Lastly, there's Session mode. When you need to take a break from structured lessons or just want to shred for a while, enter this mode and play to your heart's content. Rocksmith 2014 will even provide you with a backup band: tell the game what instruments you want in your power trio or quartet and the AI will follow your lead on the drums, bass, keys or anything else in its arsenal. We highly recommend the kazoo.
When starting with the electric guitar, it’s not uncommon to look at experienced player’s pedal board and think “Wow, so many pedals, with different names – wonder what should I get”. And while everyone knows that the core of your sound comes from the sensibility of your touch, your guitar and your amplifier, it is also true that certain pedals can transform and shape your tone to make it more unique and personal. Before shelling out all your beloved savings on unnecessary pedals, take a look at this guide to understand the 10 basic pedals, the so-called “must-haves”. 
It depends on what you call important. Does an electric guitar's tonewood affect the tone? No. Sorry. When the thing capturing the sound is directly under the thing generating the sound and, it makes no sense for the wood, which vibrates in a secondary fashion, to have any effect on a tone that has already left the guitar. Think of it in layers, like this:
Dean has always had the reputation of making fast, loud and articulate guitars and is famed for its wide range of eye-catching models, including the ML Series and the iconic Razorback. Signature models are also a specialty and they produce guitars for the likes of Dave Mustaine and Michael Angelo Batio, as well as huge line of Dimebag Darrell signature guitars.
© 2013 Ubisoft Entertainment. All Rights Reserved. Rocksmith logo, Ubi.com, Ubisoft, and the Ubisoft logo are trademarks of Ubisoft Entertainment in the US and/or other countries. The “PS” Family logo and “PS3” are registered trademarks and the PlayStation Network logo is a trademark of Sony Computer Entertainment Inc. Software platform logo (TM and ©) EMA 2006.
With 24 amp models including a digital chromatic tuner, 9 stomps boxes, 4 amps, 5 cabs, 3 mics, and 2 rack effects; AmpliTube Custom Shop is a great way to get your hands on IK Multimedia's great guitar simulation software. As the name suggests, in addition to the free units you can purchase more effects units from right inside the plugin to build your own custom guitar shop.
Struggling to get your guitar sounding sweet and creamy? Don't fret! STUDIO GUITARS is here to warm up your sound with a selection of certified studio-fresh guitar loops recorded by Prime Loops' own professional master of the strings! Using some of the most classic equipment around, we've covered every curve of this awesome instrument's sound with an incredible collection of acoustic and electric guitar samples.

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For years, Seymour Duncan has provided guitarists with first-rate, handmade pickups and parts that are anything but stock. All of our products are designed and customized to suit the needs of specific musical styles and the musicians thereof. If you’ve got a guitar that doesn’t have a good-quality set of pickups and seems to lack that “extra something” in the tone department, investing in a set of pickups is your first stop.
I knew what it is that I need to do. The friend who worked on it with me said when we were finished, "Oh right, it sounds like all your records all put together." I guess that got the job down. Without getting too technical about it or elitist, it kind of does the job of a Gretsch, sonically, and a Rickenbacker, sonically, but I play it like a Fender. It's kind of handy, really. I used to it pretty much exclusively during my time with Modest Mouse. And totally exclusively during my time with the Cribs. I've used it nearly entirely on the new solo record.

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If the fuzz is the grandaddy, the Arbiter/England Fuzz Face (introduced 1966) is the grand-poobah of the grandaddies’ social club. A handful of other fuzzes came first, but this distinctive round, smiling box is the one most guitarists point to when identifying the fuzz tone of the gods. Why? Two words: Jimi Hendrix. Apparently he died and took it up there with him. Oh, and two other words: germanium transistors. When these fuzz fans point to the Fuzz Face, however, they don’t point to just any Fuzz Face. They point to a good one. The quality of these pedals varies wildly, mainly because the tolerances of germanium transistors themselves varies wildly and sorting out the good ones was more work than the makers could afford to put in (or, perhaps, knew was necessary). Contemporary makers from Fulltone to Z.Vex to Mayer take the time and trouble to laboriously sort their germanium transistors, and it pays in spades in terms of tone and consistency.
Modelling effect – Many BOSS modelling effects use COSM or Composite Object Sound Modelling, which uses computer-processing power to digitally precisely model the electronic, mechanical, and magnetic characteristics inherent to an instrument, amplifier, or speaker, and also to create completely new sounds. Modelling effects can be dynamic or time-based – it can even make your guitar or amp sound like a completely different type of guitar or amp.
But this was different. This was build quality, and it completely wrecked the sound, feel and playability of the guitar. A competent pre-shipment QC inspection should have caught this and sent it back to be fixed at the factory, and they didn't. No serious guitarist would stand for ANY guitar made this way, at ANY price point. Yet there it was, on display on a guitar positioned as the flagship model of the brand, occupying the most expensive price point in the market.
When someone says: "I've got a Gibson Les Paul with Bare Knuckle Pickups" I tend to think well, you don't really have a "Gibson" Les Paul at all then, because you've removed the elements of the guitar that make it sound like a Gibson. But guitarists are a conservative bunch and tend to hold on to their beliefs, biases, and myths. I've not long managed to let go of mine and it's made me happier with the guitars I now have, and has saved me a lot of money!
The Mustang bass debuted in 1966 as (along with the Coronado) Fender's first shortscale bass, however the Competition finishes were not seen until 1969. It was effectively the same instrument, with sports stripes, and initially a matching coloured headstock. The competition colours were Red, Orange and Blue (although blue was officially called Burgundy). Have a closer look at this 1969 Fender and check out the soundclips through various vintage amplifiers.
Situated just under the Spectrum 5 were the Teisco K guitars. Indeed, these Ks may have been introduced slightly before the Spectrums, since they appear in a 1966 Japanese Teisco brochure that does not contain the Spectrum. A second ’66 Japanese Teisco brochure contains both Ks and Spectrums. The K guitars were very similar in profile to the Spectrum, except that the horns were not curved, and flared out more or less equally in a more tulip shape, though still pointing slightly inward. These still had the German carve relief, 22-fret rosewood fingerboards, plus the new hooked headstocks. Inlays, however, were dots, and the vibratos were the more pedestrian Japanese version of the Bigsby. Pickguards were the new striped metal affairs introduced the year before, extending from above the strings down through the lower bout control area.
This years new Guitar World Magazine Holiday Buyers Guide issue is full of great gear for the upcoming holiday season. The amazing new FU-Tone Design Your Own & the Titanium Bridges are featured and well worth checking out. Make sure you pickup a copy of the new Buyers Guide on news stands today and all of the beautiful women photographed don't hurt either!
Mother-of-pearl rosette inlay. If you’ve had acoustic guitars with mother-of-pearl accents, you’ll appreciate the beauty of the mother-of-pearl inlay around the sound hole. This particular rosette pattern is inspired by the 1920’s Domingo Esteso design, which will be a treat for those who love specific historic details like this. Even if history isn’t your concern, the mother-of-pearl colors enhance the pattern.
If you are inexperienced, it is only recommended that you attempt to setup a guitar that is of little value to you, both financially and sentimentally. If you don’t have one that fits these requirements, then it is best to pay the cost of a guitar setup as performed by a professional. The primary risk while setting up the instrument is over adjustment. Working any part of the bridge too much will cause wear and tear, and irreparable damage to the neck is often the result of improperly adjusting the truss rod. It is always hard to justify ruining a perfectly good instrument in order to avoid guitar setup cost.
There is a legitimate physical aspect to the gauge of your strings that will affect how well you play.  Bending and fretting becomes much easier and faster with a lighter set, but in my own experience you will have a “tinnier” tone that must be compensated for with your guitar and amp tone controls.  Speaking of tone, lets look at how string gauge affects the sound you produce.
Many people will say that Overdrive and Distortion pedals are basically the same thing: wrong! While the overdrive tends to add gain and texture to your clean tone, emulating a cranked amplifier, the distortion intentionally clips and distorts the waveform of the guitar signal. The effect of distortion pedal is much more audible and the resulting sound is harsher and louder, and sometimes completely different from the starting sound. Distortion pedals are perfect for rock and metal players, and represents a safe boat for guitarists that may feel the need to have a backup to their tube amplifier: a distortion pedal into the clean channel of a rented amplifier can save your gig! The ProCo Rat 2 is an instant classic, while the Electro Harmonix Metal Muff/Top Boost gives you some serious distortion with a top boost in single box. And for your über-metal needs, the Harley Benton Extreme Metal is here to help.
The most common route for absolute beginners will likely be a good, old fashioned guitar instruction book. We’ve all seen at least one of these kicking around. They tend to have a guitar and some interesting 80s-inspired graphics emblazoned on the front. The typical format is either an encyclopedia of scales and chords (indeed, some on this list follow that formula), or a series of songs broken down into digestible theory tidbits often accompanied by an ancient information vessel known as a Compact Disc.
If you are a guitarist in search of an old-fashioned sound, then you might consider a vintage guitar amplifier. Whether you are interested in Fender, Silvertone, Ampeg, or others, vintage amps can help you recreate classic music with an extra layer of authenticity. From chiming clean tones to molten overdrive, you can find the make and model that will allow you to sculpt the tone you want and cut through the mix at your next practice or gig.
Although they just released the Gibson 2016 line, Gibson's first production electric guitar, marketed in 1936, was the ES-150 model (“ES” for “Electric Spanish” and “150” reflecting the $150 price of the instrument). The ES-150 guitar featured a single-coil, hexagonally shaped pickup, which was designed by Walt Fuller. It became known as the “Charlie Christian” pickup, named for the great jazz guitarist who was among the first to perform with the ES-150 guitar. The ES-150 achieved some popularity, but suffered from unequal loudness across the six strings.

A good custom shop will have insight based on their experience that will help make the project better. That’s part of being custom — making concepts a reality. But there is more to running a custom shop than simply having the ability and experience to create someone’s dream. Figuring out what that is requires a little digging. The concept is buried in first understanding the other meanings of the word custom. Although “made-to-order” is a correct characterization where you can personalized the headtsock with your name or initials and you can CUSTOMIZE YOUR GUITAR: Mahogany, Alder, Maple, Bass Wood, Right/Left handed guitar, Body colour, Neck profile, No dots on fretboard and Fret size.Our Custom Shop Guitars referred to in this site as drawing "inspiration" from the major guitar brands and any reference to custom shop brand names or "Inspired by" are made strictly for comparison purposes only.
Necks are described as bolt-on, set-in, or neck-through, depending on how they attach to the body. Set-in necks are glued to the body in the factory. They are said to have a warmer tone and greater sustain.[citation needed] This is the traditional type of joint. Leo Fender pioneered bolt-on necks on electric guitars to facilitate easy adjustment and replacement. Neck-through instruments extend the neck the length of the instrument, so that it forms the center of the body, and are known for long sustain and for being particularly sturdy.[citation needed] While a set-in neck can be carefully unglued by a skilled luthier, and a bolt-on neck can simply be unscrewed, a neck-through design is difficult or even impossible to repair, depending on the damage. Historically, the bolt-on style has been more popular for ease of installation and adjustment. Since bolt-on necks can be easily removed, there is an after-market in replacement bolt-on necks from companies such as Warmoth and Mighty Mite. Some instruments—notably most Gibson models—continue to use set-in glued necks. Neck-through bodies are somewhat more common in bass guitars.
It's amazing how this relatively new company, which officially started in 2007, is now playing with the big boys. Blackstar has a pretty straightforward claim to fame, and that is to provide premium quality high-gain tone in the price ranges that they enter into. And judging from the very positive response of rockers and metal heads, they are doing their job really well. As usual, artist endorsements play a big role, and Blackstar has big name backers like Neal Schon from Journey, Richie Sambora, Ted Nugent and Sammy Hagar to name a few, along with a long list of up and coming guitarists from rock and metal bands. While they still excel in providing high-gain tones, Blackstar amps also offer versatile overdrive and distortion flavors, thanks to the company's innovative ISF (Infinite Shape Feature) technology, which lets you change the tone of your amp from American to UK flavors with just one knob.
Although much less common, the second trick I have in store for you shouldn't be taken lightly. The idea is to double a more or less distorted guitar part with an acoustic recording of the strings of your electric guitar recorded simultaneously as the distorted part. As preposterous as it sounds at first, considering that the sound of an electric guitar without an amp is certainly not the most pleasant one, the overall result can be truly amazing! Indeed, well managed, this screeching sound has the particularity of adding a bit more dynamic relief to "trashy" sounds, providing the performance a more "organic" aspect, especially due to the accents produced by the pick. But just like with the first trick, you need to sub-mix this take wisely so that the listener doesn't end up discovering the trick.
The electric bass was invented in the 1930s, but the instrument did not sell well until Leo Fender developed the Precision Bass in the 1950s. As such, the type of bass players who first began trying methods to make their instruments louder with amplifiers and speakers were upright bass players. While the upright bass is a large instrument, standing about six feet tall (with its endpin extended), due to its low register, it is not a loud instrument when played acoustically. This is largely a result of the decreased sensitivity of human hearing, which is most sensitive to mid-range tones; equal perceived loudness for a mid-range sound and a low frequency sound requires much more acoustic power in the low-frequency sound. In the 1890s and early 1900s, upright bass players performing in bars and brothels in an era before amplifiers and speakers were available, particularly those who performed in bands with louder instruments such as trumpet, often found it hard to be heard. About the only solution available in the pre-amplifiers era was playing slap bass, a style of slapping the strings against the fingerboard to make a relatively loud percussive sound. Beginning in the 1920s, the first amplifiers and speakers designed for gigging musicians became available.

Reverb is one of the earliest effects for guitar players, originally built into the amp itself like the Fender Deluxe Reverb and Super Reverb. Traditional spring reverbs actually send the guitar signal into the springs causing them to vibrate and simulating reverb. With the advent of digital technology reverb units pedals made their way onto the market but mostly as rack units, but as technology improved and shrank many of those units can fit into a pedal now.

The new Martin electrics were offset double cutaway guitars which, in terms of shape, fall very loosely into a Stratocaster category. The cutaways are a bit wider and shallower than a Strat, both pointing away from the body. The horns are much more rounded than a Strat. Like a Strat, the waist is slightly offset, and the lower bout has a slightly asymmetrical slant to it. The bodies were initially built of hard maple and rosewood laminates that imitate the look of neck-through guitars popular at the time, but actually have neck pockets with glued-in mahogany necks. These had unbound 22-fret rosewood fingerboards, dot inlays and a distinctive three-and-three variation on the old Stauffer/Viennese headstock � which may have originally inspired Leo Fender’s Strat creation � with script CFM logo decal. (Prior to developing the Strat, Fender visited the Martin factory and was shown some of the old Stauffer/Martins with the round-hooked Eastern European headstock shape.) These all featured chrome Sperzel tuners, brass nuts, twin humbuckers, threeway selects, two volume and two tones with chrome dome knobs, and a Leo Quan Badass bridge.


Much like the FG series model we have talked about above, this guitar is made solid and has passed Yamaha's unforgiving quality control. You know precisely what you're getting and how it'll perform because each guitar in this line-up is exactly the same as the next, with no discernible variation. They went with a nice solid Sitka spruce top in combination with a rosewood back and sides. This should tell you right away that the guitar is going to be very responsive aurally.
A continuation of the 7-string, adding another string a perfect fourth lower than the seven strings low B. The eight string guitars additional low F♯ string is just a whole step up from a bass guitars low E string. While luthiers have been building these instruments previously, mass-produced Eight-string electric guitars are a relatively recent innovation. Ibanez was first to offer a production eight-string guitar in March 2007.[46] Many other companies now produce mass-market eight-string models, yet these guitars remain relatively uncommon.
Slot Peghead vs. Solid Peghead (steel string models): Most models converted from a 12 fret slot peghead to a 14 fret solid peghead around 1934 (except the OM series, which went 14 fret in 1929/1930 and the style 17 and 18 models which were available in 14 fret style in 1932). Basically if the guitar has a 14 fret neck, it will have a solid peghead. If it has a 12 fret neck, it will have a slot peghead. Note there were some post-WW2 gut string and classical models (i.e. 0-16NY) and some post-WW2 special order steel string guitars (i.e. 1967-1993 D-18S) which always have a slotted peghead.
Do these sites harm the artists, or do they spread the understanding of music? Do they generate more sales of music, or reduce it? Do they provide education and stimulate participation by young people in the creation of music? Do they remove the incentive for artists and publishers to faithfully reproduce official versions of TAB, lyrics, or music notation or do they encourage people to seek official versions when they find the unauthorized versions lack the detail or accuracy they demand?
When considering the guitar from a historical perspective, the musical instrument used is as important as the musical language and style of the particular period. As an example: It is impossible to play a historically informed de Visee or Corbetta (baroque guitarist-composers) on a modern classical guitar. The reason is that the baroque guitar used courses, which are two strings close together (in unison), that are plucked together. This gives baroque guitars an unmistakable sound characteristic and tonal texture that is an integral part of an interpretation. Additionally the sound aesthetic of the baroque guitar (with its strong overtone presence) is very different from modern classical type guitars, as is shown below.
In any given field there are a handful of companies that rise above the others. This is true whether you are talking about cars or golf clubs or chainsaws, and of course it is true if you are talking about electric guitars. Some brands have proven themselves as the best of the best. They’ve created the most legendary instruments in music history. If you are looking for a new guitar, one of these companies is a smart place to start.
Randall is a guitar amp manufacturer that specializes in high-gain sounds, and they are revered in the metal community. A Randall tube amp is a force to be reckoned with, but thanks to the late Darrell Abbott of Pantera and Damageplan their solid-state sounds are just as legendary. Dime loved the harsh, scooped sound of Randall amps, and it became his signature sound throughout his early career.

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The Marshall JMP Super Bass is a 100 watt amp. Lemmy, bassist/lead singer of Motörhead, used numerous of these amps to drive cabinets with four 12" speakers and others with four 15" speakers. His amps were labelled named “Killer,” “No Remorse,” and “Murder One".[5] The Peavey Mark IV is a large, solid-state amp providing 300 watts at 2 ohms; the Mark IV was known for its affordable price and its reliability.[6]
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Other unique features of this wonderful guitar are the 70’s styled headstock logo which effectively rounds out the look of this American instrument very nicely. Weighing just 7.2 pounds, the guitar is of pure single coil bliss! It sounds great as all Teles do and it plays like a dream. For every guitar lover, this is a true workhorse instrument to get.
Sometimes a pitch shifter will retain the original signal while adding in the new shifted pitch.  The new shifted note can be set at a given intervallic distance from the original and will automatically harmonize any given series of notes or melody.  In short, it will harmonize the guitar by duplicating the melody at a 3rd, 5th, or whatever interval you define.
During the NSF grant cycles, the STEM Guitar Project has exceeded initial estimates of faculty impacted by recruiting over 450 STEM educators, with an additional 500 faculty exposed via national education conferences. Thus far, this effort is impacting over 20,000 students nationally over the 8 years because of faculty members adopting or adapting the curriculum developed through the project.
Finally, amidst all the considerations about tops and shapes and tones, don't underestimate the importance of choosing a guitar that you like. Choose one that feels comfortable, whether you are sitting or standing. Make sure you pick a guitar that responds to the way that you play, and don't settle on a "good" guitar if you don't like the way it sounds to your ears.
A lot of folks really like Squier guitars. In most cases, I'm not one of them. Fender’s economy guitars (Squiers) are cheap, coming in under $400 (often $200 or less), which can be an attractive option for a first-time buyer. However the price difference between a Squier Strat and a real deal Fender Strat isn’t big enough to make up for the quality hit you take when you buy a Squier.
Don’t feel like you have to spend a fortune either. While there are some very pricey boutique pedals on the market that get outstanding reviews, there are also affordable pedals that will do the job just fine. Consider brands like Boss, DOD and MXR for some great pedals at affordable prices. If you end up with a pedal you don’t like as much as you thought you would, you can always trade it in and get something different.

Another unusual bass amp is Ashdown's B-Social combo amp, which the company calls a "desktop amp".[10] The 75 watt combo amp has two 5" speakers, which provide stereo sound. While some keyboard amplifiers and electric guitar amplifiers provide stereo sound through two speakers, this is a rare feature on a bass amp. The B-Social provides Micro USB and Bluetooth 4.0 connections for hooking it up to a desktop computer. The amp is versatile enough to be used for playing bass, playing recorded music or streaming music as a home entertainment centre, or for amplifying video game sound effects.[11] The amp has a special socket for connecting amp and cabinet simulation and effects unit apps which can be downloaded on iPhones and iPads. The amp was called "B-Social" because it has a second input, so that a bassist can jam with another performer. The B-Social's USB audio interface can be connected to Digital Audio Workstations for sound recording.[12]
Note: The concept is buried in first understanding the other meanings of the word custom. Although “made-to-order” is a correct characterization where you can personalized the headtsock with your first or last name or initials and you can CUSTOMIZE YOUR GUITAR: Mahogany, Alder, Maple, Bass Wood, Right/Left handed guitar, Body colour, Neck profile, No dots on fretboard and Fret size. Our Custom Shop Guitars referred to in this site as drawing "inspiration" from the major guitar brands and any reference to custom shop brand names or "Inspired by" are made strictly for comparison purposes only.

Electric basses tend to use a medium jumbo fret as most Fenders have thru the years.  There are some folks who like the medium or even the very narrow/small mandolin fretwire for basses – this is more of a vintage feel, like the earliest Fender basses (Fender created the Precision Bass in 1951).  Since string height for bass strings is higher due to gauge and tuning, they are easy to grip and many bassists do not seem as concerned about fret height as guitarists.


After the success of the DD-500, RV-500 and MD-500 units, Boss's GT-1000 is a floorboard combining all three. Sleek and modern, it's a formidably robust beast. To the rear, there’s the usual array of inputs and outputs, including USB recording out and an input for an additional expression pedal plus jacks to insert two mono pedals, or one stereo external pedal and a nifty send for amp channel-switching. In terms of editing, it’s not the most intuitive. For example, when you switch between patches in a bank, you’re not just turning off, say, a ‘Tube Screamer’, but switching to a different chain that doesn’t have a gain block - standard in rack-style processing, but tough for beginners. Sounds-wise, the 32-bit, 96khz sampling finds the GT-1000 punching above its weight, and on the effects side, there’s a wealth of modulations, delays, reverbs and drives. If you run a larger, more traditional pedalboard, perhaps the so-called ‘Bossfecta’ of the MD, RV and DD 500-series units would provide more flexibility, but for most players, the GT-1000 is a highly practical solution. 

The Canadian firm Godwin is another popular name for producing best quality electric and acoustic guitars. (Have you heard of Seagull acoustic guitars? It’s the same brand.) Godwin outshines among the world of guitars due to producing high-end instruments with surprising variations. They even manage to touch bass too. Not only the Godwin guitars depict quality, but also reflect classiness.
Unfortunately this guitar does not come with a solid top, but for its price you really can't expect much. Still, it is much better than what guitarists of old had to start out with! If you are looking for a beginner's guitar to test the water or if budget is limited, then you should check out the Epiphone DR-100. It currently comes in 3 colors - Ebony, Natural, and Vintage Sunburst (my personal favorite among the three). The MSRP is 182.00 but most online guitar shops sell it for $109.
By and large, time-based effects split the guitar output into two identical signals and momentarily hold one back while allowing the other to play in real time. The two signals are mixed back into one at the output. Usually you can control the length of the delay and the amount of the signal that is affected versus the part that stays "dry" (unaffected). This latter control—found on most effects—is usually called the level control.
Power amp clipping is not the same thing as preamp/preamp tube clipping. Sending a power amp signal that is getting power amp clipping to a speaker can blow the speaker. Sending a preamp/preamp tube clipped signal through a speaker is not harmful. In practice, part of the "breaking up" amp sound, of a "cranked" amplifier, which is widely appreciated by hard rock, metal, punk and blues musicians, is a mix of preamp and power amp clipping. One of the benefits of using a separate components head system, in which a separate preamp and power amp are mounted in a rack, is that the bassist or bass tech can watch for the clipping warning LED on the power amp and lower the power amp volume, if necessary.
For our example pedal board, we’ll pick the ST-2 Power Stack. Another category with many choices is modulation.These are effects like flanger, phaser, chorus, tremolo, and others. Let’s use the most versatile of these—the BF-3 Flanger. Another group is ambience effects, such as delays and reverbs. We’ll use one of each: a DD-7 Digital Delay and the FRV-1 ’63 Fender Reverb. There are some pedal effects that can add notes or alter the pitch of what you’re playing. For want of a more esoteric name, we’ll call these “pitch-altering” pedals. From this category, let’s throw in a BOSS OC-3 Octave.
The E minor chord is one of the simplest to play because you only use two fingers Take extra care not to allow either of them to touch any of the open strings, or the chord won't ring properly. Strum all six strings. In certain situations, it may make sense to reverse your finger position so that your second finger is on the fifth string, and your third finger is on the fourth string.
Yet another acoustic steel guitar for the right handed guitarists. It has 6 strings and mostly comes in tobacco sunburst without a case. The perfect design makes it suitable for use by beginner guitarists. The sides and the back are made of meranti, with a spruce top. It is quite cost effective, with prices ranging from around INR 8,500 depending on available offers. More about Yamaha F310 TBS can be found on the following website link.
Gibson is the brand that made the epic Les Paul model. It was made by a man named Les Paul. He is the man behind the company and the brand has made some of the finest guitars of all time. It has modeled for entry-level to expert level players. This is one of the best among popular brands of electric guitars. Mr. Orville Gibson founded this company in 1902.
Every single pickup on this Godin XTSA is awesome in its own right, but the best part of it all is dialing ina combination of the two. By virtue of its quality, it gives plenty of power, possessing a wonderful sounding high end cutting through, which makes it possible for you to hear it over the keyboard and the bass. With this electric guitar, you can get a beautiful acoustic sound and a really fat and great sound as well.

Guild is an American guitar company that makes some amazing semi-hollow electric guitars such as the Starfire and the Aristocrat. These are guitars that nail the retro-rock sound and have the looks to match. Many classic Guild models have been revived through the Newark Street collection. While these guitars are cool beyond words, where Guild really shines is in the acoustic arena.
Another clarification about brand names is in order. Teisco guitars can be found mainly bearing at least eight brand names: Teisco, Teisco Del Rey, Kingston, World Teisco, Silvertone, Kent, Kimberly and Heit Deluxe. Teisco was the name used mainly in Japan but also on a few occasions here in the United States. Most Teisco guitars were imported into the United States by Chicago’s W.M.I. Corporation � originally owned by guitar importing pioneer Jack Westheimer � bearing both the Teisco Del Rey and Kingston brand names. By the mid-’60s W.M.I. was providing Teiscos to Sears and Roebuck carrying the Silvertone moniker. I’m not sure the World Teisco brand ever got to the U.S.; my guess is that it was an export designation that went to other markets. Some of the early Kent guitars imported by New York’s Bugeleisen and Jacobson were purchased from Teisco. The distributors responsible for either the Kimberly or Heit Deluxe brand names remain a mystery at this time. It is possible that you may encounter other brand names on Teisco-made guitars sold through other distributors, but these will be in a minority. If you know of any other names, please let us know.
Recently had an Epiphone acoustic...irritating twangy sound and always falling out of tune. The body of the guitar is so large it's uncomfortable, even holding down the strings felt as though I would be drawing blood any minute. I hated to practice because of the sound & pain, traded it for the warm sound of the fender. Not only am I playing better, but holding down the strings doesn't hurt nearly as much (a little expected) and I can't wait to hear it. Now I understand how the phrase "it's music to my ears" came about. I'm in love with my Fender.
Most bass combo amps and bass speaker cabinets are "front-firing"; that is, the speakers and horn, if a horn is present, aim forwards. However, because very low-pitched sounds are omnidirectional, some combos and cabinets have woofers that point down or to the rear. The deep bass tone radiates from the cabinet in all directions, even when it is pointed downward or to the rear. The Acoustic Image combo bass amp has a downward-firing woofer for the deepest pitches, and another forwards-firing speaker for higher-pitched sounds. The vintage Acoustic brand 361 cabinet had a rear-firing 18" woofer, an approach used in a number of home cinema subwoofer cabinets. The rare examples of bass cabinets that use a large folding horn can also use woofers that do not face forward.
Black trapeze tailpiece with a diamond. For Gibson guitars including the following models- L-50, L48, ES-125, ES-330, etc. Please make sure to check the specs to see if they match your instrument to verify it is the correct replacement. Overall length of Tailpiece not including hinge = 4 5/8 inches. Side to Side width at bar = 3 19/64 inches. Width of string bar = 47/64 inches. String Spacing at Bar = 1 61/64 inches. Important Hinge/Mounting Specs: Mounting Area of Hinge length = 1 1/2 inches. Mounting Area of Hinge Width - 2 inches. Mounting hole location bottom center = 11/32 inch from bottom edge. Two Mounting hole locations from side edges = 5/16 inches. Two mounting hole locations Apart from eachother = 1 25/64 inches. Upper side of hinge length = 1 1/8 inches. Upper side of Hinge width = 1 25/64 inches.
There are tons of different online retailers and ebay stores that you can find a great deal on parts and supplies, but those were just some of the ones that I have purchased on and been satisfied with their service and parts. NOTE: Do your research when it comes to parts and the quality of the parts you buy. I like to get feedback and reviews from Harmony-Central. You might not be able to get reviews on everything, but it helps you out allot.
Let’s start with body style. This is quite simply the shape of the guitar’s body, and there are potentially a lot of them to consider. As a general rule, the larger the body, the more resonant it will be, giving it a deeper, richer tone. This is clear for things like the hummingbird, with the big square shoulders, and the dreadnought style body, which is generally the largest body type you’ll encounter. The drawback of larger bodies of course is that they’re more cumbersome and less ergonomic to play.
As cool as these little amps are, they only have a fraction of the features you’ll find in their larger, more powerful big brothers. But, they are more than enough for a newbie to get started on, and they meet and exceed the criteria I outlined in the beginning as what to look for in a good starter amp: They sound good, they are flexible with good overdrive, multiple channels, solid EQ sections and some even have built-in effects.

The pedal rocks forward and backward like a see-saw as you rest your foot on it. Move the pedal to get the wah effect. On some pedals, there is a switch under the toe end to switch ceon straight-through (no effect) to using the wah effect. This means that when you switch it on, it's always in the "aaaa" position. You can hear this in some of Hendrix's work.
There are two basic tremolo circuits found in classic amps; power tube tremolo and photocell tremolo. They produce basically the same effect, a fluctuation in volume. For the best definitions I have come across I’ll borrow from the Strymon website: “Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit.”
You may not have considered Orange Amplifiers before, but they’re a company with a history that dates back to the early days of hard rock. If you watch footage of rock bands from the 1960s you’ll see Orange amplifiers onstage almost as much as Marshalls. The British amp builder has had its ups and downs since those glory days, but today Orange is as strong as ever.

Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Neck Wood: Maple & Walnut - Fingerboard: Maple - Frets: Jumbo - Inlay: Black - Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line, Reverse - Bridge: Lo-Pro Edge - Hardware: 1x Volume Control, 1x Tone Control, 5-Way Switch - Pickups: DiMarzio - Pickup Configuration: H-S-H - String Instrument Finish: White
It's the perfect guitar ... for someone else!  So your buddy just gave you his 7-string death avenger before heading off to college cuz he knew you wanted to learn to play.  Nice, but what he did NOT know is that you hope to be the next string-bending Tele-twangin' Brad Paisley.  It ain't EVER gonna happen with you wielding the death-star, sell her to a metal head and getcha that Tele!
He has a way about him that makes you stop and listen, but he isn’t in your face. His sound is very melodic, which is why his tone was so perfectly matched to answering the needs of the vocals, yet he still holds his own in every tune. Bright, confident and edgy, he is a serious guitar-player and he has no intentions of holding back! People often say that he carries humour in his music, which is quite a clever characteristic to portray with this piece of equipment.
The following chart will help you choose the right sized guitar for your child. It is important to note that guitar size is only one part of making it easy for your child to play. An un-adjusted guitar will not be easy to play, even if it is the right size. Here at FirstGuitar.com, each guitar is inspected, properly adjusted and set up so that the strings are easy to press down and the notes ring clearly.
The Kaman Corporation soon diversified, branching off into nuclear weapons testing, commercial helicopter flight, the development and testing of chemicals, and helicopter bearings production. But in the early 1960s, financial problems due to the failure of their commercial flight division forced them to consider expanding into new markets, such as entertainment and leisure. Charles Kaman, still an avid guitar player, became interested in the making of guitars.[2][6]
I have a 12-string Lyle in really good shape. Bought as a b-day present from me back in late 1970's from a pawn shop. I need to take it to a luthier to have it set up better, but it sounds really good. Just right now the action is a little high, but not that much wear. For a long time, I put it away, finding it hard to chord as a relative newbie back then. But now, I am more than ready. It does say it was made in Korea ~ which makes it seem a little more rare. The sound is still great or maybe even better! Wish I knew what it was worth, but I hope the guy I find to set it up will know more.
Rule 3 - Experimentation occurs within these groups of effects. While these three major groupings need to follow a strict order, the effects within those groups can be toyed with to invent new sounds. For instance, you can apply a reverb to your echo delay or apply an echo to your reverb. But that general group of time-based effects needs to come at the end of your effects chain, regardless.
“The acoustic guitar is something you can travel with easier and make money with easier,” Salas said. “When I used to tour with Rod Stewart, we had jets and gigantic trucks but now there’s no record-company support so no there’s tour support. Record companies aren’t offsetting the tour expenses because they can’t make their money back in record sales.”
Overdrive / distortion pedals are one of the most important effects on your board and are very much a personal taste. The ones on my pedal board change all the time, I have more than a few that I really like; Analogman King Of Tone, Pete Cornish SS-3, Ibanez Tube Screamer, Boss Blues Driver, Nobels ODR-1,  Zen Drive, MXR Distortion +... and I like and use all of them. Probably my all-time favourite os the King Of Tone, but on a budget, the Nobels ODR-1 is great value and runs with the very best!

At one point, Fender switched to producing guitars with the bridge pickup located farthest from the highest-amplitude portion of the vibrating strings, slightly “over-wound”, thus increasing the signal output from that pickup. Even more overwound pickups (“hot-wired” designs) became popular, either for all three pickups (a “hot” configuration), or for the bridge position only (so-called “Texas Hot” due to its popularity among Southern Rock guitarists).

When you’re just getting into the electric guitar, there are a lot of items you’ll need to get going. This includes the guitar itself, tuners, straps, an amp, a bag or protective case, a stand, etc. Buying it all piece by piece can be rather expensive. It’s much more practical in financial terms to opt into one of the many starter packs on the market. If you want to know which ones are worth your time, here are the 8 best guitar starter packs for beginners:
48-HOUR RISK FREE TRIAL PERIOD (Includes guitars, effect pedals; excludes speaker cabinets and amps). Returns for 100% refund will be issued if the customer expresses their desire to return the item by email, phone or Reverb Message, within 48-hours of receiving the product. If done so, Moore Guitars will issue a FedEx prepaid and insured shipping label via E-mail at our expense. We require that the item be return shipped within 24 hours of contacting Moore Guitars of your desire to return the item. If the item is not shipped within the 24 hour time period the you will be moved to the next tier of our return policy. This is our "try it out in your own jam room" return policy. Just FYI, this is not a "Gig it, and Return It" Opportunity. Items purchased during Official Sales Events are not eligible. See "After 48-Hours" for returns on these items. AFTER 48-HOURS Returns after 48 hours and up to 14 days may be authorized and a full refund will be issued for any item, for the purchase price. Moore Guitars will issue a FedEx prepaid and insured shipping label via E-mail. If your purchase originally qualified for free shipping, the actual shipping charges will be deducted from your refund, as will any/all return shipping charges. Returns occurring between 15 and 30 days will be exchanged for 100% toward a trade of equal or lesser value of in-store product, OR 85% of the purchase price less shipping to and from the customer. All returns for any reason and at any time must be cleared through a Moore Guitars Representative. No exceptions. Any damage due to shipping must be reported immediately upon receiving the item. If an item is damaged due to shipping, we will refund the purchase price and the shipping costs to ship the item back to Moore Guitars. All returned items must be complete, unregistered and in the original condition and packaging with all accessories and complete documentation (Owner's Manual, Warranty Card, quick start guides etc.) No returns on Special Orders, Pre-orders, Trades, Close-outs, or Blow-out items. Return requests on all non-domestic United States shipped items must be submitted via email or phone within 24 hours. A full refund will be issued less shipping costs to and from the buyer on any item once we have received it and inspected it. No refunds will be issued for non-domestic United States shipped items after the 24 hour window has closed. ALL RETURNS ARE SUBJECT TO AN INSPECTION BY A MOORE GUITARS REPRESENTATIVE AND A REFUND WILL ONLY BE ISSUED ONCE WE DEEM THE ITEM TO BE IN THE SAME CONDITION AS WHEN WE SHIPPED IT. Our return address is- Moore Music, 301 North Royal Avenue, Evansville, Indiana 47715 Thanks, The Crew at Moore Guitars
A volume pedal does the same thing a volume knob on a guitar, but it allows you to control the volume with your foot. It is not a boost, it just allows you to sweep between zero output and the full output capacity of your instrument. Many guitarists use a volume pedal, also sometimes referred to as an expression pedal, to create pedal steel-like swells, where a note or chord is played, then the volume is slowly and smoothly raised. Volume pedals can also be used as a boost effect, by simply playing at less than full volume, then stepping on the pedal to go to full volume momentarily when you need the extra boost. Volume pedals can make a standard electric guitar sound like a pedal steel when used with a well-practiced foot technique.They can also be an important pedal to have in your toolbox when playing in a band with multiple guitars.
We've already heard the story of Muddy's rise from a Mississippi planation to a Chicago blues legend but that only took his career so far, at least in his chosen style of music. Eventually, bands that were influenced by Muddy like the Rolling Stones (named after one of his songs), Animals, Yardbirds, Cream and Hendrix became big, raising Muddy's profile but not getting him the same level of success his descendants were having. Marshall Chess, son of the president of the label who worked at the company had the idea to try something different by putting Muddy's music into a psychedelic setting to appeal to a younger audience. After discussing the project with Muddy, he went for it. He wasn't forced into it as some have been led to believe.

In order to trigger these notes, a MIDI guitar controller is needed. Alot of work just to recreate what you can do on a real guitar. The only advantage to this technique, is the ability to take a MIDI track, creating this way, and substitute different guitar models to audition what might sound best. Also, the MIDI guitar track can also serve as an educational tool and how a part is performed.

The first of these guitars was the Slash “Snakepit” Les Paul Standard, which was introduced by the Gibson Custom Shop in 1996. It has a transparent cranberry red finish over a flame maple top, a relief carving of the smoking snake graphic off the cover of Slash’s Snakepit‘s debut album, It’s Five O’Clock Somewhere, hand carved by Bruce J. Kunkel (owner of Kunkel Guitars – kunkelguitars.com), and a mother of pearl inlay of a cobra wrapped up the length of the ebony fretboard. Production was limited to 50, with Slash receiving the first four including the prototype, the only one with the carving on the body turned 90 degrees to be viewed right side up when displayed on a guitar stand. In 1998 Slash’s studio was broken into and his guitars were stolen, including the “Snakepit” prototype, so the Gibson Custom Shop built him a replica. These guitars are by far the rarest and most collectible of any of the Gibson Slash signature guitars, they sold for around $5,000 when new, the Hollywood Guitar Center was asking $20,000 for one in 2002.[citation needed] In 1997, Epiphone released a more affordable version of the “Snakepit” Les Paul, featuring a decal of the smoking snake logo and standard fretboard inlay.[32]
Just start out small, when i first started playing guitar I wanted to learn every metallica song there is, and sure enough I did, it took me about 5 years to get there and a bunch of different gauges eventually with time you start to develop the feel for what gauge satisfies you the best. Now I mostly use hybrids ranging from 10-13's, but just like everyone I started out with softest strings that are out there in existence but I used to break them alot so there were many beers out there that I didn't get to drink because the will to play guitar was stronger hahaha. But in the end it was worth it cause now I get to have all the fun on the guitar, and all the chicks are digging it hahaha, no they're not. And one more thing never obey the rules it's just something that stuck up guitarist make up because they don't want to be outdone find out what pleases you the most and keep on doin that.
Reverb is one of the earliest effects for guitar players, originally built into the amp itself like the Fender Deluxe Reverb and Super Reverb. Traditional spring reverbs actually send the guitar signal into the springs causing them to vibrate and simulating reverb. With the advent of digital technology reverb units pedals made their way onto the market but mostly as rack units, but as technology improved and shrank many of those units can fit into a pedal now.
Phaser – A frequency-based effect that makes a swirling, swooshing filtered guitar tone. Phasers use the principle of “phase” cancellation in which a filter passes over your guitar tone flipping the waveform at specific frequencies. This signal is then combined with your original guitar tone to give the iconic phaser effect used in songs by Van Halen, Pink Floyd and Smashing Pumpkins to name a few.
Rock ’n’ roll is an industry that’s continually pushing musical, social, and cultural boundaries, and the electric guitar is its iconic instrument. The acoustic version has been around since at least the 16th century. So when I first started working with co-curator Gary Sturm on an exhibition about the invention of the electric guitar at the Smithsonian’s National Museum of American History, our driving question was: Why electrify this centuries-old instrument? The simplest answer: Guitarists wanted more volume.

Two full steps down from normal tuning. Used by bands such as Queens of the Stone Age, Kyuss, Sleep, Spiritual Beggars, In Flames (until Clayman), The Black Dahlia Murder, Asking Alexandria on Reckless and Relentless, Bring Me The Horizon, Architects, First Signs of Frost, Dismember, Dethklok, Immolation, High on Fire, Cold, Dream Theater, Arch Enemy (since the Angela Gossow era), Entombed, Amaranthe, Nails, Cataract, and The Smashing Pumpkins.
Coming from Martin's Travel Series, the LX1E Little Martin has smaller proportions, with a total length of 34", body width of 12", shorter scale length of 23" and 1 11/16" nut width. While it can be a bit too small for some, it is easy to appreciate its impressive workmanship, bearing the same build quality and materials as found on their more expensive models. With the LX1E, you can own an affordable Martin guitar that has been proven to be a true workhorse instrument.
Good questions. Firstly, swapping the saddle around has the effect of moving the tapered top edge of the saddle closer to, or farther from (depending on which way it was to start with) the front of the bridge. If you're wanting the string to be as long as possible, for example, you'd need to make sure the saddle is oriented in such a way that the tapered edge is at the tail end (farther from the pickups). If you look at my pictures above, you'll see that my D-string saddle is originally oriented in this way, but in my case I need to SHORTEN the string, so I rotate it and this gives me more forward adjustment. Since you need to do the opposite of me, you'd therefore need to make sure your saddle has the same orientation as what mine had BEFORE I changed it. I really hope that makes sense.

Then, in the late ‘60s, two things happened. First, Unicord was purchased by conglomerate Gulf+Western around 1967. Then, Unicord was merged with a company called Merson, which housed brands like Tempo, Giannini and Hagstrom. It’s not certain what the exact timeline of these events were, but once the merger occurred, Univox up and moved its production from New York City to Westbury, NY. However, that didn’t stay static for long.

A Power attenuator enables a player to obtain power-tube distortion independently of listening volume. A power attenuator is a dummy load placed between the guitar amplifier's power tubes and the guitar speaker, or a power-supply based circuit to reduce the plate voltage on the power tubes. Examples of power attenuators are the Marshall PowerBrake and THD HotPlate.
Some of Jackson’s most famous models – such as the Soloist, the Kelly and the Rhoads – are a common sight on the biggest stages around the world as the biggest names in metal use them, including Randy Rhoads, Adrian Smith, Marty Friedman and David Ellefson. Thankfully it’s not just premium guitars on offer, meaning guitarists on a budget can easily pick up a quality Jackson (the Dinky Series in particular) for just a few hundred bucks.

Arch top body size is equivalent to the flat top 000 body size, 15" wide across the top, carved spruce top, back is not carved but is arched by bracing, rosewood back and sides, 5-ply top binding with pearloid outer layer, elevated tortoise pickguard with b/w binding, backstripe of two horizontal lines surrounded by two rows of diag lines (like a Style 45), bound ebony fingferboard, style 45 fingerboard snowflake inlays, trapeze tail piece, vertical "Martin" peghead logo, bound peghead, gold plated parts, sunburst top finish.
Effects can inspire you with new creative ideas, or just help you sound like your musical inspirations, go for it. I would urge you to consider a multi-effects unit like a Digitech RP series, or Line6 PodHD series. They can provide you with many options to try before you figure out exactly what you want. Many units can be had pretty cheap used, and as a bonus, most will act as a usb interface, and let you record your playing (for better or worse) to computer. – Michael Cook Apr 29 '13 at 21:39
Check the action and clearance of the guitar strings by playing it before you begin setup. There should be 3/64-inch between the fret and the string on the treble side, and 5/64-inch on the bass side. Check that there is no buzzing when you play high up on the neck, and that the strings are not too difficult to push. If you hear buzzing, the neck must be corrected for underbow; if the strings are too far from the frets, the neck must be corrected for overbow.
I have been using it since 3 years. It is not even costly. Its good looking and I think its even better than gibson. It even very easy to tune for it has a very good sound quality. More over it has a beautiful look like a guitar. Even a beginner should be advised to buy this guitar for it cost a minimum of 3000 rs. So as it is less costly and more quality it's the best for me. I even like lakewood but its cost is just my dream.
They say the formula for how many guitars to own is n + 1, where n equals the current number of guitars you already own. Now that we know that you’ll be buying another guitar, I’ve put together a list of the top 15 acoustic guitars for under $500. A top 10 list just wasn’t going to cut it here, as there are so many great choices under $500. If $500 is too much to spend, check out my guide on the best beginner guitars that come in under $300.
Emerald City Guitars is the professional’s choice for guitar repair in Seattle! A partial list of some of our more well known clients: Bill Frisell, Billy F. Gibbons, Jimmie Vaughan, The Black Crowes, Pearl Jam, Jessica Dobson & Deep Sea Diver, Telekinesis, The Walkmen, Lynval Golding, The Supersuckers, Mudhoney, Randy Hansen, Death Cab for Cutie, Clinton Fearon, KD Lang, Henry Cooper, Alien Crime Syndicate, Orbit Studios, The Lonely H, Mars Hill Church, Fleet Foxes, The Magic Mirrors… and YOU!
From the 1860s on, fan bracing became standard in Europe. Martin and other American builders including Washburn and others since forgotten (Schmidt & Maul, Stumcke, Tilton) used X-bracing instead.[3] The sound of X-bracing may be considered less delicate with gut strings, but it prepared the American guitar for steel strings, which emerged in the first quarter of the 20th century.
New, used, nylon or steel string — or electric — for your first guitar take your time, choose carefully and never be afraid to ask for advice. Best of all, search for a good music shop near you and actually pick up the guitar, pluck the strings, listen to the sound. The people behind the counter want to help you, so that you come back for another guitar — and another, not to mention strings, string cleaner, capos… Don’t forget, this isn’t just buying any old guitar. This is the beginning of your dream coming true.
The MS-50G lets you use up to six of effects simultaneously, from its large pool of digitally modeled effects (47) and amps (8). And all of the settings and parameters are adjusted via its intuitive interface, albeit with just a single footswitch. You can save each preset you create or edit, just store them into the pedal's 50 memory banks. This flexibility gives you an unprecedented tone options. Other noteworthy features include its built-in chromatic tuner and its versatile power options, which include 2 x AA batteries or via a USB power source.

As suggested by the numerical designation, Martin’s 28 Series was essentially an upgrade or refinement of the earlier 18 Series. Martin typically indicates fancier materials and appointments with a higher number (a D-28 is fancier dreadnought than a D-18, etc.). These consisted of one guitar, the E-28, and one bass, the EB-28. The first prototypes appeared in June of 1980; production began in January of 1981.

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One last note concerning the use of compression: Be careful. Compression occurs naturally in overdriven tube amplifiers, and overly-compressed clean settings or direct guitar tracks can sound harsh, with an exaggerated picking sound. We hope that having read this article, you'll approach the process of recording the electric guitar with a new insight and fresh ears, and wish you the best in your quest for the ultimate tone.
Went here for the first time yesterday to get the strings replaced on my acoustic guitar. Kevin, the owner, completely encompasses the definition of true customer service. He not only was professional, courteous and friendly but also willing to talk me through the process as he was re-stringing my guitar when I asked if I could watch and learn. I highly encourage coming here, especially for a an excellent and personal experience! I will be back no doubt!
2.  Cracked peg head.  Customer “fixed” with mystery glue and a wood screw.  Result:  Peg head and neck shaft not aligned. Fix: If the peg head can be re-broken you may be able to re-align the neck and re-glue (if it was glued with aliphatic glue you won’t be able to as the glue will not stick to itself).  The joint may have to be resurfaced and new wood may have to be inserted, possibly a spline as well.

"Craftsmanship, materials, and dimensional design are combined to make this one of Alvarez' most outstanding models. It has fine projection, sensitive response, and speedy action. The inlaid Tree of Life design on the rosewood fingerboard adds to its graceful distinction. Sides and back of flame grained rosewood are bound with ivoroid. Machine heads are chrome enclosed for longer life. Tuning is fast and precise. Slender mahogany neck with adjustable steel rod reinforcement. The top is select spruce chosen for its acoustic quality."


Martin is an American guitar company specializing in acoustic guitars. Most of their instruments are still built at their facility in Nazareth, Pennsylvania, and their legacy dates back all the way to 1833. Martin, in many ways, has helped to shape the look and sound of the American acoustic guitar. In fact, they invented the now-classic dreadnought shape in an effort to help American country musicians who wanted more projection out of their guitars onstage.
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While I have been able to find ways to get it to work for me most of the time, I have found that the controls for the video looping feature are not as precise as I would like them to be. There is definitely room for improvement. Another thing that I am missing is the option to control the speed of the video playback. Some competitors allow for the video playback to be slowed down or sped up while retaining the correct pitch. Guitar Tricks have been listening – Improvement have been made!This is a great help if you want to practice to play along at a slightly slower speed or if you want to review something in more detail. Luckily I have found a little helper too that allows me to control the speed of the video until Guitar Tricks are including this feature into their video player. I am using the MySpeed tool from Enounce. They advertise it to speed up videos to save time watching them. It also works a treat slowing videos down.

In the fall of 1954, Daniel started production of solidbody guitars for Sears, under the Silvertone name. He also produced the same guitars under the Danelectro name, sold to other jobbers. These early models didn't have truss rods but had a 3/4" square aluminum tube beginning at the peghead and through the body to the bridge. The bodies were constructed of solid Poplar wood. The Silvertone models were covered with a dark maroon vinyl covering, while the Danelectro models were covered in a whitish tweed material. Both lines came with either 1 or 2 pickups, concealed under a baked melamine pickguard. Concentric stacked tone and volume knobs were used on the two pickup models only. Notably, when both pickups were used together, the tone was much stronger. This was due to wiring the pickups in series, instead of parallel like most other maker's two pickup guitars.
A little bit of history will make this clearer… The original Fender Stratocaster switches were 2-pole 3-way switches (that’s actually what I have on my schematic, I think you’ll see why in a bit) and were intended only to select either the neck, middle or bridge pickup. However these were “make before break” switches where, as the switch is moved across from one position to the next, the next contact is made before the previous contact is broken. People found that if you could get the switch to rest in between those three positions that you’d actually have both neck and middle or middle and bridge pickups connected at the same time and, most importantly, it sounded good! It became a common thing to rest the 3-way switch in between the positions, so common that in the 60’s people were filing notches in the detente mechanism of the 3-way switch. These became the “notch” positions. In the 70’s, Fender adopted this popular mod into their stock switch thus becoming what we now use and call a 5-way switch but is, in fact, a 3-way switch with 5 positions.
I estimate that fewer than one in a thousand of all Axe-Fx units in the word today are used on world-class stages with great PAs. In fact, MOST players probably don’t use a P.A. at all, or rely on one to bring their personal sound to the venue (with the same caveats they’d have when mic’ing a traditional amp). These players use personal stage monitors, power amp and speakers, or a traditional guitar amp. And all of the things I’ve just mentioned should also be placed next to the many guitarists who are not playing on stage at all, ever. Studio monitors—whether they are modest to magnificent—give you a really satisfying new way to play.
In fact, guitarists are on a whole different planet when it comes to defining cool. When you play guitar, you can get away with all kinds of acts normal people could never attempt. Face it: An ordinary dude could not walk down the street wearing a leopard-skin jacket, high-heel cowboy boots, flowing silk scarves and dozens of silver bangles without getting beaten up within minutes.
The guitar's history mirrors the cultural values, preoccupations, and norms in the United States over time. So, too, does the guitar's design, especially since the development of solid-body guitar construction by the 1950s. Because the sound produced by solid-body electrics does not depend on their shape, makers could experiment with a wider range of guitar designs. This era's seemingly radical instruments echoed the popular cultural focus on space-age modernity. The Fender "Strat" recalled the modern tail fins and imaginative colors of Detroit's cars, while the Gibson Flying V literally appeared ready for takeoff.
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The guitar is one of the most beloved musical instruments of all time. Guitarists tend to wear that title with pride, and their instrument becomes an extension of the player’s distinct personality. Because of this, players tend to develop a strict loyalty to the guitar brand of their choosing. Luckily, there are many great options out there today, with niches that cater to virtually all genres and styles. This guide will weigh the pros and cons of the five best guitar brands on the market, to help you make as informed a decision as possible on which brand will best suit your needs.
Despite racial laws still in place at the time, the youngsters knew that they were buying African American music and it didn’t stop them. The shallow radio pop music no longer appealed to them and they found blues music expressed many of the emotions and views. The kids felt a connection to the music, they felt frustrated and wanted a voice and culture of their own.
In late 2013, it was announced that Absara Audio of Port Jefferson Station, New York, had purchased the rights to the Supro trademark from noted electronic engineer Bruce Zinky.[7] Zinky himself had used the Supro name for a series of amps beginning in 2005 from his company, Zinky Electronics. Absara announced in January 2014 that a series of new Supro amps would debut at the Winter 2014 NAMM Show in Anaheim, California.[8] The new Supro amps are cosmetically reminiscent of their progenitors from the 1960s.
The first part of this book shows why Guthrie is such a great player, and dives into his mindset when it comes to teaching and playing. I really believe you should go buy this book, so I don't want to give too much away, but he covers great topics like how to avoid guitar injuries, setting goals for yourself, thoughts on technique, tone and gear, and general tips on how to practice.

Gibson has produced three Jimmy Page signature models. The first was issued in the mid-1990s. It was based on a stock Les Paul Standard of the time (rather than the more prestigious and historically correct 1958/1959 re-issues issued by the Gibson Custom Shop). The modifications were based on Jimmy Page‘s “#2” 1959 Les Paul, which had been modified with push-pull potentiometers on all four control knobs, as well as mini push-pull switches under the pickguard. This first version of the Jimmy Page Signature did not have the mini-switches under the pickguard, nor did it replicate the custom-shaved neck profile of Jimmy Page’s guitar, but it did include the four push-pull pots. With all four pots pushed down, the guitar operated as normal. Pulling up the volume pot for the Bridge or Neck pickup turned the respective pickup into a single coil, rather than humbucking pickup. Pulling up the tone pot for the Neck pickup changed Bridge & Neck pickups wiring from series (stock) to parallel. Pulling up the tone pot for the Bridge pickup put Bridge & Neck pickups out of phase with each other. The first iteration of the Jimmy Page Signature utilized Gibson’s then-current high-output humbuckers: a 496R in the neck position and a 498T at the bridge.
Even working on the assumption that you're only using one mic, the professionals have an awful lot to say about where you might put it. For a start, it seems to be fairly common practice to audition the different speaker cones of your guitar amp. "They're supposed to sound the same," says Roy Thomas Baker, "but if you're using a 4x12 cabinet, each of these four speakers may sound different."
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The two common guitar amplifier configurations are: a combination ("combo") amplifier that includes an amplifier and one or more speakers in a single cabinet, and a standalone amplifier (often called a "head" or "amp head"), which passes the amplified signal via a speaker cable to one or more external speaker cabinets. A wide range of speaker configurations are available in guitar cabinets—from cabinets with a single speaker (e.g., 1×10" or 1×12") or multiple speakers (e.g., 2×10", 4×10" or 8x10").

The pickup coils are wired to the amplifier through an electrical circuit. The circuit usually also contains volume and tone controls, which allow the basic sound to be adjusted by turning knobs on the guitar body. A guitar with two pickups will have four knobs on its body: one to adjust the volume and the tone of the sound from each pickup. More complex circuits can be added to change the sound of an electric guitar in all kinds of interesting ways.

1W 1x6 1x8 acoustic Amp Amplifier Amplifiers Amps Battery Powered Amps Beatles beginners combo amps Danelectro Disclaimers Effects Pedals Electric Guitars Epiphone Fender Fender Amps Fender Mustang Gretsch Guitar guitars Ibanez Les Paul Marshall modeling amps Orange Amplifiers Orange Micro Crush Peavey Amps pignose Portable Amps Practice Amps Review Reviews Rogue Solid State Amps Starter pack stompboxes Stratocaster Telecaster Tube Amps Vox Vox Amps Yamaha
The ’55 hollowbody line consisted of no less than eleven guitars. Models included the EP-4, EP-5, EP-6, EP-7, EP-11, EP-12, EP-13, EP-14, EP-15, EP-16, and EP-23. Clearly, in these instances, the numerical designation indicates appointments, not the number of pickups. Some of these are likely to be thin-bodied archtops with no cutaways, some thinlines with a single cut, and some full-bodied archtops with a single cutaway, with either one or two pickups, and probably no vibratos.
"It's a labor of love," says Youngman, a guitar master who's been handling guitars since the '50s and '60s when rock 'n' roll was still in its infancy. But he's not just a surgeon; he's a neck specialist. "If the neck doesn't feel right, you're not going to play." He's always been good at setting guitars up, and today he works mostly from home, although he also does repair work at Guitarasaur in Watuga. "It's always nice to make someone happy. It makes me feel like I'm doing something right."
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The solid state amp isn’t really new either, but it only came into its own following William Shockley’s world-changing invention, the transistor. Its use for the audio circuitry allows the amp to be more adaptable and easier to tune, but despite innovations in recent years, the overdrive of solid state amps isn’t yet on par with what a tube can offer, and only a few manufacturers can boast of products that come close to sounding as clean as a tube amp.
SOLD OUT ! We are VERY pleased to present a very special example Alvarez Yairi Classical guitar . The condition of this high end instrument is excellent plus and this guitar is simply wonderful. This is hand built example by The Kazou Yairi himself, Japanese Master Luthier. For those of you not familiar with the Premier Japanese Master Luthier Kazou Yairi and his masterfuly built instruments you may enjoy this vidio introduction to YAIRI GUITARS http://www.youtube.com/watch?v=NPRyLPouYZM The model is CY116 and is a very high-end professional guitar and is in excellent Plus condition. Only the highest grade woods used as you can see ...choice AAA Flamed-Quilted and is 3-dimensional depth is a work of art as you can see by the pictures. This guitar plays and sound AMAZING and is truly inspirational. This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too. General Specs: Alvarez Yairi CY116 Classical Acoustic Guitar The CY116's Solid Cedar Top is adorned by an elaborate wooden mosaic rosette. Burled Maple Back/Sides give this classical amazing clarity and warmth like the fiery Andalusian plains that inspired the music that this guitar was born to perform. With room-filling projection, the CY116 is a guaranteed conversation starter. You hear it in the elegant pacing of a classical air. You see it in the vivid charm of a folk dance. Specs: Burled Mahogany Back/Sides Solid Cedar Top Mahogany Neck Ebony Fingerboard Scale: 25 1/2" (650mm) Width at Nut: 2" (51mm) Rosewood Bridge Ivory Body Binding Wooden Mosaic Rosette Gold Vintage Open-Style Tuning Machines .
Seagull is a Canadian company that produces hand crafted acoustic guitars. It has solid top guitars which offer richer sound, broader dynamic range, and sound becomes better as time pass by. The neck of the guitar of the seagull guitar has either Silverleaf maple or Honduras mahogany. Silverleaf is less permeable than mahogany that provides an incredibly smooth sensation but has an identical denseness. Some really good guitars from the line up of Seagull are Original S6 Cedar, Entourage Rustic S6, and Entourage Rustic CW QI.
WOW! This thing is incredible. One of the nicest instruments we have ever played and we've had, played and sold a few hundred over the past 20 years! Can't say enough about this bass. It's a pre-owned Zon Legacy Elite series 5-string model featuring a beautiful book-matched solid Bubinga wood top over a solid Mahogany wood body. A solid graphite neck / fingerboard utilizing a sculpted body neck joint finishes off the basic construction of the instrument. Huge tone is delivered via 2 active Bartolini pickups that feature controls for volume, bass, midrange, treble and balance. This bass has had the electronics modified by Zon to move the midrange control from the access hole in the back cover to a matching pot located in the control section on the front of the bass. While at Zon to get the custom electronics installed,  the original owner had new frets and a new finish coat added. Figured as long as it was there "what the heck". Tuning is accomplished via the 5 German made Schaller tuning machines in the same gold plate finish as the solid cast bridge. The solid graphite neck features a full 2 octave neck with 24 frets and a 34" long scale. This bass is a dream to play! Just about as good as it gets. There's not a mark on it anywhere. It looks brand new! Rock solid and stays in tune. Set up perfectly! Includes original Zon Soft exterior hard shell case on black Cordura.
Foden: In 1912 to 1917, Martin made guitars for concert guitarist William Foden. These are similar to the standard Martin models, but have simple soundhole rings and a 20 fret fingerboard (instead of 19). Made in sizes 0 and 00, the styles were similar to Martin's Style 18, 21, 28, and a pearl trim model. Only 27 of these guitars have been documented to date.
Description: Body: Honduras Mahogany - Body Construction: Solid - Top Wood: Maple - Neck Attachment: Set - Neck Wood: Honduras Mahogany (Bigleaf Mahogany, Brazilian Mahogany, Tropical American Mahogany) - Fingerboard: Ebony - Frets: 22, Jumbo, Medium - Inlay: Abalone Dot - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Floyd Rose Style Locking Tremolo - Bridge Construction: Ebony - Cutaway: Single - Hardware: 1x Volume Control, 1x Tone Control, 3-Way Switch, Sperzel Tuners - Pickups: Humbucker - Pickup Configuration: H-H

Although we encountered Japanese guitars from the early 1960s onward, the few Teisco brand and other Japanese instruments of that time did not capture nearly as large a market share in the USA as Harmony, Kay and Danelectro. Japanese guitars of the 1960s were generally very crudely made and did not at that time present any great threat to the market dominance of American-made student models.
: Does anyone know for sure where these originated. I have been told Vox (the England years) made this flat bodied plank guitar in the skiffle days of early 60's/late 50's. Mine is painted white(by hand) with a large black pick guard that curves to envelope the two chrome "toaster" pickups ,bottom of neck, and three control knobs.The strings have a moveable maple bridge(not secured) and a small chrome hardtail heel.The neck has a zero fret at top and 19 more playing frets.There are dot inlays at the 3rd,5th,seventh,ninth,12th,and 17th frets.The headstock is of natural finish light maple with a top edge cut at a sloping angle like Hofner.It has brass tuning pegs,gears and gear plates and the keys are white plastic.The beautiful short neck is true ,natural maple.Along one of the tuning gear plates is the numbers: 35515 which are etched into the wood. Four bolts without any plate hold the neck base to the plain body and a green decal above the pegs at top face of headstock reads: Shadow. The fret board is rosewoodand is laid on neck without bindings.It has six strings and sounds like a short scale Baritone guitar. It also only has one strap peg at bottom since they used to put the other end of strap on a tuning key. No other holes are seen for any former peg at other end of body(where normally found). Please send any info on this small,early,simple but awesome sounding electric skiffle guitar from England(Vox?).Thanks!!!!!
Pitch Bend/Shifting: From a simple octave above the note you’re playing or at intervals in between, a pitch shifter effects pedal will change the pitch of your note or chord. More sophisticated pitch shifters create two or more harmony notes so you can accompany your root note for a fuller sound. Some simulate a chorus effect by providing minute shifts in pitch.
Should space restrictions or volume levels make these methods impractical, try adding an air-guitar part as an overdub to a conventionally miked guitar track. The principle is similar to vocal doubling, for which the same part is performed twice; you may not be able to do this for an improvised solo, but for rhythm parts or composed lines, it's a snap. In addition, double tracking with a bright acoustic guitar or a smooth-sounding hollow body will add extra richness and some slick, big-budget zing to your mixes.
“He played an SG, a Les Paul, a Flying V, as well as a Stratocaster, but he always sounded like Hendrix,” Clive Brown states. “He didn’t suddenly sound like Jimmy Page because he played a Les Paul. That’s where everybody’s perception seems to go wrong. It’s the playing, and not necessarily the guitar.” In spite of an entire multi-million dollar industry revolving around selling musicians the latest gear, and in spite of thousands of axeslingers, aspiring and acclaimed alike, who readily gobble up that gear, it all seems to boil down to two implements— and we’re born with those.

I love this shop. I have spent a good amount of $$$ at quite a few guitar shops in Seattle. I won't name them, but I swear to god there's one that I walk into and every time I walk in I'm a new customer. No one remembers me there, I mean fuck, one dude is from the same city as me on the east coast. But the guitar store? They always remember me and treat me like a guest even if I'm not there to buy shit. Everyone there is a genuinely good dude. They're all honest too, which can be hard to find in this industry. I took my guitar in for a check up and they told me doing anything to it would be unnecessary. They could have easily charged me $80 for a set up and taken my guitar. They definitely made a loyal customer out of me. Will definitely be going there for anything from new picks to a new amp.
Sometimes a pitch shifter will retain the original signal while adding in the new shifted pitch.  The new shifted note can be set at a given intervallic distance from the original and will automatically harmonize any given series of notes or melody.  In short, it will harmonize the guitar by duplicating the melody at a 3rd, 5th, or whatever interval you define.
Though because of this flexibility, it can be hard to figure which of the many types of electric guitar is going to be a good fit for your needs. Thankfully, if you’ve arrived at this article you’re going to get all of the information that you need to make an informed decision on which body styles are going to be worth considering for your genre of choice.
The best guitarists of all time, voted on and ranked by many music fans, with photos and other info. With help from the wisdom of the crowd, you'll find a comprehensive ranking of the greatest guitar players in history. All the top guitarists are on this list - monster guitar heroes from rock, metal, blues, and alternative music. Are you on Team Eddie or Team Jimi? How about both!
Byrd recommended Kaman show his guitar to folk singer Josh White, who was performing in town at the time. Kaman promptly did so, and for White, it was love at first strum. He enthusiastically agreed to have an Ovation guitar made to his specs, and became the first Ovation endorser, in ’66 and brought his entire family to Connecticut to pick up his first guitar, playing the first Ovation concert with his new guitar. Byrd did eventually get a classical guitar from Ovation, and performed with it for many years.
The reason why we love this guitar so much is that the top is made from koa wood. What is koa? It’s a Hawaiian wood that has a very special look to it, with an unusual grain pattern. When you have a guitar top made from koa like this, it just looks very organic and natural, so if you don’t like the plastic-fantastic style, then this is the best way to go!
The first successful guitar pickup was developed in the early 1930’s by Rickenbacker® to help amplify Hawaiian lap steel guitars which were popular at the time. The first pickups were single-coils and while they do a good job of picking up the guitar signal they are also susceptible to picking up interference from nearby electrical devices. The Gibson® humbucker (US Patent 2896491) was developed in the 1950’s to eliminate the “hum noises” resulting from electromagnetic interference. The humbucker uses two coils and a pair of pole pieces (having opposite magnetic polarities of each other) for each string. The coils are wound and connected to each other in such a way that the current produced by the moving guitar string in the two coils adds up (in-phase), while the current produced by electromagnetic interference in the two coils cancels (out-of-phase). Not only does the humbucker drastically reduce noise from interference, but it also has a different characteristic sound. The single-coil pickup is commonly considered to have a thin, clear and bright (more treble) sound, while the humbucker is known to have a full, but dark (less treble) sound with more overall signal output.

The SIX6FDFM’s jaw-dropping aesthetics belie its price tag. It has an arched flame maple top on a bound mahogany body, a bound ebony fretboard, and a three-piece maple/purpleheart neck that has a colorful streak running down the middle. Only a Blue Space Burst finish is available, but, coupled with a matching headstock, it looks good enough to lick.

Semi-hollow guitars can be seen in the hands of many guitarists who have especially signature sounds. For example, John Scofield has been playing the same Ibanez AS-200 since 1981! Larry Carlton helped define the sound of the ’70s as one of the top call session guitarists of all time, and did it with his Gibson ES-335 (in fact, Carlton is known as Mr. 335). John Lennon, Gary Clark Jr., Jack White, Dave Grohl — guitar titans past and present use semi-hollow guitars.
Nothing says rock and roll quite like an electric guitar—and whether you're just learning to play or you've been practicing for years, the right instrument can make you feel like a rock star. Selecting the right match for you is a matter of personal taste and playing style, but the broad selection available at Amazon.com can help you find the guitar and the accessories you're looking for.
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