After the lawsuit Hoshino Gakki abandoned the strategy of copying "classic" USA electric guitar designs and moved to the popular superstrat era in the mid-1980s. The newer Ibanez models began incorporating more modern elements into their design such as radical body shapes, slimmer necks, 2-octave fingerboards, slim pointed headstocks, higher-output electronics, humbucker/single-coil/humbucker pickups, locking tremolo bridges and different finishes.

These pedals are different, but are both based on the same idea. Pitch shifters shift the whole pitch of your guitar up or down by a set amount (often an octave), giving you a higher or lower tone than would normally be possible. Jack white uses a Whammy pitch shifter in the solo for Seven Nation Army, which has a foot pedal that rocks back and forth (similar to a wah pedal) allowing you to go up and down a full octave or more smoothly and quickly.
“Take a humbucker wound with 42-gauge wire as a benchmark. With an Alnico II magnet, it would have a warm, soft bass response, a very sweet high end and a slightly pronounced mid- range. Alnico III, funnily enough, is not quite as strong as Alnico II. So, the highs tend to be more muted and rounded. Probably the best way to imagine the sound of Alnico III is to think of the early 1950s when this form of magnet was very common. Think of the sounds of the jazz and clean guitar tones from that time – that plummy roundness.
These are the settings I use as my basic rack for adding rock guitar sounds in Cubase, and you might also find it handy as a point of departure, so it's worth saving as a track preset. To do this, right‑click in the audio track containing the 'rack', and choose 'Create Track Preset' from the context menu. When the Save Track Preset dialogue box appears, simply name it and save it: now you can call up your rack for any audio track in any Cubase project!
According to the official information Guitar Tricks has more than double the number of song lessons than any other guitar learning site. It goes on to say that there are more than 600 but I feel that the number could be even higher by now because new songs are added regularly. The songs available on Guitar Tricks are the ones that I want to learn, oldies and modern songs from major artists like The Beatles, The Rolling Stones, Eagles, Blink-182, Extreme, Good Charlotte and many more. Check out this list of Guitar Tricks Artists. Did I mention that lots of songs have a beginner and an advanced level lesson? I just love that the advanced level songs are taught based on the original arrangement and not some vague resemblance used to avoid copyright issues. This is because Guitar Tricks has licenses for teaching the original songs.
Hollowbody guitars feature full hollow bodies much like acoustic guitars do, and are used often in jazz and mellow style music as exemplified by Jazz greats that include Joe Pass, Pat Martino to name a few. It is however not limited to just that as exhibited by Brian Setzer and his Rockabilly style, along with Chet Atkins and his iconic country guitar playing.
In 1950, Leo Fender introduced the single-pickup Esquire, and a few months later released a dual-pickup version called the Broadcaster that, due to trademark issues, was later renamed the Telecaster. The Tele® would go on to become the world's first successfully mass-produced solidbody electric guitar. Simple yet elegant, it has been a show-stopper and session magnet since its debut. It’s the go-to guitar for twangy chicken pickin’ solos, which is why the iconic axe has appeared on the majority of country records over the past six-plus decades.
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In order to play your favorite song, you’ll need to learn guitar chords. Use the images and instructions below to learn how to play each chord. The ChordBuddy device can be used for assistance in knowing where to place your fingers In the images the circles represent where you will be placing your fingers (I=index, M=middle finger, R=ring finger, P=pinky). The X’s represent strings that you will not be strumming while the O represents strings that will be played without any frets.
Compressors are often applied to electric guitar tracks to bring out the guitar’s natural sustain, as well as even out the overall dynamic range. Lead guitar parts usually benefit from a degree of compression treatment, while heavily overdriven rhythm parts often require very little or none at all, as the distortion naturally provides its own type of dynamic control. In the case of unnatural sounds, such as electric guitar, compression becomes a highly subjective topic, so experimentation is key to achieving the desired effect. As a starting point, therefore, try medium-fast attack and release times – an extremely fast attack time will blunt the transient response of the note. Remember that electric guitars can be inherently noisy and compression will generally exaggerate any hums and buzzes.
Tremolo: A tremolo effect produces a slight, rapid variation in the volume of a note or chord. The "tremolo effect" should not be confused with the misleadingly-named "tremolo bar", a device on a guitar bridge that creates a vibrato or "pitch-bending" effect. In transistorized effects, a tremolo is produced by mixing an instrument's audio signal with a sub-audible carrier wave in such a way that generates amplitude variations in the sound wave.[80][81] Tremolo effects are built-in effects in some vintage guitar amplifiers. The guitar intro in the Rolling Stones' "Gimme Shelter" features a tremolo effect.[82]
You can assemble your own system from disparate components, hardware and software, and spend a lot of time and confusion getting them all to work together. But the easiest and ultimately most cost-effective route is to purchase one of the least-expensive Apple Macintosh computers, all of which come with Apple's free GarageBand software installed. This will provide you with a wealth of tools for amp emulation and effects in an integrated environment for multi-track recording and editing (and it includes a wealth of drum machine, synthesizers, and sampled instrument libraries as well.) If you outgrow Apple GarageBand, you can suppliment it by purchasing Apple MainStage for $30 and/or Apple Logic Pro for $200.
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I don’t think beginners should spend a ton of money on their very first electric guitar. However, around the $300 mark you have a lot of options for really great entry level electrics. So, if you’re a beginner with a little more cash available, I say skip the “starter packs” and buy some good, solid gear to begin your journey. Choose from this list and you won’t need to upgrade for many years.

While some Supros were more or less re-branded Nationals, many represented totally unique designs in the Valco line. When the Supro equivalent to the National Grand Console was introduced in 1958, it featured a radically different body design. In place of the National’s conventional all-wood construction, the Supro 1475B Console Sixteen featured two wooden necks connected by three chromed metal rods that ran all the way through each neck. It’s not obvious why this design was chosen; it doesn’t have any advantages other than its unique aesthetics, and I don’t believe it could have made construction any cheaper. The Supro was cheaper than the National – $175 vs $235 – but the difference was likely due entirely to the more “exclusive” name on the National.

A third product which does not fit into the "combo"/"head"/cabinet categorization are powered speaker cabinets designed for use with bass instruments. While these powered speakers share many features with a regular combo amp, a bassist cannot plug her bass directly into a powered speaker cab. The powered speaker system is designed to operate as a "slave" to another amplifier's unpowered signal (or another combo amp which has a pre-amp out jack). Some powered speaker cabs only accept a "link" XLR cable from the main amp. Some powered speaker cabinets are designed as part of a company's line of bass amps; as such, the colour of the cabinet and its grille match the combo amp which will be placed on top of the powered speaker. As well, the powered speaker may have interlocking corners to ensure that the main amp stays put on top of the powered speaker.

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Modelling/digital amps: This type of guitar amp uses digital technology to stimulate old-fashioned technology. They are able to emulate old amplifiers using software, and this feature enables them to combine several amps into one. Their programmable nature enables the user to switch digital effects such as the chorus, delay, and other features. Some models of these amps have a digital or analog output that goes directly to a recording or PA system through speaker simulation.
When I was a kid in the 60s, all of the Japanese brands (probably ALL made by Teisco) had a really bad rap and only kids ended up with them. Some were very cheaply made, with weak metal, thin chrome plating, funky finishes and thin pickups. I owned a Rodeo, which was terrible. But then, who knew much about guitars then? Nowdays, anything has character.
In 1962 or 63 (possibly as early as 1959) Guyatone guitars began arriving in the U.S.. If you look around the internet you will see that they could be found under a variety of brand names and were sold in drug stores, department stores, even auto parts stores, as well as music stores. There were two lines of Kent guitars: a Standard series and a “Pro-series”. They were made by Teisco and Guyatone. I haven't been able to get my hands on any of these early solidbodies so I don't know if "the Professional Group" guitars are actually worthy of the "professional" designation and slightly higher pricetag or if it was all about marketing.

However much you swap your guitar’s pickups, strings, and wiring configuration, tweak your amp, or revamp your pedalboard, you will never achieve the golden tone that rings in your head if you don’t take one tip to heart: it all starts with the wood. Sure, these are electric guitars, and all the electronic components in the sound chain will affect what comes out of the speaker, but they are acoustic machines first and foremost. Hit the strings with your guitar unplugged, and it still rings and resonates, and the sound you hear—even with no electronic devices attached—still defines the core of your tone. And to make sure this is the right tone for you, or to avoid fighting a tone with endless component tweaks that never seem to satisfy, you need to understand a little bit about how all that wood sounds.

The first guitar developed was the K1 Series. Launched in 2000, this instrument had a dreadnought cutaway design and used inexpensive materials such as laminated spruce for tops, and sapele for back and sides. Kona Guitars then launched the K2 series after which it diversified, at present offering over 30 models of guitars, ukuleles, violins, and other instruments.

A final tip: not a lot of people know this, but Antares Auto-Tune works rather well with electric guitar. Of course Auto-Tune is monophonic, so it will dutifully ignore chords and double notes, but it will come into play when it detects a single note. You might reasonably ask whether a guitar tuner might not be a wise investment, but the reason I suggest Auto-Tune is not to compensate for a badly tuned guitar, but rather to pull imprecisely bent guitar stings into pitch.

Though the guitar is played through an amplifier which is often miked and recorded, the engineer or producer may later decide to use a different amplifier tone that's better suited to the character and timbre of the song, while preserving all the nuance and inflection of the original performance embedded in the direct track. The re-amp device allows the dry track to be sent to an amplifier again and properly miked and re-recorded for use as the final track.
The Taylor Guitars factory tour takes guests through the steps of acoustic guitar construction. From wood selection to final assembly, guests will experience each process as a guitar evolves from raw wood into a finished instrument. You will also have an opportunity to visit the TaylorWare store. Here you will find everything for the Taylor fan, from apparel to gift items to replacement guitar parts. The tour lasts approximately one hour and 15 minutes and departs from the main building at 1980 Gillespie Way in El Cajon, California.
NO BRIAN MAY?? The guy built his OWN guitar. He sometimes added piano wire behind the guitar strings, he was technical and had soul, and is an innovator. I personally find East Bay Ray from the Dead Kennedy's marvelous. I know he doesn't belong in this list, but any musician that has their own sound like these two deserves a mention……but yes, taste is subjective anyway.
Hardly any mention of female players, why is that? I’m a bloke, not a chick, yet this is like the UK 2011 sports personality of the year awards based on press coverage – not performance or results but drunk journo’s who only like watching blokes – but not Pat Metheny LOL – SO… No Jennifer Batten then? Rightly tho’ someone thought slide player Bonnie Raitt should get a mention – Derek Trucks got a look in (what a slide player) – had to look hard to find Larry Carlton – and Lee Ritenour – and John Scofield! Yet no Nile Rogers? And Keith Richards should be up there but why not Ronnie Woods? Nice to see Tom Scholtz remembered yet no Steve Miller who learned at the feet of Les Paul and yet no Les Paul either? Such a narrow list limited by populism not necessarily ability, tone or compositon. Not really much of list was it?
Semi-acoustic guitars have hollow bodies which give them a warmer and more dynamic range of sounds. They are vulnerable to unwanted feedback as the distorted sound increases the chances of feedback. That’s why we don’t see rock and metal musicians playing a semi-acoustic guitar. Many guitars have solid blocks inside for decreasing the feedback factor. Check out our list of semi-acoustic electric guitars here.
This is an absolutely stunning OM acoustic in MINT/As New Condition. This has been in my personal collection for a few years. In the words of Bill Kraus, the builder: An OM model in my favorite combination of woods: Red spruce top, Honduran rosewood back and sides, curly Koa bindings. I first heard about Bill Kraus from my good friend, Scott Freilich of Top Shelf Music in Buffalo, NY. Scott has been a factory authorized Martin repair center since 1979 and has seen the finest 6 figure pre-war Martins. Scott was raving about Bill Kraus, his knowledge of tonewoods, and the insane quality of his guitars. I also learned that Stan Jay of Mandolin Bros. was equally impressed with Kraus Guitars and had started carrying Bill’s guitars in his store. Every Kraus guitar at Mandolin Bros. has sold!
The primary means of identifying the model number of Kent guitars is via a label on the back of the headstock. Through the years many of those labels have fallen off or been peeled off. They do not add anything to the appearance of the guitar. The 700 and 800 guitars had a round foil sticker with the model number and sometimes serial number pressed into it, kind of like Dymo tape labels. The look a lot nicer than the white paper one used on earlier models, but they still can fall off over the years, and they are harder to read.
First of all build quality. CTS's sturdy casings, brass shafts and contact patch, solid connections are second to none, and importantly are precision made by a company who have been doing so for a long long time. Fitting a well made pot will mean you'll likely only need to do it once in that guitar, that's important I feel! There are however a lot of different variations of CTS pot, and that is why I now only swear by the 450 Series, and 'TVT' Series, both are constructed with the same components, I like consistency here! Which is why you'll only find these models of pot in my harnesses. I've seen some lower quality series' of CTS pots that have been wildly inconsistent, which I'll get to next..
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Budget, feel and sound! Don't worry about who plays what or brand names. NONE of that matters if the guitar does not FEEL good to you and have the SOUND that you are looking for. Of course, most people have a budget and there is no need in trying $2000 guitars if you can't afford one, except for expanding your education about different types of guitar. That's the short answer.

Still available in Japan in ’66, but not promoted in the U.S. by Teisco Del Rey, were the Teisco TG-64 “monkey grip” guitar, its companion TB-64 bass, plus the similar non-grip NB-1 and NB-4 basses. The three-pickup TG-64 had a striped metal guard and the four-and-two hooked headstock with a metal plate on the front. The TB-64 probably still sported a plastic guard and three pickups. However, in the Japanese catalog from ’66, the TB-64 appears to be a 6-string bass, with an elongated variant of the hooked headstock with a rounded tip and a four-and-two tuner arrangement.
A final tip: not a lot of people know this, but Antares Auto-Tune works rather well with electric guitar. Of course Auto-Tune is monophonic, so it will dutifully ignore chords and double notes, but it will come into play when it detects a single note. You might reasonably ask whether a guitar tuner might not be a wise investment, but the reason I suggest Auto-Tune is not to compensate for a badly tuned guitar, but rather to pull imprecisely bent guitar stings into pitch.
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