To start off, the GIO GRX70 features a basswood body with quilted art grain top that makes it look more expensive than it actually is. But it's not just about the looks because for the price, you are getting Ibanez level playability, which is consistently comfortable and easy to play. Following conventional Super Strat specs, it has a 25.5" scale maple neck, topped by a 22 fret rosewood fingerboard wit a nut width of 1.65". Three Powersound pickups in HSH configuration are tasked to give this guitar its versatile rock and shred friendly tone, without breaking the bank.
Fuzz pedals provide guitarists, bass players and even keyboard players with a hefty amount of distortion that sounds VERY different to regular distortion sounds. Fuzz pedals make your guitar sound like its pushing your amplifier to the point of blowing up. A fuzz pedal completely changes the sound of your guitar signal into a heavy, fizzy, and extremely noisy sound that, depending on which pedal you choose, can provide a bass heavy noise, to a spitting ‘broken’ amp sound. Think Velcro being ripped apart and you’re somewhere pretty close.

Later makes of fuzzes—and later generations of those above—moved on to silicon transistors. Many players found the silicon-based models a little harsher sounding, however, and the legend of the magical germanium transistors began to grow. Even so, plenty of guitarists get along just fine with the silicon variety. Eric Johnson, often credited with ears of canine keenness, has used a silicon-transistor Dallas-Arbiter Fuzz Face to drive the dirty rhythm of his famous multi-amped, multi-routed set-up. He also holds the unit together with a rubber band because he says the bottom plate’s central mounting screw affects its tone. Make of this what you will.


We have arrived at the bottom of this extremely detailed buying guide and recommended guitar reviews. If you have made it here, congrats, you are officially a guitar know-it-all. Of course, the world of electric guitars is huge and there is still a lot to learn if you want to know more. But these are the basics. If you know these, you will be able to confidently pick the best electric guitars for yourself and be proud of it.

Acoustic guitars that have been fitted with a pickup can be recorded using the same techniques as standard electric guitars when plugged into an amp. Interesting sounds can be created by mic’ing up an acoustic guitar and sending the sound through an amp. This can be done live – although you should be aware of feedback – or a previously recorded acoustic track can be re-amped and used exclusively, or mixed with the original acoustic track. You can get some really gnarly and original ‘electric’ sounds with creative use of overdriven acoustic guitar; it’s especially good for slide playing.
But having at least a very basic foundation to build upon - such as learning some basic chords, will allow you to learn more songs faster. My best advice is to abandoned any idea of instant gratification and commit to the idea that learning guitar is a slow process in the beginning. It gets exponentially easier to improve your skills after you get past the huge hurdles you encounter in the beginning.
View a complete range of budget friendly electric guitars over at PMT Online today or call in to your local PMT store to see a full range. We have many electric guitars spanning all budgets, styles and genres including a complete range of guitar starter packs. Alternatively, call 0151 448 2089 to speak to one of our guitar experts to discuss your needs.
Launch price: $1,699 / £1,006 | Body: Laminated mahogany, semi-hollow | Neck: 3-piece mahogany/maple/mahogany | Scale: 24.75" | Fingerboard: Rosewood | Frets: 22 | Pickups: 2x LB-1 humbuckers | Controls: Bridge volume, bridge tone, neck volume, neck tone, 3-way selector | Hardware: Guild Tune-o-matic bridge with rosewood base, Guild vibrato, Grover Sta-Tite open-gear 14:1 tuners | Left-handed: No | Finish: Cherry Red, White, Black

Acoustic amplifiers are intended for acoustic guitars and other acoustic instruments, especially for the way these instruments are used in relatively quiet genres such as folk and bluegrass. They are similar to keyboard amplifiers, in that they have a relatively flat frequency response with minimal coloration. To produce this relatively "clean" sound, these amplifiers often have powerful amplifiers (providing up to 800 watts RMS), to provide additional "Headroom" and prevent unwanted distortion. Since an 800 watt amplifier built with standard Class AB technology is heavy, some acoustic amplifier manufacturers use lightweight Class D amplifiers, which are also called "switching amplifiers."


Hi Jeff. I just wanted to point a couple of things that IMHO are not 100% accurate. Most probably its just to make things not too complicated, but I think is important to notice them. First, resistance is not frecuency dependant, and therefore it doesn´t have any effect on high frecuency content. However, Impedance does, and impedance is the resistance on the AC world (and a guitar signal is an AC signal). Therefore, the reason both long cables and pickups loose high frecuencies as they get longer is because the capacitance in them increases, and capacitors have a certain impedance (once again, resistance in the AC world). So you may actually be true, but its because of impedance created by the capacitance and inductance present on the pickup. Will continue..


Beginning in 1960 with the T-60 solidbody, Teisco began to use the elongated “Strat” six-in-line headstock. This lasted through 1963. In 1963, the squarish Strat headstock appeared with the GB-1 solidbody bass. This seems to have lasted through 1965, but only on selected models, and with several subtle variations, including a slightly more rounded version. In 1964, probably later in the season, most of the Teisco solidbody line acquired a new hooked Strat-style headstock with four-and-two tuners on the guitars and three-and-one on the basses. This had the little hook at the throat like a Strat, and a larger hook on the tip, almost like a Woody Woodpecker plume.
This is why I’m nervous when I see a free guitar plugin that actually wants to replace a guitar, which Cute Emily Guitar attempts to do. Now, Cute Emily is the most guitar-sounding of the bunch, but it also has the least amount of controls. This gives you a relatively singular sound and while I commend Big Cat efforts, I stopped using this free electric guitar plugin faster than I did the others.
Last but by no means least, we have one of the most powerful effects and guitar processors ever created – the Line 6 Helix Guitar Effects Processor Floorboard. When this was released, the guitar world really had to take notice as this was more than just a multi-effects unit, but a complete collection of effects, amps, speaker cabs and microphones to provide users with every sound they’re ever likely to need.

In the second diagram, the two pickups are wired in series. The theory behind series wiring is that the ground wire of one pickup is connected to the hot wire of the other pickup. As a result, they become a kind of compound pickup, with one ground and one hot for both. When wired in series, the pickups combine their impedance (resistance) and the output is very high. If your Strat’s middle pickup is a reverse-wound/ reverse-polarity type (aka RWRP), you’ll get the same humbucking effect as you do when the pickups are wired in parallel—no changes there.
Ibanez is a Japanese brand of guitars that have long been associated with progressive, jazz, and metal music. They offer a wide range of styles and models for all different playing types, and they have been around since the late 1950’s. Like Fender guitars, they have the wider string spacing, and the guitars often feature a whammy bar. Occasionally models incorporate a Floyd Rose Locking Tremolo system which secures the tuning of the strings.

1960's Harmony H-54 Rocket 2 Redburst- Here's another excellent example of rock-n-roll to jazz all rolled up in one. For not much coin the Harmony Rocket was a great choice of hundreds of thousands from music stores to Sear Catalogs. This guitar is in very near mint condition as you can see. There's just limited amount of wear on tips of headstock with a amlost perfect back. Two great sounding DeArmond Gold Foil Pickups power this baby. Guitar has a 4 bolt neck which was the better neck from Harmony. It's all original, except for the pick guard, which no one can detect. Condition excellent for this great 50 year old beauty. SOLD
As a result of requests by audio engineers to reduce onstage volume, in the 2010s, in many large venues. much of the on-stage sound reaching the musicians now comes from the monitor speakers or in-ear monitors, not from the instrument amplifiers. Stacks of huge speaker cabinets and amplifiers are still used in concerts in some genres of music, especially heavy metal, but they tend to be used more for the visual effect than for sound reproduction.
One difference today is the number of big-name guitar brands that make affordable acoustic and electric guitars, which are often versions of their pro-level instruments. These days, you can own a Les Paul or a Stratocaster as a beginner or intermediate player. Of course, they aren’t the same as the Gibson or Fender flagship models, but they are still darned good guitars based on those designs.
Is it not within the scope of eventual computational science to notate the performance aspect of playing the guitar? Sans keyboard, sans human hand - if not by bedroom producers with too much time on their hands, then by AI analysis and pattern matching logic produced by overfunded grad students spending their Silicon Valley parents' fortunes, their AI guitar-licks algorithms trained by analyzing performance records and accelerometer measurements of real virtuoso guitarists performing? Won't a well trained bot eventually turn out some licks that fall within the scope of enjoyable human performance habits?
Acoustic guitars vary by type. Some are designed for beginners, while others are customized for professional guitar players. Most of the major acoustic guitar brands are available in a variety of different styles, each designed to best suit a customers' specific playing needs. Ease and sound are certainly big factors to consider when choosing a new acoustic guitar.
This brings us to the end of the list of best electric guitars in India. Yamaha Pacifica PAC012 Electric Guitar is our top pick because it is a versatile instrument that can play different types of music and it comes from a reputed brand which ensures quality and playability of the guitar. In addition, it has a premium look and feel and some great features.
I like the pseudo PTB scheme where the tone cap (I prefer .033 or .022mF) is attached to lug 3 of the pot and to ground. Lug 2 is connected to the Volume pot’s lug 1 and there’s an additional small cap (0.001mF or smaller) connected between tone pot lug 1 and Vol pot lug 2. Assume both pots are Log types: with tone at 7.5 (ie halfway along the pot’s sweep) there is no appreciable treble cut, and the volume pot gives a pretty even tone throughout its range. With tone pot higher than 7.5 bass is cut as you roll back the volume, with tone pot lower than 7.5 treble is cut. Minimum bass setting – vol approx 3, tone full up. Minimum treble setting vol full up, tone full down. I have this in most of my guitars and love it.

There is clearly a great deal that the guitarist can do for the sound by changing guitars, strings and amps, but from the perspective of the recording engineer it's also important to think about how the guitar cab is interacting with the room it's in. For example, Roy Thomas Baker mentions that he sometimes sets up the same guitar cab in different rooms because of the effect on the sound. Even if you're restricted to one room, a number of producers suggest trying out different positions of the amp in the room. Tony Visconti: "It's not so much that you're miking a guitar — you're miking a guitar in a room. I had a cellist in here recently, and I moved her until I got a good sound. Once I put her in one particular corner, her cello just sang — the room just filled up with the low end, and the sound exploded! A person who hasn't had years of experience might not have thought of doing that, but I could tell there was something lacking when she was in the centre of the room. That's mic technique. It's not so much the instrument; the room is very much part of the sound."


This extremely limited Marshall 1936V 2x12 Silver Jubilee Guitar Speaker Cabinet has been created to get the best sound out of your Silver Jubilee heads, most notably the 2555X and 2525H Mini Silver Jubilee tube amp heads. The Silver Jubilee styling looks great on stage and the 2 x 12” Celestion G12 Vintage 30 speakers provide you with all that gorgeous amp tone – perfect for 1980s/1990s hard rock.

Some solid-bodied guitars, such as the Gibson Les Paul Supreme, the PRS Singlecut or the Fender Telecaster Thinline, among others, are built with hollows in the body. These hollows are designed specifically not to interfere with the critical bridge and string anchor point on the solid body. The motivation for this can be to reduce weight, to achieve a semi-hollow tone, or both.

I have a Decca that my uncle gave to my dad and he gave to me (I think, he's never really asked for it back since he doesn't play). It's in rough condition, has stripped and rusted screws with a lot of connection issues. But I love the shape, I love the pickguard, I love the all out retro look of it. Any idea on if I should spruce it up with some new screws and seeing what I can do to fix the wiring? And if so, how do I get the cash for such project?

The stringed, chord-playing rhythm can be heard in groups which included military band-style instruments such as brass, saxes, clarinets, and drums, such as early jazz groups. As the acoustic guitar became a more popular instrument in the early 20th century, guitar-makers began building louder guitars which would be useful in a wider range of settings.

This guitar master knows wood. He understands its rhythm. He's a master woodworker and began building acoustic guitars when he was a child. "I couldn't afford the ones I wanted," he says, "so I built them." Perretta Guitars is the result of his experiments. But it wasn't until he toured with the guitars that he'd receive some of the best advice of his life from George Gruhan, a guitar master in Music City, whose customers included Eric Clapton, Neil Young, Johnny Cash and George Harrison: "If you want to work in this business, do repair work."
Kamico guitars were lower-priced versions of Kay's original guitars. They were among the first guitars to use a humbucker type pickup, predating Gibson by some few years.[citation needed] Produced along with Kay brand name guitars from 1931–1951, according to most sources. The most recognizable model is the Jumbo Jazz. Kay also made banjo's under the kamico name.
Pitch correction/vocal effects: Pitch correction effects use signal-processing algorithms to re-tune faulty intonation in a vocalist's performance [96] or create unusual vocoder-type vocal effects. One of the best known examples of this is Autotune, a software program and effect unit which can be used to both correct pitch (it moves a pitch to the nearest semitone), and add vocal effects. Some stompbox-style vocal pedals contain multiple effects, such as reverb and pitch correction.
First, you need to determine what type of guitar you have - acoustic nylon, acoustic steel string, or electric. You want to be sure to use the correct strings for your particular guitar. Acoustic guitars that require nylon strings, such as classical, flamenco and some folk guitars, generally have lighter tops, or soundboards, with less internal bracing than those found on steel-string acoustics, and stand the risk of serious damage if fitted with steel strings. Steel-string acoustics are designed to withstand the added stress that steel strings exert on the top, bridge, nut and neck, and won't sound very good with nylon strings, if they even fit. Electric guitar strings must be made of ferromagnetic metals like steel and nickel, so they can interact with the magnetic pickups, while acoustic-electric guitars typically use a different type of pickup which senses vibrations from the bridge, so acoustic strings may just have a steel core wound with a phosphor bronze alloy wrap for bright tone. Guitars with whammy bars might require a few extra steps to keep everything stable, so check your manufacturer's instructions or look for online videos.
The key feature that makes the GT-1000 stand out from the crowd is the inclusion of the ingenious AIRD (Augmented Impulse Response Dynamics) technology which ensures your effects respond correctly with the likes of tube amps and don’t muddy your sound. You can read more about the AIRD technology here, but in a nutshell, it ensures the dynamics of your unique amp are preserved. With other multi effects, you might find have to turn your amp emulations off if you want your effects to respond correctly to YOUR amp, but with the GT-1000 you won’t have to do that as you can select which type of amp you’re playing with and the pedal will respond correctly.
The Tube Screamer pedal has a long list of iconic users including Stevie Ray Vaughn, Gary Moore, John Mayer, Joe Bonamassa, The Edge and many more. As such, it is only expected for a company like Ibanez to take advantage of its popularity to extend their reach in the amplifier market - resulting in the creation of the Tube Screamer Amp (TSA) series. The Ibanez TSA15H leads the series in terms of ratings, with its compact yet versatile head profile while having the same combination of tube amplification and built-in tube screamer circuitry. At its core are two 12AX7 preamp tubes and two 6V6 power amp tubes, a standard configuration that sounds good on its own. Its standout feature is the implementation of a Tube Screamer circuit, which comes complete with the same controls as the iconic green pedal it is based on.
Finally, you’ll want to make sure you have the accessories you need to get up and playing fast. A strap, spare strings (they do break from time to time), and some plectrums are all essentials – and don’t forget an amplifier! You’ll also want a case (preferably hardshell, but soft and padded will do) to store and transport your guitar, and an electric tuner to keep it sounding good. These can all be picked up from your local guitar store, although if you are starting from scratch, you may want to consider a combo kit, which usually offer good value and convenience.
Gary Moore also created his own signature Gibson Les Paul in the early 1990s. Characterised by a yellow flame top, no binding and a Gary Moore truss rod cover. It featured two open-topped humbucking pick-ups, one with “zebra coils” (one white and one black bobbin). Gary formerly owned Peter Green‘s vintage Les Paul Standard with an accidentally reversed pick-up magnet.
The TG-64 was definitely a boss guitar, but even cooler was the TRG-1 transistorized guitar, also introduced in ’64. This guitar did Nat Daniels one better and, instead of putting the amp in the case, put a transistorized amp and speaker in the guitar! To be fair, Danelectro did produce some guitars with a miniature tube amp built-in, but it’s not known if these ever made it to production status. But the TRG-1 is a remarkable guitar available in a confusing number of variations.
This is a great local shop. I bought a new Floyd Rose bridge for one of my electric guitars and brought it to Franklin Guitar to be installed and set up. I got the guitar back within 2 days and it plays so well that I brought them my other guitar for a set up the next day. Again, within 2 days I had it back and it plays exactly like the other one...awesome. I had both guitars set up for a little more than half of what another shop quoted me just to install and set up the new bridge on the one. High quality work at a fair price in a reasonable time...I won't go any where else to have my guitars worked on. They also have a good inventory of guitars and amps for sale to fit any budget.
A common format of bass amplifier–the "combo" amp–contains the amplifier electronics and one or more speakers in a single wooden cabinet. Combo amps have been used by musicians since the 1920s, as they are convenient for transporting to rehearsals and for performances at small to mid-size venues. Combo amps range from small, low-powered "practice amps" used for individual practice, to mid- and large-size and more powerful combo amps which produce enough volume for rehearsals and small to mid-size venues (e.g., nightclubs). For larger venues, such as stadiums, bassists may use the "bass stack" approach, in which one or more separate speaker cabinets, each with one or more speakers (but not containing an amplifier) and a separate "head" containing the amplifier electronics are used. With a large "bass stack", a bassist can obtain a much higher wattage and onstage volume than a "combo" amp could provide. As with an electric guitar amp, a bass amp is not simply used to make the instrument louder; performers use the preamplifier and equalizer controls and, particularly in amps from the 1980s and 1990s onward, the onboard electronic effects, to create their preferred tone.

The solution is pretty simple actually. When setting your intonation it should look like two sets of steps. You should never need to move the saddles all the way forward or turn them around. If you want to adjust something do it in a way that allows you to keep this configuration. You do that and you'll never have to worry about tuning issues period, let alone a g-string.
From Clean to Modern, chose from 8 amp settings, four modulation effects and four delay/reverb effects, with tap tempo. Its Hi-Fi sound can be sculpted by a three-band EQ, giving it a lovely spacious sound distribution; and special off-stage circuit gives it excellent overdrive qualities even at low, discreet volumes. Finally, its sleek designer looks will fit into any living space, especially with its soft tube glow.
Flanger pedals are based on a studio sound made when two tapes were mixed together and one was delayed. What this does is add shifting harmonic content to your signal, as well as modulation. Flanging is a very distinct effect that adds a unique whoosh or airplane-like sound. Used with restraint, the flanger adds an interesting dimension to your sound, almost synthesizer-like sound. Used at extreme settings, flangers will over take the tone and bring a solo to completely different sonic level.

A very useful way of creating space for guitars in the final mix is to use tunable high-pass and low-pass filters to remove extreme frequencies that do nothing to enhance the guitar tone, but invade the space of other instruments that do perform in those areas. Generally speaking, it’s worth losing everything below 80Hz, although it’s not unusual to set the filter a good degree higher. Shaving off some high end may also be useful to help place the guitar in a specific area of the audio spectrum. Filter at the mixing stage, as the sound of the recording will often determine the optimum filtering points.
Choosing the right strings for your instrument and your style of playing might not seem like the biggest deal. After all, the Delta bluesmen of the ’20s, ’30s and ’40s often bought used strings at dry good stores for a few pennies, or boiled old strings to brighten them up. And the proliferation of brands on the market can be overwhelming to the point of leading a player to assume strings are as generic as picks – which aren’t really generic at all, but that’s another story.
When we talk about instruments, sometimes the guitar gets all the credit. Of course guitars are great, but an electric guitar on its own—even a hollow-body—is only so loud. For giving one of the world's favorite instruments its voice, guitar amplifiers deserve a little love too. These amps and speakers are the powerhouses of your audio setup, turning your guitar's output from a simple electric current into those familiar sounds.

Since there are 2 coils, you can have up to 4 wires with which to work, providing you with a great many tone options. Almost all independent pickup companies manufacture humbuckers with 4 conductor cable. Stock guitar humbuckers rarely have 4 wires coming out of them but sometimes it is possible to convert 2 wire humbuckers to 4 wire types. This is an exacting procedure with little room for error but the tone rewards can be well worth the effort. If you really want to give this a try, then click here.

While high action is a concern, I see more people on guitar forums who bought Authentics, including the 1941, who say the action and playability is “like butter” more than I see people mentioning high action being a problem. Also, a lot of players rarely go beyond the fifth fret without a capo, so they may not even notice if their 10th fret would seem high to some players.
Fingerboards vary as much as necks. The fingerboard surface usually has a cross-sectional radius that is optimized to accommodate finger movement for different playing techniques. Fingerboard radius typically ranges from nearly flat (a very large radius) to radically arched (a small radius). The vintage Fender Telecaster, for example, has a typical small radius of approximately 7.25 inches (18.4 cm). Some manufacturers have experimented with fret profile and material, fret layout, number of frets, and modifications of the fingerboard surface for various reasons. Some innovations were intended to improve playability by ergonomic means, such as Warmoth Guitars' compound radius fingerboard. Scalloped fingerboards added enhanced microtonality during fast legato runs. Fanned frets intend to provide each string with an optimal playing tension and enhanced musicality. Some guitars have no frets—and others, like the Gittler guitar, have no neck in the traditional sense.
Popular music typically uses the electric guitar in two roles: as a rhythm guitar to provide the basic chord progression and rhythm, and a lead guitar that plays melody lines, melodic instrumental fill passages, and solos. In some bands with two guitarists, both may play in tandem, and trade off rhythm and lead roles. In bands with a single guitarist, the guitarist may switch between these roles, playing chords to accompany the singer's lyrics, and a solo.
Schecter Guitar Research is a company that has really established themselves as one of the best guitar brands out there in recent years. Many of their guitars are focused on the heavy metal market, but players of any genre can find a Schecter that meets their needs. With superb craftsmanship and high-end appointments you’d expect to find on much more expensive guitars, they are also among the best values in the guitar world.
Echo – There is some crossover between delay pedals and echo pedals, but as a general rule, you can think of echo effects as extended delay effects. It’s a brother of reverb pedals, producing the canyon-like echoing you would naturally hear in a wide-open space. With long enough settings, an echo pedal can even let you harmonize against your own notes as they repeat.

No matter how good a tech may be, his preferences are going to be different than yours on string height, etc. And he is never going to use the exact same amount of pressure fretting a note as you do (affects intonation adjustments). So, the best you can hope for is finding a good tech with good comunication skills, willing to listen to what you want. I'll admit I've never tried to find one, but that sounds more difficult than learning to do the setups yourself, which is what I did.
In Cleveland power trio the James Gang, Joe Walsh combined Who-style fury with Yardbirds-style technical fireworks and R&B crunch, notably on 1970's "Funk #49." The humor in Walsh's bluesy facility came out in the talk-box flight on his '73 solo hit "Rocky Mountain Way." But it was when he joined the Eagles in 1975 that he truly lodged himself on classic-rock radio. Walsh brought a hard-rock edge to the Eagles' easygoing pop songs, creating a series of indestructible licks in the process: See his staccato-snarl riff in "Life in the Fast Lane" and his elegant aggression in the dueling-guitars section of "Hotel California." Walsh influenced the Who's 1971 classic, Who's Next, although he didn't play a note on it: He gave Pete Townshend, as a gift, the 1959 Gretsch Chet Atkins guitar that Townshend played all over that album. Townshend later repaid the favor while talking to Rolling Stone in 1975: "Joe Walsh is a fluid and intelligent player. There're not many like that around."

Top 4 in my opinion. Countless guitarists have played them on some of the best albums ever written. I've owned numerous vintage guilds and still own a vintage f50 and d55. Recently Fender bought guild and I bought a new d55 which was a bit over rated and over priced in my opinion. But Fender has sold Guild and I sold my fender owned guild d55 only to buy a brand new by the new owners who moved Guild to a California facility and I must say it holds its own with the vintages I have. Guild is back! A great name in acoustic guitars. A great build (thank God once again), and the quality has always been with the best. Long live guild and it's a top 4 brand just behind Martin, Taylor and Gibson.


Last and not necessarily least, consider the ever-popular closet and sound blanket trick. This involves a speaker cabinet, a closet or large cupboard, and at least a pair of the thick, padded blankets normally used professionally for sound insulation or by moving companies (quilts and regular bedding blankets are ineffective). You'll lose some speaker "air" and room interaction, but you'll be able to crank the amp and avoid unwanted noise complaints. Assuming the blankets are properly placed, the volume level should seem no louder than that of a distant stereo system blaring at someone's party.


Transistors are related to crystals. Their individual function is non linear and have to be arranged in compound groups to behave as a linear circuit. Solid-state amps operate at low voltages (10 - 100V). Valves amps operate at high voltages (200 - 600V). Speakers operate at approx (0 - 40V). The Output Transformer converts the high operating voltages of valves to the lower operating voltage of speakers. A transformer has 2 separate coils of wire (primary and secondary) wound around an iron core. Electricity flowing through wire causes a magnetic field around the wire and visa versa, a changing magnetic field causes electricity to flow through wire.

If you just want one or two instruments from a large SoundFont then follow this procedure.  Open the large multi-instrument SoundFont in Polyphone, then select File, New, Name the new SoundFont.  Go to the Presets of the original SoundFont, Left-Click the Preset you want and then holding down the Left mouse button then drag it to the Presets of the new SoundFont and let go of the button (the preset is now inside your new SoundFont).  Right-Click on the main heading of the original SoundFont and choose Close File.  Now simply choose File, Save (or Save As), Close.
*The expensive Fender USA hardware (supposedly genuine, purchased at Guitar Center San Marcos CA), which includes the 2-point delux strat tremolo, big-apple scratch plate, Sperzal USA tuners, Graphtech nut, and pickup selector. These items should all combine to sound awesome, and coming from a reputable supplier and for the price I paid I would expect to be identical to what is found on a USA standard or delux Fender.
There is no right or wrong answer when choosing a guitar. Choose whichever guitar suits your style. If you are inspired by electric guitar players, you may want to follow suit. If unplugged acoustic sounds tend to be what you enjoy most, then the acoustic guitar is the right choice for you. If you’re still not sure, make a list of ten bands or artists whose styles you’d like to emulate. If the list is predominantly electric, go electric. If it’s acoustic, then go acoustic.
Well, we are not part of the study! The study has been conducted, and he’s just giving you the results, it was written nowhere that you had to guess which wood was which or anything of the sort. This doesn’t imply that his little kid (cause this is his son’s science project, remember) performed any form of double-blind test, but still your remark is completely inapplicable and actually turns back on you, that make a big fuss about this article’s sloppyiness, only to attack it with wrong logical reasoning.
A real hall-of-famer from Ibanez, which displays true rock style and lightning-fast playability in an affordable beginner-friendly package. With the classic Superstrat body in a range of colors, this RG is made of solid basswood and features a slick, thin Wizard III maple neck, with rosewood fretboard and 24 jumbo frets, making it superb for chugging powerchords and fast soloing.
Description: 1997 Non Left Handed Model. Body: Laminated Maple - Body Construction: Semi-Hollow (Chambered) - Top Wood: Maple - Neck Attachment: Set - Neck Wood: Maple - Neck Construction: 3 Piece - Fingerboard: Rosewood - Inlay: Block - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Gold, 2x Volume Control, 2x Tone Control, 3-Way Switch - Pickups: Humbucker - String Instrument Finish: Ebony, Natural, Vintage Sunburst
Not all stompboxes and rackmounted electronic devices designed for musicians are effects. Strobe tuner and regular electronic tuner pedals indicate whether a guitar string is too sharp or flat.[105] Stompbox-format tuner pedals route the electric signal for the instrument through the unit via a 1/4" patch cable. These pedal-style tuners usually have an output so that the signal can be plugged into a guitar amp to produce sound. Rackmount power conditioner devices deliver a voltage of the proper level and characteristics to enable equipment to function properly (e.g., by providing transient impulse protection). A rackmounted wireless receiver unit is used to enable a guitarist or bassist to move around on stage without being connected to a cable. A footswitch pedal such as the "A/B" pedal routes a guitar signal to an amplifier or enables a performer to switch between two guitars, or between two amplifiers.
If you have been looking for an electric guitar that effectively blend tradition with modernity; the Gibson Les Paul Faded 2017 is the excellent choice that fit such description. This guitar stands as the perfect union between the old and the new—featuring a 490R modern and 490T humbuckers, closely followed with 22 frets designed for amazing bends and great feel.
The S670 QM is a speedster's guitar, with locking tuners and a razor thin "Wizard III" Maple neck, developed by Ibanez to be specifically fast and easy to play. Players with smaller hands or those who like to use their thumb to grab notes on the sixth string will find the neck particularly accommodating. So this model (and many of the Ibanez designs) score high marks for playability.
Try different gauge strings. As you know, guitarists can be creatures of habit. But heavier strings can help both your tone and fingering strength, while lighter strings may suit bigger bends. Experiment! Billy F Gibbons has the thickest tone but his top E is only a .007. Stevie Ray Vaughan’s top E was a .013. Changing string gauge may just bring out your best inner-self.
A lot of EBay sellers have been calling the Hagstrom solid-bodies of the time Hagstrom-Kent. They are not. If it says Hagstrom on the body, it’s a Hagstrom. If it is one of the Hagstrom guitars that was sold as a Kent, it’s a ‘Kent, made by Hagstrom’. I wonder if the sellers think they can get more for a guitar by associating the Kent name with it. I don’t see how. Perhaps the fact that there are so many Kents floating around, the sellers wanted a more familiar name to hang on the Hagstrom.
If you’re just starting out, our new electric guitar for beginners may be more suitable for you. Otherwise, let’s get going on our picks (although it was tough to stick with only 10 models). If you want to practice or perform without wires, you can also look into a wireless system for guitars. Be sure to check out our best acoustic guitars article if you want a companion, or if you need extra gear, we have guides for those as well.
Bring up the topic of electrics, and Martin is hardly the first name of recall. The term “electrics” is not meant to include the company’s many fine acoustic-electric guitars, many sporting top-notch electronics (which ultimately remain acoustic beasts), but rather electric guitars meant for country chicken pickin’ or raunchy rock and roll. However, beginning in the early ’60s, Martin has launched periodic forays into the electric guitar marketplace with some very interesting, if commercially unsuccessful, results (which explains why the Martin name doesn’t come immediately to mind). Most coverage of the Martin brand is focused, quite rightly, on their substantial acoustic achievements. For this essay, however, let’s take an alternative view and look at the company’s various electric guitars, its thinline hollowbodies and later solidbodies.
The pickups on this guitar are really cool and not found on any other model that I’ve seen.  They are really loud single coils reading out at 5.58k at the bridge, and 5.90k at the neck.  The pole piece screws even have some “gold foil” surrounding them, which is really cool and not usually seen.  These pickups sound very close to vintage American p90s, and they have this loud, articulate, sparkly clean tone combined with a really grindy dirty tone.  These pups are special, seriously!  Also, those switches were standard fare through the late 60s on most Matsumoku guitars.
There have been a series of the Boss RV pedals, some of which have included delay as part of the package. The RV-6 doesn't brand as a reverb/delay pedal, but it does have a "+Delay" mode that incorporates it into the reverb's decay trail. While it doesn't quite meet the same decorated feature list as the HOF (no true bypass, no analog signal, less modes) the RV-6 does add an expression pedal option, which gives you some added flexibility that might be more helpful in performance situations.
Bill Collings dropped out of medical school in the early 1970s[3] and instead worked in a machine shop for five years.[4] At the same time he built his first guitar. In 1975 he moved to Houston, Texas, where he worked as an engineer with a pipeline and oil field equipment company by day and a guitar builder by night. Three years later he met renowned musician Lyle Lovett and built him a guitar.
Follow your musical vision and express yourself with the unique Fender Newporter Player. The exclusive medium-sized Newporter shape gives it a balanced voice that's both articulate and powerful, perfect for backing up any singer. Designed for performing, the fully-painted gloss metallic solid spruce top, mahogany back and sides, matching painted 6-in-line headstock and creme binding give this guitar a shot of electrifying style. Unconventional to the core, the Newporter Player is definitely something different and exciting.
Cool guitar! You really don’t see many of these anymore. You are correct that it’s similar to the Washburn Wing series, specifically the Washburn Eagle from the late ’70s and early ’80s. In fact, aside from different fretboard inlays and brand names on the headstocks, when you compare the two they’re nearly identical. If this connection seems odd, the occurrence of very similar guitars with different brand names is more common that many of us would think.
In the early 1960s the Brothers Grim became the first American group use Vox Amplifiers. Joe Benaron, CEO of Warwick Electronics Inc. / Thomas Organ Company, the United States distributor of Vox, along with Bernard Stockly (London), importer of Challenge pianos to the United States, arranged for the boys to have full use of the tall Super AC 100 Vox amps (4×12" speakers). The solid-state version of this amp (known in the USA as the "Super Beatle") was produced to cash in on the Beatles-Vox affiliation, but was not nearly as successful as the valve AC30 and AC15 models.
With so many guitar manufacturers hot rodding the Stratocaster, it is refreshing to see brands like ESP going after the other popular guitar shape, resulting in the "Super LP" guitar like the ESPT LTD EC-1000FM. This souped up version of the classic single cutaway body combines traditional looks with modern tones and playability, resulting in a fast playing axe that's easy on the eyes, and not too edgy.
Reverb's Free Online Price Guide: This specialty vintage guitar site is one of the largest, most carefully maintained used vintage guitar and bass shops on the internet. It sells hundreds of used guitars and basses of all makes and models. It offers a free online Price Guide where you simply type in the model of instrument you have, and Reverb will analyze its vast database of transactions and give you a large result filled with prices. This gives you a real-time look at the market and where your particular kind of instrument fits in. It is a living, breathing blue book, and (the best part) it is free.
very recently I've been trying to get a band together where the Humbuckers of my les paul would suit the sound a lot more and decided to pull out my les paul, on trying to tune it, I noticed the intonation was a little off on all strings (not particularly noticeable by ear, but plugged into a tuner one could see it was off), but on the high E string it was very much off, from the third fret and higher it is very off sounding.

The fact that the output is electrical has made possible a dizzying array of sounds produced by electrically and electronically modifying this electrical output. Besides the volume and tone controls on the guitar and on the amplifier, a variety of outboard devices are used to obtain custom sounds and effects. As an attempt to organize these effects, consider the following classifications:
He may have spent much of his Guns n' Roses prime shirtless, drunk and surrounded by snakes, but Slash brought good taste and restraint back to hard-rock guitar. "It was a stripped-down rock & roll sound compared to what everybody else was doing," says Slash. He could riff like Joe Perry, and intertwine, Stonesstyle, with Izzy Stradlin. And lyrical solos like the from-the-mountaintop grandeur of "November Rain" were permanently laced into the songs' fabric. "It's hard to play those solos any other way," says Slash. "It will sound wrong."
Amazing guitar for the price point. It's build is so accurate it requires no setup, just tune and it's ready to go. Great rich sound, very bright, great action up and down the neck. I can't put it down and I'm enjoying it more than my six string acoustics. There's something very forgiving about playing a 12 string vs a 6 string, the neck is slightly wider and there's more room for the fingers, and the pressure points on the fingers are wider too which lends to smoother playing.
For someone who’s been playing for a while, your options are a little different. Perhaps they’ve got a certain guitar in mind. If so, get them what they want! Chances are they’ve already done their homework and have their eye on their next guitar. If they’re not sure, you can still make an educated purchase. There are many popular options that should satisfy most experienced players. And there are many lesser-known models that can be the right fit for someone with more specific tastes.
If you are looking for a guitar that is not only surpassing quality levels but also looks classy, Gretsch is the one you require. The company certainly makes some genuinely beautiful instruments that appeal your eyes. Although, some Gretsch guitars come with a considerable price tag, yet they certainly worth the money. Likewise, you can also find several hollow and semi-hollow body guitars at Gretsch that are quite affordable. It means every player from all levels will surely find something of their interest over here.
The Effect: Pedalboards are not guitar effects, but are an essential piece of equipment for every musician utilizing more than 2 or three pedals. Essentially, a pedalboard is a casing for guitar pedals, specially crafted to house a number of effects – typically ranging from 4 to 12. In some cases, boards come as just casings and it’s up to the player to sort out the electronic department and powers supply; in other cases, all the electronics are included in the mix and even cables are included. So in a nutshell, boards make your pedal use far more convenient and practical. In our opinion, they are an absolute must-have for any player who has more than two effects in use. For a first pedalboard I would recommend the Donner DB-2 as a great option.

The L-00 carries over the airy nasal tone and midrange emphasis of the original, making it great for tasty slide and classic rock riffs. Your favorite blues licks will also have more oomph when played through this blues box. For something so small, this parlor guitar can compete with standard size acoustics in terms of volume. Its solid sitka spruce top and solid mahogany back and sides work together well to give this seemingly diminutive instrument great clarity and good low end.


It has always amused me that one of the great tempests in the teapot of guitardom has been the legendary “lawsuit” of the 1970s. You know, when Norlin (aka Gibson) sued Elger (aka Hoshino, aka Ibanez) in 1977 over trademark infringement based upon “copying” Gibson’s headstock design. There are tons of ironies in this story, but one of the most amusing aspects is that companies such as Gibson have been one of the most egregious copyists of its own guitars over the years. Witness the Korean-made Epiphone Firebird 500 seen here.
Gibson market the J-200 as the most powerful acoustic guitar on the planet, and we might just agree. It’s so punchy, and has so much presence, both in the low end and right up there with the more sparkling high notes. Combine this with the L.R. Baggs Anthem pickup system, and this is a guitar that is aimed squarely at live performances where the acoustic needs to really make itself heard. It’l
Maton JB6 is a 1970s guitar manufactured by Maton. It features a thin solid body, short scale 24 fret design, two humbucking pickups, two tone controls, one volume, in/out phase toggle for bridge pickup and standard three way pickup selector toggle switch. The body has double cutaways, set neck and heavy metal base plate supporting a stop piece and bridge for increased sustain.
Gibson filed a lawsuit November 18, 2010 in Federal court, the Central District of California, against WowWee USA and their Paper Jamz battery operated guitar toys charging trademark infringement.[27][28] The lawsuit claimed the Paper Jamz toy guitars copied the looks of some of Gibson’s famous guitars, the Gibson Les Paul, the Gibson Flying V, the Gibson Explorer, and the Gibson SG. On December 21, 2010 Gibson was granted a request for an injunction against WowWee and retailers in the United States which were selling Paper Jamz guitars: WalMart, Amazon (company), Big Lots stores, Kmart Corporation, Target Corporation, Toys “R” Us, Walgreens, Brookstone, Best Buy, eBay, Toywiz.com, and Home Shopping Network (HSN)[29][30][31] The case was dismissed with prejudice (dismissed permanently) January 11, 2011 by Federal Judge R. Gary Klausner.[32][33]

Variable 2: Speaker configuration. In Clip 2 you hear cabinets with varying numbers of speakers. First comes the 1x12 sound of a midsized Fender combo amp. Next is a 2x12 Fender-style cabinet. After that is the distinctive sparkle of a tweed-era 4x10 Fender Bassman. The last phrase is a classic 4x12 Marshall stack with 25-watt Celestion Greenbacks. These sounds represent a single mic on a single speaker, yet you can differentiate single- and multi-speaker cabinets due to leakage from adjacent speakers.


Here we have another great Yamaha Its Sound is truly WELL beyond its price point someone will be very pleased. aprox..1972-74 YAMAHA FG160 WOW! . ...This is a Gorgeous MARTIN style REPLICA and for the money compares very well to the original in quality materials used..sweet vintage SPRUCE TOP now wonderfully ambered in color from age just too cool, The Back - Sides & Neck are all made from choice AAA Mahogany just what you would expect from an expensive Martin or Gibson...only you would expect to pay much more for one of those , but this is a rare early non "Nippon Gakki" model with the Red Label from Korea.. These early issue Red Label Guitars from Korea utilize the very same materials that were made in Japan. These components were used under strict quality control and 100% assembled in Korea from the very same vintage wood - components & parts as the Japan made Yamaha's. We have had many of these Red Labeled Yamaha's in the 180's & 160's currently and over the years I see up close and in person the very high grade AA mahogany neck s sides & back & the same nice nickel tuners & hardware the very same one piece solid neck no scarf joint at the back of the headstock area like the later Korean & Chinese examples ... This era exhibits just the same just as nice woods as those Japanese big dollar players but " SOME" not all are hidden treasures and are still a real bargain today when compared to the Japanese Red Label versions or a Martin or even Japan made models of this quality...fit & finish & the materials on this guitar are very nice! This guitar does not take the back seat to the Red Label Nippon Gakki version at all. The action is very EZ to play and the TONE is simply wonderful..The Condition is very good++ to excellent vintage it is not mint,and it is not beat..it has natural minor play wear and dings associated with a well loved and played quality guitar it has all the rich patina now of a true vintage acoustic and is quite beautiful in its own right. This guitar has a good history of care its a California guitar where the climate is stable and quite favorable to guitars and was adult owned & loved. This guitar has the preferable a nice MEATY U Shaped Premium Mahogany one piece solid NECK, the frets are still good, The Rosewood is gorgeous too it looks to be Premium grade as well..You will not be disappointed with this guitar at this price the sound is rich like a an expensive $1,000+ guitar, big tone ...no repairs, structural damage..It comes with a new set of Martin strings installed ready to play out of the box. TRULY STUNNING, SEE MORE ... This baby is nice and sweet in person...very nice, , with a classic MARTIN LIKE feel & Sweet-Tone that simply is very hard to beat. The neck is STRAIGHT and the frets are fine w/plenty of life left,this baby plays real nice she stays in tune very well.. .nice workmanship & choice select materials used....You will not be disappointed with this FINE YAMAHA FG160 guitar with NICE TONE & SOUND...its a real Great Player ....This guitars condition is rated at a 8+ Very good+ or better and is very good to excellent condition only a few very minor dings can be seen. this is a real Vintage guitar" and as you can see its in Gorgeous shape!. no known problems cracks-breaks-repairs with no other known issues at all. This one is is 100% READY TO GO!!! its in very good to excellent condition a solid 8+ OR BETTER. This .
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Shreddage 2: Absolute Electric Guitar is our answer to the challenge of total guitar sampling. It is a complete instrument with elegant scripting, intuitive mapping, and incredible depth. This virtual guitar for Kontakt is the ultimate weapon for rock & metal music, built from the ground up for realistic playing in any hi-gain style. All samples were recorded on a 7-string guitar and are provided clean/DI so you can use your own custom amp tone - or use the included Peavey ReValver HPse.

In 1992, two more models were added, the single-cutaway BC-40 and the 5-string B-540. Although widely admired[who?] for their high quality and lovely appointments, they proved to have limited appeal due to their $2000-plus list prices. By 1997, all four of these initial basses were dropped in favor of the B-1, a lower-priced ABG with laminated mahogany sides as part of Martin’s 1 series of guitars. The BM, an even less expensive model in Martin’s now discontinued Road series soon followed; it had laminated mahogany sides with a solid mahogany back. Also around this time electronics became standard on Martin basses. The most recent additions are the BC-15, a single-cutaway version with a mahogany top, the BC-16GTE, also a single-cutaway with solid Genuine mahogany back and sides with a gloss top, and the 00C-16GTAE, which is a slimmer thin-line version of the previously mentioned model. As a special edition, Martin offered the Alternative X Bass with jet black High Pressure Laminate back and sides and a Graffiti-patterned Aluminum finish top. This bass was very similar in build to the other guitars in Martin’s X series. There have been two Limited Edition Martin acoustic bass models. The first, the SWB Sting Signature Model, was released in 1999 and was made with woods certified by the Rainforest Alliance’s SmartWood program[citation needed]. The SWB’s top is made with book matched solid Sitka spruce reclaimed from pulp logs, the back, sides and neck are solid certified cherry, and the fingerboard is certified katalox. Sting’s signature is inlaid between the 18th and 19th frets, and a label inside the body states that a portion of the sale price is donated to the Rainforest Foundation International[citation needed]. The second and more recent Limited Edition is the B-28KV Klaus Voormann Signature model released in 2008 for the German market. It has a Sitka spruce top with Solid East Indian Rosewood back and sides and a black Ebony fingerboard. The headstock features a unique art design by Klaus as a circular inlay making each bass a one-of-a-kind. In addition to these U.S.-made instruments, Martin also markets Sigma ABGs made in Korea.


Tremolo is a regular and repetitive variation in gain for the duration of a single note, which works like an auto-volume knob; this results in a swelling or fluttering sound. This effect is very popular in psychedelic and trip-hop music. The speed and depth of the flutter are usually user-controlled.This is a volume-related effects pedal. This effect is based on one of the earliest effects that were built into guitar amplifiers. Examples include:
 You will not grow here or learn anything that will be useful in any other company unless they employ 1950's management techniques. Maybe a screenwriter for "Madmen" would find some material here but as someone trying to grow their career you won't learn anything useful. The pay will be no better than your last job minus your previous bonus and 401k match which to my knowledge they do not contribute. So next question, your not making any more money and probably less, not learning anything useful and will need to explain why you left after 6 months, how are you going to position this to beat the competition going after your next job?
The cool thing about this setup is the EQ bypass feature. In other words, you can completely nullify any effects of the EQ and tap into the raw tone of the guitar. That works great for those who want that authentic tone or to let the mix engineer handle the rest. Overall, this Takamine is rock solid in all aspects. It is a great alternative for anyone who's looking to extract the most out of their money who wants to try something other than a Martin.
If you love the sound of both acoustic and electric guitars, but you want to play both at the same time without draping one of each over your shoulder, then an Acoustic simulator pedal is ideal. These pedals take your guitar signal – regardless of what electric guitar you’re playing and make it sound like it’s an acoustic. These are often used by guitarists on stage who want to switch between an acoustic and electric guitar sound during a set or even the same song. The Boss AC-3 Acoustic Simulator is a great option.

Two-point rocking tremolo or fulcrum vibrato: Features individual string saddles that are adjustable for intonation and height. These are mounted on a bridge that rocks on two bolts mounted on the guitar top. The bridge has a broad perpendicular plate that extends through the body of the guitar. This free-floating plate is attached to the inside of the guitar by springs that match the tension of the strings. Locking tuners, which clamp down on the strings, help keep tuning more stable.

Fall 1954: both models have 2 volume and tone knobs, $39.95 and $59.95 respectively. The single cutaway bodies were made of solid Poplar wood, and are known as the "peanut" body shape at 11.25" wide. Then used a solid aluminum bar running from the peghead to the bridge for strength. "Coke bottle" pegheads are used that are 5/8" wider across the two "E" tuners than the later "Coke bottle" peghead shape. This model was also available under the Silvertone brand name with the "lightening bolt" peghead.

Launch price: $2,419 / £1,943 | Body: Alder | Neck: Maple | Scale: 24" | Fingerboard: Rosewood | Frets: 22 | Pickups: 2x Bare Knuckle Johnny Marr single coils | Controls: Volume, tone, 4-way pickup selector switch, 2x 'bright' slide switches | Hardware: Jaguar bridge with Mustang saddles and vintage-style floating vibrato | Left-handed: No | Finish: Olympic White, Metallic KO
Epiphone makes some great guitars for beginners, and they get the top spot on my list. Epiphone is owned by Gibson, one of the biggest names in the guitar world. As a subsidiary, Epiphone is allowed to make budget versions of classic Gibson guitars. This means newbies have a shot at starting out on a legendary Gibson design such as the Les Paul or SG.
The display borrows a lot of its design cues from Guitar Hero—which is probably a good thing, since so many players are already familiar with that system. Like GH, Rocksmith has vertical columns to show you which frets to hold, and the notes move toward you until they reach a line that represents the moment you're supposed to play them. However, GH's display didn't need to move since there were only five buttons. Because it has to span the entirety of an actual guitar neck, Rocksmith's display floats up and down. If you're playing primarily notes between the fourth and seventh frets, for example, it will show you just those frets on the screen, then slide up to the 10th or 11th when it's time for you to play those.
OK, our math isn't so great, so we've gone ahead and included an 11th amp in this list of 10. Although it's way too soon to be declared "iconic," PRS Guitars' brand-new Sonzera series of amps have been hot topics in gear land since they were introduced at the 2017 Winter NAMM Show. Let's just call them "instant classics." Featuring a rugged steel chassis, custom transformers and road-ready construction, each Sonzera model delivers serious tone with maximum reliability.

The combination of Slash’s rough-edged pyrotechnic solos and Izzy’s raw power chords and off-kilter rhythms resulted in an unusual mish-mash with massive crossover appeal that metalheads, punks, glam poseurs, pop fans and classic rockers loved alike. Slash and Izzy also made vintage guitars cool again, strapping on Gibson Les Pauls, Telecasters and ES-175 hollowbodies when most guitarists were playing DayGlo superstrats, pointy metal weapons or minimalist headstock-less Stein-bortions.
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The No. 140 Supro Capitan was a handsome f-holed archtop, which was Regal-made. It sported an arched spruce top with a maple body. The hardwood neck had an ebonized fingerboard with pearl position dot and jumbo frets. An oval Supro logo plate sat on the faceplate. A single rectangular metal-covered pickup (with holes exposing the poles) sat just to the bridge side of the middle position. This pickup had six separate coils! It had a “crystaline pick guard,” probably tortoise, and adjustable compensated bridge, National-stamped trapeze tailpiece, and one volume and one tone control situated just behind the �guard. It came with a grey Servitex tweed case, and in ’42 cost $71.50.
Power valves (tubes) can be overdriven in the same way that pre-amplifier valves can, but because these valves are designed to output more power, the distortion and character they add to the guitar's tone is unique. During the 1960s to early 1970s, distortion was primarily created by overdriving the power valves. Because they have become accustomed to this sound[dubious – discuss], many guitar players[who?] favour this type of distortion, and thus set their amps to maximum levels in order to drive the power section hard. Many valve-based amplifiers in common use have a push-pull output configuration in their power section, with matched pairs of tubes driving the output transformer. Power amplifier distortion is normally entirely symmetric, generating predominantly odd-order harmonics.
Jazz guitarists are not limited to single note improvisation. When working with accompaniment, chord solos are created by improvising chords (harmony) and melody simultaneously, usually in the upper register on strings 1,2,3 and 4. Wes Montgomery was noted for playing successive choruses in single notes, then octaves and finally a chord solo - this can be heard in his improvisation on the standard Lover Man (Oh, Where Can You Be?). When playing without accompaniment, jazz guitarists may create chord solos by playing bass, melody and chords, individually or simultaneously, on any or all strings - such as the work of Lenny Breau, Joe Pass, Martin Taylor and others. This technique can be also be incorporated into unaccompanied soloing: for instance Django Reinhardt's "improvisations", as he called his solo pieces.

Through the late 1960s, Westheimer offered a wide range of Kingston instruments including electric basses and hollowbodies (and even amplifiers). By the mid-1970s, it was becoming increasingly expensive to build guitars in Japan, so Westheimer shifted production to Korea by building a factory there, which became Cort. Kingston guitars existed in one form or another through the 1970s and even in the early 1980s, but Westheimer was finding great success building budget and entry-level guitars in his Cort factory for big U.S. guitar companies such as Kramer, B.C. Rich, and Epiphone.
Sometimes called an auto-volume, these pedals work the same as the wah-wah pedal.  The effect functions based on your picking dynamics, but instead of a change in tone, you get a change in volume.  The effect will have no volume when you pick, but will then swell up to audible levels.  It masks your pick attack and simulates the sound of a bowed instrument.
Prior to being acquired by Gibson back in 1957, Epiphone once competed with the most popular guitar brands in the market - including Gibson. These days, Epiphone is known for being the affordable sub-brand of Gibson, producing cost-effective alternatives to many of their premium guitars. Many experienced players today credit this brand for manufacturing their first ever instrument, and their popularity in the entry level market continue to soar high.
Epiphone introduces the Les Paul Special VE (Vintage Edition) electric guitar featuring the classic Les Paul profile with a lightweight Poplar body. The Les Paul Special VE is powered by Epiphone Open Coil humbuckers and is available in beautiful “Vintage Worn” color finishes.For decades, the Les Paul Special has been one of Epiphone’s best se...  Click To Read More About This Product
MusicPCB.com – offers PCB projects to build guitar and bass effects, and synth modules. All PCBs are professionally manufactured, and include soldermask, a silkscreened component legend, and plated through holes and pads. They are designed to be easy to build, provide simple and clean wiring, to work well with your other pedals, modules, and instruments, and most of all to sound great and provide sounds and features not available in commercial designs. Each PCB comes with a PDF document with wiring diagram, schematic, build notes, and large modding sections with details on how to perform a variety of mods to tailor the design to your needs/taste.
Fender’s arm when it comes to affordable quality guitars is the Squier. The Affinity Stratocaster is no push over. It has an ergonomically design contoured double cutaway body made of alder and has the C-shape all maple or with rosewood fingerboard neck patterned over an original Fender which contributes greatly to the guitars comfort and playabilty.
Wah – a frequency-based effect that creates a sound similar to a voice saying “Wah”. A Wah pedal uses a filter that sweeps across the frequency band. In a pedal wah, pressing the toe down will make the guitar signal brighter; heel down makes the signal darker. The filter can be controlled either automatically by electronics within the pedal or manually by the use of an expression pedal giving the guitarist’s hands-free control over their tone.
Its very obvious very few on this list have never picked up a guitar in their life as this looks like a what brand does my favorite band play list... Considering Gibson these days are garbage and only were good for a few style to begin with no way they're number one... Fender has very solid build quality, but to diversify them to play numerous styles takes heavy modification. As far as electric are concerned there is a number that can top the list, as schecter, esp and Jackson are too low on the list and I've heard good things about rickenbacker. Ibanez is also excellent. Its really a toss up for me...I haven't played much esp do I phased them out...I have extensive time with Ibanez schecter and Jackson... Ibanez is gone because the build quality is no better and the playability is pretty much the same as a Jackson but the Jackson gives you far more bang for the buck... As for schecter and Jackson they put out some fully loaded guitars that are only going to rock you maybe a weeks ...more
(Book). To mark the 60th anniversary of Fender, Backbeat's introduced a new, completely revised third edition of this bestseller. Fender guitars have long been the instruments of choice for artists such as Jeff Beck, Eric Clapton, Jimi Hendrix and Stevie Ray Vaughan. This book tells the complete story of Fender guitars, detailing classics such as the Telecaster, Stratocaster & Jazzmaster as well as lesser-known models. Dozens of photos reveal Fender's storied craftsmanship, while the text includes collector details for all models. The reference section lists all models and their statistics. This new edition has been refreshed and updated, with 56 extra pages and over 60 new photographs. The main text has added material and has been brought up to date to cover Fender's ever-changing history amid the fascinating developments for the company and its instruments during the eight years since the previous edition.
Fret gauge might have a bigger impact on playing feel than on tone for many guitarists. Wider frets are often attributed a smoother, more buttery playing feel, which also makes it easier to bend strings. Ease of bending is also enhanced by taller frets, whether wide or narrow. Narrow frets shouldn’t be too hard to bend on, unless they are badly worn down, and they also leave a little more finger room on the fretboard—particularly in the higher positions— which might suit some players better.
Electronics kit building kind of fell out of favor during the computer age as the home based technology enthusiasts moved to assembling PC’s, and software development. But home brew electronics has enjoyed a resurgence in recent years in what is now called the maker community. Internet electronics stores such as Adafruit and Element 14 are enabling 21st century geeks to build anything from simple circuits to complex embedded computing projects. These sites provide documentation, tutorials, video channels, and of course, a store, where you can purchase the tools and components required to internet enable your toaster, or feed your cat from the couch.

16-Series: Style 16 guitars were first introduced in 1961. Later, they were the first production Martins to utilize sustainable, native woods such as ash and walnut, as well as the first to implement hybrid A-frame “X” bracing. Today, these models use solid woods such as mahogany, East Indian rosewood, koa, sapele and maple. Models include DC-16RE Aura, OMC-16E Koa, D-16 GT, 000C-16RGTE Aura and the J12-16GT, a 12-string jumbo-size guitar with the series 16 appointments. Most -16 series instruments use the Martin long scale, 25.4″.

If you are a first time builder or an experienced professional you know the value of building your instrument on a solid foundation. The Custom Shop Jag body is beautiful, high quality and made to spec. The Allparts neck is manufactured under license by Fender. The materials and quality level meet the standards set by Fender. Using these high quality materials will give you the sweet tone and sustain you are looking for.
Description: Body: Honduras Mahogany - Body Construction: Solid - Top Wood: Maple - Neck Attachment: Set - Neck Wood: Honduras Mahogany (Bigleaf Mahogany, Brazilian Mahogany, Tropical American Mahogany) - Fingerboard: Ebony - Frets: 22, Jumbo, Medium - Inlay: Abalone Dot - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Floyd Rose Style Locking Tremolo - Bridge Construction: Ebony - Cutaway: Single - Hardware: 1x Volume Control, 1x Tone Control, 3-Way Switch, Sperzel Tuners - Pickups: Humbucker - Pickup Configuration: H-H
Hendrix, Van Halen and, uh, Mozart are the musicians to thank for most heavily influencing death-metal shredder Azagthoth, not that they really come through in the jagged riffs and cheetah-fast solos of Morbid Angel classics like “World of S—t” and “Where the Slime Live.” But that’s because he has blazed a tension-filled style all his own (when he solos, he enters a mystical mind state he calls the “Temple of Ostx”) that is finally getting more praise than early antics like cutting himself with a razor before hitting the stage and extolling Satanism.
Wiring: If you chose the optional snap together wiring, then all of our instruments come pre-wired and pre-soldered, so that you can assemble the instrument without needing to do any soldering. You simply snap a few connectors together to complete the electrical connections before you screw down the pickguard, control panel, and output jack plate. This is detailed on the guitar kit wiring and hole drilling description page. If you would prefer to not have your kit pre-wired and pre-soldered, please let us know.
There’s plenty of substance under all that style, too. Two DiMarzio-designed Fusion Edge humbuckers power the S series axe—they aren’t exactly after-market pickups, but are designed in collaboration between Ibanez and the pickup brand. These ceramic humbuckers are aggressive, articulate and loud, ideal for modern metal. And for a touch more versatility, both pickups have also been coil-split.
Their first flat-top acoustic guitar was produced some time shortly before 1910, but at that time their flat-tops were still a long way behind Martin in terms of popularity. It wasn't until 1923 that they began to seriously break into the flat-top acoustic guitar market with their signature Nick Lucas Special model and began to give Martin a run for their money.

Larry Robinson Fine Custom Inlays - They produce one-of a kind shell inlays for all kinds of guitars. One of a handful of inlay practicioners in the country, Larry has done exquisite work for major guitar manufacturers (Fender, gi bson, Yamaha,...), small production shops (Santa Cruz, Collings, etc.), single luthier shops (Klein, Ryan, Olson, Megas, and more), collectors like Tsumura and people who just want something to personalize their guitar.


In 2005, Gibson issued three Pete Townshend signature edition Les Paul Deluxe guitars, based on Townshend’s heavily customised “#1” Wine Red 1976 Les Paul Deluxe, “#3” Gold top 1976, and “#9” Cherry Sunburst 1976. These guitars were modified by Alan Rogan and used extensively on stage and in the studio with The Who. In addition to the two mini-humbuckers the guitar carried, Rogan modified Townshend’s originals with a DiMarzio humbucker in the middle. Toggle switches located behind the guitar’s tailpiece turned the pickup on and off and added volume boost. The control knobs were wired for volume, one for each pickup and a master volume. The reissues differed from Townshend’s originals in that the reissues had an inlay at the first fret while the originals did not.
Anyway, this little beast didn’t need much work. This is one of the pleasures of working on a Champ-style practice amp. They have so little in them, there’s simply not much to go wrong or fix. This one, it turned out, only needed a filter cap job, a new preamp tube and one coupling cap. Piece o’ cake. Twenty minutes of soldering and one $4.00 7F7 tube later, I had a monster little Champ-esque amplifier (actually it sounds a little more like the Gibson Skylark than a Champ, but that’s cool by me) for under $80.
By 1964, most of Orbison’s early rock and roll contemporaries were either dead, strung-out on drugs, in jail or making crappy movies, but Orbison’s musical career still hadn’t reached its peak. In between the ballads, he recorded singles like “Mean Woman Blues” (check his wild guitar solo) and “Oh, Pretty Woman” that showed upstarts like the Beatles, the Animals and the Rolling Stones that Americans still could rock harder than any Brit.
Finally, amidst all the considerations about tops and shapes and tones, don't underestimate the importance of choosing a guitar that you like. Choose one that feels comfortable, whether you are sitting or standing. Make sure you pick a guitar that responds to the way that you play, and don't settle on a "good" guitar if you don't like the way it sounds to your ears.

From its humble beginnings as an experiment in resonance to the flagship image of rock and roll, the electric guitar has taken many forms over the years. All of them have their advantages — and their disadvantages. Every manufacturer has tried their own take on some of the different body styles, which include hollow body, semi-hollow body, fully solid body electric, and even acoustic-electrics. Here, we will take a look at what exactly those terms mean, and what to look for in each.
Takamine has been known for their high quality and highly affordable guitars for years. Their GD51CE comes in just under $500, and is a cutaway dreadnought. It is my top pick if you are looking for the best cutaway acoustic guitar under $500. It has a slim neck for great playability, something that beginners and experts both love. It has a spruce top with rosewood back and sides. You will also be able to amplify this guitar, as it is an acoustic electric. It comes in natural or sunburst finishes. Owners describe it’s sound as loud and balanced, which is expected of a dreadnought cutaway. You can’t go wrong either, as it has an onboard tuner. See more pictures and reviews of the guitar here.

I have a Decca that my uncle gave to my dad and he gave to me (I think, he's never really asked for it back since he doesn't play). It's in rough condition, has stripped and rusted screws with a lot of connection issues. But I love the shape, I love the pickguard, I love the all out retro look of it. Any idea on if I should spruce it up with some new screws and seeing what I can do to fix the wiring? And if so, how do I get the cash for such project?

Honestly, a couple of years back I never looked at Fender for acoustic guitars because everyone was always talking about Taylors, Gibsons, Martins, Takamines, Paul Reed Smiths etc. Despite being a very good electric guitar company not to mention the inventor of the no. 1 guitar in the world, the strat, everyone always looked Fender, alongside with Ibanez and Washburn (good electric guitar brands) as bad acoustic manufacturers. I was one of them too. For me, Washburn and Ibanez might be a good budget acoustic guitar manufacturer but they don't deserve to be high in this 'top acoustic guitar brands' list. But for Fender, these past few months my mindset about them changed. I never realized how authentic and good sounding fender acoustics were way back then but I'm happy now that I changed my mind about them. I love them now. It's not about having vintage acoustics, or having high end prices. Fender don't set their prices as high as taylor, martin or gibson but they must not be judged ...more
It does sound intimidating when you read platitudes like "There is no official rule on how to do it, and you should break the rules and experiment because that's what art is, and you'll invent something new." Some people even tell you to figure it out yourself, which is equally absurd. It developed over decades. No one person is going to just sort it out by themselves over night.
The neck is also made of mahogany and is hand set into the body. Looking at the fretboard, we see a standard rosewood design with white binding and classic trapezoid inlays. Epiphone went with a set of Alnico Classic humbucker pickups. These are very close to what the original Gibson solution had to offer. Classic rock and blues just flow out of these, although you are more than free to crank up the gain and blast some heavy riffs.
Pitchshifters change the pitch of the note played via a user-specified amount. The range of pitch deviation depends on the equipment used, but many pedals are capable of raising and lowering the pitch two octaves above and below the fundamental pitch. The amount of pitch deviation can be set or controlled via a foot pedal (which typically offers smooth, continuous pitch control). Typically, such function will be used with the original signal, resulting in a Harmonizer: the pitch is altered and combined with the original pitch to create two or more note harmonies. These harmonies are typically programmed in discrete integer multiples of the fundamental tone. When used with an expression pedal, it provides a smooth, abeit slightly digital, bend-like effect. Pitch shifters can also be used to electronically "detune" the instrument. Some examples are:
So what are acousticelectric guitars? Quite simply, it’s an acoustic guitar with slight modifications that means it can be plugged into a power amp. This means that the sound from the guitar can be made much louder for use live or with a band. It also means that, as the signal becomes electric, it can be altered with effects pedals and other equipment. Sometimes, because of this, electric acoustics are used when recording in a studio, though a microphone is often used too.
C.F. Martin & Company is a U.S. guitar manufacturer established in 1833 byChristian Frederick Martin. Martin is highly regarded for its steel-string guitarsand is a leading mass-manufacturer of flattop acoustics. Martin instruments can cost thousands of dollars and vintage instruments often cost six figures. The company has also made several models of electric guitars and electric basses.
I use an EBTECH HUM X. I plug my Fender ’62 Re-Issue Deluxe Reverb into the HUM X and then I plug the HUM X into the wall socket. It works great for me. For my pedals, I use a Visual Sound One Spot to power my large board with no issues and I have a Boss BCB-3 pedal board/case with OD-3, CH-1, DD-3, and a TU-2 next to the OD-3 on the floor since my BCB-3 is really old it came with a 4 pin daisy chain. I power that with a Boss PSA-120S AC Adapter also with no issues. I read about keeping your signal as clean as possible and cable lengths no longer than is necessary. I would try everything mentioned above and make sure you have good quality and proper length cables. BTW, if you research cables, you may find that more expensive doesn’t always mean better. Check out Pro-Co. They are also made in the USA. Good luck!
When technology changed from valve to solid-state, it was noticed that solid-state amplifiers lacked warmth and bass performance, and had to be twice as powerful as valve amplifiers, to sound as loud. Current Drive: Solid-state amplifiers behave in ‘Voltage Drive’. This acts as a short circuit (zero output impedance, or 100% damping factor) across the speakers, causing excessive damping, which reduces efficiency, limiting responsiveness. Valve amplifiers behave in ‘Current Drive’. This represents an open circuit across the speaker without over damping, allowing maximum response and efficiency.
Gate – A dynamic effect that cuts off or lowers the volume of the output when the input is below a certain volume threshold. Once the input reaches the threshold the gate opens and allows the entire signal through. This is handy when placed in an amplifier’s effects loop for helping to eliminate hiss caused by high gain distortion when the guitarist is not playing.
While it was produced, Ovation’s super-shallow 1867 Legend was the recommended guitar in Robert Fripp‘s Guitar Craft.[22][23] Tamm (1990) wrote that the acoustic 1867 Legend has “a gently rounded super-shallow body design that may be about as close to the shape and depth of an electric guitar as is possible without an intolerable loss of tone quality. Fripp liked the way the Ovation 1867 fitted against his body, which made it possible for him to assume the right-arm picking position he had developed using electric guitars over the years; on deeper-bodied guitars, the Frippian arm position is impossible without uncomfortable contortions”.[22]
Get a custom drawn guitar or bass wiring diagram designed to your specifications for any type of pickups, switching and controls and options. Just complete the guitar wiring diagram order form with your custom specifications and our designers will do the rest. Our custom diagrams are easy to read, affordable and delivered by email for FREE! To order a custom diagram, select the number of pickups on your instrument below and complete the diagram order form.
The actual value of the pot itself does not affect the input to output voltage ratio, but it does alter the peak frequency of the pickup. If you want a brighter sound from your pickups, use a pot with a larger total resistance. If you want a darker sound, use a smaller total resistance. In general, 250kΩ pots are used with single-coil pickups and 500kΩ pots are used with humbucking pickups.
Possibly the most famous of all guitar effects, the talk box has its indelible place in history.  The guitar signal is pushed thru a speaker into a tube that the player holds in their mouth.  This tube is usually run up a mic stand, so that the player can use the embouchure of the mouth cavity to control vowel sounds that are then picked up by the microphone and pushed back through the PA system.
Lyndon Laney established his brand in 1967 in Birmingham (England). In those days, he was also playing in a band with a couple of guys you might've heard of: John Bonham and Robert Plant. You might also know Tony Iommi (Black Sabbath) who happened to be one of his first clients. The LA100BL is a must among heavy-metal guitarists, while the KLIPP aims to be more versatile. The AOR (Advanced Overdrive Response) series provides more gain every time, contributing, in part, to the brand's constantly growing reputation. Among Laney addicts, we could mention Ace Frehley of Kiss and Mark Knopfler of Dire Straits.
I took lessons with him when i was 8 years old. I stopped taking lessons when i was 12 years old. In those four years i have learned so much about guitar in such a little time. Patrick is an amazing teacher and by the time i left his teaching, i joined 4 bands and played at the whiskey twice, the house of blues four times, and the grove once. All amazing experiences and it all started from Patrick. I am 16 now and i will never forget what he has done for me. If you are thinking about eventually taking on guitar at all, Pat is your man.
At the other end of the size extreme sits a shape called the parlour. Parlour acoustics are among the smallest in body size you can buy – not counting the modern ‘baby’ guitars – and are typically favoured by players of more low-key, less brash musical styles like folk and indie. Once again, the guitar’s distinctive shrunken body shape is another invention from the CF Martin guitar house, with the guitar’s neck typically joining the body around the 12th fret.
In 2010, Gibson USA released the Slash “Appetite” Les Paul Standard as a tribute to Guns N’ Roses‘ debut album, Appetite for Destruction. It resembles the original Les Paul Standards of the late 1950s, including the 1959 Les Paul replica Slash used for the recording of the album. It has a maple top with a nitrocellulose Sunburst finish, rosewood fingerboard with acrylic inlay, and a Slash headstock graphic. It also features Slash’s signature Seymour Duncan pickups.[40] The Gibson Custom Shop introduced the Slash “Appetite” Les Paul Standard. Production was limited to 400, with 100 guitars hand-aged and signed by Slash himself, and another 300 finished with the Custom Shop’s VOS process.[41] Epiphone issued a more affordable version of the “Appetite” Les Paul, production of which was limited to 3,000.[42][43]
After steel strings were the norm, rectangle bridges were still used on the lower end Martin models and smaller body models. Bridges don't last forever unfortunately, and the rectangle models are easy to reproduce. Hence here's some specs that may help you determine if a rectangle bridge is original. A Martin rectangle bridge should be 6" long and 1" (or slightly less) wide. The top of the bridge should have close to a 16" radius lengthwise. The tallest point of the bridge should be between the A & D strings, and the lowest at the high E string. The wing thickness is about .095".
If anybody needs a Bridge, I have a Teisco Roller Bridge for sale, it is a a copy of a Gretsch Roller bridge but includes a solid steel Base like a Rickenbacker Bridge Base. The string saddles are rollers which are adjustable side-to-side for proper string spacing, and each side of the bridge is adjustable for Height. It is in excellent condition, probably from 1965 thru 1968. On a scale of 0 to 10, it is a 8.
Mahogany is a durable wood, often described as dense and that is used in the construction of guitars. The main advantage of purchasing an instrument made from this material is the fact that it highlights the unit’s bass and midrange. Therefore, if you are into mellower tones, this is the material that you should pay attention to. The resulting guitars made from this material are usually brown.
The modern full size classical guitar has a scale length[46] of around 650 mm (26 in), with an overall instrument length of 965–1,016 mm (38.0–40.0 in). The scale length has remained quite consistent since it was chosen by the originator of the instrument, Antonio de Torres. This length may have been chosen because it's twice the length of a violin string. As the guitar is tuned to one octave below that of the violin, the same size gut could be used for the first strings of both instruments.
Modulating Offset: The output of solid-state amplifiers is directly connected to 2 DC power supplies through the output transistors. The instantaneous non-symmetry within the music waveform (particularly from the bass notes) is averaged as a modulating DC offset. This modulating offset is small, but it varies the efficiency of the speaker, introducing inter-modulation distortion, amplitude modulating the music. This problem is mostly eliminated by the trend to use an active sub-bass. In valve amplifiers the output transformer isolates the speaker from the amplifier electronics. No modulating offset can be produced.
Power attenuation[when defined as?] can be used with either low-power or high-power amplifiers, resulting in variable-power amplifiers. A high-power amplifier with power attenuation can produce power-tube distortion through a range of listening volumes, but with a decrease in high power distortion. Other technologies, such as dual rectifiers and the sag circuit[jargon]—which should not be confused with attenuation—allow high power amplifiers to produce low power volume while preserving high power distortion.[27]
You may wondering how these chord shapes has been constructed. For now, you just need to know that a chord is based on the notes of a simple scale, which has 7 notes, and you finish on the original note, one octave up, for a total of 8 notes. A basic Major chord is made up of the 1st note in the scale of whatever key you are playing in, also called the root note, the 3th note, and the 5th note. We’ll get into that later, when we talk more about scales.
This guitar features two MP-90 pickups that can be switched on at the same time to produce sweet yet aggressive sounds. This guitar is mainly used to play country and indie music. This guitar has a radius of 9.5’’ and 22 medium jumbo frets for comfort and speed of play. It has a six saddle hard-tail bridge that allows precise settings and ease of adjusting string heights. The fingerboard is maple finished which makes for fast play. This guitar features three finishes sunburst, black transparent and vintage white.
Now that we have laid down the foundation and discussed the basics of electric guitars, it's time to check out some of the best models on the market. Keep in mind that a definition of a 'best guitar' is highly dependent on the person you are talking to. With that said, we feel that our selection is fairly neutral and highly informed, and fits most norms out there. Let's dig in.
Serious quality, 20 foot Guitar / Instrument connection cable. I have sold these for years. They come with a lifetime warranty, that is very rarely needed! Double  (redundant) 20 gauge, center conductors almost makes impossible ever having one go "dead" in the middle of a show! 100% Braided copper shield (not spiral wrapped like most cheaper cables) for silent / noise free operation (means less chance of picking up a radio station or wireless mic during your performance). Super-quality, Neutrik, all metal 280, 1/4" ends / plugs that are shrink wrapped for extra strain relief. The internals are hot-glued between to reduce internal flexion for even greater longevity. Built by the largest manufactured cable company in the US. Very rugged and durable, yet flexible jacket. These are not the cheap cables, nor are they built like most cables. Cheaply!
Since real knobs occupy space, this multi-effects processor is quite bulky, a welcome compromise that makes it easier to setup and adjust on the fly. The pedal comes with 59 effects and includes 9 amp models that feature Boss' COSM technology, the standard tech that they now employ on many of their effects and amps. You can combine up to 8 of these to craft your preferred tones, which you can then save into its 36 user presets. Other features include a built-in tuner, a 38-second looper and the ability to record your guitar sound directly to a computer via USB.
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