There’s an old proverb that goes, “If you can’t afford a Fender Strat, get a Fender Standard Strat.” We can’t agree more. This is the guitar company that changed the world of electric guitar, so you can’t go wrong with any Fender. But, if you have the money, go with the Standard over the Squire as that’s truly a beginner guitar. The Standard has features such as three single-coil pickups, synchronized tremolo with high-mass bridge block, and a ‘70s-style headstock logo. While some sites are selling this guitar close to $400, it’s more commonly found just under $500. 

These two articles show us how me can manipulate coil winding direction, electrical phase, and magnetic polarity to achieve hum-cancellation between two coils. Having this knowledge allows us to create hum-cancelling combinations of coils over and above than just using humbuckers. A good example is using a RWRP pickup in the middle position of a Strat.
We specialise in 1960s and 1970s parts and literature, relating to American and European guitars and basses. Specifically Gibson, Guild and Vox. The parts for sale on this site are sorted by brand and type, or you can search for keywords in the box above. We have a lot of parts unlisted on this site - if you do not see the part you need, please ask.
I am not a real musician but I feel like one whenever I go in there. I bought my guitar there a few years ago. I have taken it and a travel guitar in there to get re-strung and Pat has always been so helpful and engaging. I follow his FB pages and saw him perform an original song "Will you Take My Name". I was so blown away by the song that I actually proposed to my wife by singing a version of that song. (His version is much better!). He has built a great following in a short time and has a nice selection of guitars and accessories. I really like his frequent FB posts of him showing a guitar he is working on, or a song he sings. Also, he features a lot of customers singing and playing whenever they stop in. This store has a great vibe. If you are in the area, stop in even if you don't anything, you will have fun. And if you need something, well then you've come to the right place!
The Epiphone Dove Pro is such a good guitar that it’s going to be a contender for a top pick in pretty much any list, but in this one we’ve given it the title of best value electric acoustic. You can spend a lot more money and not get much more guitar, and you can even spend more money and not get a guitar as good. The Dove Pro is that accomplished.
The main benefit with tube amps is the tone. They offer what is often described as a pure, natural, creamy or fluid guitar tone, which is incredibly responsive to the player’s dynamics. When pushed hard enough, they overload and produce natural overdrive (which is how overdrive first came to be). While their tone is hard to beat for all styles of music, tube amps tend to be expensive, harder to maintain and heavier than other amps. For more on tube amps, check out our dedicated tube amp page.
Let's start with the scenery. The guitar riff I'll use today was conceived using an effects chain made up of a delay pedal (the Electro-Harmonix Memory Boy). The pedal doesn't have a tap tempo feature, so I had to adjust the delay time by ear as precisely as possible while playing the song. Recorded in the "classic" way, without racking my brains and simply putting a mic in front of the amp, I get something like this:
O.K. These are my first impressions of this guitar kit, my first, right out of the box. About me: I own about a dozen guitars, both acoustic and electric, including 6 string and basses. I know a little about construction, as I have been studying, and have been wanting to build my own guitar for some time now. Building from scratch seemed a little optimistic so I elected to go with this kit after studying the Internet for days. I wanted a chance for a great result with my mediocre woodworking skills. Kit arrived quickly and undamaged, good packaging and the components were bagged nicely.
Launch price: $599 / £500 | Body: Basswood | Neck: Hard maple | Scale: 25.5" | Fingerboard: Rosewood | Frets: 22 | Pickups: Manson Design bridge humbucker, Manson Design neck single coil | Controls: Volume, tone, 3-way selector switch | Hardware: Two-piece bridge and tailpiece, staggered height locking machineheads | Left-handed: Yes: MBC-1LH | Finish: Matt Black
By the turn of the century, new-metal grinders and post-grunge plodders had given loud guitars a bad reputation. Then Jack White hit the reset button. With each savage riff, he reconnected hard rock and roots music and showed that a blues-based band could escape what he calls "note-pushing Stratocaster white-blues bullshit." And he didn't let his analog leanings prevent him from ingenious use of a DigiTech Whammy pedal – the secret behind the faux-bass thunder of "Seven Nation Army" and the screaming leads of songs like "Ball and Biscuit."
What equally contributes to the Entourage’s place on our list of the best acoustic-electric guitars is its nuanced and bright acoustic sound. This signature tone comes courtesy of a select pressure-test solid cedar top and wild cherry back and sides. The electronics on this model are easy to use and compact, highlighted by a pewter plate giving the entire package a stylish appearance.​

Next popular guitar brands are Gibson Corporation which deals with highly appreciated guitars. It is increasing growing day by day due to its innovative characteristics and awesome product quality. If you are looking for high quality guitar at higher price, then go for Gibson Acoustic Guitar which will fulfill both the requirements. There prices are starting from Rs 49,000 in market.
Better known simply as an acoustic guitar, the “steel” strings (they come in all kinds of construction, not just steel) are louder and brighter, and a much more versatile instrument to play. Folk, rock, jazz — acoustic guitars have it all covered. Those steel strings also chew the ends off your fingers until eventually you develop hard calluses on the tips — very handy for plucking boiled eggs out of the saucepan.
In this style, the guitarist aims to render an entire song — harmony, melody and bass — in something like the way a classical guitarist or pianist can. Chord roots cannot be left to the bassist in this style. Chords themselves can be used sparsely or more densely, depending on both the individual player and his or her arrangement of a particular piece. In the sparse style, a full chord is often played only at the beginning of a melodic phrase.[4] The denser chordal textures, in contrast, approach chord soloing (see below). A third approach is to maintain a steady, busy bass-line, like a New Orleans pianist. Here, no more than two or three notes are played at a time, and the full harmony is indicated by arpeggiation. Exponents of this style often come from a country, folk or ragtime background, such as Chet Atkins, although it is also sometimes employed by straight-ahead jazz practitioners, for instance Martin Taylor. Chord-melody is often played with a plectrum (see Tal Farlow, George Benson and others); whereas fingerstyle, as practised by Joe Pass, George van Eps, Ted Greene, Robert Conti, Lenny Breau or hybrid picking as practised by Ed Bickert, Laszlo Sirsom and others allows for a more complex, polyphonic approach to unaccompanied soloing.

they're both excellent guitars, and for jazz-only, and a little more money, the eastman was a little better. it had a bit more acoustic volume and sounded really killer plugged in. but, the godin is the one i ended up keeping. really, really versatile guitar. the tone knob has a wide range of usable tones. really a very articulate sounding guitar plugged in, especially with the tone a little more open. i play a lot of straight ahead jazz on it, and am very happy with the sound. i have always played it with 12 gague strings on it. again, it's not terribly loud unplugged, but the sound is great, and this is designed primarily to be used plugged in.


While most beginner electric guitarists focus on the actual guitar when purchasing equipment, the amp actually plays a far larger role in the overall sound. The best made guitar in the world is not going to sound good through a cheap, poor quality amp. However, any decently made guitar can sound quite good when played through a good amp. So, a guitar amp should not be an afterthought purchase for a beginner.
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Phaser: A phaser or "phase shifter" creates a slight rippling effect—amplifying some aspects of the tone while diminishing others—by splitting an audio signal in two and altering the phase of one portion. Three well-known examples of phaser are the two handed tapping part on the Van Halen instrumental "Eruption" and the keyboard parts on Billy Joel's "Just the Way You Are" and Paul Simon's "Slip Slidin' Away".[77]
The company’s reputation and output continued to grow. Forays into mandolinmaking in the late 1890s and ukulele making in the 1920s greatly contributed to their expansion, and by 1928 they were making over 5000 instruments per year. The company remained family-owned and employed a relatively small number of highly trained craftsmen making instruments primarily by hand. By the early 1960s Martin guitars were back-ordered by as much as three years due to limited production capacity. In 1964, Martin opened a new plant that is still the primary Martin production facility.

The short-lived Elite Telecaster of 1983 incorporated two specially designed humbucking pickups powered by an active circuitry that featured a “TBX” guitar expander and an MDX midrange booster with 12 dB of gain. Other features included a “Freeflyte” hardtail bridge and die-cast tuning machines with pearloid buttons. This guitar was among the latest CBS-era Fenders to feature a BiFlex truss-rod system, low-friction EasyGlider string trees and active electronics. After CBS sold Fender to a group of employees led by Bill C. Schultz in 1985, production ceased on the Elite Telecaster and other Elite models. Fender Japan made its own version of the Elite Telecaster in late 1984, which featured a 22-fret neck with medium-jumbo fretwire and a modern 9.5 inch fingerboard radius. Notable Elite Telecaster players include Johnny Hallyday and Dave Davies of The Kinks. Michael Houser w/ Widespread Panic and Andy Summers of The Police.
Blend potentiometers (essentially two potentiometers ganged on the same shaft) allow blending together two pickups in varying degrees. The operation is the same as in a balance control found in stereo equipment – in the middle position (often marked with a detent) both pickups supply their full output, and turning the pot in either direction gradually attenuates one of the pickups while leaving the other at full output.[13][29]
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We received a quote so promptly and after already seeing so many other rates in the DFW area, I knew instantly that this was the best value. My 8 year old son is shy and even though he was super interested in learning how to play the guitar, I worried that he’d have a hard time connecting with whoever we chose. After about 5 minutes into the lesson, that fear was long gone. Jack was awesome with him and very patient. He showed up right on time which was great because any parent knows that adding one more thing to an already busy schedule isn’t always the easiest thing to do. Great experience so far!
Jump up ^ Wright, Michael. "Jack Westheimer — Pioneer of Global Guitarmaking". Vintage Gutiar (July 1999). In August ’69, the Valco/Kay assets were auctioned off and W.M.I. purchased the rights to the Kay brand name. W.M.I. began to slowly transition Teisco del Rey guitars to the Kay brand name, which gave them greater credibility with dealers. This change was completed by around ’73 and the Teisco del Rey name then disappeared. This explains why you will occasionally see a Teisco guitar with a Kay logo.
One of modern metal's key figures, Dimebag Darrell founded Pantera with his brother, drummer Vinnie Paul Abbott – forging a style that combined brutally precise, punk-honed grooves with splatter-paint melodic runs. After he was tragically shot by a deranged fan during a show with his band Damageplan in 2004 – on the anniversary of John Lennon's death, freakishly enough – the tributes rolled in from fans, peers and forerunners. "One of the greatest musicians to grace our world," Black Sabbath's Geezer Butler said simply. "Rest in peace."
The FX8 lets you configure up to eight effects per preset, from a list of impressive effects that are modeled from classic to modern stompboxes. It also offers a more traditional work flow via Fractal Audio's "Scenes" mode, which lets you assign effects to footswitches, turning the unit into a virtual stompbox pedalboard. And since it utilizes the same algorithm as their premium processors, you can be sure that each effect model has the same sound quality. Fractal Audio is also known for their boutique like attention to detail and build quality, which is prevalent in the FX8's design. Most notably its footswitches which are designed to have no-mechanical contacts, meaning no noise and improved reliability.
Synonymous in the electric guitar industry, the Gibson brand continues to produce some of the best electric guitars on the market, including the Les Paul Studio. Designed with a classic look that maintains the appearance of a vintage quality, this electric guitar comes with a neck that is slimmer than most traditional models, allowing for ease and smooth transitions when switching between notes. The guitar utilizes an upgraded version of humbucker PAF to cancel out any outside interference that detracts from the quality of the sound, while maple and mahogany wood are combined to deliver both definition and sustainability. Other features include traditional tuners that can be manually altered, a Graph Tech Nut for precise spacing between strings, and a neck heel with the class Les Paul design. Well reviewed and great for the price, the Les Paul Studio is one of the best electric guitars available if your cash flow allows.
Effects pedals, or stompboxes, are effects units designed to sit on the floor or a pedal board and be turned on and off with the user's feet. Typically, effects pedals house a single effect. The simplest stompbox pedals have a single footswitch, one to three potentiometers (knobs) for controlling the effect, gain or tone, and a single LED display to indicate whether the effect is on or not. More complex stompbox pedals have multiple footswitches, numerous knobs, additional switches and an alphanumeric display screen that indicates the status of which effect is activated. An effects chain, or signal chain, may be formed by connecting two or more effects pedals together.
Rarely have we come across a redesign of a classic instrument that is so thorough… yet still adheres so closely to the original! Neck shape, body contouring, hardware, pickups and electronics have all been under the microscope of Marr and his design cohorts in redesigning this short-scale offset classic. The new bridge design swaps the threaded rod saddles of the Jaguar for the bigger, solid, non-height adjustable Mustang saddles that sit flush on the bridge tray. The saddles just have a centre-placed string groove but this increased width means there's very little gap between the low E and the outer edge of the fingerboard the further up the neck you go. Marr has also ditched the traditional dual rhythm/lead concept. This Jag has just one circuit: standard volume and tone controls and a four-position lever switch mounted on the smaller of the three chromed plates. In position one, it offers just the bridge pickup; position two, bridge and neck pickups (in parallel); position three, neck pickup; and lastly position four, neck and bridge pickups (in series). We still have the slide-switch style of the original Jaguar to engage not one, but two, of the original's high-pass filters. The top switch is the master filter (up engages the cut); the lower switch, mounted at a right angle, only works on position four where forward is on (ie, it introduces the cut). Both these switches stick up less than the standard slide switches too, and are slightly more comfortable: typical of the thought and detail that has gone into this guitar. There's Fender-aplenty in the sounds but, as Marr says, Gretsch and Rickenbacker spring to mind, especially with a little tone roll-off. Above all though, the clarity, and the musical sweetness of the tones allow for complex chord voicings for jazzier rhythms or simpler soul and funk styles. The Johnny Marr Jaguar is a thorough redesign from the perspective of a very busy working guitarist. Aside from the low E being rather too close to the fingerboard edge in higher positions, it's faultlessly built for purpose, addresses five decades of 'Jaguar-ness' and puts a decidedly leftfield design squarely back in the mainstream.
Looping – These pedals are miniature recorders that capture a passage, which you can then play back as much as you like. Many looper pedals also allow you to layer multiple recordings, and advanced models support extra features like built-in rhythms, mic and other instrument inputs, MIDI, USB and more. It’s worth noting that all the power of a looper pedal does come with a steep learning curve, so be sure that you’re experienced enough to handle one of these bad boys before you bring home one of your own.
Gibson did not take Fender too seriously at first; Fender were just an amplifier company that made a few guitars. They didn't regard the solid-body Broadcaster launched in 1950 as a serious musical instrument, lacking the depth of tone of a Gibson electric-acoustic. But music was changing, guitarists wanted different sounds, and music was getting louder. Fenders instruments proved to be more appropriate for the emerging musical scenes. Over the next decade Fender created a number of solid-body guitars that defined genres. Guitars like the Stratocaster, Telecaster and Precision and Jazz basses proved to be exceptionally popular and have stayed in production ever since.
I always say that Jose Feliciano? is indeed one of the greatest guitarists that’s ever lived. Flamenco, latin, bolero, classical, rock ect ect…. You name it and Jose can play it. Why he’s not on Rolling Stone’s 100 greatest guitarist of all time, is beyond anyone’s guess. dont believe me look up on youtube purple haze, the thrill is gone, flight of the bumble bee, Malagueña under Jose Feliciano. the guy can play anything and make it his own.

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I don’t think beginners should spend a ton of money on their very first electric guitar. However, around the $300 mark you have a lot of options for really great entry level electrics. So, if you’re a beginner with a little more cash available, I say skip the “starter packs” and buy some good, solid gear to begin your journey. Choose from this list and you won’t need to upgrade for many years.
E-B-E-G#-B-E (use light gauge strings because three strings must be raised) Open E is used by: Brian Jones on "No Expectations", "I Wanna Be Your Man"; Keith Richards on "Salt of the Earth", "Prodigal Son", "Gimme Shelter", "Jigsaw Puzzle", "Jumpin' Jack Flash", "You Can't Always Get What You Want" and by Bob Dylan on his 1975 album Blood on the Tracks. By Hoobastank on their first and second albums, and by Junior Campbell on The Marmalade recordings Reflections of My Life and I See The Rain Used by Johnny Marr of the Smiths on "The Headmaster Ritual".
If a love of flamenco and salsa music sung by the Gipsy Kings brought you to the best classical guitar, then you are going to want to read this review. The Cordoba company, as you can now see, has quite the reputation for quality guitars, and their GK Studio Negra left-handed model—a Gipsy Kings signature instrument—could easily be the right one for you (no pun intended).
This electric guitar style has experienced surges and lulls in its popularity, but has never fallen off the scene, due to the number of great players who have chosen to use the Flying V, such as Jimi Hendrix, Dave Mustaine, Kirk Hammett and Michael Schenker.  The Flying V offered many of the same benefits as the SG with a much more distinctive body shape.  It is now a very common guitar among heavy rock and metal guitarists and will achieve its destiny of being a guitar of the future!
Gibson and Fender have been ripping the public off for years, they're not even close to being worth what they charge especially Fender with such a mass produced bolt on neck and lame finishes design. Carvin is a superior guitar in every way and what people fail to mention is that you can choose what wood and finish you would like as well as bolt on neck, set neck or neck through designs and their pick up's are impeccable. A truly great guitar co. With excellent customer relations and real musicians will all show respect for Carvin when mentioned if not already owning one.

Getting your guitar action set up by a good luthier can make a huge difference to any guitar's playability (you'll usually find someone at your local store who can do it). I have a number of private students that found an AMAZING difference when they had set their guitar up properly, and of course, get all mine done too. If you are struggling to play barre chords (particularly the dreaded F chord) on an acoustic guitar, then a too-high action could certainly be a part of the problem.


The President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.
Also in ’65, W.M.I. produced a Teisco Del Rey catalog that offered some interesting wrinkles in the story. For starters, the guitars shown are the same as in Teisco’s catalog, but the models were all renamed with a one or two-letter prefix followed by a dash and a three-digit number. Solidbodies were designated E- for stoptails, and ET- for those with tremolos/vibratos. Basses were labelled EB-. The numerical suffix signalled the number of pickups in the first digit; the ET-320 had three pickups, the ET-200 had two pickups, etc. Hollowbodies retained the original EP- prefix and either single or double-digit suffix. Amps remained as the Checkmate line.
The explanation for this "asymmetrical" tuning (in the sense that the maj 3rd is not between the two middle strings as say in the tuning of the viola da gamba) is probably that the guitar originated as a 4-string instrument (actually an instrument with 4 double courses of strings, see above) with a maj 3rd between the 2nd and 3rd strings and that it only became a 6-string instrument by gradual addition of a 5th string and then a 6th string tuned a 4th apart:

Compared with many of the guitar models on this list that have been around for half a century, the Ibanez Artcore AF75 is still a baby. Ibanez introduced its Artcore line of semi and full hollow body electric guitars only in 2002. Nevertheless, the Artcore guitars have amassed a massive fan base because of their tuning stability, rich tone, impressive sustain and overall quality. Plus, they’re also extremely affordable considering their features.
The newly designed Les Paul Recording guitar was released in 1971, in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in 1969. The new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. Compare with the broadly similar owners manual for the Les Paul Personal / Professional

There are two different Vox Shadows (the Shadow made between 1060 and 1965 and the White Shadow made in the early to mid 80's). The Shadow is a double cutaway solid body with six-on-a-side tuner headstock,with 3 single coil pickups, the hardware is chrome, it has a white pickguard, tremelo bar with a retangular cover over the bridge with the VOX logo on it. It also has one volume and two tone controls and a pick-up selector knob on the lower cutaway bout. This is based on information from the 7th Ed. of the Bluebook of electric Guitars....Hope it helps...John
Which tonewood works the best for you will depend on your personal preference as well as the genre of music you're playing. Electric guitar bodies come in a whole range of styles. You have classics such as the Stratocaster and the Les Paul shape, but there's much more out there to explore. Granted, a vast majority of these were heavily inspired by the aforementioned models and you probably don't want to go too far off into the realm of the strange.

A. It is never too late to learn how to play a musical instrument. An acoustic guitar does present some unique challenges for beginners, including the formation of calluses over time. Some working professional guitarists actually develop deep grooves on their fingertips after years of performing. But this is not a requirement in order to become an accomplished amateur guitarist. Practically every musical instrument places some physical demands on players, but developing skills like muscle memory and improvisation are tangible benefits of that extra effort.
This is a special edition by Boss, for one main reason, they’ve collaborated with Fender to design the FRV-1 (click for full review), a dominant manufacturer of guitars which everyone should have at least heard of by now.This pedal is an enhanced remake of its old classic release, the manufacturers have kept everything people loved in the original release, while adding more quality.
Yea um John Mayers way misunderunstood and under rated, watch the 'where the light is live in LA' DVD(and actually watch it before you think of posting a reply) and tell me he aint an amazing guitarist, im not saying hes a god but hes definetly an amzing guitarist n i rekon he deserves a spot just for the fact that hes one of the few guitarists of this generation with some talent.
Firstly, we advise sticking with a brand name you can trust. We’ve established that there’s nothing particularly premium about the guitars on offer at $200, but by sticking with Fender, Ibanez, Yamaha, Epiphone, Oscar Schmidt and the others on this list, you at least guarantee a guitar from a renown guitar manufacturer with some history, instead of something thrown together by a company who don’t specialise in instruments.

Description: Body: Maple - Flamed - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 3+3 - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Diecast, Gold, 2x Volume Control, 2x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Sunburst, Orange
As we mentioned before, the first mass-produced solid body electric guitar was introduced in the early ‘50s as a way for guitar players to avoid getting that unwanted feedback that amplified hollow body electric guitars were infamous for. Today, there are countless solid body guitars to accommodate any type of player and price range—from beginner guitar players to seasoned pros playing genres spanning hard rock, country, blues, heavy metal, jazz, and more! Some of the most popular solid body electric guitars include the Fender Telecaster, the Fender Stratocaster, the Gibson Les Paul, the Gibson SG, the Ibanez RG, and the ESP Eclipse.
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