In this modern world of in-ear monitors and digital consoles, both guitarists’ amps face the back wall of the stage rather than forward toward the audience. This allows them to crank their amps as loud as they need to achieve their signature Skynyrd-like drive without blowing out the Front of House engineer or the first three rows of the arena they’re performing in.

Little-known manufacturer from Osaka, Japan, this company is responsible for the oddly named John Bennet badge. Nakai has been mentioned as a possible Matusmoto Musical Instruments Association member in the past. The company still exists and is producing musical instruments, quite a feat in light of so many manufacturers who faded after the golden electric guitar age.


{"eVar4":"shop: guitars","eVar5":"shop: guitars: electric guitars","pageName":"[gc] shop: guitars: electric guitars: first act","reportSuiteIds":"guitarcenterprod","eVar3":"shop","prop2":"[gc] shop: guitars: electric guitars","prop1":"[gc] shop: guitars","evar51":"default: united states","prop10":"brands","prop11":"gretsch guitars","prop5":"[gc] shop: guitars: electric guitars","prop6":"[gc] shop: guitars: electric guitars","prop3":"[gc] shop: guitars: electric guitars","prop4":"[gc] shop: guitars: electric guitars","channel":"[gc] shop","linkInternalFilters":"javascript:,guitarcenter.com","prop7":"[gc] sub category"}

{ "thumbImageID": "Les-Paul-Faded-2018-Electric-Guitar-Worn-Cherry-Black-Pickguard/K35713000002001", "defaultDisplayName": "Gibson Les Paul Faded 2018 Electric Guitar", "styleThumbWidth": "60", "styleThumbHeight": "60", "styleOptions": [ { "name": "Worn Cherry Black Pickguard", "sku": "sku:site51500000137380", "price": "989.00", "regularPrice": "989.00", "msrpPrice": "1,649.00", "priceVisibility": "1", "skuUrl": "/Gibson/Les-Paul-Faded-2018-Electric-Guitar-Worn-Cherry-Black-Pickguard-1500000137380.gc", "skuImageId": "Les-Paul-Faded-2018-Electric-Guitar-Worn-Cherry-Black-Pickguard/K35713000002001", "brandName": "Gibson", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/Les-Paul-Faded-2018-Electric-Guitar-Worn-Cherry-Black-Pickguard/K35713000002001-00-60x60.jpg", "imgAlt": "" } , { "name": "Worn Bourbon Black Pickguard", "sku": "sku:site51500000137381", "price": "989.00", "regularPrice": "989.00", "msrpPrice": "1,649.00", "priceVisibility": "1", "skuUrl": "/Gibson/Les-Paul-Faded-2018-Electric-Guitar-Worn-Bourbon-Black-Pickguard-1500000137381.gc", "skuImageId": "Les-Paul-Faded-2018-Electric-Guitar-Worn-Bourbon-Black-Pickguard/K35713000001001", "brandName": "Gibson", "stickerDisplayText": "Top Seller", "stickerClass": "", "condition": "New", "priceDropPrice":"", "wasPrice": "", "priceDrop": "", "placeholder": "https://static.guitarcenter.com/img/cmn/c.gif", "assetPath": "https://media.guitarcenter.com/is/image/MMGS7/Les-Paul-Faded-2018-Electric-Guitar-Worn-Bourbon-Black-Pickguard/K35713000001001-00-60x60.jpg", "imgAlt": "" } ] }
Our guide to guitar strings, the hope and savior of beginners across the world. We're going to cover the types of guitar strings, how they're made, the best brands, the standard gauges, how to pick the right ones for your instrument and style, what to expect in terms of cost, and much more. Take a ride with me through Ledger Note's guitar string guide...
You know you’re getting great guitar from the outset, because it’s based on Gibson’s legendary Dove model, which has been sued for decades now by distinguished guitarists in numerous genres, including the likes of Elvis himself. It really does look the part, with the dove design on the fretboard and pickguard, and numerous other nice little touches.
Best Answer:  First, make sure you have new or clean strings that aren't dead. You should hear a metallic harmonic overtone to picked notes particularly on the low E, A, and D wound strings. If your low E sounds in tune but makes a flat dull boww boww boww instead of dang dang dang when you pick change them. Set your amp up for a fairly bright sound clean, playing off the bridge pickup. Make sure the guitar volume knob(s) are rolled all the way on and tones are all the way up, no roll off. If you can't get a nice clear clean sound that doesn't sound distant and muted then you have some issue with the guitar electrics or amp. If you're playing off the neck pickup that's a big muddier right there. The neck pickup is good for clean rhythm playing, jazz, and for a hollow warm tubey sound on single notes but tends to muddy overdriven power chords. Once you have the amp set for a bright clean sound that's not too brassy (if it has a master volume in addition to a gain or channel volume set the gain or volume low for a clean sound and use master for output level, let the RP90 do the effects work, not the amp preamp for now.) bring in the RP90. I'm not familiar with it but try it on a few overdrive and distortion settings. If you've only been an acoustic player high overdrive or distortion "power steering" takes a different play style.

Reverb creates a sense of space, but it also increases the perception of distance. If you need something to appear at the front of a mix, a short, bright reverb may be more appropriate than a long, warm reverb, which will have the effect of pushing the sound into the background. If you need to make the reverb sound 'bigger', a pre-delay (a gap between the dry and wet signals) of up to 120ms can help to do this without pushing the sound too far back, or obscuring it.
This kit contains everything you need to build your guitar.  Just add your finish materials to the body and neck.  These kits aren’t just a collection of random parts- each neck has been custom fitted to the body to ensure a good, snug fit.  Includes a finished, predrilled body, fretted neck, all electronics and hardware. Wood is raw and unfinished, may require sanding and patching or other preparation prior to applying a finish.
An amazing electric guitar player pack that is suitable for use by beginners. It has a mahogany body, with its fret board having been made from rosewood. The neck is also made from mahogany. Most interestingly, it comes with passive fienzo pickups, and an exclusive guitar player pack with gig bags, strap, cord, tuner, and an instructional DVD. It is well design to assist the beginner to better access the frets and practice through to perfection. Prices range from INR 12,650. Find it on the link below:

My 10 year old was getting bored with his previous instructor's teaching methods and had been begging us to drop guitar lessons. We thought we would try a different instructor. We've had only one meeting, but I saw a light reappear in my son's eyes and he is excited to start lessons with Jon. The video lessons and use of newer computer technology and has my son excited and motivated to keep learning to play.

I’ve been keeping track of completed Ebay sales since I started looking at Kents, and have come up with a few average sale prices. The way I figure an average is by first tossing out the highest and lowest sales. If I am left with fewer than three sales I don’t bother. That’s too small a sampling to be worthwhile, otherwise I take the average of the rest. The table below will only be updated when there is a sale that results in a change, so if the table looks like it might be dated, it’s probably because there haven’t been any sales that affected the numbers. Availability of Kent guitars on Ebay seems to ebb and flow.
A friend owns a music store and looked up the "Norma" brand. It said- Norma guitars were manufactured in Japan between 1966 and 1972 by the Japanese to compete with the Gibson HummingBird. The look is almost identical (Check out the Gibson Hummingbird played by Jonathan "BuggieMan" Long from Baton Rouge La. His looks exactly like my Norma. I too was curious for thirty years about my good sounding guitar. Looks aint everything!
Now we switch gears to a company called Unicord, which was owned by Sid Hack. At some point in the early ’60s (probably in around ’64), Unicord purchased the Amplifier Corporation of America (ACA) which was located in Westbury, New York, a northern suburb of New York City. ACA made Haynes guitar amplifiers and an early distortion device powered by batteries.
700-Series, which are all solid-bodies are probably worth $250-$350, maybe a little more for the 4-pickup 742 model. I’m pretty sure that they were on the market at the same time as the 800s but not as many are being seen. Since the 800s were a step-up in quality compared to previous Kents and the 700s used similar design features, they should be pretty decent instruments. Although collectors haven't shown a lot of interest in them, rarity has to be considered an influence on the price at this point.Recently a 742 sold on Ebay for over $1000 and a 740 recently sold for $999. Previously most of the 700s had been selling for $200-400.
Here we have a Taylor guitar for under $500. Taylor is known for their high quality, and expensive guitars. It’s great that they are offering a lower priced model so more players can enjoy their great sounding guitars. The Big Baby is a 15/16 dreadnought sized guitar which is slightly smaller than a full sized. Perfect for those that want that dreadnought sound but want a little smaller body. The top is sitka spruce and the back and sides are sapele. Owners are saying that the guitar has a very warm and full bodied tone, and that it does not sound like a cheap guitar. This is no surprise given that it is made by Taylor. This is another great choice for those with smaller hands, as Taylor’s are known for their great necks and amazing playability. See more info including more pictures here.
In the years since, Novak has built the instruments of choice for the likes of musicians like Charlie Hunter, Phillip De Gruy, Joe Louis Walker, and Henry Kaiser, to name a few. As time passed, he experimented with a variety of design ideas involving the use of non-traditional woods. At times, he was viewed as downright crazy from many a purist's standpoint. But he turned the other cheek, seeking the solutions that would satisfy his own personal playing requirements.
12 Month Financing: For a limited time, purchase $599 or more using the Amazon.com Store Card and pay no interest for 12 months on your entire order if paid in full in 12 months. Interest will be charged to your account from the purchase date if the promotional balance is not paid in full within 12 months. Minimum monthly payments required. Subject to credit approval. Apply now.

Now that we’re comfortable with the basic wiring of a guitar, we can look at some of the more popular mods. This article introduces mini toggle switches and push/pull pots, and shows how we can use these to modify a Strat in such a way as to allow use to add the neck pickup to any selection. This expands the number of available pickup combinations to 7.


I have owned a lot of amps over the years. I am also a dealer in music accessories. Please note that we do not sell these amps, so I am not endorsing and using something my shop sells. I recently have bought a couple of amps in a series (I bought one first and then bought another) and have been really impressed. The Vox AV series. http://www.voxamps.com/AVSeries
"NEW-DEMO" means that we are an authorized dealer of the item and acquired it directly from the manufacturer. We consider the item to be new because it has not been sold to or owned by another customer. NEW-DEMO items, however, have been on display in an active retail music store for some length of time. As a result, these items may have been tried out by other customers. They may be dusty, have fingerprints, stick marks, pick swirl, etc. Please refer to the item's description for more detailed information. All NEW-DEMO items come with a manufacturer's warranty (where applicable), but some may not have original manufacturer's packaging. Please refer to our Appearance and Technical Condition scales below for more information about the item’s appearance and condition. 
By 1964, most of Orbison’s early rock and roll contemporaries were either dead, strung-out on drugs, in jail or making crappy movies, but Orbison’s musical career still hadn’t reached its peak. In between the ballads, he recorded singles like “Mean Woman Blues” (check his wild guitar solo) and “Oh, Pretty Woman” that showed upstarts like the Beatles, the Animals and the Rolling Stones that Americans still could rock harder than any Brit.
In 1883, a german immigrant named Frederic Gretsch started a small instrument manufacturing company in Brooklyn, New York. On a trip to visit home in 1895, he died unexpectedly, leaving the company in the hands of his 15-year-old son, Fred. The company flourished for generations, especially due to the popularity of their hollow body guitars with rockabilly, blues, and jazz musicians. In 1967, however, the brand began to falter after the Gretsch family sold to then music industry giant Baldwin. In 1985, Fred W. Gretsch bought the company back from Baldwin and began restoring it to its former glory – coinciding with the rise of one of their most prolific artists, Brian Setzer of the Stray Cats. Today, their guitars, like the USA Custom Shop White Falcon pictured above, are used by a wide array of musicians from all walks of life, including Billy F. Gibbons of ZZ Top, Tim Armstrong of Rancid, Band of Skulls, and Portugal. the Man.
Harmonizers blend the note from your original guitar signal with a note shifted to a preset interval. For example, you may set it to a Major 3rd interval and it will create a similar sound as if you played a root-plus-Maj-3rd diad. Harmonizers are pretty diverse effects, but using one correctly obviously means understanding a little about music theory and how scales and intervals work.
Modulating Offset: The output of solid-state amplifiers is directly connected to 2 DC power supplies through the output transistors. The instantaneous non-symmetry within the music waveform (particularly from the bass notes) is averaged as a modulating DC offset. This modulating offset is small, but it varies the efficiency of the speaker, introducing inter-modulation distortion, amplitude modulating the music. This problem is mostly eliminated by the trend to use an active sub-bass. In valve amplifiers the output transformer isolates the speaker from the amplifier electronics. No modulating offset can be produced.
For the last tip/technique, I’m going to shift gears and talk about recording acoustic—upright—bass. This may seem more daunting, but many of the same techniques apply—I’ll mention a few quick items that would be specific to the big box. While the dynamic mics I mentioned above might work fine (especially on stage), a good large-diaphragm condenser would be appropriate in the studio, to capture the high end and air of the acoustic instrument as well as the lows. On stage, the relatively low acoustic volume of the instrument may preclude more distant mic positioning, but you can wedge a small (pencil-type) mic into the bridge, with appropriate foam padding, and this, surprisingly, can often provide excellent sound and much better isolation. 

There's more to being a musician than what you do on the stage: while that's the perfect place to turn it up loud with a standard guitar amplifier, sometimes you don't want anybody but yourself to be listening in on the tunes. That's when headphone guitar amps come in handy. There's a solid variety of these little amps to choose from, so you can get yours with as few or as many features as you like. Then, all you need is your favorite set of 'phones and you're ready to rock.
Fender guitars are generally equipped with single coil pickups, resulting in a brighter tone compared to humbucker pickups, for instance. This is part of Fender’s charm, and contributes to the characteristic tone of their instruments. Single coils are designed to cut through the mix with their bright sound, but a drawback is that this can cause issues with humming (1).
First up we have the most widely used and most useful pedal ever created – the Distortion pedal! If you’re wondering “What is a distortion pedal” the clue is in the name with how this pedal sounds. It basically takes your signal (the guitar) and distorts it, adding volume, crunch and sustain to your sound and is basically used as a contrast to the natural sound of your guitar. Often used in the chorus of some of your favourite songs.
Guitar amplifier modeling: Amplifier modeling is a digital effect that replicates the sound of various amplifiers, most often vintage analog "tube" amps and famous brands of speaker cabinets (e.g., the Ampeg SVT 8x10" bass cabinet). Sophisticated modeling effects can simulate different types of speaker cabinets (e.g., the sound of an 8x10" cabinet) and miking techniques. A rotary speaker simulator mimics the doppler and chorus effect sound of a vintage Leslie speaker system by replicating its volume and pitch modulations, overdrive capacity and phase shifts.[95]

The filters and shifters group also shapes the waveform but in a different fashion than the dynamics group. First and foremost, now that you've gotten rid of noise and extreme volume variances, you want to use an equalizer to tweak your tone. You may roll off extra bass frequencies and increase some high frequencies while dipping the mids. You want this done before you apply the more obvious effects in the next groupings.
Hopefully now you have a good idea of what to look for in a multi-effects pedal, and what criteria we judge one on. We made this list by going through dozens of forum threads asking for best multi-effects pedal recommendations (we ended up with an initial list of 45 different recommended pedals), and tallying up the ones mentioned the most. We then researched the top 5 by reading as many user reviews as we could find, and went out to test the top 5 ourselves. Here are the winners.
Finally we have the good old Jackson JS22 Dinky. This is more or less Jackson’s default entry level model. As such, it brings the type of performance every beginner wants. Especially if they plan on playing metal. The pickups on this thing don’t have a whole lot of range, but I’ve managed to squeezer a light fuzz out of them. There wasn’t much range, but the consistency of tone was more than satisfactory.
The device can be mounted on and removed quickly from almost any flat-backed acoustic guitar, using a system of magnetic rails. The ToneWood-Amp is designed for guitars with either a magnetic or piezo pickup (bridge or soundhole), but the team behind the device say they're also putting together a “Technician-Free” pickup bundle for those guitars without a pickup.
Mahogany is a very dense, strong wood used in all parts of guitar manufacture except fretboards and bridges, which require harder wood. A mahogany neck and back are often found on short-scale guitars with maple tops. Another common combination is an all-mahogany body and neck (excluding the fretboard). Because mahogany is not very hard, it emphasizes the midrange and bass frequencies for a mellower guitar tone. Mahogany is a very resonant wood which enhances a guitar's sustain. It is generally a uniform rich brown color.

Whether you play classical folk or modern metal, it doesn't matter. There is an amplifier to suit the needs of your music and your bandmates. All you need to do is take a moment to determine which features you need and you'll have plenty of amazing options to choose from. If you're just having a browse or aren't entirely sure where to begin your search for an amplifier, you'll almost certainly be best served by checking out our top sellers. An option such as the Fender '68 Custom Deluxe Reverb 22W 1x12 Tube Guitar Combo Amp with Celestion G12V-70 Speaker, for example, might be just what Doctor Rock ordered. This amp is small, yet powerful, and absolutely loaded with tone. Both of its channels boast reverb and tremolo, and, best of all, the "custom" channel features a modified Bassman tone stack, allowing for even more flexibility when you plug in and play.
Their songs cut right to the melodic and rhythmic core of great rock and roll. Johnny contributed song ideas and slashing guitar arrangements, but he also kept the whole thing on the rails. A straight guy in a world of addicts, perverts, weirdoes and psychos, Johnny’s politics were dubious. But, like Mussolini, he made the Ramones’ rock and roll train run on time for more than two decades. John Cummings passed from this life in 2004 after a five-year fight with prostate cancer.
Power amps are rated in volts and generally come in .7V, 1V, and 1.25V. Most preamps don’t produce strong enough output to power a 1.25V. Most manufacturers don’t rate the average output of their preamp which makes things even harder in determining compatibility. What you can look for is the “line level“, “dBu”, or “dBv” information when researching this aspect of your acoustic electric guitar.
One trait of most ribbon mics is the figure-of-eight polar response, and this is often exceptionally consistent across the frequency range. This polar pattern means, of course, that ribbons tend to pick up a little more room ambience than cardioids, given that the polar pattern is as sensitive behind the diaphragm as it is in front. Ribbon mics are also often characterised as sounding 'smoother' compared with typical condenser microphones, partly because their construction avoids the high-frequency diaphragm resonances normally inherent in condenser designs.

Echo controls usually let you determine the level, the period between playbacks, and the decay—the rate at which succeeding notes become quieter and quieter until they fade out altogether. The period (or time) parameter is often controlled by a single button you push repeatedly in time with the music. This is called tap delay and keeps your echo effect from clashing with the music's time signature.
Great article and very enlightening comments too. One thing I’d like to add is that it seems to me that a considerably large expense is necessarily involved in going the ampless route i.e. Axe FX + midi controller at the least, in an Axe Fx setup. Granted, amp setups can be just as expensive or more expensive, but cheaper amp options are available.

Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Neck Attachment: Bolt - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 24 - Inlay: Pearl - Dot - # of Strings: 6 - Bridge: Double Locking - Cutaway: Double - Hardware: Black, 5-Way Switch - Pickups: Alnico Humbucker - String Instrument Finish: Pearl White, Pearl Black


SJ Series: The SJ is Collings’ version of what is commonly called a small Jumbo. Although the 16 inch lower bout is slightly wider than a dreadnought, and the sides almost as deep, the tight curve at the waist creates in a very different sound chamber. SJs, especially examples in maple, typically have a more pronounced midrange response when compared to a dreadnought.
There’s also the line of self-tuning “robot” guitars that Gibson spent more than a decade and millions of dollars developing. In 2015, Juszkiewicz made the feature standard on most new guitars. Sales dropped so dramatically, as players and collectors questioned the added cost and value, that Gibson told dealers to slash prices. The company then abandoned making self-tuners a standard feature. You can still buy them — they call them “G Force” — but they’re now simply an add-on option.
Tube amps use the height of the 1940s electronic technology to give out what is widely considered the best sound quality to date. Since some people tend to be confused by this, it’s important to note that only their sound rendering circuitry is based on vacuum tubes (or lamps) while the equalizers and assorted bits employ transistors like any other piece of modern electronics, with no bearing whatsoever on how the sound will come out.
Some acoustic guitars, regardless of the body style, feature a cutaway in the upper bout to allow players to more easily reach the higher frets on the guitar neck. Phil Keaggy, a prolific and highly celebrated American guitarist, usually uses an acoustic guitar with a cutaway. If you plan to play leads on your acoustic, or are used to playing an electric guitar, you may prefer a guitar body with a cutaway.
My first electric was a Decca, and a friend had one too. Mine was the one pickup style and his had two pickups. This was back in 1972. These were cheap but played very well and I wish I still had mine. There's one on Ebay right now that's just like the one I had, only ten bucks so far. I remember the great sustain and feedback I could get through it playing Hendrix songs!
Reverb is a sound effect used both in music and audio engineering, which adds a spatial dimension to the original track. To put it into more simple terms, a reverb gives you an impression that the sound is originating in a large room. You are hearing the source sound but also its numerous iterations as it bounces off different surfaces. Reverb guitar effects pedals offer a simulation of this phenomenon.
Electric guitars and guitar equipment - want something new? Shop online and in-store for your new guitar setup. Pick from solid body, semi-acoustic, and hollow body styles to get your ideal electric guitar. We stock all the major guitar brands like Fender, Gibson, and Ibanez. Alongside electric guitars, you'll find amps and pedals from Marshall, Vox, and Orange.

Some guitarists design or modify their own pedals. Others use a combination of off-the-shelf effects. Kurt Cobain stomped on Electro-Harmonix Big Muff and ProCo Rat pedals to create his classic loud-soft-loud, "Nevermind"-era sounds. John Mayer kicked off his 2003 hit, "Bigger Than My Body," with see-sawing, arpeggiated sounds from his Roger Linn AdrenaLinn III pedal. There are hundreds, if not thousands, of different stomp boxes. Although there's a certain amount of gray area and overlap, pedal effects can all be divided into four general categories:
 Great, low priced, vintage Japanese project guitar. May be Decca, Teisco or similar. Has "P90" style, Japanese pickup installed which is not original to the guitar. Solid Mahogany body and neck with Brazilian rosewood fingerboard. Body is perfectly flat and is a thin 1.25" thick. Back of neck profile is very "flat". Top of original bridge is missing and has a wooden one laying in it's place. The pickup is wired directly to the output jack as there are no pots. 3 of the original tuning machines have had their gears changed. All work fine. The headstock logo is missing. We have no additional parts with this one, nor a case or gig bag. Guitar as photo'd only. Would make a great vintage, Japanese, project / player guitar.
This brand is originally from Japan and  Hoshino Gakki owns it. Ibanez activates in U.S.A, Japan, China and Indonesia, and it is one of the largest, recognized names out there. This manufacturer has developed over 300 models of electric guitars and has collaborated with many musicians that have lent their imagination to the making of customized units.
The solid state amp isn’t really new either, but it only came into its own following William Shockley’s world-changing invention, the transistor. Its use for the audio circuitry allows the amp to be more adaptable and easier to tune, but despite innovations in recent years, the overdrive of solid state amps isn’t yet on par with what a tube can offer, and only a few manufacturers can boast of products that come close to sounding as clean as a tube amp.

What’s the point in having these lists anyway? There’s always going to be anger over people who were left out/included on the list when they didn’t deserve to be… And to say that any of the musicians mentioned so far aren’t talented is ridiculous, there’s no limit in the world on how much talent there is, so why does this list have to be limited to 10? Just saying…


The Hummingbird Pro's unique look breaks the typical monotonous appearance of conventional acoustics, and it does so without straying too far from the familiar. It is easily identifiable by its uniquely shaped ornate pickguard, which matches the guitar's faded cherry sunburst finish. Whether you are on stage or just jamming with friends, you can be sure that this acoustic will stand out.
The least expensive practice amps and basic combo amps may only have a single indicator light: an LED to indicate when the amp's power is on. More expensive amps may also have LEDs to indicate when the preamp has a signal present from the instrument (helpful for troubleshooting during set-up, because if the amp is not producing any bass sound even when the bassist is playing, and the "signal present" light is illuminated, this indicates that a signal is reaching the amp); when a limiter or similar speaker protection feature is activated (e.g., Peavey's DDT system); when clipping is occurring; or when the amp is in standby mode. Amps with a built-in tuner typically have several LEDs to indicate when the note being played is flat, sharp, or in tune.
It was also in January of ’64 that the Westheimer Sales Company, 1414 South Wabash Avenue, Chicago, began advertising its New Kingston, the “S” line of quality guitars. These double-cutaway guitars included the #S-1 single pickup, #S-2 double pickup, #S-3 three pickup, the #S-2T double with tremolo, and #S-3T with tremolo. These were most likely versions of the little MJ and WG guitars.

When it comes to the specific tone of a guitar as opposed to a harp or piano common wisdom suggests the transient, say “the pick” to be the discriminator at least for untrained listeners. Then the series of harmonics might be of interest. But this is fixed by the scale and fretting. Only the relative amplitude of harmonics may vary, which by common wisdom does not do to much in reasonable bounds.
Control knobs and buttons are typically on the front of the cabinet or chassis, though in some cases, the knobs are on a recessed panel at the back of the top of the amplifier. The most basic amps only have a few knobs, which typically control volume, bass and treble. More expensive amps may have a number of knobs that control pre-amp volume (or "gain"), distortion or overdrive, volume, bass, mid and treble, and reverb. Some older amps (and their re-issued versions) have a knob that controls a vibrato or tremolo effect. The 1/4" input jack is typically mounted on the front of the amplifier. In the simplest, least expensive amplifiers, this 1/4" jack is the only jack on the amplifier.
To load a SoundFont in sforzando you can just drag and drop to the desktop or click Instrument, import and navigate to your SoundFont. Another good free program for PC is MuseScore and loading a new SoundFont is done by putting the file in the default Musescore SoundFont folder then selecting View, Sythesizer, Add and Set as Default. Musescore has basic editing capabilities as well as an excellent sheet music/score viewer and editor.
Ultimately, you want to make the best purchase for the person who will be playing the guitar while staying within your budget. As we recommended in the beginning, it’s good to get an idea of what the player is looking for. Find out what styles they like, and his or her favorite music. Looks are important too! The right guitar in the right color could make all the difference.
The short-lived Elite Telecaster of 1983 incorporated two specially designed humbucking pickups powered by an active circuitry that featured a “TBX” guitar expander and an MDX midrange booster with 12 dB of gain. Other features included a “Freeflyte” hardtail bridge and die-cast tuning machines with pearloid buttons. This guitar was among the latest CBS-era Fenders to feature a BiFlex truss-rod system, low-friction EasyGlider string trees and active electronics. After CBS sold Fender to a group of employees led by Bill C. Schultz in 1985, production ceased on the Elite Telecaster and other Elite models. Fender Japan made its own version of the Elite Telecaster in late 1984, which featured a 22-fret neck with medium-jumbo fretwire and a modern 9.5 inch fingerboard radius. Notable Elite Telecaster players include Johnny Hallyday and Dave Davies of The Kinks. Michael Houser w/ Widespread Panic and Andy Summers of The Police.

These are hybrid tube and transistor amps. They are not emulators like a line 6 or other amps. They have 8 different analog amp circuits based on various amps, they don’t call them what they are but they are similar to Fender, Vox AC15, Vox Ac30, Dumble, Marshall and I think an Orange ( CLEAN1, CLEAN2, CRUNCH1, CRUNCH2, OD1, OD2, H.GAIN1, H.GAIN2). I don’t use the higher gain ones much - they are very heavy metal sounding. They also have very nice modulation effects - Chorus, Delay, and Reverb. I no longer use a separate chorus or reverb in my signal chain. The amp uses a 12AX7 tube pre-amp and the power amp which gives the tube overtones to the analog circuit you choose. Plus, you can bias the tubes to bright and power in both the pre-amp and post amp.


This is another budget guitar that is routinely praised for the excellent value for money it provides. Many reviewers point to its playability as its strongest point, which is not surprising given that this guitar is from Ibanez. There were even several people who wrote in their reviews that they liked the GRX20Z so much that they had bought it more than once.
It is a German company that manufactures bass guitars. Making a really good bass guitar is a difficult task. However, Warwick bass guitars have really mastered this daunting task. The growl of the bass, and its hollow and beautiful resonating tone is a striking feature of the bass. The company employs stringent quality control methods in wood seasoning, cutting, and resonance engineering. It is highly regarded among bassists and has attracted many notable artists like Robert Trujillo (Metallica) and Adam Clayton (U2). One of the greatest things about Warwick is that they manufacture guitars for everyone, from amateur hobbyists to professional players. If you are new into electric bass guitars, then Rockbass Corvette Basic and Streamer Standard Electric Bass guitars are great options for a rocking start.
A spring reverb unit is really a small amplifier in itself, that sends the guitar signal through a tube circuit to a small output transformer (or through a transistorized circuit) and from there to one end of the springs in a spring can rather than to a speaker. This signal vibrates the springs, is picked up by a transducer at their opposite end, and from there is blended back with the dry signal by degrees determined by a “depth” control, and sent on to the output (or the power tubes, if part of a guitar amp). As you can image, it’s a bulky effect when achieved in this way, requiring at least a couple of transformers, two or three tube sockets and a spring can, but the circuit itself is fairly simple.

It’s provided as-is with no support, but it’s still well worth checking out if you’re on a PC. According to the developers, it was born inside an academic research project about the modelling of electric devices, and then applied to the musical instrument field as an evolution of the techniques available in commercial units. Its most important feature is the high precision of the simulation.
Looking for a super-hot, aggressive metal tone? You need a dedicated high-output humbucker that will crush any amp. Whether passive or active, it’s humbuckers that dominate the heavy rock and metal genres, offering huge power, mix-cutting melodic lead tone, and noise-cancelling abilities – just what’s need when the volume and gain increase. For gigging metal guitarists, humbuckers are pretty much essential. This genre has some great affordable options that will turn any axe into a tone monster, as well as some high-end signature pickup sets from legends such as Dimebag Darrell and Mick Thomson, while the premium James Hetfield Humbucker Set from EMG is one of the best purchases a gigging metal guitarist can buy!
Taylor also has a Build-To-Order program that allows anyone to design their very own guitar. There’s an extensive menu of guitar options starting from tonewoods, including species and grades that aren’t offered through Taylor’s standard line; inlay, binding and purfling options; finish options such as solid colors, sunburst, or vintage finishes; wood accents like a backstrap, armrest or truss rod cover; neck options such as scale length and neck profiles; and finally body shapes including the deep-body Dreadnought and the new Grand Orchestra.
I, too, am searching for more info on my Kent. It's a Model 834, violin shaped with a cutaway. Mine is red with "racing stripe" binding on the edge. It's sounds INCREDIBLE (very vintage) and plays well, though I find the neck very narrow. There was an E-Bay auction for a couple of framed ads which featured this model, plus the 833, 835 and 836 from 1967 (one of the pictures, from what I could tell, looked exactly like mine). I also tracked down a picture of one that is a Yellow 67 with a Bigsby-Style vibrato (mine lacks this). If anyone finds a source for more Kent info, I'd love to hear from you...
The focus of my career has been audio journalism, but I’ve been active as a musician since taking up guitar seriously in the 1970s. I’ve played various stringed instruments with jazz, rock, and folk groups in New York and Los Angeles, and I currently play double bass in three jazz groups in Los Angeles. (I sub regularly in a couple more groups.) Having conducted innumerable multi-listener comparisons of audio products over some 25 years, I have a good idea of how to conduct fair product tests. I own two guitar amps, which I loan to visiting guitarists and use with my electric ukuleles, and I’ve even built a couple of guitar amps, so I understand how they work.
So when you plugged your guitar in and tried to play it electrified, you couldn't get any bass tone out of the guitar-the bass strings didn't go over the polepieces of the pickups! When you tried to fret notes along the low E string, your fingers would fall off of the fretboard. That one error turned an otherwise beautiful, comfortable and very functional instrument into something that played and sounded like crap.

Shortly thereafter, the American instrumental rock band The Ventures asked their friend, session musician and electronics enthusiast Orville "Red" Rhodes for help recreating the Grady Martin "fuzz" sound.[18] Rhodes offered The Ventures a fuzzbox he had made, which they used to record "2000 Pound Bee" in 1962.[19] The best-known early commercial distortion circuit was the Maestro FZ-1 Fuzz-Tone, manufactured by Gibson, released in 1962.[20]
Dave Murray: select alder body with a nitrocellulose lacquer finish, flat soft V-shaped maple neck with satin back, 21 medium-jumbo frets, American Vintage hardware and ahumbucker/single-coil/humbucker configuration – DiMarzio Super Distortion DP100 (bridge), American Vintage ’57/’62 (middle), DiMarzio PAF DP103 (neck) – with 3-way switching. Other features include chrome pickup bezels, synthetic bone nut and aged white plastic parts with black switch tip. Available in Black only and as a Japanese “Tribute” version with an original Floyd Rose locking vibrato system, dual DiMarzio Super Distortion DP100 humbucking pickups (Neck/Bridge) with a Fender Texas Special single-coil pickup (Middle), 3-way switching and an oval neck profile.
Bridge craft USA musical instruments presents the exceptionally designed Glen Burton GA204BCO Acoustic Electric Cutaway Guitar in Black by Glen Burton. Perfect for the beginner or the expert, the full package comes with Strings, Picks, Gig Bag, Strap, Digital Clip-On Tuner, Truss Rod and a 10 Watt Amplifier . This excellent Acoustic Guitar also includes: Flame top; Basswood back and sides Catalpa Neck and Bridge; Rosewood Fingerboard Steel String; Sealed Gear Tuners EQ: Active 4 Band 7545 .
In 1972, Ovation introduced one of the first production solid-body electric-guitars with active electronics, the Ovation Breadwinner. The model failed to gain widespread popularity, however, and production of the Breadwinner and the Ovation Deacon ceased in 1980. Ovation made several other solid-body models up until the mid 1980s.[28] Since that time the company’s main focus has been acoustic and acoustic-electric guitars.
Yet, there’s still a lot to like about the JS140. First, the use of solid basswood for the body of the guitar is a plus, despite the fact that basswood is plentiful and affordable. While it’s typically used in economy guitars (like this one) its tone is quite good, providing a thick low end with a punchy mid range. As tonewoods go, it’s a decent compromise.
REGOLAZIONE DELL'INTONAZIONE (FAT20) Per garantire l'assenza di movimento, ogni selletta è provvista di una vite di fissaggio. Per regolare l'intonazione, allentare la vite di fissaggio della selletta con una chiave a brugola da 2 mm (D). Per regolare l'intonazione, inserire una chiave a brugola da 2,5 mm nella vite della selletta sul retro del tremolo.
Fretsizes can be confusing.  They are small measurements but have a big impact on feel and the size designations can vary.  Its best in my opinion to think and talk of frets in their actual crown widths and heights rather than the old Dunlop numbers (the originator of the 6xxx numbering system) as they can mean different things to different people; i.e. Warmoth lists 6105 as .095-.047" while USACG has is at .090-.055" - these are two very different feeling fretsizes. 
Variable 2: Speaker configuration. In Clip 2 you hear cabinets with varying numbers of speakers. First comes the 1x12 sound of a midsized Fender combo amp. Next is a 2x12 Fender-style cabinet. After that is the distinctive sparkle of a tweed-era 4x10 Fender Bassman. The last phrase is a classic 4x12 Marshall stack with 25-watt Celestion Greenbacks. These sounds represent a single mic on a single speaker, yet you can differentiate single- and multi-speaker cabinets due to leakage from adjacent speakers.
In the midst of the controversy, conservative commentators alleged that the raid was a politically motivated act of retaliation by the Obama administration, as Juszkiewicz had frequently donated to Republican politicians, including Marsha Blackburn and Lamar Alexander. Chris Martin IV, the CEO of Gibson competitor C.F. Martin & Co., had donated over $35,000 to the Democratic National Committee and Democratic candidates in the same time period. Though Martin featured several guitars in its catalog made with the same Indian wood as Gibson, the company was not subjected to a raid.[55] Following revelations in the 2013 IRS targeting controversy, the right-leaning magazine FrontPage declared that "there is now little doubt the raid...was politically motivated," and that "the Gibson Guitar case can hardly be dismissed as regulatory overreach. In hindsight, it was an ominous foreshadowing of the explosion of misdeeds we are witnessing today.[56]
Gilmour was made famous by his haunting guitar scores in Pink Floyd. This “replacement” guitarist surpassed expectations and helped shape Pink Floyd’s unique sound. You can always expect hairs at the back of your neck to stand whenever you hear one of his solos – be it for the first or hundredth time you’re listening to it. All the emotion that Gilmour’s poured into his guitar work lives on in the music and is channeled through anyone who’s ever wanted to cover a Pink Floyd song. I know several guitar players (myself included) who whenever playing the Comfortably Numb solo – whether they are alone in their bedrooms or on stage – have always been unwillingly brought to tears, near the point of crying. How could you not expect things to get esoteric and mystical when it comes to music?
Gibson gave this guitar a comfortable V neck profile, which together with shorter 24.75" scale length and 1.725" nut width make this guitar one of the easiest instruments to play in this list. My only complaint with this guitar is its bank breaking price, but this steep price point and exclusivity play an important role in making this iconic instrument more appealing. Start saving now if you want to be one of the privileged few who can play this guitar.

Before it gets shipped to you, each Monoprice guitar undergoes a setup, tuning, and inspection process by Master Luthier Roger Gresco here in Southern California. The setup ensures that the neck is straight, the action is right, and that it will stay in tune. Additionally, it comes with everything you need to get started, including strings (installed), a heavy-duty zippered black gig bag with shoulder strap, and a truss-rod wrench.
Here we have a beautiful player with great heritage.. This guitar was an Import from Japan back in 1978 its a very well built guitar and employs the same x bracing seen on Martins. Workmanship is very high as is materials the vintage tone woods are beautifully mellowen and the tone has opened up nicely on this and so the volume is good on this guitar with a new set of straings now sounds like quite big a Piano...clear and clean god volume and reasonible bass.. Very good sound from this one..t also plays quite nicely with good play action not to low not to high...it plays very wel.. structually no cracks or serious anything to speak up just the most minimap superficial nicks as this vintage guitar qualifies for the xcllent vintage condition catagory. The finsh is wonderful and glass like shine to it and has a beautiful warm patine to it you can't get without waiting the near 40 years for it to age this way... this guitar will make somon a wonderful D-18 /28 style instrumnt to enjoy for another 40 years... If your like us you love vintage instruments and this is a bargain of a great lttle player, for a song.. You will be pleased. Thanks for looking if interested contact Joe at : gr8bids@comcast.net .

Ibanez is a Japanese music instruments manufacturer that has produced some of the most iconic guitars of the 20th century. Established in 1908, the company started to design the first guitars in 1957. Ibanez was one of the first companies to gain popularity in the US and Europe markets. It also was the first to mass-produce 7- and 8-string guitars.


Note that the information presented in this article is for reference purposes only. Antique Electronic Supply makes no claims, promises, or guarantees about the accuracy, completeness, or adequacy of the contents of this article, and expressly disclaims liability for errors or omissions on the part of the author. No warranty of any kind, implied, expressed, or statutory, including but not limited to the warranties of non-infringement of third party rights, title, merchantability, or fitness for a particular purpose, is given with respect to the contents of this article or its links to other resources.

While it might seem unnecessary, an EQ pedal is a very handy effect to have. Many amps have very specific voicing that can only be adjusted so far with their tone stack. Also, many small amps have limited on board tone-shaping options. For example, the popular Fender Champ 600 or the Blackstar HT-1, which only have one knob for tone shaping. With an EQ in your chain, you can fine-tune the amp to your liking, or you can perfectly dial in a distortion or fuzz that normally won't cooperate.
I'll second the neck comment, conditionally. My first guitar was a hand-me-down Monterey archtop acoustic that had been my uncle's, and it have a sharp V neck. Out of nostalgia I bought another Monterey on eBay and its cross section feels like a tomato can lying in my hand. After a refret it plays smoother and easier than anything that fat has a right to. The original frets..., not quite.
Two of the strongest reasons to buy an acoustic guitar are user-friendliness and price. Some musical instruments are prohibitively expensive for beginners, and they’re difficult to learn, too. Not the acoustic guitar. Acoustic guitars are easy to learn, easy to carry, easy on the ears. And you can buy an acoustic guitar for an affordable price. The most difficult challenge in purchasing an acoustic guitar is finding the ideal fit for you. In this shopping guide, we will discuss some important elements to consider when browsing the acoustic guitar market.
You have 16 different modulation effects including chorus and flange, 12 overdrive/distortion effects including high gain monsters and smooth creamy overdrives, 14 mono and stereo delays and reverbs and 22 amp models including tube and solid state amps from Fender, Marshall, Orange, Diezel, and mesa Boogie. It’s safe to say, you’ll find it hard to get bored of this thing!
Univox was not, as you might guess, just another isolated Japanese import, but was part of a much larger story of its importer, the Merson company. And in this context, Univox is a part of the much larger story that included names you probably see everywhere but know little about, since they’re off the beaten path, names such as Tempo, Giannini, Westbury, Korg and much more! You’re going to have to pay attention here, because a whole bunch of familiar and not-so-familiar names crisscross through this story.
It was also during this time that Perry Bechtel, a well-known banjo player and guitar teacher from Cable Piano in Atlanta, requested that Martin build a guitar with a 15-fret neck-to-body join[citation needed]. Most guitars of the day, with the exception of Gibson’s L-5 archtop jazz guitars, had necks joined at the 12th fret, half the scale length of the string. In keeping with Bechtel’s request, Martin modified the shape of their 12-fret 000-size instrument, lowering the waist and giving the upper bout more acute curves to cause the neck joint to fall at the 14th fret rather than the 12th. Fourteen-fret guitars were designed to be played with a pick and replace banjos in jazz orchestras. Thus, Martin named its first 14-fret, 000-shape guitar the Orchestra Model (OM). Martin applied this term to all 14-fret instruments in its catalogs by the mid- to late-1930s.
Playability and tone are two of its most commended traits. Many describe its neck as very easy on the hands, while others describe the overall playing experience to be better than their other acoustic guitars. The TK-40D preamp gets a lot of nod from users who want to fine tune their amplified sound, while there are also many who are satisfied with its acoustic sound.
I'm a beginning player and have felt intimidated in guitar shops. That changed after walking into Grumpy's on Saturday. I didn't feel uncomfortable at all, quite the opposite. Kevin did a complete se...tup on my electric guitar while explaining the process to me. Looked at my other two guitars and (surprisingly) let me know that they didn't need anything. Such honesty is rare these days and I greatly appreciate it. I'll be back for all my guitar needs in the future. PS My son is a professional musician and has nothing but good to say about Grumpy's as well. He's a drummer but he loves the shop as well. See More

There aren’t a lot of professional reviews of inexpensive amps, but James at Guitar Verdict raved about the Champion 20, saying, “For an amp of this price, the Fender Champion 20 watt offers a massive amount of value,” and calling it “a hard to beat offering.” At last count it had earned an average of 4.6 out of 5 stars in 595 Amazon user reviews and earned an A for review integrity from FakeSpot.
This extremely limited Marshall 1936V 2x12 Silver Jubilee Guitar Speaker Cabinet has been created to get the best sound out of your Silver Jubilee heads, most notably the 2555X and 2525H Mini Silver Jubilee tube amp heads. The Silver Jubilee styling looks great on stage and the 2 x 12” Celestion G12 Vintage 30 speakers provide you with all that gorgeous amp tone – perfect for 1980s/1990s hard rock.
* The guitar comes with very light bendy strings. This is probably due to market data that tells Epiphone that the bulk of buyers for this guitar are teen Guitar Heros who think that string bending every note is an essential aspect of shredding and wailing. If you plan to put heavier strings on the guitar (like 12-51s for example) for jazz or other styles of music then you will probably need a truss rod adjustment to compensate for the added tension. If you don't know how to do this, ask someone who does. You can ruin a guitar, permanently, by being too aggressive with a truss rod adjustment.
The first electric instrument amplifiers were not intended for electric guitars, but were portable PA systems. These appeared in the early 1930s when the introduction of electrolytic capacitors and rectifier tubes enabled economical built-in power supplies that could plug into wall sockets. Previously, amplifiers required heavy multiple battery packs. People used these amplifiers to amplify acoustic guitar, but electronic amplification of guitar first became widely poplular in the 1930s and 1940s craze for Hawaiian music, which extensively used amplified lap steel guitars.[2]

Rarely have we come across a redesign of a classic instrument that is so thorough… yet still adheres so closely to the original! Neck shape, body contouring, hardware, pickups and electronics have all been under the microscope of Marr and his design cohorts in redesigning this short-scale offset classic. The new bridge design swaps the threaded rod saddles of the Jaguar for the bigger, solid, non-height adjustable Mustang saddles that sit flush on the bridge tray. The saddles just have a centre-placed string groove but this increased width means there's very little gap between the low E and the outer edge of the fingerboard the further up the neck you go. Marr has also ditched the traditional dual rhythm/lead concept. This Jag has just one circuit: standard volume and tone controls and a four-position lever switch mounted on the smaller of the three chromed plates. In position one, it offers just the bridge pickup; position two, bridge and neck pickups (in parallel); position three, neck pickup; and lastly position four, neck and bridge pickups (in series). We still have the slide-switch style of the original Jaguar to engage not one, but two, of the original's high-pass filters. The top switch is the master filter (up engages the cut); the lower switch, mounted at a right angle, only works on position four where forward is on (ie, it introduces the cut). Both these switches stick up less than the standard slide switches too, and are slightly more comfortable: typical of the thought and detail that has gone into this guitar. There's Fender-aplenty in the sounds but, as Marr says, Gretsch and Rickenbacker spring to mind, especially with a little tone roll-off. Above all though, the clarity, and the musical sweetness of the tones allow for complex chord voicings for jazzier rhythms or simpler soul and funk styles. The Johnny Marr Jaguar is a thorough redesign from the perspective of a very busy working guitarist. Aside from the low E being rather too close to the fingerboard edge in higher positions, it's faultlessly built for purpose, addresses five decades of 'Jaguar-ness' and puts a decidedly leftfield design squarely back in the mainstream.


The Yamaha Pacifica has long proved a benchmark for quality and specification, and the 112V remains one of the best guitars for beginners. The 112 is far from fancy and simply concentrates on the bare necessities. Yet the construction is of excellent quality. Trust us, if looked after this will be a guitar for life. By design it's an altogether more modern, brighter and lighter take on a hot-rod Strat. But when we say brighter that doesn't mean overly shrill. In fact the bridge humbucker will surprise some, it's beefy without being too mid-range heavy and although the coil-split proves a little bland played clean, with a distortion boost it's a pretty useful gnarly and wiry rhythm voice. It's good to have the choice too when mixed with the middle pickup - switching between the full and split coil here is subtle but, especially with cleaner 'class A' amp voicings, there's enough character difference to be useable. The solo single-coils impress - plenty of percussion and with a little mid-range beef added from the amp these get you to the correct Texas toneland. Neck and middle combined produces a fine modern Strat-like mix - the added brightness will cut through a multi-FX patch nicely.
The main difference between analog and digital delays is delay time and note clarity. Digital delays can produce multi second delay times whereas the Deluxe Memory Man offered a delay time of 550ms. Digital delay units also introduced the tap tempo function which is extremely useful when using delay as a rhythmic tool. There are many excellent companies producing excellent delay units, certainly a ground breaker was the Line 6 DL4 which is still popular today. Although I love the sound of a true analog delay, the latest offerings from companies like TC Electronics and Strymon offer so many options and analog emulation options it makes it a tough sell to stick with analog delays.
Because there is no inherent right or wrong amp, the suitability of the end gadget will depend on your personal taste and the tuning of the ear. Quality guitar amplifiers are designed to precisely reproduce sound while maintaining a clean and accurate tone. You can find acoustic and electric guitar amplifiers from brands like Fender, Peavey, and Blackstar.

Unlike fuzz and distortion pedals, booster effects typically are engineered to boost the signal reaching the amp without adding coloration. Some booster pedals do slightly fatten the tone of the guitar by overdriving the preamp stage of the amplifier. They can be very useful in getting your amp to break up and produce musical-sounding distortion at lower volume levels as well as adding clarity to your solo riffs. A booster pedal can become an essential part of your rig when you have more than four effects in your signal chain or 18 feet or more of cabling between your instrument and amp.

The traditional Firebird style pickguard is layered white and black and has Slash's "Skull & Top Hat" log in red. The Mahogany neck is glued to the body with a deep-set neck tenon and has a standard 24.75" scale and a rounded custom "Slash" profile. The Pau Ferro fingerboard has single-ply cream binding with Pearl trapezoid inlays, a nylon nut, and 22 medium jumbo frets along with a 2-way adjustable truss rod. The back of the Firebird's traditional reverse headstock has Slash's Snakepit logo in gold.
So what are acousticelectric guitars? Quite simply, it’s an acoustic guitar with slight modifications that means it can be plugged into a power amp. This means that the sound from the guitar can be made much louder for use live or with a band. It also means that, as the signal becomes electric, it can be altered with effects pedals and other equipment. Sometimes, because of this, electric acoustics are used when recording in a studio, though a microphone is often used too.

zircon wrote:Is there any particular reason you're opposed to Kontakt libraries? All of the plugins you mentioned are sample-based themselves, with the notable weakness that you would not be able to change the mapping, grouping, programming (etc), unlike with Kontakt. As someone who uses a lot of virtual instruments, I'd say it's always preferable to have a sample-based instrument in an open sampler plugin since you can see what's going on under the hood and change things like envelopes as needed.

Guitar amplifiers generally incorporate at least a few effects, the most basic being tone controls for bass and treble. There may be some form of "overdrive" control, where the preamplifier's output is increased to the point where the amplitude overloads the input of the power amplifier stage, causing clipping. In the 1970s, as effects pedals proliferated, their sounds were combined with tube amp distortion at lower, more controlled volumes by using power attenuators, such as Tom Scholz's Power Soak, as well as re-amplified dummy loads, such as Eddie Van Halen's use of dummy-load power resistor, post-power-tube effects, and a final solid-state amp driving the guitar speakers.
×