Most guitars out there usually feature a version of either one of many Gibson designs or Fender ones, but there are exceptions. Paul Reed Smith is a brand that took their own path in just about every aspect of guitar design. This made it popular with many famous guitar players, most notably Carlos Santana. The model we're looking at today is a basic version of one of their flagship guitars. The balance of performance and pure style it offers is nearly as impressive without forcing you to extend out of your monetary reach.
Yamaha is known for focusing, in modern years, on band instruments. But at one point in their tenure in the early 90s, they owned a good share of the student model market with their beautiful Pacifica line. Thankfully, in the past few years, they’ve reintroduced mass runs of this guitar, and it is a great option for a first-time guitar player. Why? Well if you ask any older player who once started on a Pacifica, most of them will tell you that they still have it in their collection somewhere, both for sentimental value, and because it’s built like a tank and plays well.
Sune, you should know that there is no "right" or "wrong" string gauge for any guitar - it's all based on what you prefer in terms of feel and tone. It's good to try different gauges at first to find out what fits you the best. All my guitars are tuned to a drop-C tuning with 11-50 gauge strings, and I've only come to that perfect balance for me after a bunch of experimentation.
Some amps have a bright cap on the volume pot. The purpose of this cap is to allow your amp to provide a bright, clear tone at lower settings on the volume pot. The more the pot is increased, the less effect the cap has. When the pot is turned all the way up, it should be completely out of the circuit. Like they do with a bright switch, drive pedals can interact with a bright cap and result in less-than-pleasant drive tones. If your amp has a bright cap and you don’t like the way it responds to some pedals, or you find it excessively edgy at low volumes, consider having a competent amp tech change the bright-cap value or remove it altogether. This can be a worthwhile and easily reversible mod.
Looking for Used Gear? You may have just discovered your future. Music Go Round franchisees started out as customers of our stores. They have a love of music, they love gear and they understand the industry. Most importantly they’ve taken their passion and turned it into a business they’re proud of which is an asset to the music scene in their community. Who wouldn’t want to own a business where every day they were doing what they truly love? Sound interesting?
Before I start, I want to mention a few things about this particular guitar. It looks and (potentially) sounds great. The neck plays well too, but it has some tuning problems and buzzes a bit more than I’d like. The tuning problems are coming from two areas. Firstly the nut slots are too tight, made evident by the strings making a pinging noise when they are tuned up or down. This means that it is difficult to fine tune, as the string’s pitch tends to “jump” up or down. The second reason for the tuning issues is that the intonation is way out. By that I mean that the saddles’ forwards/backwards positions are not set up well, and so when the open strings are correctly tuned, and we then play up the neck, it suddenly seems out of tune again.
As a beginner, it is best to avoid making a pawn shop, flea market, or yard sale purchase unless you are shopping with somebody who has experience in purchasing a guitar. Having never purchased a guitar, you may not know what to look for in terms of damage or guitar quality. With that being said, a local music retail shop is your best bet. You may also shop online with a reputable company, although be sure to review the business’ return policy.
Now we switch gears to a company called Unicord, which was owned by Sid Hack. At some point in the early ’60s (probably in around ’64), Unicord purchased the Amplifier Corporation of America (ACA) which was located in Westbury, New York, a northern suburb of New York City. ACA made Haynes guitar amplifiers and an early distortion device powered by batteries.
PRS started off in the 1990s. At that time, it seemed Les Pauls were being swapped in favor of a PRS guitar. PRS leveraged this opportunity to continue the trend, making PRS more accessible to all. Hence, they launched another line of product with affordable price tags – the SE guitars. Nonetheless, one cannot consider SE guitars as the beginner’s guitars, since they all flaunt with high-end specs like other instruments. Through these guitars, one gets an opportunity to enjoy playing a pro guitar without causing a blow to your budget.
As cool as these little amps are, they only have a fraction of the features you’ll find in their larger, more powerful big brothers. But, they are more than enough for a newbie to get started on, and they meet and exceed the criteria I outlined in the beginning as what to look for in a good starter amp: They sound good, they are flexible with good overdrive, multiple channels, solid EQ sections and some even have built-in effects.
Necks are described as bolt-on, set-in, or neck-through, depending on how they attach to the body. Set-in necks are glued to the body in the factory. They are said to have a warmer tone and greater sustain. This is the traditional type of joint. Leo Fender pioneered bolt-on necks on electric guitars to facilitate easy adjustment and replacement. Neck-through instruments extend the neck the length of the instrument, so that it forms the center of the body, and are known for long sustain and for being particularly sturdy. While a set-in neck can be carefully unglued by a skilled luthier, and a bolt-on neck can simply be unscrewed, a neck-through design is difficult or even impossible to repair, depending on the damage. Historically, the bolt-on style has been more popular for ease of installation and adjustment. Since bolt-on necks can be easily removed, there is an after-market in replacement bolt-on necks from companies such as Warmoth and Mighty Mite. Some instruments—notably most Gibson models—continue to use set-in glued necks. Neck-through bodies are somewhat more common in bass guitars.
But older guitars are not always better than new guitars; they can have unreliable parts, or be difficult to maintain. A lot of these are upgraded to make great players grade instruments. Keeping the essence of the original vintage guitar, but adding a little of today's reliability. A great example is the 1960s Gibson Melody Maker; an all-mahogany set neck guitar with Brazilian rosewood fingerboard and beautiful nitrocellulose finish. Well-built by Gibson, in their Kalamazoo factory, but with very basic pickups, tuning keys and electronics. Upgraded examples are everywhere, and are exceptional value as players grade instruments. Then again some guitars, especially early Japanese and European models aimed at the student guitarists of the early 1960s are completely unplayable. Even the cheapest modern day guitars put these to shame. Before buying any vintage guitar it is a good idea to know exactly what you are buying!
There are a few ways to save some money on your electric guitar (click for modal analysis). One way is to order online, for example from Amazon, which is usually cheaper than buying from a physical shop. Make sure that you know what the usual price for the guitar you want is, so that you can compare different sites, and in the best of worlds, use a discount code or wait until there’s a sale.
PAINT INFO Remember to stick with the medium that you have chosen to finish the guitar with. Never mix lacquer with water base. This will lead to a cracked finish or lifting up off the clear coat. For my guitar I used a lacquer based paint that I got from an auto shop for one project and just plain white lacquer paint that i got from Home Depot. The waterbased paints and clear coats tend to be more expensive so that's why I chose lacquer. Make sure the surface has been cleaned and is dust free before you begin to paint. Try to find cans that have a fan nozzel because it makes it easier to get an even coat.
Here's a cool tip: If you ever needed to compare sizes between two items, say tuner shafts and a drill bit, but don't have a micrometer, try this. Use a crescent wrench! adjust the jaws to fit the first item, and then see how the other piece fits! Also great for taking measurements of something round. Fit the wrench to the object, and then lay the tool on a ruler and measure the gap. It's much more accurate!
• Why frets come loose: Wear from string contact, fretboard drying and jarring mid-gig or during transportation can cause frets to pop loose. And if binding loses moisture, that can cause the ends of frets to rise or be exposed. These all create troubles that can wrongly be blamed on the more typical problem of fretwear, but in these cases dressing or replacement isn’t necessarily the answer. If there’s enough fret wire left, a loose fret can be reseated in its slot along the fingerboard, and a skilled luthier can often fill the gaps between the binding and the fret ends.
Where there is more than one pickup, a switch selects between the outputs of individual pickups or some combination; two-pickup guitars have three-way switches, and three-pickup guitars have five-way switches. Further circuitry sometimes combines pickups in different ways. For instance, phase switching places one pickup out of phase with the other(s), leading to a "honky", "nasal", or "funky" sound. Individual pickups can also have their timbre altered by switches, typically coil tap switches that effectively short-circuit some of a dual-coil pickup's windings[vague] to produce a tone similar to a single-coil pickup (usually done with push-pull volume knobs).
Chorus – a frequency-based effect that makes your guitar sound like more than one guitar is playing. The effect is created by doubling your guitar tone one or more times (using a short delay) and then varying the pitch of the double slightly up and down against the dry guitar tone. Chorus pedals have at least two controls: Depth and Rate. The Depth controls the lowest and highest pitches that the doubled tone varies between. The Rate controls the speed that the doubled tone moves up and down in pitch.
I have a Decca that my uncle gave to my dad and he gave to me (I think, he's never really asked for it back since he doesn't play). It's in rough condition, has stripped and rusted screws with a lot of connection issues. But I love the shape, I love the pickguard, I love the all out retro look of it. Any idea on if I should spruce it up with some new screws and seeing what I can do to fix the wiring? And if so, how do I get the cash for such project?
If the gap is perfect, congratulations – you may now move on to step 2. If the gap is too large, then you need to tighten the truss rod a little (similarly, if the gap is too small, you need to loosen the truss rod). Locate the adjustable end of the truss rod. On every Les Paul style guitar I have seen, the adjustable end of the truss rod is located under the truss rod cover, located on the peg head. To remove this, simply unscrew the two (or three) screws and lift/slide the cover off.
From beginners to seasoned professionals, most guitar players will experiment with effects at some point in their musical journey. While learning to play your instrument well should be a top priority, messing around with effects can be a fun way to engage with your instrument and start learning its sound possibilities without a lot of hard practice. There's a huge variety of stompboxes out there, many with very low price tags that make great gifts and can add a new dimension of fun for beginning players.
The far mic will give you a bigger, more heavy-metal type of sound with a more pronounced bottom end on it. The reason for that is low end sound waves take much more distance to fully develop than high end waves. Someone once told me that a low E note on a bass guitar takes thirty-three feet to fully develop. Whether or not that is true will only be known by people who have enough time on their hands to calculate such things. I do know that if you take a tuning fork that's vibrating with a high note and stick it in the imaginary puddle of water, it will generate waves that are small in comparison, and closer together than what a low note will make. Simple physics.
One trait of most ribbon mics is the figure-of-eight polar response, and this is often exceptionally consistent across the frequency range. This polar pattern means, of course, that ribbons tend to pick up a little more room ambience than cardioids, given that the polar pattern is as sensitive behind the diaphragm as it is in front. Ribbon mics are also often characterised as sounding 'smoother' compared with typical condenser microphones, partly because their construction avoids the high-frequency diaphragm resonances normally inherent in condenser designs.
An electric guitar can last many lifetimes; however, they have a variety of electrical parts and connections that, over time, can wear out. When that happens, you need to know how to fix or replace those electronics. The following are the parts that are most likely to wear out or break and need replacing. You can perform any of these fixes yourself without doing damage to the electric guitar — even if you screw up.
Today’s beginner guitars are far superior to the hunk of wood with strings I started with, and now there is a huge array of instruments to choose from. In fact, I’d go so far as to say if you only intend to play guitar for fun you’ll never need to spend another dime on gear beyond your starter setup, if you don’t want to. (Except for things like strings and picks, of course.) That definitely wasn’t true thirty years ago.
Searching 'guitar' on YouTube, Google, etc can be overwhelming. Ten billion results come up. I wish we could just be nice to kids with questions. I noticed this answer mentioned "pickups" several times. Kid probably has no idea what a pickup is. My brother showed me the switches, pickups, and explained them to me in five minutes, in person on a real guitar. It was like being taught magic.
“Hi folks here’s a classic beauty 1974 ALVAREZ 5024 DOVE Japanese crafted Dreadnought acoustic guitar mid 1970’s which is prime time lawsuit era when Japan was out and out copying the great classic AMERICAN DESIGN GUITARS the classics if you will they sought out to make an affordable alternative to the more expensive American built guitars in this case they obviously copied Gibson right down to the details...Like the open book headstock, the overall size -shape- the bridge detail on this is just like one My friend had as a kid it was his dads but we played it too was a wonderful 1964 Gibson Dove it was 1968 we admired it greatly to say the least but with our pocket books at the time forget about it one of my band mates brought one to practice an Alvarez like this one and it to had the tunimatic bridge installed on it, it made the difference to get your acoustic set up to intonate not new or ding and doink free but vintage beautiful JVG rated 8+/10It shines up quite nicely too. Ok here is the story of this guitar just one elderly owner of this California guitar. I have collected no less than 12 of these classics and have had some put away in our warehouse for about 15 years it’s been out of circulation all these years strings loosened inside a caddalic old Gibson case which is not included with this purchase. kept out of circulation over 15 years and not played that much by its original owner she is in better than average for one of these it’s neck is 1-11/16ths width at nut - medium profile- very good frets and rosewood fingerboard and classic inlays and the dove motif pickguard. I noticed it looks as if the treble side tuners were replaced and he chose to use the opposite side simply reversed... they look fine work the same good so I’ll leave that to you to decide , we can do a Grover tuner upgrade for you installed for $125 additional if requested. Other than ,that the bridge has upgraded to high end fossil pins that resonate tone far superior to the original plastic ones. No cracks in the wood or even finish checking none seen... neck joint also is excellent as is neck angle - set for proper relief it’s Mahogany neck is nice and strateght . It’s beautifully grained Sitka Spruce Top is nice - pretty flat not buldging no such issues it’s bridge is also original and is nice and tight to its top.its body is all mahogany and is beautiful as well have a good look, the back of headstock has what Gibson use to call a black stinger painted on... Gibson did that so did Alvarez... I like this one’ds white Alvarez trussrod cover as well .. truss rod is working as it should... The open book headstock mirrors that of the Gibson with the old style script Alvarez logo looking quite cool in deed... love this era.. ok it’s hard to find these that are not rode hard and put away wet... not this baby She’s a one owner sweetie pie... NO CRACKS - NO NECK ISSUES PLAYING REAL NICE contact Joe to buy it: firstname.lastname@example.org Thanks for looking folks!.
I have a Hohner DC. It is either a MIC or MIK. It does not have body, or neck bindings, but in every other respect is very nice. It was one of the first guitars I got when I started paly about 5 years ago. As a matter of fact, I had not played it for over a year - I recently got it out of the case, re-strung it and played it regularly for a couple weeks. I have been going over my colection looking for things I could sell off, but I decided to keep this one.
The tone selector on an electric guitar controls the capacitor, which basically filters out high frequencies. The same way a high-cut filter (or low-pass-filter if you prefer) works on a standard equalizer. By dialing down the tone, you remove brightness and treble. The pickup selector does just what it's called.. Selecting which pickups being used to capture the vibration of the strings, and translates the energy into electric current, though the configuration and number of "presets" can vary from guitar to guitar, depending on how many pickups it has etc. If you're a handyman you can even configure this yourself.
I have many acoustic guitars in the collection including Gibson, Taylor, Fender and Washburn. That said none of these guitars come close to the richness in sound of a Maton. I'm assuming this is due to the quality of the Australian timbers and workmanship. Although a little expensive I highly recommend you at least play one in a shop as a treat and hope a dead relative leaves you some money to give you an opportunity of taking one home.
Arch top body size is equivalent to the flat top 000 body size, 15" wide across the top, carved spruce top, back is not carved but is arched by bracing, rosewood back and sides, 5-ply top binding with pearloid outer layer, elevated tortoise pickguard with b/w binding, backstripe of two horizontal lines surrounded by two rows of diag lines (like a Style 45), bound ebony fingferboard, style 45 fingerboard snowflake inlays, trapeze tail piece, vertical "Martin" peghead logo, bound peghead, gold plated parts, sunburst top finish.
(https://rytmenpinne.wordpress.com/sounds-and-such/salamander-grandpiano/) (http://creativecommons.org/licenses/by/3.0/). Some versions on this site have been carefully edited down to 6 velocity layers and looped at the almost inaudible tail ends to reduce Ram usage but the quality is almost indistinguishable. They are based on a nicely sampled Yamaha C5 Grand. Samples have been normalised, re-attenuated, latency reduced and modified for sf2. Three or more brightness levels are available plus optional resonance.
According to Wikipedia, a grimoire is a magical text that instructs the user “…how to perform magical spells, charms and divination, and how to invoke supernatural entities…” In order to summon your own supernatural creations, this guitar-focused text compiles a vast selection of exercises that will help you connect patterns across the entire guitar neck.
While most single-coil pickups are wired in parallel with each other, it is possible to wire two or more of them in series, producing a fuller and stronger sound not unlike that of a humbucker. This is a popular modification for instruments with two single-coil pickups like the Fender Telecaster and the Fender Jazz Bass. For the former, special 4-way switches are available to replace the stock 3-way switch and provide a series wiring position.
You have to take into account that these are low budget guitars, so there will be compromises in terms of materials, pickups and hardware. The experienced guitar player might require a higher standard. That being said, if you have between a 100 and 300 dollars to spend and you do want to learn to play guitar than these guitars are really worth the investment.
You can set an octave to play the higher or lower notes or both at the same time. This is ideal for those who want to really thicken up their sound and are often used by heavy metal guitarists to make solos and riffs sound really cool! The Valeton OC-10 Octave pedal is a budget friendly choice and the Electro Harmonix Nano Pog is an industry standard option.
If you pine for the days when giants scarred the earth with odes to their arena-sized wangs, then Michigan’s Greta Van Fleet are your new jam. Not only do they look like they’ve stumbled out of the pages of 70s Vogue, they also have a preternatural knack for brow-raising classic rock anthems. Guitarist Jake Kiszka is highly capable, combining Page-like pentatonic ping-pong with a bag of lead licks that channel everyone from Jefferson Airplane to Mike Campbell.
Launch price: $999 / £899 | Body: Basswood | Neck: 5-piece maple/walnut | Scale: 25.5" | Fingerboard: Maple | Frets: 24 | Pickups: Ibanez V8 humbucker (bridge), S1 single coil (middle), V7 neck humbucker | Controls: Volume, tone, 5-way selector | Hardware: Edge locking vibrato | Left-handed: Yes | Finish: Desert Sun Yellow, Road Flare Red, Purple Neon, White
Gibson makes authorized copies of its most successful guitar designs. They are less expensive than those bearing the Gibson name. A former competitor, Epiphone was purchased by Gibson and now makes competitively priced Gibson models, such as the Les Paul and SG, sold under the Epiphone brand, while continuing to make Epiphone-specific models like the Sheraton, Sorrento, and Casino. In Japan, Orville by Gibson once made Gibson designs sold in that country. Gibson has sought legal action against those that make and sell guitars Gibson believes are too similar to their own.
Notch filters (also called band-stop filters or band-rejection filters) are sometimes used with double basses. Notch filters are filters that allow most frequencies to pass through unaltered, while attenuating those in a specific range to very low levels. Notch filters are used in instrument amplifiers and preamplifiers for acoustic instruments such as acoustic guitar, mandolin, and bass instrument amplifiers to reduce or prevent feedback. While most notch filters are set manually by the user, there are also automatic notch filters which detect the onset of feedback and notch out the frequency before damaging feedback begins.
This is probably the most iconic guitar effect ever – from Slash to Jimi Hendrix to Mark Tremonti to SRV, the list of players who use wah pedals is almost never ending. Originally created to emulate the muted sound possible on a trumpet, it quickly became an iconic effect in its own right. The sound is pretty self-explanatory – rock your foot back and forth of the pedal to shift the EQ from bass heavy to treble heavy and you’ll get a nice “wah wah” as you play.
A spring reverb unit is really a small amplifier in itself, that sends the guitar signal through a tube circuit to a small output transformer (or through a transistorized circuit) and from there to one end of the springs in a spring can rather than to a speaker. This signal vibrates the springs, is picked up by a transducer at their opposite end, and from there is blended back with the dry signal by degrees determined by a “depth” control, and sent on to the output (or the power tubes, if part of a guitar amp). As you can image, it’s a bulky effect when achieved in this way, requiring at least a couple of transformers, two or three tube sockets and a spring can, but the circuit itself is fairly simple.
Longworth also illustrates yet another Martin amplifier offered in 1966, the SS-140. Again, little is known of this, except it’s a huge monster tower with a pair of side handles to help you hoist it. Both the appearance and prefix suggest it was solid state. The 140 might suggest the output wattage. It’s highly unlikely Martin only offered this one model, so there are probably a few other OEM Martin amps floating around.
The first electric instrument amplifiers were not designed for use with electric guitars. The earliest examples were portable PA systems, which appeared in the early 1930s when the introduction of electrolytic capacitors and rectifier tubes allowed the production of economical built-in power supplies that could be plugged into wall sockets, instead of heavy multiple battery packs, since rechargeable batteries would not become lightweight until many decades later. While guitar amplifiers from the beginning were used to amplify acoustic guitar, electronic amplification of guitar was first widely popularized by the 1930s and 1940s craze for Hawaiian music, which extensively employed the amplified lap steel Hawaiian guitar.
Featuring a comfortable neck and solid spruce top, the Epiphone Dove Pro Acoustic-Electric Guitar rings out with full, rich sound. Based on a design going back to 1962, the Dove Pro is equipped with a Fishman Sonicore pickup system that accurately reproduces its acoustic tone when you plug the guitar into an amplifier or PA system to play with amplified instruments. A terrific value.
In 1944 Gibson was purchased by Chicago Musical Instruments. The ES-175 was introduced in 1949. Gibson hired Ted McCarty in 1948, who became President in 1950. He led an expansion of the guitar line with new guitars such as the "Les Paul" guitar introduced in 1952 and designed by Les Paul, a popular musician in the 1950s and also a pioneer in music technology. The Les Paul was offered in Custom, Standard, Special, and Junior models. In the mid-50s, the Thinline series was produced, which included a line of thinner guitars like the Byrdland. The first Byrdlands were slim, custom built, L-5 models for guitarists Billy Byrd and Hank Garland. Later, a shorter neck was added. Other models such as the ES-350T and the ES-225T were introduced as less costly alternatives. In 1958, Gibson introduced the ES-335T model. Similar in size to the hollow-body Thinlines, the ES-335 family had a solid center, giving the string tone a longer sustain.
There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. For a six-string guitar in standard tuning, it may be necessary to drop or omit one or more tones from the chord; this is typically the root or fifth. The layout of notes on the fretboard in standard tuning often forces guitarists to permute the tonal order of notes in a chord.
For a relatively new band, Dream State have - in industry parlance - gained some serious frigging traction, playing Reading/Leeds last year, gobbling up streams in the millions and signing to hardcore label par excellence UNFD. Lead guitarist Aled does a deft line in a tapped arpeggio, while breakthrough single White Lies covers a hell of a lot of ground in its four minute runtime - combining Marmozets’ urgency in its opening and Deftones’ dynamics at the close.
Beautiful Teisco Electric Guitar refinished in sea foam green or Daphne blue color, it has a custom series parallel pickups toggle switch, nice low action, sweet sound, plenty of tonal possibilities. Buy with Confidence....... Blessings! Item will be well packed, shipped and insured to any of the 48 contiguous States, No Alaska, No Puerto Rico, No Hawaii, No International buyers.
Open Loop Gain: Feedback Solid-state amplifiers are inherently nonlinear. They have a very large ‘open loop gain’ approx 20,000. The amplifier output is (feedback) to the comparator input to reduce the gain to approx 50. Therefore 99.9% of this feedback corrects all instability and non-non-linearity of the amplifier, as explained in amplifiers. The speaker also acts as a large microphone. All non-linear movements and vibrations within the speaker cone, (caused by reflected nodes, chaotic resonances etc) of which there are many, are regenerated back into electricity by the voice coil. This re-generated signal from the voice coil is inadvertanetly fed-back to the solid-state amps comparator input, and re-amplified back to the speaker as recycled distortion.
Place one mic on each speaker at the same distance and orientation, and check the pair for phase cancellation by panning them to the same spot and listening in mono. The minute differences between the speakers, mics, and mic positions, combined with double-tracking, creates a monstrous presence when the tracks are hard-panned in the mix, and opens up a world of possibilities for separate EQ and effects processing. If you don't need the guitar to dominate the mix, you also can sum these mono-compatible tracks together to a single pan position for a noticeably bigger sound.
Excellent explanation! One thing that no one has touched on, yet is the physics of the high frequency components (mentioned above). When you clamp a string at both ends and pluck it it will have a fundamental frequency of waving back and forth based on a) it's length b) it's thickness and c) how tightly it's stretched. All wavering strings, though will have additional waverings. These are referred to as overtones. The first overtone will be a doubling of the frequency and the next a trippleing and so forth. Each of these overtone frequencies contribute to the rich, complex sound of the instrument. Here's a good explanation with pictures. Note the location of the frequency nodes in relation to the placement of the pickups.
I have 12 years whit my SL3 Jackson and 12 years whit my RG7420, so far I have replaced both POTs on the jackson, the frets are really worn out and FR chrome is peeling.. great guitar crappy components. oh, I havent had to replace anything on the Ibanez yet other than the stock pickups for something better. both are made in Japan =). So dont tell people that Ibanez sucks before actually owning one...
Located in Reno, Nevada, our shop, The Strings of Reno provides services to both local musicians as well as those located throughout the United States and even abroad. If you are nearby, and would like a one on one appointment please give us a call. If you are not within driving distance of Reno, NV, please call or email us with the nature of the work you need taken care of. We are not just about guitars, if it has strings, we can fix it!
Feedback is essentially the presence of a sound loop where the guitar’s amplified sound causes increased vibration in the strings. The sound of this vibration then gets further amplified, continuing the loop and resulting in distorted sound. Usually the source of the feedback is the guitar’s amp, but in cases of hollow-body guitars, the amp’s output resonates in the actual guitar body. For many music styles feedback is an undesirable trait, but it’s also been used as an awesome effect by prominent guitarists such as Jimi Hendrix and Kurt Cobain.
While Laney brand might not sound as familiar to the “uninitiated”, this brand has been producing quality amps for very good prices. The LG12 is a combo amp with 12-watts. While 12-watts isn’t much it seems to kick in a punch when needed (and plus, you want it for practice and more practice amps don’t have a lot of wattages). Apart from that this combo offers LG12 12 single channel with switchable drive, CD input, headphone socket (a much for practice) as well as Bass, Middle and Treble control. The tone of this amp is pretty crisp and clean. That’s partly due to the 6.5″ custom-designed speaker. The speaker is not only functional but looks pretty nice. Looks wise this model has top mounted construction, rubber feet for sturdiness and leather handle for ease of transportation. Apart from being a great practice amp, it is also great if you travel around and want a model that can take a punch or two.
In the event it does not work out, the next measure is to utilize automotive fine grade sand paper to decontaminate contact points. Once more, cover this around a Q-tip for jack inputs and replicate the contact cleaner procedure. By now, you should have confirmed any likelihood that the problem is caused by a cleanliness issue. All your equipment should be fresh and clean for your upcoming performance.
Gibson's first production electric guitar, marketed in 1936, was the ES-150 model ("ES" for "Electric Spanish", and "150" reflecting the $150 price of the instrument, along with matching amplifier). The ES-150 guitar featured a single-coil, hexagonally shaped "bar" pickup, which was designed by Walt Fuller. It became known as the "Charlie Christian" pickup (named for the great jazz guitarist who was among the first to perform with the ES-150 guitar). The ES-150 achieved some popularity but suffered from unequal loudness across the six strings.