Sennheiser's cardioid MD421 crops up almost as frequently in interviews, and has a wider frequency response, none of the low mid-range suckout, and an even heftier sensitivity boost upwards of 1kHz. This microphone also has a larger diaphragm than the SM57, and the off-axis response anomalies of the larger diaphragm, in particular, give a different character to the sound. Although obviously very popular, this mic seems more often to be used in combination with other mics than on its own.

#### Actually, company founder Leo Fender's first business was repairing tube circuitry equipment including radios, phonograph players, and home music amplifiers. He noticed the growing popularity of amplifiers for home music systems and branched out into selling music records and renting out PA systems he had designed from his repair shop. Then he got even more involved in music by making and selling Hawaiian lap steel guitars containing a proprietary pickup system which he bundled with his own newly designed amplifiers in 1945. The following year he changed the company name from Fender’s Repair Service to Fender Electric Instruments Company.

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Overall quality is Great! Great intonation and holds tune once the strings are "broke in", as with any guitar ! Everything you would expect from a quality instrument. Action could be a little lower, but that can be a fairly inexpensive modification. The "extras" are decent except for the gig bag. The bag is about the equivalent to a thin travel bag for clothing, but the quality of the guitar alone is worth the price.! Amp is decent for it's size and does the job. My only complaint is the finish on the guitar itself is a little lacking. On the one I received, the rossett around the sound hole was not lined up before the final clear coat was applied(refer to photo). For a Chinese knock off you can't be the price though! This is still a quality instrument! I've been playing for over 27 years and I would recommend this guitar for beginners and seasoned musicians alike. $123 for the guitar itself is well worth the price! Harmonizers – Commonly used for vocal harmonies, these pedals can do a lot to beef up your sound. You can also use them in creative ways, like Steve Vai and Robert Fripp, who have been known to disable the main signal altogether so that their music is coming only from the pitch-shifted output. Using a modern harmonizer can be as easy as setting it to the key you’re playing in, and many even support more than one harmony at once. ## Boss's MS-3 is an ingenious pedalboard solution that gives you programmable loops for three of your own pedals and a host of built-in effects - 112 to be precise. The MS-3 can switch your amp channels, adjust external effects and integrate with MIDI-equipped pedals. Then there’s the built-in tuner, noise suppressor and global EQ. It’s as if Boss looked at everything players could want from a pedalboard controller and crammed it into one compact unit. There are 200 patch memories for saving your expertly tweaked sounds, each with four effects or pedals that can be switched in or out at will, or four presets that can be instantly recalled. The MS-3 is rammed with pristine modulations, all the essential delay and reverb types, as well as a load of Boss specials, such as the dynamic Tera Echo and sequenced tremolo Slicer. Then there’s the niche yet useful effects, such as an acoustic guitar sim, Slow Gear auto fade-in and that sitar sim you never knew you wanted. The drive tones don’t live up to standalone pedals, but for most players, we’d wager those three switchable loop slots will be used for analogue drives, with the ES-3 handling modulation, delay and reverb. A genuinely exciting pedalboard development. Octave dividers, ring modulators, synthesizer pedals and distortion/overdrive/fuzz should all be considered “Tier One” effects. This means they should be treated like we treat distortion/overdrive in that the work best with the most amount to raw signal, meaning towards the very front, with the most prominent effect you’re going to use at the very beginning. Three recording sessions between 1936 and 1937 produced 29 songs, including the verifiable classics “(I Believe I’ll) Dust My Broom,” “Sweet Home Chicago,’” “Walkin’ Blues,” “Love in Vain” and “Crossroad Blues.” His popularization of cut boogie patterns presaged electric Chicago blues and rock and roll, while his fretted and slide guitar licks are so timeless that they still show up in contemporary music. ##### This guitar has an interesting makeup of tone wood. First, the body is Mahogany just like the Iron Label model. The top of the guitar is Poplar Burl, where a burl is actually a type of growth on a tree in which the grain has become somewhat deformed. It sounds bizarre but, Burl is highly prized for its rarity and beauty and is often sought after by wood sculptors and luthiers alike. Harmony Hollywood H38- OK, here's the one we will sell. She's about the same as above but with opposite color combo. This one has a nice vintage DeArmond Gold Foil Pickup. Action is medium, but if you would like a lower action, we will be happy to cut that bridge a bit down. Guitar is in nice vintage condition. All original except the period style Rosewood Bridge and reproduction Harmony Pick Guard. SOLD A simple, inexpensive amplifier may have only two tone controls, a passive bass and treble control. In some better quality amps, one or more midrange controls are provided. On the most expensive amps, there may be shelving equalizers for bass and treble, a number of mid-range controls (e.g., low mid, mid and high mid), and a graphic equalizer or parametric equalizer. The amplifier's master volume control restricts the amount of signal permitted through to the driver stage and the power amplifier. When using a power attenuator with a tube amplifier, the master volume no longer acts as the master volume control. Instead, the power attenuator's attenuation control controls the power delivered to the speaker, and the amplifier's master volume control determines the amount of power-tube distortion. Power-supply based power reduction is controlled by a knob on the tube power amp, variously labeled "wattage", "power", "scale", "power scale", or "power dampening". There's no denying the popularity of the Stratocaster, thanks to it being the weapon of choice for a long list of iconic players that include Jimi Hendrix, Eric Clapton and Jeff Beck to name a few. The American Professional Stratocaster is the latest iteration of this classic, carrying over much of the look and feel of the original, but more reliable and road worthy. Gibson’s drive to recapture the magic of the original “Patent Applied For” humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design—the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils—true to the original PAFs—which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. 7. Line 6 Spider V 60-watt 1x10 ($299.99): Line 6 has been an industry leader in the world of modeling amps and the fifth generation of the Spider is no different. Allowing you to access more than 200 amp tones, effect options and cabinet options, the Spider has a very intuitive design that will allow you to switch presets effortlessly, not to mention a color-coded control set. Perhaps the coolest part about the Spider V is the built-in wireless receiver, allowing you to plug into an (optional) Relay G10 transmitter, letting you go cordless with your guitar. With pre-recorded drums loops, built-in metronome and included onboard tuner, plus functionality with Mac/PC and iOS/Android, this is certainly an option worth checking out.
GuitarPCB.com – designs and sells printed circuit boards (PCBs) with a boutique look for classic and boutique pedal designs. Their active forum provides support for builders using the PCBs. A theme throughout their site is that you expensive boutique pedals are simply classic older designs with little or no modification, and you can easily build your own.

# The Stratocaster’s sleek, contoured body shape (officially referred to by Fender as the “Comfort Contour Body”[5][6] ) differed from the flat, slab-like design of the Telecaster. The Strat’s double cutaways allowed players easier access to higher positions on the neck.[7] The body’s recessed “beer gut” curve on the upper back, and a gradual chamfer at the front, where the player’s right arm rests, aided player’s comfort. The one-piece maple neck’s wider “dogleg”-style headstock contrasted with the very narrow Fender Telecaster’s headstock shape. The strings are anchored on a through-body pivot bridge attached with springs to a ‘claw’ in the tremolo cavity on the back of the guitar.

A closer look at a 1981 Gibson Victory MV-II electric guitar. The Gibson Victory MV, or 'Multi-Voice' guitars had very wide tonal palettes; with coil-tapped humbuckers they could produce typical Gibson tones, but were also designed to 'out-Fender' Fender. Two models were launched in the summer of 1981. Whilst the MVX, was designed to do everything a Stratocaster could do, the MVII was 'primarily for the discerning country player' - placing it squarely against the Telecaster.
your right brian i been a acdc freak since u all been out in the early n mid 70s the greast band of all time. and i seen acdc 37 times through out the united states. i love my memories with the band and still watch and listen to the cds and dvds of the band. brian johnson is the best thing that happen to acdc since bond scott death. keep rockin guys i love u with a passion. mark
This company specializes in guitars meant for heavy metal and hard rock lovers. It is the proud manufacturer of some of the most outstanding designs in the history of metal such as Warlock, Bich, Virgin, and Mockingbird. It molded and influenced hard rock and thrash revolution of the 1980s. It is a great choice if you are looking for some edgy designs for your guitar. The guitars are available in 6, 7, or 8-string models that are suitable for players of all genres. Their recent introduction was the Villain series that has incredible designs and has a body of basswood or mahogany.


Run a length of wire (approx two feet is usually plenty) through the jack mounting hole and down into the cavity. When you see the wire in the cavity pull it up through the F hole. Make sure the wire is long enough for one end to stick out the jack hole, and the other to stick out the F hole. Tape the jack hole end of the wire to the guitar with masking tape, or tie it to the strap button. This will ensure it doesn’t fall through the jack hole while you’re working on the other end.

##### After Fender’s decision in 1982 to switch Squier’s production from strings to guitars, the Stratocaster was one of the first models put under the Squier production line in Japan. It was the most commercially successful guitar Fender had produced. Originally in 1982, the headstock had a “Fender” name written in large script, followed by “Squier series” in smaller script. In 1983, this was later changed to the current 1970s large headstock featuring “Squier” in larger script, followed by “by Fender” in smaller script. Since then, there have been several variations of headstock size and Squier logos, typically based on what series the guitar is.

Guitar distortion is obtained and shaped at various points in the signal processing chain, including multiple stages of preamp distortion, power valve distortion, output and power transformer distortion, and guitar speaker distortion. Much of the distortion character or voicing is controlled by the frequency response before and after each distortion stage. This dependency of distortion voicing on frequency response can be heard in the effect that a wah pedal has on the subsequent distortion stage, or by using tone controls built into the guitar, the preamp or an EQ pedal to favor the bass or treble components of the guitar pickup signal prior to the first distortion stage. Some guitarists place an equalizer pedal after the distortion effect, to emphasize or de-emphasize different frequencies in the distorted signal.

With 500 in your pocket, buying a good amp becomes a lot easier. In fact, it’s probably as expensive as most casual guitarists would ever need to go. This category includes a big choice of both amp heads and combos, solid-state and tube amps. While they make great practice amps, they are all worthy of small to medium-sized gigs and studio recording. For example, you can find the excellent Peavey ValveKing II. This little amp head offers the same beastly tone as the iconic full-size 6505, with 20 watts of power and solid controls. With the massive range of options available, you'd have to spend the whole day here to go through every one. There are six and twelve-strings, models specifically made for beginners, limited edition double necks; you name it, you'll find it! For a real classic, strap on a Rickenbacker 330 electric guitar. A staple in 60's mod culture, the unique hollowbody construction, slim neck and contoured body make the Rickenbacker 330 so easy to play that it has held the status as one of the all-time greatest guitars for decades. While Fender specialize in the single-coil pickup, it’s Gibson who are masters of the pickup in general – and it shows when you browse the chart in our dedicated Gibson pickup article. However, you’ll quickly discover that there is no ‘one Gibson pickup’, as the brand offer a wide range including single-coils and humbuckers, medium and high outputs, and vintage and modern tones. You’ll find different pickups on all of Gibson’s famous models, including the Les Paul, Firebird, SG and Flying V. Perhaps they are best-known for their PAF-style humbuckers – an awesome vintage tone that is well-replicated in their famous Gibson ‘57 Classic Plus.  #### Guitars are constructed from different wood types—from mahogany to rosewood, basswood to maple, and more—all of which changes with temperature and humidity, affecting the sound quality thereof. Although guitars original setups are likely to change as they move a long distance from the producer to the Sellers’s point of contact, electric guitars are the highly adjustable piece of types of equipment, and a setup can make a whole difference. Measure the height of the strings at the twelfth fret. For most playing styles, the height between the bottom of the low "E" string and the top of the twelfth fret should be a hair over 2/32". The High "E" string should be set at 2/32". The other strings should gradually flow between these measurements. This is where I would start, but the player's style (particularly their right-hand attack), as well as string gauge, scale length and individual neck nuances may necessitate deviation from these numbers. The H9 is a pedal that can actually run all of Eventide's stompbox effects (apart from the TimeFactor's Looper). All of the effect algorithms (including their associated presets) are available for purchase, but several come already built in - you get Chorus and Tremolo/Pan from the ModFactor, H910/H949 and Crystals from the PitchFactor, Tape Echo and Vintage Delay from the TimeFactor, and Shimmer and Hall from Space. In addition, there's a new UltraTap Delay that's exclusive to the H9, plus a voucher for a free algorithm of your choice. The complex effects algorithms feature loads of editable parameters. The H9 has both wireless (Bluetooth) and wired (USB) connections for the free H9 Control editor and librarian software (iOS app, Mac, Windows) for editing, creating and managing presets, changing system settings and purchasing algorithms. This pedal has been designed to take full advantage of this and it works brilliantly, especially so on an iPad where a few finger swipes zap the pedal through thin air to produce instant results. Other one-effect-at-a-time 'chameleon' pedals exist out there, but the H9 pushes the genre's envelope. Gibson has produced three Jimmy Page signature models. The first was issued in the mid-1990s. It was based on a stock Les Paul Standard of the time (rather than the more prestigious and historically correct 1958/1959 re-issues issued by the Gibson Custom Shop). The modifications were based on Jimmy Page‘s “#2” 1959 Les Paul, which had been modified with push-pull potentiometers on all four control knobs, as well as mini push-pull switches under the pickguard. This first version of the Jimmy Page Signature did not have the mini-switches under the pickguard, nor did it replicate the custom-shaved neck profile of Jimmy Page’s guitar, but it did include the four push-pull pots. With all four pots pushed down, the guitar operated as normal. Pulling up the volume pot for the Bridge or Neck pickup turned the respective pickup into a single coil, rather than humbucking pickup. Pulling up the tone pot for the Neck pickup changed Bridge & Neck pickups wiring from series (stock) to parallel. Pulling up the tone pot for the Bridge pickup put Bridge & Neck pickups out of phase with each other. The first iteration of the Jimmy Page Signature utilized Gibson’s then-current high-output humbuckers: a 496R in the neck position and a 498T at the bridge. The 700-series guitars had removeable (loseable) bridge covers. Many of them for sale now are missing those covers and the vibrato arm. There are fewer 800s missing those vibrato arms. If I ever get a 700-series missing the cover and bar, I'll take a look under the bridge and see if any wood was removed. Maybe I can replace the bridge and tailpiece. Volume pots are wired as simple voltage dividers. Higher settings have higher resistance to ground and lower series resistance, so more signal passes through. When maxed, volume pot has zero series resistance and full pot resistance to ground. Signal takes the path of least resistance and most of it will go though. However, some signal, mostly treble will be lost. With low pot values (250K) it will be more noticeable than with higher (500K and 1M) pots. That’s why typical pot values for brighter single coil pickups is 250K and for warmer humbuckers 500K or sometimes even 1M. With Guitar Tricks I get everything I need in one place. The core learning systems for beginners, for blues rock and country, the songs, the genre specific exercises, an active user forum and a series of tools. I specifically like the Jam Station tool. It includes a number of backing tracks in different keys and tempos for most of the genres being taught on the Guitar Tricks platform. With Guitar Tricks I get everything I need in one place.Other useful tools included are a scale finder, a metronome, a chord finder and a fingerboard trainer. Guitar tricks is continually improving. A new interface has just been added that makes it look more modern and very attractive. The core learning system lessons are also updated on an ongoing basis. This allows them to incorporate the latest teaching methods and keep the lessons modern and relevant. 2. Pickup Setup: I'd like to see you add a section on this. Pickups should be lowered out of the way before any setup. If they're too high, the strings could hit them and cause buzzing. After everything all other setup steps are completed, the pickups should be raised to the proper position. One online video claiming to post Gibson specs says that the Low E should be 6/64" above the pickups, and that the High E should be 4/64". Our electric guitars deliver the same rewarding mix of playability, tone and craftsmanship that players love about our acoustics. Proprietary Taylor pickups fueled the design of our current electric family, featuring three series, each loaded with player-friendly features: the groundbreaking hollowbody hybrid T5, the electric-leaning T5z, and the semi-hollowbody T3. The Custom Classic Telecaster was the Custom Shop version of the American Series Tele, featuring a pair of Classic and Twisted single-coils in the bridge and neck positions, as well as a reverse control plate. Earlier versions made before 2003 featured an American Tele single-coil paired with two Texas Special Strat pickups and 5-way switching. Discontinued in 2009 and replaced by the Custom Deluxe Telecaster series models. The 2011 version of the Custom Shop “Custom Deluxe” Telecaster featured a lightweight Ash body with contoured heel, Birdseye maple neck, and a pickup set that included a Twisted Tele neck pickup and a Seymour Duncan Custom Shop BG-1400 stacked humbucker in the bridge position. While there is absolutely no reason to go with "standard" if that's not what you prefer for a given instrument, I think it's safe to say that 10s (usually 10-46) are standard, since nearly every string manufacturer that uses such descriptors for their electric sets refers to their 10s as "regular." Ernie Ball Regular SLinky? 10-46. Fender Regular Whatevers? 10-46. D'addario Regular Light (note that there is no other, more REGULAR sounding name)? 10-46. Dean Markley Regular Blue Steels? 10-46... Bottom Line: The Line 6 HD500X is incredibly in-depth in the amount of options and editability it gives you. Doing all of it from the small screen on the actual unit is headache-inducing, but if you have a computer you can hook it up via USB and edit your sounds from there much more easily. There’s more of a learning curve with the HD500X than there is with the Zoom G3X, but the presets are decent enough and allow you to audition it if you’re the impatient type. Where the HD500X lacks is that it’s less of an immediate-gratification pedal, and it’s hard to tweak on-the-fly and come up with potentially inspirational sounds. Because of how the interface is, this is definitely more of a “sit down with headphones and tinker with it to get your perfect sound” type unit. If the effects quality of the Zoom G3X is a 7/10, the Line 6 HD500X is an 8.5/10. This is the one to get if you’re the type that likes to dig in and have control over every little thing. The price tag is a little on the high side, but considering what a powerhouse this unit is, it’s definitely not unreasonable. Decide between an active and passive DI. The most obvious difference between the two is that an active DI requires a power supply for you to operate, while passive DIs do not. Beyond that, due to differences in design, each of these has strong suits that should be taken into consideration. For example, the transformers used in passive DIs are more resistant to the hum created by ground loops, making these ideal for on-stage performing.[8][9] Additionally: # When discussing the science of tone, it’s safe to assume that we all know how electric guitars work. Pickups are electro-magnets that sense string vibrations and produce a signal that ultimately blares out of the amplifier. Of course, we all know that myriad other factors influence the sound, as well. Body shape, wood choice, string selection, pedal effects, rack effects, humidity, amount of people in the room, and the guitar player’s recent fight with his girlfriend are just some of the items that can alter a guitar tone from performance to performance. Each Proto Pedal comes as an easy-to-assemble PTH soldering kit, and it’s up to you to solder it all together! Additionally, we highly recommend using the Proto Pedal Enclosure with this kit. It’s a standard-size cast aluminum box, which does double duty as an assembly jig to help get the jacks and switch aligned correctly. We did NOT include the enclosure with the Proto Pedal to help keep the kit affordable – and in case you already had an enclosure you wanted to use or create yourself. Cort, a South Korean manufacturer of musical instruments was founded in 1973. Cort specialises in Electric guitars, Bass guitars and Steel-string acoustic guitars. The hallmark of the company is its elegant series of Electric guitars. The Classic rock series, G, M, CR and X series guitars, Sunset series and Zenox series form part of the list. These guitars not only deliver high performance, but also have a great look and feel. It has established its brand name in Indian market by offering high-class products at affordable prices. The company is amongst the best guitar brands in the country. I have been playing guitar, banjo, and harmonica for 60 years. I started when I was ten-years-old. I have taught guitar and banjo for a number of years. My guitar of choice is a Martin D-41, an affordable guitar that is much like the D-45. The woods and construction are famous. There are other makes but none surpass Martin. My harmonicas are Hohners given to me by my father when he passed-on. Anyone can learn. I learned the fiddle after I reached my 70's. Just listen, play, and learn. Don't give-up. There are many good guitars, and banjos. Martin makes the best, and Stelling makes the best banjos. I started-out with a japanese banjo in the 1970's. A white Eagle, distributed by Alvarez. For example, in the guitar (like other stringed instruments but unlike the piano), open-string notes are not fretted and so require less hand-motion. Thus chords that contain open notes are more easily played and hence more frequently played in popular music, such as folk music. Many of the most popular tunings—standard tuning, open tunings, and new standard tuning—are rich in the open notes used by popular chords. Open tunings allow major triads to be played by barring one fret with only one finger, using the finger like a capo. On guitars without a zeroth fret (after the nut), the intonation of an open note may differ from then note when fretted on other strings; consequently, on some guitars, the sound of an open note may be inferior to that of a fretted note.[37] { "thumbImageID": "Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Silver/L20504000003000", "defaultDisplayName": "Squier Vintage Modified Jaguar Bass Special SS (Short Scale)", "styleThumbWidth": "60", "styleThumbHeight": "60", "styleOptions": [ { "name": "Candy Apple Red", "sku": "sku:site51500000217472", "price": "199.99", "regularPrice": "199.99", "msrpPrice": "329.99", "priceVisibility": "1", "skuUrl": "/Squier/Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Candy-Apple-Red-1500000217472.gc", "skuImageId": "Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Candy-Apple-Red/L20504000002000", "brandName": "Squier", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Candy-Apple-Red/L20504000002000-00-60x60.jpg", "imgAlt": "" } , { "name": "Black", "sku": "sku:site51500000217471", "price": "199.99", "regularPrice": "199.99", "msrpPrice": "329.99", "priceVisibility": "1", "skuUrl": "/Squier/Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Black-1500000217471.gc", "skuImageId": "Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Black/L20504000001000", "brandName": "Squier", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Black/L20504000001000-00-60x60.jpg", "imgAlt": "" } , { "name": "Silver", "sku": "sku:site51500000217480", "price": "199.99", "regularPrice": "199.99", "msrpPrice": "329.99", "priceVisibility": "1", "skuUrl": "/Squier/Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Silver-1500000217480.gc", "skuImageId": "Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Silver/L20504000003000", "brandName": "Squier", "stickerDisplayText": "Preorder", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/Vintage-Modified-Jaguar-Bass-Special-SS-Short-Scale-Silver/L20504000003000-00-60x60.jpg", "imgAlt": "" } ] } If you're in the Boston area and need a repair on your stringed instrument look no further! I've… If you're in the Boston area and need a repair on your stringed instrument look no further! I've had Steve repair numerous guitars (4 acoustic, 1 electric) and have had each one repaired better than I could have imagined. Rest assure...if you choose Steve, it is in good hands. His prices are very fair especially for the time and care he puts into his work. As long as he's open for business-go with Steve for all repairs please!! Great guy, great service!! 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Available from the consumer friendly Epiphone range, this player package is a great introduction to one of the most popular electric guitar models in the entire world. With 22 frets, dual humbuckers, and a gorgeous aesthetic with ebony finish and silver hardware, this is a knockout in every regard. The set is rounded out with the standard fare such as an amp, picks, a cable, a strap, and a tuner. You have so many effects on this that you’ll find it difficult to get bored, all of which have been modelled on some of the most iconic sounds in effects pedal history including Boss, Line 6, Electro Harmonix, Z Vex and more. You have a huge amount of distortions, delays, reverbs, modulations, pitch/synth/filters, compressors/limiters, EQs, wahs, and even a looper to sculpt your sound with, all of which have been meticulously modelled to include the subtlest qualities and sound abnormalities that made these effects and their respective pedals so revered. Two solidstate Tempo beginner amps were offered in ’71. These had black tolex covers, front-mounted controls and a rectangular logo with block letters on the grille. The Tempo No. 158 (65) had an 8″ speaker, 10 watts of power, tremolo with speed control, reverb with depth control, three inputs, volume, tone and a black grillcloth surrounded by white beading. The Tempo No. 136 ($31.50) offered a 6″ speaker, six watts, three inputs, volume and tone. The grillcloth was dark (probably black) with horizontal flecks. So to conclude, you don’t have to spend much money on a beginner/practice amp to have a tremendous amount of fun with it. Be sure to check out MusicGoRound stores near you for amazing deals on used practice/beginner amps. The store employees can help pick out the amp that fits your budget and your needs. Odd are that your practice/beginner amp will wind up becoming an old and dear friend to you over the years. Enjoy every minute with it! Flanging can be a subtle effect, thickening the sound and imparting a spacey feeling. Or it can be extremely dramatic when cranked up, to the point of making the original signal unrecognizable. This broad range makes a flanger a fun stomp box to experiment with. Jimmy Page used a flanger to good effect on Led Zeppelin’s “Nobody’s Fault But Mine” and “Kashmir, ” as did Jimi Hendrix on “Bold as Love.” Honeyman-Scott’s solos were concise and economical, getting the point across in only a few measures. His solo on “Kid” is a pop song unto itself that evokes the Beatles’ finest melodic moments, while his three- and four-second bursts on “Tattooed Love Boys” unleash more emotion, fire and style than most guitarists can convey in an extended 15-minute solo. I would have never finished my project without this, 20 feet sounds like alot, but it can go very fast. I used this to rewire up an Epiphone hollow body,and I needed the length to reach from toggle to jack. The gauge is a perfect feel and doesnt have me worried about accidentally breaking it from movement. Also the cloth is great as it takes much more heat than the standard rubber coverings. For more complete control of preamp distortion voicing, an additional EQ pedal can be placed after a distortion pedal; or, equivalently, the guitar amp's tone controls, after the built-in preamp distortion, can be used. An EQ pedal in the amp's effects loop, or the amp's tone controls placed after preamp distortion, constitutes post-distortion EQ, which finishes shaping the preamp distortion and sets up the power-tube distortion voicing.  ## The easiest way to record bass is to just plug it straight into the console/interface—of course, using the correct instrument-level input or dedicated DI box, and not a standard line input. This will provide a nice, clean, deep tone, but it will likely lack the growl and grit that’s often desired—for that, you’ll want the sound of an amp. While you can always use a bass amp sim plug-in later, in the mix (see below), there’s nothing like the pants-flapping wall of low-end sound coming out of a real bass amp, if one is available. But most engineers will record both—a DI’d signal, and a miked-up amp. They can be combined later on, for the best of both worlds—the clean, round, depth from the DI, with the edge and midrange punch of the amp (but see below, for a caveat). If you can’t commit hours of your time to tracking down the right electric guitar amp, we listed here a number of good ones that are varied enough to fulfill most requirements. Among these, we found the Vox Pathfinder 10 Denim to make a great choice for those that are just getting into playing guitar or who just need a good, inexpensive practice amp. It’s solid-state, so you won’t have to blow your money on replacing lamps and this will also make it easier to tweak its voice to whatever tune you want to try out. Folks who use it appreciate that resembles the overdrive on a lamp amp pretty well and at 10 W of power it can be used from a garage without any complaints from the neighbors. If this isn’t available, The Blackstar IDCORE10 will offer similar quality and even more of a possibility to play around with sound effects. But what about the Les Paul devotees like Jimmy Page, Zakk Wylde and Bob Marley? Is it possible that the Les Paul is as enduring and adaptable as the Strat? Um… Yes! Each guitar style has its own rich history of players and possibilities, and with a powerful imagination, anything is possible. Solid body guitars are truly the dominant species of electric guitars for their overall versatility, ability to interact with pedals and amps, and general lack of fussiness. Frets on finished fingerboards may be tough to measure accurately when the finish has appreciable thickness (think Rickenbackers, 70s Fenders) as these manufacturers spray the finish over the fretted neck. I have measured a finish chip from a 70s Fender maple neck refret that was .010” thick – lowering the fret height by .010” (25% in the case of the stock medium wire at the time) from just finish alone. I recently refretted a 2008 Fender Eric Johnson Strat where the fret height prior to any work was .040”, yet the crown of the fret removed from the fingerboard was .045”. I personally do not like this feel and so often I will suggest refretting over a finished fingerboard when working with them rather than under the finish.  The theory of evolution says that the longer something has been evolving the more complex it tends to get, and this is certainly true of the electric guitar, which has been evolving for over half a century. Electric guitar sounds rely on the instrument itself, the amplifier through which it is played and also on the loudspeaker system used. Further variables are introduced when miking techniques are taken into consideration, though these days miking is only one of the ways of recording an electric guitar — we also have a number of effective DI techniques from which to choose. Gretsch is one of the oldest manufacturers on this list. It was founded in 1883 in New York City by Friedrich Gretsch. He was an immigrant from Germany and was only 27 at the time he founded the company. Gretsch has a wide selection of both acoustic style and electric style guitars. They have models in just about everyone’s price range. You can buy a Gretsch for under$500 or over $2000. Their style is fairly unique. They have an almost “classical” look to them. Keep in mind that the older Gretsch guitars were not as consistent in quality as they are today. So if you’re looking to buy used, try to keep it so you’re buying guitars that are made semi-recently. On the other hand, you might get lucky and snag a great deal. As expected, their sound is excellent.  Why We Liked It - Even if this isn’t the cheapest guitar on our list, we think the Schecter Hellraiser is the best bargain! To get this much guitar for so little money is almost incomprehensible and we feel like a million bucks when we play it! It not only looks good, it sounds fantastic, and you can be sure to impress everyone who hears you play with this wonderful instrument! “Most guitarists learn from records,” says Dr. Andre Millard, a professor at the University of Alabama-Birmingham, editor of The Electric Guitar: A History of an American Icon. “That’s how you learn to play. We learn from the classic records. And those classic records have that classic tone, which is ’58 to ’63.” And quite frequently, Millard points out, the studio had as much an impact on those recordings as anything else. He uses the Rolling Stone’s debut, England’s Newest Hit Makers which was released on London Records in 1964, as an example. ## Jump up ^ Miller, Jim (1980). The Rolling Stone illustrated history of rock & roll. New York: Rolling Stone. ISBN 0-394-51322-3. Retrieved 5 July 2012. Black country bluesmen made raw, heavily amplified boogie records of their own, especially in Memphis, where guitarists like Joe Hill Louis, Willie Johnson (with the early Howlin' Wolf band) and Pat Hare (with Little Junior Parker) played driving rhythms and scorching, distorted solos that might be counted the distant ancestors of heavy metal. {"pageName":"[gc] vintage: lyle","reportSuiteIds":"guitarcenterprod","eVar3":"vintage","prop2":"[gc] vintage","prop1":"[gc] vintage","evar51":"default: united states","prop10":"brands","prop11":"lyle","prop5":"[gc] vintage","prop6":"[gc] vintage","prop3":"[gc] vintage","prop4":"[gc] vintage","channel":"[gc] vintage","linkInternalFilters":"javascript:,guitarcenter.com","prop7":"[gc] vintage"} # One notable exception is a pitch shifter or harmonizer, particularly if you plan on using a pitch shift and envelope follower together as the pitch shifter may have greater difficulty accurately tracking an envelope follower-processed signal. Similarly, a standard wah pedal generally sounds best in the very front of the signal chain, but once again I recommend placing pitch shifter/harmonizer effects in front of a wah if you plan on using both together. Also, many players prefer the sound of a wah with a distortion pedal placed in front of it as this configuration can produce a more dramatic or more refined sweep depending on the distortion pedal’s tonal character (See Example 1, below). R9 is also the output resistance of the guitar, and together with R6, forms a high output resitance instrument. Now for perfect transfer of electrical energy we need a low output resitance, but this is not possible in this case. Hence, we need a pre-amplifier to convert the signal to be more friendly to other driving electronics, and eventually, speakers. This power transfer is unpredictable, so another element of the tone of the guitar is the (usually external, unless using active pickups) pre-amplifier. Generally, tube pre-amps are highly unpredictable and unstable, which is why many guitarists still prefer them, as they generate more harmonics == richer sound, but this gear may be counterproductive in certain environments where minimising electrical noise is crucial, as the fillament inside a tube creates a fair bit of electromagnetic interference. A batch of 20 to 30 guitars featuring Ripley’s electronics was assembled using Japanese bodies and necks. The one in our possession is a GS2-R (#28949) with a standard (no German carve) Strat-style body, bolt-on multilaminate neck made up of red-dyed 1/16″ maple strips glued end-to-end, pointy-droopy carved bi-level six-in-line headstock, Gotoh tuners, black hardware, 24-fret ebanol fingerboard, faux-pearl pennant inlays and locking Ovation Floyd-Rose-licensed vibrato system. Two plastic-covered humbucking pickups (no exposed poles) featured individual output controls for each string, with six individual three-way mini-toggles for selecting pickups combined with six fader pots directing string/pickup output to a stereo jack. Guitar models currently include the Master Class, American Series, Oregon Series, Cascade series, Atlas series, Passport Plus, and Passport, as well as 12-string models and Bass models. The Voice series, reviewed by Guitar Player in 2012, was praised for the quality of construction and various innovative elements, including a “Tru-Voice Electronics System” which, according to Dave Hunter, “for live performance … comes closer to a seamless acoustic-to-amplified transition than virtually any other flat-top I’ve played.”[2] One of the greatest things about being a touring musician is having the opportunity to see, hear and play with some of the greatest guitarists on the planet. Over the course of my career, I’ve performed with legendary guitarists like Ted Nugent, Steve Cropper, and Glen Campbell, to drop just a few names. Playing lead for a headline act like Toby Keith also allows me to watch fantastic guitarists like Keith Urban and Brad Paisley take the stage before me. Dick Dale is a prominent Stratocaster player, who also collaborated with Leo Fender in developing the Fender Showman amplifier. In the early 1960s, the instrument was also championed by Hank Marvin–guitarist for the Shadows, a band that originally backed Cliff Richard and then produced instrumentals of its own. So distinctive was Hank Marvin’s sound that many musicians, including the Beatles, initially deliberately avoided the Stratocaster.[citation needed] However, in 1965, George Harrison and John Lennon acquired Stratocasters and used them for Help!, Rubber Soul and later recording sessions; the double unison guitar solo on “Nowhere Man” is played by Harrison and Lennon on their new Stratocasters.[10][11][12][13] Acurious phenomenon that ac-companies certain guitar compa-nies is an inability to translate success from one medium to another. For instance, Martin has never been able to transfer its reputation for high-quality acoustics to electric guitars. And Fender has never been able, on its own, to really succeed in marketing acoustic guitars. Instead, it purchased Guild. Some guitarists design or modify their own pedals. Others use a combination of off-the-shelf effects. Kurt Cobain stomped on Electro-Harmonix Big Muff and ProCo Rat pedals to create his classic loud-soft-loud, "Nevermind"-era sounds. John Mayer kicked off his 2003 hit, "Bigger Than My Body," with see-sawing, arpeggiated sounds from his Roger Linn AdrenaLinn III pedal. There are hundreds, if not thousands, of different stomp boxes. Although there's a certain amount of gray area and overlap, pedal effects can all be divided into four general categories: accessories aeolian mode analog basic chords basic guitar chords beginner best guitar brands cheap guitars chord diagrams digital dorian mode easy guitar songs effects guitar guitar amp photos guitar buying guitar effects guitar equipment guitar kits introduction ionian mode lessons locrian mode lydian mode major key major scale mixolydian mode music studio natural minor scale noise control pedalboard pentatonic major pentatonic minor phrygian mode pickups practice room recording scale diagrams soundproofing theory used guitars Good point Gary. The T5 is in a separate category. I found it to be useless as a true acoustic. Thin, weak tone due to its shallow body. Plugged in as an amped acoustic just so-so, and as an electric for rock with overdrive or distortion, pretty good. The Ovations with deep contour bowls, like my Elite 2078, while not so easy to hold, are better at everything, especially unplugged tone, and cost half as much. Also apparently still in the line in early ’64 was the SD-4L, which had adopted four of the two-tone, metal-covered pickups found on the SS-4L guitar. This still had the old, elongated Strat head. It also had the platform vibrato system found on the previous SS guitars. The SD-4L probably didn’t make it into ’65, but the shape was taken over by the more conventional TG-64. It has a solid poplar body with a maple neck and rosewood fingerboard, and based on the early reviews of the Epiphone Les Paul SL, the fit, finish and general playability are all pretty good. It’s loaded up with Epiphone’s reliable tune-o-matic bridge, a volume and tone knob, as well as a three-way selector switch to toggle your pickups and dial in tone. The hardware does feel admittedly cheap, but the general consensus is that this guitar ships well-made, well-setup and more than appropriate for a first-time player. Further simplifications occur for the regular tunings that are repetitive, that is, which repeat their strings. For example, the E-G♯-c-e-g♯-c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation;[71] This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B-F-B-F-B-F augmented-fourths tuning repeats itself after one string.[73] Beginning in 1960 with the T-60 solidbody, Teisco began to use the elongated “Strat” six-in-line headstock. This lasted through 1963. In 1963, the squarish Strat headstock appeared with the GB-1 solidbody bass. This seems to have lasted through 1965, but only on selected models, and with several subtle variations, including a slightly more rounded version. In 1964, probably later in the season, most of the Teisco solidbody line acquired a new hooked Strat-style headstock with four-and-two tuners on the guitars and three-and-one on the basses. This had the little hook at the throat like a Strat, and a larger hook on the tip, almost like a Woody Woodpecker plume. I Have a '70 lyle hummingbird and its a solid spruce top and mohagony neck back and sides. My guitar luthier fully inspected it. Mine is in near mint condition and sounds identical to the '64 Gibson Hummingbird my luthier has. He was trully freaked out by this.. ha ha He keeps trying to buy it from me but im affraid im hanging on to mine. It seems there is alot of contradictory information on these guitars. It is super hard to get more than a small paragraph of info on these things. One site out there has several catalogs from lyle guitars but they require a payment or paid membership to view them. If you are interested google lyle guitar catalogs. There is one that sold for 600.00 at joes vintage guitars.com Its Identical to mine. If I find any more info Ill post as discovered. The best way to get this sound out of an Octavia is by using the neck pickup on the guitar and by experimenting with the tone knob to get a more pronounced octave effect. Some other famous Hendrix tunes using the Octavia are “Who Knows” and “Machine Gun” from Band of Gypsies. If you want to put together a Jimi Hendrix pedal board, the Octavia is a must. There are many great reissues of this pedal on the market, but if you get a chance, like fuzzes, try a few of them next to each other. Even a few of the same pedal, as they often sound very different. One may have more of an octave effect, or be warmer sounding etc. This is due to the use of the transistors that can often have slightly different values that can make big tonal changes. Vacuum tube or "valve" distortion is achieved by "overdriving" the valves in an amplifier.[40] In layperson's terms, overdriving is pushing the tubes beyond their normal rated maximum. Valve amplifiers—particularly those using class-A triodes—tend to produce asymmetric soft clipping that creates both even and odd harmonics. The increase in even harmonics is considered to create "warm"-sounding overdrive effects.[37][41] The overall design of the JS11 Dinky is a streamlined and straightforward, it is basically a less contoured version of the Dinky with cost-effective parts, assembled and built overseas. But don't count it out yet because many found it to exceed their expectations in terms of looks and tone. The 25.5" scale maple neck, flat 12" radius fingerboard and 1.6875" wide nut also makes it a pleasure to play, and have made life easier for both students and experienced players alike. The high output Jackson designed humbuckers are also good enough for high gain playing, although most got great results by switching them out. So you want to learn how to play guitar but don’t know where to start? No worries. This how to play guitar for beginners guide will cover all the basic requirements to get you started with playing guitar. The guide is split into 2 sections: The Basics – where you’ll learn about the various parts of the guitar, how to hold the guitar and how to tune your guitar. Playing – where you’ll learn popular chords, strumming techniques, and how to read guitar tabs. This guitar for beginners guide is meant for guitarists just starting out, however there are also tips and So, we’re just over £100 here with the Fender Mustang I V2 Guitar Amplifier Combo, but we had to include the new version of the world's best-selling amplifier series. At just over £100 you get 18 amp models, 37 effects, and 24 onboard factory and user presets – which is a lot of features for such a small price tag, definitely making it one of the best cheap amps money can buy. With 20 watts of power at your disposal pumping out through an 8" Fender Special Design speaker, it won’t blow the windows out, but it will certainly stand up on its own on stage and when used in a rehearsal or practice situation. Ibanez started off as a Japanese music company particularly focused towards producing copies of favorite guitars in America. Today, they have surpassed most firms by offering best quality products on their own. Being specifically directed towards the hard rock and metal players, Ibanez ensures to have something for players belonging to every genre.  Roger McGuinn worked with C. F. Martin & Company to develop a seven-string folk guitar. McGuinn’s guitar (the D7) is tuned the same as a standard folk guitar with steel strings, but the third (G) string is augmented with a harmonic string one octave higher. The intention was to offer the six-string player the chance to play “jangly” twelve-string style lead guitar. Impossible to avoid this legendary American brand founded in 1946 by Leo Fender. Even if Leo Fender was not the first man to build an electric guitar — only hollow-body and Hawaiian solid-body guitars were available back in those days ─, his first model, the Esquire that became later the Broadcaster and then the famous Telecaster, quickly became a huge success for its versatility. The Telecaster and the Stratocaster, the other famous Fender model, would become standards that have been copied many times. You can hear them in some of the most famous classic rock recordings by the likes of Keith Richard (The Rolling Stones) and Bruce Springsteen (Telecaster), or Eric Clapton and Jimi Hendrix (Stratocaster). Hey Frank i removed the pick guard and discovered why they were so tall.I just bought the guitar the day i asked you about it and it was late very late after midnight and i found out someone used pick guard screws to just secure them to the PG…lol And i have it back together correctly installed now.No pictures yet here is a better detailed description.The body is solid wood stained factory dark cherry.Rosewood fretboard semi-enclosed tuners…SSS P/U arrangement in a 3 ply black PG and 5 way switch and probably weighs 8 lbs.Thanks ….Larry You might be wondering: “Why the glossy finish?” Having a gloss finish can mean the difference between your guitar cracking—or not--in extreme temperature changes.Of course, like all Cordobas, there is a truss rod with which you can change the string relief, so you’re not having to press the strings down so hard, making it easier for beginners to learn. As with many of our services, we do more than just pull and replace your frets when doing a refret. Full refrets include a resurfacing of the fingerboard to proper level (even more precisely done than many factories), repair to any damaged fret slots, nut removal and reuse (when applicable), and full Calibration and Reset service (which includes a full traditional set up). Strat style tremolos add$10 to the price, Floyd Rose style bridges add $30. #### The model designations of the archtops are unknown. Later these guitars would have either a PE or EP model designation, so presumably the ones in the photo did, too. One appears to be a full-sized, thick-bodied archtop with a rounded cutaway. Not much is visible in the photo, but it apparently had a single, white-covered pickup at the neck, block inlays and a white pickguard. The other guitar had a single pointed Florentine cutaway and was slightly smaller than, say, a Gibson ES-335. It’s impossible to tell the depth from the photo, but it looks as though it’s a thinline. This, too, had a single white pickup at the neck, moveable adjustable bridge, trapeze tail, large white pickguard (not modelled on a typical Gibson shape, by the way), a little plastic plate on the lower bout with volume and tone, with white knobs. The fingerboard has large white dots, with double small dots at the octave. The f-holes are three-part; the headstock Teisco three-and-three. # Route the body. You’ll need to make a cavity (a hole that goes partly through the body of the guitar) in the back of the guitar to fit the electronics for the volume, tone, pickup selection controls. You will cover it later with a bit of material (usually hard plastic). You’ll also need one cavity in the front of the guitar for each of its pickups. Rout the pickup cavity (or cavities) to the depth recommended by the manufacturer.[9] Usual general wear. Some noticeable impression marks on face. Piece of decorative trim missing from headstock. Plays but Action is high. Neck truss needs adjusting. There is a slight buzz with action as it is (sounds like it's from bridge area). Frets look good. Not perfect but a classic in good condition in need of a little tune up. SOLD AS IS. Ships wrapped and secured inside a Road Runner hard shell case which itself will be plastic wrapped. Ships Priority from Alaska. 1) The tuning keys (machine heads) are as bad as it gets and if you're planning on keeping this guitar for a while and making it really workable plan on changing them ASAP and throwing the others away as far as you can throw them - Shame on you Yamaha, you could have at least used some half decent tuners!! These are an insult to your good name. So I replaced mine with Grover Sta-Tite V97-18NA (with brass colored gear) which are the best tuners "for the money" ($40) for any guitar especially for this one. However, be aware that you will also need to replace the Yamaha bushings because the I.D. is too small for the Grover post and, unfortunately,the Grover bushing O.D. is too small for the holes in the Yamaha headstock. The correct bushing that will allow an easy proper fit of the Grover tuning pegs to the Yamaha APXT2 is Kluson MBG65N or B bushings (Google it). If you elect to do this instead of letting your friendly Luthier do it, be advised that when you knock out the stock Yamaha bushings, since they're press fit it may have a tendency to split the wood on the top of the headstock. This one modification will bring this guitar from the level of a toy trying to be a serious contender to the best little guitar that money can buy.


Locking vibrato: Often referred to as a Floyd Rose bridge after its inventor, like the two-point rocking tremolo, it provides individual intonation and height adjustments. It rocks on two bolts in the top of the guitar and is spring-loaded. The difference is that it clamps down on the strings at both the bridge and head nut. The result is rock-solid tuning, even when the vibrato arm is used radically.

#### The Hummingbird Pro's unique look breaks the typical monotonous appearance of conventional acoustics, and it does so without straying too far from the familiar. It is easily identifiable by its uniquely shaped ornate pickguard, which matches the guitar's faded cherry sunburst finish. Whether you are on stage or just jamming with friends, you can be sure that this acoustic will stand out.

Speaking of versatility, pedals aren't the only type of multi effects units that you'll find here. There are also rack-mounted models like the Rocktron VooDu Valve Online Guitar Multi Effects Processor and the Line 6 POD HD PRO X Guitar Multi Effects. Looking for a case to store your multi effects pedal when it's time to pack up after the show? Check out the Gator G-MULTIFX - Medium Guitar Effects Pedal Bag and the Boss BOSS Bag L2 for starters. There's lots to see here, and it's worth taking the time to have a close look!
• Fast Fingers: If speed’s the goal, most shred-heads prefer light gauge strings. They’re easy to bend and promote fast playing by offering less resistance to the fretting and picking hands. Since guitar strings are measured in thousandths of an inch, the typical recommended gauge for players planning to burn in standard tuning are .009s, available in every guitar shop.
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The problem of the recent Gibson bashing is well-founded. There were quality issues over the last maybe 15 years. The thing is that a Gibson is still a dream for a lot of people. They get better and giving themselves a present after putting money away. Then, after several years, maybe decades of anticipation they get crappy quality for several thousand dollars. The brand is alive, they can bounce back, but the managment...instead of the elevator, they should take the japanese business shortcut. As soon as the quality and passion is back, people will love to buy one. Hope they'll get back on track before 2020. - MountainGoat
If you’re just starting out, our new electric guitar for beginners may be more suitable for you. Otherwise, let’s get going on our picks (although it was tough to stick with only 10 models). If you want to practice or perform without wires, you can also look into a wireless system for guitars. Be sure to check out our best acoustic guitars article if you want a companion, or if you need extra gear, we have guides for those as well.
Guitar scales free movie. Guitar Scales This lesson covers the basic ways to play chromatic scales on the guitar. Guitar scale reference - Here is a listing of some basic fingerings for many games. GUITAR SCALES guitar chords guitar scales chord progressions Search our collection of guitar scales, with charts and music playback jam contacts chord name reverse scales metronome forums tuner. Guitar Scales: Lookup guitar scales on
By the mid 1990s Korean instruments were rising in price as Korean labor rates and other costs went up. Many Korean and Japanese companies set up factories in Indonesia to take advantage of reduced costs there and Fender set up their Mexican factory to take advantage of reduced labor rates in a setting very close to their USA factory. With modern CNC equipment and Korean and Japanese ownership and management, it was possible for Indonesian factories to very quickly turn out good student- and intermediate-grade instruments. In my experience, however, none of the Indonesian products rival the quality of the better Japanese or Korean guitars. The new Mexican Fender guitars give excellent "bang for the buck" and in many cases play and sound better than the later CBS-made American Fenders.
So here we are at the end of our journey (well, probably not yours). Maybe you have found the best guitar practice amplifier from this list and cannot wait to buy it or maybe you still want to have your options. BUT my point is that starting with an amplifier for practice is a great idea. Not only will the amp serve a very particular purpose it was made for but you will also save quite a lot of money. For instance, most amplifiers under $100 are great for practice so you can check out our list of the best cheap amplifiers for beginners. And while I know a lot of people don’t like the idea of “cheap” being in the same sentence as their instrument or equipment, the thing is cheaper does not necessarily means bad. Is a$100 amp going to win over an amplifier in the best amplifiers $1000 list? Probably not, but as I already mention the best “objective” amplifier (or what brands and people deem to be the best at the moment) is not always a good option for everyone. That is especially a case with someone who is just starting off their journey into the world of music, amps, guitars and everything of that sort.  1960's Teisco Del Rey, Model ET-44? Electric Guitar. 4 single coil Pickups. Great, original Black / Green burst finish. '57 Chevy style aluminum pick guard. "Shark-Fin" headstock. Rosewood fingerboard. Original 4+2 tuners with cast cover. 4-bolt neck joint with an adjustable truss rod. Bridge adjustable for height, intonation and string spacing. 4-Square pole pickups, 4 pots, 4 pickup selectors and a 3 position rotary wafer switch. Some of the pots do things and some don't either by modification or design. The rotary switch simply acts as an On / Off switch. Guitar works great the way it is, or could be configured other ways as well. We have not modified it since we acquired it 8 years ago. It's spent most of it's time in the box, until I decided to get around to listing it. Missing whammy bar as are most every Teisco we have ever owned. The bridge pickup has had one of it's mounting screws changed. The finish is in exceptional shape for a 40 year old guitar (while the photos make the guitar look black the finish is actually a dark green to black burst). Plays and sounds great. Not many finish chips. Very shiny. Frets in near new shape with virtually no wear. We have completely done a "Pro" set up on the guitar, including cleaning all the electronics, oiling the fingerboard, nut checked for correct height, neck angle checked, pickup heights checked and adjusted, adjusting the neck and action for great playability (clearance at the 9th fret = .008 when fretted at the first and the body (super low)) adjusting / checking the intonation (adjusted perfectly!) and cleaning and polishing entire instrument. This is our old shops standard$75 tune-up. Plays and sounds great. We also installed a new set of .009 strings. No case included.
Frets are the metal strips (usually nickel alloy or stainless steel) embedded along the fingerboard and placed at points that divide the length of string mathematically. The strings' vibrating length is determined when the strings are pressed down behind the frets. Each fret produces a different pitch and each pitch spaced a half-step apart on the 12 tone scale. The ratio of the widths of two consecutive frets is the twelfth root of two ( {\displaystyle {\sqrt[{12}]{2}}} ), whose numeric value is about 1.059463. The twelfth fret divides the string in two exact halves and the 24th fret (if present) divides the string in half yet again. Every twelve frets represents one octave. This arrangement of frets results in equal tempered tuning.
Sorry on my previous post - I meant to add that the waveform test should be done using guitars of same distance between bridge and nut so the vibrating string length is identical, and of course using identical pickups. You can then vary the woods, the hardware, the body type (hollow, semi, solid) etc. I think it would be interesting to use guitars with different overall string lengths depending on the stop piece used, whether the strings or through the body, and the arrangement of the tuners on the headstock.

If you play with your guitar’s tone controls all the way up, your tone is going to be trebly and bright — possibly even painfully shrill at high volumes. To get a handle on their range, get a clean sound cooking out of your amp and play at every numeral stop on your instrument’s tone pot dial. And for multi-pickup models, do that for each individual pickup and all the blended settings. Find a few positions you like, and while playing a tune you know by heart, roll to different settings for verses, choruses and solos and see how tonally diverse and interesting things become. On stage this can be a very impressive way to create fresh sounds — subtle, but noticeable — without relying on pedals or amp channel switching.
After years of analogue delay companies decided that it was not clean or accurate enough. So they came up with a much sturdier design with digital delay chips.Not only can these get the timing down perfectly every time but they can also cover a wider range of delay options. Depending on the chip inside you can easily get multiple seconds of delay time in a single pedal.The main downside to these is that they can sound a bit clinical and too clean. Manufacturers have battled this by adding in different modulation options on delays like this to give it more character. If you want a delay for every possible scenario digital might just be the way to go.
The Super Strat, though modeled after the Stratocaster, is a very different guitar. Basically, the only similarity this guitar really has to its namesake is the body style. The pickups generally used in Super Strats are of a higher output (we’ll get into this in more depth, but for now just remember higher-output=more distortion), which makes them more suited for metal and hard rock. Super Strats also commonly have Floyd Rose tremolos, which allow for a great range of movement than a typical Fender Stratocaster Tremolo while still having a greater tuning integrity (you can use it more without the guitar going out of tune).

The tuner goes first. This one is pretty easy. It doesn’t want to hear an effected signal; it wants to see the direct input from the guitar. Another reason for putting the tuner first is that if you’re using any true-bypass pedals, the TU-3 will give them a buffered signal, which will protect your tone from loss of signal in the cables when other pedals are off. This is another one of the reasons there as so many TU tuners in pedalboards worldwide, even ones using nothing else but boutique true-bypass stompers.
The National String Instrument Corporation for manufacturing these louder guitars was founded probably in 1927, in Los Angeles, by John Dopyera, George Beauchamp, Ted Kleinmeyer and Paul Barth, when production and advertising began. The company was officially certified as a California corporation in 1928. For a detailed accounting of those early years, I recommend Brozman’s book, The History and Artistry of National Resonator Instruments (Centerstream Publishing, Fullerton, California, 1993). This is a horribly confusing relationship, so stick with me; we’ll try to put it right.

Gibson and Fender have been ripping the public off for years, they're not even close to being worth what they charge especially Fender with such a mass produced bolt on neck and lame finishes design. Carvin is a superior guitar in every way and what people fail to mention is that you can choose what wood and finish you would like as well as bolt on neck, set neck or neck through designs and their pick up's are impeccable. A truly great guitar co. With excellent customer relations and real musicians will all show respect for Carvin when mentioned if not already owning one.
Most 700 and 800 models, except for bass and probably 12-strings, were equipped with a vibrato bar. After 45 years or so the bar has gone missing on many of them. Some model 820s were equipped with a genuine Bigsby vibrato. The advertisement at left features the Bigsby-equipped Model 820. The advertisement on the right is identical except that it showed the stock Kent vibrato tailpiece. According to the catalogue of the time, the Bigsby was only available on the sunburst model 820.
Using that pickup and gain level, you should be able to hear some guitar distortion. Of course, if that's not entirely satisfactory, there are a few other things you can do. If your amp has tone controls, you can turn up the mid knob to hear the guitar distortion more clearly. If there's only bass and treble controls available to you, you can turn both of these down a little to hear more distortion.
My first guitar, bought out of an advert in Kerrang over 20 years ago. I think it was branded "Axe" and it had absolutely nothing good about it. Some sort of MDF body, horribly bowed neck (couldn't be adjusted as the truss rod was broken), high frets everywhere (you could pull them out with your fingernails, fortunately), slipping tuners, hopeless bridge, hopeless nut, everything. Nearly put me off playing before I'd got started.

# One problem with adding a tweeter to a bass speaker cabinet is that the tweeter may be damaged by the overdriven amplifier tone that is popular in some musical genres, since overdriving the amplifier adds a great deal of high frequency information to the signal. Horns and speakers in the same cabinet are sometimes wired separately, so that they can be driven by separate amplifiers. Biamplified systems and separately-wired cabinets produced by manufacturers such as Gallien-Krueger and Carvin and other manufacturers allow bassists to send an overdriven low-pitched sound to the speaker, and a crisp, undistorted high-pitched sound to the horn, which prevents this problem. Since the 1960s, some bassists have obtained a similar result by plugging their bass into both an electric guitar guitar amp and a bass amp. This approach does not use a crossover, but since an electric guitar amp will only produce pitches down to about 80 Hz, the guitar amp reproduces the mid- to high frequencies and the bass amp reproduces the low frequencies. With this arrangement, distortion and other effects can be applied to the guitar amp without affecting the solidity of the bass amp tone.

An electric guitar works on the principle of electromagnetic induction. This means that an electric guitar has electromagnets in its system which generate magnetic fields. Apart from this, an electric guitar has an amplification system which amplifies the sound waves generated by the guitar’s string. It is this combination of electromagnetic induction and amplification system that makes an electric guitar run.

Effects units are available in a variety of formats or form factors. Stompboxes are primarily used units in live performance and (in some cases) studio recordings. Rackmount devices saw a heavy usage during the later 20th century, due to their advanced processing power and desirable tones. However, by the 21st century, with the advant of digital Plug-Ins and more powerful Stompboxes for live usage, the need and practicality of rackmounted effects units went down, and as such, prices of rack effects have diminished due to lower usage.[5] An effects unit can consist of analog or digital circuitry or a combination of the two. During a live performance, the effect is plugged into the electrical "signal" path of the instrument. In the studio, the instrument or other sound-source's auxiliary output is patched into the effect.[6][7] Form factors are part of a studio or musician's outboard gear.[8]
Due to the ever rising popularity of reverb, it didn’t take long for companies to figure out how to recreate the effect in early guitar amps. Have you ever heard of Spring Reverb or Plate Reverb? While to you these are just labels on a knob, back then these were real analog devices built into amplifiers. Needless to say, we have come a long way from using complex mechanical contraptions to create decent reverb.
I have owned a Mesa Boogie Dual Rectifier for 5 years now and couldn't be happier! Granted, the amp took a long time to dial in my perfect tone, but it was a good way to familiarize yourself with the amp. If you want cleans, crunch, distortion, and a wall of gain that is big enough to destory small islands than this is the perfect amp. Not to mention, the customer service is out of this world! About a month after purchasing the amp Mesa Boogie called to make sure everything was okay and I was enjoying the amp. They also ask you to take a questionnaire on how the sales person performed. Great company, Best amps.
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Slow Gear – A dynamic effect created by BOSS that swells in volume as if you were riding the volume knob on your guitar. The effect is similar to the envelope of a violin with its ability to remove the “attack” or initial transient of the signal and produce gradual volume swells. The compact pedal version of this effect is discontinued but it is found in both the ME-80 and GT-100 multi effects pedals.
An utterly odd topic would be a discussion of woods for a certain tone. Wood does no magic to the tone. It has properties which might change the resonant behavior of a guitar body. But, that it does by some very course parameters, say stiffness and specific weight. Of very same importance is the shape of the plank which is referred to as “the body”. Stiffness, weight and shape work all together.


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Electri6ity has been around for a while now, but I think it's still the cat's meow of sampled guitar libraries because of how deeply sampled and deeply controllable it is. Its wealth of articulations will allow you to create stunningly realistic guitar tracks, but the trade-off is that there are a lot of keyswitches and keyswitch combos to learn at both ends of the keyboard, and it's a big library that costs $400. For that reason, it may be a little overwhelming to be a "go to" library, but if you have the ambition to learn and use it, your guitar tracks will have no competition. The heaviest heffalumps in this year’s roundup, share a few strands of DNA with early Mastodon, blending bludgeon and benign in ambitious and unpredictable ways. Brady Deeprose and Dan Nightingale form the two-pronged guitar attack, leading these lofty compositions from blast-beaten brutality to doom-y sludge and back again. Their debut album Mire was released last month and is the sort of fully-formed statement that requires metallers to pack a spare pair of pants. A question which causes much thought and divide! Catch 22 to a degree: you can't play songs till you've learnt some chords, but just knowing some chords will mean you actually can (though you are not aware of it) play loads of songs. There is a plethora of songs out there with only three chords (some with only two!). Their differences are that the order of chords is slightly different for each - with the exception of the thousands of 12-bar tunes! Our Parlor size guitars are approximately 25% smaller than our full size guitars but what really makes them special is they have a 2 inch shorter neck design. This means children and small adults (under 5 ft tall) don’t have to reach as far holding certain chords making playability even easier. Most of our customers buying our Parlor guitars are coming from little Martins and Taylors. They say the Easy Play Parlor has 30-50% easier playability and sound is slightly richer and deeper. Shipped from our workshop in Lincoln, Nebraska. 100% money back guarantee, lifetime warranty. Semi-acoustic guitars have hollow bodies which give them a warmer and more dynamic range of sounds. They are vulnerable to unwanted feedback as the distorted sound increases the chances of feedback. That’s why we don’t see rock and metal musicians playing a semi-acoustic guitar. Many guitars have solid blocks inside for decreasing the feedback factor. Check out our list of semi-acoustic electric guitars here. The world-wide reputation of the company is not based on design data and performance alone. The real key to success of SWING is "Outstanding People". Every staff member at Swing has a background as a professional musician. Moreover, we were all career veterans in guitar engineering with decades of combined experience, well before founding our new vision; Swing Guitar Technology. If you are familiar with musical instruments companies or have seen their ads or brochures, you may notice their catch phrase like "It's about Music." Nothing could be closer to the truth, based on Swing's pedigree. From the selection of materials to their treatment and hand fitting. From mechanics to electronics. Each stage of each final product is mastered by SWINGers. Description: Body: Mahogany - Body Construction: Solid - Neck Attachment: Neck-through - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Frets: 24 - Inlay: Diamond - # of Strings: 6 - 12 - Scale Length: 25.5" (65cm) - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Custom - Hardware: Chrome, Diecast, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Natural, Brown The original guitar recording preamp was almost certainly the Scholtz Rockman, but within a few years we had several sophisticated competitors (from Sansamp, Groove Tubes and Mesa Boogie) using both solid-state analogue and tube circuitry. These all include speaker emulation of some kind, though usually offer few or no effects. On the whole they are easy to use and some produce excellent results, though they have less tonal flexibility than digital systems designed to model the characteristics of a range of specific commercial amplifier and speaker combinations. In 1967, McCartney gave his 4001 a psychedelic paint job, as seen in the promo film for Hello Goodbye, and in the Magical Mystery Tour film.[7] A year or so later the finish was sanded off; a second over-zealous sanding in the early 1970s removed the “points” of the bass’ cutaways. McCartney predominantly used the Rickenbacker bass during his time with Wings, until the late 1970s. #### A common misconception of the Lyle brand, among others, was that Norlin sued Matsumoku for copying their designs and shut them down. The actual lawsuit was indeed filed by Norlin, only not against Matsumoku but Elger/Hoshino--the American division of Ibanez--over elements of the Les Paul and SG guitar designs that Norlin/Gibson had since claimed as a trademark. The case was eventually settled out of court. Japanese companies preemptively altered the designs of their guitars in such a way that they would not be "exact" copies of Gibson guitars. The true story of the demise of the Lyle brand is largely unknown to this day. This is a fantastic tool for acoustic solos artists, worship leaders, session players or an acoustic rig that lacks a lot of control or a preamp source. Moreover, the Venue provides the additional functionality of tuning, feedback control, an effects loop and a built in DI box. Its price is usually on the higher end, though you can check used pricing which often dips significantly below retail. However, buying a preamp, tuner, noise gate and DI box separately would run you a lot more than what the Venue costs. I started playing & kinda grew up then (although my wife would dispute the 'grew up' part). We used to play mostly 9s or 10s. It depended on the quality of the neck on the guitar we could afford. A good guitar neck/fret job would let you go to the lighter 9s. You couldn't get all the great pedals then, so sustain was often achieved with some feedback, which is a product of TURNING UP the volume. Lighter strings seemed to feedback more easily. Lighter strings don't last as long as heavier ones, so unless you love re-stringing, 10s are a good compromise. I think Billy Gibbons still plays 8s, but he has a guitar tech that probably changes them for every show. ## There’s an old proverb that goes, “If you can’t afford a Fender Strat, get a Fender Standard Strat.” We can’t agree more. This is the guitar company that changed the world of electric guitar, so you can’t go wrong with any Fender. But, if you have the money, go with the Standard over the Squire as that’s truly a beginner guitar. The Standard has features such as three single-coil pickups, synchronized tremolo with high-mass bridge block, and a ‘70s-style headstock logo. While some sites are selling this guitar close to$400, it’s more commonly found just under $500. Replacing pickup rings and restoring covers. These rings are usually plastic and cannot be restored but covers are normally metal on Les Paul styles. You may not want to rub steel wool across your covers so follow the method of cleaning painted bridges to avoid unwanted scratches. Also, replace your pickup rings properly with rings that are the same length and/or color and make sure the screw holes do not need to be resized. Pick-Ups – The pickup is preset underneath the strings, on the body of the electric guitar and it works as a magnetic field. When the metal strings are plucked they vibrate and generate a current that is transmitted by the pickup to the guitar cable and to the amplifier. These may is just a single pickup in a guitar or 3 to 4 pickups depending on the guitar. Martin also periodically offers special models. Many of these have a limited production run, or begin as a limited-production guitar that sells well enough to become regularly produced. Many of these special models are designed with, endorsed by, and named after well-known guitarists such as Eric Clapton,Clarence White, Merle Haggard, Stephen Stills, Paul Simon, Arlo Guthrie andJohnny Cash. In 1997, Martin launched its “Women in Music” series, which was followed in 1998 by the Joan Baez Signature guitar, a replica of the 0-45 Baez began her career with. I always respond to these enquiries as I have played some in UK shops and like them a lot .Well designed and made though I am sure the odd duffer gets through like most imports .Trev Wilkinson did the designing ,though it should really read ,modifying ,as most are other makers basic designs,.The Les Paul lemon drop is superb judging by reviews and I loved their S types ..Worth the money it seems .I would prefer a Vintage Strat , 335 or Les Paul to the other cloned alternatives .I did buy an Epiphone Dot but after playing a Vintage 335 ,wish I had bought it instead .The ones I played were Chinese top 5...Top 5!...I had recently bought a gaming console after not owning one since the ps2 so not the biggest gamer but getting into it again has been fun when there free time to waste ha overall it's a pretty good game haven't stopped playing it just need to finish it up to continue the side story...What I'm disappointed is with the actual story of the game, which for me was very predictable and disappointing...I don't get how this game gets so many appraisal which for me is a good game for sure...but far, far, far away from one of the best games ever made as many say. Rule 4—Taking sound-making devices like stompbox pedals out of the equation, there’s an order to the way sounds naturally occur in physical space. For example, guitar amp distortion is made in physical space by turning an amp up enough to cause its circuits to overload, and any echo you might hear happens after the distorted sound hits walls or ceilings and bounces back to your ears. Therefore, logic says that your reverb and/or delay pedals should be last in the signal path, since that is how the sounds they produce actually occur in three-dimensional space. For a guitar that sits comfortably in the mid-range segment of the market, Yamaha RevStar RS420 packs a decent punch. Body shape is more reminiscent of a PRS than anything else, but Yamaha definitely infused it with their unique details. The sound is tight, very flexible, and I had no issues dialing in the type of tone I was looking for. A well rounded model, that’s for sure. Standard versions and collectable versions of the 4003 have included the 4003s (special)(discontinued 1995) a 4003 similar to the 4001s with dot neck markers, no body binding based loosely upon the original Rickenbacker basses and fitted with 4001 pick ups. 1985-2002 versions of 4003 and 4003s were available with black hardware option and black binding. Other later special editions have included 4003 Blue Boy, 4003 CS (Chris Squire) similar to 4001 CS Limited edition specials include the Blackstar, the Shadow Bass, the Tuxedo and 4003 Redneck. The compressions, delays, and modulation effects are super solid, and unless your friends or audience are ultimate tone nerds, nobody will be questioning the quality of those. One particularly cool delay effect that owners of the ME-80 say is a big deal is the TERA ECHO, which if purchased by itself would cost you around$150. The amp modeling is decent quality, perhaps slightly better than what you get on a Zoom multi-effect, but not quite as nice as a Line 6.
The guitar is an instrument capable of truly heavenly tones but capturing this sound in a recording is never as straight-forward as you'd think. Here at Prime Loops we've been changing strings, tweaking amps and adjusting mics to deliver only the finest tone imaginable to your DAW! We used a 1985 Gibson Les Paul electric and a Martin DC-16RGTE acoustic with Fishman, Marshall and Orange amps, recorded through an AKG C214 microphone, so STUDIO GUITARS guarantees to make the hairs on the back of your neck stand on end!
Notch filters (also called band-stop filters or band-rejection filters) are sometimes used with double basses. Notch filters are filters that allow most frequencies to pass through unaltered, while attenuating those in a specific range to very low levels. Notch filters are used in instrument amplifiers and preamplifiers for acoustic instruments such as acoustic guitar, mandolin, and bass instrument amplifiers to reduce or prevent feedback. While most notch filters are set manually by the user, there are also automatic notch filters which detect the onset of feedback and notch out the frequency before damaging feedback begins.
This product was not working and parts were defect. I don't know how some people made it works. The instruction was terrible and seller's wires description photos are more worse. I did not expect much for this little toy. Just piece of the junk. I was tried to return, but the seller said that I had to pay return shipping and he gave me a fake return shipping address.

#### Though you can certainly buy any guitar of your choice by looking at the specs, this is not something a true music lover would do. If you get attracted towards guitars after being inspired by your favorite artist, then what you expect is to have your guitar produce that particular tone which your idol does. Of course, you cannot produce that typical signature tones from any guitar model. But how about if you get that guitar which your artist have?

Side Note: The above is a visual example of how the wrong pedal order screws up your tone. When you compress before using delay, you get a perfectly shaped note ringing out and decaying uniformly over time. If you delay before compressing and even normalize with your make-up gain, you still lose volume and power due to the attack sneaking through first. Then your delayed notes are all also compressed, ruining your fine-tuned echo decay so that all echoes are relatively too loud and don't decay equally over time.
A full step down from standard. Used by bands such as Korn, Paradise Lost, Dream Theater (on "False Awakening Suite" and "Illumination Theory" from the self-titled album), Emmure, Obscura, ReVamp, and Fear Factory (on most songs from Obsolete and Digimortal, "Drones" and "Bonescraper" from Archetype, "Moment of Impact" from Transgression, and most songs on Mechanize, The Industrialist and Genexus)
Ask anyone at all if they've heard of Ibanez, and you'll most likely get a 'yes'—even if it's not a guitarist or even a musician that you're asking. It takes a lot for an instrument maker to become as well-known outside the music community as it is inside, and Ibanez is one of the elite luthiers that has managed to do just that. How have they done it? Simple: by making instruments so sought-after that they can be found nearly everywhere. Originally founded in 1957, Ibanez is one of the "original" manufacturers from the formative decades of the electric guitar as we know it today. Ibanez was one of the first Japanese companies to break through to the international music industry as well as, even more impressively, the very first brand to mass-produce seven and eight-string guitars. That makes extended-range guitars an important part of the Ibanez legacy alongside their many classic 6-string models. Some of the most renowned Ibanez instruments include hollow body guitars like Pat Metheny's signature model, and distinctive solid body axes such as the Iceman and Fireman series. You'll also find a wide assortment of basses, including 5 and 6-string models that join the 7 and 8-string guitars in the extended-range Ibanez family. There are plenty of acoustic and acoustic-electric guitars and basses to choose from as well, not to mention mandolins, banjos and ukuleles. Ibanez has a prolific catalog that spans the whole guitar family, offering something for anybody who loves to work the strings. In addition to stringed instruments, Ibanez is also renowned for a broad range of effects pedals, amplifiers and accessories. The TS808 Tube Screamer, for example, is an effects pedal that's beyond legendary. The unmatched warmth and tone of its overdrive makes the TS808 a must-have item for countless guitarists. Connect it to an amplifier like the TSA30 Tube Screamer 1x12 Combo Amp, and you're rocking an amazing recipe for serious vintage sounds. Ibanez was an early player in the electric guitar game, and their instruments, pedals and amps are certain to be on stages the world over for decades to come. Make yourself one of the artists that takes Ibanez onstage at every gig and this gear will pay off in spades with the incredible sounds that made them an industry giant in the first place.
It’s big, it’s brawny and it’s bold—the Reverend Jetstream HB represents a ton of value for its price tag. Although it excels in rafter-shaking rock ’n’ roll tones, this offset guitar has a few nifty tricks that make it more versatile. Add to that quality construction and components, and you’re left with one of the best electric guitars under $1,000. Later, in 1955, Gibson launched the Les Paul TV model, which was essentially a Junior with what Gibson called a natural finish. This finish was actually more of a translucent mustard yellow through which the wood grain could be seen, and was not unlike the finish that competitor Fender called butterscotch yellow. The idea behind this TV Yellow was that white guitars would glare too much on early black and white television broadcasts, whereas TV Yellow guitars would not cast a glare.  Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Top Wood: Basswood (Tilia, Linden, Lime) - Neck Wood: Maple - Neck Construction: 1 Piece - Fingerboard: Rosewood - Frets: 24 - Inlay: Custom - # of Strings: 6 - Headstock: 6 In-Line, Reverse - Bridge: Tremolo - Cutaway: Double - Hardware: Black - Pickup Configuration: S-H - Guitar Features: Pickguard - String Instrument Finish: Five Alarm Red, Desert Sun Yellow, Magenta, Black, White This is the point where the neck meets the body. In the traditional Spanish neck joint the neck and block are one piece with the sides inserted into slots cut in the block. Other necks are built separately and joined to the body either with a dovetail joint, mortise or flush joint. These joints are usually glued and can be reinforced with mechanical fasteners. Recently many manufacturers use bolt on fasteners. Bolt on neck joints were once associated only with less expensive instruments but now some top manufacturers and hand builders are using variations of this method. Some people believed that the Spanish style one piece neck/block and glued dovetail necks have better sustain, but testing has failed to confirm this. While most traditional Spanish style builders use the one piece neck/heel block, Fleta, a prominent Spanish builder, used a dovetail joint due to the influence of his early training in violin making. One reason for the introduction of the mechanical joints was to make it easier to repair necks. This is more of a problem with steel string guitars than with nylon strings, which have about half the string tension. This is why nylon string guitars often don't include a truss rod either.  A real hall-of-famer from Ibanez, which displays true rock style and lightning-fast playability in an affordable beginner-friendly package. With the classic Superstrat body in a range of colors, this RG is made of solid basswood and features a slick, thin Wizard III maple neck, with rosewood fretboard and 24 jumbo frets, making it superb for chugging powerchords and fast soloing. Over the years, many guitarists have made the Telecaster their signature instrument. In the early days, country session musicians were drawn to this instrument designed for the “working musician”. These included The King of the Tele Roy Buchanan, Buck Owens, Guthrie Thomas, Waylon Jennings, James Burton who played with Ricky Nelson, Elvis Presley, andMerle Haggard (a Signature Telecaster model player himself). Burton’s favorite guitar was his Pink Paisley (or Paisley Red[5]) model Telecaster. Later, Danny Gatton blended diverse musical styles (including blues, rockabilly and bebop) and became known as the “telemaster”. Eric Clapton used a Telecaster during his stint with The Yardbirds, and also played a custom Telecaster fitted with Brownie‘s neck while with Blind Faith. Roy Buchanan and Albert Collins proved the Telecaster equally suited for playing the blues. Muddy Waters also consistently used the Telecaster and Mike Bloomfield also used the guitar on his earlier works. Soul sessionist Steve Cropper used a Tele with Booker T. and the M.G.’s, Sam and Dave, Otis Redding and countless other soul and blues acts. The best guitars? Look at what the best players use. Certainly Gibson and Fender are in the mix, but these are typically priceless, early production or highly customized one-off units. If you want something more or less off the shelf that is in the same range of build, tone and feel quality look at the following (BTW, you can't get these at Guitar Center, which is probably why they haven't been mentioned yet): When it comes to amplifiers that won’t break the bank, but sound loud enough to break your windows, Orange Amplification know exactly what they’re doing and they do it well! The Orange Crush 12 Solid State 12W 1X6 Combo is one of the best cheap amps in the music scene and one that can easily be used on stage and in the studio due to its legendary tone and reliability. This Orange Crush 12 Solid State 12 watt amplifier features a 6” Voice Of The World speaker custom designed by the team at Orange amplification to deliver punchy and articulate sound. {"eVar4":"shop: guitars","pageName":"[gc] shop: guitars: ibanez","reportSuiteIds":"guitarcenterprod","eVar3":"shop","prop18":"skucondition|0||historicalgrossprofit|1||hasimage|1||creationdate|1","prop2":"[gc] shop: guitars","prop1":"[gc] shop: guitars","prop17":"sort by","evar51":"default: united states","prop10":"brands","prop11":"schecter","prop5":"[gc] shop: guitars","prop6":"[gc] shop: guitars","prop3":"[gc] shop: guitars","prop4":"[gc] shop: guitars","channel":"[gc] shop","linkInternalFilters":"javascript:,guitarcenter.com","prop7":"[gc] category"} In 1968, Jimi Hendrix talked about his love for a Houston blues luminary who wasn't known outside the region: "There's one cat I'm still trying to get across to people. He is really good, one of the best guitarists in the world." Albert Collins, who died of lung cancer in 1993, played with his thumb and forefinger instead of a pick to put a muscular snap into his piercing, trebly solos. His fluid, inventive playing influenced Hendrix, sometimes overtly: Jimi liked Collins' sustain in the song "Collins Shuffle" so much that he used it on "Voodoo Chile." The Police were a new kind of power trio, and Andy Summers was the main reason. Quickly moving away from punk, he recast jazz chords and reggae rhythms as headlong rock & roll. Summers played as sparely as possible, constructing clipped twitches or dubby washes of sound – leaving ample room for Sting and Stewart Copeland. "His tone and style were just absolutely perfect – he left space around everything," Rush's Alex Lifeson said. "And he can handle anything from beautiful acoustic playing to jazz to hybrid kinds of stuff." Here we have a wonderful made in Japan Takamine from a while back in 1990 this makes it officially a Vintage guitar next year but its tone sounds rich and vintage now! As you will see looking her over this F349 is GORGEOUS!.... better than average condition in all aspects... few only minor doinks here or there but NOTHING to detract from this Taks sound - playability or sheer playing enjoyment... Excellent ALL Mahogany build construction, high AA grade mahogany, masterfully built - fit and finish excellent, neck angle is excellent so action is very good so playing is a breeze and quite enjoyable not all can state this...its 1-11/16ths at the nut so its a nice feeling medium profile " C " shape, frets are very good - excellent can barely tell its been played in fact if you polish them they will be as new...beautiful quality rosewood fingerboard no dead spots or funny buzzes noted...This guitars wood still shines like glass and overall is an outstanding original example with an addition of the best sounding Piezo transducer cleanly installed if I didn't tell you -you may not have noticed but she is also fully electric and sounds amazing amplified I played her threw my Princeton Reverb amp and it truly sounds bold & rich and rings like a bell with the newish Martin strings I installed (I have played this guitar in my office for a short while ) so they should be done stretching and are clean and ready to perform. This guitar is nearing 25 years old so don't expect a brand new guitar this is a beautiful vintage guitar and has personality and patina of a well treated well loved professional grade instrument. Its in excellent vintage condition. JVG Rated 9/10. If you want a rich sounding great playing fun vintage Japanese Dreadnought guitar well this one should put a grin on your face when you open her up and see it. Enjoy! Let me know if interested thanks for looking. Joe contact us at: JVGuitars@gmail.com. A Volume pedal is a volume potentiometer that is tilted forward or back by foot. A volume pedal enables a musician to adjust the volume of their instrument while they are performing. Volume pedals can also be used to make the guitar's notes or chords fade in and out. This allows the percussive plucking of the strings to be softened or eliminated entirely, imparting a human-vocal sound. Volume pedals are also widely used with pedal steel guitars in country music. It has also been used to great effect in rock music; the Pat McGee Band's live version of "Can't Miss What You Never Had" on General Admission illustrates what the pedal is capable of. Some volume pedals are: TAB uses a series of hyphens to represent the strings. Each string is identified on the far left by the name of the note produced when played open. The high-e (string 1) is at the top; low-E (string 6) is at the bottom. There is no restriction for how long a line of TAB can be, but for readability it should be kept short enough to prevent wrapping on a web-site or printed page. Except for the Epiphone Les Paul Express’s total domination of the mini guitar category, there was no clear leader among the guitars, and our picks are the guitars that got the best average ratings. Our testers found lots to like in many of the guitars we tried, and you may find an axe you like better in our competition section below, where we include comments on all the guitars we tested. With smaller combos, it is worthwhile experimenting with their position within the room, especially when a distance mic is being used. For example, raising the combo further from the ground will result in a different reflected signal path length for ground reflections. Placing a reflective material such as hardboard or linoleum on the floor between the amp and mic will emphasise any coloration this produces. Where a small combo or practice amp lacks bass end, you can try to exploit the boundary effect by placing a mic in the corner of the room, then facing the amplifier into the corner. If the added bass is too much, move the mic and amplifier away from the corner until the tonal balance seems right. ### What equally contributes to the Entourage’s place on our list of the best acoustic-electric guitars is its nuanced and bright acoustic sound. This signature tone comes courtesy of a select pressure-test solid cedar top and wild cherry back and sides. The electronics on this model are easy to use and compact, highlighted by a pewter plate giving the entire package a stylish appearance.​ Before deciding on how to go about mic’ing the amp, listen to the sound in the room. If the guitar is being recorded as part of a rhythm track in the same room as drums and other instruments, the only option may be to use a close-mic’ing technique, unless you don’t mind dealing with the other instruments bleeding into the guitar track. Recording guitars in isolation, as an overdub, presents more options for ambient room mic’ing. Experiment with mic positioning to achieve the right amount of room sound and the desired bass and treble response. Distance-mic’ing in a very live-sounding room can create an appealing slapback echo-type sound, while close mic’ing gives you absolute flexibility in the mix. This is an American Fender Telecaster electric guitar played on the both pick-ups setting and is played through a Fender Bassman '59 Reissue with old valves in. This soundfont has the same presets as the Fender Jaguar above and is also recorded with the volume on the edge of break up on the amp (read the Fender Jaguar above for description of amplifier setting). This guitar is suited to jangly indie sounds or clean country sounds but can be very rocky with more distortion added. This guitar is also a classic that has been used in alot of types of music. Peavey - Hartley Peavey started Peavey electronics in 1965, it went on to one of the largest musical instrument and audio equipment manufacturer in the world. They offer a multitude of guitars, amps and related gear, and the price point they use are comparatively very reasonable. One of their latest guitars, the Peavey AT-200, has the guitar world talking about its innovative auto-tune feature. Jazz guitarists are not limited to single note improvisation. When working with accompaniment, chord solos are created by improvising chords (harmony) and melody simultaneously, usually in the upper register on strings 1,2,3 and 4. Wes Montgomery was noted for playing successive choruses in single notes, then octaves and finally a chord solo - this can be heard in his improvisation on the standard Lover Man (Oh, Where Can You Be?). When playing without accompaniment, jazz guitarists may create chord solos by playing bass, melody and chords, individually or simultaneously, on any or all strings - such as the work of Lenny Breau, Joe Pass, Martin Taylor and others. This technique can be also be incorporated into unaccompanied soloing: for instance Django Reinhardt's "improvisations", as he called his solo pieces. Most guitars have at least one tone control installed. They can be either assigned to a particular pickup (Strat or Les Paul) or work as master tone control (Ibanez and others). Electronically, it’s a variable low-pass filter. Lower the resistance, more treble gets cut which means that higher pot values will sound a bit brighter (typically 500K vs 250K). Capacitor values usually traditionally range from 0.022uF (22nF) to 0.047uF (47nF) but many people find these values too large and install much smaller caps instead. Values of 10nF, 6.8nF or even smaller are reported to work quite well (I used 10nF in my latest mod). To help you decide between cap values and composition, check out this site. It hosts a couple of useful videos with cap value and composition analysis. We gave our electro-acoustic chart a big refresh to keep it relevant for early 2018, by replacing a few older guitars with some excellent upgraded models. Guitars such as the Epiphone PR-4E and Mitchell MX400 were removed, and in came the exquisite Yamaha A Series A3M, the new PRS SE A50E, the cool Fender Sonoran SCE, and two solid budget models, the Kona K2 and Yamaha’s APX500III. Yea, really depends on your area. At the local Guitar Center, the guy seems to know what hes doing. Overworked and underpaid if what iveheard about GC and Sam Ash techs is true though. Theres a local tech who got his site to be one of the top results and hes busy as well. Perfect work. And even though hes busy, hes fast too. Thats why his site is one of the top results though. Fantastic article. I pretty much do all of my recording nowadays through my AxeFX II. Paired with a good set of studio monitors, it’s perfect for the at-home musician who does not want to sacrifice quality. I have a nice Tone King amp and pedalboard with nice boutique pedals like the Strymon Timeline, but when recording it’s so much easier to plug the AxeFX into my laptop. I don’t have to fuss about with mics or room treatment. Also, having three big dogs, it’s great to not worry that they’ll start barking in unison at the mailman when I’m almost finished with a “perfect” take. OCTAVACIÓN (FAT20) Cada una de las silletas está provista de un tornillo de bloqueo para impedir todo movimiento. Para ajustar la octavación, afloje el tornillo de bloqueo de la silleta con una llave Allen de 2 mm. (D) Para ajustar la octavación, introduzca una llave Allen de 2,5 mm en el tornillo de la silleta situado en la parte posterior del trémolo. In terms of usage, it is quite similar to the mini Strat guitar we discussed earlier. It is a great choice for someone who just wants a cheap electric guitar for practice or someone who is an absolute beginner. Also, it is one of the best choices for five to fifteen years old kids wanting to learn guitar. It comes with small ¾ sized bodies and a 22.75inch of scale length. It has a c shaped fine maple neck with its 20fret fingerboard.  FeaturesThe Gibson LogoAngled HeadstockAdjustable Truss RodNew Asymmetrical Neck Profile22-Fret Rosewood FingerboardAlloy Fret WireTrapezoid Inlays Set-Neck ConstructionPlus Maple TopChambered Mahogany BodyPickups: Gibson Burstbucker ProsTonePros Locking Tune-o-matic Bridge and Locking Stopbar TailpieceNitrocellulose FinishBody BindingCustom-Made PotentiometersLocking Neutrik JackLocking Grover TunersRevolutionary Plek Set UpNew Enlarged Neck Tenon An additional note on the methods used; although we gathered rating and review data from guitarists around the world, we only considered brands that can be found at major online music gear retailers located in the United States. This means that fine brands like Maton from Australia (played by Tommy Emmanuel) weren't included - the same goes for some respected European brands. Also, only full sized guitars, or ones very close to it, were included in the data set - had we included smaller parlor guitars then this may have boosted Martin and also Gretsch might have made the list. Peterson, Jonathon (2002). "Tuning in thirds: A new approach to playing leads to a new kind of guitar". American Lutherie: The Quarterly Journal of the Guild of American Luthiers. 8222 South Park Avenue, Tacoma WA 98408: USA.: The Guild of American Luthiers. 72 (Winter): 36–43. ISSN 1041-7176. Archived from the original on 21 October 2011. Retrieved 9 October 2012. The Gallien-Krueger 800RB was a solid state bass amplifier head introduced in 1983 that was liked by bassists for its loud, clean sound and durable construction. It introduced the concept of bi-amplification, as it sent 300 watts of low register sound to the bass speakers and 100 watts to the tweeter.[6] The GK used a tube preamp simulator circuit called "boost". GK 800RB users include Red Hot Chili Peppers bassist Flea and Guns and Roses' Duff McKagan.[6] The U130 Bass Amplifier pumped out 130 watts with five inputs covering two channels (high and low each) and one input that bridged both channels. Channel 1 had volume with push/pull high boost, bass, middle and treble contour controls. Channel 2 had volume, bass and treble controls. Both channels had master volumes, plus two, four or eight-ohm output. Cabinet options included the UFO215 with two Univox Pro Mag speakers in a front-loaded horn cabinet, or the U215 with two 15″ Pro Mags in a “tuned duct” reflex cab. A good guitar builder can pick materials that provide a predictable result. The process of making a guitar that costs$10,000 and one that costs \$1,000 is identical, or at least very similar. The big difference is likely that in the more expensive one, personal attention has been put into selecting, drying, storing, and cutting the tonewood. The cheaper, which is mass produced by less skilled labor, consists of the same species of wood, but from a pile that came out of a container, in the order it was stacked. This means that two guitars from the same batch can sound quite different. They can sound exactly like the expensive guitar, but they can also sound different.


I have found, like others, that I'm very comfortable with a 9.5" radius Modern C neck. I prefer it if the neck is on the chunkier side of Modern C, but I'm OK with most of 'em. Wider string spacing is helpful too, but would probably be a detriment to someone with shorter fingers. I rarely play fast (OK, I can't really play fast) so a flatter thinner "shredder" neck holds no advantages for me.
it is my opinion that most classical and jazz guitar instructors at local colleges and music stores are better than tom morello and jack white. I like both of them and they are definitly innovators and very popular but my college classical/flamenco instructors were doing things incredibly more complex and emotional than anything ive ever heard tom or jack do. ask tom morello to play a segovia piece and see what happens. this list seems like it was made by a 17 year old kid who thinks he’s smart because he knows who robert johnson is, like putting him at #1 instead of hendrix is his “ace in the hole” of guitar knowledge. there is no real answer to the question “whos the best” but we guitarists will never tire of discussing it.
When two pickups are wired in series, a good portion of the treble frequencies is lost because the long pickup wire works like a resistor. Any resistor in the signal path will suppress the signal. The formula works like this: The longer the wire, the higher the resistance, and the more treble is lost. We all know this from guitar cables: When you use a very long guitar cable, the sound isn’t as detailed and transparent as it is with a shorter cable. A long cable acts as a resistor.
An Octaver is a cool little effect that will tune your original sound several octaves up or down in pitch. This effect can give you the ability to fill up the bass frequencies with your guitar. You can often see Jack White using this effect when he plays live with only one other drummer. He will turn on his octaver at certain points of the song to play bass lines.
While Gibson are the creators of the original J2000 jumbo-sized acoustics, the company’s reasonably priced sister company Epiphone do a range of acoustics which are perfect for players looking to dip their toes in the water. The Epiphone EJ2000 is identical in dimensions and appearance to its more costly sibling, yet offers the perfect entry guitar for budding rhythm players.

Most delay pedals have controls for the number of repeats (called “feedback”), the volume of the repeats and the time between each repeat. Some pedals have what’s called “tap tempo”, where you can tap your foot on the pedal and the delay unit will match the speed of the effect to your foot, allowing you to match the delay time to the tempo of a song. Delay pedals are often used to thicken up heavy lead guitar sounds, or to subtly add more to a simple rhythm guitar part.
Bass effects that condition the sound, rather than changing its character are called "sound conditioners." Gain booster effects pedals and bass preamplifier pedals increase the gain (or volume) of the bass guitar signal. Bass preamplifiers for double basses are designed to match the impedance of piezoelectric pickups with the input impedance of bass amplifiers. Some double bass preamplifiers may also provide phantom power for powering condenser microphones and anti-feedback features such as a notch filter (see "Filter-based effects" section below).
Founded by the American Orville Gibson in 1902, Gibson is without a doubt the other legendary electric guitar brand. Their most famous model holds the name of the very popular guitarist Les Paul, who collaborated with Ted McCarty in its design back in the 1950's. Unlike the Telecaster and Stratocaster, the Les Paul boasts a mahogany body, a set mahogany neck, a rosewood fingerboard, and a maple top. Among the many Les Paul players we find Jimmy Page from Led Zeppelin:
Enlarging/ Drilling Holes: Often required to upgrade tuners, or occasionally to change control pots. Enlarging a hole in wood seems simple enough, and it is. But it's also an easy way to ruin the finish of the guitar and worse. The problem is because there is no wood in the center of the hole, the edges pull upwards instead of cutting. It often results in large ammounts of chipout or worse. The answer is to run the drill BACKWARDS. This will ream the hole out without the risk of chipping. If the hole needs to be made significantly larger, it is often best to use a bit one size up from the desired hole size and run it backwards till the drill has gone just below the surface. Now you can drill the desired size hole normally relatively safely. The washers or dress rings will hide the slightly larger starting bevel that remains. Whenever possible, drill half way through from both sides or clamp a "backer board" in place. Do NOT use much pressure on the drill, let it do the work, excess pressure is usually due to dull bits, and almost always results in some king of damage. If you must drill through the finish where there is no hole use the same method as described for significantly increasing the size of a hole, but apply masking tape over where the hole will be drilled prior to starting.
In late 1929, Martin built a prototype batch of six OM guitars. The very first of these had pyramid bridges and no pickguard. Martin soon realized that with the vigorous strumming required in a band setting, a pickguard would be required. Hence all OMs after the prototype batch had a small teardrop-shaped pickguard. The new OMs were not highly sucessful. They sold, but not as well as Martin had hoped. In 1933 the OM designation was dropped and was now called the "000" model. But infact the 1933 "000" models were the same as the 1933 "OM" models, retaining the OM body style and 14 fret neck. Then in 1934 the standard 000 models were modified to the shorter 24.9" scale (for unknown reasons, as the 12 fret 000 body had a 25.6" scale length its inception in 1902 to its demise in 1931). Yet the OM's longer scale was a major factor in the OM's tone. The strings on an OM must be tuned to a higher tension to get concert pitch. This extra tension translates into more drive on the top, hence providing more volume and tone. The OM's scalloped braces and a small maple bridgeplate give the OM a great sound. Although these features were common to other Martin models of the time, the OM's top brace under the fingerboard was missing. This design is unique to OMs making the top very lightly braced. This does lead to some problems with cracks in the upper bout along the side of the fingerboard, but it also contributes to the great sound of the OM models.
###### well it all depends on your budget. If you're looking for a beginner guitar go for pluto 39 inch model it will cost you around 5.5k. Don't go below this as all those cheap guitars are useless after 6 to 7 months of use. If you can increase your budget then I'll suggest a cort AD810, pluto 41 inch semi acoustic model, or a fender SA150. These will cost you around 7k to 10k but these are the best you can buy as a beginner! Just remember that your first guitar should not sound crapy and it should be good on your fingers. I hope this helps. Happy guitaring!

In 1969 MCA closed the Danelectro plant. This was blamed on MCA's shift to selling instruments to individual guitar stores instead of jobbers (such as Sears). At this time, Dan Armstrong bought most of the remaining parts, and continued manufacturing Danelectros through Ampeg. These instruments had single cutaway bodies with one humbucking pickup (not lipstick tube pickups), and no brand name on the peghead. Apparently Ampeg was having problems with the production of the see-thru Dan Armstrong guitars. In the interium, Armstrong sold the remaining Danelectros through Ampeg until the Dan Armstrong guitars were fully available.
Along with repairing instruments, we do complete restorations. Restorations often come in the way of family heirlooms and antique finds. After acquiring these instruments, you may think of them as only keepsakes, or something to put a shelf. We want to take these old instruments and restore them to their full use. There's nothing like playing on a violin or guitar that's been in the family for generations, and we want you to experience that.
There are several string configurations available with electric guitars, including 4-string, 6-string, 7-string, and 12-string configurations. Although each configuration can make a slightly different sound, the differences are mostly down to personal preference. Nontraditional configurations include 5-string, 8-string, 9-string, 10-string, and 18-string versions.