The focus has always been to start with sound and top it off with a bold, boutique-inspired appearance. When Michael Kelly launched, we, in fact, only offered mandolins and acoustic basses. These two markets had been under served and consumers could not buy a great sounding instrument without breaking the bank. The Michael Kelly Dragonfly collection of both acoustic basses and mandolins quickly became popular and hard to get. Musicians were drawn to their decidedly custom appearance and then fell in love with their sound and performance.
I’ve been searching for my dream guitar forever and I finally found it in the Yamaha APX600 (best starter electric acoustic by the way). Found this package and was honestly nervous that it was good quality for such a good price, but it is the best thing I could’ve done! Guitar can in perfect condition and hard case is sturdy and locks well, it is an INCREDIBLE deal for this quality of a case. Extras are a nice addition, but not crazy necessary. But honestly, with a price like this, they almost feel free. Great customer service also. Don’t pass this deal up! Couldn’t find it anywhere else.
This is a solid body bass guitar that has a full deep sound. There is not much middle to it which makes it less defined than a lot of basses but it does suit some music very well. There is a choice of sample sets to choose from in this soundfont. Direct or through my j-station (which makes it sound more like its through an amp), or a mix of the two. The j-station samples are the same direct samples routed out and through the j-station and back in again, which is why it is possible to have a mix of the two. The J-Station samples make a distorted beefy bass sound which can be useful for some music i.e. 3 piece bands where tha bass fills out instead of a rhythm guitar or just for a more lo-fi bass sound. The direct samples are not so distorted and can be used in alot more styles of music. There is a preset that includes slaps and slides etc to help add some realism.
When most people think about electric guitars, chances are they’re thinking rock ‘n’ roll. However, stringed instrumentalists had been attempting to amplify violins and banjos since the 1910s using internally mounted telephone transducers — and indeed, the first electrically amplified guitar was designed in 1931 by George Beauchamp of the National Guitar Corporation. Charlie Christian’s 1936 Gibson ES-150 was heard on landmark recordings with Benny Goodman and Lester Young, influencing other jazz guitarists to follow suit. Clearly, the electric guitar is not a product of rock ‘n’ roll; rather, it was driven by the need for guitarists to be heard over the drums and horn sections of big bands.

With 24 amp models including a digital chromatic tuner, 9 stomps boxes, 4 amps, 5 cabs, 3 mics, and 2 rack effects; AmpliTube Custom Shop is a great way to get your hands on IK Multimedia's great guitar simulation software. As the name suggests, in addition to the free units you can purchase more effects units from right inside the plugin to build your own custom guitar shop.
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If this is your first time picking up a guitar you may not have seen chords depicted the way they are below. You can find out how to interpret the chords by looking at how to read chords. Each of the chords below shows the chord notation and a picture of a hand forming that chord on neck for your reference. This notation is the common way for showing chords, you may find guitar songs depicted differently elsewhere. This is usually the tablature notation. Here you can find more information on reading tablature notation.
There was a second single-cutaway version, also called the TRG-1, with a thick waist and vaguely tubby Tele shape. It had a different grill shape and a slightly more rounded version of the Bizarro Strat head, but otherwise it was the same. There was also a version of the double-cutaway guitar with a vibrato. This was a small, metal-covered tailpiece with three springs in the housing and a handle that screwed into a hole in the cover.

I got the idea for this column while reviewing Universal Audio's Ox Amp Top Box for the May 2018 issue. Ox is an ingenious hybrid of speaker load box/power attenuator and cabinet/mic/room/effects modeler. You use your regular amp, but instead of miking it, you send a direct signal to the DAW or mixing board. You record the sound of your amp, while Ox simulates speakers, mics, and effects.


the fifth, which is a perfect fifth above the root; consequently, the fifth is a third above the third—either a minor third above a major third or a major third above a minor third.[13][14] The major triad has a root, a major third, and a fifth. (The major chord's major-third interval is replaced by a minor-third interval in the minor chord, which shall be discussed in the next subsection.)

I JUST GOT A PALMER P44 EC ACUSTIC/ELECTRIC..BANGED UP BUT FAIR,,I TIGHTEND IT UP,, PUT NEW #12 STRINGS,, WORKS & SOUNDS GOOD,,, I JUST GOT TO LOWER THE STRINGS ,,MY FRIENDS & EVEN THE GUY @ THE REPAIR SHOP KNEW NOTHING ABOUT "PALMER" WHICH GOT ME TO THIS SITE ...AS A FEW OTHER PEOPLE COMMENTED,, I AGREE,, GOOD ENOUGH FOR CAMPFIRES ,,,ITS A FUN INSTRUMENT,,ITS WHAT WE CALL A "BEATER" TO KEEP IN TRUNK & TAKE CAMPING OR HAND TO THE DRUNK GUY W/THE BIG BELT BUCKLE @THE PARTY,,


Although Orbison’s good friend and Sun Records labelmate Johnny Cash may be known as “the Man in Black,” Orbison habitually dressed from head to toe in black in the early Sixties, a decade before Cash adopted his dark uniform. Even Orbison’s raven hair and impenetrable jet Ray-Bans were blacker than the cover to Spinal Tap’s Smell the Glove, adding to his alluring persona as a mysterious, brooding artiste.
Some bass amplifiers have an "overdrive" or distortion effect built into the unit. The Peavey Century 200 has an onboard "distortion" effect on the second channel. The Peavey VB-2 also has built-in overdrive. Aguilar Amplification's AG 500 bass head is a two-channel amplifier, one of which offers a "saturation" control for overdrive. A variety of BOSS combo amplifiers have a built-in "drive" effect. Gallien-Krueger's bass amp heads have a "boost" control which provides a simulated tube overdrive effect. The Behringer Ultrabass BVT5500H Bass Amplifier Head has a built-in limiter and overdrive. The LowDown LD 150 bass amp has a range of overdrive sounds, from a slight hint to heavy distortion. The CUBE-20XL BASS amp includes built-in overdrive.
Description: Body Construction: Solid - Neck Attachment: Bolt - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 22 - Inlay: Dot - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, Diecast, 1x Volume Control, 1x Tone Control, 5-Way Switch - Pickups: Humbucker - Pickup Configuration: H-S-H - String Instrument Finish: White, Black, Red, Sunburst

The Ford Model T was revolutionary. The only horses involved were under the hood, which was a big enough deal at the time, but we now know that the assembly line process behind it would go on to revolutionize the way we manufacture tools, vehicles, and the rest of our modern appurtenances. In all honesty, the Model T had a long way to go. Consider how that horseless carriage would hold up today. When we put nostalgia and historic significance aside, it’s the last car you’d want take a long trip in or depend on for daily commutes. From a modern day performance perspective, the Ford Model T was garbage.
The guitar player who makes his guitar sound anything but a guitar. Helicopter rudders, disc scratching, and his use of the kill switch for staccato like guitar riffs has made him probably the most innovative guitar player of our time. He is a guitarist who can take feedback, and ground hum from his own body into coherent music. Be it Rage Against The Machine, or Audioslave you can always see Morello’s signature licks shining through.
I am 60 years old. I want a guitar (acoustic). I have decided on to retrain myself towards finger pickin style. I am researching knowledge and the tonal properties of the wood / tonal qualitites. I have very small (5.1). My hands are small. Neck demensions are very important towards please let me be trained so i can determine neck width and shape for my guitar
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Semi-hollow designs are similar to hollow-body guitars, but typically feature a thinner body with a central wooden block inside. This helps to control feedback while giving the instrument some of the same tonal characteristics as a hollow-body. This type of guitar has been used successfully in just about every genre of music, with the exception of extreme metal.

In 1978 the Les Paul Pro Deluxe was introduced. This guitar featured P-90 pickups instead of the “mini-humbuckers” of the Deluxe model, an ebony fingerboard, maple neck, mahogany body and chrome hardware. It came in Ebony, Cherry Sunburst, Tobacco Sunburst or Gold finishes. Interestingly, it was first launched in Europe, rather than the US. It was discontinued in 1983.
Now, you have your first electric guitar and it’s set up nicely. The next thing you ask is “what is the best way to learn guitar?” And the answer is simple – get some lessons! Whether it’s from your local pro, guitar teacher, or from a range of excellent online courses, lessons will teach you the basics – allowing you to start playing songs within a couple of hours.
In 1981 Fender-CBS hired William Schultz, John McLaren, and Dan Smith away from the U.S. division of Yamaha. Schultz became the president of Fender-CBS, McLaren the managing director while Smith was appointed the director of marketing for Fender electric guitars. In a drive to rejuvenate the quality control and Fender’s market position, Dan Smith oversaw an upgrading of the basic production model Stratocaster and by late 1981 the new production model was unveiled as the 1982 Stratocaster. It featured a pre-CBS smaller headstock (compared to the 1980 “Strat”), a four bolt neck plate, an overwound X-1 pickup (introduced on the 1980 “Strat” model) in the bridge position and a body end truss-rod adjustment without the Bullet nut. These are known today as “Dan Smith” Stratocasters and prized by collectors for the attempted, albeit brief, return to pre-CBS stylings.
It starts off with a chambered basswood body with an arched maple top, that follows the Pro Jet single cutaway shape. Because of the semi-hollow body, it is lighter on your shoulder and on the ears, and many notice that it emphasizes the high frequencies a bit more. Playability is also light, thanks to this guitar's shorter 24.6" scale length. The maple neck is topped by a 22-fret rosewood fretboard with a standard 1.6875" wide nut. Giving this guitar its biting tone are two Blacktop Filter'Tron Humbuckers.
The device can be mounted on and removed quickly from almost any flat-backed acoustic guitar, using a system of magnetic rails. The ToneWood-Amp is designed for guitars with either a magnetic or piezo pickup (bridge or soundhole), but the team behind the device say they're also putting together a “Technician-Free” pickup bundle for those guitars without a pickup.
The Boss Katana KTN-HEAD Amp Head has become one of the most talked about amplifiers as it features the coveted Waza technology found in the beautiful BOSS Waza Craft Pedals. The same care and attention that goes into these pedals has gone into the BOSS Katana head to produce a versatile and highly  aerticulate amplifier. Packed with Five unique amp characters: Clean, Crunch, Lead, Brown (derived from the Waza amp), and Acoustic (for acoustic-electric guitars), the Katana head ensures you have enough sonic diversity for all genres. You can choose from 55 BOSS effects and load 15 on to the amp via BOSS Tone Studio editor software and you can actually use it without a cab thanks to the monitor speaker - making it a great practice amp that you can use to get your sound and hook up to a cab later on at your gigs.
My services include re-frets, fret dressing, fret end dressing, action adjustment, truss rod adjustment, intonation setting, nut replacement, bridge saddle replacement, acoustic pickup installation, electric pickup fitting/replacement, output jack replacement, pot replacement, re-wiring, sound post setting, tuner installation, brace re-gluing, broken headstock repairs, strap pin installation, re-strings, bridge setting, tremolo setting, Floyd Rose setting, custom scratch plate cutting, tuning problems, restoration, polishing, cleaning, wiring modifications...Get in touch I'm sure I can help!
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Playing Electric Slide is great. I use the neck pick up mostly or the bridge pick up with the tone turned down as not to blow out peoples ear drums, but you can adjust to the tone you prefer. Most people adjust the strings a little further from the neck. I prefer not so I can bend and play normal too. Great slide players. Jimmy Page, Joe Bonnamassa, Joe Perry hope this was helpful
Another name that is usually associated with PRS is Carlos Santana. He has a number of guitars that bear his name, and this one is probably the most popular one. It’s affordable, sounds great and plays like a dream. After mere hours playing it, I’ve realized just how expressive you can be with it. It impressed me enough to take a high place on my list of guitars that I have to get. Needless to say, it didn’t take me long to make one a part of my collection.
There sure are a lot of electric guitar options to choose from in this day and age. Thankfully, your choice doesn't have to be a difficult one to make thanks to world-leading guitar companies like Epiphone. In fact, Epiphone specializes in a wide range of electric guitar value packages, assembled specifically to help budding enthusiasts begin their musical journey on the right foot. If learning how to play the guitar is something you've always wanted to try but were never sure where to start, consider this section your launching pad.

Volume Swell Normally guitar has a very fast attack. It is at its loudest just after a not has been picked and there is a definite picked sound. You can get a softer pad style sound be picking with the volume off or very low and then raising the volume as the note/chord plays. This can be done with the guitar's own volume knob, but sometimes it is more convenient to leave your picking hand free and use a rocker pedal. By adding delay and/or reverb you can soften the note's ending also so that it doesn't stop abruptly.


In the midst of the controversy, conservative commentators alleged that the raid was a politically motivated act of retaliation by the Obama administration, as Juszkiewicz had frequently donated to Republican politicians, including Marsha Blackburn and Lamar Alexander. Chris Martin IV, the CEO of Gibson competitor C.F. Martin & Co., had donated over $35,000 to the Democratic National Committee and Democratic candidates in the same time period. Though Martin featured several guitars in its catalog made with the same Indian wood as Gibson, the company was not subjected to a raid.[55] Following revelations in the 2013 IRS targeting controversy, the right-leaning magazine FrontPage declared that "there is now little doubt the raid...was politically motivated," and that "the Gibson Guitar case can hardly be dismissed as regulatory overreach. In hindsight, it was an ominous foreshadowing of the explosion of misdeeds we are witnessing today.[56]

If you have ever played or listened to metal, you probably know about Ibanez. This brand has been around for a while and has become a patron saint of those who like harder sounding music. Built for speed, Ibanez guitars bring are finely tuned instruments which enable the player to explore the limits of their skill. On top of that, any Ibanez guitar is going to be great value for the money.
The F Series Martin electrics were before my awareness of the diversity of the guitar universe, but I recall the appearance of the GTs, which got to stores in Wisconsin in the summer of ’67. I recall admiring the cool shapes and burgundy finish, although I’ve never been a fan of DeArmond pickups and, rightly or wrongly, always considered them a weakness. As already indicated, the GT Series was hardly a winner and fell victim to the general guitar malaise that swept the world guitar markets in around 1968. The same guitar bust that did in Valco/Kay and a host of Japanese guitarmakers did in Martin’s archtop electrics.
Until the 1950s, the acoustic, nylon-stringed classical guitar was the only type of guitar favored by classical, or art music composers. In the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Examples of such works include Luciano Berio's Nones (1954) Karlheinz Stockhausen's Gruppen (1955–57); Donald Erb's String Trio (1966), Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); Francis Thorne's Sonar Plexus (1968) and Liebesrock (1968–69), Michael Tippett's The Knot Garden (1965–70); Leonard Bernstein's MASS (1971) and Slava! (1977); Louis Andriessen's De Staat (1972–76); Helmut Lachenmann's Fassade, für grosses Orchester (1973, rev. 1987), Valery Gavrilin Anyuta (1982), Steve Reich's Electric Counterpoint (1987), Arvo Pärt's Miserere (1989/92), György Kurtág's Grabstein für Stephan (1989), and countless works composed for the quintet of Ástor Piazzolla. Alfred Schnittke also used electric guitar in several works, like the "Requiem", "Concerto Grosso N°2" and "Symphony N°1".
Telecaster is the original solid body guitar. Ever since this iconic model has only grown in popularity. This Tele we look it at here is a bit different. It comes packing an H/S/S pickup configuration, which you don’t see that often on these guitars. With that said, it feels and sounds awesome. I had it setup with a vintage Marshall Plexi and the sound was just impressive. There’s definitely more tonal range than you get in a standard Telecaster.

I am new to guitar but had played Baritone in grades school thru high school in a small school with a band teacher who went on to Iowa State. So I wasn’t finding where notes were and started watching guitar/music theory and found several who headed me to learn my Pentatonic E minor scale before I have finished with chords. I wanted to know where notes are on fretboard.
 The world-wide reputation of the company is not based on design data and performance alone. The real key to success of SWING is "Outstanding People". Every staff member at Swing has a background as a professional musician. Moreover, we were all career veterans in guitar engineering with decades of combined experience, well before founding our new vision; Swing Guitar Technology. If you are familiar with musical instruments companies or have seen their ads or brochures, you may notice their catch phrase like "It's about Music." Nothing could be closer to the truth, based on Swing's pedigree. From the selection of materials to their treatment and hand fitting. From mechanics to electronics. Each stage of each final product is mastered by SWINGers.
If it’s not self-evident why 2018 Britain needs Liverpool’s Queen Zee and The Sasstones, the comment “shouldn’t be aloud” - left under their BBC Introducing YouTube vid - unintentionally says plenty. The Liverpool punk rockers offer a cauterising, incendiary reaction to a rotten state of affairs. Taylor Brown is the songwriting, guitar-wailing savvy - crafting debauched, distorted rock ’n’ roll solos betwixt the raw expression of band leader Queen Zee’s powerful, Manson-like vocals. Aloud and proud. 
Some bass players cannot use a bass combo amp, either due to strict noise and disturbance rules in their apartment, lack of space to store a combo amp (if they live in a small room) or due to the need for a set-up which can amplify multiple types of instruments and/or voice. Alternatives to buying a bass amp for people who have noise or space constraints include a headphone amplifier or a micro-practice amp which includes a headphone jack (on bass amps, connecting headphones to a headphone jack automatically turns off the main loudspeaker). Multi-instrumentalists and bassist-singers can consider a keyboard amplifier, a small PA system, or some models of acoustic instrument amplifiers which include bass as one of the instruments which can be used; all of these options have full-range speakers that can handle the bass range.

Introduced in 1948, the Fender Deluxe was praised for its dynamic, harmonically rich overdrive and compression. It was offered in numerous configurations and designs over the years, but the most desirable model is the 5E3 narrow-panel Deluxe, built from 1955 to 1960 and offered in a tweed-covered cabinet. The circuit runs at higher voltages than other models and features a split-phase inverter and driver that add a little gritty breakup at the start of the output stage.

This is basically the same as having an entire studio’s worth of gear under your feet. You have 72 amp models to play with, painstakingly recreated from reference amps such as Vox Ac30 amps, Hiwatt Custom 100, Fender amps and more. There’s 194 effects to choose from ranging from distortion to modulation to delay, compression, wah – basically any effect you can think of! There’s also 37 cabinets that you can choose from which gives each amp model and effect a unique sound as well as 16 microphones which provide unique tonal qualities to your overall sound– we challenge you to get bored of this!
The Basic Principles: A Valve is an extension of the light bulb. Theoretically inside the valve is a vacuum. The hot filament is called ‘Cathode’ (Let’s not forget a T.V. is a’ Cathode ray tube’ ). Around the outside of the Cathode is a cylindrical metal tube called ‘Anode’. When a +Voltage is placed on the Anode and a -Voltage placed on the Cathode, a large current can flow between them, but not the other way around.
First off I need to mention that there is a category of effects I will call “overdrive” effects where descriptive labels often overlap so it can be confusing. They are essentially effects that simulate amplifier tubes being overdriven to create distortion. These type of effects are can be called: distortion or overdrive or fuzz or metal. And the label is usually based on the amount of gain they produce. 
This is not a complete list of former or current American guitar companies. Among the omissions are Steinberger electric guitars and basses, now part of Gibson and Carvin, who is still independently owned and sells only direct, not through distributors or stores. I have not included the past great archtop luthiers such as D’Angelico, D’Aquisto or current archtop makers such as Bennedetto. Nor have I included the many smaller USA luthiers who are currently building excellent guitars such as Huss & Dalton, Foggy Bottom or Collings.
The world of audio effects is one that can be confusing even for experienced engineers. Especially in modern computer-based recording systems, there's a bewildering array of options, and to add to the confusion, some effects are widely referred to by more than one name. In this article, I'll take you through the most common effects, explaining how they work and where you might want to use them in your music. Meanwhile, SOS 's team of writers has contributed a wealth of expert tips and tricks, which you can find in the boxes scattered through this article.
The history of signal modification isn’t just one of pleasing the ear through unconventional methods. It works both ways: Guitar effects have modified their users, just as much as their users and engineers have modified their sound. New effects can change a guitarist’s playing ability completely, concealing their technique as well as embellishing it. U2’s The Edge, for example, is known for his restraint of technique by embedding different rhythms within delay settings.
Mijn first guitar was a Epiphone by gibson sg, it was all right, then I got my gibson sg special(Around 550e), really good guitar, huge difference with the Epiphone. My next was, believe it or not another Epiphone, a Casino limited edition with bigsby, best price/quiality guitar ever(I paid 430e), beautiful guitar, and next week I’m getting a Fender Telecaster American vintage 58′(1755e), I’m very excited about it. I also own a Fender jazz bass classic 70s, it’s a mexican which plays like an american, very proud of this bass. First rate guitars are normally the best, you pay for the quality of the materials and the workmanship and experience, but there are exceptions with second range guitars, you can get very good ones, just good models or plainly good guitars, it’s nice to own both kind of guitars.
Overdrive pedals are intended to mimic the sweet sound of an overdriven tube amp. They are generally more subtle, warmer and a bit richer in sound. Overdrive pedals typically don’t produce the kind of heavy distortion needed in hard rock and heavy metal, but they are fantastic for blues, country, rock and anything else where you need warm, textured distortion. A good example of a quality overdrive pedal is the Ibanez Tube Screamer.

Very large cabinets, such as 8x10" cabinets, may have both wheels and a long "towel bar"-style handle to facilitate moving the equipment. Some 8x10" cabinets have handles on the top and bottom to facilitate two-person carrying of the cab. Some combo amplifiers have wheels and a retractable carry handle, to enable bassists to walk while pulling their bass amp; this can enable bassists to walk onstage with their bass and amp or walk to a venue with their gear.
Introduced in 1948, the Fender Deluxe was praised for its dynamic, harmonically rich overdrive and compression. It was offered in numerous configurations and designs over the years, but the most desirable model is the 5E3 narrow-panel Deluxe, built from 1955 to 1960 and offered in a tweed-covered cabinet. The circuit runs at higher voltages than other models and features a split-phase inverter and driver that add a little gritty breakup at the start of the output stage.
The guitar builder for the giants of jazz, Ibanez now introduces the Artstar AS153 Semi-Hollow Electric Guitar, to answer the needs of the working professional player. Crafted from specially selected tone woods, this guitar features a bone nut, ebony fingerboard, hand-rolled frets and Ibanez's famous Super 58 pickups-capable of tone magic any place...  Click To Read More About This Product
Vintage guitar amps are older guitar amplifier "heads", speaker cabinets and combo amp/speaker cabinets, which guitarists, record producers and bandleaders seek out for their unique tone. Some[which?] recording studios have a selection of the most popular vintage guitar combo amps, amp heads and speaker stacks, so that performers can get a retro sound. During the 1980s, when most guitar amps being manufactured used "solid state" semiconductor technology, many musicians seeking an older style of sound (for blues, roots rock, etc.) favored older amps that used vacuum tubes (called "valves" in the UK).[23] Popular vintage models include the Fender Showman, Bassman and Vibroverb amps, and older models made by Ampeg, Gibson, Marshall, and Vox,[24] as well as other smaller companies such as Valco, Danelectro, and Premier.
The biggest determining factor on how easy a guitar is to play is the 'action' - distance from the strings to the neck. When it is very low it is easy to press the strings down to touch the fret; when it is too low the strings will buzz when you play. If a guitar's action is too high it will be very hard to play, and for a beginner, this can be pretty disheartening.
The earliest sound effects were strictly studio productions. In the mid to late 1940s, recording engineers and experimental musicians such as Les Paul began manipulating reel-to-reel recording tape to create echo effects and unusual, futuristic sounds. Microphone placement ("miking") techniques were used in spaces with specially designed acoustic properties to simulate echo chambers.[22][23][24] In 1948 DeArmond released the Trem-Trol, the first commercially available stand-alone effects unit. This device produced a tremolo by passing an instrument's electrical signal through a water-based electrolytic fluid.[25] Most stand-alone effects of the 1950s and early 60s such as the Gibson GA-VI vibrato unit and the Fender reverb box, were expensive and impractical, requiring bulky transformers and high voltages. The original stand-alone units were not especially in-demand as many effects came built into amplifiers. The first popular stand-alone was the 1958 Watkins Copicat, a relatively portable tape echo effect made famous by the British band, The Shadows.[26][27]
And again. the no-brainer: your guitar just plain sucks.  If your bought your guitar at Wall-Mart for $19.99, PLEASE don't put my pickups in it!!!  Here is EXACTLY what you should do with it: keep it around until you are playing your first big club gig and you need to do something extraordinary to get the crowds attention.  As you thrash away on the final chord of the last song pick up THIS guitar, douse it heavily with lighter-fluid and light that puppy up!  Now that's getting more that 20-bucks worth of wow-factor out of that pile of Chinese dog-dung!
If you plan to be the more lead-orientated guitarist, good for you. You’ll get more chicks and a higher place in the band pecking order. You shouldn’t however, neglect your chordal playing. A song can exist without lead lines, but not without rhythm. Don’t be fooled, every one of your guitar heroes is invariably a demon on rhythm guitar too. It’s a prerequisite: you have to understand the chords, rhythm, and harmony of a song before you can play any meaningful melody on top of it.

1. Intonation: I have a brand-new Epiphone LP that will not completely intonate on the G, A, and Low E. Fretted notes remain sharp. I have replaced the factory strings with new Ernie Balls and tried every trick in the book to move the saddles as far away from the neck as possible. Many LP owners have this problem. Other than returning the guitar to Guitar World, my only other option is swap out the factory bridge with a wider one. You mention the latter option in one of your early comments, and I've decided to try it. I just bought a Gotoh one online. Hopefully, that will solve the problem.
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Quartal and quintal harmonies also appear in alternate tunings. It is easier to finger the chords that are based on perfect fifths in new standard tuning than in standard tuning. New standard tuning was invented by Robert Fripp, a guitarist for King Crimson. Preferring to base chords on perfect intervals—especially octaves, fifths, and fourths—Fripp often avoids minor thirds and especially major thirds,[102] which are sharp in equal temperament tuning (in comparison to thirds in just intonation).
Simple mistake that the beginners do is not selecting the right pickup on the right time. For example Normally they put the switch for the bridge pickup for soloing or do the powerchords. But then, to do some plucking, clean strumming or ryhthm, they still using the bridge pickup. So the sound is so dry, They should change it to toggle number 2(or for 5 way switch, toggle number 2 or 4)
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Unfortunately, a simple pickup with a single coil of wire is just as good at picking up stray electrical energy from power supplies and other interference, so it generates a certain amount of unwanted, background noise. Some guitars solve this problem using what are known as humbucking pickups. These have two coils of wire, arranged so they capture double the signal from the moving guitar strings to produce a richer sound. Each coil is wired up so any stray "hum" it captures from nearby electrical equipment is canceled out by the other coil. Most guitars have two or more pickups, which create a variety of different effects. Typically, there's one pickup under the bridge of the guitar (where the strings are supported) and another one slightly higher up at the bottom of the "neck" (the part of the guitar that sticks out of the main body).

Yamaha is the most revered and leading manufacturer of full-line musical instruments. With its wide range of guitars, the company has become a best seller and is easily one of the best guitar brands in India. The C Series are the popular and affordable nylon string guitars by Yamaha suitable for beginners and young learners. The electric guitars of Yamaha available in India are of the Pacifica and RGX series. The Pacifica series offers the most value for money combining affordability with performance.


What people may not know is that they have a very affordable line of entry-level guitars.  This line continues the legacy of craftsmanship and prestige that comes with owning a Taylor. Whether you look into their line of Baby Taylors – 3/4 sized guitars that play better than many full-sized budget guitars, or you look into their entry full-sized acoustics, Taylor will not disappoint you.

While tremolo is a change in volume, vibrato is a constant and repetitive change in pitch up and down. It can be used to make chord progressions shimmer and to add a wobbliness to single note lines. It is like adding vibrato with your finger, but it is constant and consistent. Controls are usually the same as tremolo pedals, with tap tempo also being common.
After the success of the DD-500, RV-500 and MD-500 units, Boss's GT-1000 is a floorboard combining all three. Sleek and modern, it's a formidably robust beast. To the rear, there’s the usual array of inputs and outputs, including USB recording out and an input for an additional expression pedal plus jacks to insert two mono pedals, or one stereo external pedal and a nifty send for amp channel-switching. In terms of editing, it’s not the most intuitive. For example, when you switch between patches in a bank, you’re not just turning off, say, a ‘Tube Screamer’, but switching to a different chain that doesn’t have a gain block - standard in rack-style processing, but tough for beginners. Sounds-wise, the 32-bit, 96khz sampling finds the GT-1000 punching above its weight, and on the effects side, there’s a wealth of modulations, delays, reverbs and drives. If you run a larger, more traditional pedalboard, perhaps the so-called ‘Bossfecta’ of the MD, RV and DD 500-series units would provide more flexibility, but for most players, the GT-1000 is a highly practical solution. 
Although they just released the Gibson 2016 line, Gibson's first production electric guitar, marketed in 1936, was the ES-150 model (“ES” for “Electric Spanish” and “150” reflecting the $150 price of the instrument). The ES-150 guitar featured a single-coil, hexagonally shaped pickup, which was designed by Walt Fuller. It became known as the “Charlie Christian” pickup, named for the great jazz guitarist who was among the first to perform with the ES-150 guitar. The ES-150 achieved some popularity, but suffered from unequal loudness across the six strings.
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