Effects are often incorporated into amplifiers and even some types of instruments. Electric guitar amplifiers typically have built-in reverb and distortion, while acoustic guitar and keyboard amplifiers tend to only have built-in reverb. Some acoustic instrument amplifiers have reverb, chorus, compression and equalization (bass and treble) effects. Vintage guitar amps (and their 2010-era reissued models) typically have tremolo and vibrato effects, and sometimes reverb. The Fender Bandmaster Reverb amp, for example, had built-in reverb and vibrato. Built-in effects may offer the user less control than standalone pedals or rackmounted units. For example, on some lower- to mid-priced bass amplifiers, the only control on the audio compression effect is a button or switch to turn it on or off, or a single knob. In contrast, a pedal or rackmounted unit would typically provide ratio, threshold and attack knobs and sometimes "soft knee" or other options to allow the user to control the compression.
No, you’re right. The more I think about it, the more I see the attraction. Plus, I was wrong in my previous comment when I said the sides would sound the same up to the limit of the smaller cap. Because I think they’re be audible resonance differences between the two values. It’s the same reason why the scheme I’m discussing differs from a standard tone control. And I sound vague, it’s ’cause I am! One reason I’m eager to explore this …
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The Octavia was created by Roger Mayer for Jimi Hendrix in 1967. It’s musical debut can be heard on “Purple Haze” on the Are You Experienced record. One of the many ground breaking sounds on this recording. The pedal produces a doubling effect an octave above the fundamental note. The octave is similar to a ring modulator in that it is kind of dirty and strange sounding.

The fretboard (also called the fingerboard) is a piece of wood embedded with metal frets that constitutes the top of the neck. It is flat or slightly curved. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Fretboards are most commonly made of ebony, but may also be made of rosewood or of phenolic composite ("micarta").

I have a epiphone sg 50th edition and it does great by me in all I do. I play a lot of 60's music and otherwise all I want. It's very versatile and not to mention the cherry red wood grain finish makes it looks really awesome. Everyone I've ever met has bragged on it and I've been offered all kinds of guitars from Washburns to fenders. Just recently I went to a old guitar player of 30 yearsiin my grandfathers neighborhood and he absolutely loved the tone and playability. He said the only thing it might need to make it better was a professional setup which I'll soon be getting. When I first got it I complained a lot that the strings were a bit harder to push down due to the longer scale of the neck (the neck on it is pretty long) however. If you' work with it for about 2 days off and on its no problem. I love epiphone and judging from what I've played in ibanez guitars I might soon invest in one of them.


Ovation guitars have a history of innovative design, reflecting its founder’s engineering training and development of Kaman helicopters. Ovation guitars have composite synthetic bowls; earlier acoustic guitars have had wooden sides abutting a flat back since the 1700s. Kaman diagnosed structural weaknesses in the orthogonal joining of the sides, and felt that a composite material could be used for a smooth designed body. Ovation’s parabolic bowls dramatically reduced feed-back, allowing greater amplification of acoustic guitars. Improved synthetics used techniques from helicopter engineering to control vibrations in the bowl. Ovation has developed a thin neck, with the feel of an electric-guitar’s neck, but with additional strength from layers of mahogany and maple reinforced by a steel rod in an aluminum channel.[1] The composite materials and thin necks reduced the weight of Ovations.
Unlike the other brands so far, Martin focuses more on the acoustic side of the world of guitars. They offer both acoustic and acoustic-electric guitars. The quality in the wood of a Martin strongly depends on the model you purchase. Their higher-priced guitars feature extremely high-quality wood, but even the lower end models are made of a decent material. Surprisingly, you can even find their lower-end models sporting Rosewood necks. Rosewood is known as one of the best materials to use for guitar necks. When it comes to resonators, on the other hand, Martin has that one in the bag. Most of the top-quality resonators in other high-end guitars are actually made by Martin. That, alone, should be proof enough of the quality of Martin’s resonators. Overall, Martins are excellent quality and are great for honing finger-picking skills. They are known for a warm, sustained tone and a very bright sound.

Guitar culture was pervasive, whether in movie houses (“Karate Kid” Ralph Macchio outdueling Steve Vai in the 1986 movie “Crossroads”; Michael J. Fox playing a blistering solo in “Back to the Future” and co-starring with Joan Jett in 1987’s rock-band drama “Light of Day”) or on MTV and the older, concert films featuring the Who and Led Zeppelin on seemingly endless repeats.
This can all get a little tricky and can become overwhelming especially if you have never tackled this type of job before. If this is the case, I strongly suggest starting with one of the easier models in regards to wiring e.g. Telecasters are significantly easier to work on as the scratchplate will often be pre-loaded with pickups. However, if you purchase a kit guitar such as an LP or you want to upgrade your electrical components (which is often the case with an entry level kit) understanding some basics about guitar electronics is useful.

Another consideration, and something you’ll read a lot about, is the pickups, which give the guitar its voice. There are two kinds of pickup in this price range: the single-coil (which gives a bright, sparkly sound) and the humbucker (which is fuller, meatier and perfect for rock and metal). Both are as common as each other in this budget range, and a guitar with a mix of both will offer you the best versatility.
A spring reverb unit is really a small amplifier in itself, that sends the guitar signal through a tube circuit to a small output transformer (or through a transistorized circuit) and from there to one end of the springs in a spring can rather than to a speaker. This signal vibrates the springs, is picked up by a transducer at their opposite end, and from there is blended back with the dry signal by degrees determined by a “depth” control, and sent on to the output (or the power tubes, if part of a guitar amp). As you can image, it’s a bulky effect when achieved in this way, requiring at least a couple of transformers, two or three tube sockets and a spring can, but the circuit itself is fairly simple.
Well, that’s not exactly what he said. Although, it would seem that way, if you take time to browse the company's Facebook photos. Every guitar the company makes is truly enticing and a work of art. Moreover, the quality of each instrument is astoundingly good. Take the Xuul Katan VI. While the guitar is certainly unique, it also boasts a strong specs list:
If you want to combine the dynamics of a well-recorded drum kit with the pumping excitement you get from heavy compression, send either the overheads only or the entire kit to a buss and insert a nice-sounding compressor there. Set the compressor to a high ratio and low threshold and mix in some of this with the song. You may need to adjust the attack and release controls to get the effect you're after, but you don't need to blend in much of the compressed sound to really add punch and weight to a drum track. Nicholas Rowland
Multi-effects pedals and processors come in three basic formats: floor-based units equipped with foot-operated pedals and switches, tabletop units with knobs and switches, and rack-mounted units. Most tabletop and rack-mount units offer foot control options in addition to the knobs, switches, and menus accessible from their control panels. Pedals and footswitches are often user-assignable so that you can instantly engage various effects settings and other presets with a single toe tap.
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Unlike distortion or overdrive, fuzz is meant to not sound like an amp at all. It is meant to add harmonic content and transistor-like goodness to your tone. Fuzz boxes were used extensively in the 1960s to create an over the top distortion sound. Many times fuzzes will completely change the sound of your amp, so be careful and really focus on buying one that has the sonic makeup you are looking for. Hendrix, Cream-era Clapton, and Dan Auerbach are well known fuzz users.


The three pickups were originally identical in their construction. With the rising popularity of using pickups in combination, Fender introduced a new feature in 1977 coinciding with the standard 5-position switch; a reverse-wound, reverse-polarity middle pickup. As the description implies, the magnetic polarity of this pickup is opposite the other two, as is the direction of the wire winding around the bobbin. This provides a hum-canceling effect (removing hum induced by poorly shielded, medium to high output AC devices) in positions 2 and 4 on the selector switch. This principle had been known for many years beforehand, being applied in the form of Gibson’s humbucking pickup and Fender’s own split-coil pickup used on the Precision Bass.
Since 1994 The Music Zoo has been a trusted source for musicians around the world. We've located guitars for Slash, sold guitars for Steve Miller, held performances by major artists like Steve Vai, built thousands of customer relationships, and helped countless enthusiasts find just the right instrument. Today we look forward to finding your next guitar!
Speaking of tiny little helpers that could fit anyone, let me introduce to another seemingly impossible amalgamation of great sound and great look. The Line 6 Micro Spider 6-Watt Battery Powered guitar amplifier has a whole lot of qualities that make it the favorite small amplifier of so many musicians who are constantly on the go or don’t have too much space. With its small form and light body it can be easily transported anywhere you go, while its battery negates the need to be constantly plugged into an outlet and hoping that you have some kind of source of energy. The best part of the amp is of course the sound of the guitar, which is quite outstanding for the price it is offered up at. One of the best options of small guitar amplifiers available for you that I want you to remember when you start attempting to make a decision on buying one. Great stuff to have, really.
T5 (2005) – Abbreviation stands for Thinline 5-way. “5-way” refers to the five position pickup selector switch mounted on the top of the guitar which activates different combinations of components in the T5’s pickup system. When hooked up to an amplification system, it’s capable of producing a variety of acoustic and electric tones in a single guitar.
This is a great local shop.  I bought a new Floyd Rose bridge for one of my electric guitars and brought it to Franklin Guitar to be installed and set up.  I got the guitar back within 2 days and it plays so well that I brought them my other guitar for a set up the next day.  Again, within 2 days I had it back and it plays exactly like the other one...awesome.  I had both guitars set up for a little more than half of what another shop quoted me just to install and set up the new bridge on the one.  High quality work at a fair price in a reasonable time...I won't go any where else to have my guitars worked on.  They also have a good inventory of guitars and amps for sale to fit any budget.
On some amps, setting the "gain" or "drive" control above a certain setting causes an overdrive effect, either due to the natural effect of overloading the preamplifier (or the preamp tube on a tube amplifier) and/or due to a distortion effect being turned on. Tube amplifiers typically also have a "standby" switch in addition to an "on/off" switch. Controls are typically mounted on the front of the amplifier near the top of the cabinet; often the knobs are recessed so that they do not project beyond the wooden cabinet, to protect the knobs during transportation. On amplifier "heads", protective metal U-shaped protrusions may be used to protect the knobs during transportation. On some amps, notably Roland models, the knobs and switches may be on top of the amplifier, at the rear of the top surface. Again, the knobs are usually recessed below the top of the wooden cabinet to protect them.
Just as it’s important that the guitar, amp and effects are performing to spec, make sure that all cables are functioning properly (it’s uncanny how many times a lead that was working fine yesterday suddenly develops a fault just before a take). It’s a good idea to ensure that spares are available. That goes for strings, too – valuable recording time can be lost just because a string has broken and no one has a spare. Some engineers will try to insist you use brand new strings when recording, but don’t be bullied into it if you prefer the warmer sound of a played-in set; that applies especially to bass, as new bass strings can introduce undesirable harmonic content into the sound.
You can use similar two-mic techniques, minus the effects, on a single amp to capture a variety of larger-than-life guitar sounds. One trick that I stumbled upon involves miking a twin-speaker amp with two mics that are close in response, but not matched (see Fig. 1). The first time I tried this, on a session with guitarist Paris Slim, I used an Electro-Voice RE20 and a Sennheiser 441.
The USA-made variants of Jackson guitars are somewhat pricey, yet they are also custom-made. However, you can also find the same options bearing affordable price tags too. These inexpensive models come with slightly downgraded specs as they aim at the beginners and intermediate level guitarists. It means Jackson guitars provide an excellent opportunity to the metal players to choose any of the guitars that fit in their budget and meet their requirements.
In the guitar’s electronics, the potentiometer and capacitor form a path to ground. The capacitor presents lower impedance to higher frequencies, and vice-versa, so the tone control works by “throwing away” high frequencies. How much of the highs get thrown away is determined by the tone potentiometer, which presents an equal resistance to all frequencies. As you turn down the tone, you decrease the resistance presented by the pot. Low frequencies still find this path to ground to be a difficult one (high-impedance) because of the capacitor, but high frequencies see an easier path than the one into the amplifier (which traditionally has a fairly high impedance load in the transistors of the “pre-gain” stage, around 1Megaohm), and to they take the easier path, reducing the presence of high frequencies that are amplified and output as sound.

The U130 Bass Amplifier pumped out 130 watts with five inputs covering two channels (high and low each) and one input that bridged both channels. Channel 1 had volume with push/pull high boost, bass, middle and treble contour controls. Channel 2 had volume, bass and treble controls. Both channels had master volumes, plus two, four or eight-ohm output. Cabinet options included the UFO215 with two Univox Pro Mag speakers in a front-loaded horn cabinet, or the U215 with two 15″ Pro Mags in a “tuned duct” reflex cab.
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If this were a list of the best electric guitar brands for metal it is very likely Jackson would be near the top. This is a company practically synonymous with metal, and for decades the most extreme players on the planet have looked to Jackson to get the job done. But Jackson also has a strong presence in the rock and hard rock genres, and if that’s your bag you’d be smart to give them a good look.
The SG guitar kit while not as simple to assemble as an ST or TE (thanks to the pickguards or control plates being preloaded with electronics) is still a relatively straight forward guitar to assemble. This makes SG guitar kits a good option if this is your first building project and want to simply dip your toe in the water, to begin with before taking on something more challenging.
The noise he complains about is likely ground loop hum, caused by multiple paths to ground, very common in pedalboards and I explained earlier. I do believe it’s better to get rid of noise rather than use a noise suppressor. Get rid of the noise, and you have a quieter signal path. I do use noise supressors but only to deal with noisy pedals while they are on, such as a compressor/distortion I love that can be a little noisy.
Nice ible. I JUST got a Squier Tele Custom ii (2) in the mail Friday after selling a keytar on ebay for $355. I bought it because it got great reviews for having 2 Duncan (designed, made in asia?) P90's and the price was right for a 1st guitar. the only thing i do not like is the ugly tele headstock. I bought a '68 Harmony Marquis last year for my 1st 1st guitar, not really knowing at the time how unrewarding/difficult it would be to learn on a P.O.S like that. So, even tho the pups are probably the last thing I would replace on it, it was cool to read a bit by someone else with a "less expensive" tele. Look up the Custom ii online, it has a great looking pickguard and the pup selector is up on the top horn like a les paul. Thanks for the tips!

One half step down from Drop D. Utilized by bands like Dir En Grey, Our Lady Peace, Your Demise, Oceana, Alter Bridge, Alice in Chains on some songs (like "Them Bones" or "We Die Young"), A Day to Remember (on the song "It's Complicated"), Chevelle (on Sci-Fi Crimes), Of Mice & Men, Deftones (on their Around the Fur album), Evanescence, Paramore, Disturbed, Theory of a Deadman, Puddle of Mudd, Linkin Park, Sevendust, Skillet, Black Veil Brides, Steel Panther (on songs like "17 Girls in a Row" or "Gloryhole"), 10 Years, Black Stone Cherry, Truckfighters, Fireball Ministry, RED on End of Silence, Nirvana on In Utero, "Blew" live performances, "Been a Son", the Nevermind album and also by System of a Down. Also used by Lamb of God somewhat on their albums Wrath and VII: Sturm und Drang, and almost exclusively on their album Resolution. Avenged Sevenfold used this tuning on songs "Scream", "Almost Easy", "Hail to the King", "Requiem" and "Coming Home". Guns N' Roses used this tuning on "Shackler's Revenge" from Chinese Democracy. Metallica use this tuning on their song "Minus Human" off S&M, on Dirty Window from their album St. Anger and live performances of songs recorded in Drop D, Asking Alexandria on their first album (Stand Up And Scream), As I Lay Dying have used this tuning on a few songs. Trivium used this tuning on their albums In Waves and Vengeance Falls. Van Halen on their 1981 song "Unchained". The Presidents of the United States of America use guitars tuned to this tuning with the top three strings removed, although on Freaked Out and Small, regularly strung guitars were used. Tyler Bryant & the Shakedown use this tuning on some songs (like "Heartland" and "Aftershock")
While it might look identical to the RevStar RS420, Yamaha Revstar RS320 is very different. The shape is the same, along with the most of the hardware. However, the tone is a whole different story. While RS420 comes with vintage humbuckers, the RS320 packs a set of extremely hot pups which are more modern. I personally liked this configuration more than the vintage one, simply because it offers extended versatility.
What started as a simple string and pedal sales catalog has grown exponentially over the past thirty years. The early days were a time where catalogs didn't have much of a presence in the industry, but what began as a college dorm room operation grew rapidly. In 1986 we moved to a full product offering and 64-page catalog, which over the years has grown to 162 pages. Join the AMS family and get your free catalog now!
1. Blackstar ID:15 TVP ($229): This is one of the best combo amps on the market and with good reason: it comes with a variety of options to not only get you playing in no time. It also allows you to record very easily with a built-in USB option. You can select from six different power responses modeled after popular tube amp sounds (via Blackstar’s True Valve Power system) and even when turned down, the amp doesn’t lose its bite. The built-in multi-effects allow you to experiment with the world of effects and the Insider Software allows you to edit up to 128 user storable patches to further your sonic crafting.
Hey man this is a really great instructable and i am in sort of the same situation that you were in. I have 2 guitars,a Yamaha CG-101 classical, and a Fender Squier Strat. I want to save up for a warlock or Eipiphone les paul or SG or something, but my income is very low and i am going to get a drum set instead. My parents could care less of music, but they are in it for me. Anyways, my strat has three single coils and what I really want to do is replace them all with EMG's.Would that be possible? But those are like $200 a peice. Maybe i should just wait until i get some more money after my drum set. Thanks and shoot me a PM or something.
There is a beauty to the guitar-cable-amp approach. It doesn’t get any easier, unless you take up playing the flute. And the lack of toys to mess with will certainly make you focus on playing more. By changing your pick attack, vibrato, or the volume and tone controls on your guitar—you’ll rely on your hands instead of stepping on a box to change tones. I believe it’s beneficial for all of us to just plug straight in at least once in awhile and rock out with unadulterated tone.

Few instruments are as versatile as the electric guitar. Widely heard in most types of music, the guitar's sound can be customized in virtually limitless ways to suit the genre and the player's individual style. Multi effects pedals put all of that personalization within your reach, allowing you to change your soundstage with the push of a button while you play. Many guitarists achieve multiple effects by chaining pedals together. This gives the ability to mix and match different effects to create unique combinations, but it can also be a source of frustration to keep track of so many pedals. A multi-effects pedal avoids this confusion by converting the mess of individual pedals into one discrete unit that's easier not only to use, but also to transport from venue to venue. Multi effects pedals can offer hundreds of onboard distortion, filter, modulation and dynamics effects to transform the sounds of your guitar. With as many or as few features as you prefer, the selection offers a multi pedal for every guitarist's needs. If simplicity is your thing, a basic stompbox can provide a handful of effects with minimal complications. On the other end of the spectrum, you can satisfy your inner technophile with a cutting-edge digital pedal featuring MIDI support and USB connectivity so you can save seemingly limitless library of effects. There are three things to look for in your ideal multi effects pedal: the range of available effects and features, the ruggedness of its construction and the available inputs and outputs. The more effects that are supported, the more the pedal has to offer to your sound. The more durable it is, the more the pedal can withstand being moved from venue to venue. And the more connection options it has, the more versatile it is for studio recording or connecting to additional stompboxes and accessories. Whether you're playing hard rock or smooth jazz, the range of tone alterations offered by a multi effects pedals enables you to deliver a personalized sound that complements your band and your musical style. There are two things that get guitarists into the history books: developing their skills to perfection and crafting their own distinct sound. With a multi effects pedal, you've got the gear you need to start shaping the tones you aspire to be remembered by.
I got this one because my 18-year-old Takamine G-series has some serious fret wear, and a slightly warped neck, even with the truss rod maxed out, and will cost more to repair/refurbish than this one cost outright. Hence, the action is quite high, and it's hard to play bar chords higher than the 3rd fret, and there's some noticeable buzz and rattle unless I hold my mouth just right...

A brilliant musical tool, guitar is one of the most familiar instruments widely preferred by majority of people. Are you looking to buy a perfect guitar? If yes, then check the given Best Guitar Brands In India throughout this page. At some point of time, you must have thought to learn guitar because it not only provided inner sense of pleasure but also impress others. If you are a beginner and passionate to learn this brilliant musical instrument, then must consider below provided popular acoustic, electric and bass guitars. Most importantly the sound and price of guitars are mostly considered by the buyer. Even many Indian musicians have opted them .While it is very tough to choose perfect guitar brand at the beginning learning time.
Where there is more than one pickup, a switch selects between the outputs of individual pickups or some combination; two-pickup guitars have three-way switches, and three-pickup guitars have five-way switches. Further circuitry sometimes combines pickups in different ways. For instance, phase switching places one pickup out of phase with the other(s), leading to a "honky", "nasal", or "funky" sound[citation needed]. Individual pickups can also have their timbre altered by switches, typically coil tap switches that effectively short-circuit some of a dual-coil pickup's windings[vague] to produce a tone similar to a single-coil pickup (usually done with push-pull volume knobs).
Most newbie guitarists want a small amp that sounds good but doesn’t cost too much. The amps listed above are that and more. However, there are some guitar players who mean business from the beginning, and won’t want to waste time on small beginner amps when they have the resources and ambition to grab an intermediate or pro-level amp. If you know you are going to stick with playing guitar, and if you can justify it in your budget, that’s not a bad idea.
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Air Norton
DP193
The Air Norton started out simply to be the Airbucker version of the Norton. DiMarzio thought it would make a distinctive-sounding bridge pickup with high-gain amps, but they soon discovered that it's a radically neat neck pickup, too. The tone is deep and warm, but not muddy. It's hot, but not distorted. It's even got cool harmonics, which are really unusual for a neck humbucker. The patented Air Norton magnetic structure reduces string-pull, so sustain is improved; and pick attack and dynamics are tremendously controllable and expressive. Combine the Air Norton with The Tone Zone in the bridge position for a perfect blend of power and tone.

The Tone Zone
DP155
Have you ever heard a bridge pickup that made a guitar sound like a giant mosquito attack? If you've run into this problem, The Tone Zone is the solution. The Tone Zone is hot enough to qualify as a high-output pickup, but it has a wider dynamic range - hard picking will produce a lot of power, and softer picking will be much cleaner and quieter. It's got tremendous bass and low-mid response to reinforce the bottom end and make the overall sound bigger. The highest single notes have depth, and chords sound huge. Patented dual-resonance coils reproduce more overtones than you'd expect from such a fat-sounding pickup. It makes a great match with an Air Norton.

Case sold separately.
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Lyle guitars are among the rarest brands of electric and acoustic guitars in the world. Produced during an indefinite timeline in the 1960s and 1970s in Japan, the history of the Lyle instrument brand remains somewhat of a mystery. Total distribution of Lyle instruments in the U.S. was very limited. The same company that produced many of them, Matsumoku, also produced the more popular Aria brand.
The core metal used for strings is an important variable to consider.  Not only does the string core affect tone, but it affects the tension strength as well.  The heavier the string gauge, the stronger the core metal needed.  You don’t want premature string breakage, especially during a gig.  Your options absolutely depend on the tone you desire, but they also depend on the string gauge you prefer for the genre of music you play.
Fender is well known for producing excellent quality musical instruments. Not just today, instead it always has topped the list of best guitar brands as an icon in the music history of America. It produces a brighter tone, accompanying single coil pickups rather than the humbuckers. The single coil pickups are specially designed in a way scratching through the mix with the glorious sound to produce the characteristic tone. The unique part of Fender guitars may cause issues with humming.
The biggest determining factor on how easy a guitar is to play is the 'action' - distance from the strings to the neck. When it is very low it is easy to press the strings down to touch the fret; when it is too low the strings will buzz when you play. If a guitar's action is too high it will be very hard to play, and for a beginner, this can be pretty disheartening.
Anyone who has a Tempest XII probably needs a pick guard. I have a 1966 which was in the case for much of the past forty years. The plastic apparently dried out and "shrunk," causing the two corners to pop off at the screws near the neck. Some guitar repair technicians are good at fabricating pick guards, but most are either woodcrafters or electronics geeks. Please advise how your search has gone. Maybe I'll replace mine, too. RED
All electric guitars have this switch but it varies from guitar to guitar. it is called the pickup selector switch. It is used for deciding on which pickup to use on the guitar. On a les paul style guitar it can be used to select the neck (traditionally rythm pickup), bridge (traditionally used for lead) and both pickups together.\n. \n===\n. \nThat's what it is on a normal Gibson Les Paul. But on a Gibson Les Paul BFG, that is a "kill" switch that turns the guitar off completely. On many Gretsches, the toggle switch is a tone switch flipping between bassier and more trebly sounds. On most Fenders, that switch is down on the lower bout by the volume/tone controls (but on a Telecaster Deluxe, the switch is where it'd be on a Les Paul). Then there are oddities like the Italia Rimini, which has no pickup selector switch -- just individual volume controls for the two pickups.\n. \nEvery guitar has a different design. You'd have to look into every model.
How does it sound, you ask? Guitarists generally agree that Line 6 tones are as good, if not better, than any digital sound out there from the likes of Boss and DigiTech. One really cool and intuitive thing is that the small display screen has a color-coded background depending on what type of effect you’re on. It’s a little thing, but such smart thinking from Line 6. Delays are green, Modulations are blue, Distortions are yellow, Filters are purple, and Reverbs are orange. Modulations and delays sound fantastic, and will stack up against a Line 6 DL4 or Boss DD-X box any day. Compressors, overdrives, fuzz, and distortions are usable but less than stellar, which unfortunately is the norm for digital effects. We actually tried using the Line 6 M5 with a solid-state amp, and the dirt effects sound much better going into that than they do into a tube amp (your milage may vary). Remember, this is not meant to replace your entire board. Over time, if distortion is your thing, you can get a dedicated analog distortion stompbox and keep the M5 for the other dozens of effects it does really well. For effects like volume and wah, you’ll be glad to know the M5 has an input for an expression pedal, which you’ll want to invest in if you care to use those types of effects (check out the EX-1 here if you care to stick with Line 6). If you don’t feel like editing patches and want to jump right in, you get plenty of presets to scroll through (the two footswitches let you scroll up and down between patches). Some presets are a little outrageous, but with a little editing you can reel them in and make them more usable. And speaking of scrolling up and down through presets, at first we were disappointed that we had to scroll through all 100+ patches to find the ones we like. Turns out you can make a favorites list of up to 12, and scroll only through those. Again, we’re continually impressed by the little things on the M5.
If you wanted to quantify what is meant by "best," which you really should, then we actually would need to consider the specifications of guitars in the given price range. Although there may be differences of personal preference when it comes to areas such as individual tone woods used, fretboard scale, and nut width, we could still make very good general assumptions about whether laminates are better than a solid wood model, whether synthetic fretboard material was favorable to natural wood, whether one pickup is better than two, and/or whether including a built-in tuner is preferable. In other words, Forget about the names of the manufacturers and do a real comparison of specifications of guitars in the given price range.

Most people think of Roy Orbison as the super-smooth crooner who sang songs like “Crying,” “In Dreams” and “Only the Lonely.” But Orbison was also a wicked guitar player, who ripped out several impressive solos on early Sun Records singles like “Ooby Dooby.” In fact, Sun owner Sam Phillips was more impressed with Orbison’s guitar playing than his singing during the early days of the rocker’s career.
Playability and tone are two of its most commended traits. Many describe its neck as very easy on the hands, while others describe the overall playing experience to be better than their other acoustic guitars. The TK-40D preamp gets a lot of nod from users who want to fine tune their amplified sound, while there are also many who are satisfied with its acoustic sound.
This 248 page book is part of a series of similar volumes, including The Guitar Grimoire: A Compendium of Formulas for Guitar Scales and Modes, The Guitar Grimoire: Progressions & Improvisation, The Guitar Grimoire: A Compendium of Guitar Chords and Voicings, and so on. You get the idea. Master a few of these and you’re going to to be in excellent shape.
Delay/echo: Delay/echo units produce an echo effect by adding a duplicate instrument-to-amplifier electrical signal to the original signal at a slight time-delay. The effect can either be a single echo called a "slap" or "slapback," or multiple echos. A well-known use of delay is the lead guitar in the U2 song "Where the Streets Have No Name", and also the opening riff of "Welcome To The Jungle" by Guns N'Roses.[86]
This kit contains everything you need to build your guitar.  Just add your finish materials to the body and neck.  These kits aren’t just a collection of random parts- each neck has been custom fitted to the body to ensure a good, snug fit.  Includes a finished, predrilled body, fretted neck, all electronics and hardware. Wood is raw and unfinished, may require sanding and patching or other preparation prior to applying a finish.
Got one, a V-???? Gold Top w/ P-90's. Way hotter than my PRS or my Gibson. Plays about as well. If I were a LP kinda guy I'd probably rant and rave, it has a special place in my herd but not in the top five. If you want an LP style and sound but don't want to spend $3K plus, it's more worthy than any of the Epi's I looked at including the '56 reissue.
It also comes in a colour that is unique and leaves most other guitars in the dust - their OPB colour, or Open Pore Black finish. It’s a matte black guitar. Matte (or a satin finish) means that you won’t have the grubby finger marks or oil stains that a glossy finish would have. Plus, if you play for a while and your palms get sweaty, this matte finish won’t be slick and slipper - unlike guitars with a glossy finish.
Yet another acoustic steel guitar for the right handed guitarists. It has 6 strings and mostly comes in tobacco sunburst without a case. The perfect design makes it suitable for use by beginner guitarists. The sides and the back are made of meranti, with a spruce top. It is quite cost effective, with prices ranging from around INR 8,500 depending on available offers. More about Yamaha F310 TBS can be found on the following website link.
In 1958, Gibson made a radical design change to their Junior and TV models: with the design change came cosmetic changes to these guitars that would later take on enormous importance. To accommodate player requests for more access to the top frets than the previous designs allowed, Gibson revamped both these electric guitar models with a new double-cutaway body shape. In addition, the Junior’s fresh look was enhanced with a new cherry red finish, while the re-shaped TV adopted a new, rather yellow-tinged finish for its new design.

no. first of all a bass guitar has 4 strings and a guitar has 6 strings second, u couldn't tune the guitar open notes a whole octave down to create the bass notes as the strings would be too loose. although you can play bass songs on a guitar but it wouldn't be as deep a bass. Actually you can. depending on the kind of way your guitar is built you can remove your guitar strings and replace them with bass strings and finally adjust the setting on your amp so you can have a rich full tone. I have a Fender Squier and made it into a bass by replacing the strings and adjusting the settings on my amp. WARNING: you NEED to know if your bridge or the place where you put the bass strings through can hold the pressure the bass string apply.
Unlike the other brands so far, Martin focuses more on the acoustic side of the world of guitars. They offer both acoustic and acoustic-electric guitars. The quality in the wood of a Martin strongly depends on the model you purchase. Their higher-priced guitars feature extremely high-quality wood, but even the lower end models are made of a decent material. Surprisingly, you can even find their lower-end models sporting Rosewood necks. Rosewood is known as one of the best materials to use for guitar necks. When it comes to resonators, on the other hand, Martin has that one in the bag. Most of the top-quality resonators in other high-end guitars are actually made by Martin. That, alone, should be proof enough of the quality of Martin’s resonators. Overall, Martins are excellent quality and are great for honing finger-picking skills. They are known for a warm, sustained tone and a very bright sound.
Capacitors (often referred to as "caps") have several uses in electric guitars, the most common of which is in the tone control, where it combines with the potentiometer to form a low-pass filter, shorting all frequencies above the adjustable cut-off frequency to ground.[12][13] Another common use is a small capacitor in parallel with the volume control, to prevent the loss of higher frequencies as the volume pot is turned down. This capacitor is commonly known as "treble bleed cap" and is sometimes accompanied by a series or parallel resistor to limit the amount of treble being retained and match it to the pot's taper.[14]
Kramer served a prison sentence on drug-related charges after the MC5 split up. When he got out, he teamed up with Johnny Thunders to form Gang War and later re-emerged as a solo artist on L.A. punk label Epitaph. Smith went on to lead the punishingly loud Sonic Rendezvous Band and married New York punk rock poet, artist, singer and originator Patti Smith. He passed away in 1994. But from the Clash to Fugazi, Crass and Green Day, the politicized wing of punk rock continues to fly the banner first raised by the Motor City 5.
1Note that no signal processing is instantaneous, so every effect adds some small delay. For digital effects, this is the measurable and sometimes notable latency of something millisecond-ish (hopefully not more than a few ms). In simple analogue effects like distortion it's at most in the nanosecond range and basically neglectable. Any equaliser/filter component also introduce phase delay, which can be interpreted as delaying various frequencies by different amounts; but this too is normally not noticeable and works quite differently from a digital delay.
There’s 2 very small and cheap amps that are widely used by guitarists and by guitar technicians across the globe and the Marshall MS-2 Micro Amp is one of them. The other is number 2 in our list, before you ask… This tiny 1-watt Marshall amplifier may fit in the palm of your hand, but it sure packs a punch and is a LOT louder than you’d expect. Styled just like the classic Marshall amplifier stacks now synonymous with rock n roll, this is one of the best cheap amps thanks to its convenient size, 9V battery powered operation for ultimate portability and the fact you can plug your guitar into it and rock out anywhere you like.
Working with Dimebag Darrell Abbot, Rex Brown, Mike Scaccia, Scott Shelby and others, this guitar master has had to work overtime to keep up with these guitarslingers' abuse. These guys make their guitars scream on stage, and it's King's job to make them sing again. "Everbody knows -- other than Scott -- that they're at my mercy when it comes to working on their guitar," he says. "That's why I'm not out on the circuit. I'm pretty picky about which guitar players I work with." (Although Darrel and Mike are no longer with us - may they ignite heaven with their notes - Scott is still tearing it up with Warbeast.) Rabid Flesh Eater, Warbeast, Rigor Mortis, Pantera, this guy has worked on some brutal guitars. "If you're going to buy a Cadillac, put the right parts on it" is one of his mottoes.
PONTE NON TREMOLO Per cambiare le corde, infilare le corde nuove negli occhielli di guida sul retro della chitarra e posizionarle in seguito sopra la selletta. È possibile regolare l'intonazione spostando la selletta in avanti o indietro utilizzando un cacciavite a testa Phillips (+) sulla vite di regolazione dell'intonazione nella parte posteriore del ponte.
they're both excellent guitars, and for jazz-only, and a little more money, the eastman was a little better. it had a bit more acoustic volume and sounded really killer plugged in. but, the godin is the one i ended up keeping. really, really versatile guitar. the tone knob has a wide range of usable tones. really a very articulate sounding guitar plugged in, especially with the tone a little more open. i play a lot of straight ahead jazz on it, and am very happy with the sound. i have always played it with 12 gague strings on it. again, it's not terribly loud unplugged, but the sound is great, and this is designed primarily to be used plugged in.
Unfortunately, a simple pickup with a single coil of wire is just as good at picking up stray electrical energy from power supplies and other interference, so it generates a certain amount of unwanted, background noise. Some guitars solve this problem using what are known as humbucking pickups. These have two coils of wire, arranged so they capture double the signal from the moving guitar strings to produce a richer sound. Each coil is wired up so any stray "hum" it captures from nearby electrical equipment is canceled out by the other coil. Most guitars have two or more pickups, which create a variety of different effects. Typically, there's one pickup under the bridge of the guitar (where the strings are supported) and another one slightly higher up at the bottom of the "neck" (the part of the guitar that sticks out of the main body).
In attempting to amplify acoustic guitars, inventors and musicians alike soon discovered an issue that is still problematic for many of today’s acoustic guitarists — feedback. Hence, the evolution of solid body electric guitars, spearheaded by Vivi-Tone in 1934. Rickenbacker followed up by distributing the Electro Spanish in 1935 (Electro Spanish later being shortened to ES by Gibson for their line of hollow body and semi-hollow electric guitars), and the Slingerland Songster 401 was introduced in 1936. But some guitarists — mainly jazz and blues musicians — came to miss the warm, full-bodied tone that can only be generated by the free-space resonance of tops and backs made from quality tonewoods. And so it is that we also have the hybrid design of semi-hollow body electric guitars.
Manufacturing techniques can alter the impact of the variability of other factors. A .strandberg* guitar is made from lightweight but stiff materials. The neck is reinforced with carbon fiber. Each string rests on its own bridge that does not transfer vibrations to the other strings in the same way as a conventional guitar bridge. The bridges themselves are made from light and stiff aircraft aluminium instead of brass or steel as is commonplace. Each component is tightly coupled to the next with no room to vibrate. Regardless of tonewood, your .strandberg* will sound clear, airy, organic, dynamic, and respond quickly to the plucking of strings with a great dynamic range – as a result of the construction itself. The characteristics of different woods and pickups are transferred more effectively than might otherwise be the case. Is this better? Again, it depends on what the musician is after… I’ve come across for example ES-335 players that are intimidated by the responsiveness and dynamics and who become inhibited and self conscious when picking up a .strandberg*. But for most, it’s a pleasant experience that liberates their tone.
Sure, the Teach Yourself to Play Guitar: A Quick and Easy Introduction for Beginners book is for those brand new to the hobby. But experienced players will love the chord chart that comes with it. It includes the basic major and minor ones along with the more uncommon ones for a great reference. Some of the riffs are a bit obscure, but it doesn’t detract much from its value.
What started out as Gibson’s daughter company that was tasked with producing affordable guitars, has grown into a giant. Not so long ago, Epiphone was the brand you turned to if you wanted a legit Les Paul but didn’t have the money for Gibson one.Today, things are vastly different. Gibson stepped up their game across the board, producing some of the absolute best guitar on the market.
One type of "effect" I've thought would be useful to have in a multi-pedal, though I've not seen it, would be to have a configurable automatic gain control (level compression) which would be applied before a distortion effect, followed by a gain adjustment after the distortion which would undo some or all of the effect of the previous AGC. For example, things might be set up so that playing at a level of -20dBm would boost the signal by 21dB (clipping slightly) and then reduce volume by 20dB, while playing at -10dBm would boost by 12dB (clipping a bit more) and then reduce by 12dB. – supercat Apr 30 '13 at 22:01
Schecter Guitar Research Company was founded by David Schecter in1976. This manufacturing company produces large number of electric guitars, bass guitars, and steel-string acoustic guitars, as well as offering hand-built custom instruments and a small line of guitar amplifiers. The schecter known for its schecter “c” shape body. This brand is known for its better quality of wood and handsome finishing.
With the Seagull S6 Classic, you get an acoustic-electric guitar that comes with a solid design and an impressive sound that will delight, regardless if you’re playing it unplugged or through an amplifier or PA. This model features a cedar top that has been tested for pressure resistance, so you know you have a tough guitar on your hands to use for many years.
Many compressor pedals are often also marketed as "sustainer pedals". As a note is sustained, it loses energy and volume due to diminishing vibration in the string. The compressor pedal boosts its electrical signal to the specified dynamic range, slightly prolonging the duration of the note.[92] This, combined with heavy distortion and the close proximity of the guitar and the speaker cabinet, can lead to infinite sustain at higher volumes.
Another strong point of this guitar is its African mahogany neck that has a close to standard scale length of 25.3", making this instrument very easy to transition to when coming from regular sized guitars. Also noteworthy is its innovative split bone saddle, which allows for better intonation. Finally, the CT4B preamp gives you 3-band EQ, a volume control and a nifty built-in tuner Artists that play Takamine guitars include John Scofield, Bruce Springsteen and Bruno Mars! This is a great buy if you are looking for a premium couch & travel friendly acoustic guitar that does not cost an arm and a leg.
SOLD OUT ...Here is yet another GREAT Sounding and PLAYING Nippon Gakki 000 Red Label made in the famous Nippon Gakki plant in Japan. Absolutely surprising Booming tone from a small package who would have guessed these sound so great... This one is in excellent vintage condition that is to say all the important structural components of this guitar are in good shape that is to say that this guitar has GOOD BONES…. NO CRACKs its neck angle alignment is still good to this day its top is for the most part flat and its Bridge is nice and tight to its top … it appears to be a solid two piece center seam Sitka Spruce top and its cross braced like an old Martin , This guitar is over 40+++ years old and has been played and is not mint of course it has its share of superficial dings and drinks but nothing that can deter its ability to play great and sound great and look Fantastic with its Vintage Amber top and lush PATINA its a classic 000 that has THE SOUND!…. When we received it I loved the sound immediately it was pretty deep and rich sounding for such a small guitar with old cruddy strings I was thinking but like many of these Old Yamaha’s the action was too high so I did have to do our full JVGuitars UPGRADE set-up to it so I stripped its old strings off..its cheap plastic nut & saddle and bridge pins tossed to garbage, its fingerboard was remarkably clean and rut free and the pearloid inlays look great vivid with that patina of 40+ years and the frets were not bad with just minimal groves so I adjusted true rod -leveled -dressed & polished the frets, cleaned fingerboard and Lemon oiled the rosewood fingerboard and the bridge which is crack free as well.. all is looking and feeling great now.. Then using hyde glue installed a Martin Bon nut and a compensated bone saddle was fit following up with a quality set of fancy Rosewood bridge pins with Abalone and brass ring they fit sung for optimum tone resonance transfer. This has made a markable improvement in its resonance and its a bit louder now too SWEET sounding now! When we got this one it has a small chip at sound hole just under the fat bass E string looks like an aggressive finger style did the damage and was at the sound hole edge and I have successfully repaired this same sort of spot before so I wasn’t worried this one was nick named “Chip" for this reason I since repaired the spot using the professional woodworking Mohawk system of melting in a resin bar with jot knife that was spruce color then graining the repair and top coating brush tip matching lacquer to the repair spot area to blend…. its not really noticeable anymore now and is a non issue. I did notice that someone changed the tuners for other old Yamaha FG tuners tiny holes didn't line up but this makes no difference in performance what so ever and is not even noticeable they are Yamaha tuners. Overall structurally this guitar is still in top condition players and it really has that beautiful vintage 40+++ year old Martin like Patina aura about it.... i its VINTAGE PATINA and character is absolutely beautiful this is in the eye of the beholder of course but if your vintage lover you’ll appreciate this instrument for what she is. This Old guitar plays like a $ MUCH more expensive guitar any day... People of all walks of life worldwide on the net are comparing the sound of theirs to a Martin it take years for a guitar’s tone to naturally open up like this guitar has set up and plays and sounds amazing and the price is right Questions or to buy it contact Joe at: jvguitars@gmail.com .

Some people just need to play loud. It’s all they know and it’s all they want to know. If that’s the case, you might want to invest in some acoustic foam, and begin to soundproof your practice space. This will not only keep the sound level to a minimum for people in the other rooms, it will also represent the first step in transforming your space into a legitimate in-home studio.

As successor to the Bogner Triple Giant, the Fish is a pre-amp with a legendary status, due to it’s unique character and it’s 4-channel configuration. Originally introduced in 1990, the unit was limited to 250 pieces, and is a rare find now-a-days. But thankfully, Bogner decided to reintroduce the Fish, featuring a “Country”, “Shark”, “Strato”, and “Brown” channel. Just like the original, this amp can take on just about any style you throw at it!

While styles and models may vary, electric guitars operate on the same general principles. The pickup mounted on the electric guitar’s body functions as a magnetic field. When a metal string is plucked and vibrates, it generates a current. That current is transmitted by the pickup through a preamp circuit with tone controls to the guitar cable, and in turn to the amplifier. The amplifier boosts the signal and modifies it with various tone controls and effects, depending on the amplifier's design and capabilities. The signal is then output to a speaker, which converts it to sound waves. The type of pickup(s), tone controls, strings, playing techniques, and other factors built into the guitar's design all influence the signal that is sent to the amplifier. In short, each component of the guitar affects how the guitar sounds.
Before recording commences, make sure that all of your equipment is in good shape and not producing crackles, hums and buzzes. If you are having problems, they can often be dealt with by using noise-filtering units such as gates and expanders. These are best used before post-recording effects – compression and reverb, for example – are applied, as a compressor will emphasise noise, while a gate might chop off the natural tail of the reverb.

In the years since, Novak has built the instruments of choice for the likes of musicians like Charlie Hunter, Phillip De Gruy, Joe Louis Walker, and Henry Kaiser, to name a few. As time passed, he experimented with a variety of design ideas involving the use of non-traditional woods. At times, he was viewed as downright crazy from many a purist's standpoint. But he turned the other cheek, seeking the solutions that would satisfy his own personal playing requirements. 

The construction of an instrument is naturally a fundamental characteristic that pertains not only to playability, but the ultimate sound of the instrument as well. Durability will be affected by this as well. Guitar construction varies from brand to brand and model to model; instrument makers utilize a wide variety of materials to build the guitar body. Wood is the most common material associated with guitars, but plastic and metal are used as well. Construction should also be given extra consideration with electric guitars, as the electrical components serve as a secondary construction within the instrument.

The acoustic guitar lends itself to a variety of tasks and roles. Its portability and ease of use make it the ideal songwriter's tool. Its gentle harp-like arpeggios and rhythmic chordal strumming has always found favor in an ensemble. The acoustic guitar has a personal and intimate quality that is suited to small halls, churches and private spaces. For larger venues some form of amplification is required. An acoustic guitar can be amplified by placing a microphone in front of the sound hole or by installing a pickup. There are many entry-level acoustic guitar models that are manufactured to a high standard and these are entirely suitable as a first guitar for a beginner.


• I like to insert a compressor after this, to add some sustain and even out the guitar's dynamics, for a more consistent distortion sound. So for the second insert slot, choose Dynamics/Vintage Compressor, then click on the insert's Edit button to see the compressor's interface, and set up the parameter values as desired. A good starting point would be Input at 17 and Attack at 8.9, with Punch and Auto set to On. You'll probably need to adjust the Input (effectively the Threshold in this case) according to the level of signal coming into the plug‑in. Set the Output to a level that's as high as possible, but doesn't approach clipping.
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Alnico magnets in a humbucker pickup should make you think vintage tone, with said pickups generally lower in output in comparison to their ceramic counterparts. But having proved capable, and indeed at home with rock and metal, it's great to learn that rolling off the gain emphatically proves that the XM-DLX2 is no one-trick pony; the neck pickup easily handles fat, rounded jazz/blues tones with the bridge pickup fluent in Skynyrd-esque raunchy pickin' country.
One of the more common questions beginners have is why even bother with reverb pedals when most modern amps have a built-in version of this effect? To be honest, if you have a vintage tube amp with an actual spring reverb inside, there really isn’t a good reason to go with a pedal. However, most don’t. The thing that makes reverb pedals a much better solution in most cases is that you get a level of quality that can be used on stage.
Often the names and appearances of these pedals will give you a clue as to what types of sounds they produce. Otherwise it's a good idea to look at interviews and endorsements to learn which distortion stompboxes your guitar heroes are using. Also, be sure to check out our videos and audio clips to get a sense of each distortion pedal’s capabilities.
The Yamaha FG830 uses a well-engineered combination of woods to create a solid body and neck suitable for pro-level performance. You simply cannot go wrong with this guitar; the workmanship of this guitar is a cut above other acoustics in its class. Owners love the gorgeous dreadnought sound, describing it as rich, resonant, and well-rounded. One satisfied customer boasted that in a room full of acoustics, his Yamaha would “float to the top” of the din.
Seller: atcycle (2,136) 100%, Location: Sugar Land, Texas, Ships to: US, Item: 122791185383 This Used Guitar, cosmetically in general is in good used condition, it's played and everything works fine. Includes tremolo bar. The string trees have been removed for tuning stability but will be included should you wish to use them. Please use the enlarge feature and look over all pictures as this is the best way for me to show / describe the condition to you. I will have other Guitars listed. PLEASE NOTE ALL FAULTS SHOWN IN PICTURES ARE CONSIDERED PART OF THE DESCRIPTION.This Lotus "Strat" triple single coil is one of the finest examples of high quality imports which strongly competed with the big boys back in the day. Those of us who were around back then, learned that frequently these guitars had better sound and build quality than the Name Brand at that time. They were so good that the Big Name Company had them build many guitars for them! Condition: Used, Condition: There are a few signs of wear typical of an older used instrument. Missing switch button., Brand: Lotus, Body Type: Solid, MPN: Does Not Apply, Dexterity: Right-Handed, String Configuration: 6 String, Body Color: Black, Body Material: Solid Wood See More
I’m starting at guitar too at sixty years old, my opinion is that it’s not the guitar, but the time put into practicing, you can dup any type of sound with the features from amps, and guitar processors. You can even make an electric guitar sound like an acoustic. I purchased a line 6 150 watt amp, and a processor from line six, and I can dup any type of guitar sound. I built my own guitar
While you can play one through an electric guitar amp, an acoustic guitar will sound its best if it is played through a dedicated acoustic amplifier. While similar in structure to electric guitar amps, acoustic amps are primarily designed to offer transparency. In other words, it strives to reproduce the tone of your acoustic guitar’s natural sound as closely as possible. Interestingly, they almost exclusively come in a combo format, while most acoustic amps will have two channels – one for the instrument and the other geared towards microphone use. The AER Compact 60 represents what a great acoustic guitar amp looks and sounds like, with enough power for stage use as well as a high-end organic tone.
The same no-compromise attitude that gives the Redondo Player its uniquely killer vibe extends to every aspect of its construction. It features optimized bracing for reduced mass and superior resonance, a Graph Tech NuBone nut and saddle for greater sustain, and a Fishman preamp system (with bass, treble, volume control and tuner) that makes it easy to plug in without sacrificing the guitar’s natural sound. The lightweight mahogany neck features a comfortable, easy-to-play, slim-taper "C"-shaped profile suitable for any playing style and its laurel fingerboard and bridge further augment its vibrant tone.
The Sweetwater Used Gear Marketplace is a lot like Craigslist or eBay, only it's exclusively for gear, and it's 100% free — there are absolutely no charges or fees involved. Buying or selling, you'll be interacting directly with other musicians and audio enthusiasts, so we've included some tips below to help navigate your transactions. Learn More | Safe Shopping Tips
The short-lived Elite Telecaster of 1983 incorporated two specially designed humbucking pickups powered by an active circuitry that featured a “TBX” guitar expander and an MDX midrange booster with 12 dB of gain. Other features included a “Freeflyte” hardtail bridge and die-cast tuning machines with pearloid buttons. This guitar was among the latest CBS-era Fenders to feature a BiFlex truss-rod system, low-friction EasyGlider string trees and active electronics. After CBS sold Fender to a group of employees led by Bill C. Schultz in 1985, production ceased on the Elite Telecaster and other Elite models. Fender Japan made its own version of the Elite Telecaster in late 1984, which featured a 22-fret neck with medium-jumbo fretwire and a modern 9.5 inch fingerboard radius. Notable Elite Telecaster players include Johnny Hallyday and Dave Davies of The Kinks. Michael Houser w/ Widespread Panic and Andy Summers of The Police.

“The bottom line is you get a better dynamic response from the coil. Most people who play a hand-wound pickup say it sounds more ‘open’. It’s easy to make a pickup sound brighter but to have a truly open voice it’s got to be dynamically responsive – and that’s what scatter-winding [intentionally irregular hand-winding of a pickup coil] does. Also, compared to a machine-wound coil, the frequency response is slightly extended. So the sound is bigger and you hear more not just in the high frequencies but also in the depths of the frequency response.”
Along with these effects are 10 guitars: Strat Marshall, Valve ODX, Garcia Guitar, Bleeding Guitar, Blues Guitar, Power Guitar, Mondo Guitar, Synth Guitar, Clean Guitar, and Electric Sitar. The sound of each somewhat matches the guitar it’s supposed to be, but more importantly, there is a notable change in tone with each and since it’s free, I was happy just to have that.
In the Ethereal reverb, you can layer two delay effects, where both have four different delay types to choose from, via the black button labeled "Delay Modes." These modes allow you to assign different subdivisions to each delay layer which, when stacked on top of the reverb effect, give you some really unique decay sounds that trail off from the initial signal. 
: : : Does anyone know for sure where these originated. I have been told Vox (the England years) made this flat bodied plank guitar in the skiffle days of early 60's/late 50's. Mine is painted white(by hand) with a large black pick guard that curves to envelope the two chrome "toaster" pickups ,bottom of neck, and three control knobs.The strings have a moveable maple bridge(not secured) and a small chrome hardtail heel.The neck has a zero fret at top and 19 more playing frets.There are dot inlays at the 3rd,5th,seventh,ninth,12th,and 17th frets.The headstock is of natural finish light maple with a top edge cut at a sloping angle like Hofner.It has brass tuning pegs,gears and gear plates and the keys are white plastic.The beautiful short neck is true ,natural maple.Along one of the tuning gear plates is the numbers: 35515 which are etched into the wood. Four bolts without any plate hold the neck base to the plain body and a green decal above the pegs at top face of headstock reads: Shadow. The fret board is rosewoodand is laid on neck without bindings.It has six strings and sounds like a short scale Baritone guitar. It also only has one strap peg at bottom since they used to put the other end of strap on a tuning key. No other holes are seen for any former peg at other end of body(where normally found). Please send any info on this small,early,simple but awesome sounding electric skiffle guitar from England(Vox?).Thanks!!!!! VoteinNovember
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