Pickups are complex devices. No matter what we do, we cannot model them with spot-on accuracy. They do have a series resistance (R6), but the L1 and C3 inductor and capacitance, respectively, but these are not real circuit components, but are a simple model placeholder for the complicated interactions that appear due to Maxwell’s equations, when we have a wire wound around magnets (see below image):
: I have located a semi-hollow body electric Kent guitar that has a body some what like a 335 and the neck like a fender strat. The body is a beautiful natural birdseye maple. She is in awsome shape and plays well. I have the ser# (xxx) 3 digits and I believe that it was made in Japan in the Sixty's. I have no Idea what model it is or value because I can't find out any thing about Kent guitars. I've seen Kent amps guitars & drums but no info. I welcome anything.
New too was “the popular Supro” Baton Guitar, sold with a matching Baton amp as the Supro Baton Guitar Outfit No. 200. This was basically the same shape as the old Avalon, but a short-scale (21″) student version now finished in a grained walnut finish. The silkscreened fingerboard sported diamond inlays. The Supro logo plate was on the slightly flared head. This had the new exposed-staggered-pole pickup with a rectangular handrest bolted on over the pickup, all mounted in the middle of a large square plate. The strings attached to a pyramidal tailpiece. Controls now included bakelite volume and tone knobs on either side of the end of the fingerboard. The back was covered in no-slip suede. It came with a natty alligator soft case. Based on the use of the description “popular,” which Supro almost always used to describe previously available models, the transition from the Avalon to the Baton may indeed have begun in 1940.
If you were a fan of almost any kind of contemporary popular music when you were growing up, there was probably a time when you thought that it might be cool to learn how to play guitar. Whether you admired the road-going, globetrotting, fly by night lifestyle of rock stars or you just thought it might be a good way to pick up chicks, there’s something viscerally desirable about garnering even a modicum of instrumental mastery. And that very well might have something to do with the allure of the instrument itself.
When B.B. King heard T-Bone Walker, he "thought Jesus Himself had returned to Earth playing electric guitar." Walker invented the guitar solo as we know it, building a new style on fluid phrasing, bluesy bends and vibrato. It was the clear tone and melodic invention of his 1942 single "Mean Old World" that blew everyone's mind, and Walker refined his approach through hits like "Call It Stormy Monday." "I came into this world a little too soon," Walker said. "I'd say that I was about 30 years before my time."

These multi-effects pedals are exactly what the name suggests: all-in-one models that pack multiple effects into a single box. There are a few benefits to this, one of which is value, since getting more than one effect at once gives you great bang for your buck. They also tend to come with presets that give you customized mixes of their various effects, which can do a lot to teach you how different effects interact and how to mix and match them yourself.
Confusion sometimes revolves around the distinctions between overdrives, distortions and fuzzes, but in theory each should do approximately what it says on the box—even if some also do a little of the other breeds’ jobs along the way. In the case of overdrive pedals, the intention is often twofold: either to provide a gain boost to “overdrive” a tube amp into distortion, or to approximate the mildly distorted sound of a slightly overdriven tube amp. In practice, most do a little of both. Crank the average overdrive toward the max and it usually coughs up an element of self-generated distortion, which can easily be heard when DI’d into a mixing desk set to well below overload levels; generate enough distortion, and things can also sound a little fuzzy. Despite the gray areas, however, there are definitely distinctions between the types. It all makes some sense if you think in terms of the degree of clipping achieved by the pedal, with overdrives generally being soft-clipping devices and distortions being hard-clipping devices.
My first electric was a Decca, and a friend had one too. Mine was the one pickup style and his had two pickups. This was back in 1972. These were cheap but played very well and I wish I still had mine. There's one on Ebay right now that's just like the one I had, only ten bucks so far. I remember the great sustain and feedback I could get through it playing Hendrix songs!

Yowza, here’s another excellent guitar for rock and metal beginners. It’s similar in some ways to the Ibanez RG (a fast, thin neck, jumbo frets, 2 humbuckers, and a 3-way switch), but has some important differences. This guitar sports a compound radius fretboard, carved quilted maple veneer top, Les Paul-style bridge, and a bound fingerboard. Very classy appointments that aren’t often found in a beginner guitar. Jackson makes amazing guitars, and this one’s a beauty.

A list that's bound to be disagreed with, and I do. Although I love Hendrix, Clapton, etc. I'm still most impressed with Mississippi Fred McDowell. Bass line, rhythm, lead slide, and singing simultaneously and effortlessly. Several video performance on DVD are available, in case you listen to just an audio recording and wondered "who are the other guitarists playing, they're really good together?" nope, just Fred.
That's what I'm hoping to address in this post along with clearing some common misconceptions too. The guitar world and community is very big on the vintage thing, and that has filtered down to replacement parts of course too. It is very easy to get lost in the world of 'vintage' style parts making an improvement in tone, so let's cast those notions aside here and look at the facts of why in some cases that's both correct and incorrect. Tim McNelly of McNelly Pickups put it really well in a recent social media post '..New electronics won’t necessarily make your guitar sound any different than it does now. New pots won't NECESSARILY change the tone if you don't know the exact value of the pots coming out..'. I think this is a really great way to put it and a great starting point for this post and discussion (feel free to comment too!).
Some guitars have a fixed bridge (3.4). Others have a spring-loaded hinged bridge called a vibrato bar, tremolo bar, or whammy bar, which lets players bend notes or chords up or down in pitch or perform a vibrato embellishment. A plastic pickguard on some guitars protects the body from scratches or covers the control cavity, which holds most of the wiring. The degree to which the choice of woods and other materials in the solid-guitar body (3) affects the sonic character of the amplified signal is disputed. Many believe it is highly significant, while others think the difference between woods is subtle. In acoustic and archtop guitars, wood choices more clearly affect tone.
Low frets aren't a bad idea, and Carvin is a very good brand for guitar, amp, etc. To me, it seems that the neck shape is going to be very important for you. Double-check what Carvin's return policy is, and if you think it will work for you (whatever it is) then I would totally say go for it! The caveat is that I would bring it to your local music store for them to do the setup, setups and intonations usually need to be done after shipping, and you'd need to have it done if you were changing string gauges anyways, so....
Use of a slide or bottleneck. The term slide refers to the motion of the slide against the strings, while bottleneck refers to the material originally used for such slides: the necks of glass bottles. Instead of altering the pitch of a string in the normal manner (by pressing the string against a fret), a slide is placed upon the string to vary its vibrating length and thus its pitch. The slide can be moved along the string without lifting, creating continuous transitions in pitch.

Ovation Guitars proudly welcomes home legendary artist Richie Sambora with the launch of two new signature guitars benefitting youth music programs. The famed Bon Jovi songwriter/guitarist and 2018 Rock n’ Roll Hall of Fame inductee will donate royalties from the sales of the all-new Richie Sambora Signature Series Elite Double Neck guitar to the non-profit organization Notes for Notes which builds, equips, and staffs after-school recording studios in Boys & Girls Clubs after school facilities across the United States for youth to explore, create and record music for free.

The AC10 was one of the first amplifiers to bear the VOX name and has long been adored for its ability to achieve rich, articulate tube tone at very manageable volumes. For this reason, the AC10 has become a highly coveted piece of VOX history since its discontinuation in 1965. It was re-introduced in 2015 as model AC10C1 and has proven to be very popular as a quality option to the Fender Blues Jr. and Fender Princeton.
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So, if you’d like to emulate some of the guitar greats like Jimmy Page (Led Zeppelin) or Slash, this Epiphone package again with all the extras you’ll need—but with an Epiphone guitar—is a great way to start. Also, it’s worth mentioning that Gibson/Epiphone Les Paul designs usually have a slightly rounded, more narrow fret board and, in my opinion, are a little easier to play compared to the flatter, wider Fender fret boards. But I strongly recommend you don’t take my word for that. Get into a music shop and try the two types of guitar for yourself.
That it does, indeed. Acoustic design has been refined to reflect the best possible usage of materials and shape to get the most productive sounds and tones and, as you can see, it's pretty consistent. Wood is the predominant role player in an acoustic's construction, because it directly affects the sound. Only the best, resonant tonewoods would do and they were used to the hilt to make a good sounding instrument as the sound partially relies on it.
The descriptions that follow are very broad, but if you look around the guitar world you can usually pin any solid-body guitar down to one of these general categories. Of course you’ll see wild shapes like the Gibson Flying V, Ibanez Destroyer, Dean ML and Jackson Rhoads. They may look like they’re from another planet, but if you check their specs you’ll see they follow the same basic design principles as any other solid-body electric guitar.
After I published that blog post, a number of beginners wrote to tell me they had a higher budget and would actually like me to recommend some better beginner guitars than those you typically find in starter packs. When I dug deeper, most told me they had a max budget of about $300 for the guitar alone, and weren’t interested in all-in-one starter packs. They wanted a really great (but affordable) guitar and wanted to shop for amps and accessories separately. I further confirmed this with a little informal poll on Twitter:
Regardless of their investment potential or merit compared to Martins, Fenders and Gibsons, the fact remains that clean original Harmony and Kay guitars as well as some of the other interesting student-grade instruments of the 1960s and earlier are quite rare today. Since they were prone to structural problems, many were simply thrown away rather than being repaired. Due to the lack of good repairmen prior to the mid 1970s, attempts to repair such instruments were often as bad or worse than the original problems, further adding to the destruction. Since most of these instruments cost much less than a Martin, Gibson or Fender when new, owners often felt much less of an incentive to take good care of them. Back in the mid 1960s when I was starting out, I saw far more people playing Harmonys, Kays and Danelectos than Martins, Fenders and Gibsons, but for a variety of reasons most of these student instruments have not survived, so that today it is actually a rare occurrence for me to find an original Harmony Sovereign or a good Kay archtop in playable or good cosmetic and structural condition.

The old ones were SOLD as cheap guitars. These new ones, at their price points, are probably decent instruments at the very least, and possibly even very good ones. I doubt they have much in common with the Kays from the 70s aside from how they look, which as other people have detailed, is probably just for nostalgia purposes. Lots of aging rockers with fat salaries who might've learned on those guitars a few decades ago!

Seagull S6 Original Acoustic guitar is one of the best gadgets for the beginners in the list. It comes with the beautiful texture of domestic wild cherry back and sides that give it a unique tone. In addition to that silver leaf maple neck with a rosewood fretboard lets the fingers to have a perfect grip and easy tuning. It’s a power pack guitar to get you the best playing experience and hands on many of the tricks you are looking for.

The godfather of all that is sought after in rack gear; behold, the Soldano SLO Rackmount Amplifier. Those of you that have heard of the SLO (Super Lead Overdrive) already know that this thing can be brutal when it comes to lead tones. Possessing one of the tightest crunch and overdrive channels known to man, the SLO Rackmount is hailed as a grail piece of gear for many guitar players. The SLO-100 offers two channels, Normal and Overdrive, each with independent Preamp gain and Master Volume controls.  A footswitch is also provided for effortless noise-free switching between the two channels.  The Normal channel has a Bright switch and a Clean / Crunch gain selector switch.  Standard features include a tube-buffered effects loop and a slave output.  Bass, Middle, Treble, and Presence controls provide the tone shaping.  From Clapton to Van Halen, from Warren DeMartini to Lou Reed – and from you to Mike Soldano himself, the SLO is simply the player’s choice.

It features a handsome Grand Auditorium shape with a soft cutaway for good access to the higher frets, while the satin-finished sapele neck is incredibly playable – as is the case with all Taylor guitars. The iconic brand keeps costs low with laminated sapele back and sides paired with solid Sitka spruce on the top, as well as producing it in the respected Mexican facility.
Rickenbacker continued to specialize in steel guitars well into the 1950s, but with the rock and roll boom they shifted towards producing standard guitars, both acoustic and electric. In 1956, Rickenbacker introduced two instruments with the “neck through body” construction that was to become a standard feature of many of the company’s products, including the Combo 400 guitar, the model 4000 bass, and, later, the 600 series.
Fantastic article. I pretty much do all of my recording nowadays through my AxeFX II. Paired with a good set of studio monitors, it’s perfect for the at-home musician who does not want to sacrifice quality. I have a nice Tone King amp and pedalboard with nice boutique pedals like the Strymon Timeline, but when recording it’s so much easier to plug the AxeFX into my laptop. I don’t have to fuss about with mics or room treatment. Also, having three big dogs, it’s great to not worry that they’ll start barking in unison at the mailman when I’m almost finished with a “perfect” take.

Think "guitar god," and a particular image of Jimi Hendrix springs to mind: Hendrix kneeling, shamanlike, before his Fender Stratocaster, his hands seeming to coax flames from the instrument. Captured by photographer Jim Marshall at the 1967 Monterey Pop Festival, this image is burned into the collective consciousness of American rock culture in the same way that Hendrix's signature sound still echoes through the years. His defiant rendition of the "Star Spangled Banner" isn't quite a technical masterpiece -- one could almost play the melody with a single finger. What elevates the song is its sound. To get that dissonant wailing, Hendrix uses two effects: an Arbiter Fuzz Face and the Vox Wah-Wah [source: Trynka].
But not everyone hated the album. Pete Cosey was later told by Hendrix's valet that before he would perform live, he'd listen to "Herbert Harper" for inspiration. In the '70's, when Marshall Chess went to visit the Rolling Stones rehearsal space, he saw a poster on the wall for the Electric Mud album. Led Zeppelin's bassist John Paul Jones cites Electric Mud as the inspiration for the basic riff behind "Black Dog." Marshall Chess also notes "the English accepted it; they are more eccentric." Strangely enough, rapper Chuck D of Public Enemy has emerged over the years as the biggest supporter of the record, stating "To me, it's a brilliant record. I've played it a thousand times." Chuck D also explained part of the intent of the record saying "It took me a while to warm up to traditional blues, but what struck me right away was the Electric Mud thing." Based on the success of Electric Mud, another blues musician on Chess, Howlin Wolf, was forced into recording a psych record. This Is Howlin Wolf's New Album (subtitled And He Doesn't Like It) (1969) isn't as good as Electric Mud although it did yield a minor hit with a psyched out version of "Evil." Chubby Checker even released a psych record (Chequered (1971)) that sounds better than you'd expect, though it only came out in England.
Lyndon Laney established his brand in 1967 in Birmingham (England). In those days, he was also playing in a band with a couple of guys you might've heard of: John Bonham and Robert Plant. You might also know Tony Iommi (Black Sabbath) who happened to be one of his first clients. The LA100BL is a must among heavy-metal guitarists, while the KLIPP aims to be more versatile. The AOR (Advanced Overdrive Response) series provides more gain every time, contributing, in part, to the brand's constantly growing reputation. Among Laney addicts, we could mention Ace Frehley of Kiss and Mark Knopfler of Dire Straits.
I know of two amp-and-effects modeling apps for the iPhone/iPod Touch/iPad, both of which are great and allow you to get realistic amp tones through your headphones. AmpKit and Amplitube both do a great job of simulating all the standard amp models and pedals, and they aren't very expensive. I use and prefer AmpKit myself, and between the app and the guitar-to-iPhone interface, I spent a total of $50.
Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Neck Attachment: Bolt - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 24, Jumbo - Inlay: Dot - # of Strings: 7 - Scale Length: 25.5" (65cm) - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 1x Volume Control, 1x Tone Control, 3-Way Switch, Grover Tuners - Pickups: Dean - Pickup Configuration: H-H - String Instrument Finish: Metallic Cherry, Metallic Black, Transparent Red

Archtop-wise, the PEs apparently went into the ’62 and sometime in that year were renamed with the EP prefix, but otherwise remained the same. No detailed info on the full line is available, but the ’62 PE-8 had a bound fingerboard, small block or strip inlays, a single rounded cutaway, a rosewood pickguard, two � not one � metal-covered pickups (with one row of exposed poles along the edge), a chicken-beak selector on the upper shoulder, and four controls on the lower bout.
Classical Guitar The classical guitar is a variation of the Spanish Guitar, from its construction, size, weight, wood and the sound it produces. Classical guitars have six nylon strings, rather than metal strings used in other acoustic guitars. The shape, construction, and material of classical guitars vary, but typically they have a modern classical guitar shape, or historic classical guitar shape (e.g., early romantic guitars from France and Italy). Classical guitars are also typically played with the fingers rather than a pick (as steel-string acoustic guitars are often played).
“What’s the best multi-effects pedal?” is a question that comes up again and again in guitar and bass forums and discussions, and for good reason! There are a lot of multi-effect pedals out there, with prices and features varying drastically from model to model. With multi-effects pedals, it’s a little bit different than something like distortion pedals. With distortion, there might be 50 different manufacturers each making a single distortion pedal. With multi-effects, there are only around 5 major manufacturers (Zoom, Line 6, Boss, DigiTech, TC Electronic), but they each make 10 models of multi-effect pedals. This can make choosing the best one tough for beginners and advanced players alike. Luckily, we’re here to help, and after a ton of research and play testing, we’ll help you decide what the best multi-effects pedals on the market are, no matter your budget and needs.
Because of the way the guitar is tuned and the amount of spread between the notes of each individual strings chords are voiced in certain very particular ways. These voicings are physically impossible to imitate on a keyboard, at least with any reasonable amount of facility. Conversely, keyboard voicings are generally unplayable on a guitar, as you'd have to be playing more than one note on a single string in many cases.
My sound is pretty clean with no overdrives or distortion. Besides a tuner and a volume pedal, I use a delay and a reverb pedal (TC Electronics) and I have a freeze pedal as well (EH Superego). I’m never sure if the freeze pedal should come before or after the delay and reverb. By trying both options I can’t really hear a difference in the overall sound which I guess is fine. Any thoughts or recommendations are welcome.

Pickups are complex devices. No matter what we do, we cannot model them with spot-on accuracy. They do have a series resistance (R6), but the L1 and C3 inductor and capacitance, respectively, but these are not real circuit components, but are a simple model placeholder for the complicated interactions that appear due to Maxwell’s equations, when we have a wire wound around magnets (see below image):

Equally potent, the B.C. Rich Mockingbird is another model that is prone to stir up your interest. This device features a bolt-on body, besides, at a quick look; this guitar might remind you of the classic “NJ” style headstock. Furthermore, the guitar’s body is made from mahogany, and it comes fitted with a rock Maple Neck and a very well regarded Rosewood fretboard that is said to supply its users with a great tone, extra playability, and outstanding stability.
I kind of think what I do is like producing with my feet because I do a lot of that in my own shows. Particularly when I'm playing guitar with other bands, I'm always changing reverb [settings] and modulation types and the very sorts of things that [maybe no one else realizes what's going on], but it keeps me interested. I think because I come from a time before that was possible, it's a magical thing for me.

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We've had a thread here in the last couple months about Squires, with some pretty discerning forum members praising their quality and tone. You don't need to spend a lot of money these days for a good guitar. The one the OP bought was years ago. The fierce competition in the guitar market since the economy went bad, has forced manufacturers to up their game, and recent production is of a much higher standard.
Referring to this setup, Leckie also explains more about what makes double-miking so powerful: "If you brighten up the U67, it's totally different to brightening up the SM58, so sometimes I'll add a little brightness to the 67 and a little compression. But between that combination, I find I can get pretty much everything I need. They're rarely used at equal level; sometimes I'll favour the SM58 with the U67 at 10-15dB down. Even 20-30dB down, just bringing it in, it's amazing the different colour you get — how much the tone of the guitar changes."
Another cool place I just found was Madison Guitar Repair out of Fridley. I went there a couple weeks ago. It's a little hole in the wall place where they just work on guitars and have tons of parts. Really nice guys that seem like they know their stuff pretty dang well. Never used them but considering that all they do is luthier work I'd give them a shot.
I have a Decca that my uncle gave to my dad and he gave to me (I think, he's never really asked for it back since he doesn't play). It's in rough condition, has stripped and rusted screws with a lot of connection issues. But I love the shape, I love the pickguard, I love the all out retro look of it. Any idea on if I should spruce it up with some new screws and seeing what I can do to fix the wiring? And if so, how do I get the cash for such project?

Who among us doesn’t relate to Nigel Tufnel in This Is Spinal Tap when he tried to explain to “Meathead” that having an 11 on his amp made it louder than – and hence superior to – one having a mere 10? That’s just how I felt back in the day when, after nearly two decades of owning one – that’s only one – guitar, a classical, I decided I ought to get an electric guitar again. Who could have known how slippery that slope would turn out to be?!

In order to achieve supreme neck grip comfort, the fretboard edge is finished with a smooth curve that extends from the border between the fretboard and the neck, and then to the surface of the fretboard. The detailed neck shape is precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are at 42mm at the nut and 56.4mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register.
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The Boss MS-3 is a multi-effects pedal that is not meant to replace your favorite pedals, rather it is meant to help you make better use of them. It has more than enough effects (112) for most musical applications, but what makes it special is its old school approach that lets you incorporate pedals and amps into your rig, along with its built-in effects.
One full step down from standard tuning. Used by bands/artists such as Volbeat, Mötley Crüe, Nightwish, Pantera, P.O.D., Sepultura, Dimmu Borgir, Cradle of Filth, Watain, In Solitude, Agalloch, Inquisition, Drive-By Truckers, Soulfly, Children of Bodom, Symphony X, Oceansize, Death, Decrepit Birth, Dream Theater, All That Remains, Exodus, Gojira, Shadows Fall, Mastodon, Asking Alexandria on their Stand Up and Scream, Ghost, Lordi, and Kreator. Used in a vast majority of songs by musician Elliott Smith. Also used in Nirvana's songs "Come As You Are", "Lithium" and "Drain You", by Metallica in their songs "Sad but True", "Devil's Dance", their cover of "Whiskey in the Jar", some of their covers on The $5.98 E.P.: Garage Days Re-Revisited ("The Small Hours" and "Crash Course in Brain Surgery"),"Dream No More", "The Thing That Should Not Be" and in live performances of "The God That Failed" and "Seek and Destroy"; by Bullet for My Valentine in several songs on Scream Aim Fire, by blink-182 in "Adam's Song", in Doug Anthony All Stars live performances and by John Fogerty.
Bobby Jo is number one on this list. Every artist has unknowingly been influenced by him. Starting in the Mississippi Delta, Johnson’s life is rife with myths, and allegory. His deal with the devil and death are full of folklore and mysticism, and it only adds to his haunting voice and groundbreaking guitar playing. His songs are just a pure expression of emotion with no bars held. He led the groundwork for early blues to be filled in and worked upon by all the artists on this list. He also worked on breaking down social barriers. A black man in the early 20th century was not exactly the best place to be. But his music was to add interest by white musicians and help the civil movements of the sixties. Politically or musically, Robert Johnson is deserving of number one on this list.
Longworth also illustrates yet another Martin amplifier offered in 1966, the SS-140. Again, little is known of this, except it’s a huge monster tower with a pair of side handles to help you hoist it. Both the appearance and prefix suggest it was solid state. The 140 might suggest the output wattage. It’s highly unlikely Martin only offered this one model, so there are probably a few other OEM Martin amps floating around.

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With that said, it’s important to make a distinction between reverb pedals and echo pedals. These two are often time a source of major confusion. Here’s the deal. Reverb is similar to an echo in a sense that you are hearing the sound as it bounces off a surface. However, reverb is fairly quick and happens almost instantly. Echo effect, on the other hand, takes much longer to reach back to the user. One way to understand the difference is to yell in a smaller room, and then go out and yell in a canyon. Similar goes for delays. If you want to learn more about delay pedals, check out our dedicated guide here.
The first electric instrument amplifiers were not intended for electric guitars, but were portable PA systems. These appeared in the early 1930s when the introduction of electrolytic capacitors and rectifier tubes enabled economical built-in power supplies that could plug into wall sockets. Previously, amplifiers required heavy multiple battery packs. People used these amplifiers to amplify acoustic guitar, but electronic amplification of guitar first became widely poplular in the 1930s and 1940s craze for Hawaiian music, which extensively used amplified lap steel guitars.[2]

Blueridge Historic Series BR-160 Looks good, sounds even better. Blueridge’s BR-160 celebrates the company’s rich history, which is reflected in the guitar’s vintage dreadnought design. The warm, mellow sound it produces also takes you back to the good ol’ days way before the internet came along. Having this guitar is just like having a piece of history in your hands.
Playing guitar is an exercise in memorization. There’s really no way around it. You have to remember stuff, and the primary thing you have to remember is where notes are on the fretboard. Eventually, muscle and ear memory will kick in and the remembering will get easier, but for the first little while, every time you play guitar, it’s like a pop quiz. It’s not fun to memorize something by brute force, but it pays dividends.
Interesting cosmetics and great playing 4-string, Factory, but "custom re-built" Fretless bass. Appears to be re-finished. I had to buy this, as I recognized it immediately as a great "player", fretless bass. Adjustable P-J passive / dynamic pickup configuration sounds great. Separate volume and tone controls. Appears to be a "re-finish", in interesting "Fleck-Tone" gray paint. We think it is not the original finish, but it could be original. Someone did an incredible job it if is a re-fin, as the routed edges are perfectly finished and all parts had to have been removed with room made for the extra finish thickness. No worries about finger prints with this one. Un-bound, graphite? or other synthetic material, ebony black fingerboard  w/ dot inlay side markers on a solid mahogany neck with a 4-bolt neck joint. Black anodized tail piece perfect and rust-free. Finger board near new condition. Features 4 high quality, "sealed" tuning machines that work perfectly and hold tune. Plays and sounds great! Lots of fun. We have completely done a "Pro" set up on the guitar, adjusting the neck and action for great playability (clearance at the 9th fret = .012 when fretted at the first and the body), adjusting / checking the intonation (adjusted perfectly!). 34.5" scale length. Plays and sounds great. We also installed a new set of .040 "Round-wound" strings (yes I know flat wounds are more correct for fretless, but I prefer a bit more brightness. You are free to install flats once you own it). No case or bag included.
It was also in January of ’64 that the Westheimer Sales Company, 1414 South Wabash Avenue, Chicago, began advertising its New Kingston, the “S” line of quality guitars. These double-cutaway guitars included the #S-1 single pickup, #S-2 double pickup, #S-3 three pickup, the #S-2T double with tremolo, and #S-3T with tremolo. These were most likely versions of the little MJ and WG guitars.

The instruments have been set up at the factory. However, time, temperature, and transportation are a few of the many things that can cause a guitar to go out of "intonation". We recommend that you get your new guitar set up by a qualified luthier upon delivery. We recommend taking it to a qualified guitar tech for a set up. They will adjust the neck and bridge to take out the buzzing. We ensure that before shipment there is no evident of fret buzz before shipment and the guitar plays beautifully since our professional guitar technicians inspect each instrument by hand, then perform a full, and precision setup. All brand new guitars need proper setup after shipment to suit your personal preference that would strongly correlate to your playing style. We believe that your Local Guitar Shop can properly and safely adjust the truss rod and setup the guitar correctly for issues of fret buzz and bow neck. Truss rod adjustments are made to alter the straightness (flatness) of the neck. Truss rods often require adjusting when temperature and humidity change the amount of bow in the neck. Weather, specifically temperature and humidity, may have a dramatic impact on the way your instrument plays. All instrument woods expand and contract with seasonal actuations in temperature and humidity, and naturally, string height and playing action are affected. The neck needs a simple truss rod adjustment to correct any problems like fret buzz and bow neck which can be easily done by guitar experts. And also, you may adjust the bar of bridge. Please be advised that guitar necks are crafted from wood, and they will sometimes shift during shipping and as the temperature/humidity/elevation changes. An important part of maintaining your guitar is knowing how to adjust the truss rod. When a guitar experiences temperature and humidity swings, such as when seasons change, it can develop a slight bow in the neck that results in a guitar that plays buzzy or is suddenly much harder to fret. If this situation occurs, you can often correct the problem simply by tightening or loosening the truss rod.
A common mistake that most beginners do is buying a guitar without checking the wood quality. Many sellers deceive buyers with shiny and very attractive guitars that are of very poor quality and come in cheap prices. We can help you out of this trap so that you aren’t fooled into buying a poor quality guitar. You can visit our website before you make your purchase, and read through the specifications of any guitar. By doing this you will know the kind and quality of wood that has been used to make a guitar before you decide to buy it. So ensure you check the wood quality of a guitar before you consider buying it.

There are many varieties of speaker combinations used in guitar speaker cabinets, including one 12" speaker, one 15" speaker (this is more common for bass amplifiers than for electric guitar cabinets), two 10" speakers, four 10" speakers, four 12" speakers, or eight 10" speakers. Less commonly, guitar cabinets may contain different sizes of speaker in the same cabinet. Cabinets with eight 10" speakers are large and heavy, and they are often equipped with wheels and a "towel bar"-style handle for transport. Some cabinets use mixed speaker types, such as one 15" speaker and two 10" speakers.
“William Kraus, who uses the logo (in highly stylized abalone) “WK” in which both the W and the K seem to be mating or something, is a maker of extremely fine sounding, beautifully hand-crafted guitars, in the traditional design of the great dreadnoughts of the past. This one, however, exceeds all expectations of excellence and beauty in that it has a Honduran rosewood back, sides and headstock overlay. About Honduran Rosewood, according to the website “globaltrees” (edited): Honduran Rosewood is a valuable timber species. Honduran rosewood – a/k/a Dalbergia stevensonii is known only from Belize, Guatemala and southern Mexico. Its valuable rosewood timber is highly sought after for quality products including musical instruments, turnery and carving. Honduran rosewood is reportedly the best wood for marimba and xylophone keys and it has been suggested as an acceptable substitute in guitars for Brazilian rosewood – Dalbergia Nigra — (international trade in which is now banned under CITES). Because it is a Dalbergia, like Brazilian, it sounds absolutely unbelievable!”
Next important control knob is usually labeled as time or rate. This defines the length of echoes in a reverb. You can have them short or you can have them last for a fairly long time. Which side you will lean more towards is going to depend on the nature and tempo of your music. Slower, more subtle riffs can easily deal with long reverb times while faster sections usually work best with short reverb. Again, experimentation is the key here.
When this guitar came in the headstock was completely broken off.  Being a 12 string I knew that it would need some extra reinforcement to stay structuraly sound.  I glued the headstock in place and then started to cut away wood from the truss rod to the edge of the neck running from the 5th fret to the A string tuner.  It took hours of cleaning up gluing surfaces and precisely fitting the graft before I could glue it in place.  I then repeated that step on the other side of the neck.  With this repair the only original wood remaing around the break is directly over the truss rods making the finished product basically as strong as a new neck.  Once the neck was refinished you cant even see the original break and only if you look very closely can you see the edges of the grafts.  When the owners of the guitar came to pick it up they thought I had made a whole new neck.  Needless to say they were very excited.  -Evan
Also remember pedals change in sound character with different guitars/pickups/amps so it’s worth experimenting before buying. If you’re not sure where to start try a few ‘classics’ as a reference point. Ibanez’ Tube Screamer or one of it’s imitators of which there are many, are mild overdrives that also usefully liven up cheaper amps, particularly when volumes need to be kept low.
Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing the boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well balanced asymmetrical body shape, and the neck heel allowing unrivaled playability.

He or she might even graduate to an acoustic guitar with steel strings long before ever obtaining an amplifier for the acoustics in question, let alone an electric guitar to plug into it. And who are the heroes of the guitar? For the last 50 years it's been Jimi Hendrix, Eric Clapton, Jimmy Page, and Tom Morello, to name just a few innovative names. All of these players made their reputations on electric guitars pumping through amplifiers, and at least one of them–or one like them–is likely the reason you picked up a guitar in the first place.
Larry Robinson Fine Custom Inlays - They produce one-of a kind shell inlays for all kinds of guitars. One of a handful of inlay practicioners in the country, Larry has done exquisite work for major guitar manufacturers (Fender, gi bson, Yamaha,...), small production shops (Santa Cruz, Collings, etc.), single luthier shops (Klein, Ryan, Olson, Megas, and more), collectors like Tsumura and people who just want something to personalize their guitar.
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Ibanez is the pioneer to launch the first 7-stringed guitar. They are the creators of the 7-stringed instrument in 1990 with the collaboration universe. Most Ibanez guitars come with a full-size frigate shape having a top of laminated select dapper. Ibanez guitars have mahogany neck, back, and sides, along with 20 frets on a rosewood fretboard. The Ibanez-branded headstock came with attractive quality and closed chrome die-cast tuners. These all features make the Ibanez guitars suitable for every kind of style and genre of music. However, heavy music is mainly the field where metal crowd flock and let the Ibanez guitars unbeatable.

The early rock bands of the 1960s used the PA system only for vocals. The electric guitarist and electric bassist had to produce their sound for the hall, club or other venue with their own amplifiers and speaker cabinets. As a result, bass players from the 1960s often used large, powerful amplifiers and large speaker cabinets. Some bass players would even use multiple bass amplifiers, with the signal from one bass amp being sent to one or more "slave" amps. In the mid-1960s John Entwistle, the bassist for The Who, was one of the first major players to make use of Marshall stacks. At a time when most bands used 50 to 100-watt amplifiers with single cabinets, Entwistle used twin stacks with new experimental prototype 200-watt amplifiers. This, in turn, also had a strong influence on the band's contemporaries at the time, with Jack Bruce of Cream and Noel Redding of the Jimi Hendrix Experience both following suit.
Lydia Lunch once beat her Teenage Jesus & the Jerks bandmates with coat hangers during practice; and her confrontational attitude was only matched by her completely unfettered guitar playing. Calling the instrument “a grand assaultive weapon,” she treated it as such, often attacking the strings with knives or even shards of glass, refusing to even bother learning chords, using it as a blunt force to express a total anti-pop, anti-punk, anti-everything rage.
Ear Wring is a ring modulator controlled by three phase distortion oscillators and one LFO. Depending on the pitch, this can go from a gently oscillating tremelos to fuzzy, synth-like freak-outs. An optional harsh fuzz can be added to the signal before modulation. Mixed with the dry input signal and fed into an amp simulator, Ear Wring can add some meat to your guitar tone.
Marshall's current best rated amplifier is the humble 1-Watt DSL1HR, an all-tube, dual channel amplifier head that gives you genuine Marshall tone and appeal in a more compact and practice friendly format. It is based on the JCM2000 Dual Super Lead (DSL) series that the company released in the late '90s, but with some modern enhancements to make it more user friendly. What's cool about this amp is that it can go lower than 1W via its built-in attenuator, which lets you switch to low power mode that has a 0.1W power rating. This means that you can crank the amp's dual ECC83 preamp tubes and ECC82 power tube at very low volume levels, great for quiet practice and for recording. Speaking of recording, Marshall equipped the DSL1HR with a speaker emulated Line out, using Softube's cabinet simulator technology. Other features include having two channels: classic gain and ultra gain, built-in reverb and pedalboard friendly effects loop in and out. More importantly, this tube amp is affordably priced and comes bundled with a footswitch.
The open strings of a guitar can be tuned to microtonal intervals, however microtonal scales cannot easily be played on a conventional guitar because the frets only allow for a chromatic scale of twelve equally spaced pitches, each a semitone apart. (Certain microtonal scales, particularly quarter tones, can be played on a standard guitar solely by adjusting tunings, but the distance between notes on the scale makes it somewhat impractical.) It is possible to play microtonal scales on a fretless guitar, to convert a fretted guitar into a fretless, or to make a custom neck with a specific microtonal fret spacing.
Other unique features of this wonderful guitar are the 70’s styled headstock logo which effectively rounds out the look of this American instrument very nicely. Weighing just 7.2 pounds, the guitar is of pure single coil bliss! It sounds great as all Teles do and it plays like a dream. For every guitar lover, this is a true workhorse instrument to get.
Hybrid amps are a strange beast. As the name suggests, they combine multiple technologies to produce a unique hybrid amp experience. They may use the digital front end of a modeling amp with a tube-based power stage, or a tube preamp with a solid-state power amp. The benefits of this style of lesser-seen amp is that you can sometimes get the best of both worlds, with the awesome tone of a tube amp, but with the processing power of a solid-state amp. These amps tend to be cheaper than tube amps and generally easier to maintain.
Central to Fender success aside from the guitars that carried the brand all this years are the amps they make which are pioneering themselves in giving guitar players unique set of tones and unmatched overall sound quality. This is what we can say are the indicative sign and facts on why players should get their hands on a Fender Super Champ X2 for a beginner amp.
New Mooer Red Truck Multi Effect Pedal. Mooer Red Truck. The Mooer Red Truck is one of the most full-featured effects strip on the market. Featuring several effects modules within one unit, this is designed for players who prefer the simplicity of single effects over multi-effects and want a portable solution for rehearsals, gigs, or where carrying a lot of gear is an issue.
If you are not attracted to the way the guitar looks or feels in your hand, chances are you won't be too eager to pick it up every day. When you are just starting out, this is supremely important. Here's where a disclaimer needs to be placed. This isn't always the case, and often times people warm up to a guitar even if they didn't initially like it, but why chance it?
We can visualize the operation of a potentiometer from the drawing above. Imagine a resistive track connected from terminal 1 to 3 of the pot. Terminal 2 is connected to a wiper that sweeps along the resistive track when the potentiometer shaft is rotated from 0° to 300°. This changes the resistance from terminals 1 to 2 and 2 to 3 simultaneously, while the resistance from terminal 1 to 3 remains the same. As the resistance from terminal 1 to 2 increases, the resistance from terminal 2 to 3 decreases, and vice-versa.
To repair your guitar’s body, glue in any broken wings. Also, repair strap buttons that have come out and bridge holes that have been stripped by putting glue on a toothpick and applying it to the holes. When the glue is dry, you can re-insert the strap buttons or re-thread the bridge holes. You can use the same technique to repair bolt-on holes if the screw holes are stripped or are larger than the threads. If the holes are too large, just leave enough toothpicks glued into the hole to take up the extra space before you re-thread the screw.
So far I am very happy with this guitar. Right out of the box, it was set up perfectly, low action, no fret buzz, and it sounds great. (a sticker on it indicated it was inspected and set up in the usa) I have a feeling that once I swap the strings that came on it for elixirs it will be even better. The built in tuner is very handy, and consistent with the snark I typically use on other guitars. It sounds really good through an amp too, as the dual pickups and blend function create a very versatile range of tones one can achieve quickly. I am really impressed for the price, and I'm 100% sure this will not be my last Epiphone.
A friend lent me this banjo and I got it working and sampled it. Its a 5 string closed back banjo. The fifth string being tuned to a high "g" note (half the length of the neck). Its this string and the closed back that helps give you the bluegrass sound (the high string ringing the "g" note throughout each of the chords with syncopated fingerpicking patterns). This has a standard mapping with variations of long release (to hear the whole sample) and reverb.

This is worse than the Rolling Stones magazine’s list. Paco De Lucia, Django Reinhardt, Andres Segovia, Sabicas, Wes Montgomery, Joe Pass, Jeff Beck, David Gilmour, Jimi Hendrix, John Williams (no, not the movie score composer) IMO the top ten. It’s much harder to play jazz, flamenco, and sometimes classical, than it is to play blues or rock. These guitarists are all infinitely greater than Jack White, John Frusciante, Tom Morello, or John Mayor.

Why Martin electric guitars have never been more popular isn’t too hard to figure out. Martin, whose expertise has always been in top-notch acoustics, never really put a lot of effort into marketing its electrics. They were always well made, and, especially in the necks, clearly “Martins.” In the final analysis, however, it probably comes down to being victims of the success of their acoustic brothers, and players have just never seemed to warm up to the idea of Martin “electric” guitars. For the savvy collector with a taste for quality and relative rarity, Martin electrics remain excellent and attainable prizes.

The person who made up the Top Ten list of best guitars has it all wrong! Of all the guitar companies he lists, Carvin is the only company that still uses ebony as standard material for the fretboard. This is because most other companies refuse to take the time and expense of this type of production. The others all use rosewood because it is cheap, relatively soft and can be "slammed" together quickly by machine; an indication of how they make their guitars in general! No other company who makes guitars even comes close to using the hand selected grade of wood (start to finish) that Carvin does. Take a hint from someone who knows how great guitars made step by step; if you want a guitar made from the best materials you can get, with critical operations still done by hand, order one one from Carvin, try it for ten days, if you really don't like it just return it... No questions and no hassles... Really. If you are not the type of person who cares, or are not willing to do ...more
Kingston guitars were built in Japan and imported into the U.S. by Jack Westheimer, who was an early pioneer of importing and distributing Japanese instruments during the late 1950s and 1960s. At first, Kingston guitar models were limited to acoustics that were similar in style to Harmony’s Stella line. Westheimer’s electric line at the time was built in Japan by Teisco and branded as such before the name changed to Teisco Del Ray. By the mid-1960s, however, Westheimer was no longer importing Teisco (or Teisco Del Ray) guitars, and he turned his attention back to the Kingston trademark, but added electric guitars this time.
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I have a vox valvtronics amp I bought a while ago it has a real preamp tube and loads of very accurate effects great reverb 3 kinds good modulation effects awesome distortion and tube overdrive and very important it is easy to adjust effect level and a power knob that lets you adjust output 1 to 60 watts like a pr attenuator its great so you don't loose that sound of a cranked up amp when you don't want it to loud it also has a easy to use tuner this amp is very user friendly unlike some modeling and effects carrying amps and you can easily adjust effects levels with separate knobs no confusion also a pedal to control effects is available for about 50 dollars is a great studio or small gig still amp and saves a lot because all of the effects it offers its like having a vox tone labe on top of a amp exactly you can sound like van halen led Zeppelin pink floyd lady gaga or the beatles and more and the price is very competitive to all others in its category
I also was amazed how well my Norma FG-7 played..its a parlor size acoustic guitar made of what looks to be all mohagony with a white pic guard kinda cool looking but it was a cheap guitar for the times.it was made in Korea...I acquired it in a small trade ...the bridge was broken on the peghead and luckily both pieces were still there as it still had 4 strings that looked original to me that held the two pieces together...lol....I re-glued the bridge...cleaned her up real well...re-strung her...and wow...I couldn't really contain myself as she sounded as well as a lot of other guitars out there today...although they aren't worth that much...it;s all in how they play and sound...so I believe they are a dandy for sure...but most will be a rebuild! have fun all and keep strummin'
The most common overdrive will also alter the tone of the input signal by adding in a muli-processing chip within the circuitry. Such as the classic Ibanez TS-808, made in the 1980's, having the MP-D01201A multi-processing chip. Depending on the brand of the overdrive, the installed multi-processing chip and the preferences of the player, this type of overdrive is typically a go-to overdrive and is commonly the cheapest to purchase.
1.  And now for my favorite customer fix… A re-glued bridge on an acoustic using Gorilla Glue and wood screws.  This is an epic failure on so many levels.  Wood screws should never be used to hold a bridge on (Gibson, take note) .  And anyone who has ever used Gorilla Glue knows it has no place in guitar construction/repair.  It’s a polyurethane glue that works very well in certain circumstances (water contact, etc.) but the foaming that occurs when the glue is curing can create a humongous mess.  Fix:  Take the bridge off and refinish the top.  What could have been a $85.00 repair is now over $400.00.
Washburn started in Chicago in 1883. They manufactured guitars and various other string instruments. Now they’re a division of the US Music Corp and owned by JAM Industries USA, but they continue to produce quality guitars. In the beginning, they mostly focused on banjos and mandolins. Starting in the 80s, they branched off into producing signature guitars. Now days they make a wide variety of instruments and are very beginner friendly. Washburns are made from fine-quality wood. This means they can get pricey. But the quality the solid wood offers is well worth the price increases. They’re a decent american company that make very consistent instruments. 
On the forum there are thousands of people at all stages of playing that can offer advice on new beginner guitars. I have to admit that I play pretty much only top-end gear and don't know the latest on all the new budget guitars, but on the community forum there are people learning that can all give you advice based on personal experience, and there's no substitute for that!
Dave Murray: select alder body with a nitrocellulose lacquer finish, flat soft V-shaped maple neck with satin back, 21 medium-jumbo frets, American Vintage hardware and ahumbucker/single-coil/humbucker configuration – DiMarzio Super Distortion DP100 (bridge), American Vintage ’57/’62 (middle), DiMarzio PAF DP103 (neck) – with 3-way switching. Other features include chrome pickup bezels, synthetic bone nut and aged white plastic parts with black switch tip. Available in Black only and as a Japanese “Tribute” version with an original Floyd Rose locking vibrato system, dual DiMarzio Super Distortion DP100 humbucking pickups (Neck/Bridge) with a Fender Texas Special single-coil pickup (Middle), 3-way switching and an oval neck profile.
At this time (and for a while now) the best guitars are made in Japan and Korea. However Japanese guitars carry a premium which you don’t find to the same degree on Korean guitars. So Korean guitars will offer the best value and quality for price. There is a Cort factory in Korea, however 1) The Korean Cort factory also makes entry level guitars and 2) Cort also have other factories in other countries which have much lower standards. There are some good/excellent Cort guitars but there are also many bad ones with shoddy workmanship. So Cort as a brand name isn’t enough to guarantee a well made instrument - you also need to check it’s made in Korea, and also that it’s one of the better models (price will probably be a guide). All the brands made at the largest factory, the World Instrument Co. one (which makes PRS SE and Chapman guitars among others) are built to a very high standard.
Clean or replace jacks. To clean jacks use solvents such as contact cleaner or other solvents as a spray and spray the metal parts, clean any excess solvent with a rag. To replace jacks first obtain a similar one that complies with your guitar, then soldering in properly. Work in well-ventilated space to avoid harmful fumes from solder or solvents.
I’m going to be doing a pickup upgrade in the next few months on a Strat-style HSS. I have an idea, maybe a crazy idea, about how I’d like to wire it but so far I have been unable to find any indication that it is even possible. This site seems like the best place to get an answer. The single coils in my guitar will be replaced with another set of single coils (Seymour Duncan SLS-1 lipsticks). The humbucker I plan on installing (DiMarzio Tone Zone) is capable of being coil-split, which I want to take advantage of BUT I would rather not install a push/pull pot. My wiring idea… Toggle Position: 1) Full Humbucker, 2) North coil only of humbucker for single coil performance, 3) middle coil only, 4) middle and neck, and 5) neck only. Is this even possible using the 5-position toggle switch I already have, or is there no way to do it besides using a push/pull pot or installing an additional mini-toggle?
Position 4 (inner coils, parallel connection): This is similar to position two just inverted. Pole 1 connects bridge pickup coil tap to the output through pole 2. Pole 3 grounds neck pickup coil tap and pole 4 connects neck pickup hot lead to the output. That leaves us with bridge pickup coil from ground to coil tap and neck pickup coil from coil tap to hot lead. Again, they are paralleled.
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In 1962 or 63 (possibly as early as 1959) Guyatone guitars began arriving in the U.S.. If you look around the internet you will see that they could be found under a variety of brand names and were sold in drug stores, department stores, even auto parts stores, as well as music stores. There were two lines of Kent guitars: a Standard series and a “Pro-series”. They were made by Teisco and Guyatone. I haven't been able to get my hands on any of these early solidbodies so I don't know if "the Professional Group" guitars are actually worthy of the "professional" designation and slightly higher pricetag or if it was all about marketing.

FX or no FX? Again, it's almost a question of valve or solid state, here. Most valve amps don't come with any effects other than tremolo and reverb, at most. Solid State amps often come with a wide range of features such as digital FX and amp modelling. If you're an have lots of fx pedals, you don't really need a modelling unit, but if you're new to guitar playing, buying an amp with modeling FX might be a good way to get familiar with all those sounds.
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In the 1950's company called Don Noble and Co, was founded in the 1950’s by Don Noble, a well-known accordion player and entrepreneur.  He began by importing Italian made musical instruments, mainly accordions, in an era when the "stomach Steinway" was very popular and accordions were being sold door-to-door, and accordion academies were common in most larger cities. But he also imported guitars under the Noble brand name.
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The headstock does not come pre-carved, which is good for those who want to personalize its shape, and bad for those who can't do wood work. All needed parts are included, along with hex wrenches for the truss rod and saddle adjustment, it even comes with some solder, so you'll just need a soldering iron and a Philips head screwdriver to complete the assembly.
Like his conversational singing, Willie Nelson's guitar playing is deceptively laidback, playfully offbeat and instantly recognizable. Amazingly, Nelson has been playing the same Martin M-20 classical guitar, nicknamed Trigger, since 1969; it has defined his sound, a nylon-stabbing mix of country, blues and Django Reinhardt's gypsy jazz. Though the guitar now has a large gaping hole, Nelson still plays it nightly. "I have come to believe we were fated for each other," he said. "The two of us even look alike. We are both pretty battered and bruised."
EQ can make a tremendous difference in the sound of your instrument. This becomes especially important when playing in a band setting. Your guitar might sound great played alone, but within the sound mix of a full band may need some tweaking. Depending on which instruments are involved, you will need to adjust EQ to help your guitar fit into the overall sound the rest of the band. Using an EQ effects processor can help you dial that sound in more easily and precisely than depending on just your guitar and amp’s EQ controls.
One of the best and most affordable gigging amps I have ever played. Blackstar accommodates all styles and budgets and should be in place of line 6. Too many people want traditional tone, but Blackstar brings a new edge to the table and builds extremely reliable tough as nails amps with new ideas like the ID series amps, I own an ht40 and am extremely impressed. Get one.
Lee Ranaldo of Sonic Youth used a Kent Polaris I solid body (with lots of duct tape on it) and several Kent 800-series guitars - a white 820 and a sunburst 821 12-string with 10 strings on it, shown at left. Since the B and high-E strings on a 12-string set are normally tuned to the same note, he left the duplicate strings off. He uses several alternate tunings with his guitars.
Solid Body: This build is rather self-explanatory, meaning there is no sound box (as typically seen in other instruments, especially acoustic guitars) but instead relies on an entire electric pickup system to gather the vibrations of the strings to portray your sound. This typically dominates the preferred ‘guitar type’ category unless you’re aware of what the differences are in terms of sound (telecasters, Ibanez, etc.). The perks of this solid build include the ability to be amplified at very high volumes without feedback worries, giving us more combinations when it comes to shapes\designs, and are very responsive to the use of effects since it’s nearly entirely dependent on amplification. Preferred genres? Rock, punk, metal, classic rock, etc.

i have an original 12string vox mark XII and i would like some parts (original or replicas) to repair it. For example the neck(is the right word?)has a surious damage and i want to replace it, also i miss the tremolo stick and the circle black plastic stuff fit the back side. i need some connections all around the world but it could be better if i ll find something in europe. please help-mail me and sorry for my english syntax. dimitris from athens greece.

In typical pedal effect chains you will most likely be running cable lengths that are much longer than 5.5 meters. The ME-80 allows you to keep your tone pure when running lots of effects. You can run a cable up to 5.5 metres into the input of the ME-80. The multi effects engine processes up to 8 effects in its internal signal chain. Then the ME-80 outputs your guitar signal as a 2,000 Ohm low impedance signal allowing you to run a much longer cable to the amplifier.
Don’t be fooled by the lack of reviews for this guitar on Amazon. Dean makes some really solid guitars, they just happen to be a less popular brand than the other big names. I love this one because you’ve got 2 humbuckers for powerful rock and metal tones, but you get additional tonal versatility thanks to a push/pull coil tap. So, the C350 definitely isn’t a one trick pony. The flame maple veneer adds a nice finishing touch.
Being a true pro-level instrument, the Yamaha LL16 comes with a jumbo body shape and built-in S.R.T Zero impact electronics. Playability remains beginner friendly, with a low action setup that new players will easily master. And since it comes with an all-solid wood body, this guitar will only sound better and better as it ages. If you are looking for a more long term instrument at the sub $1000 level, check out the Yamaha LS16.
One oil finish that many luthiers use and recommend is Tru-Oil, which was originally formulated for finishing gun stocks. It is the oil finish that Luthier's Mercantile carries, and if you Google for Tru-Oil you will find plentry of information about using it on guitars including some very good instructions. And those instructions will help you with Danish Oil as well.
Possessing great look and feel, the LyxPro, the amp is small and would work best for headphone, something that is normal with beginner instrument. It also features a digital clip-on tuner that is so perfect for tuning the 6 strings that are designed on the rosewood fretboard. The Canadian maple neck also compliments the rosewood fingerboard and the overall solid wood body finishes for greater sound quality.
Harmony was the largest US guitar manufacturer between the 1930s and late 1960s. At the height of the guitar boom in the mid-1960s, Harmony was building more than 1000 instruments per day. Not only were they producing Harmony-branded guitars, there was a time when the Chicago-based factory was making guitars for 57 different brand names and trademarks. At one point, Harmony was selling 40 percent of their guitars through Sears & Roebuck under the Silvertone brand.
When the Fender company invented the first widely produced electric bass guitar (the Fender Precision Bass) they also developed a bass amplifier, the Fender Bassman, first produced in 1952. This was a 26-watt tube amplifier with a single 15" speaker. In 1954, the Bassman was redesigned to use four 10" speakers. This speaker cabinet was an open-back design; as such, it had poor low-frequency efficiency and was prone to blowing speakers when used for bass because of the lack of damping. Somewhat ironically, it became very popular as an electric guitar amplifier. The circuit design also underwent repeated modifications. The "5F6A" circuit introduced in 1958 is regarded as a classic amplifier design and was copied by many other manufacturers, such as Marshall.
Some amps have a bright cap on the volume pot. The purpose of this cap is to allow your amp to provide a bright, clear tone at lower settings on the volume pot. The more the pot is increased, the less effect the cap has. When the pot is turned all the way up, it should be completely out of the circuit. Like they do with a bright switch, drive pedals can interact with a bright cap and result in less-than-pleasant drive tones. If your amp has a bright cap and you don’t like the way it responds to some pedals, or you find it excessively edgy at low volumes, consider having a competent amp tech change the bright-cap value or remove it altogether. This can be a worthwhile and easily reversible mod.
While the Boss MS-3 is a fairly recent release, it does have quite the number of reviews, most of them coming from users who have nothing but good things to say about their experience with the unit. One user summarized what most reviewers felt by saying that the MS-3 is a "game changer". But it's not just about its amp and effects switching, because many were just as impressed with the sound quality of many of its built-in effects, including its overdrive and modulation sections. It's compact and portable design is also very much appreciated, making it an easy addition to any setups.
I have a Gemtone guitar tube amp that was made in Canada in early 70's I think. This is the only Gemtone I have ever seen and the only information I could find out about it (but not verify) is that it was a sub-company of Regal Instruments. I would love to find some more info about this amp but have nearly given up after several years of searching. Sorry its not really an answer but my hope is to fire up the thread again so someone with more concrete info can chime in.
David Gilmour: Two models of Gilmour’s famous “The Black Strat” are available from the Fender Custom Shop: One is an American ’69 Strat body with an ’83 remake C-shaped ’57 RI maple neck (labeled as New old stock) with electronic and cosmetic modifications. The other is a”relic” style guitar that replicates the “The Black Strat” down to every scratch and dent. The relic version has two completely different coats of paint, just like the original.[16]
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Searching for something to give them a boost, in July ’68, Ovation introduced its first electric guitars – the Electric Storm series. Two models were available initially, the Thunderhead and the Tornado. These were f-hole semi-hollowbody thinline, equal double-cutaway guitars with German-made bodies, bolt-on Ovation necks, and Schaller hardware. Most had Schaller pickups with metal covers, a row of poles along each edge, and split, small, black inserts in the middle. Each was available with or without vibrato.
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When people ask "What are the guitar string sizes?" they really want to know about the gauges, the term referring to the diameter of the string.  The answer is... that's not quite how it works.  Yes there are standard gauges but in several standard sizes like light, medium, and heavy.  Each, when properly tuned, will exert a different tension on the guitar's neck and if you jump to another size you'll probably need to adjust the truss rod and get used to the new action of the fingerboard.
Firstly, they are cheaper than their tube counterparts, which is why most beginners will end up starting on a solid-state amp. They are also much more efficient, easier to maintain (no need to change tubes), lighter to carry, and less fragile. While the tone of modern-day solid-state amps can be incredible, they don’t tend to be as fluid or responsive as tube amps. For more on solid-state amps, check out our dedicated solid-state amp page.
With electric specifically, it's important to ask what genre's of music do you want to play and who are your influences. A humbucker pick-up found in Les Pauls and SGs sound MUCH different than single-coils found in Stratocasters and Telecasters. If you like the sound of your guitar heroes, chances are you will like playing through similar gear. Again, go with my BUDGET, FEEL and SOUND trifecta!
It’s important to note in this discussion that loudness, generally measured with decibels, could potentially be labeled “good” or “bad” in so far as certain levels are known to usually produce pain in humans. For example, the United States government’s Occupational Safety & Health Administration (OSHA) regulates how employers and workers behave around noise levels that approach 85 decibels. As music fans, we may boast about how the Slayer concert caused our ears to bleed, but sling a jack hammer or stand under 747 jet engines for eight hours a day and see how fun those loudness levels are. But that’s volume, not quality of tone.
DIY Guitars is Australia’s home of the best guitar kits. We stock a large range of kits at great prices, which will be delivered to your door! Whether you’re looking to shred like a madman, or play some classical blues riffs, we have the guitar kit for you! We also stock high quality ColorTone guitar stains and plenty of guitar accessories to help make the perfect guitar to suit your needs.
Body:  Soundboard:  two-piece spruce: medium grain broadening toward the flanks. Back: two-piece spruce: fine grain on bass side broadening to medium at the flank, wide grain on treble side; slightly arched; two f-holes; recessed 11 mm from edge of ribs. Ribs: 7-ply plywood, the outer layer birch, the inner layers mahogany, the outer veneer layer grain running perpendicular to plane of top and back; panel on bass side with nickel-plated steel plug; slides out for access to pickup unit. Head: mahogany veneered with white celluloid on both faces. Neck: mahogany; integral with head; rosewood stripe.
Mike Hedges also uses this idea a great deal, and explains how it really comes into its own at the mix. "You've got two or three tracks of guitar: one clean, one medium — say, half-driven — and then one really driven. As the song progresses, you might use the nice clean track during the verse, as you're coming to the bridge you fade in the heavier guitar sound, then back it off a bit, into the chorus with everything full on, then back to the next verse and drop it all out. It's all done on one guitar track, so it doesn't sound like you've done 10 guitar overdubs. It has a different quality, it sounds like a live performance, but you've got real dynamics in the sounds. It's a very effective technique."
Harmonizers blend the note from your original guitar signal with a note shifted to a preset interval. For example, you may set it to a Major 3rd interval and it will create a similar sound as if you played a root-plus-Maj-3rd diad. Harmonizers are pretty diverse effects, but using one correctly obviously means understanding a little about music theory and how scales and intervals work.
Coming to its making, it has full-size dreadnaught body for big sound. The top is made up of laminate spruce whereas sides and back are nicely finished with basswood. This Fender Guitar is the reason it lacks a little bit of sounding because solid wood guitars can provide high-end sounding. As far as handling is concerned, kids might find it difficult due to its full size. Teenagers with right heights will find it quite comfortable. Just make sure that your fingers go down to fretboard pretty easily.

For more complete control of preamp distortion voicing, an additional EQ pedal can be placed after a distortion pedal; or, equivalently, the guitar amp's tone controls, after the built-in preamp distortion, can be used. An EQ pedal in the amp's effects loop, or the amp's tone controls placed after preamp distortion, constitutes post-distortion EQ, which finishes shaping the preamp distortion and sets up the power-tube distortion voicing.

As similar as the two instruments are, bass guitars have enough differences from electric guitars that bassists should definitely look for effects designed specifically for their instrument. By doing that, you’re getting a pedal balanced for the low-frequency dynamics of the bass, and built to help it blend better with the other instruments in the band. Many bass effects have the same purposes as guitar effects described above, including chorus, reverb, delay, phaser and tremolo.
You want this before all of the remaining effects because you want, for example, a distorted signal to be delayed, not a delayed signal to be distorted. You can try it the reverse way but you'll end up with varying results since the gain will change during reverb tails, decaying delay echoes, and crazy chorus or flanger effects. And since these effects in this group rely on gain, you want to feed them a consistent and high gain signal, which gets reduced by other effects.

This guitar is one of the most appreciated units on the market at the current time. This unit is prized for the fact that it comes equipped with a particularly sturdy body that has been made out of solid wood. Even more so, the body of this instrument was constructed using mahogany, hence its durability, while its top part contains maple. Consequently, this unit is glossy and has an appealing clear-cut design that you are prone to enjoy.
GUITAR RIG 5 PLAYER is the free, modular and expandable effects processor from Native Instruments, combining creative effects routing possibilities with ease-of-use and pristine sound quality. The included FACTORY SELECTION library provides one stunning amp with 17 cabinet emulations, plus 13 effects and sound modifiers to shape and enhance any audio signal.
I didn’t want to spend much money (I’m a cheap bastard…part of me thinks I could never truly love a 59 Bassman unless I scored it at a yard sale for a hundred bucks. Now, tone matters more than money to me, but I tend to love the tone of crappy amps just as much as high enders, so I’d feel like a stooge dropping that kind of money on an amp. Especially since I play them and would ruin the collectable value of anything by gigging with it).
Read Full Review If you’re looking for a lightweight guitar aside from a Stratocaster. You prefer the quality of tone produced using humbuckers than a single-coil can deliver. This SG model from Epiphone meets that requirements on the overall sound, playabilty and price that fits the under two hundred dollar budget of a beginner. As well as for seasoned players looking at the market for an affordable studio or back-up guitar to bring on stage.
It has been said that Barney never played his signature Kays. On the contrary... Barney Kessel has been photographed in concert with the Kay K8700 Jazz Special on multiple occasions, has made appearances at Waldo's Jazz Club on the television classic "Johnny Staccato - Television's Jazz Detective" and has been confirmed by son Dan (who also recorded with the Artist on several famous recordings) to have used the Artist to record countless rock, pop, r&b and blues hits with the most popular performers of the early '60s.
Gibson has been producing the Les Paul Studio electric guitar since 1983. One of the company’s lower-priced models, the Les Paul Studio was designed to attract guitar players who wanted to have the much-admired Les Paul sound without shelling out cash for cosmetic features found in upper-tier models like the Les Paul Standard. This is why the older Les Paul Studio models did not have headstock inlays and binding on the neck and body.

I’ve used Eagle for a long time, but I just recently started using Circuit Maker, and I like it so far. I’ll probably end up using both since I do most of my work on a Mac, and Eagle still works fine on that. I had to set up a dedicated Windows machine for Circuit Maker. Circuit Maker has a 3D view of the finished PCB which is a very helpful tool if you are dealing with odd board sizes and very constrained layouts.
Some solid-bodied guitars, such as the Gibson Les Paul Supreme, the PRS Singlecut, and the Fender Telecaster Thinline, among others, are built with hollows in the body. These hollows are designed specifically not to interfere with the critical bridge and string anchor point on the solid body. In the case of Gibson and PRS, these are called chambered bodies. The motivation for this may be to reduce weight, to achieve a semi-acoustic tone (see below) or both.[34][35][36]