blend of epoxy that makes re-fretting very easy without messing up your fingerboard. This process is used for multiple reasons. One of the advantages to this type of fretting is that you lose the hollow gaps under the fret that you find with the traditional way of fretting. In traditional fretting, with each fret you put on, it is like driving a wedge into the fingerboard, which causes back tension on the neck. With epoxy fretting, all of these issues are eliminated. The epoxy under the frets helps to transfer string vibration throughout the neck to the body, and relieves all stress and tension on the neck that occurs with traditional fretting. This results in a stress-free neck, which allows the truss rod to work properly and to adjust the neck accurately.

The electrified hollow body arch top was created so the guitar could compete with the volume of horns in the big bands of the 1930s. And they’ve evolved considerably since then, growing from fat jazz boxes with necks that meet the body at the 12th fret to nimble, thin-lined instruments with cutaways like the Gibson ES-125 and Epiphone Casino, which are experiencing a renaissance today. From the single blade pickup in Christian’s guitar, modern hollow bodies now sport all types of pickups as standard equipment: humbuckers, single-coils, piezo-electric and so on.

Gibson produced only hollow body electrics until 1952, when the first Les Paul solid bodies hit the market. But that still left a gap. Certain players wanted a guitar with the versatility of a Les Paul, but the warmer, mellow tone of a hollow body — albeit one that could be played at high volume. A solid wood block runs through the center of the guitar’s body, allowing greater sustain and less feedback at high volumes than hollow bodies, while the winged side of these guitars’ bodies still provide for a mellow tone thanks to their acoustic resonance.
In the 1920s, it was very hard for a musician playing a pickup-equipped guitar to find an amplifier and speaker to make their instrument louder as the only speakers that could be bought were "radio horns of limited frequency range and low acoustic output". The cone speaker, widely used in 2000s-era amp cabinets, was not offered for sale until 1925. The first amplifiers and speakers could only be powered with large batteries, which made them heavy and hard to carry around. When engineers developed the first AC mains-powered amplifiers, they were soon used to make musical instruments louder.

The ghost Hexpander MIDI interface system adds MIDI capability to almost any guitar or bass.  Plug your guitar into pitch-to-MIDI converters by Roland or Axon and enter the MIDI sound universe.  The Hexpander MIDI interface provides responsive and accurate tracking unequaled be any other system on the market today.  Check out how affordable and easy it can be to make MIDI part of your music making.


Ibanez JEM77WDP Electric Guitar With the Ibanez JEM77WDP Steve Vai Signature guitar, you can get a little piece of the legendary guitarist. This model is also commonly referred to as the JEM Woody because of its distinctive poplar burl veneer pickguard and matching headstock. Part of the company’s Premium line, the JEM77WDP electric guitar also features two cutaways and Steve Vai’s signature monkey grip.
I've only been playing guitar for 3 years but it seems like no matter what I do no matter what pedal I use I just can't get that real band sound like the heavy rock bands do on recording but when I tried a marshall that all went away. Marshall has the perfect distorted sound (overdrive) and for the price ha you just can't beat it. I'm getting a mg100fx half stack and it all totals out to only $400 plus this amp can get so loud you can play in a bar or club with only half volume
Overdriven speakers create one of the most desirable distortion characteristics: crunch. The best way to test for this is to dial in a clean setting and turn the volume way up. Low-wattage speakers break up at lower volumes, but they have a tendency to turn to mush at excessive volume levels; high-wattage speakers may not break up at all. Choose a speaker that sounds lively, defined and harmonically rich at volume and distortion levels you’ll normally play at.
So Rad...It's ok...To think that we were going to get all the campaigns and multiplayer for all the Halo's was amazing, and the game itself when it works is amazing just like it always has been, but I bought my Xbox One just for this game and the fact that it was broken for more than half a year is a shame and honestly unfair to the consumer, I still give it 3 stars since it works decently now but it lost its potential to be an amazing game....Lots of people seem to be having issues with multiplayer and campaign achievements; however, I have not noticed any campaign issues other than one time when I accessed a terminal it would not let me resume my game but after a restart I found I had just hit a checkpoint so no work was lost.
It's not subjective. When you're setting up a guitar you measure the height of the strings, typically you're at about 4/64" for the high E and 5/64" for the low E. You can go above or below the recommendation but if you go too low you can start to get a bit of fret buzz. How low you can go is not a function so much of what guitar you own, but how level your frets are and your neck relief. Most good guitars can be set up to play "fast". Obviously they don't get faster when you paint them fluorescent orange, or make the headstock pointy.
Many compressor pedals are often also marketed as "sustainer pedals". As a note is sustained, it loses energy and volume due to diminishing vibration in the string. The compressor pedal boosts its electrical signal to the specified dynamic range, slightly prolonging the duration of the note.[92] This, combined with heavy distortion and the close proximity of the guitar and the speaker cabinet, can lead to infinite sustain at higher volumes.
For this list and those below we are including both new and used sales data. It's also worth noting that we did not combine multiple variations of the same amp like different wattages or cabinet speaker sizes, or the head and combo versions of the same amp, which we consider to be distinct models. We did, however, combine things like different tolex color and other minor cosmetic variations where applicable.
Here we JUST SOLD OUT: another excellent FG160 for your serious consideration the Yamaha FG 160 Acoustic Guitar Made in the early - mid 70's from Taiwan factory. This example was built well over 35 years ago and was built to very high detailed standards as well as some of the best grained Mahogany woods seen in this time period ( see pics for those detail ) in that time period these were meant to compete with the great M@r#!n and now this Yamaha is quite well aged too and is a REAL vintage guitar in its own right sounding SWEET with its well aged woods with really beautiful patina of a true vintage instrument. This one has the Amber/Tan label and not the Red Label but the golden label. The frets are very good - original I did a quick dressing of the lower 5 or so frets and polished all. The guitar has it's natural age and character with beautiful patina and it has been played of course its not new its over 35 years old with a few insignificant minor nicks,dings from a well loved and adult respected instrument. This fine example is here and in stock... We upon receiving have remove the strings cleaned and detailed the guitar oil rosewood and polish finish, We have * upgraged* its TONE by installing a Martin BONE nut and compensated BONE saddle set for improved tone resonance over the old plastic stuff so she has a nice deep ring to its tone now and this guitar to plays very well Yamaha's and they are truly amazing instruments very well compared to a much more expensive brand guitar as you may have heard…. These FG’s are known for there fine construction and playability with amazing tone for this kind of money… to get a vintage aged tone woods instrument built this well and in this kind of condition make this FG160 the one to own for a song! Re: condition its over 35 years old and is BETTER than average This guitar has no cracks, no finish checking no warped top, no loose or pulling bridge Its neck has a real nice feel to it and is a medium - slim profile = feels like M@r#!n D-28ish substantial but not too fat - Just right! 1-11/16ths at the BONE NUT Play action is very good see pics Its a standard Dreadnought Acoustic and is Identical to the Yamaha FG180 This is an excellent vintage Yamaha FG160 You will be pleased with its sound she has good bones its over 35 years old and has proudly stood the test of time there is no reason this guitar will not continue to serve another 35+ years with average care. Beautiful Patina only seen on real vintage guitars Let me know if you have any questions ore are ready to purchase email Joe at JVGuitars@gmail.com.
Yes and he lost the finger tips on his left hand and attached makeshift fingers out of thimbles but managed to play some of the greatest evil licks ever. I love Eddie but he screwed up Van Halen terribly by getting rid of Dave and turning it into a girl band. Duane was awesome and highly skilled and a sought after studio musician. Clapton is the master.

I'll be referring to a lot of different producers in this article, and it's understandable that you may not have initially heard of some of them, even if you've probably heard some of their productions. To avoid an avalanche of parentheses, I've put a list of all the producers I mention into a box which runs across the bottom of this article. The box also includes a few of their most celebrated credits, so that you can have some idea of where each of them is coming from stylistically.
Seven-string electric guitars were popularized among rock players in the 1980s by Steve Vai. Along with the Japanese guitar company Ibanez, Vai created the Universe series seven-string guitars in the 1980s, with a double locking tremolo system for a seven-string guitar. These models were based on Vai's six-string signature series, the Ibanez Jem. Seven-string guitars experienced a resurgence in popularity in the 2000s, championed by Deftones, Limp Bizkit, Slayer, KoRn, Fear Factory, Strapping Young Lad, Nevermore, Muse and other hard rock and metal bands. Metal musicians often prefer the seven-string guitar for its extended lower range. The seven-string guitar has also played an essential role in progressive metal rock and is commonly used in bands such as Dream Theater and Pain of Salvation and by experimental guitarists such as Ben Levin.
• Them Changes: Since the strings on acoustic guitars play a much more important role in projecting volume and clarity than strings on an amplified electric guitar, considering changing acoustic guitar strings often to keep an instrument sounding its best. Remember to wipe down the strings after playing and check for string damaging fret wear. Both can prematurely end a guitar string’s life.
The body of the instrument is a major determinant of the overall sound variety for acoustic guitars. The guitar top, or soundboard, is a finely crafted and engineered element often made of spruce, red cedar, redwood or mahogany. This thin (often 2 or 3 mm thick) piece of wood, strengthened by different types of internal bracing, is considered the most prominent factor in determining the sound quality of a guitar. The majority of the sound is caused by vibration of the guitar top as the energy of the vibrating strings is transferred to it. Different patterns of wood bracing have been used through the years by luthiers (Torres, Hauser, Ramírez, Fleta, and C.F. Martin being among the most influential designers of their times); to not only strengthen the top against collapsing under the tremendous stress exerted by the tensioned strings, but also to affect the resonation of the top. Some contemporary guitar makers have introduced new construction concepts such as "double-top" consisting of two extra-thin wooden plates separated by Nomex, or carbon-fiber reinforced lattice - pattern bracing. The back and sides are made out of a variety of woods such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Each one is chosen for its aesthetic effect and structural strength, and such choice can also play a significant role in determining the instrument's timbre. These are also strengthened with internal bracing, and decorated with inlays and purfling.

It depends on whether you are playing with someone, or you just wanna start to play home in your bedroom. If you play with others, you need an amp that can play loud enough to follow the bass and especially the drums. Marshall make some great tubeamps, but also Vox make some great amps, where this one on 40 watt with effects incl are real good. Sound like a tubeamp, and have a 12ax7 in the frontamp.
Two-hand tapping AKA Emmett Chapman technique involves both hands tapping single notes (less often) or chordal (more often) instances. Even if you’re experienced tapper of one or more approaches, two-hand tapping is a whole new world. Keep in mind your pick hand will need time to develop compared to your fret hand, which by default has had a massive head start on fretting notes.
The next most important review criteria for any electric guitar, is its sound. Please allow me to be very clear here that this guitar is mostly suited for heavy rock tones, aggressive higher leads and chugging, crazy distortions. If you are more interested in a crisp, jazzy tone, maybe you should opt for a beginner’s Stratocaster electric guitar like Squier by Fender, instead. Having said that, this instrument sounds great in its genre, and also remains in tune for long periods, so you don’t have to worry about manually tuning it. Yes, the string tension is higher as compared to a 24.75” Stratocaster or XX Les Paul, but in a way this challenges electric guitar novices to acquire greater mastery over their notes!
The Danelectro 12/6 Doubleneck Semi-Hollow Electric Guitar for sale with Gig Bag deserves the limelight. With its what I refer to as creamburst finish and dual necks, it's bound to draw positive attention. The 12/6 doubleneck features maple necks with rosewood fretboards. Danelectro lipstick pickups are true to the originals with that unique tone everyone loves. There's a 3-way pickup selector and another selector for switching between 6- and 12-string modes. Controls also include dual concentric volume and tone controls allowing for different settings between the two necks. Includes gig bag.MORE HERE...
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His first solo album, Texas Flood, was released in 1983 and featured blistering renditions of “Testify” and “Texas Flood” as well as now-classic originals like “Pride and Joy” and “Lenny.” Several other successful solo albums followed. On August 27, 190, Vaughan perished in a helicopter crash while returning form a gig he shared with Eric Clapton, Buddy Guy, Jimmie Vaughan and Robert Cray.
This is an echo effect – every time you play a note it is repeated quieter and quieter, just like an echo. You can get a variety of different delay effects, from old-school “tape” echoes which are said to sound more natural, to analogue delay pedals and more modern digital ones. Digital pedals tend to sound clearer and a little harsher than their analogue cousins, making them more suited to modern styles such as modern metal.
When Bob Dylan described the Band's "wild mercury sound," he was really talking about Robbie Robertson's guitar, as exemplified by his torrid, squawking solo on "Just Like Tom Thumb's Blues" from their 1966 tour. But by the time the Band were making their own LPs, Robertson had pared down his approach, evolving into a consummate ensemble player. "I wanted to go in the opposite direction," said Robertson, "to do things that were so tasteful and discreet and subtle, like Curtis Mayfield and Steve Cropper… where it was all about the song."
GNUitar is a basic free guitar effects software that allows you to turn your PC into a guitar effects processor without having to spend a single dime. Nothing much needs to be said aside from it is working as intended. Although you don't have too many options, it has all the essential effect types including distortion, reverb, echo, delay, chorus, flanger, equalizer, wah, phaser, tremolo, vibrato and noise reduction. The package comes with 2 different types of distortion and has various flavors of echo, reverb and delay. This free software works for both Windows and Linux.

One of the biggest hits of all-time, this song incorporates everything that is 80’s pop and is performed in the key of F# major, in 4/4 time. Lauper originally didn’t want to sing it since the original version was written by Robert Hazard, who wrote it from the perspective of a man. Eventually, the singer released her version of the song and the rest is history. 

Solder is basically a low melting alloy, which in a nutshell means it’s melting point is far lower than the typical materials it will be used to join. It’s melting range is generally between 200 to 800 °F. Solder is available in either lead-based and lead-free. Most commonly you will use a 60/40 (60% tin, 40% lead) rosin core solder when working on guitar wiring.
You can tell these lists only consist of people who don't dig deep on info of great guitars. Breedlove's USA lines are top shelf. They quality and tone is outstanding and they are a top 5 or 6 company. I have an Oregon Parlor that is quite possibly the best sounding Parlor size guitar I've ever played or heard. And that's a plain Jane American made acoustic. They offer higher end American made stuff. I've played their other body styles and they aren't copying anyone's sound or style. They sound like Breedlove and that's something special. Much like Taylor's have their own sound so do Breedlove.
Other artists, such as George Benson, John Lennon, and the world renowned B.B. King would use the instrument to its fullest capability to produce a clean, bright, woody tone reminiscent of fully hollow guitars, while being able to provide the volume levels to perform in much larger concert halls without the inherent issues known with fully hollow body guitars.
Warwick Electronics manufactured the first wah-wah pedal,[citation needed] The Clyde McCoy, in 1967 and that same year Jim Morris of Kelsey-Morris Sound developed the first octave effect, which Jimi Hendrix named "Octavio". In 1968, Univox began marketing Shin-ei's Uni-Vibe pedal, an effect designed by noted audio engineer Fumio Mieda that mimicked the odd phase shift and chorus effects of the Leslie rotating speakers used in Hammond organs. The pedals soon became favorite effects of guitarists Jimi Hendrix and Robin Trower. Upon first hearing the Octavia, Hendrix allegedly rushed back to the studio and immediately used it to record the guitar solos on "Purple Haze" and "Fire".[43] In 1976, Roland subsidiary Boss Corporation released the CE-1 Chorus Ensemble, the first chorus pedal, created by taking a chorus circuit from an amplifier and putting it into a stompbox.[44] By the mid-1970s a variety of solid-state effects pedals including flangers, chorus pedals, ring modulators and phase shifters were available.[45][46]
Our site has a wealth of information about what goes into making a Taylor guitar and how to make this very important decision. We have guides for how to find the right fit for you. Learn about the subtle differences in shapes and styles. Delve into different types of woods and construction, which are vital to the flavor and tone of an acoustic. Explore the Taylor line by series to find the look and style you want for your instrument.
There have been plenty of attempts at different types of semi-hollow guitars from nearly every guitar manufacturer, and some are more successful than others. In my experience, even though Gibson does offer a fairly consistent output, there is still a fair amount of discrepancy from one instrument to the next, and as always I recommend playing a guitar before passing any judgement on it. But try and be discerning in your assessment of the guitar — versatility is king, only capable of being knocked off the throne by an absolutely golden, irreplaceable tone. Trust your ears!
We’ll go through each type of guitar pedal from the likes of distortion to delay and everything in between, whilst keeping it super simple. We’ll leave out some of the more technical details as this is just a beginners guide to guitar effects pedals, but if you feel you’re ready for a complete guide on putting together a pedal board, then we have a more in-depth blog here for you to read: Read our how to build a pedal board blog.
The steel-string and electric guitars characteristic to the rise of rock and roll in the post-WWII era became more widely played in North America and the English speaking world. Barrios composed many works and brought into the mainstream the characteristics of Latin American music, as did the Brazilian composer Heitor Villa-Lobos. Andrés Segovia commissioned works from Spanish composers such as Federico Moreno Torroba and Joaquín Rodrigo, Italians such as Mario Castelnuovo-Tedesco and Latin American composers such as Manuel Ponce of Mexico. Other prominent Latin American composers are Leo Brouwer of Cuba, Antonio Lauro of Venezuela and Enrique Solares of Guatemala. Julian Bream of Britain managed to get nearly every British composer from William Walton to Benjamin Britten to Peter Maxwell Davies to write significant works for guitar. Bream's collaborations with tenor Peter Pears also resulted in song cycles by Britten, Lennox Berkeley and others. There are significant works by composers such as Hans Werner Henze of Germany, Gilbert Biberian of England and Roland Chadwick of Australia.
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There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. For a six-string guitar in standard tuning, it may be necessary to drop or omit one or more tones from the chord; this is typically the root or fifth. The layout of notes on the fretboard in standard tuning often forces guitarists to permute the tonal order of notes in a chord.
Strumming Patterns: Rhythmic strumming patterns are rarely coupled with delay.Chords: In some cases, swelling chords that are strummed once can work well with a delay effect, but generally this is avoided in favor of a less-saturating effect, perhaps a kind of light modulation.Short Arpeggios: A five to 10 note arpeggio is the perfect spot to dial in a smooth delay to help fill in the sound.Quick Solos: Speedier solos can work with delay and make sense, but the faster you’re playing, the harder it is to get delay to sound clean and not muddy.
Now, these are known as Shaggs models because they’re what the Shaggs played, not because of some big corporate endorsement deal! No one knows who sold the Avalon brand. Mailorder? An area music store? An auto supply store? All possible. Nor who made them. Nothing like them shows up in the reference books. I’m not even sure when they were made, but 1967 or ’68 is a good guess. Japanese guitarmakers were competing with the Europeans early on in the 1960s and some of the earliest ‘copying’ was of European models.
Octave/Pitch Shift – A frequency-based effect that takes the input of your guitar tone and shifts it in pitch anywhere up to an octave above or below. This is useful to simulate a bass guitar line or the higher pitched strings of a twelve-string guitar. Some octave or pitch shift pedals double your guitar tone before shifting making them more akin to Harmoniser pedals.
Gretsch is one of the oldest manufacturers on this list. It was founded in 1883 in New York City by Friedrich Gretsch. He was an immigrant from Germany and was only 27 at the time he founded the company. Gretsch has a wide selection of both acoustic style and electric style guitars. They have models in just about everyone’s price range. You can buy a Gretsch for under $500 or over $2000. Their style is fairly unique. They have an almost “classical” look to them. Keep in mind that the older Gretsch guitars were not as consistent in quality as they are today. So if you’re looking to buy used, try to keep it so you’re buying guitars that are made semi-recently. On the other hand, you might get lucky and snag a great deal. As expected, their sound is excellent.

The “best” here is subjective. Again, what is best for me may not be best for me might not be best for you and vice versa. In general here are my recommendations for buying a guitar from the best brand of electric guitars for beginners at every level. There are several brands available in the market that claim to offer the best quality electric guitars for the beginners and for the seasoned guitarists as well. But some of them are really up to the mark if you are looking for the best guitar, you can go with them certainly. 


Since the early days of the electric guitar, blues musicians searched for different ways to overdrive their amplifier's signal. Of course, when rock'n'roll took off, the process of "distorting" a guitar tone became a lot easier thanks to new amp and pickup designs. Soon, musicians like Link Wray were making a name for themselves with the use of distortion. By the mid-60s, fuzz pedals were being used by teenage garage rockers around the world while performers like Dave Davies and Pete Townshend made distortion and overdrive a part of their signature sound. Today, distortion and overdrive effects pedals are a dime a dozen, and a quick glance at this section will make that obvious.
Around ’77 or so (since the new shape was similar to the Magnum basses), with sales embarrassingly bad, Ovation took some Deacon bodies and added new contours, carving a dip into the top curve and adding angles. It didn’t help. The Breadwinner was officially axed in ’79, with the Breadwinner loosing its head in ’80, although the market had long passed them by.
1975 Gibson Les Paul "Goldtop", Deluxe to Standard conversion, Electric Guitar. This is from my personal collection. I have another and mostly play my Strat and Tele for the music I'm doing now, so it's time to thin the herd (be aware that I might change my mind about selling it). Great, original Gold Top finish with nice checking. I was actually trying find one with a lot of "green" wear on the top of the body, but this one still has some good character (I hate shiny guitars). Plenty of wear to the finish on the back (see photos). Other than a pickup change and strap button change, the guitar is as I bought it used. When I purchased it there was a set of THC, PAF'S installed (don't ask, they're gone). Personally, I didn't care for them for a few reasons, so I replaced the front with a new, Gibson 490R, AlNiCo II and a Seymour Duncan, Seth Lover in the bridge.  Pots have been replaced and the selector switch appears to be original. It already had the Deluxe to Standard conversion work done (no the truss rod cover is not the original, as it should say deluxe). I believe the bridge and tailpiece are newer units as they shine too much for the rest of the guitar. The jack plate has been changed from plastic to metal. I installed the Schaller strap lock buttons. The tuning machines have been changed to sealed Grovers. The headstock has been re-fin'd in the back, from an what looks to be repairs around the tuners. In doing so, the serial was made very faint, and only somewhat readable. Appears to be "92?128". Has the 70's volute for added headstock strength. Bound, Rosewood fingerboard. Mahogany neck. Plays and sounds great. Original frets have normal amount of wear with plenty of years left in them. Neck and action is adjusted perfectly (for me anyway) and I did guitar set-ups for 12 years at a Fender / Gibson / Martin / Yamaha / etc dealership at $45-$150 a pop. I have sold guitars for many years and have been to "vintage" shows, so I'm fairly versed in guitar speak. This is not a "minty" show piece. If that's what you're looking for, then buy another guitar. This is a player's guitar. The guitar has not had the headstock broken off however like many used Gibsons. We have completely done a "Pro" set up on the guitar, including cleaning all the electronics, tightening machines, oiling the fingerboard, adjusting the neck and action for great playability (clearance at the 9th fret = .012 when fretted at the first and the body) and cleaning and polishing. STAYS IN TUNE!!! I play it though all three of my amps, a Trace Elliot "Super Tramp", Marshall JCM-800 and a '67 Fender Super Reverb (original). Plays and sounds great for about any type of music, except the currently installed pickups are probably too hot for jazz. We also installed a new set of .010 strings. The cream colored pick guard and chrome bracket is in the case pocket, I just removed it as I don't play with them installed on any of my Pauls. It's in fine shape if you wish to install it. Guitar weighs in at 10.5 lbs, assuming our UPS scale is reasonably correct. Original Gibson, Les Paul case with the purple lining included (the lockable latch is locked "open" and we do not have a key. Case still stays closed with the other latches. It was that way when I bought it years back).
Even with the myriad finish options, this latest model looks very much like the original Strats from Fender's original production line. As a testament to how effective the original design is, most of the specs and even the hardware design are followed even to this day. Speaking of specs, the current iteration features the same double cutaway alder body and bolt-on maple neck with a scale length of 25.5", narrower nut-width of 1.685" and SSS (Three Single Coil) pickup configuration. Giving this guitar its authentic quack and chime are three V-Mode Strat Single-coils.
Slicer – A dynamic effect that sounds like your guitar tone is chopping in and out. This percussive effect is akin to sequencer-type effects used by synthesizers. The effect turns the volume of the signal on and off, and sounds like the signal is being “chopped up” or “sliced” in a specified pattern. The BOSS SL-20 Slicer features 50 patterns to turn your guitar into a groove machine!

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He or she might even graduate to an acoustic guitar with steel strings long before ever obtaining an amplifier for the acoustics in question, let alone an electric guitar to plug into it. And who are the heroes of the guitar? For the last 50 years it's been Jimi Hendrix, Eric Clapton, Jimmy Page, and Tom Morello, to name just a few innovative names. All of these players made their reputations on electric guitars pumping through amplifiers, and at least one of them–or one like them–is likely the reason you picked up a guitar in the first place.

Guitar lessons work best if you're putting your skills together to learn how to play songs. That's why Guitar Tricks has a ton of great song tutorials for when you've mastered the Core Learning System, or if you want to try something new. These easy guitar songs are great, especially if you're a beginner that recently picked up an electric guitar. 


Explorer-style guitars dropped off the radar after the mid 1980s, but were revived again under the influence of late Pantera guitarist Dimebag Darrell Abbott toward the end of the ’90s. Weird shapes were back, if anything can ever be said to be “back.” What goes around comes around. There’s clearly an algorithm going on that originated back in 1958!
Time controls the length of time between any two repetitions of your signal. It is most often measured in milliseconds (ms). Most delay pedals don’t have a delay-time readout that would enable you to determine exact delay times in milliseconds, so you typically just adjust the Time knob to get an approximate time based on the unit’s available range. For instance, the Boss DD-7 (street $179) has a Mode knob that selects between four time ranges—up to 50 ms, 51–200 ms, 201–800 ms, and 801–3200 ms—and the Time knob then adjusts the setting within the selected range.
There are two main types of electric guitar bridges. There is the "Tune-O-Matic"/"Roller" type, which is found on Gibson, Gretsch and Epiphone guitars. This is usually a removable long oval part sitting on adjustable posts. These posts determine the height of the strings. Another is the "Vibrato"/"Hardtail" type, which is common to Fender and Paul Reed Smith guitars. In this case, bridge and tailpiece are one; there is usually a large, rectangular plate bolted directly onto the guitar with a raised heel which holds the strings and individual string saddles acting as the bridge. These saddles determine the height of the string and can be adjusted individually to create either a flat or arched effect, depending on the type of neck your electric guitar has. According to Chicago Luthiers, "Some just have adjusters that raise and lower the whole bridge, but not the individual strings, and some have both. This applies to guitars with tremolo bars as well as those without."
Here’s the idea: Conventional electric guitar tone controls employ a single pot and single capacitor connected to ground. As you turn the pot, more signal goes to ground for a darker sound. The capacitor value determines the cutoff frequency — the larger the cap, the lower the cutoff frequency and the darker the sound. In other words, the cutoff frequency is fixed, but the percentage of signal that gets cut off changes as you move the pot.
The full-size Davidson guitar features a maple fretboard consisting of strings that sound very pretty good once you have tune it right out of the box. This Davidson full-size electric guitar comes with die cast tuners designed to keep it in perfect sound shape, followed by a practice amp having an overdrive body, which makes the practice exercise easy and fun-filled. The amp can be tuned with an iPhone App and by the time you set this baby to work, you will surely get your neighbors screaming for the peace.
I built me my own custom guitar in high school shop class and it was simple i made an Ibanez RG styled body and a Randy Rhodes/Alexi Laiho styled body just so i can swap the 2 when ever i want and i can say the cons are waaaaaaay over exaggerated cause it was VERY cheap to do it i spent a total of $350 to do it and thats even with the the EMG 81's i have in them. I mean yes its only a 1 pickup guitar on each but its how i want the wood was only $60 for an Ash body (thats for both of them not each) and i have a hook up to get free mahogany that i used on the neck for it and mine noooo one could tell the difference between an actual Ibanez RG or ESP Alexi Laiho's signature guitars the only thing that they were able to know it was custom was the head stock being my signature and the parts that were on it and color option i used is NOT used by ether of them but the time is spot on it took 3 months for me to do them but this was of course all during the course of 45 mins for 3 months so it would of been much faster without it being in school but then again i also sort of cheated with mine cause i have been doing carpentry work since i was 8 so i already knew how to do everything professionally
Perhaps the most famous of these sounds—or, at least, the most formative—is that of Dave Davies, the lead guitarist for The Kinks, who got bored of his Elpico amplifier in 1964 and decided to pierce its speaker cone with a razor blade. This effect, known as “clipping,” cuts off the audible waveform at the height of the amplifier’s limits (voltage, current, and thermal), thereby distorting the signal. Although Link Wray had been doing this since the late 1950s, Davies popularized guitar distortion in the first few moments of “You Really Got Me,” changing guitar music.
The body was perfectly flat and the sanding sealer that was on it was great. I however in wanting a finish that was like a mirror used a enamel filler primer. The body was then shot with 6 coats of enamel black, wet sanded, and hung up to cure for 2 weeks. After curing the body was then shot over a matter of another couple of weeks with 10 coats of clear (remember that temperature and humidity have an effect ... full review
 You will not grow here or learn anything that will be useful in any other company unless they employ 1950's management techniques. Maybe a screenwriter for "Madmen" would find some material here but as someone trying to grow their career you won't learn anything useful. The pay will be no better than your last job minus your previous bonus and 401k match which to my knowledge they do not contribute. So next question, your not making any more money and probably less, not learning anything useful and will need to explain why you left after 6 months, how are you going to position this to beat the competition going after your next job?
The Ampeg Bassamp Company, founded in 1949 by Everett Hull, responded to the growing demand for electric bass equipment by producing a line of bass amplifiers. Ampeg bass amps were widely used by electric bass guitarists in the 1950s and 1960s. The first bass amplifier offered by Ampeg was an 18-watt model with a single 12" speaker and a rear ventilation port called the Super 800. In 1951, they introduced a 20-watt version with a 15-inch speaker. In 1960, they introduced the B-15 Portaflex, a flip-top 25-watt tube bass amplifier with a single 15" speaker. While the Ampeg Portaflex had a pleasing bass tone, and was used by studio bassists such as James Jamerson and Carol Kaye, it was not powerful enough to be used in a stadium or arena concert.[3]
Jazz guitars are big bodied, often semi-acoustic, and designed to coax out some wonderfully rich, warm tones. Historically, jazz was played on acoustic guitars. However, in the days before amplification, the guitar often became lost in the mix of the big band sound. Until, that was, the introduction of arch top acoustics. Containing a magnetic pickup, arch tops ushered in a new era of guitar manufacturing. This meant that players could be heard in the way they wanted.
Included here after the filters are shifters like your standard pitch shifters, harmonizers, or octave pedals. You want to take care of any pitch changing (I'd argue even vibrato should happen here) before you add other effects into your signal, since they will react to the audio signal itself. You don't want to add reverb and then try to pitch shift, because the signal you send becomes too complex and inaccurate for such a precise effect.
There is no such thing as a best amplifier. It's all about what kind of music you want to play and what sort of sounds are in your head trying to get out. Different amplifiers have different characteristics. Some have amazing cleans, some are known for their heavy distortions, some take pedals very well, some are built trying to be a "jack of all trades."  Only way to know what amp is best for you is to plug in and try them out. Try to "A-B" them,  trying one amplifier and then plugging into another immediately after with the same settings, playing the same thing. It will give you a good idea about how their characteristics differ. If you have favorite pedal effects that you  know that you're going to want to use, make sure you try those two.  Petals can sound quite different going into various amplifiers.
A pedal itself can have an effects loop, but the most commonly used place is on the amplifier itself. You'll see on most amps (but not all) some form of output labeled as Effects Send or Preamp Out accompanied by an input labeled Effects Return or Power Amp In, respectively. Both sets of outputs and inputs refer to the effects loop that you can add between the preamplifier and the power amp section of your amplifier.

Ovation’s first solidbody bass guitars were the 1261 Magnum I and 1262 Magnum II, introduced in 1977, as well. While not as exotic as the Breadwinner/Deacon, the mahogany Magnums had an elongated offset double cutaway design that basically had nothing to do with Fender. Surprised? The upper horn was a bit more extended than a Breadwinner and the upper edge had a slight waist. The lower bout cutout was not as dramatic as the guitar equivalent. Both basses had bolt-on mahogany necks reinforced by three strips of carbon graphite to eliminate warping, a wide strip in the center of the back and two more underneath the fingerboard. Fingerboards were unbound ebony with 20 frets and dot inlays. Both basses had a cast metal housing with two pickups, a small split double-coil unit at the bridge and a large square four-coil unit at the neck, this latter with little screw-adjusted trim pots for micro adjusting volume. The bridge/tailpiece was a heavy-duty plastic housing with heavy adjustable saddles. In front of the bridge was a lever-triggered mute. The primary difference between the I and II was in the electronics. The Magnum I had a three-way select with two volume and two tone controls. It also had two jacks allowing either mono or stereo output. The Magnum II had the three-way plus a master volume and an active three-band graphic equalizer, mono output only.
Large-diaphragm condenser microphones set to cardioid or omni mode work better for ambient purposes at distances of 2-3' or farther, introducing more room sound and coloration. Ribbon microphones, which are also (usually) dynamic, have become a popular alternative for guitar-cabinet recording in either close or distant miking situations. They combine good, detailed sonic reproduction with the capacity to withstand intense levels of sound pressure (a characteristic of their dynamic brethren, as well).
I have a 12-string Lyle in really good shape. Bought as a b-day present from me back in late 1970's from a pawn shop. I need to take it to a luthier to have it set up better, but it sounds really good. Just right now the action is a little high, but not that much wear. For a long time, I put it away, finding it hard to chord as a relative newbie back then. But now, I am more than ready. It does say it was made in Korea ~ which makes it seem a little more rare. The sound is still great or maybe even better! Wish I knew what it was worth, but I hope the guy I find to set it up will know more.
The most basic, original pickup design is a single-coil pickup. It’s composed of a single magnet with fine wire wrapped around it, creating a magnetic field that captures the strings’ vibrations converting them into an electronic signal. Single-coil pickups tend to be bright and crisp sounding. The tone they produce cuts through dense band sounds well, but they are also prone to generating hum and are subject to magnetic interference. Many great artists play guitars equipped with single-coil pickups. Eric Clapton, Stevie Ray Vaughan, John Mayer, Merle Travis and many others are famous for their use of single-coil tone.

Jackson is a renowned guitar manufacturing company. It is named after its founder, Grover Jackson. Jackson Guitars was founded in the year 1980 and has its headquarters in the State of Arizona, United States. Jackson guitars are considered as one of the best guitars in the world. Jackson Guitars are known for its slender and elegant designs. Jackson Guitars are popular for their typical pointed headstock which is similar in design with the “shark fins”. This design is most popular and has inspired many other guitar brands to shape themselves as the Jackson’s.


The best course of action is to set a budget that is reasonable - right at the get go - while also considering the cost for other important gear like accessories, cables, amplifiers and effects, should you need them. A good rule of thumb to follow is that entry-level to mid-tier instruments are great for beginners, while more experienced players will want mid-tier to premium guitars.
The RG (Roadstar) is one of the most famous Superstrat guitars on the market and remains a hugely popular model in all price categories. However, they also produce other collections such as the streamlined S Series (standing for ‘Saber’) and the relaxed Talman collection. Also look out for the Iceman – an edgy original Ibanez design, famously used by Paul Stanley from Kiss.
That’s why it’s incredibly important that once you work through your first method book you should start seriously considering finding a teacher to further your education. A teacher can help give you the tools that you’ll need to continually advance on your instrument, which in turn will ensure that it will be a lifelong source of entertainment and enrichment.
Want to switch from pristine cleans, to vintage crunch, to face-melting distortion within seconds? You’ll probably want a modeling amplifier. Based on digital sound processing, modeling amps will combine many (sometimes hundreds) of iconic, vintage and modern amp sounds into a single unit, easily selectable at the twist of a dial or press of a button. Of course, the downside to modeling amps can be their recognizable digital tone, but when this means you have a whole guitar store worth of amps at your disposal it doesn’t tend to put many guitarists off.
In the 1960s, the tonal palette of the electric guitar was further modified by introducing effect units in its signal path, before the guitar amp, of which one of the earliest units was the fuzz pedal. Effects units come in several formats, the most common of which are the stompbox "pedal" and the rackmount unit. A stomp box (or pedal) is a small metal or plastic box containing the circuitry, which is placed on the floor in front of the musician and connected in line with the patch cord connected to the instrument. The box is typically controlled by one or more foot-pedal on-off switches and it typically contains only one or two effects. Pedals are smaller than rackmount effects and usually less expensive. "Guitar pedalboards" are used by musicians who use multiple stomp-boxes; these may be a DIY project made with plywood or a commercial stock or custom-made pedalboard.
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