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Vintage styling, high quality speakers and that classic Fender cabinet warmth - there's a lot to love about the Fender Bassbreaker 212 Guitar Cab. Perfectly matched with the Fender Bassbreaker 15 & Fender Bassbreaker 45 guitar amp heads. There's 2 x 12 inch, 8 Ohm Celestion V-Type speakers inside and the semi-closed back ensure those rich, low end frequencies are captured. A great addition that can act as an extension cabinet to the Fender Bassbreaker 45 combo/head and the Bassbreaker 18/30 combo. if you want to add that signature fender warmth to your sound, this head is a perfect match to your own amplifier head with a total impedance of 16 Ohms.

Volume Swell Normally guitar has a very fast attack. It is at its loudest just after a not has been picked and there is a definite picked sound. You can get a softer pad style sound be picking with the volume off or very low and then raising the volume as the note/chord plays. This can be done with the guitar's own volume knob, but sometimes it is more convenient to leave your picking hand free and use a rocker pedal. By adding delay and/or reverb you can soften the note's ending also so that it doesn't stop abruptly.
The internal bracing has also been updated to a forward shifted pattern to further enhance the dynamic range of the soundboard and the guitar’s overall projection. The Taylor 214ce has a nice punchy sound and good articulation. If you need more output, just plug it in and let the onboard Expression System 2 (ES2) pickup do its job. The ES2 features a patented behind-the-saddle pickup and knobs for volume and tone, giving you total control over your tonal output.
To simplify the many available guitar body shapes available, we can categorize them into three shapes: double cutaway shape (eg. Stratocaster), single cutaway (eg. Les Paul), and exotic shapes (eg. Flying V). While it maybe considered superficial, having the right guitar shape will add to how enjoyable an instrument is to play and look at - which in turn inspires you to play more and better. In addition to shape, getting a good grip of basic body configurations is essential, here's a primer of the three most common:
But having hot tubes is only half the recipe for getting great tone. Room sound is the other ingredient necessary for obtaining a full-bodied guitar track. It didn't take me long to figure out that the guitarists on my formative blues sessions were slyly contributing to my "education" by nudging the mics away from their amps as soon as I left the room. Thanks to their clandestine efforts, my ears opened up to an entire new world of electric-guitar sounds.
For several years now Godin have been producing some of the most sonically versatile guitars available with their combination of regular pickups, piezo pickups and synth pickups built into their higher end guitars. Note that the synth pickups are 13-Pin and compatible with the Roland GR series guitar synths - if you want MIDI you have to first plug into a Roland synth then take the MIDI out from the synth.
Perhaps the most popular choice though is a paper in oil capacitor. I have tried so many brands and options, and truth be told, it's very hard to notice a substantial difference and you can, unnecessarily spend a lot of money on premium ones. I received so many requests for a PIO equipped harness, so in an effort to try and whittle my findings down to a good value, tight tolerance and good sounding paper in oil capacitor, I've settled with one made by WD Music USA which are superb. Compared to other PIO caps on the market, they're a reasonable price and importantly are tight tolerance meaning the key details about how it will react with a tone pot, is accurately presented. Again, no real right or wrong here, if your budget allows you to go crazy on capacitor choices, no one can tell you not too. But truthfully, just pay attention to the tolerances, as that will tell you the most about how it will 'sound'. 
I purchased a Dean Performer Plus -acoustic/electric with cutaway; the top is sitka spruce and the back & sides are mahogany;the fretboard & bridge are rosewood, the saddle is bone, the nut is tusq… now I am not saying this guitar sounds like my Martin – BUT – it does sound awfully good. I would highly recommend this for beginners & intermediates. The action on the neck is extremely good for a low budget guitar. They list for under $400. If you get a chance check one out… see how it matches up against your list of guitars. I hope this was helpful- especially for the beginners. Sincerely > George M.
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