That is why pick-up manufacturers are always careful to explain that their pick-ups will sound different depending on the woods and construction of a guitar. Seymour Duncan (among many others) has written about this a lot, a you can read more on the Seymour Duncan website. You can also study more at the FRETS website, GAL (The Guild of American Luthiers), StewMac, and LMI (Luthier's Mercantile International).

The best way to use this type of book is to just take 15 minutes a day to work through a page or two at a time. You don’t have to find something that requires a lot of study or dedication on your part at this point. Your first priority should be finding a book that gets you thinking about theory as well as helping you develop coordination in both your fretting and strumming hand.

A well known South Korean guitar brand, cort guitars is swiftly rising up in Indian markets. This brand is famous for producing acoustic, bass and electric guitars at less cost. Its starting price is 10,000 Rs and comprises of some best models like VL, all the G and Aero series and classic rock. If you want to buy this guitar, then you may purchase from online website or firm official websites as well.
I took lessons with him when i was 8 years old. I stopped taking lessons when i was 12 years old. In those four years i have learned so much about guitar in such a little time. Patrick is an amazing teacher and by the time i left his teaching, i joined 4 bands and played at the whiskey twice, the house of blues four times, and the grove once. All amazing experiences and it all started from Patrick. I am 16 now and i will never forget what he has done for me. If you are thinking about eventually taking on guitar at all, Pat is your man.
"It's a labor of love," says Youngman, a guitar master who's been handling guitars since the '50s and '60s when rock 'n' roll was still in its infancy. But he's not just a surgeon; he's a neck specialist. "If the neck doesn't feel right, you're not going to play." He's always been good at setting guitars up, and today he works mostly from home, although he also does repair work at Guitarasaur in Watuga. "It's always nice to make someone happy. It makes me feel like I'm doing something right."
Due to the great sensitivity of some advanced vibrato systems like the Kahler, the Steinberger and the Floyd Rose, a light touch is required. Simply placing one’s hand on the bridge can cause notes to drift in and out of tune. So players — especially the heavy handed— would be wise to try a variety of vibrato-equipped guitars out before making an instrument purchase or modifying a valued six-string friend.

The pickup coils are wired to the amplifier through an electrical circuit. The circuit usually also contains volume and tone controls, which allow the basic sound to be adjusted by turning knobs on the guitar body. A guitar with two pickups will have four knobs on its body: one to adjust the volume and the tone of the sound from each pickup. More complex circuits can be added to change the sound of an electric guitar in all kinds of interesting ways.
As has already become apparent, the resonator instruments which made both the National and Dobro names in the late ’20s and ’30s were not the only effort underway to increase the volume of the guitar. The ampliphonics found immediate acceptance among Hawaiian players, notably Sol Hoopii, the very first to record with them when he used a prototype in his first session for Columbia on October 18, 1926. This was used on “Farewell Blues.” But they still didn’t satisfy the desire of orchestra guitarists to get out of the rhythm section. In addition to metal resonator cones, electricity was waiting in the wings, and National, Dobro and National Dobro would play a significant role, both directly and indirectly, in that ultimately triumphant development.

The PRS S2 Custom 24 is a stripped down version of the expensive yet sought after PRS Custom 24 guitar, and because of its accessibility, it helped put the Custom 24 design into the hands of more players. What's impressive about the S2 Custom 24 is how it retains the same attention to detail and quality as PRS' more expensive guitars, making it a viable instrument even for those who can afford more expensive alternatives.
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your right brian i been a acdc freak since u all been out in the early n mid 70s the greast band of all time. and i seen acdc 37 times through out the united states. i love my memories with the band and still watch and listen to the cds and dvds of the band. brian johnson is the best thing that happen to acdc since bond scott death. keep rockin guys i love u with a passion. mark

I once had RARE rogue made in the early 90s, set up exactly like some of the best ibanez.s. Shark fin inllays, cool headstock, grover tuners, real floyd rose, etc, even the pickups used were authentic dimebuckers. Rogue made these to compete with bigger names and sold them for around $200, best guitar ever. I wish I had never sold it. I still have pics if anyone wants to see it.
O WOW!...I love...Fallout 4 is a great game like the rest of the fallout series but if your a fan of the series u will be kinda of down that the choices u make don't affect the outcome of the game because they made more of a story they wanted to tell but don't lose hope still a good game and they might make a sequel to new Vegas and there just might be a Multiplayer for new Vegas 2....The world is so large and the gameplay non linear (which is good and bad), I find if I walk away from the game for a while, I have to spend a lot of time figuring out where I was and where I stashed things when I come back to it later.
Comes with hard case.This is the iconic Yamaha apx-6a. Made in the 1990s it has the iconic Yamaha AMF preamp/Eq system. This specimen is in overall faircondition for a guitar that is over 20 years old. It has normal scratches and other sings of wear. Shipping is free. Estimated arrival is 4-8 business days. A signature is usually required at the time of delivery.
VintageSilvertones.com is a curated collection of electric guitars chosen for their unique tone, design, and significance in electric guitar history from approximately 1950-1980. This collection approaches electric guitars from the underdog perspective. So we carry guitars built for the masses, luthiers & manufacturers who pushed the boundaries as to what was possible in terms of not only instrument quality but tone. Design also plays an important consideration in this collection. Alternative materials, innovative tuning systems, and high quality-low cost manufacturing processes are only some of the unique qualities found on instruments at VintageSilvertones.com.
Well, we are not part of the study! The study has been conducted, and he’s just giving you the results, it was written nowhere that you had to guess which wood was which or anything of the sort. This doesn’t imply that his little kid (cause this is his son’s science project, remember) performed any form of double-blind test, but still your remark is completely inapplicable and actually turns back on you, that make a big fuss about this article’s sloppyiness, only to attack it with wrong logical reasoning.
Jazz – Does no-one listen to Eddie Lang’s recordings? Or that master of comping, Freddie Green? To Charlie Christian? MarleyIII gets special credit as the only one naming the marvellous Jim Hall, who really should be up there in one of those ten spots. Like Marley, I really like the work of John Abercrombie, although I can’t put hand on heart and suggest him for the top ten. If you like John A, let me put in a plug for the work of London session-man John Parricelli. (Which reminds me that the very different “Johnny A” is no slouch either!)
This is a great pedal to learn from. The instructions are clear and the circuit is pretty basic. The kit itself is complete and the components are good quality. The effect is unique when compared to other diy pedals, and adds a nice flavor to your sound. About the only thing I would add is an led to know when the effect is on, the circuit can always be modified. To update, I was able to change the .047cap with a .022 cap to get a clearer sound while using my bass with it.....sounds great for some of our rockabilly type songs. So if you would like to use this for your bass just change that one cap and you're good to go.
to heat up the tubes in certain amplifiers , when the tubes are heated up you get a better sound and the tubes last longer is what I've been told. remember to change your tubes and have them adjusted on a yearly bases to keep the amp sounding great if you're an experienced player this really comes in handy. Get a pro to do it the first time so nothing bad happens.
The MESA Bigblock 750 has a built-in overdrive channel. The Mesa M2000 has a high gain switch which can be engaged with a footswitch. The Marshall MB450 head and combo bass amplifiers have a tube pre-amp on the "Classic" channel which can be overdriven. The Ashdown ABM 500 EVO III 575W Bass amp head has a built-in overdrive effect. Overdrive is also available on many Crate bass amplifiers. The Yamaha BBT500H has three types of built-in drive effects: overdrive, distortion and fuzz. The Ampeg B5R Bass Amplifier has two channels: clean and overdrive, with the ability to combine the two. Verellen, a boutique amp company, produces a bass amplifier with a built in overdrive channel.
“It had ‘Walking the Dog,’ ‘Route 66,’ and others on it,” Millard says. “That has tone. The reason it has tone is that it was made in the worst damn studio possible. Everyone who worked there said this was a shithole. There was no sound separation, they used lousy mics, they never cleaned it. Andrew Loog Oldham, who was the manager at that point, said that was the key to the sound.”
It features a solid mahogany top, supported by laminate mahogany back and sides, which gives a warmer tonality and a very earthy vibe. It also comes with Graphtech NuBone nut and saddle, a premium feature that you normally have to pay extra to add into your guitar. Giving this guitar its amplified voice is a Fishman Presys II 301T electronic pickup/preamp system that comes with a built-in tuner. On top of all that, the Washburn WL012SE does not skimp on ornamentation, which includes the Washburn Parquet rosette and rosewood bindings.
James Patrick "Jimmy" Page, OBE is an English musician, songwriter, multi-instrumentalist, and record producer who achieved international success as the guitarist and leader of the rock band Led Zeppelin. Page began his career as a studio session musician in London and, by the mid-1960s, he had become the most sought-after session guitarist in England. He was a member of the Yardbirds from 1966 to 1968. In late 1968, he founded Led Zeppelin. Page is widely considered to be one of the greatest and most influential guitarists of all time. Rolling Stone magazine has described Page as "the pontiff of power riffing" and ranked him number 3 in their list of the "100 Greatest Guitarists of All ...more on Wikipedia
The envelope filter is also known as an auto-wah.  It functions sonically like a wah-wah pedal but uses the strength of the signal to control the sweep of the frequency.  Typically, control knobs allows the player to set the amount of wah to interact with picking, so that the guitarist can dynamically control the effect without using a rocker to engage the filtering.

I followed with visits to six Los Angeles music stores to play as many guitars as I could (more than 60, including multiple samples of many models), so I could get an idea of what their right-out-of-the-box quality was like and which ones offered the best value. I emerged with a list of the most promising models, and I contacted the manufacturers to request samples. In a couple of cases, I allowed the manufacturers to substitute models that they felt were better suited for this article.
The ‘boomer’ kids wanted their own voice and opinions to be heard, they wanted to be taken seriously – and like the quote from the 1966 film ‘The Wild Angels’ which exaggerated this rebellious angst to the extreme “…We wanna to be free to do what we wanna do…”  There was a sense of needing to rebel against ‘The Man’ – basically anyone who told them what to do or how to conform to society respectfully.
Basicly it is a HD digital sound interface plus with a MIDI controller and footswitch. It is has unique design with different HOST mode and switching MODE to work with the host softwares. We are proud of that it is now maybe the best thing you can find to use on stage with software FX. The special designed analog signal chain mixing with the digital codec give the best dynamic response and sound quality. We did AB with lots of other interface and be so confident on its performance.
Most of these sites offer 'free' TAB, chord sheets, and lyrics. A few provide versions that are endorsed by they musician, the writer, or the company that owns the rights to the song (i.e., a licensed site). There is always a fee for access to the licensed TAB or music notation. There are even some unofficial sites that will charge a 'membership fee'.
Here we have e very nice example of a great sounding and beautiful Vintage Martin D28 style copy acoustic guitars made by the master luthiers at Yamaha Japan Nippon Gakki. This is a high quality example folks not to be confused with the Taiwan China made versions.. this is the top of the line made famous from the last 1960's... The workmanship is excellent as is the woods chose he fit & finish is still 90% or better which translates to very good to excellent used vintage condition all-round .. The guitar plays with ease and has been upgraded here at JVG with a bone nut & saddle and a new set of Martin strings for its new owner who is going to love this classic no nonsense full sounding Boomer!... Here is a link to more pics of this fine Japanese crafted Yamaha: https://picasaweb.google.com/gr8bids/80sYamahaFG200TanLable4?authkey=Gv1sRgCO-azJ2orZPeLw#slideshow/5617864934522537362.

Thats a major bend of opinions! It all boils down to..the style of music that you play and what you expect out of the guitar! Is playing only a hobby or are you trying to make a living bangin that Ax? The price of a guitar is not as important as the ability of the person strumming the strings! If your abilitys suck,and you have a expensive guitar..You Still Suck..No matter how good the guitar may be! I have owned cheep and expensive guitars of all different brand names..some very good..some very bad..bottom line is..if Your happy with the AX,thats all that matters! Screw the Name or the Price!!
First, let’s start with the switch. Like the Gibson-style switch, the Stratocaster’s is used to select between different pickups and combinations thereof. In this picture of Jimi Hendrix and his Stratocaster, the switch is just above the knobs. It’s a little hard to see because of the white pickguard, but if you have this type of guitar, you’ll have no trouble finding it on your own instrument.

Steve Albini, on the other hand, finds it useful to think in terms of blending 'bright' and 'dark' mics. "Normally I'll have two microphones on each cabinet, a dark mic and a bright mic, say a ribbon microphone and a condenser, or two different condensers with different characters." Eddie Kramer's discussion of his Hendrix sessions reveals a similar preference: "Generally speaking, it was either a U67 or a Beyerdynamic M160, or a combination of both, which I still use today. It might be slightly different, of course, but the basic principle's the same — a ribbon and a condenser."
I though this list was BEST techniques, not hardest or most impressive. Vibratos bring music to life. You can create incredible solos without sweeping or tapping, but you’d be hard-pressed to find something that doesn’t use any kind of vibratos or string bending and still manages to sound good or “alive”. Of all techniques, vibrato is easily the most important to sounding good. Listen to the solo from “Tornado of Souls” by Megadeth. Proof that vibratos make music much better.
But having at least a very basic foundation to build upon - such as learning some basic chords, will allow you to learn more songs faster. My best advice is to abandoned any idea of instant gratification and commit to the idea that learning guitar is a slow process in the beginning. It gets exponentially easier to improve your skills after you get past the huge hurdles you encounter in the beginning.
The Hummingbird Pro's unique look breaks the typical monotonous appearance of conventional acoustics, and it does so without straying too far from the familiar. It is easily identifiable by its uniquely shaped ornate pickguard, which matches the guitar's faded cherry sunburst finish. Whether you are on stage or just jamming with friends, you can be sure that this acoustic will stand out.

Besides insulting Taylor Swift in a way even Katy Perry would bristle at (“Nobody would confuse the pop star’s chops with Bonnie Raitt’s. But she does play a guitar.”), Edgers manages to make it through an entire history of the electric-guitar industry as it stands without quoting more than one female guitar player — the Runaways’s guitarist Lita Ford. Any person who has actually interrogated the music landscape deeper than, say, an Eric Clapton record would recognize that the electric guitar isn’t dying. The throngs of women who play electric guitar just don’t get exalted or celebrated in the same way as aging men. But there are legions of women playing guitar — maybe Edgers just hasn’t been paying attention.
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Located in Reno, Nevada, our shop, The Strings of Reno provides services to both local musicians as well as those located throughout the United States and even abroad. If you are nearby, and would like a one on one appointment please give us a call. If you are not within driving distance of Reno, NV, please call or email us with the nature of the work you need taken care of. We are not just about guitars, if it has strings, we can fix it!
Most models come with single-coil Hi-gain pickups as standard equipment. Many post-British invasion Rickenbacker players such as Peter Buck, Paul Weller, and Johnny Marr have used instruments with these pickups. Rickenbacker’shumbucker/dual coil pickup has a similar tone to a Gibson mini-humbuckerpickup, and comes standard on the Rickenbacker 650 C. Vintage reissue models, and some signature models, come with Toaster Top pickups, which resemble a classic two-slotted chrome toaster. Despite their slightly lower output, “Toasters” produce a brighter, cleaner sound, and are generally seen as key to obtaining the true British Invasion guitar tone, as they were original equipment of the era.
LPM is an online music school. We teach a variety of instruments and styles, including classical and jazz guitar, piano, drums, and music theory. We offer high-quality music lessons designed by accredited teachers from around the world. Our growing database of over 350 lessons come with many features—self-assessments, live chats, quizzes etc. Learn music with LPM, anytime, anywhere!
So to conclude, you don’t have to spend much money on a beginner/practice amp to have a tremendous amount of fun with it. Be sure to check out MusicGoRound stores near you for amazing deals on used practice/beginner amps. The store employees can help pick out the amp that fits your budget and your needs. Odd are that your practice/beginner amp will wind up becoming an old and dear friend to you over the years. Enjoy every minute with it!
You don’t have to be a pro player to strut your stuff on an acoustic electric git. Beginners will enjoy the medium-low action the hybrid offers, the on-board tuner (on some guitars), and the convenience of not having to remain static on stage due to the limitations of a mic. With all that said, it’s time for you to narrow down your options with the customized lists you’ll find below!
This question is one of those legendary analog vs. digital type debates. Many a forum war has been started around this topic. It’s typically a question asked by beginner and intermediate guitarists looking to get into effects. Given a budget, is it better to start a collection and buy a couple of individual effects, or get a single multi-fx unit? There’s not really one correct answer to this question one way or the other, since it largely matters on what your goals are.

While all of the brands featured in this guide produce wonderful instruments, the clear all around winner is Fender. Fender somehow manages to feature the best of both worlds in nearly every category. Guitar players have been turning to Fender for over seventy years, and for good reason. The company is renowned for its high quality craftsmanship and their beautifully constructed instruments have been inspiring guitarists for decades.

4. Vox VT40X 40-watt 1x10 Combo Amp ($249.99): The Vox is another modeling combo that utilizes a Valvetronix tube preamp to give you the sound qualities of a tube amp. With 13 onboard effects, you can channel quality effects without having a pedalboard at your disposal. Vox’s Virtual Elements Technology has allowed them to carefully recreate up to 20 realistic models of very sought-after amp tones, all within an attractive looking package.
Great guitar this is my 2nd one fist one i purchesd in 2010. Had to pown it I was realy upset about it but nothing i could do. I was so happy to find another one here on Amzon!!! Only thing it did not come with A pick card as addvertized. Thats why iam giveing it 4 in stead of 5 stars. Case that comes with it is realy cheep you would think the money invested the would at least give you a padded soft case.I have orderd a hard shell Gator case for it it will be here in 2 days. This is why it gets 3 stars. Iam a pro. Guritist and song writer,singer. Guitar it self gets 5 stars

Think of some of your favorite songs. Maybe they get your toes tapping, or get you pumped up and ready to take on the world. Regardless of your musical preferences, the odds are that one thing all of our favorite songs have in common is an absolutely killer bass line. The bass has played a key role in holding down the rhythm throughout the history of popular music, and continues to make an impact to this day. Another One Bites the Dust by Queen, Been Caught Stealing by Jane's Addiction, Money by Pink Floyd, Sweet Emotion by Aerosmith, and Longview by Green Day are just a few examples of songs that are taken to the next level thanks to their incredible bass lines. Now it's your time to make your mark on this instrument with some serious grooves of your own. You'll find bass guitars for every skill level and playing style in this section.


Like a door that's repeatedly opened and closed, you'll sometimes need some basic maintenance. Ensure everything is tight, and get some electronic contact cleaner (available at any electronics store), various screwdrivers and wrenches and you can often solve your own problems. It's easier on a Gibson Les Paul (with backplate access to the controls) than on a Gibson ES-335, but it can be done.
In 1883, a german immigrant named Frederic Gretsch started a small instrument manufacturing company in Brooklyn, New York. On a trip to visit home in 1895, he died unexpectedly, leaving the company in the hands of his 15-year-old son, Fred. The company flourished for generations, especially due to the popularity of their hollow body guitars with rockabilly, blues, and jazz musicians. In 1967, however, the brand began to falter after the Gretsch family sold to then music industry giant Baldwin. In 1985, Fred W. Gretsch bought the company back from Baldwin and began restoring it to its former glory – coinciding with the rise of one of their most prolific artists, Brian Setzer of the Stray Cats. Today, their guitars, like the USA Custom Shop White Falcon pictured above, are used by a wide array of musicians from all walks of life, including Billy F. Gibbons of ZZ Top, Tim Armstrong of Rancid, Band of Skulls, and Portugal. the Man.

2. Pickup Setup: I'd like to see you add a section on this. Pickups should be lowered out of the way before any setup. If they're too high, the strings could hit them and cause buzzing. After everything all other setup steps are completed, the pickups should be raised to the proper position. One online video claiming to post Gibson specs says that the Low E should be 6/64" above the pickups, and that the High E should be 4/64".
A common misconception of the Lyle brand, among others, was that Norlin sued Matsumoku for copying their designs and shut them down. The actual lawsuit was indeed filed by Norlin, only not against Matsumoku but Elger/Hoshino--the American division of Ibanez--over elements of the Les Paul and SG guitar designs that Norlin/Gibson had since claimed as a trademark. The case was eventually settled out of court. Japanese companies preemptively altered the designs of their guitars in such a way that they would not be "exact" copies of Gibson guitars. The true story of the demise of the Lyle brand is largely unknown to this day.
I always recommend the Cordoba C5 for beginners who are looking for their first classical or nylon string guitar. It’s comes at a very wallet-friendly price, but it sounds and plays exceptionally well for a guitar in its price range. More experienced players can look to other C-Series Cordoba guitars like the C12, which is built for advanced guitarists.
Playing guitar is an exercise in memorization. There’s really no way around it. You have to remember stuff, and the primary thing you have to remember is where notes are on the fretboard. Eventually, muscle and ear memory will kick in and the remembering will get easier, but for the first little while, every time you play guitar, it’s like a pop quiz. It’s not fun to memorize something by brute force, but it pays dividends.

A now affordable alternative to the Tri-Axis and other Mesa Boogie Amps, the Studio Preamp contained all of the versatility one would expect from a Boogie. This 2-space machine is based on the classic Mesa Boogie Mark IIC+ amplifier, but in the popular rack-mountable form of the late 1980s. It features 5 preamp tubes and a blackface circuit, so it’s perfect for those chasing after a Fender-esque clean or 90’s mid-gain lead tone. And like most Mesa’s, you’ll get a convenient EQ for those final tweaks.
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Choosing an electric guitar that addresses these preferences helps guarantee that new players will stay motivated as they learn to play. Musician’s Friend offers a wide selection of ¾-scale, mini, and travel guitars that are ideal for smaller, younger players. Full-sized electric guitar bodies vary considerably in size and weight, and those factors should be considered.
In a way, the Ovation story (to use Robert Frost’s famous metaphor) is one of roads not taken. Of course, as the philosopher, Hegel, so neatly noted long ago, the paths tend to join up again, and the resulting synthesis works out fine in the end. It certainly worked that way for Charlie Kaman, whose choice of paths ultimately led to the synthesis (in more ways than one!) of Ovation guitars.
You may love only one style of music. And that’s fine. But try playing some other styles. Funk maestro Carlos Alomar went through hell on David Bowie’s Scary Monsters (and Super Creeps) album, being asked to play more “grinding” guitar alongside Robert Fripp. “It was very interesting,” says Alomar. “I learned a lot and when I came back to my more natural style, I felt really fresh about it.”

Headphone amps are great for playing in a moving vehicle, at the beach, in a hotel room, or in the airport lounge, and they can even output the signal to tape or disc, suitable for recording. They start at around $200 and are well worth the price if portability, privacy, and authentic tone are important for your practice routine. The Korg Pandora (shown in the following figure), Scholz Rockman, Ibanez Rock ’n’ Play, and Zoom 9000 series are just some makes and models.


Which is what you’ll be doing with the Omen-6: laying down heavy riffs and unleashing screaming solos. Two overwound Diamond Plus humbuckers are responsible for the guitar’s hot and thick output, while a thin “C”-shaped neck, 14-inch fretboard radius and extra jumbo frets keep things fast and comfy. Although this doesn’t have a tremolo for those dive bombs, a Tune-o-matic bridge and string-through body ensure your sustain will sing for days.

Except for the Epiphone Les Paul Express’s total domination of the mini guitar category, there was no clear leader among the guitars, and our picks are the guitars that got the best average ratings. Our testers found lots to like in many of the guitars we tried, and you may find an axe you like better in our competition section below, where we include comments on all the guitars we tested.
Effects Pedals are electronic devices that modify the tone, pitch, or sound of an electric guitar. Effects can be housed in effects pedals, guitar amplifiers, guitar amplifier simulation software, and rackmount preamplifiers or processors. Electronic effects and signal processing form an important part of the electric guitar tone used in many genres, such as rock, pop, blues, and metal. All these are inserted into the signal path between an electric instrument and the amplifier. They modify the signal coming from the instrument, adding "effects" that change the way it sounds in order to add interest, create more impact or create aural soundscapes.
While you can play one through an electric guitar amp, an acoustic guitar will sound its best if it is played through a dedicated acoustic amplifier. While similar in structure to electric guitar amps, acoustic amps are primarily designed to offer transparency. In other words, it strives to reproduce the tone of your acoustic guitar’s natural sound as closely as possible. Interestingly, they almost exclusively come in a combo format, while most acoustic amps will have two channels – one for the instrument and the other geared towards microphone use. The AER Compact 60 represents what a great acoustic guitar amp looks and sounds like, with enough power for stage use as well as a high-end organic tone.
At the end of the day, this is obviously far from a perfect example, but this is an extremely hard-to-find factory left-handed 1958 Gretsch Duo-Jet, and provides a very rare opportunity for the vintage guitar collector, lefty or righty! I have seen far fewer left handed 50s Gretsch guitars as compared to Fender, Gibson, and even Martin over the years. Lefty 50s Gretsch guitars are insanely rare, especially in the Duo Jet model!

With the advent of hard-rock acts like the Kinks and Yardbirds in the 1960s, the thirst for crunchy, distorted sounds grew insatiable. Kinks guitarist Dave Davies even slit his speaker cones in a quest for extra-gritty sound. The demand for loud, distorted output led to the rise of England’s Marshall amps, which were enthusiastically adopted by rockers on both sides of the Atlantic.
The 1960s were the Golden Age for guitars in America. The folk music boom was followed closely by the British Invasion and the demand for guitars skyrocketed as young people by the millions started making their own music. The Silvertone Amp-In-Case model 1457 was the entry point for thousands of them. Some of the most sought-after Silvertones are from this era … more

Fender is the biggest guitar company in the world right now. Fender guitars make more sales than any other guitar manufacturer. Fenders are used by many celebrated musicians today. The guitar produces great sound due to its imported wood. In addition, this brand is deemed to have some of the best looking guitars. Their most successful guitars include the Telecaster and the Stratocaster. The Stratocaster has been used by big names including Eric Clapton and of course the legendary guitarist, Jimi Hendrix. If you are looking for a guitar that’s both good looking and sounds great, go with a Fender.

The classical guitar repertoire also includes modern contemporary works – sometimes termed "New Music" – such as Elliott Carter's Changes,[17] Cristóbal Halffter's Codex I,[18] Luciano Berio's Sequenza XI,[19] Maurizio Pisati's Sette Studi,[20] Maurice Ohana's Si Le Jour Paraît,[21] Sylvano Bussotti's Rara (eco sierologico),[22] Ernst Krenek's Suite für Guitarre allein, Op. 164,[23] Franco Donatoni's Algo: Due pezzi per chitarra,[24] etc.
There were East coast and West coast distributors of wholly different instruments bearing the Hohner name in the late 70's-early 80's. One of them had decent guitars, the others were ****************e. Don't know which was which, but I do know the Hohner strat my friend bought new in Upstate NY c. 1980 was a stinkin' piece of crap. Not sure if it was a representative sample.
Rosewood back and sides, abalone (pearl) inlay around top edge and soundhole (but not on top around the fingerboard like a style 41,42,45 would have), inlaid bridge pins. Fancy backstripe of horizontal lines between two rows of diagonal lines (like style 45). Most style 40 models made were hawaiian style with flat fingerboard radius, flat flush frets, high string action, and no bridge saddle compensation. Most popular was the OO-40H (though they did made 2-40, 0-40, 000-40 and 000-40H models prior to WW2). Sometimes these are converted to regular "spanish" style guitar (fingerboard radiused, refretted, neck reset, bridge saddle angled). Made from the 1860s to 1917, then 1928 to 1941, then 1985 to present.
Hi Learmonth! I always recommend Yamaha acoustics for beginners. The FG and FS Series both offer affordable, quality instruments. The question is what size you need to get. Some smaller kids do better on small-bodied guitars like the Yamaha JR2. Of course he would outgrow this by the time he is a teenager, though it would still be a cool guitar to have around. If you feel he can handle a full-size guitar look at something like the FG700S. It's a great starter guitar that will last him a long time, as long as he takes care of it. Good luck and let me know if you have any more questions.
A direct line can be drawn from “Rumble” to “My Generation,” “Anarchy in the U.K.” and “Smells Like Teen Spirit.” The song is often credited as the origin of the power chord, but it also heralded the transformation of rock from the music of youth to the soundtrack of juvenile delinquency. Several radio stations banned “Rumble” because they thought it was too sexy, raunchy and violent. Wray even dressed like a juvenile delinquent, embellishing his greasy black pompadour with a leather jacket, jeans and shades at a time when most white rock and rollers still took fashion cues from Perry Como and Bing Crosby.

Footswitches allow for handsfree control of your multi-effects pedal, so having more of them is good, as long as you're OK with the added bulk and weight that they require. Some processors have a stompbox mode feature that lets you utilize footswitches much like a traditional pedalboard, but most of the time the switches serve as preset selectors, along with other secondary uses.
It’s 1951, a dark, rainy night on the backstreets of Memphis, Tennessee. Ike Turner and His Kings Of Rhythm are packing the gear into the station wagon, getting ready to head off to the studio to record a track for producer Sam Phillips, a track that the Rock and Roll Hall Of Fame will one day honor as the first rock and roll song of all time, ‘Rocket 88.’ (Although, distinctly unfairly, the song will be credited to singer Jackie Brenston and the imaginary band ‘His Delta Cats.’) “The amp—a Fender Bassman—was in the trunk of the car and it fell out, right on the road,” Ike Turner told Guitar Magazine’s Rick Batey in 1998, “and it was raining, so the amp got wet. When we got to the studio and plugged it in one of the tubes went ‘pop.’ We didn’t have no more tubes—so that’s where the fuzz came from.’
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The fretboard (also called the fingerboard) is a piece of wood embedded with metal frets that constitutes the top of the neck. It is flat or slightly curved. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Fretboards are most commonly made of ebony, but may also be made of rosewood or of phenolic composite ("micarta").
Some big ideas there Mike! Not too sure about copper wire being magnetised though, last time I checked that was only ferrous materials… As for grounding, you should check out the “star-grounding” scheme described over at GuitarNuts: http://www.guitarnuts.com/wiring/shielding/shield3.php Some great info on that site, you should have a browse around!
On Thursday, mere days after launching a news site for women called the Lily, the Washington Post published a story by Geoff Edgers that mused on the supposed death of the electric guitar. Sales are down at places like Sam Ash and Guitar Center, big guitar makers like Fender and Gibson have seen their revenues decline, and in 2010, acoustic guitars began to outsell electric guitars. Why? According to the piece, it’s because male guitar heroes are dying off and aspiring musicians have no men to look up to. Sad!
Overdrive distortion is the most well known of all distortions. Although there aren't many electronic differences between a distortion an overdrive, the main audible one is that a distortion does exactly as the name suggests; distorts and clips the signal no matter what volume is going through it, the amount of distortion usually remains relatively the same. This is where an overdrive differs. Most overdrives are built to emulate the sound of a tube amp overdriving and therefore give the player control of the clipping through dynamics. This simply means that the effect gives a clean sound for quieter volumes and a more clipped or distorted sound for louder volumes.
Next up in your signal path comes the trusty gain pedal, or two or three even.  These effects will pass your signal through a transistor or diode to produce the clipping sound of a tube amplifier cranked up loud.  They can go from subtle drive of a loud Fender to the high gain insanity of a Mesa Boogie Triple Rectifier.  Most players call these effects distortion pedals, but there are different varieties of distortion that produce distinctly unique tones, all driven by the amount of gain you push.
We call these boxes “phase shifters” because they split the guitar signal and shift one path out of phase by from 0 to 360 degrees through the entire range of the frequency spectrum, and blend it back with the dry path so the moving in-phase/out-of-phase relationship can be heard. When the two signals are totally out of phase—at 180 degrees (or, technically, 540 degrees or 900 degrees, etc, because the shift keeps moving)—they cancel each other out, creating what we call a “notch”. But a number of factors interact to give a phaser its characteristic “swooshing” sound. I will explain them in relatively simple terms, but in many units some pretty clever and complex electronics going into making all this happen. When a notch in the frequency response is swept across the frequency spectrum, the most dramatic sonic effect occurs at the peaks between the notches, where both paths are completely in phase, and we have a full-strength signal. Leaving it there, however, would repeatedly emphasize the same low, middle and high-frequency notes—and delete the same notes at the notches—so the phaser circuit also employs an oscillator to continually move (or “shift”) the point at which these notches and peaks occur, so that different frequencies are emphasized and de-emphasized at each pass, at a rate determined by the unit’s “speed” or “rate” knob.
“You can also think of it as what the signal path in a studio situation would be if you were to plug your guitar directly into the input of your amplifier, and process that sound through outboard effects. You’re not going to have your echo first before going into your distortion boxes—unless you’re looking for a specific sound—because you want the echoes to die out naturally, and not with your distorted sound.”

Tinkering with the 100+ effects and 30 amp models available using the small screen on the HD500X is not the best experience. The screen is simply too small, and we much prefer the more intuitive stompbox-like layout of the Zoom G3X. You can use up to 8 effects/amp models for a patch at the same time, but can only tweak one at a time. If you hook up your HD500X to your computer and use their software editor, it’s a game changer. The editor software lets you do everything you can on the unit, but with a much bigger (not to mention color) screen - WAY easier than editing on the relatively small, monochrome screen of the HD500X. You can do live editing on the software, drag and drop things in your signal chain (which you get a nice visual representation of), and it applies and syncs immediately. This is by far people’s preferred way to edit on the HD500X, but unfortunately it means you need your computer with you. Since editing all the effects’ parameters is not as immediate as on the Zoom G3X, you can unfortunately find yourself tweaking things to death and figuring out all the settings, rather than just playing and creating new music. As one user puts it:
The pickups are made with mismatched coils and Alnico magnets and are wax potted to eliminate the ear-splitting squeal during high-gain playing.  The pickups are independently routed through volume and tone controls and the 3-system toggle switch.  You can activate single coil pickups with the push-pull method found on each of the volume controls for coil splitting.
Today's modern rock guitar sounds tend to be "drier" (less room ambiance and reverb), and most often use the close mic technique. There's really nothing to it. Simply use the close mic, run it through the compressor, set the compressor at a 3:1 ratio and adjust the threshold so that the compressor is usually working, but not squashing the signal too much. You will be able to make most of the tone adjustments you need at the amp or guitar, and chances are you won't need to tweak the console' s equalizer at all.
Kay was founded in 1931 by Henry “Kay” Kuhrmeyer. They supplied guitars to Montgomery Wards and others. During the 1950s their electric guitars were competitors for the Silvertone and Danelectro guitars. The company dissolved in 1968. Kay guitars are not currently in production. However, Kay also produced cellos and basses. Engelhardt-Link purchased the acoustic line of instruments from Kay. These are still being produced in Elk Grove Village, IL.
Ate you guys just starting, or just bored? Curious is all, its seems that the ?s and statements alike are from beginners, which all of us started out with, there are many pro sites that will give you better advice. Advice at least boogie gave good support. Another thing is always wipe your strings down Everytime you finish playing. The slinky's are easy to play but rust very quickly and lose tone. GHS has a decent set of steings, but it's like anything else you get what you pay for. Come on guys ur talking about strings that are $4.

On Martin guitars, this is a really big deal. Martins all seem to have a problem with the "neck set" on many of their guitars before 1970. High string action is the result, making the guitar very difficult to play. This can only be fixed correctly by a "neck set" (removing the neck on the guitar, and refitting the neck at a slightly increased angle, which lowers the string action). If done correctly, this does not affect the value of the guitar (and in fact can make it more valuable, as the guitar is much more playable). Generally speaking, most players would agree if the "string action" is more than 3/16 inch (5 mm) at the 12th fret, the guitar needs a neck set. This measurement is taken from the bottom of the low-E string, to the top of the 12th fret.


The American David Schecter founded his company in 1976 in order to produce spare parts for guitars already available (especially Fender and Gibson). But since 1979 the brand has been manufacturing its own guitars. In the beginning they had only Fender-based models but nowadays, Schecter guitars are clearly conceived for hairy players (but not exclusively), with models like the Hellraiser or the Damien. Among their most famous users are Billy Corgan, Eddie Vedder, Pete Townshend, Mark Knopfler, Matthew Bellamy... And the brand also presented its first amps at the latest NAMM show.
An expander is the opposite of a compressor. It stretches out the dynamic range of your signal allowing the quietest sounds to be even quieter and the loudest sounds to be louder. This can be useful in situations where you want quieter noises—such as squeaky fingering sounds—to become inaudible in the mix where they don't attract attention, while your intentional tones soar to the top.

Classical guitars by Martin are equal in craftsmenship to their steel string models. But unfortunately, their sound and feel is not what classical players seem to want. Therefore they do not have the collectability of the steel string models. I group Martin classical models to include the "NY" series and gut string models made from the 1930's and later.
In 2013, Gibson introduced the Government Series of Les Paul, SG, Flying V, Explorer and ES-335 guitars which were constructed solely of tonewood the US government seized but later returned to Gibson after the resolution of the company's Lacey Act violation in 2011. The guitars were finished in "government grey" and also featured decorations which intended to draw attention to the issue of government. A year later in 2014, Gibson released the Government Series II[77] of guitars, which were essentially the same as the first series, only finished in a new color: "government tan".
Quartal and quintal harmonies also appear in alternate tunings. It is easier to finger the chords that are based on perfect fifths in new standard tuning than in standard tuning. New standard tuning was invented by Robert Fripp, a guitarist for King Crimson. Preferring to base chords on perfect intervals—especially octaves, fifths, and fourths—Fripp often avoids minor thirds and especially major thirds,[102] which are sharp in equal temperament tuning (in comparison to thirds in just intonation).
We've had a thread here in the last couple months about Squires, with some pretty discerning forum members praising their quality and tone. You don't need to spend a lot of money these days for a good guitar. The one the OP bought was years ago. The fierce competition in the guitar market since the economy went bad, has forced manufacturers to up their game, and recent production is of a much higher standard.
While the Vox lineup features modern marvels such as the Valvetronix modeling amplifiers, this company is really all about smooth tube overdrive. The AC30 is a rock classic, and one of the most legendary amps ever made. It’s still going strong today, but there are many other Vox models to choose from as well, all built around that amazing Vox tone.

The term piezo refers to the use of piezoelectric crystals that transfer vibrations into an electric current. Piezo pickups are inexpensive to produce, and as such are the most commonly found pickup in acoustic-electric guitars. Piezo pickups generally have a bright tone and strong mid-range response, thankfully they are bundled with preamps that help make the sound more like an unplugged acoustic guitar. While there's nothing better than a true miked acoustic tone, sound quality of piezo preamp system's have steadily been improving, which is good for both guitar players and manufacturers.
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The objects connected to the red and purple wires are a capacitor and resistor in series. The round brown object is a capacitor, typically around .001 microfarads. The rectangular brown object is a resistor, typically around 150K ohms. Increasing the value of the capacitor will expand the treble range you're preserving. Too large a value, end you'll be preserving midrange, too. Too small a value and you'll only be preserving the highest treble frequencies.
Larry Robinson Fine Custom Inlays - They produce one-of a kind shell inlays for all kinds of guitars. One of a handful of inlay practicioners in the country, Larry has done exquisite work for major guitar manufacturers (Fender, gi bson, Yamaha,...), small production shops (Santa Cruz, Collings, etc.), single luthier shops (Klein, Ryan, Olson, Megas, and more), collectors like Tsumura and people who just want something to personalize their guitar.
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Early forms of the talk box, such as the Heil Talk Box, first appeared in Country Music circles in Nashville in the 1940',s 1950's, and 1960's, by artist like swing band pedal steel player Alvino Rey, Link Wray ("Rumble"), Bill West, a Country Music steel guitar player and husband of Dottie West, and Pete Drake, a Nashville mainstay on the pedal steel guitar and friend of Bill West. Drake used it on his 1964 album Forever, in what came to be called his "talking steel guitar." The device used the guitar amplifier's output to drive a speaker horn that pushed air into a tube held in the player's mouth, which filters and thereby shapes the sound leading to a unique effect. The singer and guitarist Peter Frampton made this effect famous with hit songs such as "Do You Feel Like We Do" and "Show Me the Way," as did Joe Walsh on "Rocky Mountain Way." On Van Halen's cover of "You Really Got Me" Eddie Van Halen uses a talk box after the guitar solo to make a sound similar to a person having sex. Newer devices, such as Danelectro's Free Speech pedal, use a microphone and vocoder-like circuit to modulate the frequency response of the guitar signal. Some Talk Boxes include: The Dunlop Heil Talk Box, Rocktron Banshee, and Peter Frampton's own company,Framptone.
Although most of this article deals with miking regular guitar amps or using various DI options, there are also some great sounds to be had using very low-power guitar amps — even battery-powered ones. You can see these in music shops, often designed to look like miniature versions of Marshall, Fender or other top-name amplifiers. While some sound pretty grim, others sound surprisingly musical and raunchy. Obviously they don't have a lot of low end, but if you mic them closely to exploit whatever proximity effect your cardioid mic has to offer, and use EQ cut to tame the inevitable mid-range resonance, you can get some really great sounds. Best of all is that these things are cheap, so you can afford to experiment, and they also come in useful for their intended purpose, which is practising, something we all tend to do too little of when we get caught up in recording technology.
STEM educators take part in a five-day institute focused on how to manufacture guitar parts for their classroom or for the nationwide network of schools that are implementing the project. Modularized curriculum with assessments will cover the content provided as part of the institute. The primary focus of the institute will be the application of CNC technology as it relates to manufacturing guitar components. The participants leave this institute with the modularized curriculum and a custom guitar body they have designed and fabricated. The additional parts necessary to complete the guitar are also provided.
A bass amplifier or "bass amp" is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet. While bass amps share many features with the guitar amplifiers used for electric guitar, such as providing an amplifier with tone and volume controls and a carrying handle, they are distinct from other types of amplification systems, due to the particular challenges associated with low-frequency sound reproduction. This distinction affects the design of the loudspeakers, the size and design of the speaker cabinet and the design of the preamplifier and amplifier. Speaker cabinets for bass amps usually incorporate larger loudspeakers (e.g., 15" speakers are more common for bass than for electric guitar amps) or more speakers and larger cabinet sizes than those used for the amplification of other instruments. The loudspeakers themselves must also be sturdier to handle the higher power levels and they must be capable of reproducing very low pitches at high sound pressure levels.
Amplifiers for electric guitars are more likely than bass amps to have multiple "channels", but some bass amps also have channels. By providing two or more "channels", each with its own gain, equalization and volume knobs, a bassist can preset various settings (e.g., an accompaniment setting for playing a backing part and a solo bass setting for playing a bass solo). In a heavy metal band, a bassist may use a multi-channel amp to have one setting with an aggressive overdrive, while another channel has a "clean" sound for ballads.
There are lots of adjustment points built into modern electric guitars. And unless you know what you're doing (and why), these adjustments can tempt you to mess around with your guitar and make things worse instead of better. With this book, you can avoid that trap. You'll find step-by-step instructions for setting up your guitar, replacing strings, changing string gauges, dealing with common electronics problems, and more.
Regarding truss rods, all vintage Martin instruments post-1934 have *non-adustable* truss rods (T rod). This means the neck better be straight, otherwise an expensive repair will be in order. To check neck straightness on a guitar, first tune the guitar to pitch. Then hold the low-E string down at the 1st and 14th frets. Note the distance between the bottom of the low-E string, and the 7th fret. You should be able to put a medium guitar pick in this space. Any more, and the neck is "bowed". Any less, and the neck is "back bowed". Repeat this with the high-E string (the same results should be seen; if not, the neck has a "twist" to it).
This processor is pretty good quality, unfortunately not too many parameters on the effects and you can only use one effect at a time, and some prefixed combo of 2 effects (if i remember correctly 10 different options). If you need it for reverb, or slight delay, tremolo or acoustic simulator its pretty cool, not able to add exact tempo on delay or tremolo though. Sound quality is very good, 24 bit A/D and D/A so no loss there either, and you also have stereo (same effect options on both though) and balanced and unbalanced outputs (if you use unbalanced the signal goes to both outputs so you also have the balanced output if needed). For the money is definitely the best option, imagine that a reverb pedal cost the same money (just reverb)...so if you have a controller it will fit on your gear. I am using it with ... full review
The twelve-string guitar is a simple variation of the normal six string design. Twelve-string guitars have six regular strings and a second set of thinner strings. Each string of the second set corresponds to the note of its regular string counterpart. The strings form pairs and therefore you play a twelve-string guitar in the same manner as you would a standard six-string.
Harmonizers – Commonly used for vocal harmonies, these pedals can do a lot to beef up your sound. You can also use them in creative ways, like Steve Vai and Robert Fripp, who have been known to disable the main signal altogether so that their music is coming only from the pitch-shifted output. Using a modern harmonizer can be as easy as setting it to the key you’re playing in, and many even support more than one harmony at once.
When looking at the list above, it may be a bit overwhelming to see 50+ guitar riff song suggestions. You may not know where to start depending on your skill level. Below, is a short list of 5 songs you should start out with and learn the main riffs of as a beginner guitarist as well as 5 songs you can start with as an intermediate guitarist. Once you’ve learned these, feel free to head back up to the list above and start learning others as you wish.
With this in mind, rather than taking the category chronologically, let’s accept our good fortune in today having all of history’s distortion sounds at our fingertips—so next time out, we’ll look first at those which transform the guitar and amp’s natural tone least, working toward those which balls it up most. In other words, from the least synthetic to the most synthetic-sounding of the genre.
There have been a series of the Boss RV pedals, some of which have included delay as part of the package. The RV-6 doesn't brand as a reverb/delay pedal, but it does have a "+Delay" mode that incorporates it into the reverb's decay trail. While it doesn't quite meet the same decorated feature list as the HOF (no true bypass, no analog signal, less modes) the RV-6 does add an expression pedal option, which gives you some added flexibility that might be more helpful in performance situations.
Finding a good pickup for an acoustic guitar is a real personal choice that will depend on your budget, style, aspirations, and the actual guitar you own – that’s why we’ve written a focused article on the best acoustic pickups. Among the myriad of acoustic pickups on offer, you’ll find the quickest to install are transducer pickups, which attach to the face of your guitar – an affordable solution, although the sound quality isn’t as advanced as others. A step up is both undersaddle and soundhole pickups, which have their own pros and cons, while – at the higher-end – you’ll find internal microphones and hybrid mic/pickup systems, which offer a beautifully rich, natural tone. A great example of one of these hybrid systems is the LR Baggs Anthem Tru-Mic.
For more complete control of preamp distortion voicing, an additional EQ pedal can be placed after a distortion pedal; or, equivalently, the guitar amp's tone controls, after the built-in preamp distortion, can be used. An EQ pedal in the amp's effects loop, or the amp's tone controls placed after preamp distortion, constitutes post-distortion EQ, which finishes shaping the preamp distortion and sets up the power-tube distortion voicing.
Making their second appearance on our list, Mesa Boogie delivers with the Dual Rectifier Rackmount (appropriately nicknamed the “Racktifier”). This 3-U behemoth is simply a Dual Rectifier Head, and is one of the very few rackmounts to contain a pre-amp and power-amp all-in-one.  The Racktifier is made for those who simply want the dual rectifier sound, but have the “rack-gear bug”.
The Les Paul Special VE has a Poplar body with a sleek look thanks to the Vintage Worn finish and no binding on the neck or body. The Les Paul VE is cut to the same classic profile of all Les Pauls and has a comfortable and fast Mahogany bolt-on neck with a 1960's SlimTaper D profile. The Rosewood fingerboard has traditional Pearloid "Dot" inlays, a 24.75” scale, a 14” radius, 22 medium jumbo frets, and a standard 1-11/16” nut. Just below the headstock is the famed “bell” shaped truss rod cover found on every Les Paul since the early '50s with “Vintage Edition” in white. 
I am a beginner and based on your recommendation, I bought the Dummies book, and signed up for Guitartricks.com as well. This combo is turning out to be really effective for me, I haven’t been playing long but I can feel the progress with each passing day. The videos at Guitartricks are my main guide through this maze of learning, and the Guitar for Dummies is my go-to resource for reading about anything I want to find out. I’m sure doing a search on the internet would get me the same result, but the Dummies book is easier to hit up I think, and at least I’m sure it’s accurate.

I too have a similar Alvarez made in Japan, 4 digit model no. etc. Mine is a 5059 autumn heringbone model and there is actually a production date on the tag in the sound hole of 1978. The tag is identical to yours as is the headstock logo inlay. Tuners are different however. Based on the similarities to yours I would date it around the same years, '77-'80. I know the model name due to an Alvarez advertisement clipping that depicts the model I have. I too am getting ready to do some much needed TLC to mine as it has been my most loved acoustic for 20 years now. It was a gift from my mother who used it in a country band way back when. These are great guitars that can be bought very cheaply when you can find them. Good luck with the search!


Ok I know Hondo? .... But this is a good one folks its got a lot going for it really have a closer look, its actually built well it is a beautiful vintage guitar in its own right its condition and patina good looks good sound and easy playability make it an excellent entry or back up choice into vintage guitars, The Top appears to be solid 2 piece center seam spruce top you see grain going from top to bottom with really beautiful straight grain with flame type figuring that is surprising on a Hondo it's unique in that feature and it has that patina I love it caught my eye big time as I got close I couldn't believe it was a Hondo, it's logo has that same font as old Martin & Takamine used this one has the look and feel, but it's action was a little off spec , so I fixed all that it has great action now it's neck set and angle was excellent and I ended up changing its nut & saddle out for Martin born nut & saddle set and a new set of 80/20 strings, this guitar has good volume and sweet tone it rings clear and true with good intonation. It's in very good to excellent vintage condition, it's body & neck has no cracks , no finish checking and still shines like glass it's beautiful just have a look, it's not new or mint it has a couple drinks on its top and a couple on its back too but besides those it's exceptional vintage and plays easy with good low action with plenty of saddle left to lower more down the line of ever needed it's set up to meet or exceed Martin specs for playability. This is a lot of vintage guitar for this kind of price WOW! .
The panel on top carries the controls for an old school look and feel overall, consisting of a master volume, gain, bass, treble and the model AC10 comes equip with a built-in reverb effect that makes it even more powerful and articulate to use. This amp is at top of its class when used at home, awesome for a recording studio and bringing it on stage to cover a small to medium size venues.

The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. It was popularized by Black Sabbath in the song "Paranoid". - winner333


Many of the modulation type effects pedals are made to approximate some aspect of the original rotating speaker.  That’s correct, you heard right.  The Leslie Cabinet was made as a companion to the Hammond B3 Organ and literally had a rotary speaker that could produce all of the common modulation effects depending on the speed setting.  Many companies now offer digital pedal versions that mimic the Leslie sound very well, so lugging around a huge speaker cabinet isn’t necessary, unless you are a purist or have a crew of roadies available.
A bass stack may use a single speaker cabinet (e.g., the huge 8x10" cabinets widely used by hard rock and metal bassists). The 8x10" cabinet is often provided as "backline" equipment at music festivals; this way, all the bassists from the different bands can use the same amplifier and speaker cabinet. This reduces the transition time between bands, because the roadies do not have to remove the previous band's bass stack and bring in the subsequent band's stack. Using one 8x10" as backline gear for an entire music festival also makes the transition easier for the audio engineer, because she can have an XLR cable plugged into the amp head's DI unit output (to get the bass amp's signal so that it can be mixed into the sound reinforcement system mix) and have a mic set up in front of the cabinet, to capture the amp and speaker cabinet's distinctive tone. The 8x10" cabinet is widely used by heavy metal music, hardcore punk and psychobilly bassists, as these genres use a loud onstage volume. Some metal bassists, such the bass player for death metal band Cannibal Corpse, use two 8x10" cabinets for large concerts in stadiums or outdoor festivals.

The best choice for ambient miking is most likely to be a good condenser – probably a large-diaphragm type, though a small-diaphragm type will work. Plenty of ribbon mics give good service as ambient mics also, if you have a clean, high-gain mic pre-amp to track them through. And where do you put it? Well, three or four feet back from the speaker will start to get a significant amount of room sound into the mic, but for more-ambient placements, try six feet or more, and experiment with different heights from the floor, far corners, and so on. One nifty way to find a cool ambient placement is to use your own ear like a mic, and stick the mic at the position in the room where the guitar tone sounds the best to you. This is ideally done with another person playing the guitar; cover one ear and walk around the room listening to the sound in different positions. When you hear a sound that really nails what you’re trying to capture, set up the mic right there. Done.
When this guitar came in the headstock was completely broken off.  Being a 12 string I knew that it would need some extra reinforcement to stay structuraly sound.  I glued the headstock in place and then started to cut away wood from the truss rod to the edge of the neck running from the 5th fret to the A string tuner.  It took hours of cleaning up gluing surfaces and precisely fitting the graft before I could glue it in place.  I then repeated that step on the other side of the neck.  With this repair the only original wood remaing around the break is directly over the truss rods making the finished product basically as strong as a new neck.  Once the neck was refinished you cant even see the original break and only if you look very closely can you see the edges of the grafts.  When the owners of the guitar came to pick it up they thought I had made a whole new neck.  Needless to say they were very excited.  -Evan
The most important thing to a 5string is the tone ring with a resonator, I've been plays 36yrs. I have an Alvarez Denver belle flat top tone ring, a White Eagle archtop tone ring and my favorite is a Hohner artist flat top tone ring. Regarding a guitar my choice is a Martin D-35 ease of play & tone that is awesome! a 5 string take Many hours & months of practice on your rolls, forward, backward alternating thumb pattern, keeping your timing in check so you do not hit the string with your middle finger out of synch. Good luck have fun, no time better to learn than now!
The characteristics of your Kingston are very similar to what other owners have reported: occasional scratchy and erratic performance of the electronics, intonation problems, and action that is hard to control (notably due to the lack of a truss rod). Although I can’t verify this, one estimate indicates that over 150,000 Kingston guitars were sold in the U.S. during the 1960s! It’s obvious that quantity trumped quality when it came to producing the guitars, and it isn’t surprising that the electronics have some issues after all these years.
These two articles show us how me can manipulate coil winding direction, electrical phase, and magnetic polarity to achieve hum-cancellation between two coils. Having this knowledge allows us to create hum-cancelling combinations of coils over and above than just using humbuckers. A good example is using a RWRP pickup in the middle position of a Strat.

This should give you an idea of when the majority of the production for any one model occured (majority meaning more than 5 instruments per year). Note this does not mean a model can not exist outside of these years - it certainly can. Just these are the years recorded by Martin in their ledgers. Note this list (for the most part) does not go past 1969.


Chorus is useful for 'softening' rhythm guitar or synth pad sounds, but it does tend to push sounds further back into the mix, so it should be used with care. Adding more brightness to the sound can help compensate for this effect. Chorus also works well on fretless bass, but tends to sound quite unnatural on vocals. Phasing can be used in a similar way to chorus but, whereas chorus creates the impression of two slightly detuned instruments playing the same part, phasing sounds more like a single sound source being filtered, where the frequencies being 'notched out' vary as the LFO sweeps through its cycle.
There are two main types of amplifier: valve and solid state. Solid state guitar amplifiers tend to be cheaper and lighter, but they don't offer as good a sound as valve amplifiers. Valve ones, on the other hand, have working parts, so they're a little more maintenance heavy. Most serious musicians go for valve amplifiers due to the superior sound and lower wattage requirements.
I wish I had a cool story to attach to this guitar, but really this one is a history lesson regarding the development of Japanese guitar manufacturing.  Plus, it’s an example of some rare component combinations (like the pickups) that make guitars like these worth buying.  THEY’RE SO CHEAP!!  Hell, buy one of these for $200, send it to Dano and sink another $100 into it, and you’ll have yourself one hell of a player!  It’s like recycling, dude.
I only dealt with them directly on my SX Mahogany Strat w P90s. For $119 I got a really nice beginner guitar. I added cheap grover tuners, I filed a few frets and polished them, shimmed the neck, sanded (more scuffed really) the sticky finish on the back of the neck, and I've got a nice little beater that sounds awesome (to me at least), and has nice low action. I'm a relative newbie, but got some good experience with guitar setup and didn't risk trashing a expensive guitar.
While all of the brands featured in this guide produce wonderful instruments, the clear all around winner is Fender. Fender somehow manages to feature the best of both worlds in nearly every category. Guitar players have been turning to Fender for over seventy years, and for good reason. The company is renowned for its high quality craftsmanship and their beautifully constructed instruments have been inspiring guitarists for decades.
The Fender Deluxe Players Stratocaster Electric Guitar gives you classic Strat sound and feel in a beautiful package. This luxurious model is upgraded with American-made Vintage Noiseless pickups, medium-jumbo frets, and a 12" neck radius. As a result, it sounds fantastic and plays easy. It also is equipped with a push-button pickup switch (in addition to the usual toggle) that gives you 7 pickup combinations. Other deluxe features include a vintage-style synchronized tremolo, vintage-style tuners and gold-plated hardware throughout.

Market sentiment is overwhelmingly positive, with many reviewers describing how the Seagull S6 Classic M-450T exceeds their expectations. Build quality and playability gets the bulk of commendations, along with its clear sound and good acoustic projection. Some even dare to compare the Seagull S6 Classic with super expensive guitars from major brands.
Leo Fender’s simple and modular design was geared to mass production, and made servicing broken guitars easier. Guitars were not constructed individually, as in traditional luthiery. Rather, components were produced quickly and inexpensively in quantity and assembled into a guitar on an assembly line. The bodies were bandsawn and routed from slabs, rather than hand-carved individually, as with other guitars made at the time, such as Gibsons. Fender did not use the traditional glued-in neck, but rather a bolt-on. This not only made production easier, but allowed the neck to be quickly removed and serviced, or replaced entirely. In addition, the classic Telecaster neck was fashioned from a single piece of maple without a separate fingerboard, and the frets were slid directly into the side of the maple surface—a highly unorthodox approach in its day (guitars traditionally featured rosewood or ebonyfingerboards glued onto mahogany necks). The electronics were easily accessed for repair or replacement through a removable control plate, a great advantage over typical construction, in which the electronics could only be accessed through the soundholes in the case of hollow-body instruments, or by taking off the pickguard after removing the strings (in a design popularized by Fender’s own later guitar model, the Stratocaster).
With the new Shreddage 2X update released in July 2014, S2 is better than ever. Enjoy a brand-new user interface and totally rewritten engine, with intelligent string / fret selection, new features and options, even more customizable mapping, and new samples like powerchord slides and staccatos. You can also use new built-in effects pedals and save/load your own custom presets to use across multiple projects.
Pickups are meant to capture (pick up) the strings' vibration. Now, the pickup closest to the neck captures the strings' vibrations at their highest amplitude, which results in a warm sound with lots of lows. Conversely, the pickup closest to the bridge captures the strings' vibrations at their lowest amplitude, rendering a bright and sharp sound. So, the same pickup will have a different sound depending on its position. That's why most guitars are equipped with several pickups.
SOLD OUT ! We are VERY pleased to present a very special example Alvarez Yairi Classical guitar . The condition of this high end instrument is excellent plus and this guitar is simply wonderful. This is hand built example by The Kazou Yairi himself, Japanese Master Luthier. For those of you not familiar with the Premier Japanese Master Luthier Kazou Yairi and his masterfuly built instruments you may enjoy this vidio introduction to YAIRI GUITARS http://www.youtube.com/watch?v=NPRyLPouYZM The model is CY116 and is a very high-end professional guitar and is in excellent Plus condition. Only the highest grade woods used as you can see ...choice AAA Flamed-Quilted and is 3-dimensional depth is a work of art as you can see by the pictures. This guitar plays and sound AMAZING and is truly inspirational. This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too. General Specs: Alvarez Yairi CY116 Classical Acoustic Guitar The CY116's Solid Cedar Top is adorned by an elaborate wooden mosaic rosette. Burled Maple Back/Sides give this classical amazing clarity and warmth like the fiery Andalusian plains that inspired the music that this guitar was born to perform. With room-filling projection, the CY116 is a guaranteed conversation starter. You hear it in the elegant pacing of a classical air. You see it in the vivid charm of a folk dance. Specs: Burled Mahogany Back/Sides Solid Cedar Top Mahogany Neck Ebony Fingerboard Scale: 25 1/2" (650mm) Width at Nut: 2" (51mm) Rosewood Bridge Ivory Body Binding Wooden Mosaic Rosette Gold Vintage Open-Style Tuning Machines .
He embodies the stylish sideman identity forged by guitar greats like George Harrison and Keith Richards: a neatly trimmed pudding-basin haircut, and a stage presence that never upstages the frontman. Yet, he is intriguing in his own right. Marr’s post-Smiths career has been stellar. He’s worked with everyone from New Order’s Bernard Sumner (in Electronic) to Oasis to John Frusciante, and has been quite active recently with both Modest Mouse and the Cribs. He has an uncanny knack for being around whenever cool music is happening.

Rotary – A modelling effect that recreates the sound of a rotary cabinet amplifier. A rotary cabinet amplifier was originally designed for electric organs as a way to emulate the wobbling sound of a pipe organ by rotating a speaker within its cabinet. However, the effect soon became popular with guitarists as a type of modulation effect. The RT-20 rotary pedal has two speeds, fast and slow. You can control the speed of rotation and the rise time, which is the amount of time it takes to switch between the fast and slow speeds.
This is a very general question, but I will attempt to answer. I'll not get into brands, buy what "feels" right and has a good tone. If, a beginner, a good acoustic can be bought new for $200.00 - $300.00. If, you are an experienced or professional player, "The Sky is the Limit" only limited by how much you want to spend. My first guitar was used, and I paid $50.00. Now, I play a Gibson Song Writer, $3500.00. Hope this helps.

Original plate reverbs were mechanical in nature. There was a literal plate inside the amplifier, which would transform input signal into vibration. Then you would have a pickup located somewhere near the plate, that recorded those vibrations. Today, such a contraption comes across as relatively crude, but many still love the unique mechanical sound it produces. Spring reverb uses a pretty much exact same principle, only this time you have a spring in there instead of a plate. The biggest improvement a spring reverb offers is reduction in both weight and size of the device.
As previously stated, a dominant seventh is a four-note chord combining a major chord and a minor seventh. For example, the C7 dominant seventh chord adds B♭ to the C-major chord (C,E,G). The naive chord (C,E,G,B♭) spans six frets from fret 3 to fret 8;[49] such seventh chords "contain some pretty serious stretches in the left hand".[46] An illustration shows a naive C7 chord, which would be extremely difficult to play,[49] besides the open-position C7 chord that is conventional in standard tuning.[49][50] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second-highest note in a second inversion of the C7 chord is lowered by an octave.[49][51][52] Drop-two chords are used for sevenths chords besides the major-minor seventh with dominant function,[53] which are discussed in the section on intermediate chords, below. Drop-two chords are used particularly in jazz guitar.[54] Drop-two second-inversions are examples of openly voiced chords, which are typical of standard tuning and other popular guitar-tunings.[55]
Description: Body: Maple - Flamed - Body Construction: Semi-Hollow (Chambered) - Top Wood: Spruce - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Natural, Sunburst

I have an old Montclair that my uncle modified. He told me that is a '52 but the info here dates it as '60-62 if I remember correctly. I just registered over at the forum, I thought you guys might get a kick out of seeing this guitar. My uncle stripped almost all the paint, there's a bit under the bottom of the neck just to show how it was. He added a hand carved bridge and custom binding on the backside. Also there are a few other unique mods. I really am interested to see what you think about this guitar. It is my main player and has been for years now, an amazing sounding punchy guitar. Hopefully I'll be able to post up some pics at the forum. Cheers! -Gabriel-
Gibson, like many guitar manufacturers, had long offered semi-acoustic guitars with pickups, and previously rejected Les Paul and his "log" electric in the 1940s. In apparent response to the Telecaster, Gibson introduced the first Gibson Les Paul solid body guitar in 1952 (although Les Paul was actually brought in only towards the end of the design process for expert fine tuning of the nearly complete design and for marketing endorsement [2]). Features of the Les Paul include a solid mahogany body with a carved maple top (much like a violin and earlier Gibson archtop hollow body electric guitars) and contrasting edge binding, two single-coil "soapbar" pickups, a 24¾" scale mahogany neck with a more traditional glued-in "set" neck joint, binding on the edges of the fretboard, and a tilt-back headstock with three machine heads (tuners) to a side. The earliest models had a combination bridge and trapeze-tailpiece design that was in fact designed by Les Paul himself, but was largely disliked and discontinued after the first year. Gibson then developed the Tune-o-matic bridge and separate stop tailpiece, an adjustable non-vibrato design that has endured. By 1957, Gibson had made the final major change to the Les Paul as we know it today - the humbucking pickup, or humbucker. The humbucker, invented by Seth Lover, was a dual-coil pickup which featured two windings connected out of phase and reverse-wound, in order to cancel the 60-cycle hum associated with single-coil pickups; as a byproduct, however, it also produces a distinctive, more "mellow" tone which appeals to many guitarists. The more traditionally designed and styled Gibson solid-body instruments were a contrast to Leo Fender's modular designs, with the most notable differentiator being the method of neck attachment and the scale of the neck (Gibson-24.75", Fender-25.5"). Each design has its own merits. To this day, the basic design of many solid-body electric guitar available today are derived from the original designs - the Telecaster, Stratocaster and the Les Paul.
Sharlee D'Angelo (b. 1973) is the bassist for the metal band Arch Enemy, as well as the classic rock/AOR band The Night Flight Orchestra, the stoner metal band Spiritual Beggars and the blackened thrash/speed metal band Witchery. D'Angelo has also been in various bands in the past, either as a studio session player or full member. These include Mercyful Fate, Dismember and King Diamond. He switched to Ibanez in 2005. Ibanez now produces the Sharlee D'Angelo signature basses, called the SDB2 and SDB3,[11] which is tuned to D'Angelo's preferred C standard[12] (Low to High – C,F,Bb,Eb).
Popular music typically uses the electric guitar in two roles: as a rhythm guitar to provide the basic chord progression and rhythm, and a lead guitar that plays melody lines, melodic instrumental fill passages, and solos. In some bands with two guitarists, both may play in tandem, and trade off rhythm and lead roles. In bands with a single guitarist, the guitarist may switch between these roles, playing chords to accompany the singer's lyrics, and a solo.
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