Les Paul, the legend, designed this guitar. This guitar has had more widespread popularity than the Strat, IMO. Jimmy Page was a huge fan of the Les Paul and the SG. Gibson made the double neck SG on special request made by Jimmy Page which was featured in the song "Stairway to Heaven" in the concert at Madison Square garden. Jeff Beck and Pete Townshend are among other notable people who use the Gibson Les Paul.
Chorus – This is the subtlest type of modulation effect. It does exactly what its name suggests, making it sound as though multiple instruments are all playing in unison. The effect could be compared to running a signal through two amps at once and setting one on a slight delay; in fact, that’s how many artists created chorus effects before these pedals were commonplace.
Delay/echo: Delay/echo units produce an echo effect by adding a duplicate instrument-to-amplifier electrical signal to the original signal at a slight time-delay. The effect can either be a single echo called a "slap" or "slapback," or multiple echos. A well-known use of delay is the lead guitar in the U2 song "Where the Streets Have No Name", and also the opening riff of "Welcome To The Jungle" by Guns N'Roses.[86]
Because overdrive and distortion add a lot of high frequency harmonics to the signal they will quickly muddy up the sound if a large number of notes are struck simultaneously. i.e. full open chords and full barres don't work with overdrive, they muddy up. What you play are simple forms, generally no more than three notes simultaneously. For example an "A" power chord is (high E to low E)
The F-65 was the top of the line with two equal cutaways. Other than the bookmatched cutaways, this was the same as the two-pickup F-55, with the addition of a Bigsby-made Martin vibrato in which the stylized “M” had become a similar “V” shape. Probably the strangest feature of the F-65 was the fact that the heel of the neck did not change from the single-cutaway models, creating a sort of thick chunk of body extending up to the 14th fret. The first F-65 was #179834. 1,825 F-65s were made from 1962 to the summer of ’65.
While often overlooked, the speakers are an amp’s most crucial component—they’re the last thing standing between all that electronic gobbledygook and the sound that reaches your ears (except for yo’ mama’s fist, but that’s another story). Different sized speakers have different tonal characteristics, and you should consider speaker sizes the same way you’d consider an amp’s wattage rating. Speakers are like booty—small ones are tighter and big ones have more bottom end. But like a pair of pants, cabinet design can shape bottom end as well. Which is why a closed-back 4x10 cabinet may put out more bass than a 15-inch speaker in an open-back cabinet.

Finally, amidst all the considerations about tops and shapes and tones, don't underestimate the importance of choosing a guitar that you like. Choose one that feels comfortable, whether you are sitting or standing. Make sure you pick a guitar that responds to the way that you play, and don't settle on a "good" guitar if you don't like the way it sounds to your ears.
The Limited Edition Slash Firebird Premium Outfit also features Epiphone's rock solid nickel hardware including a classic Epiphone LockTone ABR Tune-o-matic bridge and Stopbar tailpiece, Kluson Reissue Firebird Banjo-style machine heads with a 12:1 ratio, a Switchcraft 1/4" output jack, and Epiphone Straplocks. A standard Epiphone hard case is also available.
Many modern processors have such great presets you'll never need to get delve any further to create your own. However, almost all units with presets allow you to easily create your own favorite presets. You can start with a factory preset, tweak the sounds to your taste, then save it in your own location to be recalled at the touch of a button while you're playing.
Modifying this guitar is also quite easy and you can add things to it to make it a lot better. Overall, it is just the right value for your money item to have. Again, if you are an intermediate or expert level player then avoid this guitar. If you are a beginner & looking for the lowest price electric guitar for beginners clicks the button on this one. With the price you pay, I am pretty sure you will be impressed by the performance of this guitar. Here is the link to buy this product or know more about it –
While Laney brand might not sound as familiar to the “uninitiated”, this brand has been producing quality amps for very good prices. The  LG12 is a combo amp with 12-watts. While 12-watts isn’t much it seems to kick in a punch when needed (and plus, you want it for practice and more practice amps don’t have a lot of wattages). Apart from that this combo offers  LG12 12 single channel with switchable drive, CD input, headphone socket (a much for practice) as well as Bass, Middle and Treble control. The tone of this amp is pretty crisp and clean. That’s partly due to the 6.5″ custom-designed speaker. The speaker is not only functional but looks pretty nice. Looks wise this model has top mounted construction, rubber feet for sturdiness and leather handle for ease of transportation. Apart from being a great practice amp, it is also great if you travel around and want a model that can take a punch or two.
Description: Flat Black Model. Guitar Type: Acoustic/Electric - Body: Mahogany - Top Wood: Spruce - Back: Mahogany - Sides: Mahogany - Neck Wood: Mahogany - Neck Attachment: Set - Fingerboard: Rosewood - Frets: 20 - # of Strings: 6 - Bridge Construction: Rosewood - Cutaway: Single - Soundhole: Round (Traditional) - Rosette: Mother Of Pearl - Hardware: 1/4" Output, Chrome, Diecast, XLR Output - Pickups: Fishman Sonicore - EQ/Preamp: Shape Shifter - String Instrument Finish: Flat Black
Reliability is one of these. There are many different parts to an electric guitar. In addition to the body and neck being put together solidly, there are the components to consider. The pickups, controls, circuitry and output jack all need to be well made and connected securely, while the bridge and tuners should function correctly, with nothing too loose or too stiff.
The Top Guitars specialized only in Custom Made Electric Guitars and Basses - "We will create an instrument that will delight you with exceptional tone and great playability, optimized to your personal preferences and all with the utmost quality, beauty, and rigorous attention to detail. We are experienced builders of custom electric guitar and bass bodies and necks. We craft our exquisite custom electric guitar and bass bodies and necks using a variety of time tested, great sounding woods, offering options that you can not buy off the shelf. We can also build for anyone that has a custom design that they would like built to their specifications. We do our best to meet your dreams continually striving for unattainable perfection.Only the best, one-of-a-kind, and built just for you! "
The massive slabs of rock-candy noise that J Mascis heaved from his Fender Jazzmaster in Dinosaur Jr. contained multitudes: Black Sabbath savagery, melodic Neil Young soul, punk-rock pig slop. As his recent solo set, Several Shades of Why, showed, he can get shamelessly pretty with an acoustic, too. "I remember seeing Dinosaur play this soft, plaintive song – and then it was just completely detonated by this ravaging solo that J did," says Sonic Youth's Thurston Moore. "The whole room was incinerated."
As for Acoustic guitars go, you are somewhat limited by the make and model of the guitar. You can make differences in tone by the type of picks you use and also the thickness of your strings. Actually the string factor goes for both electric and acoustic. The thicker the strings the fuller the tone. Its kinda whatever you can stand on your fingers. I like to use 11’s. Stevie Ray Vaughan used crazy thick gauges of strings and had an incredible tone. Bottom line…you have to try different things and experiment to find the right tone!
The relationship between power output in watts and perceived volume is not immediately obvious. The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a "just noticeable" increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier. Such generalizations are also subject to the human ear's tendency to behave as a natural compressor at high volumes.
The question is now - do you need the entire bundle? When it comes to the presets, the guitars are all very unique, but because of the mass amount of tone-shaping available once you start twisting and manipulating away there becomes less and less of a distinction — the bundle being over a third less than individually purchasing them doesn’t help the decision making factor at all.   

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Epiphone currently produces several models of the Les Paul including the entry level “Les Paul Special II”, which is generally made of a basswood body and a veneered top, a bolt-on neck (with dot inlays instead of the usual trapezoid inlays), lacks a binding, and has simplified electronics.[25] The next model up is the “Les Paul 100”, which costs approximately $US300, has similar features but it has the standard Les Paul wiring, mahogany body and a higher-quality paint job. The Epiphone Les Paul Studio is the least expensive Les Paul model to have a carved top and a set neck (features considered central to the feel and sound of more expensive Les Paul models), and is between $350–$400 depending on features and finish. The standard models are the “Les Paul Standard Plain Top” and the “Les Paul Standard Plus Top”. They cost $US550 and $US650 respectively. They both feature a solid mahogany body with a maple veneer and carved top; the “Plus” model includes a “flamed” maple finish while the “Plain” top is unfigured.[26]

The Supro Spanish Guitar was a non-cutaway archtop built by Regal with electronic components supplied by National Dobro. Except for the fairly modern block-style Supro logo, this was pretty much a typical downscale pressed-top Regal archtop guitar, with a mildly rounded headstock, neck joining the body at the 14th fret, 20-fret rosewood fingerboard, five single-dot inlays, wooden adjustable compensated bridge and a simple trapeze tailpiece. The most distinctive feature was that the guitar had no f-holes. You’ll recall that the ’35 Dobro Electric Spanish was a “conventional” archtop, most likely with f-holes (a comparable National archtop also had f-holes in the beginning, but switched to the non-f-hole design in late ’36 or ’37, following the Supro pattern). The pickguard was typical Regal made of black Ebonoid plastic. In catalog illustrations this appears to have white trim around the edge, but this was apparently company “retouching” to make the pickguard stand out better in the pictures; real examples have plain black ‘guards. The oval, covered pickup sat on a wider oval surround which also held the single volume control. This pickup was nestled down near the bridge. The tuners were Harmony Tune-Rites, with polygonal pot metal buttons. The necks on National Dobro guitars which were entirely made by other manufacturers were glued in. Slightly later, when they began making their own necks and applying them to other bodies, National Dobro Spanish guitars had bolt-on necks.
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Straight away meeting the essential criteria and tonal platform for a good small solid state combo amp for practicing at low volumes with a pocket friendly price tag is Orange Crush 20RT. This dual channel 20 watt guitar amplifier that also comes in a 35 watt version is the upgraded model of the well received Orange Crush 20 for having a built-in spring reverb effect and a chromatic tuner which are the kind of features great for daily use.
The first design was an Early Telecaster model, called Squier, with a single mic. The main contribution Leo Fender did, was the bode and neck removal separetly. In previous models, when the guitar need repairs, the complete instrument needed to be sent, while, after Leo fender design, the plate could be unscrew and sent to the shop only the damaged part.
Post on February 14, 2013 in the RRF Forum:[12] “When John Hall so graciously let me have the license to build Rickenbacker Acoustics back in ’06, I brought a truck to RIC headquarters and loaded it up with all of the remaining wood for Rickenbacker acoustics, in order to free up some shop and storage space in Santa Ana. There was enough undamaged wood for about 40 guitars, and I’ve reached the end of the line with my RIC acoustic builds. I’ve decided to let my license to build Rickenbacker acoustics expire, effective February 1, 2013. All current orders will be built as agreed.
So I got this kit last week full of hope yet penssive knowing that these kits from over seas have lots of problems. On first inspection the kit was okay, Nothing, I thought at the time, a little TLC couldn't fix. Here I am getting ready to install the electronic today, level the frets, string it in and play. As I opened the pakage with all of the tone and volume pots I noticed one thing super wrong right away.

Recent amplifiers may include digital technology similar to effects pedals, up to the ability to model or emulate a variety of classic amplifiers. Some modeling systems also emulate the tonal characteristics of different speaker configurations, cabinets, and microphones. Nearly all amp and speaker cabinet modeling is done digitally, using computer techniques (e.g., Digital Signal Processing or DSP circuitry and software).
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You can think of these as distortion pedals turned up to 11. Usually, a fuzz pedal comes in as an accent for solos and intros, since its effect is so strong that it could overpower the rest of the band otherwise. You can hear an example of fuzz in the classic recording of Jimi Hendrix playing The Star-Spangled Banner at Woodstock. This is a good type of pedal to try out as an introduction to more powerful effects.
Pressing a string against a fret reduces the vibrating length of that string to the distance between the pressure point and the bridge, thereby controlling pitch. On nearly every Western fretted instrument, the distance between frets is a semi-tone of equal temperament, assuring the easy achievement of strong sounding chords and single notes that fit our hemisphere’s usual expectations for rhythm sounds and melodies. Understanding the virtues and limitations created by the order of frets opens up the door to ways to escape their constricts, like bending strings, playing slide, using whammy bars, delving into extended technique or trying fretless instruments.

Get used to people staring when you bust out this guitar. Its thinner mahogany body with satin finish delivers killer sounds while also being ridiculously pleasing to the eye. When it comes to tonal diversity, this guitar hits it out of the park. With Super Rock II pickups, you’ll be able to shred crunchy riffs while also being able to switch the pickup to single-coil mode to get those beautiful, clear, resonant tones. To spare you some technical mumbo jumbo, Schecters have hardware that promises to keep your guitar in tune longer, which is always a plus! Grab a Schecter Stealth for just under $500. 

My band has two guitar players. One often plays acoustic while the other one plays an electric guitar. There has always been a problem balancing the volume and the frequences. While both guitars play on a clean sound it sounds fine but when electric guitar changes to distorted, overdriven or crunched sound then even at a low volume the acoustic guitar is almost unheard. Is it a common problem or particulary our local one. Any solution?
Reverend guitars are known to sport many premium appointments despite their modest price tags. And the Jetstream HB is no exception. It has a comfortable roasted maple neck, a Wilkinson WVS50 IIK tremolo, pin-lock tuners and high-end electronic components. A korina body and a 12-inch-radius roasted maple/blackwood fretboard (depending on the finish) complete the other notable specs on this guitar.

JAZZ :Al Di Meola , John McLaughlin ,Wes Montgomery ,Pat Metheny ,John Scofield,Django Reinhardt ,Larry carlton ,Joe Pass,Herb Ellis ,Eddie Lang , and again I still have in mind at least 10 more jazz guitar players that jazz is the hardest and more complex guitar composition and it is an awesome style or kind of music to play just because not everybody play can play jazz.
For our purposes, I’ll break pedals down into four overarching categories: 1) Boost, Compression, Distortion, and Fuzz; 2) Modulation; 3) Echo and Delay; and 4) Filtering and EQ-Based effects, and this series will focus on individual types that come within each of those larger categories (for example, Modulation includes many quite different effects, such as chorus, vibrato, phasing, and so on). This is not to say that some manufacturers or other writers couldn’t categorize things differently, and certainly a few examples below could be safely lifted out of the heading I have stuck them in and accurately described by another category. It doesn’t matter all that much. These headings are mainly a means of breaking down the sonic results of the enormously varied range of pedals that exists out there, and taking a brief look at what makes them tick.
Though this decision can be based on preference, we think the best guitar for a beginner is the acoustic guitar. Classical guitars have a wider neck, which can be hard for younger students or physically smaller individuals to handle when learning guitar chords. Meanwhile, the electric guitar is designed to be played with an amplifier, which comes at an additional cost. Acoustic guitars are simple and require little to no additional equipment, making them ideal for beginner guitarists.
In ’41, the old Avalon Hawaiian was renamed in the No. 88 Supro Clipper Hawaiian Electric Guitar. This instrument would become a mainstay of the Supro line for many to come, and marked the debut of pearloid plastic coverings for Supro guitars. This was very similar in shape to the Baton. The body was still roughly rectangular, but now with a curved lower edge. The shoulders now had two symmetrical scalloped “cutaways.” The head had a curve with a slight peak; despite the Regal look, these were made by National Dobro. The fingerboard was genuine rosewood with dot inlays. This was covered in “sparkling brown plastic,” i.e. pearloid. The pickup was the new exposed-pole unit with the handrest, contained in a large square metal plate complete with tail slots for fixing the strings, otherwise similar to the plate on the Baton. One volume and one tone control knob sat on either side of the strings. The back was done up in non-slip grey suede. It could be had with a curly, plush-lined, grey shark Servitex case. In April of ’42, the Clipper cost $54.50.
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Guitar is well made. Sounds awesome. The overall height of the strings (in relation to the frets) were not bad. However, it needed to be setup. After having the guitar setup at my local shop, it is so much easier to play (don't have to press as hard on the strings). The Guitar gig bag that comes with the bundle offers zero padding. The Tuner works well, however, since the guitar comes with a built-in tuner, you don't need a separate one. I have not used the dvd that came with it. I use a different set of instructional dvds (purchased separately). Overall a great guitar. Definitely recommend it.
Arai, Aria, Aria Pro II, Aria Diamond, Apollo, Arita, Barclay, Burny, Capri, Cimar, Cortez (electrics only), Columbus, Conrad, Cutler, Dia, Domino, Electra, Epiphone, Granada, Hi Lo, Howard, Ibanez, Lindberg, Lyle, Luxor, Maxitone (this guitar differs from Tama's Maxitone badge), Mayfair, Memphis, Montclair, Pan, Pearl (electrics only), Raven, Stewart, Tempo, Univox ,Vantage,V entura, Vision, Volhox, Washburn, Westbury, Westminster, Westone
While the general purpose is to emulate classic "warm-tube" sounds, distortion pedals such as the ones in this list can be distinguished from overdrive pedals in that the intent is to provide players with instant access to the sound of a high-gain Marshall amplifier such as the JCM800 pushed past the point of tonal breakup and into the range of tonal distortion known to electric guitarists as "saturated gain." Although most distortion devices use solid-state circuitry, some "tube distortion" pedals are designed with preamplifier vacuum tubes. In some cases, tube distortion pedals use power tubes or a preamp tube used as a power tube driving a built-in "dummy load." Distortion pedals designed specifically for bass guitar are also available. Some distortion pedals include:
Do you know what does custom shop means? Like custom shop cars and motorcycle, furniture. With Top Guitars it pertains to woodworking, most of us would define a custom shop as one dealing with made-to-order goods with certain specifications. Someone comes into my realm with a certain vision. That vision may be on a set of architectural prints or still locked in their brain waiting for extraction. In either case, it’s a vision or plan that they have, not me.
For our example pedal board, we’ll pick the ST-2 Power Stack. Another category with many choices is modulation.These are effects like flanger, phaser, chorus, tremolo, and others. Let’s use the most versatile of these—the BF-3 Flanger. Another group is ambience effects, such as delays and reverbs. We’ll use one of each: a DD-7 Digital Delay and the FRV-1 ’63 Fender Reverb. There are some pedal effects that can add notes or alter the pitch of what you’re playing. For want of a more esoteric name, we’ll call these “pitch-altering” pedals. From this category, let’s throw in a BOSS OC-3 Octave.
So, you want a guitar that's absolutely packed with tone? One that has the vibe that it's been pulled straight out of the 1950s, but has all the playability, comfort, and stability of a brand-new instrument? Then get your hands on the Godin 5th Avenue Kingpin. This stylish archtop smolders with personality. And with the P90 pickup onboard at neck position, you have an unbelievable vintage/atittude tonal combination working in your favor. You'll notice right away that the Godin 5th Avenue Kingpin has plenty of projection and volume, and moreso in the low/mids than traditional archtop guitars. You'll love it for that. Why does the Godin 5th Avenue Kingpin sound so good? Sure, it's that P90 working with the hollowbody design that gets things going. But the primary tonewoods here are pure North American perfection, including a Canadian Wild Cherry archtop, back, and sides. The finish here is a custom polish that gives each and every Godin 5th Avenue Kingpin a satin sheen that recalls French 19th century craftsmanship. Whatever your musical style, you'll have a friend on your side in the Godin 5th Avenue Kingpin. It is, plain and simple, a great guitar. Godin 5th Avenue Kingpin Archtop Guitar Features at a Glance: Finish: Cognac Burst Archtop hollowbody electric guitar Canadian Wild Cherry archtop Canadian Wild cherry back and sides Silver Leaf maple neck Contoured high-gloss black headstock Custom Polished finish Rosewood Fingerboard Adjustable Tusq Bridge by Graphtech Cream Binding 1 x Godin Kingpin P90 single-coil pickup 1 x Volume, 1 x Tone 16" fingerboard radius 24.84" scale 1.72" nut width
I have no idea what the set measurement is for the Authentics, and if it is any different than other guitars. Probably not. But guitars settle during their initial acclimation period and the exact bow of the neck and arch of the top can change. Actually it is almost certain to change some. There have been reports of all sorts of Martins with action reaching up near or over the maximum height within spec. But the same holds rue from brand of guitar that uses organic materials like solid wood.

Another Japanese brand is Yamaha. They started making pianos and organs in 1887 and since then they have made all sorts of things. You know Yamaha motor cycles? Yep, same brand. But even though they seem to have a hard time deciding what kind of a brand they are they manage to make pretty decent musical instruments, often for affordable prices, so if you want to find a cheap but good guitar they probably have something that could work.

An excerpt: “Quite a few of the artists I’ve worked with have told me that my own personal style might be described as flashy. In this book, we will definitely cover the hotter aspects of playing, not only regarding lead styles, but rhythm techniques, too. What I’ve found after years of experience in the studio and onstage with many different types of artists is that a guitarist can modify his playing and adapt it to the requirements of the particular situation while still revealing his own distinctive musical personality.”

I purchased a Dean Performer Plus -acoustic/electric with cutaway; the top is sitka spruce and the back & sides are mahogany;the fretboard & bridge are rosewood, the saddle is bone, the nut is tusq… now I am not saying this guitar sounds like my Martin – BUT – it does sound awfully good. I would highly recommend this for beginners & intermediates. The action on the neck is extremely good for a low budget guitar. They list for under $400. If you get a chance check one out… see how it matches up against your list of guitars. I hope this was helpful- especially for the beginners. Sincerely > George M.

First the lower line models were built for steel strings first. Like the style 17 in 1922, and the style 18 in 1924. Pretty much all models were built for steel by 1927-1929. But unfortunately there was no definative serial number or time line for any 1920s Martin style. This makes it difficult to determine if any particular 1920s Martin guitar is really built for steel strings. Martin didn't just implement steel string design at any one definative point. It was a transition, and apparently a very slow transition. And special orders for gut or steel complicated things.
@Ricardo – I recommend placing tuners as close to your original signal as possible at the beginning of your signal chain. An EQ pedal can be placed where you would like to filter your signal to the settings of the EQ which is technically at any point in your signal chain. Try the EQ in different locations and use the setting that works best for your.
Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Goldburst, Redburst
“To extend valve life, turn your amp off after a gig and let it sit for a few minutes before moving it. And vice versa: as soon as you’ve got a power cable to your amp turn the juice on and let it warm up for as long as you can. Tone-wise, you can notice the difference between an amp that’s been turned on for only five minutes and an amp that’s been sitting there [switched on] for 45 minutes.”
Launch price: $999 / £899 | Type: Amp modeller/multi-effects pedal | Amp models: 33 | Effects: 42 | Connections: Standard guitar input, minijack stereo aux input, standard main outputs (L/Mono, R), XLR main outputs (L/Mono, R), standard stereo phones output, standard Send (L/Mono, R), standard Return (L/Mono, R), MIDI in, MIDI out/thru, USB, expression pedal | Power requirements: Mains power (IEC lead)
To create a thicker rhythm guitar sound, overdub the same part one or more times. Depending on the desired effect, the overdub can be treated as one mono signal and mixed to the same stereo position, or panned left and right for a stereo double-tracked sound. Alternatively, treat the original track with an ADT (Artificial Double Tracking) effect. This can be done with a digital delay set to around 40 milliseconds. Again, the delayed signal can be panned or mixed as one with the original guitar track.
In the 1960s Japanese guitar makers started to mainly copy American guitar designs and Ibanez branded copies of Gibson, Fender and Rickenbacker models started to appear. This resulted in the so called Ibanez lawsuit period. After the lawsuit period Hoshino Gakki introduced Ibanez models that were not copies of the Gibson or Fender designs such as the Iceman and Roadster. The company has produced its own guitar designs ever since. The late 1980s and early 1990s were an important period for the Ibanez brand. Hoshino Gakki's relationship with Frank Zappa's former guitarist Steve Vai resulted in the introduction of the Ibanez JEM and the Ibanez Universe models and after the earlier successes of the Roadster and Iceman models in the late 1970s/early 1980s, Hoshino Gakki entered the superstrat market with the RG series which were a lower priced version of the Ibanez JEM model.
GUITAR RIG 5 PLAYER is the free, modular and expandable effects processor from Native Instruments, combining creative effects routing possibilities with ease-of-use and pristine sound quality. The included FACTORY SELECTION library provides one stunning amp with 17 cabinet emulations, plus 13 effects and sound modifiers to shape and enhance any audio signal.
Basicly it is a HD digital sound interface plus with a MIDI controller and footswitch. It is has unique design with different HOST mode and switching MODE to work with the host softwares. We are proud of that it is now maybe the best thing you can find to use on stage with software FX. The special designed analog signal chain mixing with the digital codec give the best dynamic response and sound quality. We did AB with lots of other interface and be so confident on its performance.

Electronic crackling is a very common problem in electric guitars. Most likely, electronic crackling has very little to do with wiring. Usually the reason your guitar is crackling when you adjust the volume or tone knobs is because the pots are bad or dirty. Before you go and replace the pots on your electric guitar, I would try to use some Deoxit cleaner to see if the pots are just dirty.

yeah i know the GSP has 2 EQ ( well 3 if i wanted to use up a slot in the OD section ) but i use both EQs on the GSP and i prefer a external eq, that i can adjust on the spot depending on that patch, rather then going in and changing the EQ each time on that patch. I use 3 different guitars each one is totally different in sound, so the external EQ really helps.
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The microphone set up I described earlier will give you a similar effect. The close mic gives you great detail (in audio terms, top-end, treble) and warmth. The mid-distance mic will give you the perspective that the amp is in a room, but without too much loss of detail. The far mic will tell you in no uncertain terms that you are definitely in a room, and with any luck, the listener's brain will process that information and tell the listener what size the room is (I'm not talking exact measurements here--just rough approximations). There will be a fairly significant loss of detail though. The combination of any of the mics will give you varying degrees of perspective and detail.
It's important that an acoustic guitar feels comfortable for a beginner guitarist. How a guitar feels may vary from player to player. Is the fretboard easy to play? Is the body of the guitar the right size (hopefully not too big)? An acoustic guitar with too big of a back-end may cause irritation to the inner side of the strumming arm. Also, make sure the fretboard is flat and there is no buzzing. Are the tuning heads easy to turn? And make sure the strings are not too high off of the fretboard.
Gibson produced only hollow body electrics until 1952, when the first Les Paul solid bodies hit the market. But that still left a gap. Certain players wanted a guitar with the versatility of a Les Paul, but the warmer, mellow tone of a hollow body — albeit one that could be played at high volume. A solid wood block runs through the center of the guitar’s body, allowing greater sustain and less feedback at high volumes than hollow bodies, while the winged side of these guitars’ bodies still provide for a mellow tone thanks to their acoustic resonance.
If a metallic object (such as an electric guitar string for example) is vibrated above a magnetic coil the magnetic field is disturbed and an electrical current is produced. This current then travels through the pickups connecting wires, eventually making it’s way to your output jack where it is transferred to your guitar lead and ultimately to your guitar amp where the small signal is amplified to produce the sound associated with an electric guitar.
While a little on the pricey side, their products are seen as particularly powerful and reliable overall. The H&K Trilogy is well appreciated for its versatility, allowed by the high level of German technology and engineering involved in its construction.  It has easy MIDI control and three channels, a clean, crutch, and lead, all with boost options that give a lot of freedom to musicians who are into experimenting.
Many arguments can be made for Peej’s gifted lead guitarist (and corn-dogging, cheese-mongering Stevie Ray Vaughan acolyte) Mike McCready, but it’s Gossard whose songwriting and toothsome licks propelled the Seattle grunge icons early, record-setting releases. The winsome chords of both “Daughter” and “Black,” the white-knuckle smash of “Animal” or “Deep” or “Do the Evolution” — all were anchored by Gossard, a quiet type more invested in classic-rock craft than classic-rock showmanship.

The heaviest heffalumps in this year’s roundup, share a few strands of DNA with early Mastodon, blending bludgeon and benign  in ambitious and unpredictable ways. Brady Deeprose and Dan Nightingale form the two-pronged guitar attack, leading these lofty compositions from blast-beaten brutality to doom-y sludge and back again. Their debut album Mire was released last month and is the sort of fully-formed statement that requires metallers to pack a spare pair of pants.
Paramount: Around 1930 Martin made about 36 guitars with strange construction. A style 2 size body mounted into a larger rim and back of rosewood, small round soundholes around a "lip" that joins the outer rims to the inner rims, no soundhole in the top, 14 frets clear, dot fingerboard inlays to the 15th fret, rounded peak peghead with standard Paramount banjo peghead inlay, banjo-style tuners, four or six strings.
This is also an amazing choice for kids and guitar novices. It comes in many different colors and it is quite easy to set up and tune. Once you manage to tune it, it will run for a long time. It has four tone modes and you can select one of them using a switch. It has one tone knob adjustment and one volume adjustment. It is quite easy to play and also highly comfortable.
San Francisco-based Senior Contributing Editor Joe Gore has recorded with Tom Waits, PJ Harvey, Tracy Chapman, Courtney Love, Marianne Faithfull, Les Claypool, Flea, DJ Shadow, John Cale, and many other artists. His music appears in many films and TV shows, plus an incriminating number of jingles. Joe has written several thousand articles about music and musicians and has contributed to many musical products, including Apple’s Logic and GarageBand programs. In his spare time Joe produces the Joe Gore line of guitar effects and edits a geeky guitar blog (tonefiend.com).
GuitarPCB.com – designs and sells printed circuit boards (PCBs) with a boutique look for classic and boutique pedal designs. Their active forum provides support for builders using the PCBs. A theme throughout their site is that you expensive boutique pedals are simply classic older designs with little or no modification, and you can easily build your own.

Looper pedal: A looper pedal or "phrase looper" allows a performer to record and later replay a phrase, riff or passage from a song. Loops can be created on the spot during a performance (live looping) or they can be pre-recorded. By using a looper pedal, a singer-guitarist in a one person band can play the backing chords (or riffs) to a song, loop them with the pedal, and then sing and do a guitar solo over the chords. Some units allow a performer to layer multiple loops, enabling the performer to create the effect of a full band.[87] The first loop effects were created with reel-to-reel tape using a tape loop. High-end boutique tape loop effects are still used by some studio producers who want a vintage sound. Digital loop effects recreate this effect using an electronic memory.[88]

Longworth also illustrates yet another Martin amplifier offered in 1966, the SS-140. Again, little is known of this, except it’s a huge monster tower with a pair of side handles to help you hoist it. Both the appearance and prefix suggest it was solid state. The 140 might suggest the output wattage. It’s highly unlikely Martin only offered this one model, so there are probably a few other OEM Martin amps floating around.
Most reverb pedals fall into the ambient effect category, similar to delay and echo in the way it manipulates your signal. It's likened to the delay effect because it's technically a timing effect which, in the world of signal processing, can be described as "sound after sound." In other words, the original sound is produced and another sound follows.
Kawai Teisco was founded by Atswo Kaneko and Doryu Matsuda. The company also produced the popular Ibanez badge in the 1960s. Kawai Teisco made their own house brands Kawai, Teisco, Del Rey and Teisco Del Rey. Badged guitars produced by the Kawai Teisco factories include Apollo, Aquarius, Arbiter, Atlas, Audition, Avar, Ayar, Barth, Beltone, Black Jack, Cameo, Cipher, Concert, Cougar, Crown, Daimaru, Decca, Diasonic, Domino, Duke, Emperador, Heit Deluxe, Holiday, Imperial, Inter-Mark Cipher, Jedson, Kay, Kent, Kimberly, Kingsley, Kingston, Keefy, Lindell, Marquis, May Queen, Minister, Noble, Prestige, Randall, Recco, Regina, Rexina, Sakai, Satellite, Schaffer, Sekova, Silvertone, Sorrento, Sterling, Swinger, Tele Star, Top Twenty, Victoria, and Winston. Possible badged guitars made by the company include: Astrotone, Demian, G-Holiday, Lafayette, Master, Orange, Tamaki and Trump.
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In 2017, Slash was named Gibson Brands' first Global Brand Ambassador. And to celebrate, Slash has designed his first Signature Firebird for Epiphone! Slash's Limited Edition Firebird features the classic Firebird profile that has gone virtually unchanged since its debut in 1963 and is made with a AAA Flame Maple top and a 3-piece Mahogany body in a Translucent Black finish chosen by Slash.
First of all, the staff are incredibly amazing, lovely, hilarious and helpful.  My bandmates and I are not the most knowledgable in terms of gear, and the first time we came in wanting to get our first our ever guitar petals, Blake actually drew a graph of sound to explain how guitar pedals worked. They are the absolute best. Helping us out and going above and beyond what staff should be expected to do.  Hands down my favorite guitar store in Seattle, great selection, prices and above all the attention to detail and friendly attitude of the staff.  Can't rave enough!  Definitely found my guitar store for life!  Would recommend for all your guitar needs :)

In terms of tone, a smaller dreadnought body will be slightly lacking in projecting the low-end frequencies. That doesn't matter here thanks to being an acoustic electric. With that said, the trebles and mids give away its origin, tone-wise. Play a few chords and you'll immediately hear that classic 'Taylor sound' even from a lower mid-range guitar like this one.
For acoustic players, the Rogue Beginner Acoustic Dreadnought guitar with Accessory Pack comes highly rated. Included within this pack is Rogue's exceptionally crafted beginner acoustic dreadnought, along with a Musician's Gear Tubular Guitar Stand and premium Pearloid Celluloid pick, an Ernie Ball polish cloth, and 12 80/10 Bronze acoustic guitar strings. Overall, it's a worthy yet affordable pack for any budding guitarist.
A lot of amateur guitar players are tempted by the ‘cut’ of a high treble sound that gives their notes definition above the cacophony of the rest of the band. They become so accustomed to this sound that they lose sensitivity to its harshness. Treble becomes the ultimate weapon in their arsenal for the volume war, but to the listener, all they hear is a headache, aka bad tone.
Two full steps down from Drop D. Utilized by bands such as A Day to Remember (on Mr Highway's Thinking About The End, Welcome To The Family, Violence (Enough is Enough), Life Lessons Learned the Hard Way and Sticks and Bricks), In Flames, Hostility, Issues, Static-X, Bring Me the Horizon (since Suicide Season), Hellyeah, Amaranthe, Breaking Benjamin (since Phobia), Parkway Drive, Otep, Spineshank, RED, Bury Your Dead, Eye Empire, Dirge Within, Remembering Never, and occasionally Chevelle, Darkest Hour, Evanescence, 9oz. of Nothing, and For the Fallen Dreams.
According to the official information Guitar Tricks has more than double the number of song lessons than any other guitar learning site. It goes on to say that there are more than 600 but I feel that the number could be even higher by now because new songs are added regularly. The songs available on Guitar Tricks are the ones that I want to learn, oldies and modern songs from major artists like The Beatles, The Rolling Stones, Eagles, Blink-182, Extreme, Good Charlotte and many more. Check out this list of Guitar Tricks Artists. Did I mention that lots of songs have a beginner and an advanced level lesson? I just love that the advanced level songs are taught based on the original arrangement and not some vague resemblance used to avoid copyright issues. This is because Guitar Tricks has licenses for teaching the original songs.

Budget, feel and sound! Don't worry about who plays what or brand names. NONE of that matters if the guitar does not FEEL good to you and have the SOUND that you are looking for. Of course, most people have a budget and there is no need in trying $2000 guitars if you can't afford one, except for expanding your education about different types of guitar. That's the short answer.

New, used, nylon or steel string — or electric — for your first guitar take your time, choose carefully and never be afraid to ask for advice. Best of all, search for a good music shop near you and actually pick up the guitar, pluck the strings, listen to the sound. The people behind the counter want to help you, so that you come back for another guitar — and another, not to mention strings, string cleaner, capos… Don’t forget, this isn’t just buying any old guitar. This is the beginning of your dream coming true.
Next important control knob is usually labeled as time or rate. This defines the length of echoes in a reverb. You can have them short or you can have them last for a fairly long time. Which side you will lean more towards is going to depend on the nature and tempo of your music. Slower, more subtle riffs can easily deal with long reverb times while faster sections usually work best with short reverb. Again, experimentation is the key here.
Ibanez LGB30 George Benson Electric Guitar   New from$1,099.99Only 2 Left!or 12 payments of $91.67 Free Ground Shipping Gibson 2017 Les Paul Studio Worn T Electric Guitar (with Gig Bag)   New from$799.00In Stockor 12 payments of $66.59 Free Ground Shipping Epiphone Les Paul Standard Plustop PRO Electric Guitar   New from$599.00In Stockor 12 payments of $49.92 FREE 2-DAY SHIPPING Gibson 2018 Les Paul Tribute Electric Guitar (with Gig Bag)   New from$1,149.00In Stockor 12 payments of $95.75 FREE 2-DAY SHIPPING See All Electric Guitars: 6-String
So, you want a guitar that's absolutely packed with tone? One that has the vibe that it's been pulled straight out of the 1950s, but has all the playability, comfort, and stability of a brand-new instrument? Then get your hands on the Godin 5th Avenue Kingpin. This stylish archtop smolders with personality. And with the P90 pickup onboard at neck position, you have an unbelievable vintage/atittude tonal combination working in your favor. You'll notice right away that the Godin 5th Avenue Kingpin has plenty of projection and volume, and moreso in the low/mids than traditional archtop guitars. You'll love it for that. Why does the Godin 5th Avenue Kingpin sound so good? Sure, it's that P90 working with the hollowbody design that gets things going. But the primary tonewoods here are pure North American perfection, including a Canadian Wild Cherry archtop, back, and sides. The finish here is a custom polish that gives each and every Godin 5th Avenue Kingpin a satin sheen that recalls French 19th century craftsmanship. Whatever your musical style, you'll have a friend on your side in the Godin 5th Avenue Kingpin. It is, plain and simple, a great guitar. Godin 5th Avenue Kingpin Archtop Guitar Features at a Glance: Finish: Cognac Burst Archtop hollowbody electric guitar Canadian Wild Cherry archtop Canadian Wild cherry back and sides Silver Leaf maple neck Contoured high-gloss black headstock Custom Polished finish Rosewood Fingerboard Adjustable Tusq Bridge by Graphtech Cream Binding 1 x Godin Kingpin P90 single-coil pickup 1 x Volume, 1 x Tone 16" fingerboard radius 24.84" scale 1.72" nut width
Great info. I found an interesting connection when researching a recently-acquired Intermark Cipher, as it's said here to be a Teisco, yet it bears a close resemblance to a model of Pleasant, which was credited to the obscure Shinko Musical Company. I wish i could post pics, but essentially, both have the Teisco-like headstock, identical pickups with off-white covers and square pegs, body shape is virtually identical except for the upper cutaway having a slightly different contour, the Pleasant having one more pickup and larger pickguard, both having switches above the pickups. I came upon a drowinginguitars video (https://www.youtube.com/watch?v=8-vhvYBy6os) describing in the video description how Kawai (-Teisco?) bought the "Pleasant Guitar Co." (Shinko?). This video isn't the model I have, my Cipher resembles the Pleasant sel-220.
I use a coat hanger wire to hang the body and neck from when I paint. It keeps the guitar from touching any thing and makes it easier to move from one place to another. I like to dedicate one place for painting and another for drying to avoid any free floating particales from landing on the wet paint. I use a shed for painting and hang the guitar to dry in my garage.
Now, to answer your question I would have to point out a series of popular brands and what they are popular for. After that, you make a decision on which one is best for you. You might see where I’m going with this. There is no single best guitar brand the same way there is no single best car brand. But we do have the Ferraris and Lamborghinis, as well as the Toyotas and Nissans of the guitar world!

If you’re looking for a decent guitar at a super affordable price, look no further. This Ibanez features Powersound Pickups as well as 5-way switching to give you a variety of tones and styles. With a contoured body, it’s super easy to get comfortable while shredding away on this puppy. If your music styles fall in line with hard rock or country, then this is the guitar for you!

Two-hand tapping AKA Emmett Chapman technique involves both hands tapping single notes (less often) or chordal (more often) instances. Even if you’re experienced tapper of one or more approaches, two-hand tapping is a whole new world. Keep in mind your pick hand will need time to develop compared to your fret hand, which by default has had a massive head start on fretting notes.
In 1977, Gibson introduced the serial numbering system in use until 2006.[71] An eight-digit number on the back shows the date when the instrument was produced, where it was produced, and its order of production that day (e.g., first instrument stamped that day, second, etc.).[72] As of 2006, the company used seven serial number systems,[71] making it difficult to identify guitars by their serial number alone.[71][72] and as of 1999 the company has used six distinct serial numbering systems.[72] An exception is the year 1994, Gibson's centennial year; many 1994 serial numbers start with "94", followed by a six-digit production number[citation needed]. The Gibson website provides a book to help with serial number deciphering.[72]

The Telecaster has also been a long-time favorite guitar for hot-rod customizing. Several variants of the guitar appeared throughout the years with a wide assortment of pickup configurations, such as a humbucker in the neck position, three single-coil pickups and even dual humbuckers with special wiring schemes. Fender offered hot-rodded Teles with such pickup configurations, the US Fat and Nashville B-Bender Telecasters around 1998. The Deluxe Blackout Tele was also equipped with 3 single-coil pickups, a “Strat-o-Tele” selector switch and a smaller headstock than a standard Telecaster. The most common variants of the standard two-pickup solid body Telecaster are the semi-hollow Thinline, the twin-humbuckerDeluxe—and the Custom, which replaced the neck single coil-pickup with a humbucking pickup. The Custom and Deluxe were introduced during the CBS period and reissues of both designs are currently offered.
Search out any discussion about tone and tonewoods on the internet and you will quickly find a wide variation of opinions among players and builders alike. However, the majority will almost always list "tonewoods" and/or specific species of Spruce and Cedar as the key to getting the desired tone from a guitar. Indeed, many beginning builders agonize over wood choice combinations as they relate to tone, with more experienced craftspeople offering suggestions that seem to assure the correct … [Read More...]

In addition to the 1/4" input for your guitar, you may want to consider amps with better connectivity features like those with built-in USB output for direct recording, footswitch input, aux input for jamming with tracks, and headphone output. Speaking of headphone out, there are some amps that come with built-in speaker cabinet simulated outputs, this subtly changes the resulting sound much like the amp cabinet would without having to actually use the speaker. There are also a number of newer guitar amplifiers that come with Bluetooth connectivity for streaming audio and for software control.
While an acoustic guitar's sound depends largely on the vibration of the guitar's body and the air inside it, the sound of an electric guitar depends largely on the signal from the pickups. The signal can be "shaped" on its path to the amplifier via a range of effect devices or circuits that modify the tone and characteristics of the signal. Amplifiers and speakers also add coloration to the final sound.