A guitar tuner pedal is an absolute must have if you’re serious about guitar as it provides accurate tuning instantly and can even allow you to tune your guitar to alternative tunings such as Drop D, open tunings and more. Check out our top 12 Best Guitar Tuners blog for more info on guitar tuners. The absolute industry standard is the BOSS TU-3 tuner pedal - a must have.
On the same topic, if you do apply some compression during recording, be careful not to overdo it. At this stage, you don’t need to hear any effect, it should just transparently control peaks. If you apply the amount of squeeze that may be needed for the mix as the part is going down, it might cramp the player’s style—better to leave that for later. Plus, if the signal is over-compressed here, it may bring out the normal squeaks and finger & fret noises so much that it becomes difficult to eliminate them later—this is especially true if the player is really a guitarist who also moonlights on bass. Guitarists who try their hand at bass parts often haven’t mastered an experienced bassist’s technique for damping the strings, and the little playing noises I referred to, as well as distracting undamped harmonics, can end up overpowering the recording if heavy limiting/compression brings them up (I recently struggled mightily to deal with a bass track that suffered from this flaw).
Strings produce sound in the guitar. In electric guitars, because there are no holes, the vibration is passed to a pickup which senses the vibration of the strings passes the signal on to the guitar amplifier. There are two types of strings for electric guitars, light and heavy gauge. Lighter ones are easier to play and allow easy bending of notes, but they are more likely to break and produce less volume. On the other side, heavier ones produce high volume but are hard to play and require more finger pressure to bend notes.
The easiest way to record bass is to just plug it straight into the console/interface—of course, using the correct instrument-level input or dedicated DI box, and not a standard line input. This will provide a nice, clean, deep tone, but it will likely lack the growl and grit that’s often desired—for that, you’ll want the sound of an amp. While you can always use a bass amp sim plug-in later, in the mix (see below), there’s nothing like the pants-flapping wall of low-end sound coming out of a real bass amp, if one is available. But most engineers will record both—a DI’d signal, and a miked-up amp. They can be combined later on, for the best of both worlds—the clean, round, depth from the DI, with the edge and midrange punch of the amp (but see below, for a caveat).
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Mahogany is a very dense, strong wood used in all parts of guitar manufacture except fretboards and bridges, which require harder wood. A mahogany neck and back are often found on short-scale guitars with maple tops. Another common combination is an all-mahogany body and neck (excluding the fretboard). Because mahogany is not very hard, it emphasizes the midrange and bass frequencies for a mellower guitar tone. Mahogany is a very resonant wood which enhances a guitar's sustain. It is generally a uniform rich brown color.
Play It Loud: An Epic History of the Style, Sound, & Revolution of the Electric Guitar is just that: a swooping, all-encompassing timeline of the instrument’s early days to its beyond-essential role in pop culture and music. Written by Brad Tolinski and Alan Di Perna, with a foreword by Carlos Santana, the book dives into the electric guitar’s place in our society, tracing its evolution in sound, style, look and purpose. Here are 10 things we learned from reading:
Back in the mid-60s, a desire for independence in business led to John Skewes forming a small musical instrument agency and wholesale business based at his home near Leeds, England. Over time, his new business steadily began to take off, and soon included throughput of some self-branded lines of musical merchandise. That effective early decision to carry self-branded merchandise continues to this day, with their signature Vintage® acoustic and electric guitars and basses which were first produced and sold in 1985. Today, Skewes is the largest family-owned independent musical merchandise distributor in the U.K. and the Vintage ‘family’ includes Fret King® electric guitars, Pilgrim® Banjo’s and Mandolins, Laka® Ukuleles, Encore® electric and acoustic guitars, and Kinsman® cases.
If you are considering a traveler or mini guitar, be sure to read reviews of people who own models that range between $40 - $500, because you will find various reasons to stay away from some of the cheaper models that are under$150.  Some of these guitars that are made that cheaply are not much better than toys in quality, sound and crafstmanship, and at this model and price range, you will get what you pay for.  By investing an extra $100 - $200, you can find some fine travelers and minis that will more than accomplish the job, and in fact, some professionals choose certain travelers and minis over others for playability, quality, performance and recording reasons.
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The wah-wah pedal is one of the most identifiable of all guitar effects, yet is one of the most simple as well.  An easy way to think of it is that you have a tone knob under your foot.  It is literally just that.  A rocker foot pedal allows you to accentuate high frequencies when your toes are down.  When you put your heel down, you accentuate the bass frequencies.

: : I have a Vox Shadow that's sunburst, white pick guard that surrounds 3 solid chrome face pickups and the middle pick up has "VOX" engraved in it. 3 seperate volume controls and a master volume control. Tuning keys are all chrome, and the green decal on the face of the headstock reads Shadow, JMI Dartford, Kent. Neck is attached withthe help of a chrome plate, on the back side of the 'plank' body is an access plate for the jack that states made in England. Guitar also has the original roller/tremelo tail piece with palm lever. The numbers of 64728 are stamped on the back side of the headstock just below the tuning keys. Finish is beginning to crack a bit but it's all original, right down to the volume pots that have to be cleaned from time to time. It must be a rather unknown line that Vox had as I can't find out much on it either. Had this guitar for many years. Was handed to me in pieces in an old 'cardboard' case, (that has since gone away) put it back together and added it to my "music room".
In the fall of 1964, it's generally accepted that hide glue was replaced with white polyvinyl acetate PVA glue (Elmer's) after the move to the new Martin build facility. (But hide glue was still used until the mid-seventies for gluing tops to the rim and in some other situations.) A notation was written in Grant Remaley's personal memos on Sept 29, 1964 indicating Martin was starting to use "cold" glue. It is generally thought the type of glue used does affect the sound of the guitar. Starting some time in the 1980s Martin started switching from white glue to yellow aliphatic resin (titebond).
Several notable ranges of similar guitars were produced with different finishes and features; whilst some companies lumped all variants together with a single model name - i.e. a Fender Stratocaster is a Fender Stratocaster, irrespective of it's finish, in many cases Harmony split it's models, giving a different model designation depending on finish, inclusion of a tremolo etc.
And “tear” into them so like to do! My most recent “nightmare” was with such a simple thing as a fret “grind and polish” totally gone haywire! This particular repairman was nice enough, but broke so many things on my guitar just as a result of doing a fret job; he had it for another month after, and still could correct his mistakes! I final had to have the guitar literally “rescued” by the actual craftsman who made the guitar so it could finally be set straight again! It turned out that much as I had suspected, the repair guy wanted to see what made my guitar “tick”, so he unnecessarily tore it apart, but couldn’t properly put it back together again! He even broke 2 pickups by turning them too tightly as he lowered them!! Very costly errors, to be sure!
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Flamed - Neck Wood: Maple & Walnut - Neck Construction: 5 Piece - Fingerboard: Rosewood - Frets: 24, Jumbo - Inlay: Pearl - Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Edge III - Cutaway: Double - Hardware: Black - Pickup Configuration: H-H - String Instrument Finish: Devil's Shadow
The frets are those thin metal bars running down the neck, which act as note separators, allowing you to play individual notes and chords. Most guitars will feature 22 frets, although those more rock and metal-inclined will sometimes offer 24, allowing you to reach higher notes. As a beginner it shouldn’t really bother you whether you have 21, 22, or 24 frets. It’s only as you grow into the instrument you’ll find what works best for you.
It comes with two 6.5-inch speakers, delving out 100 W each for a total of 200. Now, the small woofer diameter might make these units work less-than-perfect for rendering stomach-churning bass noise, but ZT Amplifiers never intended for them to be used as such. Instead, they are supposed to deliver loud and clear enough sounds in the treble and mid ranges to make the guitarist hold its own even when a loud drummer is present.    

2. Materials. The timbers used to make these guitars were sourced from every corner of South East Asia. These timbers were “old growth”; in plainer words, the timber was taken from established forests. The advantages of this type of wood are long term stability and strength. Further to this, many of these timbers were species that are now on the endangered list and are therefore illegal to log and/or export. Now, while we consider the cutting down of established “old growth” forest timber a crime, it would be an even bigger crime not to make the most of what is already there. Whilst the build quality of the modern Asian made guitar (i.e. China, Indonesia, Vietnam etc) is exceptional, most of the timbers used are “plantation” timbers or more overly “new growth” timbers. Though this forestation is certainly light years ahead ecologically, it tends to yield timber which is brittle and can be unstable, making many repairs, such as a broken headstock untenable.

Well built, beautiful rich sound and stays tuned. Made in Canada by the Godin family. The slim neck and close action makes it easy to play for those with smaller hands. I have the black Songsmith and will never part with it. Many of my friends and family thought I had spent $1000 to $1500 for it and were really surprised at the price under $400. Godin makes a nice case for it and all of their guitars for around $120.00. Definitely should be in the top 10 of best acoustic guitars!

Generally speaking, the amp market tends to be less fueled than other categories by the year-to-year cycle of new product hype that kicks off at the annual NAMM show in January. While there are always hot new models and brands (Quilter amps being a good recent example), amp sales on Reverb are largely dominated by tried-and-true favorites and good deals on used gear.

The simplest way to explain modulation effects is that they make a copy of the original signal, modify the copy in some way, and then mix the original and the copy back together. The result is sort of like a pitch-shift taken to the next level, where instead of simply adding new notes or varying the fundamental, they can create entirely new sounds altogether. Here are the usual suspects of modulation effects:
One of modern metal's key figures, Dimebag Darrell founded Pantera with his brother, drummer Vinnie Paul Abbott – forging a style that combined brutally precise, punk-honed grooves with splatter-paint melodic runs. After he was tragically shot by a deranged fan during a show with his band Damageplan in 2004 – on the anniversary of John Lennon's death, freakishly enough – the tributes rolled in from fans, peers and forerunners. "One of the greatest musicians to grace our world," Black Sabbath's Geezer Butler said simply. "Rest in peace."

Seller: atcycle (2,136) 100%, Location: Sugar Land, Texas, Ships to: US, Item: 122791185383 This Used Guitar, cosmetically in general is in good used condition, it's played and everything works fine. Includes tremolo bar. The string trees have been removed for tuning stability but will be included should you wish to use them. Please use the enlarge feature and look over all pictures as this is the best way for me to show / describe the condition to you. I will have other Guitars listed. PLEASE NOTE ALL FAULTS SHOWN IN PICTURES ARE CONSIDERED PART OF THE DESCRIPTION.This Lotus "Strat" triple single coil is one of the finest examples of high quality imports which strongly competed with the big boys back in the day. Those of us who were around back then, learned that frequently these guitars had better sound and build quality than the Name Brand at that time. They were so good that the Big Name Company had them build many guitars for them! Condition: Used, Condition: There are a few signs of wear typical of an older used instrument. Missing switch button., Brand: Lotus, Body Type: Solid, MPN: Does Not Apply, Dexterity: Right-Handed, String Configuration: 6 String, Body Color: Black, Body Material: Solid Wood See More
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Epiphone Les Paul Special II Player Pack   New from$249.00In Stockor 6 payments of $41.50 Free Ground Shipping Silvertone SS10 Citation Electric Guitar Package   New from$150.95In Stockor 4 payments of $37.74 FREE 2-DAY SHIPPING Silvertone SS11 Revolver Electric Guitar Package   New from$160.95In Stockor 4 payments of $40.24 FREE 2-DAY SHIPPING Epiphone Slash Appetite for Destruction Les Paul Performance Pack   New from$349.00Coming Soonor 8 payments of $43.63 Free Ground Shipping See All Electric Guitar Packs
Samick is a South Korean based musical instrument manufacturer, which was founded in 1958 by Hyo Ick Lee, with the goal of "enriching human life through music, the universal language". By the mid-1990s, they were the single largest guitar manufacturer in the world! Because they build under contract for many famous brand names, more likely than not, you've already played one of their guitars.
Once the electric guitar had been firmly established by the 1960s and 1970s, guitar designs became increasingly distinctive and reflective of popular music trends. And by the 1980s guitarists were more and more concerned with the look as well as sound of their instruments, regarding their guitars as identifying signatures. Eddie Van Halen decorated his guitar with colored sticky tape, and Prince has had guitars of all shapes and colors custom-created for his stage performances.
The result is not that bad and makes justice to the "live" arrangement of the song. However, when producing the recording of the song, I wanted to go further while preserving the "color" of the pedal, which I like so much. First of all, I think the delay time is a bit behind the beat. What's more, the delay line is a bit too present and "blurs" the main riff. Finally, unlike in a live performance, the sound of the guitar would integrate better into the recording if it developed along the stereo width rather than the depth. In short, it is truly impossible to try to make things the way I think they should be with this take. Fortunately, I went through the pains of splitting the signal right before the Memory Boy and I was able to use this "good" signal to apply the desired changes in no time!

Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing the boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well balanced asymmetrical body shape, and the neck heel allowing unrivaled playability.

Guitar pedals are perfect for this. Firstly, and perhaps most importantly, because you should never try to circuit bend anything mains-powered, they can run off 9V batteries. Secondly, their internal circuitry is usually very simple, and they already have audio I/O. Thirdly, you can get them for almost no money from eBay, and the other tools required — soldering iron, wire, switches, and so on — are also very cheap. There's an almost infinite number of sonic possibilities to be explored here, from finding new ways to process a signal (of course you don't just have to use them with guitars) to creating a machine that goes 'Eeeeeeooooowsquelch blipipipip' in a different way every time you turn it on — and who would say no to that for less than a tenner?
Their 200-series is reasonably priced, and a great value for a Taylor guitar. They also make the Baby and Big Baby, and the GS Mini—smaller-bodied guitars perfect for intermediate players and beginners with a few extra bucks in their pockets.These are awesome acoustic guitars with a big sound. They might be small, but veteran guitar players love them for the tone and portability.

I don’t mean to be unfair to the effect (and theoretically, this should be an article devoid of opinion). Flanging is impressive stuff. It’s just that, used heavily—where it best shows off its massive harmonics-plinking capabilities—it can become too imposing a sound for a guitarist to easily play with, which relinquishes it to the realm of background effects and early-’80s electro-pop. Still, plug in and send your brain to space and back.

In 1957, president Sydney Katz introduced the Gold “K” line of archtop and solid body electric guitars[14] to compete with major manufacturers like Fender, Gibson, and Gretsch. The gold “K” Line featured the Jazz Special, Artist, Pro, Upbeat,[18] Jazz II, and Jazz Special Bass. Gold “K” guitars used the same hardware as top manufacturers. However, there were truss rod and neck issues.[citation needed]
‘Power' Chords are used in most styles of music but are particularly useful for rock guitar; they even sound cool on acoustic (check out Nirvana's Unplugged album for an awesome example). The basic idea is that you only have to learn one chord shape, and that one shape can move around the fingerboard to make other chords. It uses no open strings, and muting the unused open strings is a very important part of the technique.

Understandably, the Blackstar ID:Core Stereo 20 V2's main selling point is its versatility, and this is reflected in the reviews. Sound quality also got a lot of thumbs up, with many describing the amp as full sounding, thanks to its stereo speaker configuration. For something this versatile, the amp's ease of use also gets commended quite often, with some finding it easy to dial in different sounds. Finally, a good number of users find the amp's overall build quality to be solid and reliable.
Neither player uses any sort of stomp boxes in their rigs. In an effort to emulate his heroes, Bo keeps it straight ahead, using no effects at all, while Frank opts to program his effects via rackmount gear and to make setting changes through a MIDI controller. The advantage is that he can change gain levels, EQs, and effects instantly with one tap, instead of having to do the stomp box break dance in time for the next down beat. Both axemen prefer to get their overdrive the old-fashioned way, by driving the tubes in their amps. 

Paul Gray (b. 1972 d. 2010) swapped his longtime association with Warwick basses for a customized version of the ATK bass series, the PGB1. He was impressed with the ATK bass after he bought one from a pawn shop and told Ibanez that he would endorse them if they put the ATK series back into production. He switched to his signature model shortly before recording of the Slipknot album All Hope Is Gone and used them until his death in 2010.
Phase Shifter pedals found their way into the guitar community in the 70’s with pedals like the MXR Phase 90, Mutron Phase Shifter, EH Small Stone, Foxx and others. The sweeping sound it produces is unmistakable and a legendary trademark of many guitarists sound. The MXR Phase 90 can be heard all over Van Halen 1 and II. Brian May used the Foxx phase on “Sheer Heart Attack,” The Eagles “Life In The Fast Lane”, and Led Zeppelin’s “The Rover” to name but a few.
: : I have a Vox Shadow that's sunburst, white pick guard that surrounds 3 solid chrome face pickups and the middle pick up has "VOX" engraved in it. 3 seperate volume controls and a master volume control. Tuning keys are all chrome, and the green decal on the face of the headstock reads Shadow, JMI Dartford, Kent. Neck is attached withthe help of a chrome plate, on the back side of the 'plank' body is an access plate for the jack that states made in England. Guitar also has the original roller/tremelo tail piece with palm lever. The numbers of 64728 are stamped on the back side of the headstock just below the tuning keys. Finish is beginning to crack a bit but it's all original, right down to the volume pots that have to be cleaned from time to time. It must be a rather unknown line that Vox had as I can't find out much on it either. Had this guitar for many years. Was handed to me in pieces in an old 'cardboard' case, (that has since gone away) put it back together and added it to my "music room".
Other Archtone owners may notice a slightly different model number, but with the exception of a tenor version, the only difference is the finish. The H1213 (your model) was finished with a shaded-brown sunburst, the H1214 was ivory-colored with a flame effect, and the H1215 was a sunburst with a grained effect. In excellent condition, this model is worth between $200 and $250 today. But in the average condition yours appears to be, it’s worth between $100 and $150.
It is also believed that 'Terada Musical Instrument Co., Ltd. of Japan also made some guitars for Ibanez during this period.' It's thought that 'these would be mostly hollow-body guitars, but may also included some solid-body Artist series models.' There is no proof whatsoever for either of these assumptions. It's most likely that this is a big misunderstanding caused by an over generalization in the database of the "Guitar Dater Project" website, which is not able to assign the right factory to a vintage Ibanez guitar based on its serial number. The false information this website generates has been propogated in numerous advertisements of sellers of vintage Ibanez guitars. There is no proof whatsoever of any solid body Ibanez guitar produced by Terada. On the contrary: the fact that the production of solid body Ibanez Artist guitars shifted to Iida Gakki 1987, while hollow-body and semi-hollow Artist guitars became Artstar labels with H serial numbers, shows that the original production before 1987 came all from the FujiGen Gakki factory, which was experiencing capacity problems during that time period caused by their commitment to produce guitars for Fender Japan. If Terada had produced AR models already, they would have continued doing so. The AR and AS models shared the same necks under the Artist flag. Splitting the production up from a situation in which they were already both made in the Terada factory wouldn't be efficient, so it is highly unlikely that pre-1987 AR and AS models were ever made there.
Unlike many of the other pedals, which are designed to create dramatic or exciting effects, these units take care of the less glamorous (but still very important) jobs in creating your tone. Sound-conditioning effects are the ones that will give the finishing touches to your sound, making the difference between “amateur garage band” and “international touring guitarist.”
Depending on your choice of guitar kit you may be required to perform a small amount (or a large amount) of work wiring the guitar. This typically involves a soldering iron and a basic understanding of guitar electronics. You will also need to be able to follow schematic diagrams of pickup configurations. It’s not a one size fits all job either, wiring up a Telecaster is different to wiring a Stratocaster and a Les Paul or hollow body is different again.
The movie is very hauntingly beautiful, and it's especially highlighted by an awesomely haunting score, and some breathtaking visuals. The story is interesting, but it's definitely slow-paced, and the climax is much more of an intellectual payoff than a spectacular action scene (which many viewers might be hoping for). So I can definitely see why some people would hate this film, but I loved it. It's one I definitely won't forget anytime soon too, and it's great to see Natalie Portman (my old favorite actress) back in top form! watch movies online pro
Years ago companies used to manufacture rotating speaker cabinets (the most famous being the Leslie Rotary Speaker) – as they rotated the sound would change and develop, creating interesting modulation effects. Nowadays such things are considered too large and inconvenient to transport and use, so we have stomp boxes to help us emulate the sound. The most famous of these is the Dunlop Uni-Vibe, and although it doesn’t sound as close as other pedals to the real thing, it has become a famous sound in its own right. Rotary speaker effects often have controls for the speed of the effect, and can sometimes (such as in the case of the Uni-Vibe) be connected to expression pedals to control the speed on the fly. If you’re into 60’s psychedelic rock like Jimi Hendrix, this one’s a must.
The tone selector on an electric guitar controls the capacitor, which basically filters out high frequencies. The same way a high-cut filter (or low-pass-filter if you prefer) works on a standard equalizer. By dialing down the tone, you remove brightness and treble. The pickup selector does just what it's called.. Selecting which pickups being used to capture the vibration of the strings, and translates the energy into electric current, though the configuration and number of "presets" can vary from guitar to guitar, depending on how many pickups it has etc. If you're a handyman you can even configure this yourself.
The reason why we love this guitar so much is that the top is made from koa wood. What is koa? It’s a Hawaiian wood that has a very special look to it, with an unusual grain pattern. When you have a guitar top made from koa like this, it just looks very organic and natural, so if you don’t like the plastic-fantastic style, then this is the best way to go!
Before doing a setup, I’d recommend you put a new set of strings on the guitar. Specifically put the type of strings on that you intend to use in future, since different gauges (and sometimes brands) can require a slightly different intonation setup. If you don’t know how to restring a guitar, then have a look here: http://diystrat.blogspot.com/2011/08/stringing-guitar.html
A guitar is a stringed instrument that has always been a favorite amongst musicians because it creates symphonic tones that foster creative expression. Guitars are available in a variety of make and brands. In India, the guitar is the most commonly played musical instrument. Since a good guitar lasts for more than a decade, it is important to keep a few things in mind when you are buying a guitar for the first time. There are different types of guitar that are available for buying.
For instance, during 1970s and early 1980s, Japanese manufacturer Tokai Gakki produced superb replicas of 1957–59 vintage Les Pauls, and replicas themselves were gradually highly regarded. In the 1980s, to respond to the high demand for vintage models, Gibson itself began to offer a line of “Custom Shop models”, almost accurate reproductions of early Les Paul crafted by the Gibson Guitar Custom Shops.

The body was perfectly flat and the sanding sealer that was on it was great. I however in wanting a finish that was like a mirror used a enamel filler primer. The body was then shot with 6 coats of enamel black, wet sanded, and hung up to cure for 2 weeks. After curing the body was then shot over a matter of another couple of weeks with 10 coats of clear (remember that temperature and humidity have an effect ... full review
Chrome trapeze tailpiece with a diamond. For Gibson guitars including the following models- L-50, L48, ES-125, ES-330, etc. Please make sure to check the specs to see if they match your instrument to verify it is the correct replacement. Overall length of Tailpiece not including hinge = 4 5/8 inches. Side to Side width at bar = 3 19/64 inches. Width of string bar = 47/64 inches. String Spacing at Bar = 1 61/64 inches. Important Hinge/Mounting Specs: Mounting Area of Hinge length = 1 1/2 inches. Mounting Area of Hinge Width - 2 inches. Mounting hole location bottom center = 11/32 inch from bottom edge. Two Mounting hole locations from side edges = 5/16 inches. Two mounting hole locations Apart from eachother = 1 25/64 inches. Upper side of hinge length = 1 1/8 inches. Upper side of Hinge width = 1 25/64 inches.
I thought I'd give a review from the point of view of someone completely new to the guitar, for those of you out there like me who are wondering if this will really teach you or if it'll be a frustrating waste of money. First off, I'll say that it isn't easy. As someone completely unfamiliar with the frets and the strings, I had a tough time starting out - very slow and clumsy. BUT, you'll see improvement REALLY quickly. I've only been playing for about two hours and although I still suck, I'm having a great time and I'm already loads better than I was when I started out. The only reason I stopped was because my finger got sore from holding down the strings. So far, for someone who's wanted to learn and either never had the time or money to take lessons, or found practice to be tedious and dropped it, or just doesn't have a mind for reading music, this is a definite recommendation. If anything changes as I get further along, I'll update this review. But as of now, I love it!
Fuzz gained much glory from the sixties and seventies when popularized by musicians such as Jimi Hendrix. Today, fuzz pedals have evolved into a staple for some bands and is capable of producing everything from a singing, warm sustain to a scratchy, velcro sound. The mainstay of a fuzz pedal's sound is produced by an electrical component called a transistor. Fuzz pedals today can be created from silicon transistors, or germanium transistors. Silicon is known to produce a slightly harsh or bright sound (some consider it sterile) while germanium typically accentuates the low end and produces a warmer sound. Just as extreme settings on a silicon fuzz pedal can easily produce a harsh, glass-like sound, extreme settings on a germanium transistor based fuzz can produce an overly warm, and muted tone.

@Danny – As an EQ is used to filter and tweak the tone of the signal passing through it, this can be placed anywhere in the chain. For example, if you want to tweak the overall sound before the amplifier, place the EQ at the end of the signal chain. If you want to adjust the tone of your guitar before it hits your effects pedals, place the EQ at the front of your signal chain. It just depends on what you are planning on doing with the EQ and where in the signal chain it sounds best to you.
Solid state amps have many advantages: they are cheaper, lighter, and require less care than a valve amps (which eventually will need new valves, for instance!). Vox, Line 6 and Hiwatt make really good solid state amps that you can gig with without worries. They are not necessarily "worse" amps. The Rolling Stones, Status Quo and many other big acts have used solid-state amps at some point. They're also quite popular with jazz guitarists.
2.  Cracked peg head.  Customer “fixed” with mystery glue and a wood screw.  Result:  Peg head and neck shaft not aligned. Fix: If the peg head can be re-broken you may be able to re-align the neck and re-glue (if it was glued with aliphatic glue you won’t be able to as the glue will not stick to itself).  The joint may have to be resurfaced and new wood may have to be inserted, possibly a spline as well.
Due to the ever rising popularity of reverb, it didn’t take long for companies to figure out how to recreate the effect in early guitar amps. Have you ever heard of Spring Reverb or Plate Reverb? While to you these are just labels on a knob, back then these were real analog devices built into amplifiers. Needless to say, we have come a long way from using complex mechanical contraptions to create decent reverb.
While Dave Matthews Band has no more confirmed dates on their schedule, Matthews and guitarist Tim Reynolds have a number of duo performances on the docket, including a slot at Farm Aid 2018 in Hartford, CT on September 22nd alongside Willie Nelson, Neil Young, John Mellencamp, Chris Stapleton, Sturgill Simpson, Kacey Musgraves, Margo Price, Nathaniel Rateliff & The Night Sweats, Lukas Nelson & Promise of the Real, and Particle Kid. Dave and Tim also just announced their return to Mexico for a concert destination event set to take place February 15th–17th, 2019.
CHEVALET HARDTAIL Pour remplacer les cordes, faites passer les nouvelles cordes à travers les passe-cordes qui se trouvent au dos de la guitare et faites-les ressortir par-dessus les pontets. L'intonation peut être réglée en déplaçant le pontet vers l'avant ou vers l'arrière, en utilisant un tournevis cruciforme (+) pour ajuster la vis de réglage de l'intonation, située à...
Some solid-bodied guitars, such as the Gibson Les Paul Supreme, the PRS Singlecut, and the Fender Telecaster Thinline, among others, are built with hollows in the body. These hollows are designed specifically not to interfere with the critical bridge and string anchor point on the solid body. In the case of Gibson and PRS, these are called chambered bodies. The motivation for this may be to reduce weight, to achieve a semi-acoustic tone (see below) or both.[34][35][36]
Sensitivity: Valve amplifiers (current drive) are sensitive to crossover resonances and speaker impedance variations. Quality speaker systems often used passive crossovers that were second-order, constant impedance, and critically aligned to avoid resonant effects. Some quality speakers had copper caped pole pieces, which helped damp impedance variations. Note:- With solid-state amps in voltage drive, power decreases as the speaker impedance rises. With valve amps in current drive, power increases as the speaker impedance rises. Therefore a flat speaker impedance is synonymous with a flat frequency response.
Late 1938: Scalloped "X" bracing with "rear shifted bracing", where position of the "X" moved further than one inch from soundhole (exact measurement varies, for example: a 1941 D-18 has 1 7/8" distance). So the X-braces were moved about 7/8" further down. And the tone bars were angled more parallel with the length of the guitar and further apart. These late-1938 to late-1944 guitars had deeper scalloped braces than the 1938 and prior forward or advanced braced guitars. This gives the late 1938 to late 1944 Martin guitars improved bass response (don't let anyone tell you that war-time Martins are not as good as pre-1939 Martins!)

However, when I’m building a guitar, there’s a myriad of small adjustments I can make to steer the instrument on a desired trajectory. These micro mods are interactive with each other and, depending upon the combination, offer a wide variety of sonic outcomes. But these little mods can also be applied to existing guitars—your guitars—in any number of permutations and to great affect. Let’s take a look at five mods that are easy enough for most players to try.
The Archtone acoustics were some of the most popular guitars ever produced by Harmony. While production totals are unavailable, we can safely say that tens of thousands of these instruments were manufactured. The Archtone had a non-cutaway body and was advertised as being constructed from hardwoods. These “hardwoods” were actually birch (grained to resemble mahogany and spruce) and maple (grained to look like rosewood) for the fretboard. The binding was actually painted on!
One thing is for sure: the advantage of a multi effects pedal is getting a lot of effects in one convenient package, which you can use to learn what guitar effects you actually use on a regular basis. Depending on the type of music you play, your style, and your skill level, chances are you don’t have a need for every effect type under the sun. Pro guitarists’ pedalboards are tailored to the tone and sound they need to achieve. Perhaps fuzz, delay, and compression are crucial, but not a flanger or chorus. Point is, if you don’t yet know this about yourself, a multi-effects pedal is the most perfect and cost effective way to start. Over time, if and when your love for effects deepens, as your budget allows you can start buying individual pedals that are better versions of what’s on your multi-fx unit. The overdrive in your Zoom G3X might be good enough to hold you over, but eventually you might want to get an actual Ibanez TS9 Tube Screamer.

In 1967 Vox introduced a series of guitars which featured built in effects such as Distortion (fuzz tone), Repeat Percussion (percussive tremolo), Treble/Bass Booster and a wah-wah operated by the heel of the picking hand pushing on a spring-loaded lever over the bridge. The Delta phantom style guitar and bass, the Starstream teardrop 6-string, and Constellation teardrop bass had such effects.
In the grand scheme of things, fixed bridges are as simple as it gets. Aside from saddles, which are used to tune in intonation, there are usually no other moving parts involved. The benefit of fixed bridges is their ability to retain intonation and tuning over time. If you're just starting out, sticking with a fixed bridge will make your life much easier. However, it does have its limitations compared to a tremolo bridge.

Today’s beginner guitars are far superior to the hunk of wood with strings I started with, and now there is a huge array of instruments to choose from. In fact, I’d go so far as to say if you only intend to play guitar for fun you’ll never need to spend another dime on gear beyond your starter setup, if you don’t want to. (Except for things like strings and picks, of course.) That definitely wasn’t true thirty years ago.

Another consideration, and something you’ll read a lot about, is the pickups, which give the guitar its voice. There are two kinds of pickup in this price range: the single-coil (which gives a bright, sparkly sound) and the humbucker (which is fuller, meatier and perfect for rock and metal). Both are as common as each other in this budget range, and a guitar with a mix of both will offer you the best versatility.
Players perceived a loss of the initial high quality of Fender guitars after the company was taken over by CBS in 1965. As a result, the late-1960s Stratocasters with the large “CBS” headstock and (from the mid 1970s) the 3-bolt necked models (instead of the conventional 4 bolts) with the “Bullet” truss-rod and the MicroTilt adjustment system fell out of fashion. However, many blues-influenced artists of the late 1960s soon adopted the Stratocaster as their main instrument, reviving the guitar’s popularity. Also, so-called ‘pre-CBS’ Stratocasters are, accordingly, quite sought-after and expensive due to the perceived difference in quality even compared with contemporary post-CBS models. In recent times, some Stratocasters manufactured from 1954 to 1958 have sold for more than US$175,000.
Read Full Review This electric guitar offered by Epiphone is absolutely on the budget when it comes to and looking for a markdown price decent sounding Les Paul style electric guitar. The guitar can be bought individually to pair it with an amplifier of choice or as part of the Epiphone Les Paul Special II guitar package that comes complete with a strap, guitar cable, plectrums, gig bag and a small 10 watts Electar amplifier to already begin playing right out of the box.
With the SparkFun Proto Pedal you’ll find all the problems of a guitar pedal’s complex framework solved with true bypass and LED switching; a large, open prototyping area equivalent to a standard solderless breadboard; a small prototyping area for power regulation or reference voltages; and six positions to help organize potentiometer wiring. To make your life even easier, not only have we written a complete assembly guide for the Proto Pedal; we have also written two effect circuit guides that utilize the board’s large prototyping area. All of these guides can be found in the Documents section below.
Echo (also sometimes called long delay) is a natural effect as well, but it is only encountered in large open spaces such as canyons or stadiums. It sounds like when you emit a loud, sharp yelp and a second later you hear the yelp come bouncing faintly back to you from a far wall. This is a particularly fun effect to play around with by yourself. If you set the delay of the echo long enough, you can play against the notes you just played and harmonize with yourself while the rate sets up a kind of beat.
Even though recorded sound traces back to late 1877, the widespread access to this technology has only become available some 60 years later. As we go back in time, reaching 1940s, we run into the first ever instance of reverberation being used in music recording. It didn’t really take long for this trend to become popular, spreading throughout the world. However, back then there were no effects pedals or anything similar. Devices we have today were science fiction at best. Old school producers had to resort to various other means to achieve the reverb effect.

Unfortunately there’s not really any good way to get around that issue. You can get strings that ease the pain on your fingers, like Elixirs or D’addarios that are coated but as for the guitar itself you’re going to have to tough it out and build up your callouses and endurance/tolerance. I had the same problem with my fingers, it would happen after playing for longer than an hour usual but over time it went away and now my fingers are rough and hardened. It’s worth the effort and pain, enjoy!
Oh but this guitar is beautiful. The PRS SE A50E Angelus is something you would really want to play in front of an audience because of its stunningly good looks and the quality sound it produces. This guitar has a solid Sitka spruce top, figured maple back and sides, mahogany neck, bone nut and saddle as well as ebony fretboard and bridge. It has a distinct and highly playable Angelus Cutaway body shape. The PRS abalone bird inlays on the fretboard are a really nice touch. Yes, it’s a gorgeous, well-built guitar, but that’s not all.
But we can't forget that Rocksmith 2014 is designed like any other game, and as satisfying as it is to be able to pick up a guitar and play, all I wanted to do was try and level up on some of my favorite songs. I quickly found that Foo Fighters' "Everlong" was beyond my grasp, and Oasis's "Don't Look Back in Anger" would never become my jam, but I quickly got my fix trying to nail down The Ramones' "Blitzkrieg Bop."
Most guitars out there usually feature a version of either one of many Gibson designs or Fender ones, but there are exceptions. Paul Reed Smith is a brand that took their own path in just about every aspect of guitar design. This made it popular with many famous guitar players, most notably Carlos Santana. The model we're looking at today is a basic version of one of their flagship guitars. The balance of performance and pure style it offers is nearly as impressive without forcing you to extend out of your monetary reach.
If you're in a small, unsigned band, it's very important to choose an amp that's loud enough - as not every venue will mic your amp. Ironically, bigger artists don't need to worry about this, since they are safe in the knowledge they'll always have a good sound and their amps will always be mic'ed. That's why Seasick Steve plays a small Roland Cube amp, but it's not necessarily a great choice if you're in a band who plays live.
This is because you won’t have to go through all the hassle of doing research on pickups, then finding a way to mount them without damaging your guitar. While magnetic pickups are surely quite easy to install, contact pickups or blended systems with microphones and preamps might require removing the top, drilling, using all sorts of screws and plates, etc.
Epiphone Ltd. Ed. Casino Coupe™ Ltd. Ed. AJ-100 Acoustic Guitar PRO-1 Spanish Classic PRO-1 Classic 3/4-Size Epiphone Masterbilt® Olympic™ Acoustic/Electric Guitar Epiphone Masterbilt® Zenith Classic™ Acoustic/Electric Guitar Epiphone Masterbilt® Zenith™ Acoustic/Electric Guitar Epiphone Masterbilt® De Luxe™ Classic Acoustic/Electric Guitar Epiphone Masterbilt® De Luxe™ Acoustic/Electric Guitar Ltd. Ed. EL-00 PRO Mahogany Epiphone Les Paul SL™ Electric Guitar PRO-1 Acoustic PRO-1 Classic Acoustic Epiphone SG-Special VE™ Electric Guitar PR-150 Ltd. Ed. DR-100 Wine Red DR-100 Les Paul Express Les Paul Ukulele Outfit PRO-1 Plus Acoustic Ltd. Ed. Les Paul Special-II Wine Red Epiphone Les Paul Special VE™ electric guitar Les Paul Studio LT™ Electric Guitar Les Paul Special II Epiphone AJ-210CE Acoustic/Electric Outfit SG Special AJ-220S PRO-1 Ultra Acoustic/Electric AJ-100CE MM-30S Ltd. Ed. 1963 J-45 Ltd. Ed. 2014 Hummingbird Artist Toby Standard IV MB-100 Les Paul Player Pack PR-4E Acoustic/Electric Player Pack DR-212 EB-0 Slash "AFD" Les Paul Special-II Outfit Masterbilt DR-400MCE Epiphone Embassy PRO Bass Ltd. Ed. Wildkat Studio Ltd. Ed. EJ-160E Acoustic/Electric G-310 (LH) G-310 Ltd Ed "1964" Caballero Electar Inspired by "1939" Century Lap Steel Outfit Ltd. Ed. EJ-200 Artist AJ-220SCE Toby Deluxe IV Les Paul 100 Slash "AFD" Les Paul Performance Pack Toby Bass Performance Pack Ltd. Ed. Hummingbird PRO Jeff Waters "Annihilation-II™" Flying-V Worn G-400 Dot Studio PR-5E Toby Deluxe-V Hummingbird PRO Dove PRO EL-00 PRO PRO-1 Explorer Performance Pack PRO-1 Les Paul Jr. Performance Pack Goth Les Paul Studio Thunderbird-IV Goth Thunderbird-IV EB-3 G-400 PRO Les Paul Studio G-400 PRO (LH) Viola ES-335 PRO Ltd. Ed. 2014 Nighthawk Custom Quilt Ltd. Ed. ES-339 P90 PRO Ltd. 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Korina Explorer Bass Les Paul Standard Plustop PRO (LH) Epiphone Ltd. Ed. Johnny A. Custom Outfit Epiphone Ltd. Ed. Lee Malia Explorer Custom Artisan Outfit Epiphone Ltd. Ed. Lee Malia RD Custom Artisan Outfit Masterbilt® De Luxe Classic™ 4-String Acoustic/Electric Bass Guitar Les Paul Custom PRO Dobro Hound Dog Del. Square Neck Dobro Hound Dog Del. Round Neck Casino Epiphone Stagebird™ 6-String Electric Banjo Epiphone Les Paul ES PRO™ Epiphone Inspired by “1966” Century Archtop Mayfair™ 5-String Banjo Epiphone Ltd. Ed. Joe Bonamassa "Treasure" Firebird™-I Ltd. Ed. ES-295 Premium Ltd. Ed. Emperor Swingster Blue Royale Ltd. Ed. Les Paul Standard Blue Royale Ltd. Ed. Riviera Custom P93 Blue Royale Ltd. Ed. Wildkat Blue Royale Allen Woody Rumblekat™ Blue Royale Ltd. Ed. Jack Casady Blue Royale Bass Epiphone Ltd. Ed. Wildkat KOA Epiphone Ltd. Ed. Les Paul Custom PRO KOA Ltd. Ed. LP Custom Blackback PRO Ltd. Ed. LP Standard Florentine PRO Les Paul Classic-T FT-350SCE Ltd. Ed. 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This D-15M dreadnought features a solid 'genuine' (South American) mahogany top over A-Frame X bracing; the same material is used for the back, sides and neck. The neck profile is a 'modified low oval', and it's hard to imagine anyone having a problem with it. Bone nut and saddle: check. Vintage-style, open-gear tuners check. Super-thin matt nitrocellulose finish all over: check. Tonally, there is a rich and projecting core sound that's complemented by the unmistakable, Martin D-resonance. It's vibrant and ebullient, yet not brash; warm and full without being thick or indistinct. It puts every single cent of its build budget into making the best sounding and playing instrument, with very little concession to cosmetics, electronics or anything else. Solid woods, improved neck joint, bone nut and saddle, no frills whatsoever, save for the 'burst – it's unreservedly recommended.

I'm actually the designer of this devices and I myself had bought all the software in Apple. I'm really a big fan of JamUp, Bias, and Ampkit. Personally I like all the functions provided by JamUp such as JAM, LOOP, 8-track recording as well as the guitar effects and amps. But the Amps in Bias is a litte more juicy than in JamUp. A good way is using Bias amps in JamUp which just make a good combination of the two software. They can be used in that way :)
The same kind of automatic difficulty adjustment works in Rocksmith's Lessons feature, which is just what it sounds like: a set of tutorials to teach players everything from how to hold the guitar and basic picking techniques, to how to bend, slide, and hammer on notes. Get them right and you'll advance to ever more challenging material. Struggle, and the oh-so-polite instructor tells you he's just going to slow that riff down a little and give you another crack at it. Herein lies Rocksmith's greatest strength as a teaching tool—it gives you the ability to learn at your own pace without fear of judgment.
Although PRS offers a range of affordable models (the Korean-made SE Series) and the mid-range S2 Series, the brand is still best known for its elegant high-end signature and custom guitars which are a prominent part of the modern rock and metal scene. As such, PRS boasts a full roster of artists playing its guitars, including John Mayer, Mark Holcomb, Mike Oldfield, Dave Navarro and Mark Tremonti.

Many musicians find it helpful to be able to plug in and amplify their acoustic guitar. So, how does an acoustic-electric guitar work? These guitars boast the addition of a pickup system inside the body that turns the vibrations of the soundboard into electronic signals. These signals can be weak, so most acoustic-electric guitars use a preamp to make them stronger.
Here we have a Taylor guitar for under $500. Taylor is known for their high quality, and expensive guitars. It’s great that they are offering a lower priced model so more players can enjoy their great sounding guitars. The Big Baby is a 15/16 dreadnought sized guitar which is slightly smaller than a full sized. Perfect for those that want that dreadnought sound but want a little smaller body. The top is sitka spruce and the back and sides are sapele. Owners are saying that the guitar has a very warm and full bodied tone, and that it does not sound like a cheap guitar. This is no surprise given that it is made by Taylor. This is another great choice for those with smaller hands, as Taylor’s are known for their great necks and amazing playability. See more info including more pictures here.
The first popular humbucker was introduced by Gibson in 1955, and the world of music was never the same again. In general, the humbucker offers a thick, rich tone, with a medium to high output, which is why they are staple of heavy rock and metal (although equally popular in jazz music). You will find that humbuckers are used by everyone from Eddie van Halen and Dave Mustaine, to Jimmy Page and Dimebag Darrell. Humbuckers feature two coils wired out of phase with each other, and – as the name suggests – are used to eliminate the unpleasant 60-cycle hum that plagues many single-coil pickups. Gibson’s ’57 Classic Plus is a legend in the world of humbuckers, although be sure to check out our humbucker page for more excellent models.
In 2005, Gibson issued three Pete Townshend signature edition Les Paul Deluxe guitars, based on Townshend’s heavily customised “#1” Wine Red 1976 Les Paul Deluxe, “#3” Gold top 1976, and “#9” Cherry Sunburst 1976. These guitars were modified by Alan Rogan and used extensively on stage and in the studio with The Who. In addition to the two mini-humbuckers the guitar carried, Rogan modified Townshend’s originals with a DiMarzio humbucker in the middle. Toggle switches located behind the guitar’s tailpiece turned the pickup on and off and added volume boost. The control knobs were wired for volume, one for each pickup and a master volume. The reissues differed from Townshend’s originals in that the reissues had an inlay at the first fret while the originals did not.
As a teacher I use a strat because it’s relatable, comfortable, and clean/clear tones. The gibson doesn’t have warmer overtones. That’s not a thing. It has weaker overtones, so a stronger fundamental. That’s why it sounds warmer/duller, and the fender sounds more lively/brighter, because the fender (longer scale) have more overtones to ring louder. That lets you hear mistakes more easily, and is helpful to improve more quickly.
View a complete range of budget friendly electric guitars over at PMT Online today or call in to your local PMT store to see a full range. We have many electric guitars spanning all budgets, styles and genres including a complete range of guitar starter packs. Alternatively, call 0151 448 2089 to speak to one of our guitar experts to discuss your needs.
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Not to mention the difference tones created when two pure tones (sine waves) are produced at the same time (which, important to mention - pure tones only exist in theory, every sound we hear is comprised of overtones...) - then the additional difference tones created by the interaction BETWEEN difference tones - it's basically a fractal relationship. Anybody who has spent a significant amount of time studying the physics of sound knows that the interactions that occur between sounds are so complex and immense that it's almost silly to assume that just because "wood isn't magnetic" that the natural resonance of the wood wouldn't in turn accentuate certain overtones over the fundamental tone coming off the string. You can't say that the note "has already left the string," when the note takes place over time - even a staccato note has an attack, sustain, decay, and release envelope much in the way that a synthesizer does (this is where the idea for artificial dynamics envelopes came from anyway).
Like many engineers, I learned the basics of recording guitars by doing live sound and occasional session work. But my "higher education" began when I was hired by a blues/R&B-oriented mail-order record company, and I "had" to listen all day long to recordings from the '40s, '50s, and '60s. No matter how primitive or poor the recording quality on those old discs, I was constantly amazed by the array of exciting sounds produced by electric guitar. Later, when I started recording blues sessions in my own studio, I learned firsthand about the key elements that contributed to the great tones that I'd heard on those classic recordings.
This is our new cross-reference between classic pedals (e.g. a Fuzz Face) and who makes kits or boards to build it yourself. In some cases the kit or board is for an exact clone. In others, it is for a circuit based on the original but with improvements or combinations with other pedal designs. Read the description specifics by clicking the link and visiting the maker’s site.

Simon Stockhausen began his stellar musical career at the age of five. His multi-faceted and wide-ranging oeuvre has since embraced all manner of projects and styles, including jazz and improvisational collaborations, countless compositions for ensembles and chamber groups as well as work for major European theatre companies and orchestras including the Hamburg and Berlin Philharmonic Orchestras. In 2009 he further extended the range of his musical endeavors with the creation of a sound design company through which he produces sounds, patches and libraries for software synths and plug-ins, serving sound designers, musicians and post production professionals.
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With an amp rated at 15 watts and an 8-inch speaker, the Spider Classic 15 is more or less in the same power class as the Champion 20. Like the Fender, it also has a 3.5 mm line input for connecting a smartphone, so guitarists can play along with recorded music or a music instruction app, plus a ¼-inch headphone/recording output, a built-in tuner, and a jack for an optional footswitch that switches between clean and distorted tones.
DR Strings makes strings that were specifically designed for drop d tuning, other alternate tunings, and even standard tuning. Known as DDT strings, DR spent over two years perfecting them. DR created a new patent pending method for constructing these strings to ensure great performance with lower pitches. Because of the amazing construction, and their ability to quickly lock into tune so quickly, DR calls their DDT's "Superstrings". Why not try a set? DDT's are available for electric guitar or bass guitar.
Gibson market the J-200 as the most powerful acoustic guitar on the planet, and we might just agree. It’s so punchy, and has so much presence, both in the low end and right up there with the more sparkling high notes. Combine this with the L.R. Baggs Anthem pickup system, and this is a guitar that is aimed squarely at live performances where the acoustic needs to really make itself heard. It’l
Seagull S6 Original Acoustic guitar is one of the best gadgets for the beginners in the list. It comes with the beautiful texture of domestic wild cherry back and sides that give it a unique tone. In addition to that silver leaf maple neck with a rosewood fretboard lets the fingers to have a perfect grip and easy tuning. It’s a power pack guitar to get you the best playing experience and hands on many of the tricks you are looking for.

Description: Guitar Type: Acoustic/Electric - Body Size: AEG - Top Wood: Cedar - Back: Mahogany - Sides: Mahogany - Neck Wood: Mahogany - Nut Width: 43mm - Fingerboard: Rosewood - Binding: Ivoroid - Frets: 21 - # of Strings: 6 - String Type: Bronze - Scale Length: 25.4" (64cm) - Headstock: 3+3 - Bridge Construction: Rosewood - Cutaway: Single - Rosette: Abalone - Hardware: Chrome, Diecast Tuners - Pickups: Fishman Sonicore - EQ/Preamp: Ibanez AEQ-SP1 - String Instrument Finish: Low Gloss natural
For the uninitiated, effect pedals usually take the form of small-ish metal boxes which sit on the floor in front of you. These can be switched on and off using your feet. Hence, pedals. The technology contained within these pedals is designed to alter your tone in any number of ways. For example, cleaning it up and making it louder through to adding layers of shimmer, fuzz, whammy or ‘verb. Don’t worry, we’ll refer back to these terms later because they are genuine terms in the wacky world of pedals.
A good custom shop will have insight based on their experience that will help make the project better. That’s part of being custom — making concepts a reality. But there is more to running a custom shop than simply having the ability and experience to create someone’s dream. Figuring out what that is requires a little digging. The concept is buried in first understanding the other meanings of the word custom. Although “made-to-order” is a correct characterization where you can personalized the headtsock with your name or initials and you can CUSTOMIZE YOUR GUITAR: Mahogany, Alder, Maple, Bass Wood, Right/Left handed guitar, Body colour, Neck profile, No dots on fretboard and Fret size.Our Custom Shop Guitars referred to in this site as drawing "inspiration" from the major guitar brands and any reference to custom shop brand names or "Inspired by" are made strictly for comparison purposes only.
I've spent a few weeks on this kit - I will update with progress. Cutting out the headstock and finishing the guitar was fun and not too difficult. I chose to use TruOil and a natural finish, which takes a few weeks to finish. The body I got was made from 4 pieces of joined wood, and I wasn't careful about checking for glue spots, so there are a couple in the finish, but it still looks great. The neck fits nicely and feels good. It is straight and correctly set up for string tension (a little bit of bow before the strings are on).
The bridge pickup is a Modern Player Humbucker, which gives this Telecaster a little more “punch” than the traditional model. And like the Stratocaster, Fender's Tele design is also know to be one of the most versatile guitar in existence, capable of anything from hard rock to country and lite jazz tones. The pickup configuration of the modern player makes this a substantially heavier Telecaster, in terms of tone and resonance.
It is nice that it starts easy and progresses as you improve, but there are some catches. If you are really good, you will be annoyed at the pace it adds new material. It also can be frustrating when it adds a few extra notes, you are caught of guard, it takes them away, and you have to play through the song a few times to get them back- at which time they catch you off guard again. I wish you could opt to lock them in, or just reveal all.

Bassists can put an incorrect (that is too low) impedance load on their amplifiers even if they connect multiple speakers that are at the correct impedance rating. For example, if a bassist has a combo amp in which the power amp is rated at 4 ohms, and she/he plugs in a second 4 ohm speaker cabinet in parallel, this will drop the impedance ("load") on the amplifier down to 2 ohms, which is too low for the amplifier. When speakers of different impedance are wired up together (e.g., an 8 ohm speaker cabinet and a 4 ohm speaker cab, the impedance is calculated differently). In most applications, when bass speakers are plugged into an amplifier, they are wired in parallel. The parallel "input/output" speaker jacks on the rear of most bass cabinets, when plugged into additional speakers in a "daisy chain" approach, will cause the speakers to be connected in parallel. More rarely, bass speaker cabs may be wired up in series, which means that the impedance is calculated differently. Series wiring is much more complicated and in cases where a bassist is using series wiring, a custom-made cabling system is typically used. Some bass manufacturers that build large speaker cabinets with multiple speakers may wire some of the speakers in series and some in parallel to achieve a certain impedance rating for the entire speaker cabinet (e.g., in 8x10" speaker cabinets, the speakers inside the cabinet may be all wired up in series, but the overall cabinet's "input/output" jacks are in parallel). Professional bass technicians and speaker designers setting up custom-made bass speaker systems for bass players from major bands may use an electronic meter to test the impedance of the speaker cabinets they design.
Visually, what sets this guitar apart is its distinct headstock shape, but there's more to this guitar than meets the eye. Firstly, the guitar's top is crafted from solid cedar, an interesting wood choice because this type of wood is more commonly used on nylon string guitars. The warm tone of cedar matches nicely with the bright sound of wild cherry, a staple tonewood used on the back and sides of most Godin guitars. This combination gives the instrument a more distinct appearance and sound. Other features that don't follow the usual convention include the use of maple for the neck, and its B-Band M-450 T preamp system.
Naturally, if a seller can get more money by calling what they have a “lawsuit guitar”, they’re going to do it. Unfortunately, some writers who should know better have taken to using the term for any old Japanese lookalikes, copys, knockoffs, etc, of (mostly) American guitars. Some sellers are using terms like “lawsuit era” or “pre-lawsuit” which don’t mean anything at all.
I am not a real musician but I feel like one whenever I go in there. I bought my guitar there a few years ago. I have taken it and a travel guitar in there to get re-strung and Pat has always been so helpful and engaging. I follow his FB pages and saw him perform an original song "Will you Take My Name". I was so blown away by the song that I actually proposed to my wife by singing a version of that song. (His version is much better!). He has built a great following in a short time and has a nice selection of guitars and accessories. I really like his frequent FB posts of him showing a guitar he is working on, or a song he sings. Also, he features a lot of customers singing and playing whenever they stop in. This store has a great vibe. If you are in the area, stop in even if you don't anything, you will have fun. And if you need something, well then you've come to the right place!
International shipping and import charges paid to Pitney Bowes Inc. Learn More- opens in a new window or tab Any international shipping and import charges are paid in part to Pitney Bowes Inc. Learn More- opens in a new window or tab International shipping paid to Pitney Bowes Inc. Learn More- opens in a new window or tab Any international shipping is paid in part to Pitney Bowes Inc. Learn More- opens in a new window or tab
*VERY GOOD CONDITION, W/CD (NEVER USED)* PAYMENT is requested within 2 days or 48 hours of purchase.   FEEDBACK: Positive feedback and a 5 star rating is such an important part of the eBay rating system. Please contact me before leaving Neutral or negative feedback, I will try to help you. I will leave feedback when feedback is left for me!   SHOP WITH CONFIDENCE 😎   TRUSTED & ESTABLISHED SELLER!!
: This vintage YAMAHA is one of the greats folks and here for your serious consideration today at Joe's Vintage Guitars.... This is the Classic Vintage Yamaha FG-200 - Nippon Gakki body seems the same specs as the famous FG180...hummm? interesting She's been lovingly played for nearly 40 years,its beautifully aged now with a great feel & patina only found on real vintage guitars of this age and caliber. This guitar really has nicely opened up over the past 40 years and you just don't get booming bassy tone like this one with a new guitar thats for sure. This example is not mint but is beautiful in its own right, it does have a few nicks, dings and wear but nothing really bad at all really she just looks the part of the 40 year old Martin D28 vintage guitsr. A lot of guitar for not a lot of cash... Vintage aint goin down..get her at a great price today! Let me know...thanks for your interest, Joe email me: gr8bids@comcast.net This is an early one from the Nippon Gakki plant and has a surprising boom even for or a 200 same as our great old red lable FG180 for that matter with no real decernable diference. I cannot find a serial number but is believed to be late 60's - early 70's This old girl has Excellent low end sound!!! and tone on this guitar is wonderful - it really booms! Condition: Average vintage wear wich includes minor pick wear, scratches dents & dings for an old vintageguitar. but no cracks to be found, straight neck, trussrod is functioning properly, very good frets still playing well all the way up & down the fingerboard with no funny buzzes or dead spots... Frets 1 - 5 ( cowboy cord area )have medium play wear but still plenty of life remaining no problemo. action is very good at 3/32 1st E string @ 12th fret. Tuners are the original and in excellent working order. Bridge plate is securely fastened to top. We have just as a precationary installed A PlateMate brass plate has now been installed to any prevent further wear to bridge plate which is common among these vintage guitars. This brass plate has also contributed to its big booming tone now is even a more rich sounding competitor to a vintage Martin D-28... FRESH SET UP...with Martin Bone & Saddle... this guitar is a wonderfull fun guitar to play lots of bang for the buck factor here.. This guitar is overall a very solid well built guitar that is standing the test of time it also is a great sounding vintage guitar that plays very nicely. Ya can't go wrong with this wonderful vintage Yamaha FG Nippon Gakki guitar Has a new bone saddle and Martin Silk Steel strings. No case included but will protect and properly package for shipping. PlateMate product works very well and is easily removed if desired. To my ear it enhanced this boom-box's sound quality and is described by the manufacturer as follows: If you want to protect and enhance the sound and tones and balance out string volume of your acoustic guitar, Mitchels Plate Mate is the way to go. Mitchels Plate Mate is a small piece of brass that is applied without using or altering of tools, and is installed as fast as you can change a set of strings. This was invented and patend mainly to prevent damage caused by ball-end strings on the acoustic guitars bridge plate, it is also proven to enhance volume, tones, and balances out string volume by one of the best acoustic guitar makers in the world. Mitchels Plate Mate will protect your guitar from ball-end strings pulling up threw the bridge plate and possibly cracking the bridge or pulling the bridge off the top of your guitar which would be a very expensive repair bill. It also protects your bridge pins, and saddle by making the string windings stay down in the string holes where they belong. I have used Mitchels Plate Mate in guitars priced from $100 to $50,000 it doesnt matter the price just protect your prized posetion or investment. .
Until the 1950s, the acoustic, nylon-stringed classical guitar was the only type of guitar favored by classical, or art music composers. In the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Examples of such works include Luciano Berio's Nones (1954) Karlheinz Stockhausen's Gruppen (1955–57); Donald Erb's String Trio (1966), Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); Francis Thorne's Sonar Plexus (1968) and Liebesrock (1968–69), Michael Tippett's The Knot Garden (1965–70); Leonard Bernstein's MASS (1971) and Slava! (1977); Louis Andriessen's De Staat (1972–76); Helmut Lachenmann's Fassade, für grosses Orchester (1973, rev. 1987), Valery Gavrilin Anyuta (1982), Steve Reich's Electric Counterpoint (1987), Arvo Pärt's Miserere (1989/92), György Kurtág's Grabstein für Stephan (1989), and countless works composed for the quintet of Ástor Piazzolla. Alfred Schnittke also used electric guitar in several works, like the "Requiem", "Concerto Grosso N°2" and "Symphony N°1".