An excerpt: “Scorned, laughed at, jeered, chided, and derided. The concept of the solidbody electric guitar was subject to such utter disdain in some corners that it’s almost hard to believe it ever came to be at all. The ridicule and mockery would have been enough to send a less self-confident inventor running for the hills. Given our more than 55 years of perspective, though, we know it just had to be; a world without the solidbody guitar? Moreover, without the Gibson Les Paul? Unthinkable ...”
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According to Wikipedia, a grimoire is a magical text that instructs the user “…how to perform magical spells, charms and divination, and how to invoke supernatural entities…” In order to summon your own supernatural creations, this guitar-focused text compiles a vast selection of exercises that will help you connect patterns across the entire guitar neck.
Some guitars have what is called a push-pull knob where pulling the knob will change a setting, or access a different setting. For example, some guitars have one knob when pulled will turn the bridge humbucker pickup as if into a single-coil pickup, which is known as a coil-split. Some guitars like ones from Fender have what is called the Fender S1 switching system where pushing a knob will alter the behavior of the pickup selector.
SOLD OUT : A real find this one is... not your average vintage Takamine you will soon see its also in amazing original superior condition .. this premium example was hand built by the finest Japanese Luthiers at Takamine Gakki. This prime example is the finest Exotic Brazilian Rosewood we have had in yet and we have had some duzies for sure this true Law Suit era Takamine F375S acoustic guitars we have ever had! wow.. and exact copy of the Genius original Martin design of the D-28 exotic....WoW.. the frets look almost new, Martin bone nut and saddle the "s" stands for solid construction and the Solid Sitka Spruce top is super nice amber with age now over the past 37 years and taken care of this California native guitar exhibits its premium exotic woods very proudly just have a look all round everywhere you look...from the amazing Brazilian rosewood sides & the back is A Gorgeous 3-piece back with intricate inlay work to the premium solid mahogany neck..fit & finish is simply put gorgeous. The neck is nice & straight with a perfect Martin like medium V profile 1-11/16ths @ the nut - the action is very good 3-16th @ 12th fret you can adjust either way to taiste no problem and with the bone nut and saddle this guitar has wonderful tone right up there with the Martin or Yairi this guitar is AAA professional grade vintage and is in 100% condition it is not new or mint with minimal dings its condition is JVG Rated as 9.5 / 10 - excellent vintage = beautiful and exotic... please see the pictures for the cosmetics..these Takamine are built as good or better than the Martin it copies the back is quad braced and the reinforced crossbracing of the top should make this finely built instrument last several lifetimes.. Your looking at the best of the best in Japanese vintage exotic & solid construction in astoundingly nice condition...you simply must play and hear this guitar we love it and so will you.. I can't amagain a cleaner example of this vintage you will not be sorry... exotic Brazilian Rosewood tone woods are the best of the best. No need to spend $3000 or even $5000 or more for such an exotic vintage 40 + year old Martin d28....Find it here Email: gr8bids@comcast.net ..
The company’s reputation and output continued to grow. Forays into mandolinmaking in the late 1890s and ukulele making in the 1920s greatly contributed to their expansion, and by 1928 they were making over 5000 instruments per year. The company remained family-owned and employed a relatively small number of highly trained craftsmen making instruments primarily by hand. By the early 1960s Martin guitars were back-ordered by as much as three years due to limited production capacity. In 1964, Martin opened a new plant that is still the primary Martin production facility.

Phaser: A phaser or "phase shifter" creates a slight rippling effect—amplifying some aspects of the tone while diminishing others—by splitting an audio signal in two and altering the phase of one portion. Three well-known examples of phaser are the two handed tapping part on the Van Halen instrumental "Eruption" and the keyboard parts on Billy Joel's "Just the Way You Are" and Paul Simon's "Slip Slidin' Away".[77]
With a body shape that looks like it could have been cut out by hand using a saw in your garden shed, this Kay Old Kraftsman Sizzler guitar manages to be crude and quite fantastic at the same time. "Old Kraftsman" was actually a brandname used on Kay guitars sold by Spiegel stores. The maple neck gives it a rather Fender-like appearance, but this is in fact a set neck and not a bolt-on.
I have 2 Kent guitars. One like a Strat and one 12 string hollow body. I know they were made in the 60s and were distributed by Kent Musical Products. Address:5 Union Square, New York. 10003. And they were a subsidiary of Buegeleisen & Jacobson, Inc. Any further info on these would be appreciated. Most sold in the price range of 100 dollars and up.

The Effect: Boost pedals are essentially an extension of your guitar’s volume knob. Their main purpose is to give you additional gain to work with. This extra gain can be used to accentuate your solo sections, give you more girth in your clean channel, or even push your tubes into a slight overdrive. A great example of a booster pedal is the legendary Electro-Harmonix LPB-1.
Except I wasn’t. Because, really, I could only make two types of sounds. There was the clean, flat, boring, plugged-in-acoustic one. Or I could push the little red button on my starter amp and get a muddy, cloudy, mess of a distortion. However, I was, at this point, somewhat blissfully unaware of what I was missing. I made do with what I had and spent my evenings rocking my house (sorry family).
What started as a simple string and pedal sales catalog has grown exponentially over the past thirty years. The early days were a time where catalogs didn't have much of a presence in the industry, but what began as a college dorm room operation grew rapidly. In 1986 we moved to a full product offering and 64-page catalog, which over the years has grown to 162 pages. Join the AMS family and get your free catalog now!
Designed to be the greatest all-rounder, the Grand Auditorium shape was the perfect blend of size, shape, volume and comfort, and its modern-day incarnation has seen the likes of the biggest pop star on the planet these days, Taylor Swift pick one up. People forget that before mega-stardom, Taylor was a respected country artist, and it was on a Taylor Grand Auditorium that she plied her trade.

However, when I’m building a guitar, there’s a myriad of small adjustments I can make to steer the instrument on a desired trajectory. These micro mods are interactive with each other and, depending upon the combination, offer a wide variety of sonic outcomes. But these little mods can also be applied to existing guitars—your guitars—in any number of permutations and to great affect. Let’s take a look at five mods that are easy enough for most players to try.
Whether you have your sights set on a dreadnought acoustic or a classic Squire Strat, the guitar value packages found here consist of everything a player needs to make their guitar learning experience an exciting and enjoyable one. From Fender, Dean and Alfred to Jasmine, Ibanez and Martin, all the big names are here. You'll have no problem finding the perfect guitar value package that pertains to your specific music tastes.
Larrivee is much 'closer to home' and have been operating out of California since 2011. Although you can buy their instruments from Guitar Center and Amazon, and I personally like what I've read about their approach to lutherie, they didn't quite score high enough to make the final cut due to the method I used having a bit of a bias toward wide availability - I may rethink the approach if I revisit this topic.

The Effect:Distortion is one of the most popular and desired guitar pedal effects, especially among rock, hard-rock and metal players, The Kinks, Jimmy Hendrix, Metallica, to name a few. Prior to the introduction of effect pedals on the market, Distortion was mostly achieved by forcing an overwhelming amount of electricity passing through a guitar amp’s valves. Nowadays this is no longer necessary. Arguably one of the most famous and newbie friendly option and at the same time prime example for a distortion pedal is the classic Electro-Harmonix SOULFOOD.


In the early 1970s, Southland Musical Merchandise Corporation apparently acquired the Kent name and shifted manufacturing to Korea. The font for the logo changed and emphasis was placed on lower prices with a higher profit margin at the expense of quality. Most of those guitars were knock-offs of Gibson Les Pauls and ES-335s and Fender Stratocasters. I'm not watching those.
If it is muted in positions all up and down the neck, and you've already tried different strings, then I think you really need to be looking at the bridge. Is there any sort of slot cut in the saddle for that string? It could be that it is just the right width to kind of kill any sort of vibration from the string. Might be worth slackening the string, lifting the string out of the slot and setting it just a mm or two to the side and tuning it up again to see if that helps. If it does, then you'll need to do something about that saddle. You might be lucky enough to be able to swap it with another string, or maybe even turning it around might make enough of a difference. To be honest it's a hard one to troubleshoot, but if you want to contact me by email about it with some close-up photos, I'd be more than happy to try to help you figure out what the problem is. Email is stueycoolTAKE-THIS-PART-OUT@gmail.com

You might initially think that Music Lab is narcissistic for creating a line of guitar VSTs with the word “real” in them. But after you hear the first note, you’ll be kicking yourself for doubting it. There is a lot to cover with the “Real” line, and since they share many of the same features, we will slowly go over the components of these VSTs throughout the reviews for them.  
If you want to combine the dynamics of a well-recorded drum kit with the pumping excitement you get from heavy compression, send either the overheads only or the entire kit to a buss and insert a nice-sounding compressor there. Set the compressor to a high ratio and low threshold and mix in some of this with the song. You may need to adjust the attack and release controls to get the effect you're after, but you don't need to blend in much of the compressed sound to really add punch and weight to a drum track. Nicholas Rowland

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A range of other effects are used in various genres. "Wah-wah" and "synth" bass effects are associated with funk music. As well, since the 1960s and 1970s, bands have experimented with "fuzz bass" where the bass is distorted either by overdriving the amp or by using a distortion unit. Fuzz bass was used by psychedelic rock bands in the 1960s and early 1970s and in traditional heavy metal bands (Led Zeppelin) during the same era. Octave-generating effects, which generate an octave below the pitch being played are also used by bass players. Many bassists in modern-day hard rock and heavy metal bands use overdrive pedals specifically made for bass guitar. Since the late 1980s, bass-specific overdrive pedals have been available; these pedals maintain the low fundamental pitch. Using a regular guitar distortion pedal for bass would result in the lower frequencies being greatly lessened. Well-known overdrive effects for bass include the BOSS ODB-3 Bass Overdrive[1], Electro-Harmonix Bass Blogger[2], Tech21 Sansamp Bass Driver[3][4], the DigiTech|DigiTech XBD Bass Driver [5], and the Electro-Harmonix Big Muff.
Drop A in D standard variation - A-G-C-F-a-D: Used by Mastodon on most of their first album (Remission) and on some songs on other albums. Also utilized by Periphery on the song "Zyglrox" as well as "Alpha" and "The Bad Thing." Also used on occasion by Black Label Society, who previously tuned it a half-step up, which Alter Bridge also utilizes on some of their songs such as "Broken Wings", "Come to Life", "I Know it Hurts", "Still Remains", "Breath Again", and "All Hope is Gone." Creed, Architects, and Sevendust all use this tuning tuned a half-step down on their songs "Bread of Shame", "Early Grave", and "Home" and "Chop" respectively, with the latter also tuning down a full step for the songs "Death Dance" and "Not Today". Danish industrial metal band Raunchy used this tuning tuned one and a half-step down (F#-E-A-D-f#-B) on the song "Dim the Lights and Run" from the album A Discord Electric. Wage War also utilize this tuning one whole step down for songs like "The River" and "Spineless" off their album Blueprints.
A right handed 6 strings, electric guitar that mostly comes in black. The body is made from mahogany, while the fret board is made up of rosewood. The fret board is composed of up to 22 frets of 2.7 mm in size. It additionally has beautiful electric features such as a 3 way toggle and a push and pulls volume and tone. Price ranges from INR 21,400-21,541. Click below to get more product details.
-Would be nice to edit the string colors, add training modes telling you which finger to hit the note with, how many times to play through a sequence (so you learn/memorize the song, vs just respond to the game - i.e is the chorus sequence repeated 4 times before moving onto the next part of the song?),indicating strumming patterns to help with timing (newbies tend to down pick everything and just pick faster when the notes are closer vs switching to an up-down strum) etc.
Alongside the Stratocaster, Les Pauls have defined rock ’n’ roll. Everyone from Jimmy Page to Slash to Zakk Wylde has wielded one of these, and the guitar’s fat, creamy tone with near-endless sustain is instantly recognizable. Not everyone can afford a bona fide Gibson, though, but the Epiphone Les Paul Standard makes those sounds accessible to most of us.
I don't understand why everyone is so "Gibson is the best". They have been going downhill for years. Unless it's a custom shop job, it is hit or miss. the same with Fender. Everyone likes them because of the mystique of the players that played them over the last decades. It's a "lifestyle cult" with name recognition. If you want a guitar that plays and sounds like a Gibson of Fender is supposed to but want to be guaranteed of the quality you are receiving and spend for a fraction of the money, then get a used USA Custom Shop made Washburn. You will never look back. I say used because the Chicago custom shop has apparently closed. Anything made there from about 1993 - 2008 that looks like a competitors guitar will outmatch the competitors version every time. You will notice that it is hard to find a used custom shop Washburn around. That's because they are the guitar worlds best kept secret. The people in the know get them - at a massively reduced price - and keep them. People hang onto their USA Washurns for the most part and there i a reason for that. They are that good.
Got this beautiful guitar less than a month ago and played a couple of solo acoustic gigs. People were wowed by the way the sound of this guitar fills the space ( I played it through a Bose tower). Loved the feel of the fretboard. Though the body is a jumbo, it doesn't feel like a dreadnought. The guitar looks very attractive too and I had one person come over during a break just to admire the guitar. So now here's why I have given it 4 stars. The electronics were faulty on my guitar. The tuner switch didn't turn off automatically after I hit them to tune the guitar. The light stayed on till the batteries were drained out. This happened twice to me after which I decided to send it back. I also noticed a big hum building up during my second gig with the guitar - I
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For those who just start to learn guitar, buying the expensive decent guitars is not a must. You can buy an affordable entry level guitar under those famous brands or buy guitars from those brands which focus on beginner guitars. So you can buy a Taylor entry level guitar or guitar from brands like Yamaha. Yamaha FG series are great for beginners because of the decent sound and affordable price.
I had just finished signing up for guitar.com. I am a 54-year-old disabled Miner of 22 years, so I thought I would try to take up playing the guitar once again like I did when I was a kid. I forgot a lot about it through the years as life moved on, but now all I have is time. I came across your website and thought why not give it a try. so anything you suggest I will try once twice if I like it lol
Martin is a famous America-based company known for is a variety of impressive electric and acoustic guitars. Their guitars are predominantly manufactured in Pennsylvania and Nazareth. The history of Martin guitars dates back to 1833. From then on, Martin has managed to maintain classiness and quality in their guitars to satiate the thirst of pro players in America.

The OO-18E was basically the small-bodied OO-18 acoustic with mahogany back and sides, spruce top, and the ring-mounted DeArmond tucked right at the end of the fingerboard. These featured one tone and one volume control, with large two-tone plastic knobs situated down on the lower treble bout. The first prototype was serial number 166839. OO-18Es were produced from 1959 to 1964. Around 1,526 of these were produced.
I’ve used Eagle for a long time, but I just recently started using Circuit Maker, and I like it so far. I’ll probably end up using both since I do most of my work on a Mac, and Eagle still works fine on that. I had to set up a dedicated Windows machine for Circuit Maker. Circuit Maker has a 3D view of the finished PCB which is a very helpful tool if you are dealing with odd board sizes and very constrained layouts.
With modern recording systems, track counts aren’t usually much of a limitation any more. In addition to a mic’ed up amp or a feed from pedals into your interface, try to also capture a clean feed of the guitar signal if your amp or pedal board allows a direct output to be routed. If you record this as well as the amp / fx feed, you have another option to re-process the guitar recording in software if you decide the original feed isn’t right.
Single coil pickups utilize a single magnet. They also typically have a lower output than humbucking pickups, which means they aren’t capable of producing as much distortion as a humbucker equipped guitar. However, because they’re not intended to be used with extreme levels of distortion they have a very rich and musical voice when played with lower amounts of gain.
Franklin Guitar And Repair was started in this space to sell on Ebay By David Wood and Josh Pewitt! before They knew it...there were enough guitars to open a store! David had been a road musician for nearly 20 years, and along the way he learned to set up instruments and do repairs himself. Franklin Guitar and Repair has grown in many ways, purchased by Pat Stockdale in 2016 and still maintaining quality work, and a mom & pop homey kind of atmosphere.
Firs, I'm a tube guy - 68 Vibro Champ, 57 Deluxe, Falcon. Next, I have hand wired boutique pedals. And C, I have owned previous Zoom iterations of this pedal, my favorite is the MS100 BT. With all that said this unit is awesome!! It's all metal and a solid build. The onboard tuner is easy to get to and has more options than I expected. I love that it is stereo out and has an aux in for my iPhone backing tracks. Now the sound - the word is the started from the ground up on modeling amps, cabs and effects. I can tell you the rocks my sox. Whether I'm going through it with my SG or my Les Paul this thing screams. From trippy ambient delays and reverb to 50's rock. The acoustic guitar tones are very convincing. All this for $200 is a steal. I would ... full review
Multi-effects units are exactly what the name implies—single units that offer many different effects and allow those effects to be used singly or in combinations simultaneously. Most will offer just about all the effect types discussed in this guide and many more. Typically they include dozens if not hundreds of effects presets—combinations of effects and effect parameters designed to achieve specific sounds with the touch of button or footswitch. Most also allow you to also save your presets for instant recall.
One of the greatest things about being a touring musician is having the opportunity to see, hear and play with some of the greatest guitarists on the planet. Over the course of my career, I’ve performed with legendary guitarists like Ted Nugent, Steve Cropper, and Glen Campbell, to drop just a few names. Playing lead for a headline act like Toby Keith also allows me to watch fantastic guitarists like Keith Urban and Brad Paisley take the stage before me.

Processors, on the other hand, comprise an entirely different water heating appliance filled with piscean vertebrates, as they tend not to need any of the dry sound, other than in a few specialist applications. As a rule, processors such as EQ and compression are connected only via track, bus or master insert points — at least until you have the necessary experience to understand why you might want to break the rules once in a while. Having got that off my chest, let's look at some specific effects (we'll look more closely at processors another time).

Jazz rhythm guitar often consists of very textural, odd-meter playing that includes generous use of exotic, difficult-to-fret chords. In 4/4 timing, it is common to play 2.5 beat intervals such as on the 2 and then the half beat or "and" after 4. Jazz guitarists may play chords "ahead" of the beat, by playing the chord a swung eighth note before the actual chord change. Chords are not generally played in a repetitive rhythmic fashion, like a rock rhythm guitarist would play.
You are bidding on a previously owned and in good playing condition Breedlove Atlas Series AD25/SM acoustic electric guitar. This auction is for the guitar and case you see pictured. No battery is included. Nothing else is included. It comes as pictured. Please take a moment to look at the pictures and get a better idea of what you are bidding on. There is a nick on the face of the guitar (see picture 3 for a better look). This guitar has scuffs and scratches from use. It could use a good cleaning. The electronics have been tested and are in good working condition. The neck is straight and the frets have plenty of life in them. The guitar is in good playing condition. Please take a moment to check out my other great items! Thanks ccloan.
These are world class guitars and have got probably the best feel any guitar can give apart from that u can play everything on these guitars from classic rock to jazz and blues followed by metal. the main thing that these guitars are known for is their finish and there unique necks which are really fast and not too thin which keeps your tone and feel in place. I would say that these guitars definitely deserve a place in the top 3 and definitely do watch out for the petrucci signature models
The valvetronix XL-series builds on the success of the original valvetronix digital amplifier. A range of tube-powered modelling amplifiers, with hi-gain sounds designed to span the entire range of heavy rock music. The XL-series uses VOX's patented Valve Reactor technology, producing the sound and feel of an all-tube amp. Models: AD15VT-XL 15-watt 1×10" speaker, AD30VT-XL 30-watt 1×12" speaker, AD50VT-XL 50-watt 2×12" speakers, AD100VT-XL 100-watt 2×12" speakers.
Very well cared for electric guitar.  Very light with a good tone provided by the maple neck and mahogany body. The S520EX features a thin, sculpted mahogany body bolted to a maple Wizard II neck with a 22-fret rosewood fingerboard with binding and claw scratch inlays only at the twelfth fret. Components include a pair of Ibanez Infinity covered humbucking pickups and a ZR ball-bearing pivot double locking tremolo bridge with a ZPS2 tuning stabilizer.

A plucked string has many modes of vibration which all occur simultaneously; most of these correspond to overtones or harmonics of the fundamental frequency of the vibrating string. Near the center of the string, the fundamental frequency has the largest amplitude; a pickup at 1/4 of the length of the string will be at the point of maximum amplitude of the second harmonic and at a null point for the fourth harmonic. This position gives a strong, full, mellow tone. A pickup at 1/8 of the length of the string (closer to the bridge) will be at the point of maximum amplitude of the third harmonic, and will also get a lot of the fourth and fifth harmonics. This gives a much brighter tone. The change in tone caused by plucking the string close to the neck versus close to the bridge is based on the same idea: bringing out the harmonics in the string in different proportions. See link to a related article, below.


Chorus: Chorus pedals mimic the effect choirs and string orchestras produce naturally, by having slight variations in timbre and pitch, by mixing sounds with slight differences in timbre and pitch. A chorus effect splits the instrument-to-amplifier audio signal, and adds a slight delay and frequency variations or "vibrato" to part of the signal while leaving the rest unaltered.[71][72] A well-known usage of chorus is the lead guitar in "Come As You Are" by Nirvana.[61]

The double-neck guitar is designed so that two guitar necks can share one body. This design allows the guitarist to switch between either neck with ease. The double-neck guitar will normally have a standard six-string neck and a twelve-string neck. Other combinations, such as a six-string neck and a fretless neck, are available. The double-neck guitar may be used in live situations when a guitarist needs a twelve-string guitar for the rhythm part and a six-string guitar for the solo break.


Compressor effects help you control the volume variations of your guitar. The compressor basically makes the loud parts softer and the quiet parts louder. This can help you fatten up the sound of your guitar as the overall sound will have much more sustain and often the low-end becomes more pronounced. Some compressor pedals are also sold as sustain pedals, which certainly does give a clearer idea of one of the ways the effect can be used.  
Some of the smaller amplifiers that I like to talk so much about are not really that small. I mean, the Marshall MS4 Mini Micro Full Stack Battery Amplifier is anything but small, in terms of sound at least. It has a powerful volume output that is hard to ignore for anyone, be it in some bar or in the street or at some gig. The tall tower like shape of the guitar is exceptional in design and yes, while the stack is a little on the big side, the affordable price of it and the quality of tone and volume is definitely worth the little bit of a size problem. Definitely worth your consideration!
Sound also factors into this, though I'd argue equipment is less critical than playing technique. But a muffled high-impedance humbucker makes it much harder to bring out the right notes than a twangy Tele singlecoil. And in particular, distortion can quickly make an utter mess out of an only slightly muddy clean signal. So, keep the gain down when playing more chordal stuff, and treble up especially when doing delicate arpeggios etc..
If you prefer to pay monthly you can get started with $19.95. To take advantage of this offer follow the link below and key in your email address. I suggest that you wait until you receive an email from Guitar Tricks. You should get a username and a password. Use these details to logon to the site. Once you are inside of Guitar Tricks select the Upgrade button and choose the Monthly Membership option.
Most users and experts agree that the Zoom MultiStomp MS-50G is a high quality and high value pedal. But it's not just about bang per buck, because many are satisfied with the quality of its effect and amp emulations. Even Music Radar is convinced of its performance saying, "While not all of the sounds are going to appeal to all players, there are enough usable tones here to make this a very practical item for just about anybody who uses effects."
The Blue Midnight was released in 2011 with a limit to the key of C, also on the less expensive side of the market. It features stainless steel cover plates with a wider back gap for enhanced volume while playing. The unique feature of this harp is the comb, which is made out of translucent blue plastic. The comb allows for brighter tone than the black combed models. It also has a special just intonation (JI) "Chicago tuning". It is also now available in other keys.[23]

Guitar-Sunbeam : Precisely transmits the eternal electric guitar, ideally suited for modern production. It combines an extensive library of strum patterns, brute force, arpeggios and real riffs with real-time performance monitoring. An innovative playback engine allows you to create an almost infinite number of variations of chords and you get convincing, musical results.
We round off this list with a relatively modern innovation in the world of acoustic guitars; the ‘baby’ acoustic. As usual, Martin and Taylor have led the way with these particular guitars, which are effectively shrunken down dreadnoughts which focus heavily on their portability and the wide range of musical scenarios in which they can be used. Martin had dabbled in this world before, with its rather odd looking Backpacker, but it was with the LX1 – and Taylor’s subsequent Baby Taylor – that the world began to take note.
The Epiphone DR-100 acoustic guitar definitely falls under the category of “entry-level” or “student” instrument, but sound quality has not been sacrificed for the sake of a lower price point. Many guitar instructors urge their students to invest in this model because of its resonant mahogany components. There can be some buzzing because of its lower action, but beginners will have a better learning experience because of the improved tonality. Epiphone is a strong name in guitars, and considering the low price, the DR-100 is a good buy. We recommend it for the mahogany alone, but the tone quality is also appropriate – and perhaps even better than it should be – for the price.
The 50-watt version is driven by seven 12AX7 preamp tubes with two 6L6s powering the amp, which is surprisingly huge in output – capable of filling an auditorium no problem (depending on your cab, of course). Other features that make this such a popular choice among gigging guitarists include three customizable channels and a four-button footswitch.
Growing popularity of the guitar in the early 1900s, fueled by the growing popularity of folk music and country and western music, led to a demand for louder and more percussive guitars. In response, many companies began to use metal strings instead of catgut. These became known as steel-string guitars. By 1921, Martin had focused production towards this type of guitar.
Description: Guitar Type: Acoustic - Body Size: Grand Concert - Top Wood: Solid Sitka Spruce - Back: Mahogany - Sides: Mahogany - Neck Wood: Mahogany - Nut Width: 44.5mm - Fingerboard: Rosewood - Frets: 20 - # of Strings: 6 - Scale Length: 26" (66cm) - Headstock: 3+3 - Bridge Construction: Rosewood - Bracing: X-Type - Hardware: Chrome, Grover Tuners - String Instrument Finish: Light Violin High Gloss Sunburst, Dark Violin High Gloss Sunburst
The electric guitar ("El Gtr" in engineer shorthand) is one of the easiest instruments to record. Even a modest rig-a good guitar coupled with a decent amplifier-makes the engineer's job a cinch, offering plenty of level, a variety of easily adjustable tones, and-with most modern amps, at least-an assortment of "flavor enhancers" such as tube saturation, overdrive, and compression. In addition, the limited bandwidth of a typical electric-guitar track is ideally suited to the frequency response of affordable dynamic microphones. But that doesn't mean that using the age-old standard of miking guitar amps-a Shure SM57 shoved up against the grille cloth-is the best way to get El Gtr to stand out in a mix.
In pop and rock music, the electric guitar is often used in two roles: as a rhythm guitar, which plays the chord sequences or progressions, and riffs, and sets the beat (as part of a rhythm section); and as a lead guitar, which provides instrumental melody lines, melodic instrumental fill passages, and solos. In a small group, such as a power trio, one guitarist switches between both roles. In large rock and metal bands, there is often a rhythm guitarist and a lead guitarist.
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