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I found myself un-obligated, bored and holding a fist full of cash one Friday afternoon, so I wandered into my local guitar shop. With a new found love of single coil pickups I had been eyeballing the Gretsch and Guild hollow bodies unfortunately too poor to actually buy one. On this afternoon, however, I played the Godin 5th Avenue Kingpin. It was love at first strum. Mine is called Cognac Burst. The satin finish on these instruments is beautiful, and give it a vintage, played look. This guitar has a really nice feel in terms of the neck and the thickness of the body. I have fairly long fingers and the neck is comfortable to play. It feels to me, a bit like the thicker necks on the Les Pauls of the late 50s. When I got the guitar, the shop said they'd dial it in for me for free, but frankly, I have no complaints as it is. With the classic style floating bridge you can drop the action impossibly low before you start to get fret buzz. After I brought mine home, I did just that and it plays like a dream. The frets are finished well and there is a bevel on the edge of the fret board and frets that keep them out of the way if you're in the habit of sliding your hand up and down the neck quickly. The Kingpin has a warm mellow tone when unplugged that is perfect for playing jazz and blues. I also enjoy the lower volume of the guitar since it has f holes when I play later in the evening. Plugged in, the P90 kills and sounds good clean and driven. It also retains that warm, mellow tone when played without distortion. I haven't had any trouble with feedback as I tend to keep the volume a bit lower for small spaces. My one complaint is the hideously ugly case, that costs 80 bucks. It's like its made of extra tough styrofoam. I understand they were going for lightness, but it's just ugly. All in all though, this guitar is a great choice and plays as well as my Gibson Les Paul and my buddies Gretsch 51... whatever.

A Flanger simulates the sound effect originally created by momentarily slowing the tape during recording by holding something against the flange, or edge of the tape reel, and then allowing it to speed up again. This effect was used to simulate passing into "warp speed," in sci-fi films, and also in psychedelic rock music of the 1960s. Flanging has a sound similar to a phase-shifter, but different, yet is closely related to the production of chorus.

THIS DELUXE PACKAGE INCLUDES - GIBSON'S LEARN AND MASTER GUITAR PACKAGE - PLUS 10 ADDITIONAL WORKSHOP DVDs. THIS IS THE MOST COMPLETE INSTRUCTIONAL GUITAR PACKAGE YOU CAN BUY. Winner of the Acoustic Guitar Magazine Players' Choice Award, two Telly Awards and an AEGIS Award for Excellence in Education, Learn and Master Guitar is widely recognized as the best home instruction course for learning guitar available anywhere. This deluxe package consists of 20 professionally produced DVDs, 5 Jam-Along CDs, a 100 page lesson book, and a free online student support site. It is the only instructional package you'll ever need on your journey toward mastery of the guitar.

R.E.M.'s guitarist was a less-is-more master who never needed much more than swarming melodies and spangled riffs. From the laser-guided arpeggios on "Radio Free Europe" to the supersize power chords of "The One I Love," his sound was both gorgeous and matter-of-factly aggressive – a DIY style that helped Eighties underground rockers push beyond punk rock. "They created 50,000 guitar bands after them," noted Billy Corgan, "America was inundated with jangly R.E.M. type bands."
The flanger is one of the more distinct effects out there, known for its jet-like sweeping sounds, it can also be very subtle as David Gilmour and Andy Summers have shown. It is similar to a chorus pedal in that it is a modulation time based effect. The flanger delays a copy of the original signal and mixes it in with the dry signal. The displacement of the time causes the swooshing effect. This can be done in multiple stages to produce a more dramatic flanged effect. “Originally flanging was done with tape machines” as explained here in a quote from Wikipedia. “The name “flanging” comes from the original method of creation.
I moved permanently to Brazil from the USA. I brought an acoustic in a typical acoustic case. I had a vintage VOX v241 Bulldog in it’s original wood case. They both survived the counter check-in and belly load of the airplanes and transfers. My VOX Pathfinder amp was in a footlocker with other thing and made it just fine also. Yes, the plugs and voltage differences are a problem. I need to use a voltage transformer to change the 220v to 110v. I wouldn’t worry too much about shipping a Fender style guitar but any guitar with with a Gibson style neck I would worry about and want the best specialty travel guitar case I could find.
For those who like that 1950s style Gretsch sound, you’ll appreciate the Gretsch Dual-Coil humbuckers which can go from glass like cleans to smooth low growls to all out riff worthy dirt when you add some distortion to your amp. The single cutaway design and maple neck with gloss polyester finish make it extremely comfortable to play too. A guitar beginners and professional musicians alike, can enjoy.
Any experienced professional guitarist will tell you there’s usually a big difference between what works on the live stage and what works in the studio. Most discovered early on that the carefully honed live tone they were so proud of just didn’t work on the recorded track, for any of several reasons, or not without a lot of tweaking and readjustment, at least. The first thing you’re likely to discover is that it’s a lot harder to record satisfactory overdriven and distorted guitar sounds than it is to record clean or mildly crunchy sounds, a revelation that often goes hand-in-hand with the fact that big amps tend to be more difficult to record satisfactorily in general.
Many guitar and bass bodies are made from Mahogany. There are 49 types of Mahogany, but many are practically extinct because of the wood’s popularity for furniture and musical instruments, and the types used today are not the same as the Mahogany used in guitars in the 1940s or 1950s. Mahogany gives a warm timbre with a lot of bottom end. Les Paul type guitars often combine a mahogany body with a maple top for a total that is balanced overall.
Some single cabinets use mixed speaker sizes, although this is less common. Examples include MESA Engineering's 1x15"/4x10" cabinet,[8] Peavey's PVH 1516, which has 1x15" and 2x8" speakers.[9] and Traynor's TC1510 combo, which has 1x15" and 2x10". Other large single cabinets with speaker sizes other than 10", 12" or 15" are less commonly used, but they do exist. Examples include the 6x8" and 8x8" cab configurations. Users of two cabinets may use two 4x10" cabinets (more easy to transport than a single 8x10" cab), a 15" cab and a 2x10" cab, or other variations (e.g., a 2x15" cab and a 4x10" cab).

Gibson is the brand that made the epic Les Paul model. It was made by a man named Les Paul. He is the man behind the company and the brand has made some of the finest guitars of all time. It has modeled for entry-level to expert level players. This is one of the best among popular brands of electric guitars. Mr. Orville Gibson founded this company in 1902.

Boost/volume pedal: A boost or "clean boost" pedal amplifies the volume of an instrument by increasing the amplitude of its audio signal. These units are generally used for "boosting" volume during solos and preventing signal loss in long "effects chains". A guitarist switching from rhythm guitar to lead guitar for a guitar solo may use a boost to increase the volume of his or her solo.[59]
Next we look at the features and hardware of the guitar. What brand are the pickups? Is the bridge fixed or is there a tremolo system? Is there a locking nut or anything else to help with tuning stability? Does it come with a case? We also take this opportunity to look at any special features that define the guitar – perhaps a bridge that never goes out of tune, or a control switch that makes the guitar do crazy things.

JAZZ :Al Di Meola , John McLaughlin ,Wes Montgomery ,Pat Metheny ,John Scofield,Django Reinhardt ,Larry carlton ,Joe Pass,Herb Ellis ,Eddie Lang , and again I still have in mind at least 10 more jazz guitar players that jazz is the hardest and more complex guitar composition and it is an awesome style or kind of music to play just because not everybody play can play jazz.
The Marshall Mini Jubilee 2525C Combo amp is closely based on the highly-coveted Marshall Jubilee series of amps. The powerful preamp has been designed to the specifications of the original 2525 Silver Jubilee diagrams, making this an authentic reproduction of these now out-of-production monsters of rock. Don’t let this little beast fool you though, the ECC83 & EL34 valve set produces some seriously loud sounds through the single 12” Celestion G12M–25 Greenback speaker. Perfect for lead and rhythm, this great combo amp is ideal for both stage and studio!

More theory: pickups have a couple of properties, namely phase and polarity. Depending on whether the pickups are in or out of phase and polarities are reversed or not, pickups can have properties such as hum canceling (this is utilized by humbucker pickups) hollowed-out sounds where out of phase pickups cancel out certain frequencies. Pickups also have output ratings. Higher output pickups generate hotter signals, and usually are less glassy. This is why guitarists prefer high out put pickups for rock and metal and others prefer low or medium output pickups. That is also why guitars in hard rock sound midrange heavy and other electric guitar styles have glassy and bright sounds.

The Gibson ES-335 certainly had an alluring appeal in the mid 1900’s, and it’s easy to see why. With a beautiful Arched top, lovely smooth curves and a tone that can knock your socks off, and a beautiful white binding, these truly are beautiful guitars. Whether you want to play some classic blues, or dip into some catchy jazz, this guitar is sure to impress.
While it might seem unnecessary, an EQ pedal is a very handy effect to have. Many amps have very specific voicing that can only be adjusted so far with their tone stack. Also, many small amps have limited on board tone-shaping options. For example, the popular Fender Champ 600 or the Blackstar HT-1, which only have one knob for tone shaping. With an EQ in your chain, you can fine-tune the amp to your liking, or you can perfectly dial in a distortion or fuzz that normally won't cooperate.

How are we supposed to choose an Ibanez model? Well, here’s what we went with. Made out of mahogany with a vintage look to appease the masses, the Ibanez Roadcore RC365H offers a retro feel with a modern sound. The f-hole on the lower part of the guitar creates a deep and rich resonant sound, while the neck contains an RC bolt that adds both warmth and depth to the notes. Due to the stringing throughout the body and an improved bridge, tuning becomes easier while switching through progressions, while the rosewood fingerboard presents both style and comfortability. The highly touted feature on this guitar is the custom designed Core-Tone pickup, reducing additional hum and reverberation for clarity in tone. With various tones provided by a three-way selector, this electric guitar offers high-quality features while maintaining a classic rock-and-roll vibe.
EQ (Equalizer) – A frequency-based effect that allows you to boost or cut frequencies along the audio spectrum. Graphic EQ pedals such as the GE-7 and GEB-7 have faders for each frequency band that you can move up or down to boost or cut the frequency. EQ pedals can be used to tackle problem frequencies such as mid-range honk or to give a bass boost or add some high end sparkle. Alternatively you can use EQ to create interesting tones such as emulating a small radio by rolling off the bottom end and boosting the high mids.
Gibbons has also twisted more than a few towering tall tales in his time, but his life is so surreal that it’s hard to tell where the truth ends and the trip takes over. His colorful manner of speech, known as “Gibbonics,” has made him one of Guitar World’s favorite interview subjects, especially since his poetic ponderings are loaded with insight, wisdom and a unique sense of humor.
When creating your tone with effects, understanding the order in which you connect your effects is very important. Creating an effects chain is a lot like making a sundae. The Ice cream is the base of your sundae, followed by toppings and finally sprinkles. If you put the sprinkles and toppings in before the ice cream, the flavours will still be there and it may still be a delicious sundae but it is a lot harder to see what extras you added underneath all that ice cream.
This is a very general question, but I will attempt to answer. I'll not get into brands, buy what "feels" right and has a good tone. If, a beginner, a good acoustic can be bought new for $200.00 - $300.00. If, you are an experienced or professional player, "The Sky is the Limit" only limited by how much you want to spend. My first guitar was used, and I paid $50.00. Now, I play a Gibson Song Writer, $3500.00. Hope this helps.
The National String Instrument Corporation for manufacturing these louder guitars was founded probably in 1927, in Los Angeles, by John Dopyera, George Beauchamp, Ted Kleinmeyer and Paul Barth, when production and advertising began. The company was officially certified as a California corporation in 1928. For a detailed accounting of those early years, I recommend Brozman’s book, The History and Artistry of National Resonator Instruments (Centerstream Publishing, Fullerton, California, 1993). This is a horribly confusing relationship, so stick with me; we’ll try to put it right.
Single coil pickups utilize a single magnet. They also typically have a lower output than humbucking pickups, which means they aren’t capable of producing as much distortion as a humbucker equipped guitar. However, because they’re not intended to be used with extreme levels of distortion they have a very rich and musical voice when played with lower amounts of gain.
In 2003, The Blues, a PBS-TV series produced by famed director Martin Scorsese, traced the roots of the blues from Africa to modern day society, showing how it inspired other generations of musicians. While in production, Marshall Chess got an e-mail from Chuck D saying that he heard he was doing a film that connected the blues to hip hop and that he wanted to be part of it. Chess was happy to hear Chuck D say "Electric Mud was one of his favorite, most influential albums and that all the early hip hop guys were inspired by it," affirming a connection he thought had happened. In the episode titled Godfathers and Sons, the focus is on the Chicago blues, Chess records and the effect of Electric Mud on Public Enemy, with Chuck D coming to Chicago, led on a historic blues tour by Chess. There, Chuck D's feverant appreciation of EM got him to reassemble the musicians from the sessions to perform material from it for the upcoming 20th Anniversary Chicago Blues Festival. In keeping with the experimental vein of the record, Chuck D added a turntablist (Juice) and a rapper (Kyle Jason) to the band, re-naming the group the Electric Mudcats. Having the material played at a blues festival showed how the album had finally come full circle, from being hated to being respected and enjoyed.
WOW! This thing is incredible. One of the nicest instruments we have ever played and we've had, played and sold a few hundred over the past 20 years! Can't say enough about this bass. It's a pre-owned Zon Legacy Elite series 5-string model featuring a beautiful book-matched solid Bubinga wood top over a solid Mahogany wood body. A solid graphite neck / fingerboard utilizing a sculpted body neck joint finishes off the basic construction of the instrument. Huge tone is delivered via 2 active Bartolini pickups that feature controls for volume, bass, midrange, treble and balance. This bass has had the electronics modified by Zon to move the midrange control from the access hole in the back cover to a matching pot located in the control section on the front of the bass. While at Zon to get the custom electronics installed,  the original owner had new frets and a new finish coat added. Figured as long as it was there "what the heck". Tuning is accomplished via the 5 German made Schaller tuning machines in the same gold plate finish as the solid cast bridge. The solid graphite neck features a full 2 octave neck with 24 frets and a 34" long scale. This bass is a dream to play! Just about as good as it gets. There's not a mark on it anywhere. It looks brand new! Rock solid and stays in tune. Set up perfectly! Includes original Zon Soft exterior hard shell case on black Cordura.

Once everything is assembled, check through the instructions one last time for any additional notes on connections, power etc (don’t waste all your hard work by blowing up the board with the wrong power supply). Then plug in your pedal and give it a try. There’s a good chance it will work first time. If not, go through the instructions again step by step and look to see where the problem might be. Missed, incorrect, or reversed components are the most common causes and can be diagnosed just by checking each step carefully.

Guitar Center Repairs is your go-to spot for expert stringed instrument repairs, upgrades and servicing. Located inside every Guitar Center store, our staff of experienced, certified technicians will keep your guitar or other stringed instrument in peak playing condition and help you get the most out of your investment. We also repair and modify other equipment like effects pedals, amps and more at select locations. Set up an appointment or stop by any Guitar Center today.
For the hobbyist guitarist this is a great 'bang for the buck' investment. It has practice tools for the beginner but solid tones for the advanced guitarist. For home use, maybe even a garage band it's perfectly adequate. If I were a more serious musician doing gigs with high end audio going to the audience, I'd be investing more than a hundred bucks in my stage rig.

Blend potentiometers (essentially two potentiometers ganged on the same shaft) allow blending together two pickups in varying degrees. The operation is the same as in a balance control found in stereo equipment – in the middle position (often marked with a detent) both pickups supply their full output, and turning the pot in either direction gradually attenuates one of the pickups while leaving the other at full output.[13][29]
Engineers invented the first loud, powerful amplifier and speaker systems for public address systems and movie theaters. These large PA systems and movie theatre sound systems were very large and very expensive, and so they could not be used by most touring and gigging musicians. After 1927, smaller, portable AC mains-powered PA systems that could be plugged into a regular wall socket "quickly became popular with musicians"; indeed, "...Leon McAuliffe (with Bob Wills) still used a carbon mic and a portable PA as late as 1935." During the late 1920s to mid-1930s, small portable PA systems and guitar combo amplifiers were fairly similar. These early amps had a "single volume control and one or two input jacks, field coil speakers" and thin wooden cabinets; remarkably, these early amps did not have tone controls or even an on-off switch.[1] While we do know that these late 1920s portable PA systems were used by guitarists and singers, it is not known whether upright bass players used these PA systems.

Six full steps (one octave) down from standard tuning. The Low E has the same fundamental frequency as a bass guitar, essentially the same standard tuning as a bass guitar but with a high B and E added to mimic a regular guitar. This tuning is used on the Fender Bass VI and similar instruments. Notably used by John Lennon with The Beatles, Robert Smith of The Cure and Jack Bruce of Cream. In his early days with Ronnie Hawkins, future Band bassist Rick Danko was also seen with a Fender Bass VI. This is the tuning Earth used on their seminal drone doom album, Earth 2. Also used in some Doom Metal and Sludge Metal bands such as Thou.
You have to admire a YouTube channel and accompanying website that’s taken one guy on his own over fifteen years to build and offers hundreds of different lessons at all the various levels. The great thing about Justin is he gives off a cool, enthusiastic vibe all the time whether he’s teaching a basic chord for beginners or taking seasoned players through a complex solo.
Another well established brand FMIC i.e. fender musical instrument company is widely recognized for manufacturing eminent guitars of superlative quality and texture. In India, the customers are satisfied form its products and won over millions of heart by providing brilliant guitar brands like FA – 100.So why waiting more? Quick make your purchase and enjoy the lovely music tone.
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Similarly to the previous model, this guitar has a mahogany body as well as a fine looking maple top. What is more, this unit has an elegant metallic gold finish that you might like. Among the features that make it stand out, we feel like it is important that we mention its practical Alnico Classic humbuckers and the fact that it has a Rosewood fretboard. Additionally, it comes supplied with trapezoid inlays.
In this modern world of in-ear monitors and digital consoles, both guitarists’ amps face the back wall of the stage rather than forward toward the audience. This allows them to crank their amps as loud as they need to achieve their signature Skynyrd-like drive without blowing out the Front of House engineer or the first three rows of the arena they’re performing in.
I started playing harmonica when I was a little boy. I used to get pushed out to entertain adults at two o'clock in the morning. I also had a kind of obsession about the guitar. The first actual toy that I had that I loved was a little wooden guitar that my folks brought me from a shop that sold brooms and buckets and stuff like that. I used to carry that guitar around like my friends would carry a football. I took this thing with me everywhere.
It is a standard dreadnought with 26 frets. There are no electronics, no cutaway, and no fancy upgrades. It has a book matched sitka spruce top, rosewood fingerboard, adjustable rosewood bridge, cream colored plastic binding, rosewood back and sides, and a black inlaid headstock. The neck is not one piece and is made from presumably African mahogany. It has closed gold tone tuners, black beveled pick guard and some plain black line art for a rosette. This guitar is void of polyurethane and has a lacquer finish, so much the better.
Hertz Guitar company was originated from Shanghai/China & North Korea. This brand of guitars produces electric and other wide range of guitars that can be used in studio recordings and live shows. This brand also manufactures guitar accessories. The starting price of guitar from this brand is 12,504 INR approximately. Anyone looking for an affordable electric guitar at a beginner and advanced level can buy this brand of guitar.

A rivalry sprang up between Fender and Gibson, creating some of the solid-body electrics most coveted by musicians and collectors, including the 1952 Gibson “Les Paul” model with a curved top and a combination bridge-tailpiece (the guitar was designed primarily by McCarty, with input by the famous guitarist who endorsed it), the 1954 Fender Stratocaster, and a 1958 version of the Gibson Les Paul with a new “humbucking” pickup that transmitted less background interference from electrical equipment.

At the end of the day, this is obviously far from a perfect example, but this is an extremely hard-to-find factory left-handed 1958 Gretsch Duo-Jet, and provides a very rare opportunity for the vintage guitar collector, lefty or righty! I have seen far fewer left handed 50s Gretsch guitars as compared to Fender, Gibson, and even Martin over the years. Lefty 50s Gretsch guitars are insanely rare, especially in the Duo Jet model!
If you are serious about studying guitar and taking your playing to the next level, you must possess not just a command of chords and scales but an understanding of improvisation and how to express depth and feeling. This certificate program, taught by Berklee’s world-renowned guitar faculty, enables you to develop your guitar technique and hone your skills in any style, from rock, jazz, and country to metal, blues, and beyond. Upon completion, you’ll be able to recreate parts played by your guitar heroes—but more importantly, you’ll be better able to realize your own unique sound.
Play your guitar a while like this, and notice how much more ring, richness, and sustain you get out of it. The strings should now vibrate for close to the full potential of the instrument (which, of course, also depends upon factors such as nut and bridge type and condition, body style, neck and body woods, and so forth). Put simply, your tone is likely to sound bigger and fuller, and to bloom with a broader voice and a longer note decay than previously. If this as-high-as-you-can-hack-it setting is a little too much for every-day playing, try backing the strings down a hair at a time, and hopefully you can find a height that offers a healthy compromise. Sure, it’s also possible you preferred it the way it was before you adjusted it at all, and if your playing style involves a lot of speed riffing, hammer-ons and pull-offs, or extreme bending, you might simply require that as-low-as-it-goes actions (and will very likely mask its drawbacks with some judicious high-gain tone). With any luck, though, you’ll have discovered an easy means of achieving a fatter tone, without purchasing or modifying a single thing.

Even now i make people custom guitars and have made a few for people in MO/IL a total of 23 made and they all love them and say they are the best guitars theyve played cause i work side by side to shape the guitars necks and bodys to fit most comfortably with them but i charge $2500-3000 for a guitar which is still cheaper than the big name guitar places
He has a way about him that makes you stop and listen, but he isn’t in your face. His sound is very melodic, which is why his tone was so perfectly matched to answering the needs of the vocals, yet he still holds his own in every tune. Bright, confident and edgy, he is a serious guitar-player and he has no intentions of holding back! People often say that he carries humour in his music, which is quite a clever characteristic to portray with this piece of equipment.
Additionally, Gibson’s president Ted McCarty states that the Gibson Guitar Corporation merely approached Les Paul for the right to imprint the musician’s name on the headstock to increase model sales, and that in 1951, Gibson showed Paul a nearly finished instrument. McCarty also claims that design discussions with Les Paul were limited to the tailpiece and the fitting of a maple cap over the mahogany body for increased density and sustain, which Les Paul had requested reversed. However, according to Gibson Guitar, this reversal would have caused the guitar to become too heavy, and Paul’s request was refused.[12] Another switch: the original Custom was to be all mahogany and the Goldtop was to have the maple cap/mahogany body. Beyond these requests, Les Paul’s contributions to the guitar line bearing his name were stated to be cosmetic. For example, ever the showman, Paul had specified that the guitar be offered in a gold finish, not only for flashiness, but to emphasize the high quality of the Les Paul instrument, as well.[12] The later-issue Les Paul models included flame maple (tiger stripe) and “quilted” maple finishes, again in contrast to the competing Fender line’s range of car-like color finishes. Gibson was notably inconsistent with its wood choices, and some goldtops have had their finish stripped to reveal beautifully figured wood hidden underneath.[citation needed]
Stompboxes are small plastic or metal chassis which usually lie on the floor or in a pedalboard to be operated by the user's feet. Pedals are often rectangle-shaped, but there are a range of other shapes (e.g., the circle-shaped Fuzz Face). Typical simple stompboxes have a single footswitch, one to three potentiometers ("pots" or "knobs") for controlling the effect, and a single LED that indicates if the effect is on. A typical distortion or overdrive pedal's three potentiometers, for example, control the level or intensity of the distortion effect, the tone of the effected signal and the volume (level) of the effected signal. Depending on the type of pedal, the potentiometers may control different parameters of the effect. For a chorus effect, for example, the knobs may control the depth and speed of the effect. Complex stompboxes may have multiple footswitches, many knobs, additional switches or buttons that are operated with the fingers, and an alphanumeric LED display that indicates the status of the effect with short acronyms (e.g., DIST for "distortion").[5][9] Some pedals have two knobs stacked on top of each other, enabling the unit to provide two knobs per single knob space.

SOLD ; Fresh releas from the JVG Vintage Vault collection.....Here she is a wonderful sounding Exotic tone woods LawSuit model Takamine from the PeaK and end of this so called Lawsuit copies. What can I say this beauty has it all the Exotic Tone Woods the beautiful TONE the superior workmanship this example exhibits the care from its one owner. Its condition is better than average it has no cracks, no checking, no warping nothing to report, it does have a very few minor chips or dinks overall way better than average not exactly new or mint like its overall gorgeous and is easily a solid 9.5/10 used vintage excellent, its neck is arrow straight proper relief is set and action is beautifully low and it makes playing this beauty a dream like pleasure. She's been professionally set up with a new set of Martin strings. Intonation is dead on and she rings like a bell. Very rare to see this model up for sale and available to buy this guitar is Amazing and is a keeper.... SWEET! Contact Joe to buy it at: JVGuitars@gmail.com Thank you for looking.
The SSL-10 had become the SSX-10 ($387), with humbucker/single/single pickups, pretty much the same. This came with jumbo frets, a satin-finished neck and a 14 degree backward pitch on the head. The rosewood ‘board now sported the “wave” or triangular wave inlays popular on Kramers, Charvels and Jacksons of the period. No mention is made of vibrato, but that doesn’t mean it didn’t have a tradition-style unit. Colors were now Carrera midnight blue, metallic black, purple burst, dark red, white pearl and blue pearl, all with chrome hardware.
The Kay Gold Line professional series became synonymous with that rich gutsy Blues/Jazz sound that eventually became rock. This unique blues sound was not available from any other guitar of that time. For the past decade vintage Kay instruments have been fetching high prices and have had increasing interest from collectors and players because of the cool, campy look and that unique Blues/Jazz sound.
A combination of standard 7-string tuning and an 8th string dropped one full step. Allows to play in the range of a standard electric bass, as well as power chords. Used by Animals as Leaders[47] and Whitechapel (on the songs "Devolver" and "Breeding Violence" from A New Era of Corruption). Also used by Deftones on Koi No Yokan and Gore, Allegaeon, and Emmure on the song "N.I.A. (News in Arizona)". A variation of this tuining is used by Hacktivist with 3rd and 4th strings tuned a whole step up to A and E respectively.
This is breathtaking and very inspiring pop-rock music with great energy and bright motivational atmosphere. Main instruments are electric guitar, digital synth, bass, strings, piano and drums. This exciting and uplifting track could be a perfect choice as background music for any video production, multimedia projects, Youtube channels, narrations or life stories, films and other projects.
The #1 cause of fret wear is the fretting hand pressure exerted by the player.  I have some clients that grip very tightly and wear frets quickly (Rob Fahey), and some that grip very lightly and take forever to exhibit significant wear (Jasan Stepp, Dog Fashion Disco/PolkaDot Cadaver).  Fret material hardness, string hardness and frequency of use all contribute to wear as well, but hand pressure is still the leading cause since frets do not wear themselves out.  Technique is different for every player, unique and personal and habits can be hard to change.  Just like brakes in a car, how hard and how much something is driven directly impacts wear and longevity.  Please see the refrets page for further thoughts on this topic.
Gibson is easily one of the most identifiable guitar brands in the world today, and even with the premium price tags of their instruments, many continue to look up to them as their dream instruments. Thankfully, the company has toned down the price a bit on some of their guitars, one of which is the J-15, which enters this list with its good balance of workhorse ready features, premium prestige and reasonable price tag.

Looking for a lifelong friend, something solid that will get better with age and can take a thrashing if needed. I plan on using drop tunings for heavy rock and will be dropping a set of alnico bare knuckle pickups into it and running it through a dual rectifier. Preferences but not important are, mahogany body, standard bridge, Les Paul style necks, most classic body shapes. Any model/brand suggestions would be greatly appreciated. I’m living in an isolated region so this will be a blind purchase. Really love my Schecter Diamond Series Tempest Classic but unfortunately it did not stand the test of time and will need a restoration on the neck.
Yes...I've seen a VST guitar plugin (can't remember the name) where you play chords on the keyboard with the left hand and the software converts them into guitar chord voicings, then you "strum" with the right hand by hitting different keys....and each key does something different...up-strum, down-strum, rake, mute, etc. I actually thought it sounded pretty damn good considering. Definitely close enough for background rhythm guitar work.

If you’re into guitar and its majestic world, we strongly advise you to get your hands among the best options. That way, the musical enigma will reach its pinnacle. We here would help you around with the list of best and famous guitar brands available in the nation at present. To be fair, even the best guitarist in India uses these ones for their musical rendering.

For most applications, all you really need is a guitar input, and an output that you can plug to an amplifier or PA system. Still, it doesn't hurt to have extra input/output options, like a mic XLR input (for vocalists who play guitar), an aux input (for practicing with your favorite tracks), headphones out (for quiet practice and tweaking), stereo output, and many more.

A typical modern guitar tube amp has both a preamp stage and a master power amp output stage. The preamp section will be supplied with a set of smaller tubes (frequently 12AX7 or the lower-gain/lower noise 12AU7), and the power amp section has a set of large tubes (EL34, EL84, 6L6, etc.). The preamp controls input gain and typically provides treble, midrange and bass tone controls.

This is a great DVD, and Keith's style is very laid back, and easy to listen to. You can't help but like the guy, and once you start watching the DVD, you don't want to stop. He is extremely knowledgable, and it is like having an instructor right there with you. The DVD begins with the very basics, and works up to some quite complicated playing, so there would be something in this for everyone, from complete beginners (like me) to those looking for more challenges with their playing. For the price, I don't think you can go wrong.
The signal from your pickups or pickup selector gets routed to two tone pots. The 500k pot and .022 µF capacitor provide a conventional treble-cut control. Meanwhile, the 1M pot and smaller .0022 µF cap filter out lows. (Pay careful attention to the zeros and decimal points in those cap values!) The treble cut creates its effect in the usual way: by diverting signal to ground. But the bass cut doesn’t go to ground at all—the low-filtering cap is inline with your signal. Its output goes to the volume pot (250k in the original). Clever!

The switches and jack sockets are important in a reliability sense first and foremost I feel. In a play-ability sense, you want a firm feeling, accurate switch and one that lasts well with regular use. You want a jack socket that doesn't fall apart or get too crackly over the years of years, they take a lot of abuse! So here there's no 'magic vintage tone' secret, I would just recommend quality switches from the brands renowned for their years of producing reliable items. I trust and use those from Switchcraft, Pure Tone, Oak Grigsby & CRL. All very solid, well made items that last really well. In particular, I've been predominantly using a multi contact jack socket made by a company called 'Pure Tone'. Please forgive their brand name, as this isn't some tone transforming jack socket, but it is a common sense improvement of an old design which is great. It features 4 points of contact for the jack connector, two for the hot, two for ground. 100% greater surface area, giving it a firmer seat on the jack connector and a sturdier, more reliable connection which is a no brainer upgrade in my opinion.

We’ll round this list off with a slightly different proposition, particularly with jazz in mind. The Fender Classic Series ’72 Telecaster Thinline is a semi-hollow guitar in the guise of a traditional solid body. It features the same body shape and size of a standard Telecaster but has its horizon’s broadened thanks to the internal routing of the wood and attractive ‘f’ hole on the guitar’s top. Two humbuckers – again, not traditional on a Tele – provide exceptional warmth and versatility. Combined with its high levels of construction and craftsmanship this a guitar which will last a lifetime.
Frets are the metal strips (usually nickel alloy or stainless steel) embedded along the fingerboard and placed at points that divide the length of string mathematically. The strings' vibrating length is determined when the strings are pressed down behind the frets. Each fret produces a different pitch and each pitch spaced a half-step apart on the 12 tone scale. The ratio of the widths of two consecutive frets is the twelfth root of two ( {\displaystyle {\sqrt[{12}]{2}}} ), whose numeric value is about 1.059463. The twelfth fret divides the string in two exact halves and the 24th fret (if present) divides the string in half yet again. Every twelve frets represents one octave. This arrangement of frets results in equal tempered tuning.
Description: Body: Mahogany - Body Construction: Solid - Neck Wood: Maple - Neck Construction: 3 Piece - Nut Width: 43.2mm - Fingerboard: Rosewood - Frets: Bound, Jumbo - Inlay: Pearl - Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Gibraltar/Accucast - Hardware: Black - Pickups: EMG 81/85 - Pickup Configuration: H-H - String Instrument Finish: Black

Hi everyone! I have a quick question regarding string action. I have just gotten my 2003 Standard set up a few months ago, but I am having trouble with how low the action is; strings slip off of my fingers during bending now. If I just turn the screws on the Tune-O-Matic bridge to heighten the action a little bit, without touching or adjusting the truss rod, individual saddles, or tailpiece, will that screw up my intonation?
If the book had been proofread better, I'd give it 5 stars. For example, there are places where the text has both a fret number and standard musical notation, and the fret number is wrong. The book refers you to play along with the instructional CD backing tracks, but it doesn't tell you which track number to play. It's easy enough to figure out what was meant, but a little more care would have been better.

Rock On Good People (it’s actually rockongoodpeople) is another YouTube channel really designed to funnel viewers towards the creator’s website, www.nextlevelguitar.com which—no surprise—has heaps of stuff you can buy. But that doesn’t mean that Rock On Good People doesn’t provide a long list of free videos ranging from lessons for beginners through to how-to-play-techniques aimed at experienced players. What I like about Rock On Good People is the cool vibe you get from all the presenters, no matter the style or subject of the lesson, and some of the videos take you further down the guitar-playing track with themes like “Tips For Improving Your Live Shows”. That might seem a long way off, when you’re currently trying to get your head around playing basic barre chords, but these videos have hints and advice that are good seeds to plant in your mind early, even if you’re still some years off jumping off your first Marshall stack and into the mosh pit.
The diagram on the left shows you the fretboard on the guitar, with the thickest string on the left, and the E high string on the right. The numbers over the frets tell you where to press the string. At the top of the chart, you see an X or a 0 in near the strings. The X tells you to mute the string (not play it at all), the 0 tells you to play it open, without pressing any frets. So, in order to play the A chord as shown in the diagram, you should:
Gut strings were the original strings for the classical stylist.  They were literally made from the guts of farm animals, mostly sheep.  The intestines and the process used to make these strings became more expensive than nylon and thus have fallen out of favor.  Even though you may hear the term “cat gut” strings, this style of string was never made from the innards of our cute, cuddly, feline friends… just the beasts we like tend to use as a food source.
New, used, nylon or steel string — or electric — for your first guitar take your time, choose carefully and never be afraid to ask for advice. Best of all, search for a good music shop near you and actually pick up the guitar, pluck the strings, listen to the sound. The people behind the counter want to help you, so that you come back for another guitar — and another, not to mention strings, string cleaner, capos… Don’t forget, this isn’t just buying any old guitar. This is the beginning of your dream coming true.
Many of the Cordobas, such as the C7, come with a gig bag or case, which makes it easier to keep your guitar in great condition, especially if you purchase a humidifier block. If you head over to the Amazon listing for this guitar, you might see that the reviews are the same for this guitar as they are for another Cordoba instrument, so there really isn’t much extra information, unfortunately.​
I think it's OK to find out what the knobs are supposed to do, so you know roughly what to expect, but I would thoroughly recommend just sitting for half an hour and playing around with all of them, just seeing what sounds you can get. You'd be amazed what tonal variety you can get from moving the volume knob before you go anywhere near the tone knobs.
The Fender Blues Junior III has quickly become an industry standard amplifier for those chasing that coveted creamy Fender Blues tone. You have 15 watts of pure tube warmth in an easily transportable package and gorgeous sounds emanating from the 3 x 12AX7 preamp tubes and 2 x EL84 Power tubes. A perfect amplifier for small gigs and practice rooms as well as those in need of a quality amp to record with.
I found one at a local shop, 60's Norma, resembles a Strat LIKE guitar, but with a sweet design... It has two switch where you would fidn hte pickup selector on a gibson les paul. Its got a few nicks and such, but it sounds REALLY good and the guy only wants 60 bucks, I plan on buying it, re-fretting, and doing some custom fix up on the body. And He said pretty much everything is original... A pretty sweet guitar if you ask me... If and when I buy it I'll get a picture, email if interested!
My Carvin SH575 is a semi-hollow body electric. The size is similar to the Gibson 336, but sounds totally different. When you play this guitar you can't put it down, Carvins are made with computer aid wood carving CNC machines the proto-type of the guitar is measured with lasers and programed into the computer so every guitar they make is to the 1000th to the original. The finish and the detail is awesome. It also is wired with hum bucking pick-ups, piezo acoustic pick-up and Roland GK synth guitar. You can get some beautiful hybrid tones from this thing and I never can stop finding new ones. Try one of these out if you ever go to California I think there is like 5 stores around the L. A. / San Diego area, you will see what I mean.
Our guide to guitar strings, the hope and savior of beginners across the world. We're going to cover the types of guitar strings, how they're made, the best brands, the standard gauges, how to pick the right ones for your instrument and style, what to expect in terms of cost, and much more. Take a ride with me through Ledger Note's guitar string guide...
A middle ground between solid and hollow-body guitars, semi-hollows are hollowed out but have a solid block of wood running through the center of their bodies. This achieves the increased sustain and reduced feedback of a solid-body guitar while retaining the mellow tones of hollow bodies. For this reason, semi-hollow guitars became exceedingly popular with blues players like Chuck Berry and Freddie King. Their duality — sweet and mellow but also some awesome, crunchy sounds — makes them great all-purpose guitars with classic sound.
The Uni-Vibe was released in 1968 and became an immediate favorite of Jimi Hendrix, David Gilmour, and Robin Trower. It is actually a phase shifting effect, but what makes it groundbreaking is its use of an LFO (low frequency oscillator) to create the sweeping effect. It also uses a photocell to control the speed of the sweeping effect. That is basically a little light bulb inside the unit that will pulse at whatever speed the rate knob is set to. Also the brighter the pulse of the bulb the more dramatic the effect.

Fender Super Champ X2 is a hybrid. Combining the organic sought after qualities of a valve driven amp and the dynamic technology of a modeling amp. This 15 watts combo amp with 1×10” inch speaker has two channels. Channel 1 is pure volume for the clean that starts to bite in every turn of the volume knob and modelling section that has a separate volume, gain and voicing control with 16 presets that includes the blackface, silverface, tweed, British combos and many more. The final section on the panel is shared by both channels, the EQ bass and treble, FX adjust, and FX select consisting of a delay, reverb, chorus, tremolo and vibratone.

Nice-4-Bass-V1.5 This is an sf2 simplified version of three different basses - all with 4 velocity layers.  It includes the 1958 Otto Rubner double bass played and mapped by Drogomir Smolken, recorded by Ludwik Zamenhof. The samples are exceptional and some percussive effects have been mapped to some high notes. Royalty-free for all commercial and non-commercial use. Copyright 2016 Karoryfer Lecolds (Karoryfer Samples). The original Meatbass sfz version for Sforzando has round-robin sampling and includes arco as well as pizzicato presets.  (http://www.karoryfer.com/karoryfer-samples).
• Fast Fingers: If speed’s the goal, most shred-heads prefer light gauge strings. They’re easy to bend and promote fast playing by offering less resistance to the fretting and picking hands. Since guitar strings are measured in thousandths of an inch, the typical recommended gauge for players planning to burn in standard tuning are .009s, available in every guitar shop.
With the development of rock, the Tele inspired and sustained yet another genre. Keith Richards of the Rolling Stones has composed many classic riffs on his battered “Micawber” Tele. Iconic are also worn-off green and respectively white Telecasters of the two frontmen of Status Quo, Francis Rossi and Rick Parfitt. Another signature Telecaster player is Andy Summersof The Police. Jimmy Page used a psychedelic-colored 1958 Telecaster, (painted by Page himself, and also known as the “Dragon Telecaster”) on the first Led Zeppelin albums, and also for the lead solo in the 1971 song “Stairway to Heaven“. The guitar had been given to Page by his friend Jeff Beck,[7] who had also been using the Telecaster with The Yardbirds. Bruce Springsteen used a custom Telecaster (with an Esquire neck) off and on throughout his career, both solo and with the E Street Band. David Knopfler, rhythm guitarist from Dire Straitsplayed a sunburst custom Fender Telecaster with white ribboning when with the band.
I am a lawn tennis and guitar playing trainer. I am a college lawn tennis varsity player and became a coach and a trainer of beginners and advance tennis players. I am also a band player and singer performing musical folk, pop, ballad and jazz pub Shakey's Pizza Parlor and chains. I worked with Yamaha Music Corporation as an account representative.
As we mentioned before, the first mass-produced solid body electric guitar was introduced in the early ‘50s as a way for guitar players to avoid getting that unwanted feedback that amplified hollow body electric guitars were infamous for. Today, there are countless solid body guitars to accommodate any type of player and price range—from beginner guitar players to seasoned pros playing genres spanning hard rock, country, blues, heavy metal, jazz, and more! Some of the most popular solid body electric guitars include the Fender Telecaster, the Fender Stratocaster, the Gibson Les Paul, the Gibson SG, the Ibanez RG, and the ESP Eclipse.