Description: Body: Mahogany - Body Construction: Semi-Hollow (Chambered) - Top Wood: Maple - Flamed - Neck Attachment: Set - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 24 - Inlay: Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, Diecast, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: HoneyBurst, Green
Once again we traverse the extremities of guitar body sizes; from the sleek parlour shapes to the rather obviously named jumbo sized acoustics. If dreadnoughts are the poster-boys, and parlours the waif-like supermodels, then jumbo acoustics are the plus-size, brash, loud ones who just want to have fun. You’ll probably have seen jumbo-sized acoustics in the hands of Noel Gallagher or Bob Dylan, and the benefits here are measured in sheer volume. With all that extra wood, there’s more room for the sound to reverberate around the body, resulting in a big, bold sound which simply can’t be recreated from a smaller bodied guitar.
Some bridges have a lock position and at this point should be engaged. Other floating bridges will need to be stabilized by using pieces of wood fitted inside the cavity (accessed from the back of the body) to prevent the tremolo block from moving. Vintage Fender-style tremolo bridges can be stabilized by fully tightening the spring tension screws. Whatever method is used, the bridge must sit as we will want it to when we are done with the set-up procedure- parallel to and nearly flush with the top- so care must be taken at this stage to get the position of the bridge right.

The “best” here is subjective. Again, what is best for me may not be best for me might not be best for you and vice versa. In general here are my recommendations for buying a guitar from the best brand of electric guitars for beginners at every level. There are several brands available in the market that claim to offer the best quality electric guitars for the beginners and for the seasoned guitarists as well. But some of them are really up to the mark if you are looking for the best guitar, you can go with them certainly. 
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A very good option in the budget pedal market. Comes with a great number of effects to combine for solid sounds. Virtually all the factory pre-sets are worthless and are sort of demonstrations of what the pedal can do. But you have plenty of user saves and setting up good tones is straight forward and simple. The tuner in this and my handheld one never agree. Someone is lying!
Raising the speaker cabinet off the ground varies the path length of reflected sound reaching the microphone, which can usefully alter the sound in some cases.One way to capture the sound of a large stack, unsurprisingly, is to set up the stack in a large room, play loud and put the mic several feet away so that the combination of all the speakers can be recorded, along with any floor reflections and the subtle filtering effects these may cause. Using this method, the mic 'hears' the guitar sound much as an audience would. Nevertheless, the most common approach is to close-mike the amp with the mic set up very close to the speaker grille and pointed directly at the centre of the speaker cone — where the cabinet has multiple speakers, it's traditional to deliberate over which one sounds best and then mic that one!). Moving the mic to one side produces a less toppy sound, so before reaching for the EQ knob you should try moving the mic.

Basswood comes from Linden trees, and it is soft and easy to work with. A side effect of being soft is that it also dents easy. Because it doesn’t have much of a grain or color, it’s most commonly used on instruments that have an opaque paint-job, though this isn’t always the case (as in the photo above). Basswood has a warm, balanced sound with great mid range and good sustain.
As the name implies, RockJam is a guitar capable of giving you the best of rock sound and deep melody similar to the type you only get from the studio and stage. The RockJam RGEG02-BK ST Style Electric Guitar Super Packstands as the highest quality and most accessible full-size electric guitar kit of the modern era, a quality that still outstands many buyers till date.
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Though the guitar is black, the wood for the top is spruce, with meranti back and sides, and a rosewood fretboard and bridge. This is a full-size guitar (52mm nut), though there is a 7/8” size available. The only thing is, with the 7/8” size you won’t be able to get the black color. The one thing in common between the two is the gloss finish, as well as the types of wood used.

SPRAYING TECHNIQUE Spray the body holding the can 6 to 8 inches away, moving either up and down or right and left depending on how you have set the nozzel. Start spraying from 2 inches outside the body and finish the stoke the same way. Don't stop or start the spry right on the body because you will end up with an uneven build up or paint drips. It is also good to spray a light "tack" coat first and let that dry for 45 min before laying on the thicker coats. This lets the paint adhere to the body better. You can also mount the guitar body to a square wooden stick that will fit inside the neck pocket so you can hold the guitar flat while you paint the top of it. This lets the coats build up thick and even, but watch for drips on the side.


So you decided to play electric guitar. Once you get a guitar and an amp, the next step is to explore effects. Effects pedals can be separated into groups based on their functions. Understanding the different pedal groups is the key to getting the best sound when chaining them together. The largest pedal group is probably overdrives and distortions, and BOSS currently makes 16 different pedals in this category.
You have a huge range of effects at your disposal, which can be applied to both vocals (thanks to the XLR inputs) and line level instruments such as your acoustic guitar. You have 2 compressors, a boost, 3 Chorus types, as well as 3 types of delay and reverb effects to suit a wide range of sonic palettes, all of which have been optimised specifically for acoustic guitar. However, it’s the Acoustic Resonance selectors, 80 second phrase looper and anti-feedback feature that the acoustic guitarists will really take advantage of.
ESP started life in Japan in 1975 as Electric Sound Products – a single store that provided replacements parts for guitars. These days they are a huge guitar manufacturer and a big name in heavy metal, having supplied guitars for Metallica, Megadeth, and Slayer, among others. ESP also own the subsidiary LTD, who produce low priced, entry-level versions of their guitars.

MusicPCB.com – offers PCB projects to build guitar and bass effects, and synth modules. All PCBs are professionally manufactured, and include soldermask, a silkscreened component legend, and plated through holes and pads. They are designed to be easy to build, provide simple and clean wiring, to work well with your other pedals, modules, and instruments, and most of all to sound great and provide sounds and features not available in commercial designs. Each PCB comes with a PDF document with wiring diagram, schematic, build notes, and large modding sections with details on how to perform a variety of mods to tailor the design to your needs/taste.


Yamaha is the most revered and leading manufacturer of full-line musical instruments. With its wide range of guitars, the company has become a best seller and is easily one of the best guitar brands in India. The C Series are the popular and affordable nylon string guitars by Yamaha suitable for beginners and young learners. The electric guitars of Yamaha available in India are of the Pacifica and RGX series. The Pacifica series offers the most value for money combining affordability with performance.

A tremolo effect simply alters the volume of a signal at a preset interval, within a preset range. Some amps have this effect built in, and in some cases it’s called vibrato (a misnomer that caught on long ago and has stuck around to this day). Tremolo sounds much like hitting a note and then turning your volume knob up and down rapidly. Most tremolo effects have two controls: speed and depth. Adjusting speed changes how rapidly your volume fluctuates. Adjusting the depth controls the range of volume from loud to soft as the tremolo fluctuates.
I own a Decca guitar, it is what I learned to play on many years ago. From what little I have gathered about them they were an order by mail brand, and you could only get them from a catolog such as Sears & Roebuck. I havent been able to find a price for them or any ifo on what catalogs they were from. Mine has a Ernie Ball Musicman-like peghead (4 one side 2 on the other) and has a metal pick guard with 2 giant switches which seem to have no effect on tone. It has a brown & yellow sunburst paint job (ewwww).I thought I possibly had the only one in existence, lol, guess not.

This guitar is truly a practice friendly instrument, with its smaller body and shorter scale length of 21.25", this acoustic is definitely easy on the hands. The neck profile is specially beginner friendly, great for first timers who are looking to learn the instrument. The parlor style body makes it easy to handle and carry around, ideal for young players and students of the instrument who travel. The downside to having this smaller body design is the lack of low-end, but it does make up with articulation and comfort.

i am writing this now because i can't even look at this guitar without thinking about this experience, and still can't enjoy playing this very expensive and special vintage piece. i went to great lengths to get all the way to this shop, it was extremely difficult, several trains, a really long walk. then i waited a truly insane 3 months, and then went to the same lengths to pick it back up. he did say to me to bring it back, but that was impossible. never in my life, in NY or LA, or anywhere in between have had to wait more than 1-2 days for any service on any guitar. in my experience he takes on way more work than he can handle and apparently doens't do a thorough job. 3 months is obscene. 1 month is unacceptable. bad experience, 100% waste of time & money. if he refunded my money it would not come close to the amount of time i had invested in getting here & back. truly negative experience. waste of much time.
With 24 amp models including a digital chromatic tuner, 9 stomps boxes, 4 amps, 5 cabs, 3 mics, and 2 rack effects; AmpliTube Custom Shop is a great way to get your hands on IK Multimedia's great guitar simulation software. As the name suggests, in addition to the free units you can purchase more effects units from right inside the plugin to build your own custom guitar shop.

Les Paul DID NOT design the guitar that bears his name! Ted McCarty and his team at Gibson came up with it and took it to Les at Delaware Water Gap where he was living and recording (no planes flying over). Ted showed it to Les and he said, "They're getting too close to us, Mary, we better join 'em." The only contribution that Les made to the original guitar was that lousy wrap around the bottom trapeze tailpiece that was quickly dumped...

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In terms of the electronics, we are once more faced with a System 66 unit. You get a three-band EQ, a built-in tuner, and a versatile mid-range slider that allows you to really tune those mids to perfection. Overall, if you appreciate a comfortable guitar that sounds good and will take on any stage performance you can dish out, this Yamaha is something to look into.
The Hi-Flier likely is among the first of Univox's guitars. For those who don’t know, the Hi-Flier takes after the Mosrite Ventures. This guitar gained significant influence in Japan, particularly because of the Ventures’s enormous popularity in the country at that time. The Ventures were an instrumental group who rose to fame worldwide in the ‘60s, and, despite their decline in the U.S. in the ‘70s, remained “Beatlemania huge” in Japan up until today. Along with the Ventures-esque guitar, a Hi-Flier bass was designed as well, which was nearly identical to its six-stringed counterpart.
As a conservative approach to using steel string, one thing is pretty much for sure; if a Martin came from the factory with a Belly bridge, it is braced for steel strings. If it has a rectangle bridge (and was made before 1929), the bracing needs to be checked by a qualified repair person to determine if the guitar's bracing can handle steel strings. My personal opinion is if it's a style 18 or higher and has a rectangle bridge and was made before 1930, it's not really made for steel strings. Though 1927 is generally thought of as the year when most models were braced for steel strings, 1927-1929 models could be braced for either steel or gut strings. So before putting on steel strings on a 1927-1929 Martin, have it check out by a good repair person. They will check the top's firmness, bracing dimensions, and bridge plate thickness.
One of the key features that makes this stand out is the 7-inch high-resolution touch display which allows you to move amps, effects and set up your pedal board to exactly how you want it, sculpting the chain to your exact specifications. Want to run a reverb pedal before a distortion? Well, just move it around using the touch screen! The OLED scribble-strip and assignable colour LEDs appear above the switches and allow you to keep track of where your effects are – a great idea!
I began taking guitar lessons from Kenneth when I was 14, and right away, I noticed his ability to mold the lesson into an experience that fit 𝘮𝘺 musical interests and what I wanted to learn. Whether I wanted to learn theory, practice a certain technique or rudiment, or just have fun learning a song, Kenneth could always adapt and make the lesson interesting and enriching. This is a quality that many music teachers lack, and it’s the aspect of his teaching that kept me enticed for so long. In addition to being a great teacher, Kenneth is a passionate music fan of many different genres, and through taking lessons with him, I was exposed to many new musical concepts that opened my eyes to the world of music I was yet to discover. Though I no longer take lessons, I can say for sure that my time with Kenneth has made me a much more skilled, receptive and well rounded musician, and I am very thankful for all the things I learned.
I had a Soundgear 5 string bass when they first came out and it was one of the worst basses I have ever owned. Crappy electronics, uncomfortable neck and the list goes on. I used it as a back up when I was touring 100+ shows per year and luckily my Tobias Killer B5 never had issues other than the occasional broken string. The best thing I can say about it is I lent it to a "colleague" and he ended up stealing it. Good riddance!
In comparison with an electric guitar equalizer, a bass equalizer usually has a lower frequency range that goes down to 40 Hz, to accommodate the electric bass' lower range. Some bass equalizers designed for use with extended range basses go even lower, to 20 Hz. Equalizers can be used to change the tone and sound of the electric bass. If the instrument sounds too "boomy", the bassist can lower the frequency which is overly resonant, or if there is too much fingernail or pick noise, the higher frequencies can be reduced.
Lee Ranaldo of Sonic Youth used a Kent Polaris I solid body (with lots of duct tape on it) and several Kent 800-series guitars - a white 820 and a sunburst 821 12-string with 10 strings on it, shown at left. Since the B and high-E strings on a 12-string set are normally tuned to the same note, he left the duplicate strings off. He uses several alternate tunings with his guitars.
-have any of you ever heard of chet atkins. he could play anything the guys you mention but, they could not or can,t play any thing he played-hell non-finger style players you have to go with nokie edwards from the ventures. you guys are obviously rock only players and listen to only them only -do yourselves a favor and get his albums-mister guitar and workshop-they show just how good he was and then make a comment here

This how-to guide will cover the aforementioned effects, as well as fundamentals like the function of typical delay controls, and where to place your unit in an effects chain. Although there are countless delays on the market—many of which have mind-boggling features—we’re going to use a basic delay pedal setup similar to what you’ll find on a Boss DD-7 as our reference point. We’ve also provided some sample settings so you can get the most out of your delay pedal right away.
The Squier Deluxe Stratocaster by Fender is another excellent electronic guitar for newbies. The body is made up of basswood which is a soft, light wood with some of the best mid and upper frequency production. A maple neck and fretboard further assists the mid and high range frequency sound. Its C-shaped neck guarantees the best comfort. This guitar features three single coil pickups. One is assigned for master volume control, one tone control for the neck pickup and one tone control for medium pickup. The five-way switch lets you combine these three pickups and produce the widest range of sounds ever!
Ibanez offers a wide variety of electric guitars, bass guitars, and acoustic guitars. They’re not the best at producing super high-end guitars for pros and enthusiasts, but they are excellent guitars for any beginner. The price you typically pay for an ibanez is usually between $200 and $500. If you’re set on Ibanez, they do offer higher end models that can cost over $2,500. Despite their reasonable prices, the quality of Ibanez guitars is decent. Ibanez tends to have good performance at economical prices. Not every aspect of their guitars are perfect as they are a cheaper brand, but they do tend to put a little more effort into areas that matter. For example, the necks of their guitars are typically mahogany or basswood. These materials are known as the high-end materials that the top guitar models would use.
Today's modern rock guitar sounds tend to be "drier" (less room ambiance and reverb), and most often use the close mic technique. There's really nothing to it. Simply use the close mic, run it through the compressor, set the compressor at a 3:1 ratio and adjust the threshold so that the compressor is usually working, but not squashing the signal too much. You will be able to make most of the tone adjustments you need at the amp or guitar, and chances are you won't need to tweak the console' s equalizer at all.
Small guitars were often looked at as mere travel or couch alternatives, but times have changed and they are making a comeback on big stages. The LX1E Little Martin is at the forefront of this rekindled interest, with artists like Ed Sheeran impressing big crowds with just his humble and small LX1E. Thankfully, its price has remained stable despite the its current worldwide recognition.
Guitar amplifiers vary in wattage. If you're playing to a massive audience, you'll want several 100-watt amps; however, for everyday use, that is overkill. If you merely want it for practice, a 10-watt solid state guitar amplifier will do, and if you're playing to a small venue, you'll probably want to consider a 20-watt valve amp. It's surprising how much sound a little amp will produce.
This is a guitar that we’ve featured before as our top pick for those who are looking for an electric acoustic for less than $500, so there’s no surprise that it’s back as one of the very best prospects at any price at all. Epiphone might be Gibson’s more affordable brand, but that certainly doesn’t mean you aren’t getting very high quality when you choose the Dove Pro.
You can reach me by phone all day(8am until 5pm) on Monday through Saturday  If I don't answer I probably have machinery running or have both hands busy but leave a message and I will call you back shortly. During off hours please leave a message and I will call you that evening or the next morning. Feel free to email me with any general questions you may have.

With the advent of belly bridges in 1931, Martin started to compensate their saddle placement. What this does is make for better string intonation. However early pyramid bridge have straight saddles, mounted 1/8" back from the front edge of the bridge. (with the center of the pin holes 3/8" from the back of the saddle.) The 1931 to 1933 belly bridges have a compensated saddle placed 1/8" from the front of the bridge on the treble side, and 3/16" from the bass side. Then on belly bridges in the mid 1930s Martin moved the bass end of the saddle back to 1/4" from the front of the bridge.
So you decided to play electric guitar. Once you get a guitar and an amp, the next step is to explore effects. Effects pedals can be separated into groups based on their functions. Understanding the different pedal groups is the key to getting the best sound when chaining them together. The largest pedal group is probably overdrives and distortions, and BOSS currently makes 16 different pedals in this category. For our example pedal board, we’ll pick the ST-2 Power Stack. Another category with many choices is modulation.These are effects like flanger, phaser, chorus, tremolo, and others. Let’s use the most versatile of these—the BF-3 Flanger. Another group is ambience effects, such as delays and reverbs. We’ll use one of each: a DD-7 Digital Delay and the FRV-1 ’63 Fender Reverb. There are some pedal effects that can add notes or alter the pitch of what you’re playing. For want of a more esoteric name, we’ll call these “pitch-altering” pedals. From this category, let’s throw in a BOSS OC-3 Octave. BOSS also has a few pedals that make your instrument sound like some other instrument. The AC-3 Acoustic Simulator will do the job. Some effects change your sound with filtering. This effect type can be used in different places in the signal path, so we’ll use the GE-7 Graphic EQ. A few BOSS effects defy categorization, but are nevertheless very useful in any signal path. The most common of these is the CS-3 Compression/Sustainer. Loopers fall into this category also, so let’s add an RC-3 Loop Station to the mix. And you might want the NS-2 Noise Suppressor to kill the noise in your rig, so let’s add that in, too. What about a tuner? The TU-3 is the most popular pedal tuner in the world.
A Phase Shifter creates a complex frequency response containing many regularly-spaced "notches" in an incoming signal by combining it with a copy of itself out of phase, and shifting the phase relationship cyclically. The phasing effect creates a "whooshing" sound that is reminiscent of the sound of a flying jet. This effect dominates the sound in the song Star Guitar by Chemical Brothers. The song was not played with any guitars but you can hear the phasing effect. The instrument being phased was actually a synthesizer. Some electronic "rotating speaker simulators" are actually phase shifters. Phase shifters were popular in the 1970s, particularly used with electric piano and funk bass guitar. The number of stages in a phase shifter is the number of moving dips in the frequency response curve. From a sonic perspective, this effect is equalization-oriented. However, it may be derived through moderate time-based processing. Some phaser pedals include:
Fuzz is an indistinct, nasty overdrive that is synonymous with Jimi Hendrix. The Dallas Arbiter Fuzz Face is the most famous fuzz pedal, known for the way is breaks up and adds something special to any guitar tone. Fuzz pedals are most commonly used on top of clean or lightly overdriven tones, as this is where the character of the pedal can really come through; used on top of already distorted tones they can be great for making a load of noise! Two main types of fuzz are available – silicon (which sounds softer and more rounded) and germanium, which sounds harsher and more treble-y.
Uh, Roland. I don’t know when was the last time I read about the best amplifiers and one of Roland’s models was not there. That’s not due to their ability to market their instruments to everyone (well, they are good at that too, probably) BUT the main reason why they are always a talk of the town (of a very musical and amplifier obsessed town) is their quality of production. With a lot of expensive amps, they are also graceful enough to give us the MERE MORTALS ability to bath in the glory of what is Roland tone. This CUBE‌-10GX amp is a 10-watt little combo amp with one 8 inch speaker that is ideal for home practice or anyone who needs an inexpensive model that will not ruin their performance. With built-in effects, heavy-duty cabinet design, and a compact construction the CUBE‌-10GX amp might be your best choice for a practice amp that also works as a traveling amp.
You have 6 strings that are always made of metal. Then you have a number of pickups - these are actually magnets. Sometimes you can see a round magnet under each string. When a metal string vibrates over a magnet, a current is produced; this current is what ends up being converted into sound waves, but it is very weak. Thus you have to send it through an amplifier.
The ’37 Hawaiian Guitar in both the Sorkin and Grossman books was basically the same squarish, pear-shaped guitar as in ’36, sans pickguard. It had a polished Ebonoid fingerboard with new parallelogram position markers replacing the old dots. Also, the large, two-part rectangular pickup cover/tail assembly was replaced with a more conventional, modern design. The pickup cover was the new rectangular type with the two pole extensions exposed. Off to the side of its surround was a little square plate on the treble side containing the volume control. The strings attached to a small piece of slotted metal hidden under a rectangular cover or “handrest.” Gone were the control wings. The microphone attachment stuck out the bass side of the guitar. The cost was $35, plus $6 for a case.
Here we have a well aged Vintage Washburn D12/br from 1989 its a D-18 type with a cedar top and man does this cedar top sound great…it was surprisingly sound and deep for a late 80s it has a mature balanced tone…I like it with its pretty good bass response and all. Its structurally great no cracks and no playability issues what so ever its neck and alignment integrity is also excellent as the action is good and the guitar is as a result easy to play. Cosmetically this guitar has been around the block its no sissy its stood the test of time and its previous owner and still all in all with all its obvious nicks and scratches and various doinks man it looks pretty darn vintage COOL and I loved it I thought you might like it too just take a good look for yourself if your the type that likes a well warn in vintage guitar and you don't really mind that it has some extra character and soul this just may be a guitar you might appreciate….. its own beauty from life playing and enjoying the music experience this guitar has been well loved and played yet it is no where near warn out it has years of life left in her she just wants to really sing for someone and in my assessment she’s ready to be enjoyed for another 30 years or more! Very cool vintage Washburn Dreadnought guitar. Its neck is straight and has the proper relief its Tuners are real good sealed gears and doing an excellent job to this day, This one has the medium slim taper neck with the Diamond volute like the old Martin style…nice touch Washburn. Mahogany Back and sides and neck with rosewood fingerboard its neck width is 1-11/16ths at the nut. This a a well built good player folks if you don’t mind it not being exactly mint cosmetically its actually beautiful in its own vintage appeal. Any questions or to make the purchase you can contact Joe at: JVGuitars@gmail.com.
The thoughtful design and close-tolerance machining of the mechanical components of most electric guitars enables them to be set-up and adjusted with great precision. But it is important to make these adjustments in the correct order- Neck-Nut-Bridge saddles. Making fine tune adjustment to any of these elements without reference to the others, or out of this order, will prevent a guitar's true potential from being realized.
Tube amps are appreciated for their high fidelity, which allows for the player’s ability and the quality of the guitar to be put to full fruition, and for their equally natural overdrive, which is achieved easier than with most solid state amps. However, besides being more expensive as an initial purchase, tube amps will also prove harder to maintain since lamps have a tendency of blowing up and are themselves quite expensive.

Ibanez are one of the best known of the more contemporary style guitars with artists such as Satriani and Vai on their books. This particular model, the RG 450 Deluxe, boasts a layout which traditional Fender players will be familiar with, but it's a very different guitar. It is a more compact instrument than the Stratocaster and with two humbuckers separated by a single coil, the pick-up system allows you to create some thick tones. In fact if you play around with the five way selector you can get just about any tone you could want. The body shape is very sharp and clinical and with jagged bolt inlays and the traditional Ibanez pointed headstock the guitar is very recognisably Ibanez. It also features a quality tremolo unit and two full octaves on the fingerboard with wide cutaways for access. This is an excellent alternative to the Gibson or Fender style dichotomy that dominates the market. If you're searching for your own sound, somewhere between the two, it's worth checking out the Ibanez range.


Original plate reverbs were mechanical in nature. There was a literal plate inside the amplifier, which would transform input signal into vibration. Then you would have a pickup located somewhere near the plate, that recorded those vibrations. Today, such a contraption comes across as relatively crude, but many still love the unique mechanical sound it produces. Spring reverb uses a pretty much exact same principle, only this time you have a spring in there instead of a plate. The biggest improvement a spring reverb offers is reduction in both weight and size of the device.
Kent 545 Polaris ll- Yes the 60's are back. Here's a Fab solid body Kent in sunburst. Check the features on this baby. First off the selector switch is super. It's made in Japan, and the good part is, it looks it! This unit has a great 60's feel and tone. Guitar is is in great condition, neck straight, and action just right. It comes with that vintage chipboard case also in wonderful condition. Sold
Guild began in New York in 1953 but eventually moved to Rhode Island. Fender purchased Guild in 1995. Fender seemed only interested in Guild as a brand of acoustic guitars. The classic Guild electric guitars were not being made at first. But then some of the classic electric models were re-introduced. Cordoba Music Group (makers of classical guitars) purchased Guild and sells both electric and acoustic models based on the old designs.
Fawned over by hard rock-loving guitarists the world over, Marshall is one of the few amplification brands that really needs no introduction. And if you’re looking for aggressive, overdriven rock – this amp is one of the best beginner’s options. What makes this one really special, however, is the sheer number of sound-shaping options it gives you – thanks to its ability to model a whopping 14 MST preamps, 4 MST power amps, and 8 MST speaker cabinets. That’s 448 possible combinations, if you’re keeping score. You can even connect it to your computer via USB or use it as a Bluetooth speaker. If versatility is your top concern (it probably should be), look no further.

Here’s one more British amp company, and one that might fly a bit under the radar for a lot of guitarists. Check out the Ironheart, Lionheart, VH and GH series for awesome British tube sound. Laney’s Linebacker or PRISM series of modeling/emulation amps might be just what you need if you’re in a situation where you have to nail a lot of different tones. No matter what your style or genre there is probably something in the Laney lineup to meet your needs.


A while back I bought a GuitarPort, a product from Line6 that was one of the earliest guitar-to-PC interfaces. It cost me $99. It connects through USB and I could plug the guitar into it. I could play amp models and effects through my PC and the sound would come out of the computer speakers. (Headphones are of course an option through the PC speakers)

3) Incomplete sentences due to text running off the edge of the page on page 101, another grievous layout error. You will be paying for the following paragraph "On the next page is a basic single pickup wiring diagram for telecasters using one pickup. this with either the bridge or neck pickup. The pickup will have a volume and tone control. plenty of good sounds with this setup.If you want to play around with the tone, you can or weaker capacitor. Ading a stronger capacitor sends more treble to the ground, and giv bass tones. Note: there are many ways to wire pickups to the pots. This is just one examp "


Guild acoustic guitars are played by some of the best professional musicians in the business. From this standpoint, Guild is on par with Martin and Taylor, and completes the triumvirate of American acoustic guitar titans. As you’d expect, the prices follow suit. However, the GAD series offers a way for intermediate players to get a Guild acoustic for a reasonable price.

The question is now - do you need the entire bundle? When it comes to the presets, the guitars are all very unique, but because of the mass amount of tone-shaping available once you start twisting and manipulating away there becomes less and less of a distinction — the bundle being over a third less than individually purchasing them doesn’t help the decision making factor at all.   
The Top Guitars specialized only in Custom Made Electric Guitars and Basses - "We will create an instrument that will delight you with exceptional tone and great playability, optimized to your personal preferences and all with the utmost quality, beauty, and rigorous attention to detail. We are experienced builders of custom electric guitar and bass bodies and necks. We craft our exquisite custom electric guitar and bass bodies and necks using a variety of time tested, great sounding woods, offering options that you can not buy off the shelf. We can also build for anyone that has a custom design that they would like built to their specifications. We do our best to meet your dreams continually striving for unattainable perfection.Only the best, one-of-a-kind, and built just for you! "
As the name implies, RockJam is a guitar capable of giving you the best of rock sound and deep melody similar to the type you only get from the studio and stage. The RockJam RGEG02-BK ST Style Electric Guitar Super Packstands as the highest quality and most accessible full-size electric guitar kit of the modern era, a quality that still outstands many buyers till date.

Adding to their already good value, most multi-effects come with built-in features that are essential to gigging and practicing, first of which is a built-in tuner. Looping is also a good feature to look for, thankfully it now comes standard for most units. Having the ability to record straight to a computer is another handy features that should be considered, as well as the ability to edit the settings via your computer or mobile device. Built-in metronome/rhythm is also a nice plus, especially for those who want to take their skill to the next level.
More recently, many boutique pedal manufacturers, such as the Z.Vex and Death by Audio series, have attempted to revive the analog strangeness of germanium transistors and diodes. Not bound by imitation, they continue to innovate with analog materials as if the technical innovations of the 70s and 80s had never happened. The mid-90s Z.Vex Fuzz Factory is notable for establishing internal feedback loops that are inadvertently tied to the logic of circuit bending. This means that the pedal self-oscillates, producing an absurd yet controllable noise, akin to an air-raid siren.
In 1972, Ovation introduced one of the first production solid-body electric-guitars with active electronics, the Ovation Breadwinner. The model failed to gain widespread popularity, however, and production of the Breadwinner and the Ovation Deacon ceased in 1980. Ovation made several other solid-body models up until the mid 1980s.[28] Since that time the company’s main focus has been acoustic and acoustic-electric guitars.
By the late 1970s, costs of manufacture in Japan had risen to such an extent that it was difficult to make student-grade guitars over there. It was far less expensive to manufacture instruments in Korea. Numerous factories were built, and existing facilities in Korea were expanded. Samick built a factory capable of producing one million instruments a year. Japanese companies invested heavily in Korea so that they would be able to produce their low-end models in Korea and high-end models under the same brand names in Japan. The early Korean-made instruments were not as good as the Japanese ones, but it did not take nearly as long for Korean quality to improve as it did for the Japanese to go from making crude low-end models to sophisticated instruments suitable for professional use. The Koreas had the benefit of all of the Japanese experience especially in the cases of factories with Japanese ownership or management.
Just so you know, if you’re not a big fan of black electric guitars, Davisson has rolled out several colors like blue, vintage sunburst, red and pink for you to choose from. My choice was classic black, though! Now, my first impression of the 39” guitar as I unpacked it, was of sheer wonder. I mean, it was really tough to visualize the sturdy construction in terms of the menial cost. Of course there are letdowns, such as the body that is made of basswood instead of maple (that is used in premium guitars), which gives you sort of a mediocre feel. Even the material used for crafting the chrome bridge, humbucker pickup, pickguard and strings, is pretty average. But if you look at the overall feel, design and ergonomics, this model definitely deserves a round of applause!
Here we have a sweetie from the late 1970s folks they just don' make them like this anymore this is the RARE High End Lawsuit 5053 model this model was discontinued decades ago. This guitar was made nearing 40 years ago of woods said to have been aged 20-30 years at time of its being built.... food for thought. Fresh release from the JVGuitars Vintage Vault is a beauty seldom seen in this configuration and in this condition we have collected many 5053 Alvarez lawsuit era guitars not all are like this one is SPECIAL this is a must see and hear beauty! Based on the Martin top of the line D-45 this Japanese crafted D-45 copy was crafted with top workmanship only the top luthiers were allowed to use this precious expensive aged Brazilian Jacaranda rosewood on this guitar its back - sides - fingerboard - bridge and headstock are ALL made of this exotic tone wood, the neck looks to be a high grade Honduran Mahogany and proudly still displays it's original imported by Saint Lewis Music gold Medallion and fancy SLM truss rod cover see pics The top is Solid Sitka spruce this guitar is detailed and adorned with much perfling and inlay top to bottom including its fingerboard and headstock, this example is in top playing condition and cosmetically excellent as well and is VERY RARE in deed to find one so excellent. The neck is a nice handful like the old Martin a medium slim profile, its beautiful fingerboard is excellent as are its frets.... Headstock is striking with its A over A inlay in mother of pearl, tuners are original and still doing an excellent job, This guitar has the tone only the Exotic wood series guitars can produce unique rich and dynamic with excellent volume and clarity a fingerpickers delight. Just freshly received a JVG setup with a new Martin Bone & compensated sadle along with a fret dress and a new set of Martin 80/20 Phosphorius Bronze strings 12's x 54 for a substantial tonal upgrade from its old plastic. Overall rated 9.0 +++/10 well preserved it is over 40++ years old and has been lovingly played and well taken care of all these years is not new or mint of course it clearly is well above average used / vintage This comes with a good hard shell case ... and will protect it for the next 4-5 decades. Wonderful players guitar in excellent vintage condition when will I ever see another like this??? its here as of today ask if serious about owning this gem Thank you for your interest in our vintage guitar contact Joe to buy this guitar at: JVGuitars@gmail.com Pics soon to come.
YP - The Real Yellow PagesSM - helps you find the right local businesses to meet your specific needs. Search results are sorted by a combination of factors to give you a set of choices in response to your search criteria. These factors are similar to those you might use to determine which business to select from a local Yellow Pages directory, including proximity to where you are searching, expertise in the specific services or products you need, and comprehensive business information to help evaluate a business's suitability for you. “Preferred” listings, or those with featured website buttons, indicate YP advertisers who directly provide information about their businesses to help consumers make more informed buying decisions. YP advertisers receive higher placement in the default ordering of search results and may appear in sponsored listings on the top, side, or bottom of the search results page.
Valve amplification is more or less linear—meaning the parameters (amplitude, frequency, phase) of the amplified signal are proportional to the input signal—so long as the voltage of the input signal does not exceed the valve's "linear region of operation". The linear region falls between "1." the saturation region: the voltages at which plate current stops responding to positive increases in grid voltage and "2." the cutoff region: the voltages at which the charge of the grid is too negative for electrons to flow to the plate. If a valve is biased within the linear region and the input signal's voltage exceeds this region, overdrive and non-linear clipping will occur.[40][43]
This acoustic guitar model has been over the time well renowned as the best selling in the UK. This is owed to its high value and sound quality, accompanied by its trendy design and ease of use. It has a shortened scale length that makes it easy to play, even for beginner guitarists. It mostly comes in a warm natural color and is for the right handed guitarists. It is quite affordable, with prices ranging from around INR 8900. You can click below to find more product details on the official link.
Then there's the obvious fact that wood has no magnetic properties, so it's simply impossible that any acoustic vibrations from the body will have any effect on the amplified sound. It's also not true that any acoustic qualities of the body wood are somehow imparted back to the vibrating string; the vibrations go out into the air and, well, that's it. They're a by-product, nothing more.
Gretsch G5422G12 Electromatic Double Cutaway Electric Guitar, 12-String   New from$999.99In Stockor 12 payments of $83.34 Free Ground Shipping Reverend 2017 Airwave 12 Electric Guitar, 12-String   New from$1,199.00In Stockor 12 payments of $99.92 FREE 2-DAY SHIPPING D'Angelico Premier DC Electric Guitar, 12-String (with Gig Bag)   New from$899.99Only 2 Left!or 12 payments of $75 Free Ground Shipping Ibanez Artcore AS7312 Electric Guitar, 12-String   New from$499.99In Stockor 8 payments of $62.50 FREE 2-DAY SHIPPING See All Electric Guitars: 12-String
The electrified hollow body arch top was created so the guitar could compete with the volume of horns in the big bands of the 1930s. And they’ve evolved considerably since then, growing from fat jazz boxes with necks that meet the body at the 12th fret to nimble, thin-lined instruments with cutaways like the Gibson ES-125 and Epiphone Casino, which are experiencing a renaissance today. From the single blade pickup in Christian’s guitar, modern hollow bodies now sport all types of pickups as standard equipment: humbuckers, single-coils, piezo-electric and so on.
In 1958, Gibson updated the Les Paul yet again. The new model retained most of the specifications of the 1957 Goldtop, including PAF humbucker pickups, maple top, tune-o-matic bridge with a stop tailpiece or Bigsby vibrato tailpiece. The most significant change in the new models was the finish. The Goldtop color used since 1952 was replaced by the Sunburst finish already being used on Gibson’s archtop acoustic and hollow electric guitars, such as the J-45 model. To differentiate from the earlier Goldtop model, the new Les Paul was referred to as The Les Paul Standard. Original production of the standards lasted from 1958 to 1960. Only 1,700 of these early models were made and have subsequently become highly collectible.[note 6] Original production ended when, in 1961, Gibson redesigned the Les Paul to feature a “double cutaway” body, which has subsequently become the Gibson SG. Due to high demand, Gibson resumed production of Les Paul Standards in 1968. Today, the Gibson Les Paul Standard has BurstBucker pickups on the Vintage Original Spec models and Burstbucker Pro on the lower end models bearing the ‘Standard’ name.
As an active musician in Los Angeles, I often hear guitarists marvel at how good the latest Squier by Fender guitars are for the price. The Squier by Fender HSS Bullet Strat is no exception. A few minor complaints aside, it’s simply a well-made version of a decades-proven design at a very affordable price. All of our panelists felt that it played well, sounded good, and in general felt like a more expensive guitar.
Of course, for the guitar string vibrations to have an effect on the magnetic field of the pickups, they too need to contain a ferromagnetic metal; this can be either iron, cobalt, or nickel. There are a large number of different string compositions, but often they will consist of steel, a combination of iron, carbon, and sometimes chromium. The chromium can help prevent corrosion, as it forms a layer of chromium oxide which prevents the string from further attack by oxygen in the air. Additionally, the strings can sometimes be coated with various polymer additives to help inhibit corrosion. However, these additives can sometimes have a negative effect on the tone of the guitar.

Many players today have more than one overdrive/distortion stomp box on their pedal boards and sometimes use both at once. My personal preference is to place the lower gain pedals in front of the higher gain ones, but the opposite is absolutely fine if you prefer the sound of that configuration. Placing overdrive/distortion pedals later in the signal chain can increase noise as the noise of several effects chained together can add up, and any noise produced by other effects going into an overdrive/distortion effect will be boosted along with the guitar signal.


The strings movement moves the magnetic field creating current in the coil of the pickup. The string does not create the current the movement does. If you placed a solenoid beneath the pickup and moved the pickup you would also create a current in the coil. If you took the strings off the guitar, and held a hammer head over the pickup and activated the solenoid you would get a current in the coil.
The Dolce is a cedar-top, with mahogany back and sides, and the usual set of Savarez Cristal Corum high-tension strings. At 9 lbs and 38” this is a slightly shorter and lighter-weight guitar, which will be more appropriate for a smaller person. This guitar does not come with a gig bag or other accessories, so if you choose this guitar, prepare to make a list of what your instructor of choice says you need.
Here we have something quite beautiful and very sweet sounding that I picked up directly from the very talented luthier himself while in Hawaii ...I liked this one because it has some very beautiful intricate inlay hand work see the gorgeous inlaied rosette and fingerboard not overstated just classicly tasteful WoW.. this is a Gorgeous all SOLID WOOD Hawaiian figured Koa Tenor Ukelele. I love the tone of this beauty and so will you its classic Uke tone is rich and full and plays like butta... Top wood : Solid Koa Back & Sides Material Solid Koa Neck Material : Solid AAA flamed grade Mahogany, Headplate wood: Solid Koa Strings : Italian Aquila Strings Fingerboard wood : Solid Rosewood Bridge wood : Solid Rosewood Nut Material : Real Buffalo Bone Finish : Polished Satin nitrocellulose instrument lacquer Scale Length : 17" Overall Length : 26 1/2 "( 673 mm ) Fingerboard Width At Nut : 35 mm Fingerboard Width At 12th Fret: 43.8 mm # Of Frets Total : 20 Hand picked for its great solid construction and impecable workmanship fit & finish are top notch, excellent volume & tone -playability and beauty. You will be hard pressed for find one this sweet for twice the price... Just $329. Direct comes with a top shelf hard shell case / included .

Some studios are too small for regular amp miking, and even if they're not there are sometimes occasions on which you need better separation from the other instruments playing at the same time. A neat way around this is to use a soundproof box containing a guitar speaker and a microphone. Various commercial models are available where your guitar amp output feeds the speaker inside the box and the microphone feed comes out to the mixer in the normal way. The designer's challenge is to make this work without the resulting cabinet being too large or too boxy sounding. The DIY alternative to this is to place the combo or speaker cabinet in an adjoining room, or maybe even a cupboard or wardrobe (along with the mic, of course!).
Epiphone also makes several less common models of the Les Paul such as the “Les Paul Goth”, “Les Paul Goldtop”, “Les Paul Ultra” and “Les Paul Ultra II”, “Les Paul Custom”, “Les Paul Black Beauty”, “Les Paul Prophecy Series”, “Zakk Wylde Custom Les Paul Model”, “Slash signature Les Paul Models”,the “Les Paul Studio”, and the most current, “Joe Bonamassa ’59 Gold Top Les Paul”.[27][28][29]
Since there are 2 coils, you can have up to 4 wires with which to work, providing you with a great many tone options. Almost all independent pickup companies manufacture humbuckers with 4 conductor cable. Stock guitar humbuckers rarely have 4 wires coming out of them but sometimes it is possible to convert 2 wire humbuckers to 4 wire types. This is an exacting procedure with little room for error but the tone rewards can be well worth the effort. If you really want to give this a try, then click here.
You've come to the right place.  We offer a wide range of vintage and used guitars and basses including a great selection of Fender instruments.   We're guitar players who recognize and appreciate how important Fender has been to the evolution of Rock and Roll.  Please browse our web site, give us a call or visit our Chicago show room.  We're constantly searching for Fender guitars, new gear is arriving daily and they often sells before we have a chance to list them on our web site.  

A variation on Drop E, A with the G flattened one half step to F♯; this tuning is identical to 6-string Drop A, with two E strings added: one above, and one below. Like Drop E, A; this tuning allows easy fingering on the E since it is a standard fourth interval below the A. It also provides three high strings a fourth apart instead of the usual two. The tuning is used by Infant Annihilator on their album The Elysian Grandeval Galèriarch. A 7-string variation of the tuning without the high E (E-A-E-A-D-F♯-B) was used on their previous album The Palpable Leprosy of Pollution and is used by Enterprise Earth/Delusions of Grandeur guitarist Gabe Mangold.


These Gibson Les Paul Reissue guitars simply perform better than those made the year after or the year before. Gibson is aware of this and has been for quite some time. That's why they've decided to push out a series of Les Pauls which aimed to match the ones from 1959. Are they equally as good? Probably not since the old ones are legendary, but they're as close as you'll get for a brand new guitar.
The first recording of an electric guitar west of the Mississippi was in Dallas, in September 1935, during a session with Roy Newman and His Boys, an early Western swing dance band. Their guitarist, Jim Boyd, used his electrically-amplified guitar during the recording of three songs, Hot Dog Stomp, Shine On, Harvest Moon, and Corrine, Corrina.. An even earlier Chicago recording of an electrically amplified lap steel guitar was during a series of sessions by Milton Brown and His Brownies (another early Western swing band) that took place January 27-28, 1935, when Bob Dunn played his amplified Hawaiian guitar.
If you prefer to pay monthly you can get started with $19.95. To take advantage of this offer follow the link below and key in your email address. I suggest that you wait until you receive an email from Guitar Tricks. You should get a username and a password. Use these details to logon to the site. Once you are inside of Guitar Tricks select the Upgrade button and choose the Monthly Membership option.
There are some guitarists who place the compressor last, though, to boost their signal just before it hits the preamp of their amplifier. The drawback to this approach is that any hum or hiss introduced by other effects will be increased by the compressor's output gain. Sometimes you can remedy this by placing a noise gate before the compressor, however, the noise reduction can have an effect on the tone quality. A best-of-both-worlds approach might be to put your compressor first and use a signal booster just before your amplifier. Some guitarists also like the sound of putting their wah or envelope filter before the compressor to give it a wider frequency range to affect. Experimentation is always encouraged, but putting the compressor first is recommended.

3. Peavey Vypyr VIP 2 40-watt 1x12 ($199): This amp is an all-in-one powerhouse, equally capable of handling electric guitar, bass and acoustic all in one amp. Not only is it capable of effects modeling, it can also handle instrument modeling, giving the player access to acoustic, violin, bass and many other stringed instruments. As far as effects go, it boasts more than 25 effects with controllable parameters and with over 40 watts of power, it’s even ideal for rehearsal.


Štěpán Rak and Kazuhito Yamashita have also generalized the use of the upstroke of the four fingers and the downstroke of the thumb (the same technique as in the rasgueado of the Flamenco: as explained above the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side) both as a free stroke and as a rest stroke.[41]
I bought an effects pedal off eBay a couple of weeks ago that was defective. Anyone acquainted with eBay's horrendous customer service knows that it's far less hassle to just eat the cost of repairs rather than try to get a guy in India to understand and help with the problem. Enter Kevin at Grumpy's Guitars. He immediately opened up the pedal and fixed it while I hung out with him and played a beautiful old Juzek half-size bass and browsed through his small but comfortable, remarkably cool store. Half an hour later, I'm holding my repaired pedal, which, I might add, he also did some extensive preventative maintenance on, and he asks me for $10! Most places charge a $60 bench fee just to open the sucker up! I insisted on tipping him another $20, not only because he deserved it, but also because I still got out with my problem solved at less than half what most places would charge. It's nice to see someone running a business according to good old-fashioned ethical principles. Thanks, Kevin.
They are the most common effect group and are used by almost every guitar player from Stevie Ray Vaughan to Yngwie Malmsteen. Most amplifiers have channels for overdrive or distortion, but having these effects as pedals allows you greater variation in tone and allows you to “push” the cleaner channels of your amp harder, giving a different sound to the overdrive channel.
If you love the Telecaster look and sound, then here’s a great entry level Tele for beginners. In fact, “entry level” really doesn’t do this Telecaster justice. I’ve considered buying this exact model for myself–for times when I need to record some true single coil tones. If country twang is your thing, this is the guitar to get started with. But the Telecaster isn’t a one-trick pony. Plenty of rock (and even metal) players have used Telecasters over the years. Swap that bridge pickup with a single coil-sized humbucker and you’ve got a guitar that can do rock and metal with the best of ’em.
Hum in pedalboards is usually “ground loop hum.” You have two paths to ground, your audio ground and your power supply ground. You could use an expensive power supply with isolated grounds. But all you have to do is break one of the ground connections. You could disconnect the audio ground at one end of each of your patch cords. Or better, if you use one power supply, connect the hot and ground to only one of your pedals. Clip the ground wire on all the other pedal connections in your daisy chain. The power connections will then get their grounds through the audio grounds. No more hum

For many years, Martin has used a model-labeling system featuring an initial letter, number, or series of zeros specifying the body size and type; traditionally 5- is the smallest (and technically a terz, tuned a minor third higher than a guitar, at GCFA#DG), advancing in size through 4-, 3-, 2-, 1-, 0-, 00- and 000- (though these are commonly referred to as “Oh”, “triple-oh”, etc. they are, in fact, denoted by zeros, keeping the numerical-size theme constant. These instruments originally had in common a neck that joined the body at the 12th fret. In 1916 Martin contracted with Ditson’s music store to produce a much larger store-badged guitar to compete sonically in ensembles; this boxy thunderer was named the Dreadnought in honor of the most horrific weapons system of the day, a British Navy battleship so large it could fear nothing, or “dread nought”. Indeed, HMS Dreadnought was its name, and it proved an apt product tie-in between the huge ship and the huge guitar. In 1931, Martin introduced D-bodied guitars under their own name, and a new standard was set. Around the same time, to meet the needs of banjo players wanting to cash in the guitar’s new popularity, Martin unveiled a second line of letter-named guitars, the OMs. Taking the body of the 000-, squaring its shoulder to meet the body at the 14th fret, and lengthening the scale, they created a truly legendary line of instruments (OM- wood-and-trim packages ranged from the plain -18 (mahagony back and sides) and -21 (with rosewood) to the full-on pimpmobile OM-45. The 14-fret body of the OMs proved so popular that it quickly became the standard for 00-, 000-, and D- models as well. There things stayed for about 45 years; then, in 1976, Martin debuted the M-36 and M-38. Keeping the narrow-waisted shape and moderate depth of the 000-, and combining it with a width slightly more than even that of a D-, the M-s (sometimes called 0000-) were phenomononally well-balanced in their tone. These have lately been joined by the Gibson-Jumboesque J, and the even larger SJ. The numbers/letters denoting body size and shape are generally followed by a number that designates the guitar’s ornamentation and style, including the species of wood from which the guitar is constructed. Generally, the higher the number, the higher the level of ornamentation. Additional letters or numbers added to this basic system are used to designate special features (such as a built-in pickup or a cutaway).
While often overlooked, the speakers are an amp’s most crucial component—they’re the last thing standing between all that electronic gobbledygook and the sound that reaches your ears (except for yo’ mama’s fist, but that’s another story). Different sized speakers have different tonal characteristics, and you should consider speaker sizes the same way you’d consider an amp’s wattage rating. Speakers are like booty—small ones are tighter and big ones have more bottom end. But like a pair of pants, cabinet design can shape bottom end as well. Which is why a closed-back 4x10 cabinet may put out more bass than a 15-inch speaker in an open-back cabinet.
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Les Paul developed one of the first practical solid-bodied electrics made of wood, which he dubbed "The Log". He built the prototype himself -- possible the first practical solid-bodied electric -- in the late 1930s. In 1941, he approached Gibson about making it, Gibson, but they weren't initially interested. Meanwhile, Leo Fender had been independently been developing his own solid bodied guitar, which was released commercially as the Esquire in 1950. By then, lots of people were recording electric guitar.
The new Martin electrics were offset double cutaway guitars which, in terms of shape, fall very loosely into a Stratocaster category. The cutaways are a bit wider and shallower than a Strat, both pointing away from the body. The horns are much more rounded than a Strat. Like a Strat, the waist is slightly offset, and the lower bout has a slightly asymmetrical slant to it. The bodies were initially built of hard maple and rosewood laminates that imitate the look of neck-through guitars popular at the time, but actually have neck pockets with glued-in mahogany necks. These had unbound 22-fret rosewood fingerboards, dot inlays and a distinctive three-and-three variation on the old Stauffer/Viennese headstock � which may have originally inspired Leo Fender’s Strat creation � with script CFM logo decal. (Prior to developing the Strat, Fender visited the Martin factory and was shown some of the old Stauffer/Martins with the round-hooked Eastern European headstock shape.) These all featured chrome Sperzel tuners, brass nuts, twin humbuckers, threeway selects, two volume and two tones with chrome dome knobs, and a Leo Quan Badass bridge.
The reason for their order boils down to the evolution of the stringed instrument.  By adding a string or two, shortening the neck, and arranging them in a Perfect 4th Interval you can increase the speed of playing and reduce strain on the hands and wrists.  Other interval layouts were toyed with but had some harmonic problems that couldn't be ignored.
Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, and pickups. However, some features are present on most guitars. The photo below shows the different parts of an electric guitar. The headstock (1) contains the metal machine heads (1.1), which use a worm gear for tuning. The nut (1.4)—a thin fret-like strip of metal, plastic, graphite or bone—supports the strings at the headstock end of the instrument. The frets (2.3) are thin metal strips that stop the string at the correct pitch when the player pushes a string against the fingerboard. The truss rod (1.2) is a metal rod (usually adjustable) that counters the tension of the strings to keep the neck straight. Position markers (2.2) provide the player with a reference to the playing position on the fingerboard.[18]
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