Gilmour was made famous by his haunting guitar scores in Pink Floyd. This “replacement” guitarist surpassed expectations and helped shape Pink Floyd’s unique sound. You can always expect hairs at the back of your neck to stand whenever you hear one of his solos – be it for the first or hundredth time you’re listening to it. All the emotion that Gilmour’s poured into his guitar work lives on in the music and is channeled through anyone who’s ever wanted to cover a Pink Floyd song. I know several guitar players (myself included) who whenever playing the Comfortably Numb solo – whether they are alone in their bedrooms or on stage – have always been unwillingly brought to tears, near the point of crying. How could you not expect things to get esoteric and mystical when it comes to music?

We have covered pickups here before so rather than running over old ground I suggest you read that article to get an understanding of the different types of pickups an electric guitar uses and how they work in greater detail. For the purpose of this article, however, all sound starts with your pickups. Pickups are essentially magnets, generally 6 small magnets wrapped in a very fine copper wire (over 7000 times), and can be better described as magnetic wire coils.
We've already shown you one of Epiphone's Les Pauls. However, that guitar and this model we're looking at here are simply not comparable. Les Paul Standard features a much better set of pickups as well as hardware. Each of the four available finishes on this thing is superb and includes a number of subtle details which really add to the beauty. Most importantly, Epiphone's Les Paul Standard will give you a true taste of what a legit Gibson Les Paul tastes like without breaking the bank.
Through the late 1960s, Westheimer offered a wide range of Kingston instruments including electric basses and hollowbodies (and even amplifiers). By the mid-1970s, it was becoming increasingly expensive to build guitars in Japan, so Westheimer shifted production to Korea by building a factory there, which became Cort. Kingston guitars existed in one form or another through the 1970s and even in the early 1980s, but Westheimer was finding great success building budget and entry-level guitars in his Cort factory for big U.S. guitar companies such as Kramer, B.C. Rich, and Epiphone.
A while back I bought a GuitarPort, a product from Line6 that was one of the earliest guitar-to-PC interfaces. It cost me $99. It connects through USB and I could plug the guitar into it. I could play amp models and effects through my PC and the sound would come out of the computer speakers. (Headphones are of course an option through the PC speakers)
Les Pauls are all about that heavy metal feel and heavy weight. When they were first introduced, they had two p-90 single coil pickups. Today, they use double humbucker pickups for outputting a thick, sustainable sound. Like Tele and Stratocasters, they have a single cutaway shape. Heavy rock musicians love Les Pauls. Fender offers an affordable range of Les Paul electric guitars compared to Gibson, but Epiphone by Gibson is a hot item for the beginners.
On the other hand, if you know that you have spent a decent amount of money on something, you’re more likely to keep using it, so that you didn’t pay that much in vain. Getting a proper guitar from the start also means that you don’t have to get another one as soon as you get a little bit better and start to notice that maybe your $50 guitar wasn’t that amazing after all.
Boost pedals increase the strength of your signal going in to your amplifier. This means you don’t have to use distortion to get that volume jump when you want to make the chorus or lead line jump out. A boost pedal increases the signal without adding distortion, and can be used to fatten up your sound, ‘pushing’ your amplifier harder and louder, just without the grit that a distortion pedal will add.

We love guitars, they are definitely one of the best instruments of all time. What we don’t love is spending crazy amounts of money. We decided to find out what the best electric guitar under 1000 dollars is. Most often when it comes to musical instruments, you can’t expect budget beginners’ instruments to be as good as the best ones that cost ten times as much, but that doesn’t mean that there aren’t bargains to be found. For any skill levels looking for new acoustic guitars click here. If you want the best of both worlds, consider looking at our review of the top acoustic electric guitars.
This comprehensive set contains the most detailed version of the Yamaha C5 Grand plus a full compliment of performance sounds to cover all your needs from pads, strings, EPs, orchestra, synth, organs, guitars and many other instruments. At 971mb in size (with 592mb dedicated to one outstanding piano with five brightness levels to choose from)  it is designed for the fussy pianist who also wants a full bank of sounds at their fingertips.
In the second diagram, the two pickups are wired in series. The theory behind series wiring is that the ground wire of one pickup is connected to the hot wire of the other pickup. As a result, they become a kind of compound pickup, with one ground and one hot for both. When wired in series, the pickups combine their impedance (resistance) and the output is very high. If your Strat’s middle pickup is a reverse-wound/ reverse-polarity type (aka RWRP), you’ll get the same humbucking effect as you do when the pickups are wired in parallel—no changes there.
The first step is to determine what’s in your pickup already. The most common magnets for humbuckers are (roughly in order of strength): alnico 2, alnico 4, alnico 5, and then various types of ceramic magnets. In simple terms, the stronger the magnet, the greater the potential output. But you can’t just look at magnetic strength alone, because stronger magnets also affect the string’s ability to sustain.

The body of an acoustic guitar is composed of the top, also called the soundboard. The soundboard is supported by internal bracing; the sides, and the back that together form a hollow chamber. The upper body curves are referred to as the upper bout, while the usually larger lower body curves are called the lower bout. The area between them is referred to as the waist.

• Why frets come loose: Wear from string contact, fretboard drying and jarring mid-gig or during transportation can cause frets to pop loose. And if binding loses moisture, that can cause the ends of frets to rise or be exposed. These all create troubles that can wrongly be blamed on the more typical problem of fretwear, but in these cases dressing or replacement isn’t necessarily the answer. If there’s enough fret wire left, a loose fret can be reseated in its slot along the fingerboard, and a skilled luthier can often fill the gaps between the binding and the fret ends.
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Glen Campbell; DJ Ashba, Melissa Etheridge, Nikki Sixx, Mick Thomson; Kaki King, Steve Lukather; Marcel Dadi, Ray Davies,[30] Roy Harper,[31] James Hetfield, Josh Homme, Cyndi Lauper, John Lennon, Country Joe McDonald,John McLaughlin, Yngwie Malmsteen, Bob Marley, Ziggy Marley, Stephen Marley, Roman Miroshnichenko, Maury Muehleisen, Dave Mustaine, Vince Neil, Jimmy Page, Richard Daniel Roman, Shania Twain, Boz Scaggs, Luis Alberto Spinetta, Statler Brothers, Cat Stevens, and Aaron Tippin;[30]
The Squier Deluxe Stratocaster by Fender is another excellent electronic guitar for newbies. The body is made up of basswood which is a soft, light wood with some of the best mid and upper frequency production. A maple neck and fretboard further assists the mid and high range frequency sound. Its C-shaped neck guarantees the best comfort. This guitar features three single coil pickups. One is assigned for master volume control, one tone control for the neck pickup and one tone control for medium pickup. The five-way switch lets you combine these three pickups and produce the widest range of sounds ever!
Lastly, there's Session mode. When you need to take a break from structured lessons or just want to shred for a while, enter this mode and play to your heart's content. Rocksmith 2014 will even provide you with a backup band: tell the game what instruments you want in your power trio or quartet and the AI will follow your lead on the drums, bass, keys or anything else in its arsenal. We highly recommend the kazoo.
Larry Robinson Fine Custom Inlays - They produce one-of a kind shell inlays for all kinds of guitars. One of a handful of inlay practicioners in the country, Larry has done exquisite work for major guitar manufacturers (Fender, gi bson, Yamaha,...), small production shops (Santa Cruz, Collings, etc.), single luthier shops (Klein, Ryan, Olson, Megas, and more), collectors like Tsumura and people who just want something to personalize their guitar.
Most bass amps have only one rated wattage. A small number of amps, such as the Mesa/Boogie Strategy 88 amp head, have switchable wattage. A selector switch on the 88 enables the bassist to choose its full 465 watt power; half power (250 watts); or low power (125 watts). A bassist playing an arena on one night, then a club gig, and then recording in a studio could use full, half and low power for the different volume requirements. The Quilter 800 Bass Block has a "master control" knob which switches between various watt outputs for a similar approach.

The solid state amp isn’t really new either, but it only came into its own following William Shockley’s world-changing invention, the transistor. Its use for the audio circuitry allows the amp to be more adaptable and easier to tune, but despite innovations in recent years, the overdrive of solid state amps isn’t yet on par with what a tube can offer, and only a few manufacturers can boast of products that come close to sounding as clean as a tube amp.
When gluing a set neck guitar it’s important that you don’t use an excessive amount of glue. The glue should be applied to the base of the neck and base of the neck cavity. Try to limit the amount of glue so that it doesn’t come into contact with the edges of the neck or pickup cavity as this can impact on the tonal quality of the guitar and sustain.
Mostly everything about a guitar in this price range feels premium, and the sound quality and playability is enough to put a smile on any guitarist’s face. You also start to find advanced features such as brand-name pickups, active pickups, and EverTune bridges, as well as unique signature models that are too expensive for manufacturers to produce as a budget line.
This may be the most important piece of equipment you will buy if you are a beginner in terms of learning leads or just learning how to layer multiple guitars into a single song. There are certainly better boxes out there but not at this price point. The looper alone makes it worth the cost, especially since it allows you to layer on drums, basic guitar part and then leads or harmonies. Or all of the above. The only real shortcoming is the 30-second limit on the looper. But that's more than enough room to lay down a chord progression against which you can practice your leads.

By 1961, at least, the makeover was complete. The old mini Les Paul, the J-1, was changed to become a sunburst double-cutaway solidbody. These had widely flaring equal cutaways, a single rectangular neck pickup, a large pickguard which covered most of the treble side, a wooden adjustable bridge, covered tailpiece, volume and tone. The bolt-on neck now had a more Gibson-style open-book head shape (with round logo sticker). The fingerboard had the old large dots with two small octave markers. The J-1, in a number of forms, would survive at least through 1966, if not longer. It is presumed that the J-2 was still around and that it had also become a double-cutaway; it most certainly was still in the catalog, as a double-cut, in ’62.
Schecter's C-6 Plus belongs to their basic line of guitars. It features their own Super Strat body shape which is finished with a glossy charcoal burst finish. The tonewood of choice for this build is basswood, an inexpensively sourced wood, which is what allows such a nice guitar to be priced at this range. There are some aspects of basswood which work great with guitars designed for heavier genres, and on top of that, it is light weight. Don't take this for granted since it'll be hanging on your shoulders and back for long periods of time.
The ’37 Spanish Guitar ($40, $5 for a case) illustrated in both the Sorkin and Grossman catalogs was basically the same as before, but now with plastic button tuners. This still had no f-holes. The previous basic Regal trapeze tail is now shown replaced by a stamped National trapeze. Indeed, despite the fact that catalog illustrations remain retouched versions of the old Regal-made guitars, these probably had Kay bodies and bolted-on National Dobro necks. Gone is the 1/4″ jack in favor of the screw-on microphone attachment. Finally, the new cylindrical-magnet pickup is offered as the “Mated Pick-Up.” This is significant both intrinsically and in light of later Supro features. This pickup is “mated,” i.e., attached by three screws, to the bridge saddle. The pickup sat inside the guitar contained in a wooden box. This was the beginning of National Dobro/Valco’s association with what would later be called the Bridge-Tone under-bridge pickup featured in many of its electric guitars.
A scaled down Grand Symphony travel size guitar. It features sapele laminate back and sides with an option of a solid mahogany or Sitka spruce top. It has been acclaimed for having a full size guitar sound despite being a compact size. Although it doesn’t come with an onboard Expression System, an optional ES-Go Pickup can be easily installed for amplification.
Though not much is known about the production of the Hi-Flier after about 1977, it clearly came to an end — and clearly has had an impact on players in the vintage market. Used by guitarists like Cobain and Lee Ranaldo of Sonic Youth, as well as many others in a variety of bands, the Hi-Flier gained notoriety as a unique guitar with a sound as striking as its looks.
Starfield was a guitar brand owned by Hoshino Gakki. In the 1970s, Hoshino Gakki and Kanda Shokai shared some guitar designs and so some Ibanez and Greco guitars have the same features. The Kanda Shokai Greco guitars were sold in Japan and the Hoshino Gakki Ibanez guitars were sold outside of Japan. From 1982, Ibanez guitars have also been sold in Japan as well as being sold outside of Japan [3].
A companion to the Spectrum 5 guitar was a solidbody bass version with the Spectrum 5 body shape. This was the Teisco EBX-200/Teisco Del Rey EBX-200 Super Deluxe Bass. It had two small pickups with two center half-slots and two sliding on/off switches, with volume and tone and was described in the U.S. catalog as having the 5-ply ebony neck. The neck had the three-and-one hooked head and an ebony board with dots, not the picks.
But when combined with those Dean humbuckers, this thing full-on rocks! It’s full of gain, fuzz, buzz, but still articulate enough thanks to the strong middle frequencies, reeling in that Dime sound to cut any mix and in style. Additionally, the price is lower than many of the models on the rundown, making this puppy a safe choice for cheap good guitars.
Indeed, the Adamas was not the only technological exploration conducted by Ovation. In 1973, as the threat of copying loomed, Ovation decided to manufacture its own inexpensive “copies.” Launching a full-out research effort Ovation came up with new bowl materials, a new way to make tops, and a new neck construction based on more technology used on the helicopter side.
The Teisco J-1 was a natural maple-topped guitar with a single pickup near the adjustable wooden bridge, a large affair with a metal cover with six slots parallel to the strings and two round bulbs on either side, very space-age! The stop tail was probably rounded, allowing strings to pass through the body, and was covered with a square metal plate. A small pickguard sat between the pickup and the neck. A volume and tone control sat on another little piece of plastic down on the lower treble bout. Knobs were white plastic knurled with a silver ring around the top.

When looking to buy a guitar, you want to make sure that you’re picking a model that is right for your skill level, playing style, and needs, all that while ensuring that you don’t overspend. If you’re just starting out, there’s probably no need to spend a couple grand on a flashy model when one of the quality cheap acoustic electric guitars will do.
ACT TRMOLO ERSETZEN DER SAITEN Das ACT Tremolo erlaubt zwei Arten der Saiteninstallation. 1) Die Saiten werden durch Einsetzen des Kugelendes in den Saitenschlitz und Einhaken des Kugelendes unter dem Saitenfänger an der Rückseite der Tremolo-Einheit angebracht. 2) Die Saiten werden durch Einsetzen des Kugelendes in den Saitenschlitz und Einhaken des Kugelendes unter dem Saitenfänger an der Unterseite der Tremolo-Einheit angebracht.
A real household name, Yamaha make everything from motorcycles to grand pianos! But the Japanese company also produce a great range of affordable electric guitars, which they have done since the early sixties. Their very successful Pacifica range was launched in 1990, and includes their entry-level PAC012 to their premium PAC611, and everything in between.
Taylor is other remarkable guitar brand which manufactures good looking guitar with easy instruction to play. And people can easily but it medium price budget. Just try out this brand and test once and you will get to know its specifications well. This has been placed on the eight positions due to its some unique characteristics including clear sound.
One day I want to own a Martin IN ADDITION to my Gibson.. but having tried both a lot.. the D-18, the D-28... I went with the J-45. The J-45 is special in that it has slim shoulders - you won't get an enormous boom out of it when un-amplified. But the sustain is super fine, and as accompaniment to the singer and as a tool for the songwriter, it is rock solid and it gives, gives, gives, then gives some more. Plus, it's sexy as hell - every boy might think he longs for a Martin, but every girl goes home with the guy with the Gibson.
I found one at a local shop, 60's Norma, resembles a Strat LIKE guitar, but with a sweet design... It has two switch where you would fidn hte pickup selector on a gibson les paul. Its got a few nicks and such, but it sounds REALLY good and the guy only wants 60 bucks, I plan on buying it, re-fretting, and doing some custom fix up on the body. And He said pretty much everything is original... A pretty sweet guitar if you ask me... If and when I buy it I'll get a picture, email if interested!
That’s why it’s incredibly important that once you work through your first method book you should start seriously considering finding a teacher to further your education. A teacher can help give you the tools that you’ll need to continually advance on your instrument, which in turn will ensure that it will be a lifelong source of entertainment and enrichment.
The same no-compromise attitude that gives the Newporter Player its uniquely killer vibe extends to every aspect of its construction. It features optimized bracing for reduced mass and superior resonance, a Graph Tech - NuBone nut and saddle for greater sustain and a Fishman preamp system that makes it easy to plug in without sacrificing the guitar's natural sound. Its lightweight mahogany neck features a comfortable, easy-to-play, slim-taper "C"-shaped profile suitable for any playing style, and its walnut fingerboard and bridge further augment this instrument's vibrant tone.
Launch price: $1,427 / £999 | Body: Mahogany with maple cap | Neck: 3-piece mahogany | Scale: 24.75" | Fingerboard: Ebony | Frets: 24 | Pickups: Seymour Duncan JB humbucker, Seymour Duncan Jazz humbucker (EMG 81/60 reviewed) | Controls: 2x volume, tone, 3-way selector switch | Hardware: EverTune bridge, Grover tuners | Left-handed: Yes (without EverTune) | Finish: See Thru Black, Dark Brown Sunburst
I took the Gearank scores we have calculated for individual guitars for each brand and combined them using a weighted average to produce a rating for each brand. I can best explain this by saying if a hypothetical brand had 2 models and one of them had 99 rating sources and the other one only had a single rating source then the first model's ratings would contribute 99% of the final rating for the brand. An interesting statistic; we processed more than 17,000 sources for these calculations.
If metal is your jam, and you want an amp that will deliver brutal high-gain tone, this is your amp. Sized in a convenient combo package, this 60 watt beast features two channels with independent three-band EQ, pre/post gain controls and presence and resonance adjustment. It’s loud and powerful, yet small enough to throw in the back seat of your car.
and i dont know how the new ones are, but the only ones, though called AD3000, they weren't like the other 3000 series guitars Agile offered. back then, they came with maple necks. they also came with 3 or 4 piece bodies, while AL3000/3100 etc came with 2. this came with a matching headstock, which only the 4000 series offered....so its almost as if the AD3000 was a missing link between the different series of guitars....

The first two Cordobas we’ve featured have been cedar-top guitars. Now we come to the C7, which is available in both spruce and cedar (see item 7). If you hadn’t noticed by now, the “SP” or “CD” abbreviations in the Cordoba listings indicate the wood that the front of the guitar is made from, so that should help you in the future when looking for a particular guitar with a particular sound, just with the factory-supplied strings alone.
You might have read our review about the C40 GigMaker kit from Yamaha earlier on. This is a similar guitar, but it’s the C40II, and the black color makes it a limited edition instrument. The inlay is less “traditional” looking. Instead of an ornate “rosette” style, the inlay is a stripe pattern all the way around the sound hole, making the guitar look somewhat “jazzy,” to use a more descriptive term. So if this is the look you prefer, read on for more details.
This question is one of those legendary analog vs. digital type debates. Many a forum war has been started around this topic. It’s typically a question asked by beginner and intermediate guitarists looking to get into effects. Given a budget, is it better to start a collection and buy a couple of individual effects, or get a single multi-fx unit? There’s not really one correct answer to this question one way or the other, since it largely matters on what your goals are.
Washburn is known for producing great value guitars, and they take their reputation seriously. While other guitar builders tend to compromise cosmetics, this company does not hold back on visual details even in the entry-level market. The WD7S shows the company's design philosophy in action, featuring elegant body binding and custom wood inlaid rosette that makes the guitar look far more expensive than its actual price.
The guitar starts off with a basswood body, carved into the familiar Stratocaster double cutaway. Even the pickguard resembles that of a Strat, although the controls are different, with the Adrian Smith SDX just having two knobs for adjusting master tone and volume. While the neck still looks like a Strat, it is meant for fast and comfortable play, with its compound radius maple fretboard, 25.5" scale length, 1.6875" nut width and 22 jumbo frets. Giving this guitar its versatile tones are two single coils for the neck and middle position, along with a humbucker on the bridge, all of which are designed by Jackson with the approval of the Adrian himself.
String sage Ernie Ball reckons it’s made some of the world’s strongest strings with the Paradigm set, which promises longer string life while retaining the company’s iconic Slinky tone and feel. Ultra-high strength steel can be found in the wound and plain strings, plus reinforcement at the ball end, enabling them to lock in tune fast and hold up to aggressive styles. There’s even plasma-enhanced wrap wire for increased corrosion resistance, too.
These negative reviewers don’t understand that their guitar arrived exactly as most mail-ordered guitars arrive: out of tune and probably needing a full setup by a professional guitar tech. That’s just the reality of the world we live in: mail-ordered guitars are rarely setup properly before they’re shipped, and even if they are they can get knocked out-of-whack during shipping. So when your guitar arrives, know that it’ll probably be out of tune, might buzz a bit, and it may need a full setup to play its best. Very seldom are these things the result of a defective or damaged guitar.
Replace or upgrade your guitars pickup selector and other switches with the highest quality switches available from Switchcraft, CRL, Fender, Oak Grigsby Gotoh, Philmore and other top brands. Lever/blade style switches, toggle switches, mini switches, rotary switches, slide switches and other styles. For pickup selector and mini switch technical data, visit our Pickup Selector & Mini Switch Connections page to view drawings with the internal switch connections of each switch position. And if you are upgrading or replacing your pickup selector switch with a different type or style, check out the Pickup Switch Terminal Cross Reference page to view the corresponding terminals of the most common pickup selectors and switches.
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The Playability of the guitar is outstanding, and has a thin, nicely rounded fast neck. It has a very musical tone, with a particular sweet spot in the upper end. The bluegrass G chord in the 1st position with G/6th string, D/5th strings sounds tremendous on this guitar. Both fingerpicking and strumming are effortless, and jazz chords are well articulated. The volume of the guitar is Loud, and should only increase over time as the top opens up.
You might have previously dropped your jaw at another stunning performance taken from the same session in 2015 wherein Swift delivered a breathtaking piano rendition of "Out Of The Woods," and honestly, I can't help but feel that this is Swift in her natural element (probably thanks to her country music roots) and I want more of just her, her magnificent voice, and an instrument.
Reviews of the Boss Katana Head are generally positive, with many users pointing to its versatility as its main selling point. One user described it as a Swiss Army amplifier, which encapsulates what even experts are saying. Art Thompson of Guitar Player had this to say: "I found the quality of the amp and effects sounds to be quite satisfying. There’s good touch responsiveness on the higher gain tones, and these 100-watters are definitely capable of holding their own in a band." The inclusion of a built-in speaker got a lot of thumbs up from users who are happy that they don't have to use a different amp for practice.
Now comes the fun part. Put the jack and the tone pots into the F hole, and use the jack hole wire to feed the jack through the cavity. If the washer holds, the jack will pop up through the jack hole. Thread the wire through the jack washer and nut, and pull up on the wire to hold the jack in place while you tighten the nut. Once you’re sure the jack is firmly installed, clip the wire and let the washer end fall into the cavity. You can shake that out through the F hole later – just leave it for now.
ESP Guitars makes seven types, the Eclipse series, James Hetfield Truckster, and Kirk Hammett KH-3 from ESP, the LTD EC series and Truckster, the Edwards E-LP series, and the Navigator N-LP series, which are based on the Les Paul design. Certain EC models have 24-fret necks and active electronics using EMG pickups instead of the standard passive pickups and 22 frets found in the traditional Les Paul. The Edwards and Navigator lines are made in Japan, and available only on the Japanese market; they come standard with Gotoh hardware and Seymour Duncan pickups (EMG pickups in a few models), and unlike the EC and Eclipse series guitars, which are updated variants on the Les Paul, these are made to be as close to the Gibson 1959 Les Paul design as possible, in the vein of the late 1970s and 1980s “lawsuit” model guitars from Tokai, Burny, and Greco, complete with Gibson style headstocks.
Most seven-string guitars add a low B string below the low E. Both electric and classical guitars exist designed for this tuning. A high A string above the high E instead of the low B string is sometimes used. Another less common seven-string arrangement is a second G string situated beside the standard G string and tuned an octave higher, in the same manner as a twelve-stringed guitar (see below). Jazz guitarists using a seven-string include George Van Eps, Lenny Breau, Bucky Pizzarelli and his son John Pizzarelli.
However, John Leckie states an interesting preference for an SM58 and U67 rig instead: "SM57s tend to be that little bit brighter than the SM58, which really isn't what you want when you're miking up an electric guitar amp. You really want to pick up a flat signal, an 'unstimulated' signal I suppose is the word... The U67 gives you the warmth and a broader sound."
Visually, what sets this guitar apart is its distinct headstock shape, but there's more to this guitar than meets the eye. Firstly, the guitar's top is crafted from solid cedar, an interesting wood choice because this type of wood is more commonly used on nylon string guitars. The warm tone of cedar matches nicely with the bright sound of wild cherry, a staple tonewood used on the back and sides of most Godin guitars. This combination gives the instrument a more distinct appearance and sound. Other features that don't follow the usual convention include the use of maple for the neck, and its B-Band M-450 T preamp system.
Other notable effects include the tube-driven Leslie speaker series, which originally modified the sound of electric organs (such as the Hammond B3) until guitarists like George Harrison (and the Beatles more generally) began to use it for spacey chorus, tremolo, and phaser tones. The classic 60s model, the Leslie 122, was housed in a huge 41-inch wooden laminate casing and comprised of two motors (essentially two electromechanical horns) that had been rotated to create a Doppler-effect-based vibrato. These horns were, in turn, picked up by the dual speaker units. The Leslie 122 wasn’t even built to connect to a guitar, but bull-headed technicians fudged the electronics and made it work anyway. The laminate wood wasn’t just for aesthetics, either: It functioned as a partial enclosure, ensuring mellower tones, and different woods created different vibratos.

Jazz guitarist Les Paul spent years tinkering with his own electric guitar designs, but his first creations were initially rejected by Gibson’s parent company in 1946. But just a few short years later, on the heels of Fender’s success with the Telecaster and Paul’s growing popularity as an artist, Gibson struck a deal with Paul to play and endorse their new design for a solid-body electric. Gibson released the guitar as the Les Paul signature model in 1952, and since its release, it has become one of the world’s most imitated and sought-after guitars, with late ’50s vintage models being among the most prized instruments in the world.
Body Body shape: Double cutaway Body type: Solid body Body material: Solid wood Top wood: Not applicable Body wood: Swamp Ash body on translucent and burst finishes, Basswood on solid finishes Body finish: Gloss Orientation: Right handed Neck Neck shape: C medium Neck wood: Hard-rock Maple Joint: Bolt-on Scale length: 25.5 in. Truss rod: Standard Neck finish: Gloss Fretboard Material: Rosewoo

Jazz guitars are big bodied, often semi-acoustic, and designed to coax out some wonderfully rich, warm tones. Historically, jazz was played on acoustic guitars. However, in the days before amplification, the guitar often became lost in the mix of the big band sound. Until, that was, the introduction of arch top acoustics. Containing a magnetic pickup, arch tops ushered in a new era of guitar manufacturing. This meant that players could be heard in the way they wanted.


As jazz-rock fusion emerged in the early 1970s, many players switched to the more rock-oriented solid body guitars. Other jazz guitarists, like Grant Green and Wes Montgomery, turned to applying their skills to pop-oriented styles that fused jazz with soul and R&B, such as soul jazz-styled organ trios. Younger jazz musicians rode the surge of electric popular genres such as blues, rock, and funk to reach new audiences. Guitarists in the fusion realm fused the post-bop harmonic and melodic language of musicians such as John Coltrane, McCoy Tyner, Ornette Coleman, and Miles Davis with a hard-edged (and usually very loud) rock tone created by guitarists such as Cream's Eric Clapton who had redefined the sound of the guitar for those unfamiliar with the black blues players of Chicago and, before that, the Delta region of the Mississippi upon whom his style was based. With John Mayall's Bluesbreakers, Clapton turned up the volume on a sound already pioneered by Buddy Guy, Freddie King, B.B. King and others that was fluid, with heavy finger vibratos, string bending, and speed through powerful Marshall amplifiers.
Includes 9+ hours of in-depth training on all aspects of guitar. There are many variables that can impact the tone and quality of a guitar recording — from setup, string gauge, amps and pickups, to processing, effects and miking. Mark breaks it all down so you can confidently create awesome guitar tone and take your mixes, productions, performances and recordings to the next level.
i have an old Dorado solid-body electric serial # 0726454 on the neck plate it says STEEL ADJUSTABLE NECK, then the serial number, then made in japan. it has abalone fret markers, and dorado is in abalone in the headstock, blonde finish white-black-white-black pickguard, and a funky trem. i was told once that maybe guild had made this guitar... seems pretty unlikely... and that it retains it's original value, it all seems pretty unlikely... but i don't know... please help!!!
Fender is considered as an American manufacturer of amplifiers and stringed instruments, which was founded by Clarence Leonidas Fender in the year 1946. They provide a wide range of guitar. It has comfortable necks and  smooth fingerboard. Their headquarters located in Scottsdale, Arizona, United States. The guitar will available at Rs. 12,199/- onwards (approx). For further information, visit fender.com.
For beginners looking to practice their first notes, chords and songs, nothing more than a couple of watts is needed – in fact, most dedicated practice amps won’t offer much more than 10 watts. If you are planning on jamming with a full band or starting to gig in small venues (think bars, clubs and small halls), then anything from 15 to 50 watts will suffice. Bigger gigs, including auditoriums and outdoor festivals, will demand upwards of 100 watts.

This company specializes in guitars meant for heavy metal and hard rock lovers. It is the proud manufacturer of some of the most outstanding designs in the history of metal such as Warlock, Bich, Virgin, and Mockingbird. It molded and influenced hard rock and thrash revolution of the 1980s. It is a great choice if you are looking for some edgy designs for your guitar. The guitars are available in 6, 7, or 8-string models that are suitable for players of all genres. Their recent introduction was the Villain series that has incredible designs and has a body of basswood or mahogany.
What is an Essex? Also who compiled this list? It definitely wasn't guitar professionals. Every guitar maker has top line and then entry level guitars. Top line for those that can play and entry for the beginner who 9 out of 10 stop playing and they don't care that a $60 to $200 mistake lays in the closet for years. Yamaha makes 100's of styles and a lot are great guitars and some stink. It goes with the territory in a very competitive market. This should have been better defined and broken down by cost levels. Because this could have even been titled "The 10 Best Guitar List"
There’s been a steady evolution in effects signal processing since the 1940s. Guitarist-innovator Les Paul was among the first and most avid effects developers, experimenting with echo and multi-track recording to add sonic excitement to his music. The first foot-switched effect showed up in the late ‘40s with Harry DeArmond’s Trem Tol tremolo processor that was later used by Bo Diddley. In the 1950s and early 1960s other effects were developed, but they tended to be expensive and some had operational issues. Meanwhile amplifier makers such as Fender and Gibson were building reverb and tremolo effects into their amps. These tube amps also produced tasty distortion and overdrive effects when gain and volume were cranked up to maximum settings. Today, many effects are designed to reproduce those sounds.
I love this guitar! I am so happy with this axe and haven't put it down since it arrived. I don't think that you will find a better value in the Martin lineup, especially for an all solid wood guitar and a free HSC. People complain because this wasn't made in the USA, but I don't think that anyone would complain after playing this beauty. The action right out of the box was perfect, just like any high end Martin should be (plays like my HD28 and D18). This thing plays like butter and is silky smooth. Some people complain about the stratabond neck, but I love the feel of it and it is rock solid and should last forever! The finish and style of the guitar is very minimalistic, which is something that I love. It may be too plain for some people, but I love it. Something just

Shortly thereafter, the American instrumental rock band The Ventures asked their friend, session musician and electronics enthusiast Orville "Red" Rhodes for help recreating the Grady Martin "fuzz" sound.[18] Rhodes offered The Ventures a fuzzbox he had made, which they used to record "2000 Pound Bee" in 1962.[19] The best-known early commercial distortion circuit was the Maestro FZ-1 Fuzz-Tone, manufactured by Gibson, released in 1962.[20]


I have been playing guitar, banjo, bass and harmonica for 46 years - and I don't find a $4,300 Martin D 41 to be affordable (Guitar Center price). I play a Taylor 402ce and a dozen other instruments. I believe Taylor is the best instrument for the price..Alvarez Yairi guitars are very good too. Martin and Gibson make fine guitars but they are overpriced. I have a Chinese Maple Guild that sounds fine but the fretwork is amateurish. A Chinese Takamine New Yorker is very well constructed and sounds great.

A small number of bass amps designed for the upright bass have both a 1/4" input for a piezoelectric pickup and an XLR input for a condenser microphone mounted on the bass, with a simple mixer for combining the two signals, as described below. Some Acoustic Image amps have a dual input design. A rare feature on expensive amplifiers (e.g., the EBS TD660) is the provision of phantom power to supply electrical power over the patch cable to bass pickups, effects, a condenser mic (for an upright bass player) or other uses. A small number of 2010-era amps that have digital modelling features may have an input for a computer (e.g., USB), so that new digital effects and presets can be loaded onto the amp.
Categories: Guitar manufacturing companies of the United StatesGuitar amplifier manufacturersManufacturing companies based in ChicagoManufacturing companies established in 1890Companies disestablished in 19681890 establishments in Illinois1968 disestablishments in IllinoisDefunct companies based in IllinoisMusical instrument manufacturing companies of the United States
With sharp double-cutaways and the recognizable Rickenbacker body shape made from maple, the semi-hollow Rickenbacker 330-12 12-string electric guitar has proven to be one of the brand's most popular models since the 1960s. The 330-12 has been used for its jangly sound, perfect for pop and various other genres, by the likes of Tom Petty, Johnny Marr, and Peter Buck, to name a few.
The size and shape of the ME-80 is comparable to the Line 6 POD HD500X, though the Boss measures a few inches smaller, and also weighs a few lbs less. This is a Boss product, and as such it’s built like a tank. No worries whatsoever over the build quality of the chassis, knobs, and footswitches. Starting with the rear of the ME-80, you can see the I/O is pretty basic - mono input for your guitar, stereo output, a headphones jack, AUX in (so you can plug in your iPhone and jam along to your favorite tracks), and a USB port. Like the Zoom G3X and the Line 6 POD HD500X, you can use the Boss ME-80 as a USB interface for your computer and record your guitar straight into your favorite DAW. Oh and one small inconvenience is that you’ll need to buy the power supply separately. Why Boss doesn’t just include one for a unit of this quality and price, we don't really understand. If you do end up getting the ME-80, this is the power adapter you want. It can also use 6 AA batteries which is good if you need to use this on-the-go, but we don’t recommend it as it will suck those batteries dry in no time.
Treadle-based volume pedals are used by electric instrument players (guitar, bass, keyboards) to adjust the volume of their instrument with one foot while their hands are being used to play their instrument. Treadle-style volume pedals are often also used to create swelling effects by removing the attack of a note or chord, as popularised by pedal steel guitar players. This enables electric guitar and pedal steel players to imitate the soft swelling sound that an orchestra string section can produce, in which a note or chord starts very softly and then grows in volume. Treadle-based volume pedals do not usually have batteries or require external power. Volume effects: Electro-Harmonix LPB-1, Fender Volume Pedal, MXR Micro Amp, Ernie Ball Volume Pedal.
When you have a setup that you like, you can easily save it as a track preset — or, better still, create multiple track presets for different types of sounds. Cubase can even make a fine host for live performance, should you decide to trade your rack of effects for a svelte laptop that patches directly into the PA system, as you can switch instantly between racks. (I'll cover how to do this at the end of the article.)
That would work, of course, but the result would be very different. You’d have minimum cut in the center position, with treble cuts of differing size in either direction, depending on the caps’ values. I’m not sure that would be particularly useful — the activity would be the same in either direction up to the point where the value of the greater cap kicks in. (I suppose one advantage would be that you could leap quickly to two “preset” values by turning the pot to minimum or maximum, as if you’d installed to caps on a DPDT switch, as seen here.) Or course, you’d have to worry about centering the pot, unless you could can find a part with a center detente. The resonant peaks, and therefore the overall tone, differ from standard. HOW exactly they differ is one of the things that I’m going to explore. 🙂
I keep coming back to this point because it’s absolutely essential: learn how to solo over chords. I don’t mean simple chord arpeggiating, even though that has its place, too. If you can follow the chord changes with smooth, soulful playing, you will never be fenced in. You can drop into any style, any band, and any situation. Most of us get stuck playing a given scale pattern for years before something shakes us up. Make this the foundation of your learning with this book.
The tuner goes first. This one is pretty easy. It doesn’t want to hear an effected signal; it wants to see the direct input from the guitar. Another reason for putting the tuner first is that if you’re using any true-bypass pedals, the TU-3 will give them a buffered signal, which will protect your tone from loss of signal in the cables when other pedals are off. This is another one of the reasons there as so many TU tuners in pedalboards worldwide, even ones using nothing else but boutique true-bypass stompers.
Les Paul DID NOT design the guitar that bears his name! Ted McCarty and his team at Gibson came up with it and took it to Les at Delaware Water Gap where he was living and recording (no planes flying over). Ted showed it to Les and he said, "They're getting too close to us, Mary, we better join 'em." The only contribution that Les made to the original guitar was that lousy wrap around the bottom trapeze tailpiece that was quickly dumped...
Bass amps come with a range of different input and output jacks, depending on the cost of the amplifier and its intended purpose. The least expensive practice amps may only have a single 1/4" input jack and no output jacks. Some practice amps and small combo amps have RCA or 1/8" inputs for plugging an MP3 player or CD player into the bass amp, to facilitate practicing with a recording. Some amps have a high-gain input, for basses which have internal preamplifiers one the instrument. The high-gain input is routed through a pad (attenuator). An amp may also have a low-gain input, which is unattenuated, for regular basses. Some combo amps have a 1/4" auxiliary input, which could be used to plug in a keyboard, drum machine or second bass.
If you pine for the days when giants scarred the earth with odes to their arena-sized wangs, then Michigan’s Greta Van Fleet are your new jam. Not only do they look like they’ve stumbled out of the pages of 70s Vogue, they also have a preternatural knack for brow-raising classic rock anthems. Guitarist Jake Kiszka is highly capable, combining Page-like pentatonic ping-pong with a bag of lead licks that channel everyone from Jefferson Airplane to Mike Campbell. 
A tung oil-finished rock maple neck, and a slightly more curved fretboard radius of 13.75 inches are the other small modifications to the ‘speed’ features on the MD200. However, it has a thinner bolt-on neck as compared to the MD400’s wider mahogany set neck. That said, both neck profiles remain a shallow “C” shape, and the guitars’ dramatically beveled cutaways give you ample room to reach the high notes.
BC Rich is a fashionable brand of guitar that has been available since the year 1969. This is an American brand of acoustic & electric guitars & bass guitars. The brand produces 6-string electric guitars mahogany or basswood bodies. This brand is not as popular as other brands of electric guitars as it specializes in guitars for heavy metal & hard rock crowd. It is the choice of only those guitarists who are looking for an instrument that looks sound as edgy as possible. It offers trendy appearance and classic style of playing an electric guitar. The starting price of this brand of guitars is 29,000 INR approximately.
Synonymous in the electric guitar industry, the Gibson brand continues to produce some of the best electric guitars on the market, including the Les Paul Studio. Designed with a classic look that maintains the appearance of a vintage quality, this electric guitar comes with a neck that is slimmer than most traditional models, allowing for ease and smooth transitions when switching between notes. The guitar utilizes an upgraded version of humbucker PAF to cancel out any outside interference that detracts from the quality of the sound, while maple and mahogany wood are combined to deliver both definition and sustainability. Other features include traditional tuners that can be manually altered, a Graph Tech Nut for precise spacing between strings, and a neck heel with the class Les Paul design. Well reviewed and great for the price, the Les Paul Studio is one of the best electric guitars available if your cash flow allows.
Being part of Schecter's upper tier guitar line, this one comes packed with premium appointments, including a nice looking arched quilt maple top that follows the double cutaway shape of the mahogany body. It also has a 3-piece set mahogany neck that can withstand angry riff playing while the ultra access heel allows for easier upper fret access when you want to hit your audience with high note solos. The guitar has a Sustainiac Humbucker on the neck (known for long sustained notes) and the high output EMG 81 Active Humbucker that's great for metal riffs. Other features include Floyd Rose 1000 Series Tremolo, 25.5" scale length and 1.625" nut width.

Frank Bowers Interestingly enough, they have completely different approaches to the job. Bo cranks his Gibson Firebird straight through a Peavey 6505 half stack with nothing in line but a tuner, while Frank rocks out on his Gibson Les Paul Customs through a Digitech GSP-2101 preamp, a Mesa/Boogie TriAxis preamp, a TC Electronics G-Major processor, a Mesa/Boogie 2:90 power amp, and a Marshall 4x12 cabinet. During their show, they each take jaw-dropping solos, and they share the spotlight on some of the best-executed twin leads since Thin Lizzy’s “The Boys Are Back in Town.”


Multi-effects processors come in various configurations, too. Some are floor units that have built-in foot pedals and controllers so they can be operated while your hands remain on your guitar. There are rackmount processors (these can be fitted into a rack of recording gear in line with your signal chain) that incorporate a preamp for your guitar. The more sophisticated models have MIDI I/O for connecting guitar synthesizers to keyboards, modules, computers and other MIDI devices and include a divided pickup to attach to your standard guitar. These processors pack effects libraries that offer combinations of effects, amp models and stompboxes that can number in the thousands. Switching can be controlled by onboard knobs, foot controllers or guitar-picking technique. Expect to pay considerably more for a rackmount effects processor, in a range of three- to four-digit prices. 

If you stick to a simple chromatic scale (all the semitones), you also run the risk of the pitch correction moving the audio to the wrong note if the singer is more than half a semitone off pitch. A user scale, containing only the desired notes, generally works much better. Some systems also allow you to dictate the correct notes via MIDI. If the song contains sections in different keys or that use different scales, it is often simplest to split the vocal part across several tracks and then use a different pitch-corrector on every track, each one set to the appropriate scale for the section being processed.
The roots of effects pedal usage can be traced back to early into the history of the electric guitar, but two people immediately come to mind who really pushed its usage out there:  Roger Mayer and Jimi Hendrix.  We’ve come a long way since those early days and it’s easy to be overwhelmed by the insane amount of options out there.  From good old standbys to newer boutique options, it can be a chore to know what effects pedals could be right for you.

“Most guitarists learn from records,” says Dr. Andre Millard, a professor at the University of Alabama-Birmingham, editor of The Electric Guitar: A History of an American Icon. “That’s how you learn to play. We learn from the classic records. And those classic records have that classic tone, which is ’58 to ’63.” And quite frequently, Millard points out, the studio had as much an impact on those recordings as anything else. He uses the Rolling Stone’s debut, England’s Newest Hit Makers which was released on London Records in 1964, as an example.
 The world-wide reputation of the company is not based on design data and performance alone. The real key to success of SWING is "Outstanding People". Every staff member at Swing has a background as a professional musician. Moreover, we were all career veterans in guitar engineering with decades of combined experience, well before founding our new vision; Swing Guitar Technology. If you are familiar with musical instruments companies or have seen their ads or brochures, you may notice their catch phrase like "It's about Music." Nothing could be closer to the truth, based on Swing's pedigree. From the selection of materials to their treatment and hand fitting. From mechanics to electronics. Each stage of each final product is mastered by SWINGers.
Some of the best guitar compositions come from simple experimentation; that's why jam sessions are so great. When you want to have your own personal jam session, using a headphone amp is a fantastic idea. That way, you can keep your genius to yourself until it's ready for its first audience. You'll have the freedom to experiment all you want without having to worry about unwanted ears listening in, and that'll give your new riff even more of an impact when you unveil it on your main amplifier.
That’s not to say Gibson always met expectations during its storied past. “I dreamed of having a Gibson guitar and I achieved that dream,” Hook said. “It was a hollow-bodied EB-1 [a bass guitar] but it was medium scale so it was a s--t guitar and it sounded like s--t and I had to put new strings and a new bridge on it. It still sounded duff so I copied the shape and amalgamated it with a Yamaha.”
Ibanez RG20061, also known as the RGT220A CAH, is an RG series Prestige limited edition guitar model specially created for the 2006 Winter NAMM Show. It based on the RGT220A, but stained brown, although claimed to be barbecued to a chocolaty brown color. Features include a neck through body construction, ash body wings, Dimarzio IBZ pickups and the Edge Pro tremolo. Only 153 Made 8/10 Condition
SOLD OUT: This guitar is very familiar to me as I have had other guitars from another Famous Japanese guitar maker That was known to make this very guitar already I believe this to have been made by those responsible for the Takamine or Mountain ands Tak made for Washburn import, needless to say this is a high quality Well built Japanese copy of the Martin D-19 and is Identical to the Takamine F320. This example was well crafted over 32 years ago making this a true vintage guitar based on the classic These were quite well constructed by any standard fit and finish is excellent typical of this era Japanese crafted and were made with very nice woods too... The top on this guitar is Solid Spruce and is nicely figured and the back sides and neck are all Mahogany, The fingerboard = bridge & head-stock front overlay is rosewood. This combination is know for some sweet mellow tone & good volume...this example is in above average vintage condition its finish still shines like glass and with only a few minor doinks and with its true 32+ years of well taken care of age its natural patina is very nice in deed. This guitar has the 1-11/16ths nut width it’s a comfortable medium profile neck and it plays with ease and has good action, neck is straight with correct relief and frets are still good at 88%. Tuners are original and are working well, no splits or cracks warps or twists or issues of that nature structural integrity is excellent. Volume is very good, tone is sweet, this makes for a very good playing guitar That sounds great and is very enjoyable all round for the player. Vintage tone! .. thanks for your interest if wanted you can contact Joe at jvguitars@gmail.com . .
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After making your observations about the curve in the neck, make your adjustments of the truss rod, if necessary, until you have the amount of forward curve you are looking for. In the best case scenario this will mean that you end up with a slight forward profile, when fretting the 1st and 12th frets, usually no more than 1/32", focused in the 6th-7th fret area and tapering towards flat in either direction.
Seagull Maritime The Seagull Maritime acoustic guitars are made of all-solid tonewoods, making them a great option for those looking for the best acoustic guitar with a full sound. The top is made from pressure-tested solid spruce while the sides are made of solid mahogany wood for a well-balanced tone. The craftsmanship is superb and it has the sound quality to match.
Two easily overdriven cathode-bias 6V6 output tubes deliver a sweet, harmonically rich tone, and the 5Y3 tube rectifier has the sag required for dynamics and touch sensitivity. This holy grail of vintage combos has been used by Neil Young, Mike Campbell, Rich Robinson, Mark Knopfler, Billy Gibbons, and countless others. If you can’t afford the original, more-affordable reproductions are available from Victoria, Kendrick and Clark Amplification, to name a few.
If you've ever seen an electric guitar, you'll have noticed that most of them have solid bodies that are thinner (and sometimes much smaller) than those of acoustic guitars. Although most electric guitars are wooden, the material from which they're made is not critical. As George Beauchamp (pioneer of the modern electric guitar) pointed out in his patent back in the 1930s: "The body may be varied considerably in size, shape and construction, and may be constructed of various materials without departing from the spirit of the invention"; his original design suggested the body could be made from "a simple integral casting of metal such as aluminum." Early electric guitars were made from all kinds of materials, including molded Bakelite (one of the first plastics) and sheets of soldered brass.
Because there is no inherent right or wrong amp, the suitability of the end gadget will depend on your personal taste and the tuning of the ear. Quality guitar amplifiers are designed to precisely reproduce sound while maintaining a clean and accurate tone. You can find acoustic and electric guitar amplifiers from brands like Fender, Peavey, and Blackstar.
Consider so-called “vintage” or “’50s-style” wiring, in which the tone pot and cap are connected to the middle lug of the volume pot rather than the usual third lug. Given the sheer number of posts the topic has amassed on guitar-geek sites, you’d think it was an earth-shaking option. Yeah, it’s a cool mod that I happen to dig, but really, the sonic benefit is modest: just a bit less loss of brightness when you dial down the volume.

Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing the boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well balanced asymmetrical body shape, and the neck heel allowing unrivaled playability.


New too was “the popular Supro” Baton Guitar, sold with a matching Baton amp as the Supro Baton Guitar Outfit No. 200. This was basically the same shape as the old Avalon, but a short-scale (21″) student version now finished in a grained walnut finish. The silkscreened fingerboard sported diamond inlays. The Supro logo plate was on the slightly flared head. This had the new exposed-staggered-pole pickup with a rectangular handrest bolted on over the pickup, all mounted in the middle of a large square plate. The strings attached to a pyramidal tailpiece. Controls now included bakelite volume and tone knobs on either side of the end of the fingerboard. The back was covered in no-slip suede. It came with a natty alligator soft case. Based on the use of the description “popular,” which Supro almost always used to describe previously available models, the transition from the Avalon to the Baton may indeed have begun in 1940.
In the late 70’s digital technology boomed and made its way into the guitar community. It first entered in the form as rack units which were expensive and relatively large. As costs came down and the technology shrank, digital delay pedals were introduced into the market by Boss in 1984 with the Boss DD-2. Since then as technology advanced, delay pedals now offer many features in a very small box such as tape echo, analog, reverse delay, modulated delay, and loopers.
...Wow! I JUST bought this electric guitar from a pawn shop for 37 dollars. I could instantly tell it was a 60's guitar, so I had to have a closer look. Mine has the tailpiece clam, but it was missing the whammy bar, so my dad built me one. It didn't even work, at all. A good cleaning fixed that though, it now works perfectly. Now it's fun little piece of history.
I have many Behringer pedals.Used them gigging.Have had many people ( lots of musicians ) asking me what I am using to get my tone and effects .They are all surprised when I tell them Behringer pedals.And almost all say the same thing."aren't they made of plastic"? Yes they are made of plastic.But being someone who has worked in the plastics industr.for 25 + years I know Plastic can be very strong .I have done hundreds of gigs with these pedals and never had a problem.You would really have to jump ontop of these hard to damage them.And if you did that with the non plastic pedals I am sure you would also have a problem .That said.I have 5 fx600 pedals because I found a site selling them for $14.A super bargin for so much effect.As far as battery power nowadays batteries cost more than pedals so anyone ... full review
For our purposes, I’ll break pedals down into four overarching categories: 1) Boost, Compression, Distortion, and Fuzz; 2) Modulation; 3) Echo and Delay; and 4) Filtering and EQ-Based effects, and this series will focus on individual types that come within each of those larger categories (for example, Modulation includes many quite different effects, such as chorus, vibrato, phasing, and so on). This is not to say that some manufacturers or other writers couldn’t categorize things differently, and certainly a few examples below could be safely lifted out of the heading I have stuck them in and accurately described by another category. It doesn’t matter all that much. These headings are mainly a means of breaking down the sonic results of the enormously varied range of pedals that exists out there, and taking a brief look at what makes them tick.

However, Class D amplifiers (also called "switching amplifiers" or confusingly, "digital amplifiers") are more efficient than conventional Class-AB amplifiers, and so are lighter in weight and smaller. The Acoustic Image Focus head, for example, produces 800 watts of power and weighs 2.2 kilograms (about 4 pounds). Class-D amplifiers use MOSFETs (Metal Oxide Semiconductor Field Effect Transistors) rather than 'ordinary' (bipolar) transistors, and generate a pulse-width modulated signal that is filtered before it reaches the speaker.[15] In the 2010s, the availability of Class D amplifiers has enabled amp manufacturers to produce very lightweight and small, yet very powerful amp heads and small, lightweight combo amps.
Our production/assemble time frame: 15 - 25 working days since our professional Control Team and Supervisor Engineer will ensure that your ordered guitar is top notch considering the fact that this guitar is intricate to assemble and they check very carefully every detail such as the finish, fret work, pickups, strings. And also, they will test the sound quality. We do not rush up the process of manufacturing your guitar since we would like to deliver to you best quality performance.
Since they present a finer break point at the neck end of the strings’ speaking length, narrower vintage-gauge frets are generally more precise in their noting accuracy. From this, you tend to get a sharper tone, possibly with increased intonation accuracy, plus enhanced overtone clarity in some cases, which could be heard as a little more “shimmer.” If you’re thinking these are all characteristics of the classic Fender sound, you’d be right—or they are, at least, until you change those vintage frets to jumbo.
The standard practice for many distributors was to offer a line of guitars based on popular American designs like Les Pauls and Strats, for example, along with a few original designs. And all were offered at a bargain price or were at least inexpensive enough to compete with the American manufacturers. While the majority of imported Asian-built copies from the era aren’t considered to be of very good quality, the Lotus brand was an exception, mainly because of the factories they were built in.
While vintage guitars tend to hold a reputation as the best ever made, there are more high-end boutique makers turning out truly magnificent instruments than ever before. Following the wake of trail-blazers like Paul Reed Smith, the current class of boutique guitar makers includes the likes of Knaggs, Kauer, Swope, Fano, Huber, Koll and many many more. Keep an eye on this page for the latest and greatest luthier-made new and used electric guitars to hit the pages of Reverb.
Additionally, George Harrison used a custom-built rosewood Telecaster during the recording sessions for The Beatles‘ Let It Be album (including the rooftop concert), played through aLeslie speaker; Big Twist and the Mellow Fellows guitarist Pete Special frequently had reissue of Harrison’s Tele onstage in the mid-1980s, but rarely played it. Pearl Jam singer and guitarist Eddie Vedder has been known to use a custom black Telecaster with a white pickguard containing a black arrow decal pointing towards a target design under the strings. Guitar virtuoso Chet Atkins, known for the variety of acoustic and electric guitars that he used, occasionally played a Telecaster in his duets with Jerry Reed.[6]
Large-scale traffic in guitars between Japan and the United States began in the very late ’50s. Jack Westheimer of Chicago’s W.M.I. corporation has published his recollection of having begun to bring in Kingston guitars purchased from the Terada Trading Company in around 1958. The Japanese themselves began advertising their wares to American distributors as early as July of 1959, when Guyatone ran a small space ad touting small pointed single cutaway solidbodies more or less resembling Teisco’s mini-Les Pauls.

Boost pedals increase the strength of your signal going in to your amplifier. This means you don’t have to use distortion to get that volume jump when you want to make the chorus or lead line jump out. A boost pedal increases the signal without adding distortion, and can be used to fatten up your sound, ‘pushing’ your amplifier harder and louder, just without the grit that a distortion pedal will add.


The technique is often executed by the little finger of the guitarist which is wrapped around the volume pot of the guitar. When the note is struck the volume is increased from zero by a rolling motion of the little finger. Alternatively, the effect is achieved with a volume pedal. It is sometimes called "violining", because the sound is similar to a bowed violin. Allan Holdsworth pioneered the technique of the pedal swelling along with a delay unit to create a thicker sound that is more associated with the cello. - winner333
The question here is how high to make the bridge. Well, this is personal choice. Find somewhere were the string doesn’t buzz on any fret from being too low, but low enough that you can play up and down the neck easily. There’s usually a sweet spot where you can just start to detect some buzzing and you can leave it just a tiny bit higher than that. Now do the exact same procedure for the high (thin) E string end of the bridge. Play the guitar a little bit to see if any of the other strings are buzzing. If, say, the A string is still buzzing, then raise up the end of the bridge nearest to that string a little bit ( a small amount of buzzing is often OK as long as it doesn't bother you too much and isn't heard through the amplifier - this a bit of a personal choice thing). OK, that’s step 2 finished. Your guitar should be nice and playable now. However, it may not seem to stay in tune very well. That’s because the intonation might be off.  
Another great book by Nicolas, this one shows you exactly how to create your own personal tone using amplifiers, effects and your guitar itself. Any beginner will benefit from this clearly written guide including everything from a breakdown of all the different ways to individualize your guitar playing technique, to information about virtual effects.
The earliest documented performance with an electric guitar was in 1932, by guitarist and bandleader Gage Brewer. The Kansas-based musician had obtained two instruments from George Beauchamp of Los Angeles, California, and he publicized his new instruments in an article in the Wichita Beacon, October 2, 1932 and through a performance later that month.
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One very interesting and strikingly modern Teisco guitar, the YG-6, appeared in Japan in 1965. It was very near the classic Strat shape, with offset double cutaways and Strat-like contours, but the horns were more pointed. The neck had the new hooked headstock and the rectangular edge inlays. A large multi-laminated pickguard stretched from the upper horn down to the lower bout control extension. Three large rectangular single-coil pickups, with chrome sides and black center insert (exposed poles) sat in front of a roller bridge and the clever platform vibrato design. Three on/off rocker switches sat above the strings, plus a small sliding switch, presumably a mute. It had one volume and one tone control, and is an exceptionally handsome guitar.
Three CraViolas were offered. These had a strange asymmetrical shape with a pear shape, no waist on the bass side and sharp waist (and almost cutaway taper) on the treble. Soundholes were D-shaped with fancy rosettes, with a pointed tortoise guard on the steel-stringed versions. These had slotheads with a Woody Woodpecker-like peak pointed bassward. The bridges were similar to the mustache version on the Country Western. The CRA6N Classic ($150) had a yellow spruce top and full-grained Brazilian rosewood body, no inlays or pickguard. The CRA6S Steel String ($160) was a similar steel-string with pin bridge and diamond inlays. The CRA12S 12 String ($175) was the 12-string version.
This guitar is one of the more affordable left-handed variants that you will find on the market. With a 41-inch body and a full-scale, you won’t find any limitations to the music you wish to play. The body is 3 inches thick which not only makes it comfortable to hold but also play. The cutaway gives you good access to higher frets while also increasing the appeal of the guitar.
Basic Guitar chords and signatures. Find and save list of chords. Basic guitar chords A sheet of the most used rock chords. Suitable for beginners. Empty chord sheet All about how to play guitar chords and guitar chord charts. Once you finished the free online guitar lessons you know all there is to know about guitar. Music guitar tabs archive with over guitar chords for guitar, keyboard, banjo and viola, tabs for guitar, bass, drums, guitar note
The Marine Band Thunderbird is a model of low and super-low pitched 10-hole diatonic harmonica that was introduced in 2011. It possesses a bamboo comb like the Crossover, and a conical shaped lower cover plate. Designed by noted harmonica player and customizer Joe Filisko, this plate helps reduce any rattle caused by the low frequency tone produced by the reeds. It is available in low major keys A through F, as well as low B-flat and E-flat, and double-low F.[14]
“What’s the best multi-effects pedal?” is a question that comes up again and again in guitar and bass forums and discussions, and for good reason! There are a lot of multi-effect pedals out there, with prices and features varying drastically from model to model. With multi-effects pedals, it’s a little bit different than something like distortion pedals. With distortion, there might be 50 different manufacturers each making a single distortion pedal. With multi-effects, there are only around 5 major manufacturers (Zoom, Line 6, Boss, DigiTech, TC Electronic), but they each make 10 models of multi-effect pedals. This can make choosing the best one tough for beginners and advanced players alike. Luckily, we’re here to help, and after a ton of research and play testing, we’ll help you decide what the best multi-effects pedals on the market are, no matter your budget and needs.
1960's Harmony H-54 Rocket 2 Redburst- Here's a excellent example of rock-n-roll to jazz all rolled up in one. For not much coin the Harmony Rocket was a great choice of hundreds of thousands from music stores to Sear Catalogs. This guitar is in very near mint condition as you can see. We repaired a slight crack at input jack common area. Yes, someone years ago stepped on the cord. We professional glued it from the inside and it's stronger than new. All that shows is a slight line about 1 1/2" long on bottom edge. Anyway, the Rocket 2 is getting harder and harder to find. Two DeArmond Gold Foil Pickups power this baby. It's all original, except for the pick guard, which no one can detect. Condition other than slight repair is a 9 3/4 for this great 50 year old beauty. Guitar comes with period clip board case. SOLD
Description: Body: Mahogany - Top Wood: Mahogany - Neck Attachment: Set - Neck Wood: Maple - Neck Construction: V-Shape - Fingerboard: Ebony - Frets: 22, Jumbo - Inlay: Pearl - Block - # of Strings: 6 - Scale Length: 24.6" (62.5cm) - Headstock: 6 In-Line - Bridge: Floyd Rose Style Locking Tremolo - Bridge Construction: Ebony - Pickup Configuration: H-S-H - String Instrument Finish: Emerald Green - String Instrument Accessories: Hardshell Case - Made In: America - # Produced: 150
An overdrive is almost always at its best played through a tube amp set at medium to upper-medium volume, since the amp itself is doing a major part of the job, the pedal just being the boot that kicks its butt into juicy break-up a little quicker. Conversely, demo one DI’d into a mixing desk or portastudio as described earlier, and in most cases the breed sounds absolutely awful: harsh, raspy, cold, and artificial. It can be a shocking look at the evil side of that $350 vintage Tube Screamer you just bagged from eBay. Now stop crying, and plug it back into your AC30.
Dude, John Mayer? unbelievable. Angus young, Gary moore I agree Eric Clapton you bet. but, it is an opinion. I think Michael Schenker is badass, and what about Steve Morse. I just saw Rush in Rio, and I forgot just how good Alex lifeson is. What about George Lynch? Tony MacAlpine. so I will let you have John Mayer, because he makes you feel something, for me, it's nausea…..Oh, and I forgot Brian May. Doyle Bramhall, I could go on.
The amps are interesting and also pretty much impossible to I.D. These were, of course, tube amps. Their basic cosmetics consist of two-tone tolex or vinyl covering � contrasting dark and light � arranged vertically with a wide band in the middle, just slightly narrower than the grillcloth. Cabinets had rounded edges, and, in fact, sort of look like ’50s TVs. One was a small practice amp, with two medium sized amps about 15″ or so high, and one humongous amp, complete with six 8″ speakers (which looks like the later HG-8).
This is another 6 stringed electric guitar form the Givson brand. It is a right handed model and is wooden in color. It has a solid body of basswood and kneck of rosewood. It is provided with high quality cover and the best part is that the guitar is budget friendly. Prices range from around INR 7,100 depending on the prevalent market factors such as whether there are offers or discounts available. You can find more details regarding this model by clicking on the link below:
I bought my amp at my local music store. When I walked in, I told the sales person that I got my El Dorado and I wanted to buy an amp. I asked him if he would mind playing my guitar through the amps in my price range. He readily agreed because he is the person who found Big Lou Guitars on the internet after I tried every brand of electric guitar in the store and believed I needed a big nut guitar because my hands needed an action with more space between the frets and strings. He told me to bring it in when I got it because he wanted to try it. He plugged it in and went up, down, and across the fretboard playing riffs and chords. When he finished, he said “great action, I’m surprised – and the price!”
View a complete range of budget friendly electric guitars over at PMT Online today or call in to your local PMT store to see a full range. We have many electric guitars spanning all budgets, styles and genres including a complete range of guitar starter packs. Alternatively, call 0151 448 2089 to speak to one of our guitar experts to discuss your needs.
Hand built with the same precision as our larger guitars, just 25% smaller.  Great for travel, ideal for children struggling to get their arms around full size guitars, fantastic second guitar for the office.  Because it has a smaller box design our Travel will have a smaller sound (like any smaller guitar) but our Travel Electric with built in auto tuner allows you to plug into any amplifier or PA system giving you the same power as our full size guitars.

LPM is an online music school. We teach a variety of instruments and styles, including classical and jazz guitar, piano, drums, and music theory. We offer high-quality music lessons designed by accredited teachers from around the world. Our growing database of over 350 lessons come with many features—self-assessments, live chats, quizzes etc. Learn music with LPM, anytime, anywhere!

"This axe is no slave to the past, however, starting with Leo’s PTB™ (Passive Treble and Bass) system which functions on all three pickups for dramatically more variety than the vintage setup. What’s more, the Legacy features a Leo Fender-designed Dual-Fulcrum vibrato, a work of engineering art which allows bending up or down with unsurpassed stability, while offering a silky feel through its beefy aluminum vibrato arm. The Legacy’s hard-rock maple neck features an easy-playing satin finish, comfortable 9 1/2″ radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability. The moment you open the luxurious hardshell case, you’ll be greeted with a stunning instrument and delicious aroma that’ll have your pulse racing."


Almost every guitar you see on our website is available in our Chicago guitar showroom. While we carry hard-to-find, top of the line vintage guitars, Rock N Roll Vintage Guitar Shop also carries new guitars and basses from Fender (Squire), Martin, Seagull, Lakland, Hofner, Kay, Hanson, EGC, and other top brands. You can also find top of the line amps including Ampeg, Analog Outfitters, Divided By 13, Fender, Hi-Tone, Laney, Magnatone and Orange to name a few.
Rocksmith displays six horizontal lines at the bottom of the screen that represent the guitar's six strings—E, A, D, G, B, and E—and show you which ones to play. The game color-codes them to try and make it a little easier to comprehend all this visual information at once, but there's no way around it—it takes quite a bit of practice and memorization to get used to this. You really need to practice to the point that you know intuitively which color belongs to which string. Otherwise you'll always be looking down to pick out which string you should be playing, and will never be able to keep up with the song.
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The pre-amplifier section of a guitar amplifier serves to amplify a weak instrument signal to a level that can drive the power amplifier. It often also contains circuitry to shape the tone of the instrument, including equalization and gain controls. Often multiple cascading gain/clipping stages are employed to generate distortion. Because the first component in a valve amplifier is a valve gain stage, the output level of the preceding elements of the signal chain has a strong influence on the distortion created by that stage. The output level of the guitar's pickups, the setting of the guitar's volume knob, how hard the strings are plucked, and the use of volume-boosting effects pedals can drive this stage harder and create more distortion.
As obvious as it sounds, a tuner (or tuning pedal) is fundamental for your rig. It can also act as a mute switch for changing guitars between songs. These days there are many smartphone apps for tuning your guitar – as well as clip-on tuners – but when you need precision and a clear visual indication of the pitch of your strings, nothing beats a good old tuning pedal. The Boss TU-3 is a classic tuning pedal with lots of useful settings – alternatively, you can check out the CPT-20 by Harley Benton which features true bypass connections and a super large LCD display. Need a smaller footprint? Try the Mooer Baby Tuner!
Simple mistake that the beginners do is not selecting the right pickup on the right time. For example Normally they put the switch for the bridge pickup for soloing or do the powerchords. But then, to do some plucking, clean strumming or ryhthm, they still using the bridge pickup. So the sound is so dry, They should change it to toggle number 2(or for 5 way switch, toggle number 2 or 4)
Guitars by José Romanillos, Robert Bouchet, Daniel Friederich, Hermann Hauser I, Hermann Hauser II, David José Rubio, Dominique Field, Francisco Simplicio, Enrique Garcia, Pascual Viudes, Enrique Coll, Santos Hernandez, Domingo Esteso, Ignacio Fleta, Marcelo Barbero, Arcangel Fernandez, Hernandez y Aguado, Manuel Reyes, Enrico Bottelli and 1950's Ramirez.
But when combined with those Dean humbuckers, this thing full-on rocks! It’s full of gain, fuzz, buzz, but still articulate enough thanks to the strong middle frequencies, reeling in that Dime sound to cut any mix and in style. Additionally, the price is lower than many of the models on the rundown, making this puppy a safe choice for cheap good guitars.
I have a Palmer P 33 acoustic (hand-crafted etc), that I bought second hand about 20 years ago for £80. It still sounds and looks superb and rarely loses its tuning. (Probably better than my newer Tanglewood.) I can't find out anything about it. However, somebody out there must have made it. Surely that somebody knows something about them! Do they never go on the internet! Pete.
A hillock appeared again, but at 350Hz. This is really into the human voice range now. The curve is no longer a curve, but a flat line, and the -10dB point shifted at 800Hz. the guitar will sound dark, moody, the kind of muted tone they use in clean guitar stereotypical rhytmic jazz chords. On the oscilloscope, we will barely see the small fringes of the higher order magnitude signals, and a more sine-like wave.
His first solo album, Texas Flood, was released in 1983 and featured blistering renditions of “Testify” and “Texas Flood” as well as now-classic originals like “Pride and Joy” and “Lenny.” Several other successful solo albums followed. On August 27, 190, Vaughan perished in a helicopter crash while returning form a gig he shared with Eric Clapton, Buddy Guy, Jimmie Vaughan and Robert Cray.
The Supro brand name was introduced by the National-Dobro Corporation to sell its less expensive electric instruments. The first Supro Spanish and Hawaiian guitars appeared in 1936, and the brand would thrive until the bankruptcy of Valco in 1968. (The modern Supro line of amps bears no relationship to the original brand name). By the end of the 1930s, a pattern was established that would last for the next 30 years: Supro guitars and amps would generally be more affordable than their closest National counterparts, but built to similar quality and sometimes incorporating features not found in any National. Supro instruments were sold through a much less exclusive network of dealers than National, and as a result they have acquired a name recognition that surpasses their “superior” siblings.
Seagull acoustic guitars are among the best values you are going find. They’re made in Canada, and there’s an attention to detail and craftsmanship here you may not expect in guitars at these price points. The Seagull Artist series is the top of the lineup. You’ll find unique tonewoods and high-quality construction techniques at an affordable price.
This diagram shows 3 single coils wired in parallel, allowing seven tone choices. The typical 3 single coil guitar contains a 5 way rotary switch which allows you to get 5 sounds - each single coil; neck and middle in parallel and middle and bridge in parallel. This modification will give you 2 more sounds - all 3 pickups in parallel and Neck and Bridge in parallel.
To answer this question, all you need to do is close your eyes and focus on what is currently going on around you. Just about every sound you hear, whether you are at home or on a busy street, is packed with some dose of reverb. In nature, sound reflects off of multiple objects and surfaces across various distances. Both our ears and our brains are used to reverb by default. That is one of the reasons why even an artificial reverb effect tends to make a track more enjoyable.
London and Tokyo’s vintage street-racing motorbikes have inspired the designers, and the guitars from the Revstar collection look and sound accordingly. The idea is to have a diverse range of guitars so that you can be sure to find one that suits you perfectly. They even claim that this guitar is so good that you will consider it to be your other half (maybe even your better half).
On some amps with a number of input and output jacks, the jacks may be consolidated in a patch bay. Some amps have an input jack for a foot-operated switch which can be used to turn on an effect or switch to a solo channel. Some higher-end amps have a Speakon speaker jack for an extension speaker. In the 2010s, the Speakon jack is often used in high wattage amplifiers, because the design of the connector, which is shielded from human touch, prevents electrical shock from a high-powered amplifier. Some amplifiers have a "tuner out" jack, for sending the instrument signal to an external electronic tuner. Bass speaker cabinets often have two 1/4" jacks. These are provided so that one speaker cable can be plugged into the first jack and connected to the power amp; if the bassist wants to use a second cabinet, a second speaker cable is plugged into the second jack and then into second speaker.
For acoustic players, the Rogue Beginner Acoustic Dreadnought guitar with Accessory Pack comes highly rated. Included within this pack is Rogue's exceptionally crafted beginner acoustic dreadnought, along with a Musician's Gear Tubular Guitar Stand and premium Pearloid Celluloid pick, an Ernie Ball polish cloth, and 12 80/10 Bronze acoustic guitar strings. Overall, it's a worthy yet affordable pack for any budding guitarist. 

Electric guitar is still the most prominent instrument in rock music, and it’s a key component in many country, R&B, pop, and jazz groups. Every electric guitar player needs an amplifier because most electric guitars are barely audible without one. You’ll need one to play with other musicians, which is one of the most important ways to develop your musical skills. Because the amp is as important to a guitarist’s sound as the guitar, most teachers consider it essential to use an amp at least part of the time when you’re practicing. You can’t develop your own sound without spending some time experimenting with the controls on your amp and guitar.
In addition to tuning and setting their guitar’s pickup configuration and tone control(s), electric guitarists must adjust the sound on their amplifier to achieve their preferred sounds. With the right settings, electric guitar players can play in a variety of styles from country chicken pickin’ to jazz, rock, blues, heavy metal and everywhere in between. This versatility can’t be matched by the acoustic guitar.
Type – the dielectric used in the capacitor. Polyester and polypropylene are most common, with ceramic capacitors also being popular, especially in lower-end instruments. Reissues of vintage instruments often use reproductions of vintage paper capacitors, which are also popular aftermarket replacements. Finally, audiophile-grade polypropylene film and foil capacitors are sometimes used in custom instruments, although their size can prove problematic as they're designed for use in audio amplifiers and consequently have working voltages in excess of 500 V, far higher than anything encountered inside an electric guitar.[16]
Overall, the reviews and comparison should not be the criteria on which you should decide the brand that you want. The best way to choose one is by listening to and feeling the sound that the guitar produces. The brands listed above are some of the best-known in the world. Of course, there are many other good brands out there too. If you feel we've missed out on some, please feel free to mention them in the comments section below.
Another important factor to consider is speaker size, which impacts overall loudness and tonality. Bigger speakers can push more air and have more low end, while smaller speakers have limited pushing power, while emphasizing the mids. In addition to size, different speaker models and cabinet types also introduce subtle differences to the overall sound.

When buying your first guitar, the cost is always a matter of consideration. Be careful not to let this become the focus of the search otherwise you run the risk of compromising on quality. Think about it, you don't want to learn on the shoddy piece of equipment. You can usually get a good value with proper research. If you have a friend who plays the guitar; find out if they are willing to give you the benefit of their experience.

If you're looking for one of the best Strats Fender has to offer, be sure to check out the Fender American Professional Stratocaster. Developed with pickup master Tim Shaw, its brand-new V-Mod single-coil pickups are voiced specifically for each position, mixing alnico magnet types to produce powerful, nuanced tones with original Fender sonic DNA. For metal guitarists, have a look at the Jackson JS32 DKA electric guitar. Swift, mean, and easy to play, this guitar offers classic Jackson tone and playability at a more than affordable price. If you're looking for a Les Paul guitar, a great choice is the Epiphone Les Paul Custom PRO electric guitar. If you're ready to step up to a Gibson Les Paul, the 2019 Gibson electric guitar lineup is in-stock.

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