Welcome to The Guitar Store, an owner operated store with big box selection and pro services. Offering expert amp and guitar repair. Do you like effect pedals? We have 9 cases full of over 400 different pedals to choose from. The largest stock of PRS, Fender, Mesa Boogie, Gretsch, Breedlove, Earthquaker, EVH, Strymon, Reverend and other guitar and amplifier brands in the northwest! We not only offer a diverse selection of high quality new and used guitars, but you can learn to play a ukulele, banjo, or mandolin here too. We have 5 teaching rooms with lessons daily. Check us out on social media outlets to find out about upcoming workshops and live in-store visits by local or national touring acts. We love what we do and it shows. Come on in today and get the help from professionals. You deserve it.

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Acoustic guitars that have been fitted with a pickup can be recorded using the same techniques as standard electric guitars when plugged into an amp. Interesting sounds can be created by mic’ing up an acoustic guitar and sending the sound through an amp. This can be done live – although you should be aware of feedback – or a previously recorded acoustic track can be re-amped and used exclusively, or mixed with the original acoustic track. You can get some really gnarly and original ‘electric’ sounds with creative use of overdriven acoustic guitar; it’s especially good for slide playing.
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It's the perfect guitar ... for someone else!  So your buddy just gave you his 7-string death avenger before heading off to college cuz he knew you wanted to learn to play.  Nice, but what he did NOT know is that you hope to be the next string-bending Tele-twangin' Brad Paisley.  It ain't EVER gonna happen with you wielding the death-star, sell her to a metal head and getcha that Tele!

We gave our electro-acoustic chart a big refresh to keep it relevant for early 2018, by replacing a few older guitars with some excellent upgraded models. Guitars such as the Epiphone PR-4E and Mitchell MX400 were removed, and in came the exquisite Yamaha A Series A3M, the new PRS SE A50E, the cool Fender Sonoran SCE, and two solid budget models, the Kona K2 and Yamaha’s APX500III.


Go to the blues and jazz though and things change. Listen to the guitars. Warm, mellow, beefy, thick, with tons of butter. And those guitar sounds are mostly clean or overdriven (not distorted as with a distortion pedal). Using the neck pickup works well for this, but in addition to that, guitarists roll off the tone knob to cut more of the treble to warm up the tone and make it blend with the rest of the music. It also keeps the tone beefy and thick so the soloist can cut through the mix but without sounding as harsh like a rock player. Don’t get it wrong though, some blues and jazz tones will require trebley tones, but the guitarist will use the tone knob to change his tone instantly without having to change his amp settings for each movement or song, especially when improvisations and long instrumentals are involved.
Our Most Recommended electric guitar is Yamaha Pacifica Series PAC012 Electric Guitar. Yamaha has been a power player in the music industry for many decades. The Pacific Yamaha Series is one of the best series for the last decade for its high quality tone and amazing play experience. The Yamaha Pacifica Series was designed for the focus of one thing: Yamaha’s customers.
Okay, maybe you’re not so ambitious and simply want to bash out a decent tune around a campfire. That’s fine — just be warned that doing any John Denver stuff hasn’t been considered cool for a long time. If you are guitar beginner with a guitar in hand already then I may suggest you check out: 10 Amazing Tips to Learn How to Play the Guitar with Good Technique.
The actual value of the pot itself does not affect the input to output voltage ratio, but it does alter the peak frequency of the pickup. If you want a brighter sound from your pickups, use a pot with a larger total resistance. If you want a darker sound, use a smaller total resistance. In general, 250kΩ pots are used with single-coil pickups and 500kΩ pots are used with humbucking pickups.
Mostly everything about a guitar in this price range feels premium, and the sound quality and playability is enough to put a smile on any guitarist’s face. You also start to find advanced features such as brand-name pickups, active pickups, and EverTune bridges, as well as unique signature models that are too expensive for manufacturers to produce as a budget line.
Valco manufactured Spanish acoustic guitars, metal-bodied resonator guitars, electric lap steel guitars, and vacuum tube amplifiers under a variety of brand names including Supro, Airline, Oahu, and National. They also made amplifiers under contract for several other companies such as Gretsch, Harmony, and Kay. In the 1950s they began producing solid body electric guitars.
Seagull S6 Original Acoustic guitar is one of the best gadgets for the beginners in the list. It comes with the beautiful texture of domestic wild cherry back and sides that give it a unique tone. In addition to that silver leaf maple neck with a rosewood fretboard lets the fingers to have a perfect grip and easy tuning. It’s a power pack guitar to get you the best playing experience and hands on many of the tricks you are looking for.
Your skill level on the guitar is another factor that should be taken into consideration while shopping for the perfect instrument. It is generally wise to start out with a lower quality model when you are first beginning to study the guitar, whereas a veteran player with a trained ear will likely require the bells and whistles of more high end gear. If you’re a beginner, it’s a great idea to start out with a Yamaha or a Fender Squier, for example, as you get plenty of quality to learn on without breaking the bank. It’s wise not to go overly basic, however, as cheap guitars will have harsh playability that will leave a beginner with painful calluses that may scare them away from the instrument.
The body is clearly a tweaked vintage shape, meant to evoke — and depart from — a more-typical Strat-type. It’s an exceptionally comfortable guitar and the H-S-S pickup layout allows for wide-ranging tones. They’re definitely on the airy side, as can be expected at this price, but the guitar itself is good enough to withstand future upgrades, if you should desire them.

Being by nature rather sceptical, I have to admit to initially dismissing many of the recording methods in this article as 'studio snake oil', and because there was usually too little time during my own sessions to experiment with new ideas, I'd usually end up with an SM57 glued to the speaker grille by default. Taking the time out to trial the above techniques in the studio showed me quite how much I had been missing — not only much better raw recordings, but also tremendous extra flexibility at mixdown. But don't take it from me — listen to the audio examples for yourself and make up your own mind. If they don't expand your recording horizons, I'll eat my SM57...
Introduced in 1987 and discontinued in 1994, the Ibanez RG550 remains the childhood sweetheart of many players. Designed as a mass-appeal version of Steve Vai’s famous JEM777 model, it had character in abundance. For this reboot, Ibanez has skilfully managed to extract the very essence of what was so popular about the original RG550 and piece it back together in a way that enhances its legacy. The Japanese-made 2018 vintage is, essentially, a masterclass in everything that is good about shred and metal guitars. The neck feels lithe - your hand glides, rather than simply moving - while the Edge vibrato is rock-solid and the overall craftsmanship is exemplary. Tonally, the RG550 covers a lot of bases. It always did, despite its pointy appearance, meaning you could comfortably stray into all kinds of genres without too much fuss. The US-designed V7 bridge humbucker delivers the razor-sharp riff platform you’d hope it would, while the V8 neck ’pup offers a hint of compression at higher gain settings, which levels lead lines nicely. It is, in the best way possible, everything you remembered from the original, and that makes it one of the best shred guitars available today.
The world of audio effects is one that can be confusing even for experienced engineers. Especially in modern computer-based recording systems, there's a bewildering array of options, and to add to the confusion, some effects are widely referred to by more than one name. In this article, I'll take you through the most common effects, explaining how they work and where you might want to use them in your music. Meanwhile, SOS 's team of writers has contributed a wealth of expert tips and tricks, which you can find in the boxes scattered through this article.

Paul Reed Smith’s offering to pro musicians with exacting standards, the PRS McCarty 594 takes its name from two things. The first is its scale length of 24.594 inches and the second is that it’s a 1959-spec guitar with four knobs. According to Paul Reed Smith, this vintage-inspired instrument aims to recreate the most desired classic Gibson tone, that of a ‘59 Sunburst.
The amps have a simple control set on the front panel: all versions have Gain, Tone and Volume controls except for MV50 Clean, which has Treble, Bass, and Volume. Also on the front panel is a small "VU" meter, and a 1/4" input jack. On the rear panel are a 1/4" speaker output jack, and a 1/4" headphones/line out jack. The amp includes cabinet simulation at the line out jack, and can thus be used as a DI to go straight into a mixer or recorder. There is also an EQ switch to select between "Deep" and "Flat." The Deep setting is intended for use with smaller cabinets where mids and highs tend to overwhelm the low frequencies, and Flat is designed to allow the amp to work with larger cabinets where the lower frequencies are more naturally present. Also present on the rear panel is the DC19V in jack, and the ECO on-off, standby-on, and Impedance switches with the following two exceptions: MV50 Clean has no Impedance Switch but instead has an Attenuator switch allowing the choice of either full power out, 1/10th power out, or 1/100th power out, and MV50 High Gain, which has no Impedance Switch but instead has a Mid Ctrl "minus/Norm/plus" switch allowing boost or cut of the amp's mid range.
it is four solders on a guitar on say a les paul needs electricty so two wires pass the electricity through the other two wires are for your pickups the pickups electricity goes through the wires of them , into a potentiometer which is the technical name for the thing under the knob (or two depending on the guitars wiring) .... than into the 3 way and than finally passes out of the guitar and into an amp , pedal or tuner
As a musician for 50 years and a custom builder for 30 years I definitely believe that wood choice has an effect on the tone and sound characteristics of an electric guitar. In my younger years as a cabinet maker, I was helping install a large church pipe organ (Cassavan I believe). The installer from Montreal and I had some discussions about wood and specifically wood properties best for certain applications. He told me that they used poplar for the spacers between the organ pipes because as a good tone wood, sound did not bleed from one pipe to another which is very important with pipe organs. They are the oldest and I believe the largest pipe organ manufacturer in the world and have done a lot of trial and error in this area according to the installer as to what wood works best. I happen to agree with them and agree that poplar is an excellent tone wood and works very well in guitars. Jackson guitars use poplar in there guitar bodies and is a great sounding tone wood. I use it a lot in my custom guitar because of the nice tone it produces.

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