Semi-Hollow: As the name suggests, you’re getting a smaller type of sound box while some support of amplification at the same time. This allows us to use an amp (with proper adjustments — there will definitely be some feedback worries of course), but they’re a lot lighter in weight than solid bodies and people tend to say they’re more versatile than our previously explained type. The superlatives used when it comes to hollow-body sound usually include “warm”, “bright”, and nice overtones. Preferred guitarists? Jazz, rockabilly, vintage country, etc.
AMAZING. Awesome place. Will NEVER go anywhere else for guitar work again. I am sitting in the parking lot of this place writing this on my phone, THAT'S how good of an experience I had. I wanted the action lowered on two acoustics and a strap button put on. I called 6 different places around town, each one quoting me prices ranging from $50-$60 for the setup (action adjustment) and another $10 for the strap button. I called Franklin Guitar and Repair and was quoted at $25-$30 for the setup and $5 for the strap button. What a steal! So I took both guitars. He looked at one and said all it needed was minor adjustments, which he did right then and there for free. The other, he kept overnight to adjust and add the button. I picked it up today. $15 TOTAL. What a wonderful person, awesome shop, honest, quality people. And for a steal. Cannot recommend enough!
This said, the gig bag itself looks like it is top quality, with properly cushioned straps so you can wear it on your back if you need to, making it a great option for carrying it across town or campus. The only thing is, the listing says the guitar is lightweight, but at 16 lbs, some people would not say this is “light.” At least not compared with some of the more inexpensive models in this review list. After all, the back and sides of this instrument are made of mahogany, which is a hard wood. This makes the guitar more durable, but not easy for some to lift.
Advanced multi-effects processors can involve significant learning curves. Their hundreds of sounds and functions may entail diving deep into multi-layered menus to get at what you want. The best units offer intuitive and ergonomic user interfaces that keep the most common functions easily accessible via dedicated knobs and switches. Reading user and pro reviews can help you identify which models offer the greatest ease of use.
Playing different guitars in a music shop is a great way of familiarising yourself with each model's unique qualities but don't forget to take off any objects that could scratch the guitar. A music salesman will let you try as many guitars as you like but may not be too happy about the little scratch your coat button left. Your choice of guitar will usually be based on the type of music you wish to play and the aesthetic appeal of the colour and design.
(https://rytmenpinne.wordpress.com/sounds-and-such/salamander-grandpiano/) (http://creativecommons.org/licenses/by/3.0/). Some versions on this site have been carefully edited down to 6 velocity layers and looped at the almost inaudible tail ends to reduce Ram usage but the quality is almost indistinguishable.  They are based on a nicely sampled Yamaha C5 Grand. Samples have been normalised, re-attenuated, latency reduced and modified for sf2. Three or more brightness levels are available plus optional resonance.
Jackson is a well-known guitar manufacturing company that was set up in the year 1980. Jackson guitars are considered as among the best guitars on the planet. Their guitars are known for its slender and refined layouts. Jackson guitars are also popular for their typical pointed headstock. The Jackson JS32 Kelly RW is an electric guitar which has won the hearts of many owing to its stylish design and great sound quality. When it comes to the sound quality of the guitars, Jackson is the best guitar brand to have.

I hope the list is somewhat correct on peoples lists although it is just an opinion! and just a small thought and insight on angus young he might not make the top 50 for me he plays just a few chords and everything sounds the same, he is with a unique voice and a band who was made by bon scot that put ac/dc on the map!! I know of no really good guitar player that names angus young as their inspiration or was influenced by angus young it is just that his work was too simple!!
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I am writing this due to the mixed reviews that I read before buying this. This is a really powerful device. I have had a POD 2.0 for years. This is just as good and is also small, portable, and inexpensive. Most of the criticism that I read is that it is not well made and durable. It is well made, but I don't think it is designed for gigging. It is perfect for practicing or interfacing with a home studio. If this is your application, then you will be very satisfied. One other thing that I found true of this and similar devices that I own is that the quality of the headphones makes a big difference. If you use studio quality headphones it will sound great, if you use music player headphones it will just sound good. I haven't ... full review

Love love love this guitar! I ordered it because it reminds me of my Dad's old Kay archtop that I initially learned to play on. The retro jazz style of this guitar is awesome. My musician friends love it and and like the sound of it although they haven't heard it plugged in yet. It took me a very short while to get used to the strings (made by the company for this guitar) and while they have a tinnier sound than what I'm used to for an acoustic guitar, they do deliver when it is plugged in. Overall it really seems to be more of an electric-style guitar. The neck is narrow and the body is small - something that I am so happy with! It is extremely playable. I may switch to bronze strings to get a warmer tone, but for now I want to give these strings a chance to sing. I also ordered a case from the company that fits this guitar, and for the price, it is awesome as well! Very light and the guitar fits perfectly and securely. At a recent gig, a complete stranger came up to me to look at and admire this guitar - it truly is a beautiful instrument. The woodgrain is rich and not as red as the pictures make it look. I feel like Stu Sutcliff - don't really need to know how to play - I can simply stand in the background and look cool ;-)
As opposed to the modeling amps and amp profilers already on the market, the Power Head doesn’t just offer a number of pre-set amp settings that would allow you to imitate the styles of famous guitarists (among many other things), but it can also copy the settings of other amps it is connected to, or let you load your own so that any particular style you’ve stumbled upon during a recording session can be re-rendered with crystal-clear accuracy when performing live.
In 1971 Larrivee began adding inlay designs to their guitars and in 1977 inlays became a standard for their guitars. Beginning in 1978 their inlay designs took on a more romantic style. Since 1979 all engravings were designed by Wendy Larrivee except for a 1998 inlay called the “Joker.” In 2007 Larrivée began using laser engraving for their inlays.
Their innovation continued by developing a bowl shape guitar body - the result, at least to my ears and that of many other guitarists, is that the resulting tone of their acoustic-electric guitars is similar to those using traditional tonewoods in their construction. Unlike more radical brands like RainSong, they still use traditional woods for the tops of their guitars.
When it comes to acoustics, you can’t beat Taylor’s eco-sourced Tone Woods. The 114e features a solid Sitka Spruce top and layered Sapele back and sides, giving the Taylor a rich and full-bodied sound that is hard to tell apart from solid wood bodies more than twice the price. The electrics and built-in preamp are top notch and you can’t beat that Taylor neck for finger-friendliness if you’re just starting out with chords.​
Some more advanced models, like the Wampler Latitude Tremolo Deluxe, bring a much more complex set of features, which include choosing the waveform and more. Whether you are looking for a good way to spice up your tone without impacting the nature of your signal, or you are just in need of a great vintage style effect, tremolo is the one to go for.
Description: Body: Mahogany - Neck Attachment: Neck-through - Neck Wood: Maple - Neck Construction: 1 Piece - Nut Width: 47.6mm - Fingerboard: Maple - Frets: 24, Jumbo - Inlay: Piranha Tooth - # of Strings: 7 - Scale Length: 26.5" (67cm) - Headstock: 7 In-Line - Bridge: Floyd Rose Special Tremolo - Cutaway: Double - Hardware: Jackson Tuners, Black, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Seymour Duncan Nazgul/Sentient - Pickup Configuration: H-H - String Instrument Finish: Bright Blue - Made In: America
The Ibanez Gio GRGM21 Mikro in Black Night proves that guitars don’t have to be super expensive to sound great. This is a fantastic cheap electric guitar that doesn’t suck, often picked up by beginner guitarists who are into metal and hard rock and those who like a shorter scale guitar. Featuring an iconic shape, a specially designed GRG neck made of maple, rosewood fretboard and 2 x Infinity R humbucker pickups that can be used separately or in unison via the 3-way pickup selector, you have a comfortable and great sounding powerhouse of a guitar at your disposal. It’s one of our favourite cheap electric guitars that sounds amazing when you throw some distortion at it! Available in different finishes here.
Gibson originally offered a single cutaway from the guitar body, so that players could access higher frets.  Notice that Fender includes a double cutaway design so the player’s thumb also has access to the higher side of the neck.  Gibson used “3 On A Side” tuners, so Fender offered “6 Inline” tuning pegs.  It was these choices that created a large part of the visual appeal of the Strat.
Kingston guitars were built in Japan and imported into the U.S. by Jack Westheimer, who was an early pioneer of importing and distributing Japanese instruments during the late 1950s and 1960s. At first, Kingston guitar models were limited to acoustics that were similar in style to Harmony’s Stella line. Westheimer’s electric line at the time was built in Japan by Teisco and branded as such before the name changed to Teisco Del Ray. By the mid-1960s, however, Westheimer was no longer importing Teisco (or Teisco Del Ray) guitars, and he turned his attention back to the Kingston trademark, but added electric guitars this time.
If you are new to electronics, the essential tool you most likely need to buy is a decent temperature controlled soldering station. A basic one such as a Weller WLC100 can be had for less than $40 and will do the job just fine. Really nice ones with digital temperature readouts from Weller or Hakko are $100-$150 and as much as you will ever need for a home pedal shop. The soldering pencils have interchangeable tips, so you can keep a selection of different sizes. The one that normally comes with a new station will be suitable for most through-hole pedal kits.
Although there have been several copies of Gibson guitars in Epiphone, yet their quality, tone, and artisanship suffice to attract and retain more customers. During the past few years, Gibson has adapted some modifications in their lineup. This includes restoring their classic Les Paul Studio design as Studio T, and the Les Paul Studio Faded, which is an affordable variant.

As the text says, the pick wasn’t exactly identical with all the samples. This would make for the differences alone: The movement of the string must not be imagined as a plain two dimensional one. In fact it’s rotating in three dimensions, while the pickup only senses that part of the movement which is perpendicular to the deck of the guitar. The vibrations direction changes all the time and does so for each frequency component (read: harmonics) independently.
Mundt Music of Longview, LLC is your one stop guitar shop. Located at 2312 Judson Road, we have everything that you need whether you’re buying your first guitar or adding to your growing collection. Make sure to join us in store on October 10, 2016 at 6:30pm, for our “Taylor Road Show” event. Guests will enjoy an evening of guitar talk and demos with Taylor factory staff and guitar makers from El Cajon, CA. It’s an event that any guitar enthusiast won’t want to miss.
This multi-effects pedal lets you setup your virtual rig with up to five effects that include various modulation, distortion, compressor, delay, reverb and other effects. They can also run alongside the Zoom G1Xon's built-in amp modeling, which lets you choose between 22 different amps. Those are a lot of features in a small unit, thankfully Zoom implemented an interface that makes tweaking and configuring easier. As expected although you are still limited by two footswitches, it comes with an expression pedal, which adds even more to its value and usability.
Certainly the most desirable of the Martin body size is the 000, 0M, and D sizes. Many consider the 000 (and OM, which is essentially a 000) to be the ultimate guitar size, where others feel the "D" size is the best. It's personal preference. There are some interesting facts though about the 000 and OM sizes. (In Martin's 1934 catalogue, any flattop guitar that had a 14-fret neck was named an "Orchestra Model", while the older 12-fret design was named a "Standard Model".)
Ultimately, you want to make the best purchase for the person who will be playing the guitar while staying within your budget. As we recommended in the beginning, it’s good to get an idea of what the player is looking for. Find out what styles they like, and his or her favorite music. Looks are important too! The right guitar in the right color could make all the difference.
This question is one of those legendary analog vs. digital type debates. Many a forum war has been started around this topic. It’s typically a question asked by beginner and intermediate guitarists looking to get into effects. Given a budget, is it better to start a collection and buy a couple of individual effects, or get a single multi-fx unit? There’s not really one correct answer to this question one way or the other, since it largely matters on what your goals are.
If you're a Zakk Wylde fan, take a look at his signature Les Paul or the exclusive Graveyard Disciple with its authentic Floyd Rose tremolo bridge. For the metalheads among us, there's the Brendon Small Thunderhorse Explorer, a mahogany axe based on the one Brendon plays in concert with Dethklok. To satisfy Beatlemaniacs, Epiphone also has a Casino guitar inspired by John Lennon’s famous six string.
Rock ’n’ roll is an industry that’s continually pushing musical, social, and cultural boundaries, and the electric guitar is its iconic instrument. The acoustic version has been around since at least the 16th century. So when I first started working with co-curator Gary Sturm on an exhibition about the invention of the electric guitar at the Smithsonian’s National Museum of American History, our driving question was: Why electrify this centuries-old instrument? The simplest answer: Guitarists wanted more volume.
Let’s start off with a real classic for a classic player! This Fenders vintage modified style Strat hss has captured the happy way of the 50’s, available in Surf Green, Daphne Blue and Fiesta Red and it’s a guitar that just makes your life a litter bit more worth living. The design is very much like the 1950’s electric guitars, from the soft V-shaped neck, maple fretboard and 8-hole pickguard down to the smaller things, like the knobs and the switch tip- everything just brings us back!
• Them Changes: Since the strings on acoustic guitars play a much more important role in projecting volume and clarity than strings on an amplified electric guitar, considering changing acoustic guitar strings often to keep an instrument sounding its best. Remember to wipe down the strings after playing and check for string damaging fret wear. Both can prematurely end a guitar string’s life.

The size and shape of the ME-80 is comparable to the Line 6 POD HD500X, though the Boss measures a few inches smaller, and also weighs a few lbs less. This is a Boss product, and as such it’s built like a tank. No worries whatsoever over the build quality of the chassis, knobs, and footswitches. Starting with the rear of the ME-80, you can see the I/O is pretty basic - mono input for your guitar, stereo output, a headphones jack, AUX in (so you can plug in your iPhone and jam along to your favorite tracks), and a USB port. Like the Zoom G3X and the Line 6 POD HD500X, you can use the Boss ME-80 as a USB interface for your computer and record your guitar straight into your favorite DAW. Oh and one small inconvenience is that you’ll need to buy the power supply separately. Why Boss doesn’t just include one for a unit of this quality and price, we don't really understand. If you do end up getting the ME-80, this is the power adapter you want. It can also use 6 AA batteries which is good if you need to use this on-the-go, but we don’t recommend it as it will suck those batteries dry in no time.


Electric guitar pickups provide a great way to customize your sound. They offer you the option of creating more sustain and enjoying stronger harmonics, and depending on the music genre or venue, pickups can make your tone warm or bright and allow you to add more or less distortion. Where you place you electric guitar pickup has an impact on the desired sound you want to achieve. If you're looking to create a bright or trebly timbre, place the pickup at the bridge. Neck pickups provide a warmer sound with a little more bass while multiple pickups together in one area help to produce additional vibrations. There are a variety of electric guitar pickups to choose from that can help you amplify your rockin' riffs or scorching solos.


Smaller players, musicians who travel frequently, and parents shopping for children, may also want to consider travel and mini-acoustic guitars. These guitars were designed for the comfort of smaller players, and for convenience when traveling, but many guitar manufacturers have invested significant time and resources into creating smaller-scale acoustic guitars that don't compromise quality or sound.
HERE WE HAVE A TOTALLY  COOL 50’s HARMONY STRATOTONE PEANUT MODEL SOLID BODY GUITAR......ALL ORIGINAL: TUNERS, TAILPIECE, PICKGUARD, ETC...PICKUP DATED 1957...COOL COPPER RELIC LOOKING FINISH...STRAIGHT NECK GOOD ACTION..FREE US48 SHIPPING WITH BUY IT NOW...S H $60...**WE SHIP INTERNATIONAL** NO PROBLEM...LOCAL PICKUP OK...ANY QUESTIONS EMAIL US OR TEXT/CALL 305.773.4539...CC & PAYPAL OK... BE SURE TO CHECK THE BANANA GUITARS EBAY STORE FOR MORE COOL STUFF AND WATCH FOR MORE COOL GUITARS I WILL BE LISTING...THANX&ENJOYIT! ALL IMAGES & DESIGNS PROPERTY OF  BANANA GUITARS INC. RETURNS ACCEPTED AS PER EBAY  RULES ONLY IF NOT AS DESCRIBED
So fun...So dope...I am sure the game is really great, and I know that it has gotten a lot of acknowledgement, but the reason I give it only 4 Stars for me personally is because I test every single new game out that I purchase with my 60 Year old Parents to see if they are interested in it because if they are then we usually play the game together and watch the stories unfold....This game this game OMG this game I have been waiting for since PlayStation 3 I'm so glad I was able to play this let me tell you get this game if you have PlayStation or if you want to play it exclusive for PlayStation or if you want to just see the whole franchise get a PlayStation and play and I highly recommend getting a PlayStation 4 Pro you will not be disappointed with this game.
Distortion was not an effect originally intended by amplifier manufacturers, but could often easily be achieved by "overdriving" the power supply in early tube amplifiers. In the 1950s, guitarists began deliberately increasing gain beyond its intended levels to achieve "warm" distorted sounds.[29] Among the first musicians to experiment with distortion were Willie Johnson of Howlin' Wolf,[29] Goree Carter,[30] Joe Hill Louis,[31][32] Ike Turner,[33] Guitar Slim,[34] and Chuck Berry.[35]
Reverb is one of the most popular guitar effects in use. It’s so subtle, natural and valuable that it can easily turn a mediocre track into something more profound. The pedals we have listed above are by far some of the best you can get at the moment. They are not all the same, and each offers its own take on reverb in general. However, all of them will serve you more than well in your search for that tasty reverberation. Lastly, we hope that this guide has helped to clear up some misconceptions about reverbs you might have had.
Bass guitars (like guitars) in many ways are like cars. Their appearance is a major factor in your buying decision. But also like cars, especially for the first-time buyer, there are far more important factors to know about in order to ensure you buy a bass guitar that is both properly playable and that stays in tune, enabling you to make progress with it. 
The only proper way to make a "high string action" Martin guitar play correctly is to do a "neck set". This repair involves removing the neck on the guitar, and refitting the neck at a slightly increased angle, which lowers the string action. If done correctly, this does not affect the value of the guitar (and in fact can make it more valuable, as the guitar is much more playable). Generally speaking, most players would agree if the "string action" is more than 3/16 inch (5 mm) at the 12th fret, the guitar needs a neck set. This measurement is taken from the bottom of the low-E string, to the top of the 12th fret.
Bass chorus effects use a cycling, variable delay time that is short so that individual repetitions are not heard. The result is a thick, "swirling" sound that suggests multiple instruments playing in unison (chorus) that are slightly out of tune. Bass chorus effects were more common in the late 1980s, when manufacturers such as Peavey included chorus effects in its bass amplifiers. In the 1990s and 2000s, more sophisticated bass chorus effects devices were created which only apply the swirling chorus effect to the higher parts of the bass tone, leaving the instrument's low fundamental untouched.[5]
Play it and see. I've owned so many guitars I don't even look at the headstock , I'll play a few riffs or scales and see how well it holds up. how to tell a good guitar from a bad: *what is it made out of , plywood is terrible , where as say alder or mahogany are the industry standard for "tone". Google will tell you if you can find the model and or series. *how good does it sound? unplugged and plugged in assuming it's electric *can you play every fret on the neck without the notes instantly dying or getting an annoying amount of buzz *is it comfortable to play and slide up or down the neck *are the electronics in good places , I hate when my hand hits the volume knob for example when I'm soloing. down the road you can do the following to improve the sound and reliabillity put new strings on the guitar (youtube can help) adjust the string height as low as possible to make it effortless buy new guitar tuners off of say ebay , I recommend Grovers and a guitar processor will make even no name guitars sound incredible.
The thoughtful design and close-tolerance machining of the mechanical components of most electric guitars enables them to be set-up and adjusted with great precision. But it is important to make these adjustments in the correct order- Neck-Nut-Bridge saddles. Making fine tune adjustment to any of these elements without reference to the others, or out of this order, will prevent a guitar's true potential from being realized.
Doling out everything that an electric guitar newbie could possibly require for less than a hundred bucks, the Davison Guitars Beginner Starter Package with a full-size electric guitar (39”) is super-alluring from the very outset. While many so-called beginners packages reek of inferior quality, this full size black electric guitar plus accessories combo strives to deliver complete bang for your buck. And that’s exactly why this thrifty, but high value electric guitar package has garnered massive popularity, and has been featured in ‘Top 5 Electric Guitar Beginner Packs’ across most reputed websites.
Nylon strings are the standard for classical guitarists in today’s market.  While there are many types of nylon strings, the most commonly seen is clear nylon.  They are visually appealing while providing a clarity of tone with a bright attack that offsets the mellow overall tone of the classical guitar.  Other options include black nylon, rectified nylon, and composite strings.  The best classical guitars on the market come strung with nylons by default still.
That's right, we have another Martin guitar. This time around it's the Martin DCPA4R from their Performing Artist series. This guitar is not really the very best they have to offer, but we feel that it combines all of what makes Martin so unique at a price that isn't impossible to afford. Because there are some insanely priced ones out there from Martin and others, but funnily they aren't the best of the best, just the most expensive.
Post on February 14, 2013 in the RRF Forum:[12] “When John Hall so graciously let me have the license to build Rickenbacker Acoustics back in ’06, I brought a truck to RIC headquarters and loaded it up with all of the remaining wood for Rickenbacker acoustics, in order to free up some shop and storage space in Santa Ana. There was enough undamaged wood for about 40 guitars, and I’ve reached the end of the line with my RIC acoustic builds. I’ve decided to let my license to build Rickenbacker acoustics expire, effective February 1, 2013. All current orders will be built as agreed.
Gate – A dynamic effect that cuts off or lowers the volume of the output when the input is below a certain volume threshold. Once the input reaches the threshold the gate opens and allows the entire signal through. This is handy when placed in an amplifier’s effects loop for helping to eliminate hiss caused by high gain distortion when the guitarist is not playing.
I have a Decca that my uncle gave to my dad and he gave to me (I think, he's never really asked for it back since he doesn't play). It's in rough condition, has stripped and rusted screws with a lot of connection issues. But I love the shape, I love the pickguard, I love the all out retro look of it. Any idea on if I should spruce it up with some new screws and seeing what I can do to fix the wiring? And if so, how do I get the cash for such project?
Humbucker pickups were designed to deal with hum while also offering tonal characteristics beyond those of single-coil models. This design incorporates two single-coils wound together in series, with the polarity of the magnets arranged opposite each other. This design helps to eliminate hum. Hence it’s name. Humbuckers usually have a thicker, louder, more powerful tone when compared to single-coils. While they are very versatile, humbuckers lend themselves to rock, heavy metal, and jazz styles. Famous guitarists who use humbuckers include Slash, Jimmy Page, Joe Pass, and Duane Allman.
Valco manufactured Spanish acoustic guitars, metal-bodied resonator guitars, electric lap steel guitars, and vacuum tube amplifiers under a variety of brand names including Supro, Airline, Oahu, and National. They also made amplifiers under contract for several other companies such as Gretsch, Harmony, and Kay. In the 1950s they began producing solid body electric guitars.
German tonemeister and Vintage endorsee, the one and only Thomas Blug arrives in the UK for a promotional tour this weekend. Following an appearance at Northern Guitar Shows London International Guitar Show at Kempton Park Racecourse on Sunday, Thomas will perform the following in-store clinics to launch the brand new BluGuitar AMP1 Mercury Edition.
Another +1 for shreddage. I have the PRS version and was trying it out through BIAS and TH3 the other day. Had an absolute ball, and was able to achieve somewhat realistic results with very little effort. I also love pretty much everything I have from Amplesound, though results through effects engines can be hit and miss. Their Taylor acoustic is lovely if that's what you're looking for. I've not found a really fantastic strum engine/option yet but then I will fully admit I haven't put the time into mastering what I already have in that department. I have heard demos using the guitar VIs that I have that do sound convincing so it is possible though maybe not easy.
Famous for having created reference electric guitars like the Telecaster and the Stratocaster in the 1950's, the US-based manufacturer has also been offering amps since 1948 to complement its guitar range. The first series was called "tweed" because of the typical cabinet covering. Among Fender's most well-known amps, we have the famous Bassman (1952), which was originally conceived for bass guitar, as its name implies, but turned out to be readily adopted by guitar players. The Twin (1952) and its different variations (especially the Twin Reverb) also influenced rock history with The Beatles, Jimi Hendrix and Eric Clapton. Fender's amplifier range is quite comprehensive (see the Hot Rod, Champ, Princeton, and Bandmaster series) and its common denominator is a clean sound that is still a reference in its category.
I love the action of my El Dorado. I have no more “dead strings” because of the string height and because of the wide nut which allows more room between the strings and the frets. It has an action that provides playability which no other guitar gave me, that is, no: Fender, Gibson, Schecter, Epiphone, Squier, B.C. Rich, Urban, Yamaha, Reverend, Peavey, Ibanez, or ESP. There were others I tried but I don’t remember the names. It sounds great when I play Psychedelic Rock, R&B, Rock, Heartland Rock, Folk Rock, and old Country.
For the most part, you might want to get a preamp that has at least some type of EQ on it. Tone shaping on an acoustic electric guitar can really give you an edge or at least a semblance of control before the sound guy butchers it during your gig, although you can do this with an effects pedal. Even though this is something that takes the time to learn, it's better to have the option readily available when you decide to step up to that level.
Ovation, Roundback, Adamas, Legend, Custom Legend, Elite, Applause, Celebrity, Balladeer, Ultra, Thunderbolt and Lyrachord , The Roundback body shape, Roundback design and Roundback Technology, Guitar Bowl Shape, Fingerboard Inlay Design, Sound hole Rosette Design, Adamas Peghead Shape, Bridge Design, Epaulet Design, Soundboard and Sound hole designs, Guitar Tuning Head are protected by one or more US and Foreign Trademarks and Patents.

So essentially if you are looking for a thicker, higher output sound a humbucker will be a better fit for you. If however, you prefer a brighter, twangier tone a single coil will be best. If in doubt consider the guitar tones and styles of music you prefer e.g. Fender or Gibson and go with a similar style of guitar kit or even better grab yourself one of each.


If it helps, Schaller have very accurate drawings of all their hardware on their website. You can also get very good drawings of all Gotoh parts as well, but theirs are harder to find (hidden in the parent company's site and I can't recall the full details). It is worth having a look at those, and pay attention to the way the tuning posts are shaped. That radiused section turned into the post is important , it really helps lock the strings firmly.

Capacitors are typically used as filters to control tone. In most cases, they are used to filter out very high frequencies before being sent to ground (the output jack) which controls the warmth of your guitar’s tone. Capacitors vary greatly and come in a range of materials from ceramic, film, paper and electrolytic (mainly used with active pickups).
MAKE YOUR OWN BODY BLANK Another neat trick to create your own body blank for $10 is to get a 3/4" thick peice of Birch Plywood that comes cut into a 4' by 2' board. Simply cut out two rectangular sections of the board that will accomodate your desing and wood glue them together. Be generous with the glue to make sure there aren't any spaces between the boards when you press the two together, clamp and stack weights on top of it so the two peices are joined firmly and let dry overnight. This gives you a a 1 1/2" thick body blank that is rigid and works great for electric guitars. You will have to go with a solid color paint when you finish it but you won't be able to tell the difference between it and the solid wood blank. Plus you'll save a good chunk of change that you can use towards good pickups and hardware. If you want to make the body a little thicker, you can get a 1/4" peice of birch and glue it between the two thicker peices. It's also a good idea to prerout any wire cavities in that 1/4" peice before you glue them together. That way you don't have to worry about drilling them later and ruining the top of your guitar body with the drill.
Choosing guitar strings is like choosing lenses and frames for your glasses.  There is a right strength of lens for you and when you switch frames it may take some adjusting to get used to.  This analogy is referring to the bridge height, nuts, and truss rod tension.  Do take your time to experiment but once you settle it's best to keep using the same gauges so you can dodge the lengthy set-up process from happening again.
The world of audio effects is one that can be confusing even for experienced engineers. Especially in modern computer-based recording systems, there's a bewildering array of options, and to add to the confusion, some effects are widely referred to by more than one name. In this article, I'll take you through the most common effects, explaining how they work and where you might want to use them in your music. Meanwhile, SOS 's team of writers has contributed a wealth of expert tips and tricks, which you can find in the boxes scattered through this article.
Mic placement is pretty crucial. You can get a million different EQ responses depending on where you throw the mic in front of the cab. I personally have the best luck - or at least I think so - when I back the mic off a little bit. I know a lot of engineers throw it right on the grille to get the bass boost, the proximity effect and all that garbage, but I find that if I back it up about six inches, I get a more balanced EQ curve.
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not even close. No offense but John Mayer is trash absolute trash. Jack White is decent but not a guitar god at all. This is my list, and I'm going to leave out every guitar player that came before the Beatles, not saying Chuck Berry or B.B. King couldn't shred, but I'm trying to relate to the modern idea of Rock and Roll. I'm also judging on a lot more than just ability to "shred". And to the one goon…Jimmy Page SHINED live, that was Led Zeppelins appeal, you felt like you were at the biggest show on Earth…you probably just watched a few videos on youtube from the end of the band's career when he was a herion addict.

Some of the most impressive pieces of equipment come in small packages and in the shape of an item you would not expect to be as good as it is. The proof of this is the deceptively simple looking Mugig Portable Amplifier for Electric guitar, with 10W of power. This piece of equipment is on the big side of small, but is perfect in every single aspect of it, other than the size. The design is simple and understanded, the ease of transport is guaranteed, while the sound takes over the mind and heart of the musician and the crowd instantly. It is possibly the best electric guitar amp that I have gotten to mention on this list.

You have tonnes of distortion models based on the likes of the classic DS-1 (Dist-1) and Pro Co Rat (Squeak) pedals and more as well as boost, delay and modulation effects. An onboard tuner, stereo/mono looper with up to 80- seconds of phrase recording, tap tempo, stereo headphone output for silent practice and the ability to use up to 7 effects simultaneously.
Basicly it is a HD digital sound interface plus with a MIDI controller and footswitch. It is has unique design with different HOST mode and switching MODE to work with the host softwares. We are proud of that it is now maybe the best thing you can find to use on stage with software FX. The special designed analog signal chain mixing with the digital codec give the best dynamic response and sound quality. We did AB with lots of other interface and be so confident on its performance.
Visually, what sets this guitar apart is its distinct headstock shape, but there's more to this guitar than meets the eye. Firstly, the guitar's top is crafted from solid cedar, an interesting wood choice because this type of wood is more commonly used on nylon string guitars. The warm tone of cedar matches nicely with the bright sound of wild cherry, a staple tonewood used on the back and sides of most Godin guitars. This combination gives the instrument a more distinct appearance and sound. Other features that don't follow the usual convention include the use of maple for the neck, and its B-Band M-450 T preamp system.
An octave pedal listens to what note you’re playing and adds the next octave up or down (depending on your settings) making it sound like someone is playing the octave note with you. If you’re familiar with guitar or just learning, you’ll know that an octave is the distance between one musical note and it’s corresponding note at a higher or lower pitch. For example, if you play an open E string and then play the E string on the 12th fret, it will sound the same, just an octave higher.

Nice-Keys-Extreme-2.0  Still a big SoundFont set at 1gb or 1000mb (645mb dedicated to 3 pianos with 6 velocity layers). Similar to the top set but the main piano is a little less detailed so it leaves room for an extra piano (Steinways).  PC users should not have any problems or if running on iOS this set runs perfectly well on iPhone 6s or iPad Air 2. It is still possible to load this set within the bs-16i app and run Sweet Midi Player app using GM set one at the same time for midi backing if required. This set has everything described below plus the addition of guitars.
Despite racial laws still in place at the time, the youngsters knew that they were buying African American music and it didn’t stop them. The shallow radio pop music no longer appealed to them and they found blues music expressed many of the emotions and views. The kids felt a connection to the music, they felt frustrated and wanted a voice and culture of their own.
No-load pots – also used by Fender, these pots have the clockwise lug disconnected from the resistive strip within, resulting in infinite resistance between the wiper and the other outer lug when turned fully clockwise. These are sometimes used as tone controls, to remove the load on the pickup(s) presented by the pot and the tone capacitor when turned to 10.[10]
For most applications, all you really need is a guitar input, and an output that you can plug to an amplifier or PA system. Still, it doesn't hurt to have extra input/output options, like a mic XLR input (for vocalists who play guitar), an aux input (for practicing with your favorite tracks), headphones out (for quiet practice and tweaking), stereo output, and many more.

That wraps it up folks! We hope you found some inspiration from our chart and managed to get a little closer to finding your best guitar for jazz. Now it’s simply a matter of reading some reviews, watching some videos and making a decision! Don’t forget, if this is your first guitar, you’ll need to buy a good amplifier to go with it. If you liked our stuff, you can subscribe to our newsletter for more sensational guitar deals.


Wes Borland (b. 1975) guitarist for Limp Bizkit has owned many Ibanez guitars, including a custom 4-string baritone guitar, although he no longer endorses them. He was mainly noted for playing an Ibanez RG7 CST which had selectable piezo and magnetic pickups, only 18 of these were made in 1999. Borland has a signature Yamaha guitar, but has been seen playing a Jackson with the reformed Limp Bizkit.
The Little Lady is very similar to the 38C, but on a pearwood comb and with different cover plate art. It is technically a playable harmonica, but it is generally regarded as a knick-knack piece that can be used as personal jewelry. It is also available as a keychain. The Little Lady holds the distinction of being the first musical instrument to be played in outer space.[30][31]
As has already become apparent, the resonator instruments which made both the National and Dobro names in the late ’20s and ’30s were not the only effort underway to increase the volume of the guitar. The ampliphonics found immediate acceptance among Hawaiian players, notably Sol Hoopii, the very first to record with them when he used a prototype in his first session for Columbia on October 18, 1926. This was used on “Farewell Blues.” But they still didn’t satisfy the desire of orchestra guitarists to get out of the rhythm section. In addition to metal resonator cones, electricity was waiting in the wings, and National, Dobro and National Dobro would play a significant role, both directly and indirectly, in that ultimately triumphant development.
If you use amplifier overdrive, want to use delay and reverb but still crave simplicity—I’d suggest designing a “hybrid” pedalboard. Just run your gain and filter effects in front of the amp, and use a pedal like the TC Electronic Nova System in your amp effects loop for time-based effects. This will require more cabling between your pedalboard and amp, but will sound much better than running your delay and reverb effects into a distorted amp. Pedals like the Nova System or the Eventide units boast specs rivaling studio quality rack gear. 

An electric guitar works on the principle of electromagnetic induction. This means that an electric guitar has electromagnets in its system which generate magnetic fields. Apart from this, an electric guitar has an amplification system which amplifies the sound waves generated by the guitar’s string. It is this combination of electromagnetic induction and amplification system that makes an electric guitar run.
Since 1998, many high-end US-made Fender Stratocasters such as the American Deluxe, American, Hot Rodded American, American Special and American Standard series came with an HSH pickup rout instead of a “swimming pool” (or “bath tub”) cavity to increase the total amount of wood that actually can resonate, producing a more complex tone. The HSH rout allows players to modify their pickups to the most often seen after-market configurations without re-routing or cutting into their guitar’s body, while maintaining more wood than a “swimming pool” rout.
You might be playing guitar in a cramped garage or a poky bedroom – but it’ll sound like you’re gigging a cathedral when you step on a quality reverb pedal. Reverb brings a sense of space, depth and drama to even the most basic guitar parts, and as this video shows, few effects deliver more atmosphere for less effort. Using the BOSS RV-5 as our demo model, we’ll show you just how flexible reverb can be, running through key controls that adjust brightness, volume and more. Then, we’ll show how your playing can benefit from three different reverb types, whether that’s the vintage sound of spring reverb, the rock-club chug of room reverb, or the stadium-sized shimmer of hall reverb.
A great player knows a guitar is more than a few pieces of wood and metal.  Every Whalehazard guitar is handcrafted with incredible attention to detail and meets exacting standards of quality.  Each instrument is built in South Minneapolis by Andy Webber.  As a one-man operation, great care will be taken to make sure your custom guitar will take your playing and sound to a new level.  All materials and components are carefully selected for quality and longevity.  Designs are painstakingly contemplated and are constantly evolving.  From custom inlays to a hand-shaped bone nut, every detail of your instrument is studied and considered to make sure your Whalehazard guitar is a unique piece of craftsmanship that will stand the test of time.
hi-its the standard wiring for a strat-i have the push pull in the middle position-i have two wires going from two lugs on the push pull pot- one   giong to neck position on 5 way selector swich and the other to voloume on selector switch-when i have select     brige position when  i pull  middle pot i get neck and bridge -next position all three – middle position neck /middle .next neck middle and first position -neck=also if you put two tone  caps on one pot will it effect the pickup sound when it maxed to ten  and willit sound too bassy–thanks sean
As mentioned earlier, technically, magnetic pickups are small magnets with fine wire coils. These small magnets produce a magnetic field around them. When the metal strings of the guitar are strung by the user, a vibrating motion is generated inside this magnetic field which changes the magnetic flux of the field. According to the law of electromagnetism, this change in the magnetic flux produces an electric charge in the wire coil around the magnet.
The first Touch Guitar Invention started in 1959 with the filing of patent #2,989,884 issued in 1961 as the first touch tapping instrument which could be played on two separated necks Simultaneously by muting the strings at the distal end of the neck along with numerous other claims. Until 1974 it was known as the DuoLectar and with a new patent "the "Electronic Mute" has been known as the "Touch Guitar. It is held in the normal way over the shoulder and design with the left hand playing the lower bass neck in a traditional way and the right hand playing over the top on a neck which has a wider string spacing allowing the hand to be used in both vertical and horizontal angels to the strings. It is absolutely off at all times, until Touched or picked.
The reason why we love this guitar so much is that the top is made from koa wood. What is koa? It’s a Hawaiian wood that has a very special look to it, with an unusual grain pattern. When you have a guitar top made from koa like this, it just looks very organic and natural, so if you don’t like the plastic-fantastic style, then this is the best way to go!
This can all get a little tricky and can become overwhelming especially if you have never tackled this type of job before. If this is the case, I strongly suggest starting with one of the easier models in regards to wiring e.g. Telecasters are significantly easier to work on as the scratchplate will often be pre-loaded with pickups. However, if you purchase a kit guitar such as an LP or you want to upgrade your electrical components (which is often the case with an entry level kit) understanding some basics about guitar electronics is useful.

All of us got carried away. We had great guitars back in the ’50s and ’60s. Then we went a little crazy. All of us – players and makers alike – started adding features and making demands that drove complexity up, up and away. Silvertone guitars represent the honest character of the guitars that created the classic music that still rules today. ... more ...


Along with repairing instruments, we do complete restorations. Restorations often come in the way of family heirlooms and antique finds. After acquiring these instruments, you may think of them as only keepsakes, or something to put a shelf. We want to take these old instruments and restore them to their full use. There's nothing like playing on a violin or guitar that's been in the family for generations, and we want you to experience that.

It’s hard to definitively name the best guitar books. Everyone is working with a different skill set, and you’ve all built up your skills in a different way. However, all of the books below provide enough information to help you improve some aspect of your playing. They may help some of you more than others, but they all have enough helpful tips in them to justify their purchase. Our team read these and many more, and these were the titles we found most inspiring. It turns out we aren't alone in loving these books, since these books get great reviews all around, but these were the ones we found most enlightening. The fact that we were excited to practice and couldn't wait to pick up these books to learn more is ultimately the reason they made this list. We think these books will provide or build a solid foundation for anyone looking to learn the guitar in an efficient way.
The JEM70V is a Steve Vai signature model based on early JEMs he helped create. It comes with 3 different DiMarzio Evolution pickups that were handpicked by Steve Vai himself to give him the various tones that he needs for his expressive solo work, and intricate rhythm textures. The body is crafted from basswood, while the low profile 5-pc Maple/Walnut and 24-fret, 25.5" scale length rosewood fingerboard provide the fast playability expected of the brand. Other features include the Edge tremolo, 1.69" nut width, tree of life inlay, and it comes wrapped in Seafoam green finish.

As an active musician in Los Angeles, I often hear guitarists marvel at how good the latest Squier by Fender guitars are for the price. The Squier by Fender HSS Bullet Strat is no exception. A few minor complaints aside, it’s simply a well-made version of a decades-proven design at a very affordable price. All of our panelists felt that it played well, sounded good, and in general felt like a more expensive guitar.


I ordered this item from their ebay store, roughly the same price with shipping, very easy to read point to point instructions, this was my first diy pedal, I've fooled around with a soldering iron but not enough to speak of. I bought it because I was not pleased with my Peavey Valveking 112's boost sound, it not only boosts the signal, it changes the tone, from the reviews I watched on youtube, it sounded like this pedal would do the trick, for the price, and the fun of a first time build, I love it, it boosts the signal with no change in tone, I'm not super impressed with the pedal's distortion tone, but I am spoiled with that saturated tube tone, there is some extra hum when I turn on the pedal, I don't know if this is my fault from the build, or what, but I would ... full review
This is an amazing acoustic guitar for the new generation of guitarists that is quite presentable, especially in stage performances. It comes with a black border and has a free gig cover. The fret board is made from rosewood, which makes it quite easy to handle. It has incredible rigidity, with truss rods on both sides. It produces a considerably high quality of sound and is cost effective with prices ranging from about INR 4,999. This may sometimes be accompanied by free packing and shipping. Find more information on the site link below:
Semi-hollow guitars are guitars which have an exposed opening, generally in the form of two f-holes on the top of the guitar’s body. The inner chamber of the guitar is then divided into two by a block of wood which runs through the body. A perfect representation of this type of guitar is the Gibson ES-335, which has been used at some point or another by musicians such as: Eric Clapton, Otis Rush, Warren Haynes, Dave Grohl, and B.B. King.

Volume pots are wired as simple voltage dividers. Higher settings have higher resistance to ground and lower series resistance, so more signal passes through. When maxed, volume pot has zero series resistance and full pot resistance to ground. Signal takes the path of least resistance and most of it will go though. However, some signal, mostly treble will be lost. With low pot values (250K) it will be more noticeable than with higher (500K and 1M) pots. That’s why typical pot values for brighter single coil pickups is 250K and for warmer humbuckers 500K or sometimes even 1M.


While most single-coil pickups are wired in parallel with each other, it is possible to wire two or more of them in series, producing a fuller and stronger sound not unlike that of a humbucker.[26] This is a popular modification for instruments with two single-coil pickups like the Fender Telecaster and the Fender Jazz Bass. For the former, special 4-way switches are available to replace the stock 3-way switch and provide a series wiring position.[27]
A Distortion pedal is a must, it really helps bring out those chords, solos and riffs and makes sure they stand out. It gives you the volume jump when you need it and changes the overall sound of your guitar, giving it power and aggression. Of course, you don’t always have to dial in the pedal for bone crushing riffs as a distortion pedal can provide a smoother sound, but at least the option is there!
Some guitars have a fixed bridge (3.4). Others have a spring-loaded hinged bridge called a vibrato bar, tremolo bar, or whammy bar, which lets players bend notes or chords up or down in pitch or perform a vibrato embellishment. A plastic pickguard on some guitars protects the body from scratches or covers the control cavity, which holds most of the wiring. The degree to which the choice of woods and other materials in the solid-guitar body (3) affects the sonic character of the amplified signal is disputed. Many believe it is highly significant, while others think the difference between woods is subtle. In acoustic and archtop guitars, wood choices more clearly affect tone.
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