@Josh – Changing the order of the effects in your signal chain can drastically change the sound you get from each pedal depending on where it was before and where it is now. Can you please send us an email to support@strymon.net with further details including a video recording of what you are experiencing so we have a better idea of what is happening?
On Thursday, mere days after launching a news site for women called the Lily, the Washington Post published a story by Geoff Edgers that mused on the supposed death of the electric guitar. Sales are down at places like Sam Ash and Guitar Center, big guitar makers like Fender and Gibson have seen their revenues decline, and in 2010, acoustic guitars began to outsell electric guitars. Why? According to the piece, it’s because male guitar heroes are dying off and aspiring musicians have no men to look up to. Sad!

Yamaha F-310 Acoustic Dreadnought guitar in very good-excellent used condition no cracks or issues it looks great and the neck angle is excellent as well so as a result this guitar plays well with good fingerboard action with plenty of room on the saddle to lower action even more in future years if ever needed. Frets look good at 90-% with no ruts on fingerboard noted, truss rod is working fine, nut is 1-11/16ths. Yamaha specs (all of the F310 are made like this). It has 20 frets and a slim taper neck,The top is spruce, laminated, with natural finish. The sides and back are made of Meranti Indonesian Mahogany type wood , fingerboard and bridge are made Indian Rosewood, and the neck is of Nato. It's a full dreadnought guitar style, and just looks great.this one is in exceptional used condition better than average. Sound is good with nice volume and its tone is getting mature,,nice tone. No Cracks no issues no repairs and looks to have a bone nut and saddle this helps it have such a mature natural tone, Its sounds better than other F310’s Ive played I like this guitar and its price is right. any questions or to buy this guitar contact Joe at: JVGuitars@gmail.com .


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Some more advanced models, like the Wampler Latitude Tremolo Deluxe, bring a much more complex set of features, which include choosing the waveform and more. Whether you are looking for a good way to spice up your tone without impacting the nature of your signal, or you are just in need of a great vintage style effect, tremolo is the one to go for.
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So Rad...It's ok...To think that we were going to get all the campaigns and multiplayer for all the Halo's was amazing, and the game itself when it works is amazing just like it always has been, but I bought my Xbox One just for this game and the fact that it was broken for more than half a year is a shame and honestly unfair to the consumer, I still give it 3 stars since it works decently now but it lost its potential to be an amazing game....Lots of people seem to be having issues with multiplayer and campaign achievements; however, I have not noticed any campaign issues other than one time when I accessed a terminal it would not let me resume my game but after a restart I found I had just hit a checkpoint so no work was lost.
• How wear alters playability: Fret wear – grooves worn in the frets from pressing down on the strings, depressions created by bending, lowered overall fret height from usage – can all cause buzzing noises to occur at points where frets are located along the neck. Luckily, these problems can typically be addressed by having the frets leveled and dressed several times before a fret replacement job is necessary, since fret replacements are costly.
Taylor 214ce A ‘best acoustic guitar’ list would be incomplete without a Taylor in it. This Grand Auditorium guitar with a cutaway from Taylor projects plenty of volume and has a bright and defined tone that many fingerstyle players love. If you’ve always wanted a Taylor, this one with a solid top will surely stick with you for many years to come.
Compared to the guitar amp rankings, the bass amp list is largely dominated by heads rather than combos. Notably, many of the entries on this year's rankings come from the recent wave of ultra-portable, Class D bass amp—a topic we've covered before. Clearly, this subcategory of bass amp is dominating the market, and it's likely that there will be at least a few new entries under that heading at NAMM next month.
After making your observations about the curve in the neck, make your adjustments of the truss rod, if necessary, until you have the amount of forward curve you are looking for. In the best case scenario this will mean that you end up with a slight forward profile, when fretting the 1st and 12th frets, usually no more than 1/32", focused in the 6th-7th fret area and tapering towards flat in either direction.

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In the Guitar amplifier world, ANY of the “boutique” brands (some are truly boutique, offering one-of-a-kind amps, but many are just small-scale shops that have a couple lines to choose from and a couple of customizable features) fit this classification of “top shelf,” because they offer the highest quality components, are assembled with the greatest of care (usually by hand with almost no automation), and generally offer tweaks and improvements on older designs. In effect, these amps are “custom built or even bespoke.

Sturdily constructed with a solid basswood body, bolted maple neck and rosewood fretboard, this black electric guitar has an attractive glossy finish. The list of add-ons include a high quality Hollinger BC-08 practice Amplifier (10 Amp), string-winder cable, strap, gig bag and pitch-pipe picks. The intonation as well as playability of the Davison full size electric guitar has been enhanced owing to its single, high quality humbucker pickup, chrome bridge system and diecast tuners. Last but not the least, the practice amp is suitably equipped with a headphones jack for noise-free practice sessions, as well as an overdrive mode for cool distortions!
So you want to shred without all the lettuce. You want to strum without losing all your Benjamins. You want an electric guitar without spending loads of money…is what these metaphors mean. Probably over-explaining it now. If you’re looking for an affordable electric guitar that doesn’t sacrifice quality, you’ve come to the right place. Let’s take a look at ten notable electric guitars for under $500.
You can reach me by phone all day(8am until 5pm) on Monday through Saturday  If I don't answer I probably have machinery running or have both hands busy but leave a message and I will call you back shortly. During off hours please leave a message and I will call you that evening or the next morning. Feel free to email me with any general questions you may have.
The reality is, each of these approaches to adding effects to your tone has advantages and disadvantages. Are you a no-effects type of player, or a pedalboard kind of player? Maybe you like some pedals for your dirt, but would like your delay and reverb in the effects loop of your amp. Or maybe you would like to go the full on w/d/w route, for the ultimate in power and programmability! Let’s take a closer look at the options that are out there.
The following open-tunings use a minor third, and give a minor chord with open strings. To avoid the relatively cumbersome designation "open D minor", "open C minor", such tunings are sometimes called "cross-note tunings". The term also expresses the fact that, compared to Major chord open tunings, by fretting the lowered string at the first fret, it is possible to produce a major chord very easily.[14]
If you are considering a traveler or mini guitar, be sure to read reviews of people who own models that range between $40 - $500, because you will find various reasons to stay away from some of the cheaper models that are under$150.  Some of these guitars that are made that cheaply are not much better than toys in quality, sound and crafstmanship, and at this model and price range, you will get what you pay for.  By investing an extra $100 - $200, you can find some fine travelers and minis that will more than accomplish the job, and in fact, some professionals choose certain travelers and minis over others for playability, quality, performance and recording reasons.

The Effect: Compression rose to fame in the rock and roll era, many famous musicians used (and still do) compressor pedals in order to add distinctive sustain in their performances, attracting the listener’s attention and making them stand out from the diverse instruments playing along. Some of the most famous compression pedals are the “Ross Compression” and the classic “MXR Dyna”, which have been subject to imitations and remakes ever since their original releases. Compression pedals have remained popular to this day, and are considered a must-have in many guitarist’s arsenals.
"Guitarists frequently ask me to recommend a gig-worthy combo that sells for less than a thousand bucks," wrote Guitar World's Chris Gill in the May 2017 issue. "The question is never quite that simple though, as players often stipulate that they need great clean tones with plenty of headroom and that work well with pedals, a solid overdrive/distortion channel that really projects on stage, and really good reverb would be nice, too. While there are a few amps on the market that meet those requirements, the new PRS Sonzera series has jumped to the top of my list of recommendations."
In 2009, Vox refined the Virage design with the Virage II series of guitars. This series repeated the double and single cutaway bodies of the earlier Virage series, but also included the Series 77 (with double horns emulating the Gibson SG series), the Series 55 (with resemblance to the Gibson Les Paul single cutaway), and the Series 33 (with lower cost fabrication than the 77 and 55 series). The Virage II series features a CoAxe pick-ups which resemble the earlier Three-90 features, but claimed to be lower noise. The one-piece cast MaxConnect bridge of this series is aluminium and provides both a saddle and anchor for the guitar strings.
Gibson dates back to the late 1800s, when Orville Gibson patented a mandolin design that was much more durable than other instruments at that time. He sold these instruments out of a one-room workshop in Kalamazoo, MI, until his death in 1918. The designs lived on, however, as the company hired designer Lloyd Lear to continue creating new instruments.
You asked, and you shall receive, Sonicbids blog readers. Per multiple requests, here's my guide to, "When the hell do I start turning these knobs, and where do they go?" But before we begin, I offer you the fine print: These references are general ideas for where to begin to look for sonic issues with particular sounds, instruments, and voices. I'm not going to tell you "always notch this 9 dB here and add 3 dB here with a wide boost and, voila, perfect sound!" because it's unfortunately just not that simple. So before you message me, "Aaron, I notched out so much 250 Hz out of my snare, I snapped the knob off the console, and it still sounds muddy!" just know that not all sound sources are created equal.
The Univibe effect was produced to also mimic the sound of the Leslie rotary speaker, but in a slightly different way from the new digital pedals previously mentioned.  They often combine slight amounts of all modulation type effects at the same time to approximate the rotary sound, but became a unique sound of its own.  Some pedals allow some individual tweaking of each modulator, but most typically allow the user to adjust the speed of the Univibe effect.
Out of all the hopped-up Caucasians who turbocharged the blues in the late Sixties, Texas albino Johnny Winter was both the whitest and the fastest. Songs like his 1969 cover of "Highway 61 Revisited" are astonishing showpieces of his lightningfast thumb-picked electric slide playing. Jimi Hendrix sought him out as a sideman, and Muddy Waters recognized his talent at first glance, becoming a friend and collaborator: "That guy up there onstage – I got to see him up close," Waters later said. "He plays eight notes to my one!"


The instruments have been set up at the factory. However, time, temperature, and transportation are a few of the many things that can cause a guitar to go out of "intonation". We recommend that you get your new guitar set up by a qualified luthier upon delivery. We recommend taking it to a qualified guitar tech for a set up. They will adjust the neck and bridge to take out the buzzing. We ensure that before shipment there is no evident of fret buzz before shipment and the guitar plays beautifully since our professional guitar technicians inspect each instrument by hand, then perform a full, and precision setup. All brand new guitars need proper setup after shipment to suit your personal preference that would strongly correlate to your playing style. We believe that your Local Guitar Shop can properly and safely adjust the truss rod and setup the guitar correctly for issues of fret buzz and bow neck. Truss rod adjustments are made to alter the straightness (flatness) of the neck. Truss rods often require adjusting when temperature and humidity change the amount of bow in the neck. Weather, specifically temperature and humidity, may have a dramatic impact on the way your instrument plays. All instrument woods expand and contract with seasonal actuations in temperature and humidity, and naturally, string height and playing action are affected. The neck needs a simple truss rod adjustment to correct any problems like fret buzz and bow neck which can be easily done by guitar experts. And also, you may adjust the bar of bridge. Please be advised that guitar necks are crafted from wood, and they will sometimes shift during shipping and as the temperature/humidity/elevation changes. An important part of maintaining your guitar is knowing how to adjust the truss rod. When a guitar experiences temperature and humidity swings, such as when seasons change, it can develop a slight bow in the neck that results in a guitar that plays buzzy or is suddenly much harder to fret. If this situation occurs, you can often correct the problem simply by tightening or loosening the truss rod.

I have an old Zoom 505 all in one pedal plugged into the clean channel of my Peavy Scorpion 2-12 amp. I’m using the distortion, chorus, reverb, delay, etc. programmed from my pedal. I want to add my Crybaby wah so it’s just a matter of easily just switching the order of both pedals and see what works best. Until I upgrade, it should be simple. Here we go. Thanks.


The rhythm of a guitar itself leaves many of us awestruck. Though many a time, beginners have this question of how to play guitar tabs. Practically they are easy, but need a lot of practice. Nothing that's worthy comes easy in this world! There are some easy guitar lesson tabs which when practiced, can help to learn the instrument faster. Let's scroll through some of these easy acoustic guitar tabs for beginners, and enjoy the experience of these guitar lessons. To become a really good guitar player, it is essential that one knows how to read guitar music sheets.
Im wanting to build my own 8 string fanned fret with a 30" scale length and a bit more string spacing than a standard 8 string. My Ibanez rg8 has about 9mm from center of string to center of string. I figure I will build a few with cheap lumber from home depot without expecting to play it at all. I want a neck through style as well. Does anyone know where to find some info on building something like this and specifically how to properly set up the frets?
Enter the polyesters and the polyurethanes. These plastics can be made into synthetic resins which harden after application the guitar body, making them more durable than nitrocellulose finishes. In some cases, UV light can be used to initiate the curing process of the resin, making the finishing process much quicker than the application of nitrocellulose lacquer.
Being part of Schecter's upper tier guitar line, this one comes packed with premium appointments, including a nice looking arched quilt maple top that follows the double cutaway shape of the mahogany body. It also has a 3-piece set mahogany neck that can withstand angry riff playing while the ultra access heel allows for easier upper fret access when you want to hit your audience with high note solos. The guitar has a Sustainiac Humbucker on the neck (known for long sustained notes) and the high output EMG 81 Active Humbucker that's great for metal riffs. Other features include Floyd Rose 1000 Series Tremolo, 25.5" scale length and 1.625" nut width.
But when combined with those Dean humbuckers, this thing full-on rocks! It’s full of gain, fuzz, buzz, but still articulate enough thanks to the strong middle frequencies, reeling in that Dime sound to cut any mix and in style. Additionally, the price is lower than many of the models on the rundown, making this puppy a safe choice for cheap good guitars.
I have a Dover, it was my great uncle’s guitar. It has seen better days but considering its age its in pretty good shape. Some one did some custom wiring inside so I had to replace the pots. One of the pickups was glued back together but it wasn’t done properly so now it doesn’t quite sit right. The plastic cracked at most of the corners where the screws hold the pick ups down.
PONTE NON TREMOLO Per cambiare le corde, infilare le corde nuove negli occhielli di guida sul retro della chitarra e posizionarle in seguito sopra la selletta. È possibile regolare l'intonazione spostando la selletta in avanti o indietro utilizzando un cacciavite a testa Phillips (+) sulla vite di regolazione dell'intonazione nella parte posteriore del ponte.
There was a band in Manchester called Sister Ray, who were just this scary bunch of men/reprobates. I guess word had got around that I had a knack and was a useful little guy to have around, and you only have to buy me some Coca-Cola and I was good to go. So I played with them. I started playing my first sort of shows in front of real [crowds] when I was fourteen.
Which tonewood works the best for you will depend on your personal preference as well as the genre of music you're playing. Electric guitar bodies come in a whole range of styles. You have classics such as the Stratocaster and the Les Paul shape, but there's much more out there to explore. Granted, a vast majority of these were heavily inspired by the aforementioned models and you probably don't want to go too far off into the realm of the strange.
Here’s my intuitive explanation to why we are hearing what we are hearing: What makes a guitar sound like a guitar, as opposed to for example a piano or a harp, is the spectrum of overtones that are generated when the strings are plucked. This also makes two guitars sound different from each other, despite having the same make/model of pickups. Any component that is involved in how the vibrations in the string is created (this is kind of what the myth debunking video refers to as “timbre”, but then goes on to equate to amplitude and frequency, as if the tonewood would alter the notes, as opposed to the tone) affects the sound. For example:
Generally speaking, no. When it comes to guitar quality there are always exceptions, but for mass produced brands, the top models almost always come from America (generally more skilled craftsmanship: more attention to detail, less assembly line). The top Fender guitars, for example, are American made, and consequently significantly more expensive. That doesn't mean that they are inherently better than their Mexican made brothers, but that they tend to be crafted in a more quality controlled environment. That being said, the guitar is a very personal instrument, they change guitar to guitar for the same model. It's all about the connection between the guitar and the player: what feels right and what sounds best to them.
While they may be on the dry side, these books are convenient because they’re always available for reference. In an online class or an app, you might have to go digging through files or lessons to find that one scrap of information that was helpful. You also have to be on your phone or at your computer. For some people, the old way is still the best way.

Ah yes, the 808. It's often used and referred to as a kick, but it tends to act more as a very low tom, as it has a pitch. This thing is the Loch Ness Monster – there tends to be more under the water. The best way to deal with a true, clean 808 sample is to work around it. It's usually best to let the 808 do its thing and to get the bottom end around it the hell out of the way. If it's a fuzzy sample or has been driven and squashed, you may need to play with things above 250 Hz, but usually live and let live is the best approach.
Description: Body: Mahogany - Body Construction: Solid - Neck Attachment: Set - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Inlay: Custom - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black - Pickups: Ibanez - String Instrument Finish: Satin Oil, Transparent Black Sunburst
Electronic crackling is a very common problem in electric guitars. Most likely, electronic crackling has very little to do with wiring. Usually the reason your guitar is crackling when you adjust the volume or tone knobs is because the pots are bad or dirty. Before you go and replace the pots on your electric guitar, I would try to use some Deoxit cleaner to see if the pots are just dirty.
Lotus started with the elite league of Japanese craftsmen and initially made excellent Morris-branded guitars, but trying to keep up with the heavyweights such as Matsumoku Aria Pro II and Fuji-Gen Gakki Ibanez was difficult. Mismanagement and, especially, the inability to market their initial superb-quality guitars soon had Lotus' owners scrambling for cheaper labor, ending in India with poor quality and eventually no takers for their product, as Chinese and Indonesian guitar producers stepped up with instruments of comparable quality at similar prices.
Just start out small, when i first started playing guitar I wanted to learn every metallica song there is, and sure enough I did, it took me about 5 years to get there and a bunch of different gauges eventually with time you start to develop the feel for what gauge satisfies you the best. Now I mostly use hybrids ranging from 10-13's, but just like everyone I started out with softest strings that are out there in existence but I used to break them alot so there were many beers out there that I didn't get to drink because the will to play guitar was stronger hahaha. But in the end it was worth it cause now I get to have all the fun on the guitar, and all the chicks are digging it hahaha, no they're not. And one more thing never obey the rules it's just something that stuck up guitarist make up because they don't want to be outdone find out what pleases you the most and keep on doin that.
As I tried to point out, what is high action is based on personal taste for the most part. Also, Martins traditionally have higher action than many other manufacturers. But unless it is a true defect in the particular guitar, from wood swelling or shrinking, etc. action is easily adjustable, but it is recommended that you have a certified Martin warranty repair person do that, unless you are comfortable with such adjustments.
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The numbers below the chord tell you which fingers you should be using to form the chord. Finger one is the finger closest to your thumb and then it goes across until finger four is your pinky. The image below shows this labelled for you. If you're playing a left handed guitar you'll have to use the mirror image of these pictures. The thumb doesn't get a number because it is very, very rarely used when forming chords.
No tricks here, the volume control allows you to adjust the output level of your signal. But, unlike your amp's gain setting, the best signal-to-noise ratio will be achieved with the pot all the way up. If you have more than one volume knob, it means each controls a pickup. Middle positions can be useful with amps that don't have too much power and distort very easily or to get a crunch sound with a fat saturation. We can also use it as an effect by turning the knob progressively and playing a chord to make it appear (or disappear).
There’s a bolt-on thin U-shaped maple neck, with a rosewood fretboard, and 24 extra-jumbo frets, which makes fast playing and string bending a breeze. As we highlight in our full review, the EC-10 is voiced by two ESP-designed passive LH-100 humbuckers at the neck and bridge positions, which are loud enough to cope with rock and metal lead playing, although articulate and warm when playing without distortion.

Dude, John Mayer? unbelievable. Angus young, Gary moore I agree Eric Clapton you bet. but, it is an opinion. I think Michael Schenker is badass, and what about Steve Morse. I just saw Rush in Rio, and I forgot just how good Alex lifeson is. What about George Lynch? Tony MacAlpine. so I will let you have John Mayer, because he makes you feel something, for me, it's nausea…..Oh, and I forgot Brian May. Doyle Bramhall, I could go on.
Recently while cruising around EBay I was able to find pretty strong evidence that the 700 and 800-series Kents were made by Kawai. Or maybe... the necks of the 700 and 800-series Kents and the Kawais were made by the same manufacturer. I don’t know if Kawai kept the factory that made Teisco operating after it was acquired. It appears that Kawai had more experience building hollow-bodied guitars than Teisco. So I call the 700 and 800-series Kents Made by Kawai. You can call them Made by Teisco if you want. Of course, the possibility exists that they were both made by an entirely different company. Who knows? The 1960’s were like a ‘wild west’ period of Japanese guitar making.
Some of the best guitar compositions come from simple experimentation; that's why jam sessions are so great. When you want to have your own personal jam session, using a headphone amp is a fantastic idea. That way, you can keep your genius to yourself until it's ready for its first audience. You'll have the freedom to experiment all you want without having to worry about unwanted ears listening in, and that'll give your new riff even more of an impact when you unveil it on your main amplifier.
Just as an Auto-Wah is a version of a Wah pedal controlled by the signal's dynamic envelope, there is an envelope-controlled version of a volume pedal. This is generally used to mimic automatically the sound of picking a note while the guitar's volume knob is turned down, then smoothly turning the knob up, for a violin-like muted attack. An example is:
Admit it. You’ve slow danced to Stairway To Heaven before. Page’s playing have influenced so many guitar players of today, and Led Zeppelin revolutionized Rock and Roll blending acoustic guitars, banjos, and mandolins while still staying with the same gritty rock image. His guitar riffs are forever etched into Rock and Roll’s hall of fame. How influential was he? Step into a guitar store, and you’ll see. Thousands of 12 year old kids across the globe are playing the intro to Stairway. Now that’s how you know you’ve made it.
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Once you have the height of the strings over the fretboard adjusted, you can fine tune the intonation setting with an electronic tuner. If the saddle locations are already close to where they should be (based on your measurements), your saddle height should not have to be changed very much as you make the final intonation adjustment. If this is a tremolo bridge and it is blocked, tension the tremolo spring claw to the correct setting( this adjustment will be the subject of a separate article).
You have all the control you need over your effects and you can use all three at the same time, too – ideal for those who like to create big walls of sound. The delay features a tap tempo control, whilst the FX loop connectivity allows you to hook up any other effects pedals you might have before the delay, which ensures the tonal qualities of those pedals are intact.

I’m super excited for this post as it’s the culmination of some of the biggest names in online guitar lesson providers coming together to offer their advice and insights on guitar chords. Understanding the right way to play guitar chords is one of the first things you’ll learn as a beginner guitar player. It can also be quite frustrating when you are just starting out.That’s why I decided it would be a great idea to get a bunch of experts together all giving their insight into learning more about the wonderful world of guitar chords. I basically asked everyone two questions:
The fully hollow body electric guitar is almost always a finely crafted work of art.  These instruments are a throw back to the days of hand shaped acoustic instruments of yesteryear.  The hand carved archtops and backs are designed to take advantage of pure acoustic detail, such as resonance and tone, while the electric aspect allows the performer to be amplified.  A pure traditionalist could ask for nothing better tone wise, but must contend with other aspects of these incredibly resonant instruments.
These special qualities have been used for centuries to create and build various instruments with differing levels of success. Some tone woods do it better than others so, are often more vigorously sought out and because of their growing rarity (due, primarily, to over harvesting) also vary in expense, the rarest most hard to find being the most expensive, of course.
Introducing the next stage in the evolution of the music game. Rocksmith, the first and only game where you can plug into any real guitar. Featuring gameplay that automatically adjusts to your personal ability and innovative game design that makes playing music visually intuitive, Rocksmith will engage experienced musicians as well as those who have never picked up a guitar in their life. You'll unlock mini games to hone specific skills. You'll be able to choose from a large catalog of songs in different styles including:Every copy of Rocksmith will include a revolutionary 1/4 inch USB cable that turns the guitar's signal from analog to digital, allowing it to be played through video game consoles. By plugging into your console, you'll develop real skills and real styles while playing absolutely real music.
You don’t have to go for the ones that cost thousands of dollars; there are some pretty decent ones that cost less than $300. What a multi-effects unit will allow you to do is to experiment with different effects and this will give you an idea of what kind of effects you will need to get a certain sound. Once you have a good idea of what kind of effects you’d like to use, then I certainly do recommend trying out individual pedals and building a pedal board. Either that, or you can definitely upgrade your multi-effects to one that has more authentic sounding effects and modelers.

The Truetone Rock Star has a classic 1960s Fender Jaguar - inspired body with a cherry & black sunburst finish and swank natural wood grain finish neck. The headstock has an odd, but killer-looking shape, an elaborately cut pick guard and what might be the world's coolest pickup; a chrome-cased body with a shimmery red marblized pickup cover. The guitar is 100% original with no replacement parts. We  rescued this one a while back and it was rusty and did not work when first tested. We meticulously detailed and cleaned it and removed the rust. We also re-soldered a few wires inside, and this fab Japanese guitar was ready to rock again. It sold and was shipped France, and the Rock Star is pretty rare, but there are lots of cool retro Truetone / Silvertone Japanese Guitars for sale below! Scroll Down for more from our collection!
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Ash - Neck Attachment: Set - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Inlay: Pearl - Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black - Pickups: Ibanez - String Instrument Finish: Natural Blue

The focus has always been to start with sound and top it off with a bold, boutique-inspired appearance. When Michael Kelly launched, we, in fact, only offered mandolins and acoustic basses. These two markets had been under served and consumers could not buy a great sounding instrument without breaking the bank. The Michael Kelly Dragonfly collection of both acoustic basses and mandolins quickly became popular and hard to get. Musicians were drawn to their decidedly custom appearance and then fell in love with their sound and performance.


The irony with guitars is that an original 1950s Gibson, for example, whilst capable of producing the most amazing sounds, and playing like butter - may not stay in tune, or intonate quite as well as a modern day equivalent. Consequently old guitars have very often been 'upgraded', with original parts lost. But this can seriously down-grade their value. Replacing missing parts with original or period-correct ones can very much improve a guitars collectability, saleability and therefore value.
Sooner or later you may want to experiment further: What happens if I use a different opamp here, or change a capacitor value there? Specifying your own components is the next step. Two of the specialty jobs in building a typical effects pedal are the design of the circuit itself, and the production of the printed circuit board (PCB) on which to install the components. The next logical step from a kit is to order a pre-built PCB and then customize the component and enclosure choices yourself. AMZ effects, is the go-to place for a huge variety of pre-designed PCB’s. The cost is quite low and the projects include clear documentation providing guidance on different options and components.

There’s another wrinkle: vintage-style pickup magnets can weaken over time, resulting in a softer, smoother tone. Some pickups are designed to mimic this ageing process. Say you were looking for a vintage P.A.F.-style humbucker: You could choose between one of our models that that sounds like a pickup straight off the late-’50s production line (the Seth Lover humbucker), and another that mimics a similar pickup as it would sound and look today after decades of wear and tear (the Antiquity humbucker).


We gave our electro-acoustic chart a big refresh to keep it relevant for early 2018, by replacing a few older guitars with some excellent upgraded models. Guitars such as the Epiphone PR-4E and Mitchell MX400 were removed, and in came the exquisite Yamaha A Series A3M, the new PRS SE A50E, the cool Fender Sonoran SCE, and two solid budget models, the Kona K2 and Yamaha’s APX500III.

The Yamaha APXT2 is a 3/4 size version of the world's best-selling acoustic-electric guitar, the APX500III. This well-constructed, compact guitar makes a great companion when you're on the road. The APXT2 features an ART-based pickup system and Yamaha's proprietary tuner, offering great sensitivity and accuracy for quick tuning. The APX T2 also includes a gig bag.
As for the nuts and bolts of digital delays, any thorough, from-the-ground-up explanation is more than can be entered into in this space (and most of you at least know the basic principle behind binary encoding by now anyway, right?). Simply think of the digital delay pedal as another form of sampler: it makes a small digital recording of your riff, and plays it back at a user-selectable time delay, with depth and number of repeats also more or less selectable. The higher the sample rate, the better the sound quality. Early affordable 8-bit models really did leave a lot to be desired sonically, but as 16, 20 and 24-bit designs emerged, the reproduction of the echoes increased dramatically in quality.
In the second diagram, the two pickups are wired in series. The theory behind series wiring is that the ground wire of one pickup is connected to the hot wire of the other pickup. As a result, they become a kind of compound pickup, with one ground and one hot for both. When wired in series, the pickups combine their impedance (resistance) and the output is very high. If your Strat’s middle pickup is a reverse-wound/ reverse-polarity type (aka RWRP), you’ll get the same humbucking effect as you do when the pickups are wired in parallel—no changes there.
Finally, their taper. Taper refers to the gradual increase or decrease of the pots ohm as you adjust it. There are two types of pot taper, Logarithmic (Audio) and Linear (Lin). The human ear hears in a logarithmic manner, so in a gradual increase or decrease, whereas linear, to our ear sounds almost more like an on/off. Which you use is completely up to you, many players prefer a linear volume pot for example, but I find that a quality logarithmic pot in both volume and tone positions offers more scope for adjustment, if using a quality pot that is! Low quality audio taper pots, in my experience, offer unreliable tapers, often not providing a even, gradual adjustment as you roll off or on. A guitar's volume and tone pot can bring out so many great sounds from your rig, it offers versatility to your sound, and I love pushing an amp hard and finding those sweet spots on the guitar's controls to really capture a great tone. So I feel that's why a quality logarithmic pot with a perfectly gradual taper is an incredibly important component in the electric guitar. 
Even though recorded sound traces back to late 1877, the widespread access to this technology has only become available some 60 years later. As we go back in time, reaching 1940s, we run into the first ever instance of reverberation being used in music recording. It didn’t really take long for this trend to become popular, spreading throughout the world. However, back then there were no effects pedals or anything similar. Devices we have today were science fiction at best. Old school producers had to resort to various other means to achieve the reverb effect.

Let’s start with body style. This is quite simply the shape of the guitar’s body, and there are potentially a lot of them to consider. As a general rule, the larger the body, the more resonant it will be, giving it a deeper, richer tone. This is clear for things like the hummingbird, with the big square shoulders, and the dreadnought style body, which is generally the largest body type you’ll encounter. The drawback of larger bodies of course is that they’re more cumbersome and less ergonomic to play.
Guitarists love to get loud. I remember when I got my first electric guitar, I took it and my amp out onto my grandmother’s back porch and did my best rendition of The Man Who Sold The World, over and over again — at full blast — for several hours. In suburbia, in the middle of the day, I didn’t receive a lot of complaints. If I tried that today, in my Los Angeles apartment surrounded by grumpy neighbors, I might not be so lucky.
EQ (Equalizer) – A frequency-based effect that allows you to boost or cut frequencies along the audio spectrum. Graphic EQ pedals such as the GE-7 and GEB-7 have faders for each frequency band that you can move up or down to boost or cut the frequency. EQ pedals can be used to tackle problem frequencies such as mid-range honk or to give a bass boost or add some high end sparkle. Alternatively you can use EQ to create interesting tones such as emulating a small radio by rolling off the bottom end and boosting the high mids.
The HSS pickup configuration with a five-way switch keeps things versatile and beginner-friendly. Two single-coils and an overwound bridge humbucker provide a good mix of glassy Strat-like and fat Les Paul-esque tones that are capable of straight-up rock, funk and blues. They’re good as far as in-house pickups go, but don’t expect tonal authenticity at this price point.
In choosing an amp you have to first consider how much you have to spend, the style of music you like to play, and what kind of tone you like best. It is perhaps best to start with something small. You might feel that a Marshall stack is the way to go, especially if you have the money, but for home use, big amps are hard to work with because to drive them into distortion, you have to get really loud. They also take up a lot of space.
Sounds great. Compact and good looking. Easy to use. Extremely versatile! Make sure you read the instructions because there are so many things you can do with this. Only drawback is that if you plan to use it live, try not to have too many effects applied because it slows down the transition timing. However, best for recording if youre trying to produce specific sounds from your instrument.
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This is a Japanese Fender Jaguar recorded on the both pickups setting direct in and also through a valve driven Fender reverb unit. This can be used with software amplifiers such as the free fender and marshall vst plugins on this forum (there are lots of software guitar amplifier and pedal related things worth downloading on the Guitar Amp Modelling forum) or amplifier impulse response files with your convolution reverbs like Jconv on Linux or Freeverb on Windows. Presets include a standard mapped guitar, a fake twelve string (octave harmonies on each key) and split voices of muted fifths at one end and solo guitar at the other end of the keyboard (for quickly creating tunes and ideas). There are other banks of the same presets except with long releases (for sustained notes), chorus and/or reverb added to give the different variations. The amount of reverb can be altered with cc12 and the amount of chorus can be altered with cc13. Reverb and chorus has to be enabled on your soundfont player to use them.
At Kay, we knew this project was not just assembling parts and a Kay "Kel-von-a-tor" chevron headstock logo and calling it a Kay Vintage Reissue. The 1950's guitars of that time not only have a special look, but a special sound. To just make another mass-produced vintage looking guitar, as other companies have already done, was not enough. Only an electric guitar that could duplicate the '50s sound would be successful. To remake the products in the United States was a challenge, but it was more of a challenge to reproduce the instrument off-shore and still maintain the necessary strict quality control. The Vintage Reissue Line sat on the back burner for many years until all the components were able to come together. The Vintage Kay Reissue project came alive when Roger Fritz came into the picture.
I don't need freaky pointy demon guitar graphics or anything like that.....this $249 Agile makes my mouth water. For the price of two cheap pedals or one great pedal it's a guitar that you could work with. Ibanez makes the stylish P90 Jet King for about $375...If I were on a tight budget I'd rather have the basic Agile. Yes I'm aging! Get off my lawn you Jet King kids!!
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Overdrive distortion is the most well known of all distortions. Although there aren't many electronic differences between a distortion an overdrive, the main audible one is that a distortion does exactly as the name suggests; distorts and clips the signal no matter what volume is going through it, the amount of distortion usually remains relatively the same. This is where an overdrive differs. Most overdrives are built to emulate the sound of a tube amp overdriving and therefore give the player control of the clipping through dynamics. This simply means that the effect gives a clean sound for quieter volumes and a more clipped or distorted sound for louder volumes.

Either way, the results in the Descent Reverb are nothing short of phenomenal.  If you watch the demo video below, you'll hear some of the most unique sounds capable of being produced by a guitar pedal. Pigtronix did something similar with delay and pitch shifting in the Echolution 2 Ultra Pro, but we think the combination is even better in the Descent.


Re-amping a DI'd keyboard or bass can really liven up a sound, but if you don't have access to a nice amp or amp modeller, you can simulate the effect by sending the audio to a bus with a delay plug-in set to a short delay time and with the wet signal set to 100 percent and dry to 0 percent. Then send the bus's output to another bus with a distortion (or better still, a guitar amplifier emulator) plug-in inserted. This simulates the delay you get from miking up a speaker, and if you blend this in with the DI'd sound, it can give the recording a live feel — especially if you use a convolution reverb to add some 'room' ambience. You may also want to roll off the very low and high frequencies to help get rid of that DI'd vibe. Nicholas Rowland
This list is an amateurish joke. Many guitars listed are pure cheap junk I'd toss in the garbage even if they were free. Take it from a 45-year Pro, Parker & PRS are the 2 highest quality. Fender, Ric and Gibson, along w/ brands that have stood the test of time, plus a few hand-made (custom) brands are the only ones you can seriously depend on. The rest are mostly pathetic attempts at copying a major brand and cutting the price by REALLY cutting back on quality. As they say: "You get what you pay for. "
While tube technology is still considered state-of-the-art in countries where a potato is regarded as a square meal, these days solid-state and digital amps offer excellent tone for a lot fewer bucks, and with fewer maintenance headaches. However, tube tone is still considered the standard by many top players. Take a blind listening test, and let your ears be the judge.
I’m Björgvin Benediktsson. I’m a musician, audio engineer and best-selling author. I help musicians and producers make a greater impact with their music by teaching them how to produce and engineer themselves. I’ve taught thousands of up and coming home studio producers such as yourself how to make an impact with their music through Audio Issues since 2011.
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There are a couple different versions of the Woody acoustic pickup, both of which are highly affordable. This version, coming in at $60, is a passive and noiseless magnet that delivers a balanced tone and can be easily removed or installed at a moments notice. To do so, simply snap the pickup into the soundhole or snap it out as needed. This functionality is a big part of what makes the Woody design one of the most popular and widely used in the world of acoustic pickups.
The majority of favoured mic pairs seem to include the trusty SM57, but its most popular partner appears to be the larger-diaphragm MD421 — users include Bob Rock, Bruce Fairbairn, Alan Winstanley, Joe Barresi, Simon Dawson, Stephen Street and The Matrix. Also high on the list is the pairing of the SM57 with a large-diaphragm condenser of some type, and Steve Churchyard, Toni Visconti, Jim Scott, Stephen Street, and John Leckie all name-check the U87 in this role.
Get it tuned up and play it in the store. Some people may find this uncomfortable, being a newbie and all. If you don't want to play it, just start bending strings, up and down, using the whammy bar; think of it as 'guitar stretching'. Then see how well it stays in tune. If this guitar has no locking nuts on the head, and it still stays in tune, it's a winner. But if you have to re-tune more than a little, and almost all the strings, pass on it. You will grow frustrated by it very quickly.
5. Marshall Code 50 1x12 Digital Combo Amp ($249.99): Marshall is the household name of the amp industry and their inclusion on this list was a definite must. The Code 50 boasts more than 100 presets in an easy-to-transport package. As with most of the amps on this list, the Code 50 also includes a mini USB plug-in for ease of recording, headphone capability for practicing late into the night, and even an aux input for jamming along with music on your smartphone. You can even control it directly via Bluetooth and the mobile app. It also delivers 50 watts through a 12-inch speaker so it’s great for practice or rehearsal.
Martin factory action was traditionally higher than that used by makers like Taylor. Bob Taylor made his bones by offering acoustic guitars that felt and played like electric guitars. Martins had thicker necks, and higher action often called “Bluegrass action.” If you pick very hard, or do a lot of heavy hammer ons, lower action can be more of a problem if you want clean or pure notes.
The Effect: Vocal harmonizer pedals are among the most powerful tools you can have as a singing guitar player. An average vocal harmonizer will use the input from your guitar, mix it with your microphone’s signal, and produce a harmonic background of your voice that is in tune with the chords you’re playing. More advanced models like TC Helicon Play Acoustic, are capable of doing much more than that. We are looking at complex processors that offer multiple effects, active vocal equalization and so much more. With that said, vocal equalizers come in a variety of flavors. Some are optimized for solo performers, while others are much more relaxed. The great thing about modern vocal harmonizers is that tracking is no longer that much of an issue. It is fair to say that most models you can find on the market right now, will get you pretty solid core performance.
The brilliance of Guitar Rig is the ability to create so many different tones. This is in large part due to the variety of amps that are modeled in the software. You have a choice between Citrus, Ultrasonic, High White, Tweed Delight, Plexi, and Lead 800, among others. I’m sure you can guess what Native Instruments’ clever amp names translate to in the real world.
Above all, enjoy playing guitar and enjoy the journey! Look forward to 3, 4, 5 years down the line when, if you've been persistent with your practice time (and allowed plenty of time for noodling), you'll have accomplished so much. This is all about freeing up your creativity, bit by bit, so you can express yourself on guitar as naturally as you can with speech. Doors will open all throughout your progress. Each new door that opens is like a new outlet for your creativity.
Clarence Leonidas “Leo” Fender was established this brand in 1946. The Fender Musical Instruments Corporation (FMIC) manufactures the stringed instruments and amplifiers, such as solid-body electric guitars, including the Stratocaster and the Telecaster. This brand is the kings of hearts and getting the popularity from blues to quick rock tempo. Fender’s Precision and Jazz Bass models are now considered to be the standard to which most other electric bass guitars are measured. It’s famous for best guitars which are made ever in the history.
The Wire. You'll see a lot of vintage spec wordings bounced around here and that pretty much boils down to the aesthetics. Those early Fenders and Gibsons we all know were wired at the original factories with a cloth covered 'push back' wire, whereas as some modern factories, far east predominantly use standard plastic coated wire today. But the important detail is the 'AWG', or American Wire Gauge. Widely used in the guitar world for optimal results, is 22AWG wire. I would go into detail on this, but THIS site has some superb facts about AWG, which if you'd like to find out more I'd recommend a read of! So back to the cloth/plastic thing. Personally, the 'push back' cloth wire is much easier and tidier to work with and I fully hold my hands up to saying it looks much better too. I always use this for any guitar wiring, the results are always great and it's a pleasure to wire up with. I personally use 22AWG copper, solid core wire, great to work with and consistent. 

Similar to the previous model we mentioned, Squier by Fender Bullet Strat represents the Stratocaster beginner family. It’s a guitar full of tradeoffs, but you are rarely going to find a model more capable in this price range. I’ve played a lot of these, and even have one which I use strictly for practicing at home. I like it, even though it’s somewhat limited.


Yet you’d never find a punk rocker who didn’t want to be just like him. Whereas most punk guitarists found inspiration from the same hard rock and proto-metal players that they pretended to despise, Strummer was influenced by reggae, rockabilly, soul, ska and even early New York rap music when most of the world still hadn’t heard of the Sugarhill Gang.
The first question you should ask yourself is: What type of music genre do I like that uses guitars? If you’re into metal, hard rock, or even alternative rock, selecting either one of those options is going to have an impact on the type of electric guitar you’ll buy in addition to the amp. Remember that one type of electric guitar and amp is going to work better or worse than another depending on the type of sound you want.
CostHelper Electric Guitar Guide - [New Window] - Find out how much an electric guitar should cost. Get price guidelines and shopping tips for an electric guitar. A basic electric guitar with amplifier and cord starts around $200 to $400 for a beginner's outfit; a better quality kit can run $500 to $2,000, and high-end electric guitars are $2,000 to $5,000 or more for the instrument alone.
The bass guitar has a long neck (scale-length) and thick strings. The open strings of the bass guitar corresponds to the four lowest strings of the guitar and are pitched an octave lower. The standard bass has four strings though five and six string basses are available which extends the range of the instrument. Though the bass guitar is the bass instrument of the guitar family and the double-bass is the bass instrument of the orchestral string family their similar roles have drawn bass players to both instruments.
Time to turn our attention back to the guitars themselves. The following are some of the better low-cost electric guitars available on the market today; refer to an anatomy of electric guitars to see definitions of guitar pieces and places. When you're deciding, go to a store and try them out for heft, comfort, stability, sound quality, and appearance. Shop around, comparing, for instance, online prices against local store prices. This is an investment, so choose wisely.
However, 50 x does not mean that the two pickups wired in parallel are only half as loud as a single pickup, nor does 200 x mean that the two pickups wired in series are twice as loud as one pickup. Our human hearing does not work this way. Why that’s the case is beyond the scope of this column, but for our guitar-wiring purposes, it’s enough to know that the human ear doesn’t operate in a linear way.
While we have touched on the characteristics of single coil and humbucking pickups, to truly cover guitar electronics check out -‘Guitar Electronics for Musicians’ by Donald Brosnac which details the history of guitar pickups and goes into great detail about the mechanics of guitar pickups). It’s fairly heavy going for anyone new to the topic but also very interesting at the same time.
Both Brian May from Queen and Ritchie Blackmore did use treble boosters for sure in their rigs to get more gain out of their amps. Germanium transistors are very inconsistent and are subject to temperature changes so they can be finicky. They also certainly color your tone to a large extent, which is something you may want. Clean boosts that use silicon transistors are much more common and reliable, they can also boost your signal without effecting your tone too much. For a general clean boost I would go for a modern one. If you want an old school sound, I’d check out a germanium based unit. Or like me, I’d get both.
Some large combo amps and large speaker cabinets have ball-bearing-mounted caster wheels to make it easier to move them. All combo amplifiers and speaker cabinets have some types of carry handles, either a folding handle on the top or recessed handles on the sides. There are two types of recessed handles: some equipment has folding, spring-loaded metal handles, with the spring holding the handle flush against the chassis until it is pulled out for use; the second type is handles that are non-moving, and which are flush with the surface of the amp/cab, but with a hollow area behind the handle for the hand to go. In both cases, the handle does not project out beyond the amp/cab, preventing the handle from catching on items during transportation and/or being damaged.
Tuning machines: Geared mechanisms that raise and lower the tension of the strings, drawing them to different pitches. The strings wrap tightly around posts that sticks out through the top, or face, of the headstock. The posts pass through to the back of the headstock, where gears connect them to tuning keys (also known as tuners, tuning pegs, and tuning gears).

Built-in mics aren’t necessarily the budget option as they can be seen on some high-end guitars. They’re extremely helpful when you need volume but not so much where the acoustics of your setting, say in a concert hall, carries sound projection for you. However, the internal mic can raise problems for the performer as they’re prone to producing unwanted feedback. Multi-blend pickup and preamp systems allow you the flexibility to switching out from the mic when it proves to be problematic. However, if you’re going to install one yourself, look for one with a high feedback resistance of exceptional quality.


Before we begin, it should be pointed out that some time ago Guitar Player presented the history of Teisco, based on information painstakingly translated from a Japanese article penned by Mr. Hiroyuki Noguchi of Japan’s Rittor Music, editor of the Guitar Graphic book series. Unfortunately, the article used for reference was an older piece which has subsequently been totally revised and corrected by Mr. Noguchi based on later interviews with principals in the Teisco company. Some of the chronology in the GP story is inaccurate. What follows here is the latest and most accurate information on Teisco (in regards to company history), confirmed in repeated direct communications with Mr. Noguchi in Japan. This information also supersedes some incorrect facts in my own essay on Teisco Del Rey Spectrum 5 guitars in the first issue of Vintage Guitar Classics.
Modifying this guitar is also quite easy and you can add things to it to make it a lot better. Overall, it is just the right value for your money item to have. Again, if you are an intermediate or expert level player then avoid this guitar. If you are a beginner & looking for the lowest price electric guitar for beginners clicks the button on this one. With the price you pay, I am pretty sure you will be impressed by the performance of this guitar. Here is the link to buy this product or know more about it –
When using multiple microphones, always remember to check for phase cancellation, and keep in mind that a 2-8kHz boost is probably all that's necessary at mixdown for enhanced electric guitar presence within a track. A small amount of delay (1ms = 12") on an ambient mic track will increase the perceived ambient distance of the microphone without actually moving the mic. This trick works well when blending close and ambient microphone tracks during recording or mixing.
IK Multimedia are good friends of ours and we’ve watched them grow from a small plugin company to a world-beating manufacturer of amazing widgets for getting sound in and out of your iPhone or iPad. Amplitube Custom Shop is the software you need to buy their premium plugins. However, it comes with a load of amazing stuff out-of-the-box, including 9 stomp box emulations, 4 amps, 5 cabs and more.

Standard eight-string tuning. Used by Scar Symmetry on the song "The Three-Dimensional Shadow" from the album Holographic Universe (album) and "Mechanical Soul Cybernetics" from the album Dark Matter Dimensions, Deftones, Periphery on "Ji", "Overture", "Extraneous", "22 Faces", "Four Lights" and "Stranger Things", by Fear Factory on "Mechanize", "Metallic Division", "God Eater" and "Soul Hacker" and by Devil You Know on some songs.
John Scofield (b 1951) is an American jazz guitarist and composer, who has played and collaborated with Miles Davis, Joe Henderson, Charles Mingus, Joey DeFrancesco, Herbie Hancock, Pat Metheny, Bill Frisell, Pat Martino, Mavis Staples, Phil Lesh, Billy Cobham, Medeski Martin & Wood, George Duke, Jaco Pastorius, John Mayer, and many other artists. Scofield had played a 1981 Ibanez AS-200 as his main guitar for over 20 years.[26]
Home made, custom 250watt (1000w capability) -Vintage Concertina box casing -Wireless (DC 12v rechargeable) -AC 240v (2 point wall plug) -Bluetooth(USB/Memory stick-interchangeable) -2 x built in speakers (treble ) -250Watt, 8" Sub (ground facing bass/stand) -1 x mic input -L/R sterio guitar input -2 x sterio external speaker output connectors -Built in cooling fan -Internal battery chargi ...
The standard practice for many distributors was to offer a line of guitars based on popular American designs like Les Pauls and Strats, for example, along with a few original designs. And all were offered at a bargain price or were at least inexpensive enough to compete with the American manufacturers. While the majority of imported Asian-built copies from the era aren’t considered to be of very good quality, the Lotus brand was an exception, mainly because of the factories they were built in.

I have played a ASAT Telecastor Bass for about thirteen years. I keep purchasing other bass guitars for many other reasons. But I have sold them all. I am down to just one bass that's all I need with my G&L, it very responsive, it has many opitions with pick ups and the action is good. It took along time for me to figure out how to use the pick ups because there is so many different ways you adjust it. They are built with better quality parts than a fender. They are numbered from the factory in america. But watch out for the Tribute series that is fake or cheap want to be G&L. A real G&L will be a little more expensive but the quality is excellent


In 1967, McCartney gave his 4001 a psychedelic paint job, as seen in the promo film for Hello Goodbye, and in the Magical Mystery Tour film.[7] A year or so later the finish was sanded off; a second over-zealous sanding in the early 1970s removed the “points” of the bass’ cutaways. McCartney predominantly used the Rickenbacker bass during his time with Wings, until the late 1970s.

Pictures, description and soundclips from a 1973 Fender Musicmaster bass. The Musicmaster bass changed very little between it's introduction in 1970, and it's deletion in the early 1980s. Although often regarded as a student bass, the Musicmaster was of high enough quality, both in terms of components and build, to sell to student guitarists and more advanced players looking for an affordable shortscale bass.
The Martin D-28 is a modern recreation of the dreadnoughts that came from Martin's "golden era", which falls between 1930 to 1940. Since vintage D-28 specimens that were built in the '30s were being sold for more than 30 grand, the company decided to give today's guitarists a chance to own one at a more reasonable price point. Carrying with it the same premium all-solid build that include a solid Sitka spruce top, solid east Indian rosewood back and sides, solid mahogany neck and solid ebony fretboard - you can expect this acoustic guitar to sound as Martin-y as possible.
As the name implies, a pickup selector is a toggle switch that controls which pickups are being used. Since most electric guitars have at least two pickups, a pickup selector is a crucial piece of the overall tone of your guitar. Pickup placement will create different tones; thus, switching between the bridge and neck pickups will allow you to change the tone of your guitar. With multiple pickups, there are many pickup selection combinations.
I should also add that I said I expect the Authentics to come in the medium string height range, because they are trying to replicate the kind of vintage Martins coveted by Bluegrass musicians, who are either used to or seek out slightly higher action compared to modern guitars. There are exceptions of course since Tony Rice and Robert Shafer both prefer action so low it is practically resting on the frets.

A semi-hollow thinline version appeared in 1968/69, designed by German guitar maker Roger Rossmeisl. Today two versions of the Thinline are available, the ’69 version has two standard Telecaster pickups and a mahogany body, while the ’72 version, based on the Fender Telecaster Deluxe, yields two Fender Wide Range pickups and a solid natural swamp ash body. In 2011, Fender released the Modern Player Telecaster Thinline as a part of the Modern Player series. The guitar features two MP-90 pickups, similar to the Gibson P-90. The Fender Custom Shop has a production model referred to as the “50’s Telecaster Thinline”, designed by master builder, Chris Fleming. Given that the first Thinlines appeared in the late 1960s, this name may seem inappropriate. However, the Custom Shop model, with its ash body and maple neck/fingerboard, as well as Nocaster pickups, shares enough DNA with the 50’s versions of the Telecaster to make the name a good fit.
As we mentioned before, the first mass-produced solid body electric guitar was introduced in the early ‘50s as a way for guitar players to avoid getting that unwanted feedback that amplified hollow body electric guitars were infamous for. Today, there are countless solid body guitars to accommodate any type of player and price range—from beginner guitar players to seasoned pros playing genres spanning hard rock, country, blues, heavy metal, jazz, and more! Some of the most popular solid body electric guitars include the Fender Telecaster, the Fender Stratocaster, the Gibson Les Paul, the Gibson SG, the Ibanez RG, and the ESP Eclipse.
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