I think it's fair to say that we all have a pretty good idea of what reverb is, though there are several ways of emulating it in the studio. Early reverb chambers, plates and springs have now given way to digital solutions, which fall into two main camps: synthetic and convolution. Synthetic reverbs take an algorithmic approach, setting up multiple delays, filters and feedback paths to create a dense reverberation effect similar to what you might hear in a large room. Though these often sound a bit 'larger than life', they've been used on so many hit records that we now tend to accept their sound as being the 'correct' one for pop music production. Most can approximate the sound of rooms, halls, plates and chambers, but in comparison with a real reverberant environment, the early reflections often seem to be too pronounced. The advantage of a synthetic reverb is that the designer can give the user plenty of controls for altering the apparent room size, brightness, decay time and so on.
When Leo and the boys at the big “F” ranch developed the Tele, they put a big slab of steel under the bridge-pickup coil. This reflected the magnetic field up and toward the strings. In the words of Seymour Duncan’s Evan Skopp, this gives it more “crack”—which, if you’re addicted to twang, is a good thing. The better news is that you can attach a plate (sometimes called an elevator plate, because of how it elevates the magnetic field toward the strings) to any single coil whose pole-piece magnets are exposed at the back.
The EC-1000ET is an all-mahogany single-cut loaded with an set of EMG 81 and 60 active humbuckers, a comfortably modern neck and a high level of construction quality. Its key selling point, however, is a fitted EverTune bridge -  unlike other tuning systems, it doesn't tune your guitar for you or offer altered tunings. Instead, once set and tuned, it simply aims to stay there, thanks to a series of tension-calibrated springs and levers. We tried everything we could to knock it out of whack: huge, three-step bends, wildly exaggerated string stretching... we even put the guitar into a freezer. It came back perfectly in tune every single time.  What's more, a guitar that's perfectly tuned and intonated up and down the neck seems to play much more musically. We're not aware of any tone compromises, either. The EC sounds as full and aggressive as ever, with the more mellow tones of the neck EMG being pleasantly rounded, and all bereft of any metallic spring clank. If never going out of tune is important to you, this is one of the best electric guitars going.

Half a step up from standard tuning. Used in most of Johnny Cash's music, for "Love Buzz" on Nirvana's Bleach album - apparently by mistake (according to Come As You Are - Michael Azerrad), 3 Doors Down on "Here Without You" (a capo was probably used), Vektor, Soundgarden's "Black Hole Sun" (The low E string was tuned to Eb/D# for a drop Eb/D# tuning), Nickelback on their song "When We Stand Together", Burzum on his first 3 albums, John Fedowitz in his solo project "Ceremony", and Joe Jackson on "Got the Time".
This thing is awesome! For its price you can't find any other processor that can plug into your computer and easily navigate the pedals. To connect to your computer or laptop you will need a standard printer cable (I would pick up one of the amazon basic cables for cheap.) I bought a 10 foot one which is plenty to run from the pedal to my music stand. Also once you are connected to your laptop via the USBcable, all sounds from your laptop will run through your amp/headphones. That confused me the first time when my computer speakers sounded better, haha. If you are curious, It comes with a power supply.
Merson emerges again as an importer in the late ’50s and early ’60s (as the guitar boom was building), marketing Giannini acoustic guitars made in Brazil and Hagstrom electric guitars made in Sweden. Recall that in the ’50s, the accordion craze had given great impetus to the success of music merchandisers. But by the end of the decade, the collapse of the fad left them holding the squeeze-box, as it were. After some meandering, the Folk Revival picked up at the end of the decade, creating a growing market for acoustic guitars. Hence the Gianninis.
Yes, most of them are very useful! These days there are hundreds of online tutors offering great guitar lessons. And there’s no need to throw your money at the first offer you see, as a lot of quality instructional and tutorial videos are completely free on platforms such as YouTube. Generally, paid courses tend to be better because they are tested and are well-structured, and – in theory – you should be able to progress faster. But it all depends on your budget and on your will to learn on your own.
Both pickups were controlled by a separate volume control, with one master tone control. Another toggle served as a coil tap. The Ripley project went nowhere, however, the body styling would reappear on the upcoming Korean Celebrity series. It is very possible, since this shared the Ultra Hard Body model designation and was made in Japan, that the mystery Japanese guitars were essentially the same.
Some effects, such as flanger, wah-wah, and delay, are obvious to the ear. But others, such as compression, reverb, and even distortion, are core elements of your tone, so you might not always notice these as “effects.” But used artfully, or sometimes even just correctly, they can take you to tonal utopia. Even if your personal style doesn’t call for mind-altering sound, you can still improve your sound by using effects.
The power handling capabilities of a speaker cabinet or individual speaker are always given in relation to a specific impedance (a measure of electrical resistance); the most common impedance ratings in bass speaker systems are 8 ohms and 4 ohms, although some equipment is rated down to 2 ohms or even more rarely to 1 ohm. For example, the Aguilar DB751 puts out 975 watts if plugged into a 2 ohms speaker cab, 750 watts at 4 ohms, or 400 watts at 8 ohms. The way to interpret ohms ratings is "backwards" to the way wattage ratings are assessed. That is, with wattage, bassists make sure that their amplifier does not put out too high a number of watts for a speaker cabinet, but with impedance, bassists ensure that the amplifier does not put out too low an impedance for a speaker system. For example, if an amplifier head is rated at 4 ohms, a 4 ohm speaker, an 8 ohm speaker (or any ohm rating higher than 4 ohms, including 16 ohms or 32 ohms) could be connected (albeit with the amplifier producing less watts as the number of ohms, the resistance, increases). However, bassists do not connect a 2 ohm speaker cabinet to a 4 ohm amplifier, because this will be too much of a load (too low an impedance) on the amplifier, and it could damage or destroy the power amplifier.
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Amongst the best guitar brands in India for acoustic guitars, Martin is one that stands out. Martin is one of the best known brands for its steel-string guitars. It is a leading manufacturer of flat top guitars which produce top notch sound quality. However, the company is best known for their signature dreadnought acoustic guitar with X-bracing. It is truly one of the best guitar brands for some of the best quality guitars in the market.
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Beyond those generalities, replicating a standard formula for the be-all-end-all tone isn’t possible. Why? Because some people will genuinely pass on a ’59 Les Paul and Marshall stack combination—they might prefer what sounds like a vibraphone under water. Sometimes, a certain “it” factor just grabs musicians and won’t let them go. Waara explains that even in a business as technologically advanced and specialized as Line 6’s tone research, “There’s no escaping that we emotionally say ’Man, that just sounds cool.’ ” Frequently, part of that “cool” factor is imprinted on our brains as a result of a component that we often overlook.
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While there are some obvious quality gaps, they do appear to be closing as time passes on. The hardware used on Epiphone is getting better, and the presence of the new ProBucker Pickups helps to elevate the brand to new heights. The fact of the matter is, while Epiphone is viewed as just being a cost friendly alternative to Gibson, guitar players gravitate to the brand anyways for its own special sound. While it may use the same Specs as a Gibson, they are far from equal guitars, including in the sound department (4).
A Phase Shifter creates a complex frequency response containing many regularly-spaced "notches" in an incoming signal by combining it with a copy of itself out of phase, and shifting the phase relationship cyclically. The phasing effect creates a "whooshing" sound that is reminiscent of the sound of a flying jet. This effect dominates the sound in the song Star Guitar by Chemical Brothers. The song was not played with any guitars but you can hear the phasing effect. The instrument being phased was actually a synthesizer. Some electronic "rotating speaker simulators" are actually phase shifters. Phase shifters were popular in the 1970s, particularly used with electric piano and funk bass guitar. The number of stages in a phase shifter is the number of moving dips in the frequency response curve. From a sonic perspective, this effect is equalization-oriented. However, it may be derived through moderate time-based processing. Some phaser pedals include:
Alongside the Stratocaster, Les Pauls have defined rock ’n’ roll. Everyone from Jimmy Page to Slash to Zakk Wylde has wielded one of these, and the guitar’s fat, creamy tone with near-endless sustain is instantly recognizable. Not everyone can afford a bona fide Gibson, though, but the Epiphone Les Paul Standard makes those sounds accessible to most of us.
Dan Erlewine first saw this Tele back in the 1960s, before Mike Bloomfield recorded with it on Bob Dylan’s Highway 61 Revisited album. That was also before Bloomfield and Dylan were booed for going electric at the 1965 Newport Folk Festival. And before Bloomfield recorded the first Paul Butterfield Blues Band album with this guitar. There’s a lot of history in this Telecaster!
Most electric guitars feature multiple pickups. Some will have two or three single-coils. Some will have two or three humbuckers. Many offer a combination of single-coil and humbucker pickups. This combination offers the player a wide range of tonal options. Pickup configurations are often abbreviated by referring to single-coils with an "S" and humbuckers with an "H." The placement of each pickup is indicated from the neck down towards the bridge. Thus an SSH configuration has single-coils at the neck and middle positions and a humbucker at the bridge.
The Ibanez GRX20ZBKN is part of the GIO series developed for players who want Ibanez quality in a more affordable package. The guitar is suitable for all types of music, but often a favorite of rock, metal and shred lovers. It features an alder body and a maple neck which feels sleek and fast. Great for moving quickly up and down the neck for those fast riffs and licks. A solid good looking low budget guitar for the beginner and intermediate.
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Quilted - Frets: 24, Jumbo - # of Strings: 6 - Headstock: 3+3 - Bridge: Floyd Rose Special Tremolo - Cutaway: Single - Hardware: Satin Chrome, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickup Configuration: H-H - String Instrument Finish: Transparent Amber Sunburst, Transparent Black, Transparent Red

Other artists, such as George Benson, John Lennon, and the world renowned B.B. King would use the instrument to its fullest capability to produce a clean, bright, woody tone reminiscent of fully hollow guitars, while being able to provide the volume levels to perform in much larger concert halls without the inherent issues known with fully hollow body guitars.
Of course, as guitar players we still want to remain open to a number of tonal aspects that happen after the front end of the initial attack. These elements aren’t necessarily in the front part of the very beginning of a guitar tone, nor are they delegated to the trail of lingering sustain. “The reason why people sound a certain way is because of little nuances, those little pull offs, those hammer ons, those plucking [dynamics]— the sequence of those things. Think of it as a sonic palette. That sequence is what makes the artist sound like himself.”
Tube amp distortion is created when tubes are overdriven by receiving more juice than they can handle, thus causing the signal break up. Tube-driven amplifiers are still in demand by seasoned players because of the warm, musical tones they create, and some distortion-type effects use actual tubes to replicate that sound. But most distortion effects are produced either through analog solid-state circuitry or digitally.
Adolph Rickenbacher was born in Switzerland in 1886 and emigrated to the United States with relatives after the death of his parents. Sometime after moving to Los Angeles in 1918, he changed his surname to “Rickenbacker”. This was done probably in order to avoid German connotations in light of the recently concluded First World War as well as to capitalize on Adolph’s distant relation to World War I flying ace Eddie Rickenbacker. In 1925, Adolph Rickenbacker and two partners formed the Rickenbacker Manufacturing Company and incorporated it in 1927. By the time he met George Beauchamp and began manufacturing metal bodies for the “Nationals” being produced by the National String Instruments Corporation, Rickenbacker was a highly skilled production engineer and machinist. Adolph soon became a shareholder in National and, with the assistance of his Rickenbacker Manufacturing Company, National was able to boost production to as many as fifty guitars a day.[4]
This D-15M dreadnought features a solid 'genuine' (South American) mahogany top over A-Frame X bracing; the same material is used for the back, sides and neck. The neck profile is a 'modified low oval', and it's hard to imagine anyone having a problem with it. Bone nut and saddle: check. Vintage-style, open-gear tuners check. Super-thin matt nitrocellulose finish all over: check. Tonally, there is a rich and projecting core sound that's complemented by the unmistakable, Martin D-resonance. It's vibrant and ebullient, yet not brash; warm and full without being thick or indistinct. It puts every single cent of its build budget into making the best sounding and playing instrument, with very little concession to cosmetics, electronics or anything else. Solid woods, improved neck joint, bone nut and saddle, no frills whatsoever, save for the 'burst – it's unreservedly recommended.
Not many classical guitar concertos were written through the guitar history. Nevertheless, some guitar concertos are nowadays wide known and popular, especially Joaquín Rodrigo's Concierto de Aranjuez (with the famous theme from 2nd movement) and Fantasía para un gentilhombre. Composers, who also wrote famous guitar concertos are: Antonio Vivaldi (originally for mandolin or lute), Mauro Giuliani, Heitor Villa-Lobos, Mario Castelnuovo-Tedesco, Manuel Ponce, Leo Brouwer, Lennox Berkeley... Nowadays, more and more contemporary composers decide to write a guitar concerto.
Matthias Karl Hohner, son of Dipl.-Ing. Matthias Hohner and a direct descendant in fourth generation and name bearer of the founder Matthias Hohner, was one of the last members of the Hohner dynasty involved in managing the family business, between 1968 and 1986. His son Matthias Francisco Hohner belonged to the first generation of direct descendants who did not enter into the family business. Many direct descendants of the founder are still active as members of the "Deutsches Harmonika Museum" and the "Hohner'sche Familienverein".

Potentiometers (Pots) for audio are used to adjust tone and volume. Pots are resistors with three terminals and a sliding contact (the wiper) that creates an adjustable voltage divider. If only two terminals are used (one side and the wiper), it acts as a variable resistor or rheostat. Potentiometers are most commonly used as control devices, such as volume control on audio equipment. A potentiometer for Audio applications would feature very low to no introduced noise.
Since Jackson is currently owned by Fender, they have the facilities, resources and more importantly, the legal right to use Strat bodies in their designs. The result are legitimate super strats from the brand that helped jumpstart the entire hot-rodded guitar market. The Adrian Smith SDX is a great example, co-designed by renowned Iron Maiden guitarist to be a road and gig-worthy metal guitar while retaining an accessible price point.
There aren’t that many entry-level to mid-priced electric guitars that can meet the demands of heavy use and/or meet the standards of professional musicians, which makes the PRS SE Standard 24 pretty special. Its tag price is friendly enough for beginners and intermediate players yet it’s packed with features that make it a favorite among pro-level guitarists.
Petros Guitars are an elite customized acoustic guitar luthier, formed by the Petros brothers, Bruce and Matt Petros, based in Kaukauna, Wisconsin. They are noted for their exceptionally high quality craftsmanship and often make guitars similar in appearance to Spanish Baroque guitars with the design, making both steel and nylon string hand-made guitars. Bruce began making guitars in 1972, and in 2000 he was joined by his brother to form the Petros company.[

But there were already hints of the change to come, of the evolutions in music technology that would eventually compete with the guitar. In 1979, Tascam’s Portastudio 144 arrived on the market, allowing anybody with a microphone and a patch cord to record with multiple tracks. (Bruce Springsteen used a Portastudio for 1982’s “Nebraska.”) In 1981, Oberheim introduced the DMX drum machine, revolutionizing hip-hop.


Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Quilted - Frets: 24, Jumbo - # of Strings: 6 - Headstock: 3+3 - Bridge: Floyd Rose Special Tremolo - Cutaway: Single - Hardware: Satin Chrome, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickup Configuration: H-H - String Instrument Finish: Transparent Amber Sunburst, Transparent Black, Transparent Red
It’s also worth noting that Fender guitars are typically available with a few different pickup combinations. I’d especially recommend checking out a HSS Stratocaster for rock music. The humbucker in the bridge position gives you a thicker, hotter sound, but you still have all that great Strat tone in the from the neck and middle pickups. I’ve played a Standard HSS Strat for over a decade and it’s one of my favorite guitars.
Artist Studies are available that explain the specific playing style of a guitar hero or band like Van Halen, Albert King, AC/DC, B.B. King, Chet Atkins, Iron Maiden, David Gilmour, Eric Johnson, Freddie King, George Lynch, Jack Johnson, Jeff Beck, Jimi Hendrix, Joe Pass, John Prine, Keith Richards, Metallica, Megadeth, Randy Rhoads, Ritchie Blackmore, The Edge, Tony Rice, Wes Montgomery
The RP360 XP lets you combine different effects to craft your preferred sound by choosing from its wide variety of options including 74 effects, 32 amp models and 18 cabinet models. Each setup can be saved into one of its 99 user presets, that allow for incredible flexibility. The interface has a bit of a learning curve, but allows for deep editing.

Since guitar players are automatically cool, that means cool guitar players are the coolest of the cool. In this issue, we exalt this elite class of cold—the players who even we would sell our wives and first born just to have some of their mojo rub off on us. Some of them are pioneers who paved a bold, daring path to define new styles of cool, while others are simply the kind of guitarists we want to be when we never grow up (which is part of being cool).


From top to bottom, this Hummingbird creates a buzz. Whatever your preference in size, colour, tone and playing style, it’s difficult to avoid picking this Cherry Sunburst up. It’s such a simple guitar to play that it’s rare to ever feel like you’re incapable of striking the right chord - especially on a neck that’s just 12” in radius. While the traditionally ornate decoration and blushing finish have been lovingly retained, this modern Montana incarnation offers a discrete LR Baggs Element VTC system for plug-in power. It is unlike many we have seen and produces one of the best sounds we’ve heard from an electric acoustic. Throw in the pleasure of playing such a superb guitar and it’s tough to say anything bad about the Gibson Montana Hummingbird Cherry Sunburst.  
Sooner or later you may want to experiment further: What happens if I use a different opamp here, or change a capacitor value there? Specifying your own components is the next step. Two of the specialty jobs in building a typical effects pedal are the design of the circuit itself, and the production of the printed circuit board (PCB) on which to install the components. The next logical step from a kit is to order a pre-built PCB and then customize the component and enclosure choices yourself. AMZ effects, is the go-to place for a huge variety of pre-designed PCB’s. The cost is quite low and the projects include clear documentation providing guidance on different options and components.
Talk box: A talk box directs the sound from an electric guitar or synthesizer into the mouth of a performer using a tube, allowing the sound to be shaped into vowels and consonants with movements of the mouth. The modified sound is then picked up by a microphone. In this way the guitarist is able create the effect that the guitar "licks" are "talking". Some famous uses of the talkbox include Bon Jovi's "Livin' on a Prayer", Stevie Wonder's "Black Man", Mötley Crüe's "Kickstart My Heart", Joe Walsh's "Rocky Mountain Way", Alice in Chains's "Man in the box" and Peter Frampton's "Show Me the Way".[66][67]
Thought you'd like to know. Before Christmas, I stopped by a local music shop to buy my 12 year old granddaughter a new guitar to replace an old Beaver Creek she'd been banging on for a few years. Since I'm an old folky from the 1960s, I thought a low end Gibson or Martin would give her both good sound and some bragging rights at her school's guitar club. The shop owner was in the acoustic guitar room strumming something I had never seen before and quickly told me I should forget Martin or Gibson and get what he was playing. It was a Seagull. An equal sound for half the price, he said, so I looked it over, strummed the few chords I could remember, and bought it on the spot. Later, I was still pondering how a little Canadian guitar could be called better than a Martin or Gibson when I found your ratings post. I do believe I kept repeating "Oh my God, it's true!" over and over. And she loves the guitar, especially the smaller neck and fuller sound. Thanks for helping this old folky who always thought Martin and Gibson were names to be spoken in hushed reverence believe in something new.

My fav...So fun...And I love the color duty Siri since the first one came out and this one definitely does not disappoint it is a great game and I have not stop playing and I love the color duty Siri since the first one came out and this one definitely does not disappoint it is a great game and I have not stop playing it Since I got it...I only viewed the trailer and sales figures as this is a very popular game before purchasing this game and it seemed like it had a lot of action but it's not really my taste for a military game as it has some fictional characters like zombies in it and there are no fighter jets.


If you want to splurge just a bit more and opt for an instrument with a little more stylistic range, the Ibanez Talman guitar vault accessory kit might be right up your alley. It includes a lovely seafoam green Ibanez TM302SFG, 12 high-quality Dunlop Tortex picks, a strap, a gig bag, a Kyser capo, a polishing cloth, and a tuner. This is off the beaten path a bit, but for some players, that’s going to be absolutely perfect.
I've been playing music my whole life, guitar since 16 (>30 years!!!). I'm used to distortion, delay, and some sort of phase for my unique sound. With this little devil, I make my guitar scream and whine like I'm playng straight from hell! Makes me sound almost as evil as I am in real life. For this DIYer, I have some good noise until I can build all my own pedals. Many presets, I only needed to modify two of the for my sound. Now i can sound like the true 80's hardcore punk and thrash metal songs and sounds that I grue up with.
Literal hundreds of years have gone into developing and perfecting the art of guitar making. And unless you have a familiarity of the craft, you probably don’t know how impressive a well-built guitar actually is – even if you do have a base appreciation for the devices and their players. The truth is, making a guitar is an incredibly difficult and drawn out process that requires the utmost attention to detail in order to be well done. From the tonal qualities of the materials out of which they are constructed, to the sturdiness of the overall build, to the dozens of additional fittings, guitars are remarkable gizmos and their developers (alternatively, luthiers) deserve respect for their talents. The following 12 brands, who were started by and have employed many said luthiers, have built their reputations on the creation and production of some of the greatest and most iconic guitars ever to grace this planet.
The Epiphone Les Paul Special II Vintage Sunburst has a mahogany body and neck which gives the guitar a nice thick sound. The quality of the tuners and pickups are okay, not superb, but good enough for any beginner. If you are into metal, rock or blues the two Epiphone humbuckers do a pretty nice job, they sound really good and give you a nice fat sound. A pretty reliable and solid guitar even for live playing.
Almost since the birth of amplified guitars in the early 1930s, players looked for ways to enhance the sound of their electric guitars. A huge variety of guitar effects have emerged from their experiments. These include rack-mounted effects, effects built into amplifiers, and pedal effects. While rack-mounted and built-in effects are separate topics, this article focuses on stomp boxes, which are foot-switchable pedal effects designed for use during live performance.

If you are familiar with - a special kind of - programming, you can use something like Pure Data or Max MSP. Pure Data (PD), for example, is an open source, visual programming environment for manipulating streams of data like audio (or video). With PD you are able to build your own individual FX chains or use community contributed patches (In PD speech "programs" are called patches). But I think it's not as trivial to use as out of the box products.


These days it’s hard to determine where Squier’s end and Fenders begin. Squier by Fender Classic Vibe 60’s SStratocaster is a perfect example of what we meant. It’s a well built guitar that brings admirable craftsmanship and a tone that is equally as good. To me, the difference between this model and a Mexican Strat was too small, which made me somewhat uncomfortable.
Students and expert alike describe this guitar as a fun instrument, and goes further by commenting that it has exceeded their expectations. From its fast action playability to the quality of the finish, the Epiphone SGSpecial continues to rake in compliments. Several people even said that it comes surprisingly close to the feel and sound of a Gibson SG.
Well... I'm researching this to since I have a Norma Accoustic. From what I have found they were only made between 1965-1970something. Most were made in japan including mine although some were made in Italy. They were made in the same factory as the Sear silvertone's. Most are considered vintage guitars especially the electrics from the 60's. From what I have seen electrics in good condition are worth a good bit of money. I'm still trying to find more info on mine though. Like what woods is it made of. and what was the exact year of manufacture. It says FG-10 on it. It plays great. Has great sound and plays prety easily except mine doesn't seem to like you using the first fret. lol... just trying to add some info here
Shop our selection of guitar and bass electronics parts and supplies. Everything you need to to finish your guitar electronics project like a pro. Volume and tone pots, pickup selectors and mini switches, jacks, tone capacitors, wire, solder, shielding and more. Get the full potential from your guitar's pickups with the finest quality guitar electronic parts from top manufacturers like: CTS, Bourns, Fender, Switchcraft, CRL, and more. 
The 700-series guitars had removeable (loseable) bridge covers. Many of them for sale now are missing those covers and the vibrato arm. There are fewer 800s missing those vibrato arms. If I ever get a 700-series missing the cover and bar, I'll take a look under the bridge and see if any wood was removed. Maybe I can replace the bridge and tailpiece.
The Smiths' guitarist was a guitar genius for the post-punk era: not a showboating soloist, but a technician who could sound like a whole band. As a kid studying Motown records, Johnny Marr would try to replicate not just guitar riffs but piano and strings too, all with his right hand. His voluptuous arpeggios – often played on a chiming Rickenbacker with incredible flow and detailing – were every bit as essential to the Smiths' signature sound as Morrissey's baritone. And he was a tireless explorer: For 1983's "This Charming Man," Marr dropped knives onto a '54 Telecaster, a revelatory incident that Radiohead may have been alluding to in their Smiths-inspired "Knives Out." "He was a brilliant rhythm player, rarely played solos, so full of sounds," said Radiohead's Ed O'Brien – part of an entire generation of British guitarists who took their cues from Marr. "I've been in the studio with him, and there's nothing he cannot do on guitar," said Oasis' Noel Gallagher. "The man's a fuckin' wizard."

C.F. Martin & Company is a U.S. guitar manufacturer established in 1833 byChristian Frederick Martin. Martin is highly regarded for its steel-string guitarsand is a leading mass-manufacturer of flattop acoustics. Martin instruments can cost thousands of dollars and vintage instruments often cost six figures. The company has also made several models of electric guitars and electric basses.
(Book). To mark the 60th anniversary of Fender, Backbeat's introduced a new, completely revised third edition of this bestseller. Fender guitars have long been the instruments of choice for artists such as Jeff Beck, Eric Clapton, Jimi Hendrix and Stevie Ray Vaughan. This book tells the complete story of Fender guitars, detailing classics such as the Telecaster, Stratocaster & Jazzmaster as well as lesser-known models. Dozens of photos reveal Fender's storied craftsmanship, while the text includes collector details for all models. The reference section lists all models and their statistics. This new edition has been refreshed and updated, with 56 extra pages and over 60 new photographs. The main text has added material and has been brought up to date to cover Fender's ever-changing history amid the fascinating developments for the company and its instruments during the eight years since the previous edition.

While these sum up the most significant Gibson tone woods, other species do occasionally contribute to the brew. Swamp ash lends the Les Paul Studio Swamp Ash a degree of twangy sweetness and a round, slightly scooped midrange, while the most common Gibson fingerboard woods, rosewood and ebony, even make their mark on the frequency spectrum. Rosewood generally helps to add a certain thickness and creaminess to the tone—warming up the voice of a maple neck, or adding depth and cohesiveness to that of a mahogany neck—while an ebony fingerboard, long considered an upmarket option, contributes tightness, brightness, and a quick attack.


Following a raft of recent updates, the MS-50G now boasts over 100 effects and 22 amp models, six of which can be used simultaneously in any order. Add a chromatic tuner into the equation, and you're looking at a pedal for all seasons. The very playable amp models cover the popular options: there are three Fenders ('65 Twin Reverb, '65 Deluxe Reverb, Tweed Bassman), a Vox AC30 and a Marshall Plexi. You also get a Two-Rock Emerald 50, while a Diezel Herbert and Engl Invader cover the high-gain side of things. Effects include modulation, filter, pitch shift, distortion, delay and reverb. Most are generic, but some, particularly in the overdrive/distortion category, are modelled on well-known devices - the Big Muff and TS-808, for example. Each patch can be constructed from a chain of six effects blocks, each with a modelled amp or effect, DSP permitting. It all adds up to the most practical, cost-effective way to expand your pedalboard by adding a single pedal.
Chorus: Generally you won’t hear delay during the chorus, though guitarists who strictly play lead can still find ways to utilize it.Verse: It’s probably the most “delay friendly” portion of a song, providing the lowered intensity that makes room for the extra noise of the delay effect.Bridge: A short solo or lead guitar segment will usually be pretty tame in Christian songs, allowing for the use of heavy delay, as well as other effects.
Now lets talk amps. I have always felt like you could hand me a great guitar played through a bad amp and I would get a bad tone. However, I can make a bad guitar sound decent through a good amp. The amp, in my opinion is the most crucial part of your tone. I always prefer tube amps that deliver a much warmer, natural sound then the solid state counterparts. However if you are play jazz or something that requires a clean crisp sound, a solid state amp good be great. All the great rock legends used tube amps such as Marshall Plexi’s, Vox AC30, Hi Watt, Fender Twins, Fender Bassmans etc. Now days they make all kinds of boutique amps that are modeled after these classic amps. Matchless is my amp of choice which is loosely modeled after the Vox AC30.
Description: Body: Mahogany - Body Construction: Semi-Hollow (Chambered) - Top Wood: Maple - Carved - Neck Attachment: Set - Neck Wood: Mahogany - Fingerboard: Richlite (Paper/Phenolic Resin Composite) - Inlay: Dot - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Resomax - Cutaway: Single - Hardware: Godin Tuner, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Seymour Duncan - Pickup Configuration: H-H - String Instrument Finish: High Gloss Cherryburst, Creme Brulee, Black, Burgundy

Wengrow said that Gibson got outmaneuvered by its competitors. “In the 1950s and 60s, it was really just Fender and Gibson as the two main guitar makers and they became the standard bearers. But other guitar makers such as Ibanez, Jackson, Yamaha and Paul Reed Smith, came to existence and copied their standards but continually updated many features and customizations that better reflected the idiosyncrasies of the times, often for cheaper prices.”


Treble is really a form of gain boost that must be considered while gain-staging our signal path. With good tone, a note should ring like a bell, not slaughter like a machete, and that is accomplished by shaving some attack off the waveform and rounding off the frequency response. A bit off rollback on the tone knob takes you into the ballpark, along with your amp settings (I have a dedicated treble-cut on my AC30 that is necessary to tame my telecaster). Once I am in the ballpark, I use the volume knob to fine tune, and personally I tend to let it be from there, relying on a gain-boost pedal to lift my sound when necessary without altering the tone.
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Guitar pedals are perfect for this. Firstly, and perhaps most importantly, because you should never try to circuit bend anything mains-powered, they can run off 9V batteries. Secondly, their internal circuitry is usually very simple, and they already have audio I/O. Thirdly, you can get them for almost no money from eBay, and the other tools required — soldering iron, wire, switches, and so on — are also very cheap. There's an almost infinite number of sonic possibilities to be explored here, from finding new ways to process a signal (of course you don't just have to use them with guitars) to creating a machine that goes 'Eeeeeeooooowsquelch blipipipip' in a different way every time you turn it on — and who would say no to that for less than a tenner?
It comes in arctic white, fiesta red, black and vintage sunburst, so there’s a healthy level of customization available. Finally, there are three classic Strat single coils, two volume knobs and a tone knob. Accompanying that is a five-way selector switch, so you can dial in your tone and fine tune it with the knobs. It all comes in a really nice package that will feel really good right out of the box. You really can’t go wrong with a classic like this. 
Hello all. I have a brand name guitar, which was very popular in the 1980s, and still is being manufactured under Gibson today. I didn't see it in your list though. It's a Kramer Stagemaster. It's a beautiful guitar, which I may never part with. Strat-Style with Neck-Thru-Body & Floyd Rose Trem. The headstock states Kramer American. These were passed off as American made models, however I understand that they were actually made in Japan. The style and appointments are strikingly similar to my Ibanez Proline 2550 from the same era, which has 'Crafted in Japan' written on the headstock. I know that Kramer made a lot of American made guitars out of Neptune, New Jersey, however these were all bolt-on neck guitars. Does anyone know where these Neck-Thru Kramers were made, or why they have American printed on the headstock if they are not tues American made guitars?
The Fender Telecaster was developed by Leo Fender in Fullerton, California in 1950. In the period roughly between 1932 and 1949, several craftsmen and companies experimented with solid-body electric guitars, but none had made a significant impact on the market. Leo Fender’s Telecaster was the design that finally put the solid-body guitar on the map.

Another cool place I just found was Madison Guitar Repair out of Fridley. I went there a couple weeks ago. It's a little hole in the wall place where they just work on guitars and have tons of parts. Really nice guys that seem like they know their stuff pretty dang well. Never used them but considering that all they do is luthier work I'd give them a shot.

A younger, but very high-quality brand that's also a favorite among country artists, Taylor manufactures some truly investment-worthy acoustic guitars—with a sound that only improves over time. Its creator, Bob Taylor, tested the use of exotic tonewoods in excellent guitars, so he used oak recovered from pallet wood to craft the back, sides, and neck of the Pallet Guitar, an important model originally made in 1995. Taylor's roster of tonewoods also includes Indian Rosewood, African Ebony, Blackheart Sassafras, Blackwood, Cocobolo, Figured Walnut, Granadillo, Hawaiian Koa, Maple, Ovangkol, Sapele, Tropical Mahogany, and several others.


Two solidstate Tempo beginner amps were offered in ’71. These had black tolex covers, front-mounted controls and a rectangular logo with block letters on the grille. The Tempo No. 158 ($65) had an 8″ speaker, 10 watts of power, tremolo with speed control, reverb with depth control, three inputs, volume, tone and a black grillcloth surrounded by white beading. The Tempo No. 136 ($31.50) offered a 6″ speaker, six watts, three inputs, volume and tone. The grillcloth was dark (probably black) with horizontal flecks.
Flanging is the strongest of the standard modulation effects. The feedback control increases the depth of the 'comb filtering' produced when a delayed signal is added back to itself. Because it is such a distinctive effect, it is best used sparingly, though it can also be used to process a reverb send to add a more subtle complexity to the reverbed sound.
As with drive tones, many guitar amplifiers will come with reverb built-in. As such, you may have an idea of the type of effect it is already. In pedal form though, there are companies taking things to new heights by embracing reverb as a gloriously creative tool in its own right. Not just something you add on as an afterthought. Strymon, the American pedal brand, are the masters of this as you’ll see in their Blue Sky (reviewed here) and Big Sky (reviewed here) pedals. Both offer a host of unique, interesting and quite incredible sounding reverbs which will alter your tone in all kinds of wonderful ways.

Amplesound's AGM Lite is a freebie guitar VST that can run as a plugin or as a standalone. (Standalone == no digital audio workstation required, just open the program, turn on your speakers and play). In either version, one can write strum patterns with the point-and-click cursor, and use the on-screen keyboard to make things happen without ever touching a keyboard.


In this section we look at the overall performance of the guitar. How does it feel to play and what does it sound like? The ultimate sound you achieve will largely depend on the amp you play through, but the guitar itself will play a huge part in sounding good. Do the pickups give enough clarity? How comfortable is the neck to get up and down? Is it built for speed? The more expensive a guitar, the better the performance should be, and this is taken into consideration when rating it.
Semi-hollow designs are similar to hollow-body guitars, but typically feature a thinner body with a central wooden block inside. This helps to control feedback while giving the instrument some of the same tonal characteristics as a hollow-body. This type of guitar has been used successfully in just about every genre of music, with the exception of extreme metal.
Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Goldburst, Redburst

It's the neat switching that makes this very classic-looking Tele act a little differently. All the standard Tele pickup selections - bridge, bridge and middle (in parallel) and neck - are in place, but it's a four-way switch, as opposed to the standard three-way; the additional selection provides us with both pickups in series for a bigger, louder and more humbucker-like 'secret' sound. The volume control has the S1 push switch in the top of the control knob: pushed down, the parallel and series-combined pickup selections are out-of- phase, giving three additional sounds over the standard Tele. The Baja sticks relatively close, of course, to the classic 60s Tele recipe. The rosewood 'board and alder body just seem to give that lovely smoothness to the high end that will make it less ear-wearing, especially if you're swapping over from an older-style humbucking Gibson. The standard mix is typically classic, wider than a Strat's but still nicely textured; the neck pickup here sounds a little fuller than some older readers or vintage Fender electric guitar owners will remember.
My Les Paul never did sound quite right. It was always off somehow. I discovered it had the same problem like yours with the intonation being off the scale. Once I followed your guide, I discovered the neck adjustment was far too loose, and gapped it properly. Shazaam, the intonation problem disappeared, and now it plays like butter with all the notes dead on! U R the MAN!
If you’re old enough and like whacky guitars, like me, you probably remember the great Guitar Player “Off the Wall” columns by Teisco Del Rey, the nom de plume of journalist Dan Forte. His was the first, and sometimes the only, story I’d read for a long time. Dan was perhaps the first to celebrate guitars whose names didn’t begin with M, G, or F. Dan usually worked the humor angle, but for those of us with an aesthetic eye, the guitars he featured became Holy Grails. One of the holiest of those was the 1968 Teisco May Queen guitar, a rare red version of which you see here!
Seller: bennick2013 (4) 100%, Location: Marietta, Georgia, Ships to: US, Item: 302905274242 Beautiful red body and maple neck looks great despite minor dings and scratches. Neck is straight and intonates well, action just fine with no divots or dead spots. Get it now before they become scarce and PLAY Condition: Used, Condition: Very Good, Brand: Lotus, MPN: Does Not Apply, String Configuration: 6 String, Body Type: Solid, Body Color: Red, Model: Strat, Model Year: ? See More
But what about the Les Paul devotees like Jimmy Page, Zakk Wylde and Bob Marley? Is it possible that the Les Paul is as enduring and adaptable as the Strat? Um… Yes! Each guitar style has its own rich history of players and possibilities, and with a powerful imagination, anything is possible. Solid body guitars are truly the dominant species of electric guitars for their overall versatility, ability to interact with pedals and amps, and general lack of fussiness.
Is it fine if I buy an electric guitar that’s worth <900$ as my first e.guitar? I don't know why it's recommended not to buy a guitar that's more advanced than my level. I mean this guitar will last me for years, so why not go for the best from the beginning? Also, I need to learn how to differentiate between the various guitars if some are better for lets say metal. I listen to a lot of Children of Bodom, Korn, Metallica and more.
Martin’s first era of flirtation with electrics ended with its GTs, and, in terms of American production, wouldn’t resume until a decade later. However, in 1970 Martin joined the growing list of American manufacturers to begin importing guitars made in Japan, introducing its Sigma series. In around 1973, Martin, like competitors Guild and Gibson, began importing a line of Sigma solidbody electrics made in Japan by Tokai.
This can all get a little tricky and can become overwhelming especially if you have never tackled this type of job before. If this is the case, I strongly suggest starting with one of the easier models in regards to wiring e.g. Telecasters are significantly easier to work on as the scratchplate will often be pre-loaded with pickups. However, if you purchase a kit guitar such as an LP or you want to upgrade your electrical components (which is often the case with an entry level kit) understanding some basics about guitar electronics is useful.
The following songs have been selected to highlight some of the best electric guitar songs from the 1980s. Each song includes links to tab, and wherever possible links to free audio versions of the song. A guideline for the difficulty of each song has been included. The assumption with these guidelines is beginner guitarists can play the ​basic essential open chords, F major, plus basic power chords. Difficulty assessments do not include the guitar solos.
Gold Plated strings are really just 80/20 Bronze & Zinc wound nylon strings.  They are also used to produce the bass wound strings of a set of classical strings.  They maintain their place in the market due to having a much brighter tone than silver plated strings and are used by many professionals due to their capability to project louder and sharper.

Even with the myriad finish options, this latest model looks very much like the original Strats from Fender's original production line. As a testament to how effective the original design is, most of the specs and even the hardware design are followed even to this day. Speaking of specs, the current iteration features the same double cutaway alder body and bolt-on maple neck with a scale length of 25.5", narrower nut-width of 1.685" and SSS (Three Single Coil) pickup configuration. Giving this guitar its authentic quack and chime are three V-Mode Strat Single-coils.
You want a guitar that isn't going to fight you - If you're a smaller person, you'll want a guitar with a smaller body. And if you have particularly small hands, it might be worth looking into a 3/4-size guitar to start out. The way the guitar looks is going to matter a fair bit as well. If it doesn't look good, you aren't going to be as inspired to pick it up and practice.
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Onboard effects had already appeared on various guitars, especially Höfner and Vox models, but these were not truly “active” in the modern sense. Alembic, with support from the Grateful Dead, was exploring active pickup systems, but these were still basically custom-made instruments. Both had a master volume and tone control with three-way select and a “band rejection filter tone switch,” also called a midrange bypass filter. Ovation was among the first to offer linear potentiometers to correlate movement with effect. Controls inside were mounted on a circuitboard with individual trim pots that can be adjusted to control the volume of each pickup.

Meanwhile, the Gibson Vari-Tone circuit uses a rotary switch rather than a pot, and a set of capacitors of ascending size. The small caps have a brighter tone, and the large ones sound darker. But once a cap is engaged, it’s engaged all the way. In other words, the cutoff frequency varies as you move the switch, but not the percentage of affected signal—it’s always 100%.  (The Stellartone ToneStyler employs the same concept, with as many as 16 caps arranged around a rotary switch.)
A rackmount effects unit may contain an electronic circuit nearly identical to a stompbox-based effect, but it is mounted in a standard 19" equipment rack, which is usually mounted in a road case that is designed to protect the equipment during transport. More recently, as signal-processing technology continuously becomes more feature-dense, rack-mount effects units frequently contain several types of effects. They are typically controlled by knobs or switches on the front panel, and often by a MIDI digital control interface.
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