While vintage guitars tend to hold a reputation as the best ever made, there are more high-end boutique makers turning out truly magnificent instruments than ever before. Following the wake of trail-blazers like Paul Reed Smith, the current class of boutique guitar makers includes the likes of Knaggs, Kauer, Swope, Fano, Huber, Koll and many many more. Keep an eye on this page for the latest and greatest luthier-made new and used electric guitars to hit the pages of Reverb.
By the late 1950s, the Les Paul was considered “staid and old-fashioned” as well as too heavy and expensive, no longer competitive with the Stratocaster, and by 1961 Gibson stopped producing the traditional Les Paul in favor of a lighter redesign called the SG. The mid-1960s, however, brought a resurgence of interest in the Les Paul, a development credited to one man and one album: Eric Clapton, using a Les Paul plugged into a Marshall Bluesbreaker amplifier as recorded on Blues Breakers with Eric Clapton (the “Beano” album, 1966),[13] set the standard for tone for a new generation of guitar players in blues and rock and roll (see Keith Richards’ contribution to the Les Paul legend below in the section ‘Renewed interest in the Les Paul models’ below). [14][15] Clapton was initially followed by American guitarist Michael Bloomfield and British guitarist Peter Green, and the subsequent rise in the instrument’s popularity was such that by the late 1960s Gibson reintroduced an updated Les Paul and a variety of other instruments “in its mold”, including a bass guitar.
Jazz guitarists are not limited to single note improvisation. When working with accompaniment, chord solos are created by improvising chords (harmony) and melody simultaneously, usually in the upper register on strings 1,2,3 and 4. Wes Montgomery was noted for playing successive choruses in single notes, then octaves and finally a chord solo - this can be heard in his improvisation on the standard Lover Man (Oh, Where Can You Be?). When playing without accompaniment, jazz guitarists may create chord solos by playing bass, melody and chords, individually or simultaneously, on any or all strings - such as the work of Lenny Breau, Joe Pass, Martin Taylor and others. This technique can be also be incorporated into unaccompanied soloing: for instance Django Reinhardt's "improvisations", as he called his solo pieces.
Meaning of electronic: (of a device) having or operating with the aid of many small components, especially microchips and transistors, that control and direct an electric current. or (of a device) having or operating with the aid of many small components, especially microchips and transistors, that control and direct an electric current. Example is “electronic calculator”.
I have a Vox Shadow that's sunburst, white pick guard that surrounds 3 solid chrome face pickups and the middle pick up has "VOX" engraved in it. 3 seperate volume controls and a master volume control. Tuning keys are all chrome, and the green decal on the face of the headstock reads Shadow, JMI Dartford, Kent. Neck is attached withthe help of a chrome plate, on the back side of the 'plank' body is an access plate for the jack that states made in England. Guitar also has the original roller/tremelo tail piece with palm lever. The numbers of 64728 are stamped on the back side of the headstock just below the tuning keys. Finish is beginning to crack a bit but it's all original, right down to the volume pots that have to be cleaned from time to time. It must be a rather unknown line that Vox had as I can't find out much on it either. Had this guitar for many years. Was handed to me in pieces in an old 'cardboard' case, (that has since gone away) put it back together and added it to my "music room".
Yes...I've seen a VST guitar plugin (can't remember the name) where you play chords on the keyboard with the left hand and the software converts them into guitar chord voicings, then you "strum" with the right hand by hitting different keys....and each key does something different...up-strum, down-strum, rake, mute, etc. I actually thought it sounded pretty damn good considering. Definitely close enough for background rhythm guitar work.
the product took a while to arrive which i was ok with they let u know ahead of time….however the only instructions is a poorly photocopied over view of the board and a few details of other items…nowhere is the wiring schematic… they give you a foot long one color wire not the 3 color connected wire they show here on amazon… kinda bummed on unfinished instructions…. disappointed with the single color wire i mean the foot switch has 9 openings where are the instructions for that? actually while writing this review i down graded it to a 1 star… i was getting more upset with the lack of instructions….
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Before you start thinking your pickups can kill you, bear in mind this is a very small signal (2 volts) that requires amplification (this is where your aptly named guitar ‘amplifier’ comes into play). To put things in perspective, the little rectangle shaped batteries (D) found in distortion pedals are 9 volts…as mentioned it’s a very small signal.
Before we wade in, please note that National Dobro and subsequently Valco, more than most other manufacturers, were notorious for putting together guitars with parts left around. This, combined with the fact that they routinely used components (especially bodies) provided by other manufacturers, means that you are likely to find instruments with details inconsistent with catalog descriptions, and they may just be Kosher.
Now, imagine having that same signal but with your guitar’s volume on its half way setting. That same degraded signal comes out even worse as it only had half of the voltage to work with from the get-go. In order to minimize the amount of signal loss, it is always suggested that the guitar’s volume is kept at its max setting and either manually adjust the output level from the amp or better yet, from a dedicated volume pedal, as is the choice for most professional musicians. A volume pedal in an effects chain will control the output volume of everything that is placed before it, so it’s pretty much almost always a good idea to place it at the end of the chain if it’s going to be your main form of overall volume control.
Power-valve distortion can also be produced in a dedicated rackmount valve power amp. A modular rackmount setup often involves a rackmount preamp, a rackmount valve power amp, and a rackmount dummy load to attenuate the output to desired volume levels. Some effects pedals internally produce power-valve distortion, including an optional dummy load for use as a power-valve distortion pedal. Such effects units can use a preamp valve such as the 12AX7 in a power-valve circuit configuration (as in the Stephenson's Stage Hog), or use a conventional power valve, such as the EL84 (as in the H&K Crunch Master compact tabletop unit). However, because these are usually placed before the pre-amplifier in the signal chain, they contribute to the overall tone in a different way. Power amplifier distortion may damage speakers.
POWER – amps are created for amplifying the sound (duh) in the first place. Of course, nowadays amps are these versatile things that can do pretty much anything but cook you a scrambled egg (maybe SOON?). But power is expensive. This might sound like some deep statement I make as I look into the sunset but what I mean is wattage is not a cheap thing to come by. That is why most inexpensive models or practice models (which are often the same) do not have a lot of wattages. While this might be disheartening, trust me, as a beginner you won’t need a lot of watts. I mean unless you are a prodigy you will be spending a lot of time practicing on your own whether it be in your room, basement or wherever. You won’t be needing the wattage that much unless you are playing with other instruments or on stage. AND if you are going on stage, then you should be great enough not to need a practice amp, in the first place.
The Sweetwater Used Gear Marketplace is a lot like Craigslist or eBay, only it's exclusively for gear, and it's 100% free — there are absolutely no charges or fees involved. Buying or selling, you'll be interacting directly with other musicians and audio enthusiasts, so we've included some tips below to help navigate your transactions. Learn More | Safe Shopping Tips
Vintage guitar amps are older guitar amplifier "heads", speaker cabinets and combo amp/speaker cabinets, which guitarists, record producers and bandleaders seek out for their unique tone. Some[which?] recording studios have a selection of the most popular vintage guitar combo amps, amp heads and speaker stacks, so that performers can get a retro sound. During the 1980s, when most guitar amps being manufactured used "solid state" semiconductor technology, many musicians seeking an older style of sound (for blues, roots rock, etc.) favored older amps that used vacuum tubes (called "valves" in the UK).[23] Popular vintage models include the Fender Showman, Bassman and Vibroverb amps, and older models made by Ampeg, Gibson, Marshall, and Vox,[24] as well as other smaller companies such as Valco, Danelectro, and Premier.
Being a true pro-level instrument, the Yamaha LL16 comes with a jumbo body shape and built-in S.R.T Zero impact electronics. Playability remains beginner friendly, with a low action setup that new players will easily master. And since it comes with an all-solid wood body, this guitar will only sound better and better as it ages. If you are looking for a more long term instrument at the sub $1000 level, check out the Yamaha LS16.

McCarthy's probably one of the toughest guitar masters on this list. His craftsman's hands know not only how to help your instrument make magic again but also (we assume) how to put you in an arm or leg lock and make you scream "Uncle" if you mouth off too much about your guitar's condition. It's probably why guitar tough guys like Zakk Wylde of Ozzy Osborne and Black Label Society, Izzy Stradlin of Guns 'n' Roses and Jason Newsted of Metallica gravitate toward his repair shop. (Not to mention the guys of Motorhead). They know they're dealing with a true master.
Although a lot of engineers prefer to mic up the single, best-sounding speaker cone of a multi-speaker cab, some blend the sounds of more than one. Steve Churchyard: "If I'm using a 4x12 cabinet, I find two of the best-sounding speakers, and I'll put an SM57 right on axis and right on the cone of both those guys. Then I'll mix them in the control room, combine the two together. It seems a little different than just using one mic. It's not twice as good, but it's just mixing the character of two different speakers."
The “fatter wire = fatter tone” equation is nothing new. Ever since jumbo frets have been available, many great players—Rory Gallagher, Stevie Ray Vaughan, Kenny Wayne Shepherd— have been known to re-fret their Fender Stratocasters in particular with jumbo wire (vintage-spec Strats arguably provide a more dramatic before and- after picture than some other guitars, since they were born with narrow frets). More metal in any fixed component usually means a greater vibrational coupling between string and wood, so there is presumably something to this theory. But what else changes with fret size?

No information beyond this debut is available. It’s also probable the Merson “Tempo” name was applied to other acoustic guitars. Merson instruments from this period do not appear to have been widely distributed, so they are probably a regional phenomenon, although they did get notice in The Music Trades, a major trade publication. Other instruments distributed by Merson in 1948 included Harmony, Kamico, Favilla, Temp and Supro electric guitars and stringed instruments; Covella, Fontanella and Galanti accordions; Tempo Bandmaster, Merson, Merson Ultratone, and Rudy Muck brass instruments; and Kohlert Thibouville, Freres, Penzel-Mueller, Barklee and Merson woodwinds.
The frets are those thin metal bars running down the neck, which act as note separators, allowing you to play individual notes and chords. Most guitars will feature 22 frets, although those more rock and metal-inclined will sometimes offer 24, allowing you to reach higher notes. As a beginner it shouldn’t really bother you whether you have 21, 22, or 24 frets. It’s only as you grow into the instrument you’ll find what works best for you.
Their first flat-top acoustic guitar was produced some time shortly before 1910, but at that time their flat-tops were still a long way behind Martin in terms of popularity. It wasn't until 1923 that they began to seriously break into the flat-top acoustic guitar market with their signature Nick Lucas Special model and began to give Martin a run for their money.
In the end I decided to go with the .033μ. Everything larger sounded too wooly to me on the neck pickup. If I didn’t play much EBow, I might even consider the .022μ. But you might make a different choice, especially if you were using brighter pickups. You won’t know for sure till you try it out with your instrument, amp, and hands, but I hope this gives you some idea of what to expect.
To start off, the GIO GRX70 features a basswood body with quilted art grain top that makes it look more expensive than it actually is. But it's not just about the looks because for the price, you are getting Ibanez level playability, which is consistently comfortable and easy to play. Following conventional Super Strat specs, it has a 25.5" scale maple neck, topped by a 22 fret rosewood fingerboard wit a nut width of 1.65". Three Powersound pickups in HSH configuration are tasked to give this guitar its versatile rock and shred friendly tone, without breaking the bank.

The Marine Band Thunderbird is a model of low and super-low pitched 10-hole diatonic harmonica that was introduced in 2011. It possesses a bamboo comb like the Crossover, and a conical shaped lower cover plate. Designed by noted harmonica player and customizer Joe Filisko, this plate helps reduce any rattle caused by the low frequency tone produced by the reeds. It is available in low major keys A through F, as well as low B-flat and E-flat, and double-low F.[14]

Staggered brass saddles offer individual string intonation never before available in a design of this type, still widely regarded as the tone machine. The baseplate itself is a faithful reproduction of the original, made from steel, very important in a bridge of this style due to the tonal effect it has on the magnetic field of the pickup mounted in it.
Very nice. I'd love to hear it. 12 strings seem to emphasize the difference among guitars, the 335-12, the Firebird 12, etc. I like the sound of the Rick, but playability is an issue, you might go through three or four before one feels right, then they are so easy to pull out of tune. But you've got a totally unique variety one of a kind variety there.
In the 1950s, Gibson also produced the Tune-o-matic bridge system and its version of the humbucking pickup, the PAF ("Patent Applied For"), first released in 1957 and still sought after for its sound.[citation needed] In 1958, Gibson produced two new designs: the eccentrically shaped Explorer and Flying V. These "modernistic" guitars did not sell initially. It was only in the late 1960s and early 70s when the two guitars were reintroduced to the market that they sold well. The Firebird, in the early 60s, was a reprise of the modernistic idea, though less extreme.
American Fenders and USA Gibsons are not NOT for beginners! They are for people like myself who have invested 15+ years into developing the skills required to defend a purchase of one. IF you want beginner guitars, go see Mexico Fenders or Epiphone Guitars. Better yet, worry more about your skill and not which brand in on your headstock. I played for 11 years before I upgraded my Epiphone to a Gibson.
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The OO-18E was basically the small-bodied OO-18 acoustic with mahogany back and sides, spruce top, and the ring-mounted DeArmond tucked right at the end of the fingerboard. These featured one tone and one volume control, with large two-tone plastic knobs situated down on the lower treble bout. The first prototype was serial number 166839. OO-18Es were produced from 1959 to 1964. Around 1,526 of these were produced.
The GuitarTricks instructors are working professional guitarist and great teachers. With more than 45 instructors you have plenty of choice to find the ones you like best. There is a structured, best practice, teaching approach to every lesson, song and the entire curriculum which beats the hap-hazard approach of picking free lessons on YouTube. I also like that the I can learn not just what something does but WHY it does it and how to apply it to other parts.
The pickup coils are wired to the amplifier through an electrical circuit. The circuit usually also contains volume and tone controls, which allow the basic sound to be adjusted by turning knobs on the guitar body. A guitar with two pickups will have four knobs on its body: one to adjust the volume and the tone of the sound from each pickup. More complex circuits can be added to change the sound of an electric guitar in all kinds of interesting ways.
This is a real nice D-18 it Booms quite nicely with Vintage Tone of that of a much more expensive Big Named guitar for a fraction of what you would pay..its Japanese crafted 29 years ago by the master craftsman in one of the finest Japanese builders factory.. the great Ibanez...the Label inside says... THE MARK OF QUALITY CIMAR Quality Produced under Strict Quality Control by IBANEZ "Made in Japan" Serial # 82110013k ... 1st 2 digits 82 that's the year...now not all Japanese Ibanez old guitars are so great not at all ..many were very low end guitars we saw in the 60's & 70's as a kid myself most were junk or we called them toys.. now that's not true for all of them though I can honestly say that... This is not a cheap guitar nor is it built cheaply ..this example was one of the good impressive one's they used beautiful grade woods on... This particular example it has a Strikingly beautiful straight grained Sitka Spruce Top ... it has ambered nicely now naturally with it's great patina created over the last 29 years . ya don't get that with a new Ibanez or even dare I say Martin with those white looking spruce top "yuck on thanks"... sorry back to this one ... The back sides & neck are all gorgeously grained AA higher grade Mahogany the fingerboard is dark Indian Rosewood with an ebony bridge..even the Original string Pins are aged beautifully amber tipped... I'm lookin pretty hard everywhere and I can not find a crack - separation or a defect to be found anywhere only the most minute microscopic its that clean.... JVG Condition RATED: @ better than average in Excellent used vintage condition wow!..This neck is arrow straight with a perfect medium slim taper neck feels great and action is EZ to play just about perfect...1-11/16ths at the nut very comfortable feel, frets are considered excellent vintage at lest 92%... Comes with a free Chip board case or an optional upgrade to a Hard shell case / ask... Just in.. no pics yet coming very soon stay tuned! Thanks for your interest.
Beyond specific favoured mics, a number of engineers also mention more general principles when choosing pairs of mics for guitar recording. Jim Scott and Stephen Street both mention using a 'cheap' or 'bad' mic with a good mic (both give the SM57+U87 combination as an example). "Between the two you can find the ideal sound," remarks Jim, "and you can get brightness and fullness."
TC Electronic's Hall of Fame reverb pedal is stacked with features and is easily our top recommendation from this list. The first perk is a mode selector that gives you a total of ten different reverb types, in addition to the TonePrint option. TonePrint is TC Electronic's signature feature that allows you to program tones into your pedal designed by artists and popular musicians.
“Move up to Alnico IV and the power rating comes up and the frequency response flattens out – you get a balanced and natural- sounding response from the coils, but not so it’s boosting the treble. The mid-range stays quite constant as well. And then you go to Alnico V, which has the highest power. Then the bass and treble do get boosted and the sound starts to get more aggressive – more ‘rock ’n’ roll’, for want of a better term.
Cordoba is a fast growing guitar builder that specializes in nylon string acoustic instruments, played by artists like the Gypsy Kings and Bon Iver just to name a few. And with their ever increasing reputation, we find it only fitting to give them a spot on this list, specifically for the impressive quality and tone of the GK Studio. This nylong string guitar incidentally provides a refreshing break from the many steel-string acoustics that are featured here.
I have been playing guitar, banjo, bass and harmonica for 46 years - and I don't find a $4,300 Martin D 41 to be affordable (Guitar Center price). I play a Taylor 402ce and a dozen other instruments. I believe Taylor is the best instrument for the price..Alvarez Yairi guitars are very good too. Martin and Gibson make fine guitars but they are overpriced. I have a Chinese Maple Guild that sounds fine but the fretwork is amateurish. A Chinese Takamine New Yorker is very well constructed and sounds great.
Ibanez are one of the best known of the more contemporary style guitars with artists such as Satriani and Vai on their books. This particular model, the RG 450 Deluxe, boasts a layout which traditional Fender players will be familiar with, but it's a very different guitar. It is a more compact instrument than the Stratocaster and with two humbuckers separated by a single coil, the pick-up system allows you to create some thick tones. In fact if you play around with the five way selector you can get just about any tone you could want. The body shape is very sharp and clinical and with jagged bolt inlays and the traditional Ibanez pointed headstock the guitar is very recognisably Ibanez. It also features a quality tremolo unit and two full octaves on the fingerboard with wide cutaways for access. This is an excellent alternative to the Gibson or Fender style dichotomy that dominates the market. If you're searching for your own sound, somewhere between the two, it's worth checking out the Ibanez range.

Hopefully, this guide has given you all the info you need in order to go out there and find the perfect guitar for yourself. We went into some aspects of electric guitars that will shape your decision the most. Beyond the ultimate considerations discussed between "this or that," the rest is a matter of preference that only develops after you've had time to gain that much experience. Until then, we hope you score the best electric guitar you can from above, as they'll carry you the distance until you've traversed the path long enough to start getting peculiar and picky.  Happy shredding!

The Fender Stratocaster may be the most widely recognizable electric guitar and the one most associated with the rise of rock and roll music. It featured a distinctive double-cutaway design that allowed musicians to play higher notes by reaching higher on the fingerboard, three pickups (which allowed for a greater range of sounds since previous guitars which had two pickups at most), and a patented tremolo system that allowed players to raise or lower the pitch of the strings. In the hands of guitarists like Buddy Holly, Eric Clapton, Bonnie Raitt, and many others, the Stratocaster became an icon of American rock and roll that took the world by storm. The Stratocaster, the Gibson Les Paul, and other solid-body electrics were nothing if not versatile, and rock guitarists were obsessed with versatility. Guitarists could not only change the tone, volume, and pitch, but they also could manipulate the sound by playing close to the amplifier, grinding the strings against things, and using special effects accessories like the wah-wah pedal. Jimi Hendrix was this instrument’s master of manipulation, influencing generations of guitarists to experiment creatively with their playing techniques and equipment.
I gave some relief to the guitar, just enough to be able to move a business card on the 8th fret. I think the truss rod adjustment is ok now. Strangely it's still buzzing. I compared the height of the bridge to my Navigator N-LP-380LTD and i have the same height on the RLG-120 the same. The string that buzzes the most is the D string!!! E and A string buzz too but less than the D. Don't know if i want to raise the bridge more. G B E are ok! Don't know if the D slot on the nut is too low. Seems like the slots on the nut on my guitar are higher than the ones on your Burny. Don't know what to do. Frets seem even. Any chance it's the saddles or something? Do they play a role on buzzing. I will raise the bridge tomorrow morning and see how it goes. Any idea what should be a standard string height on these guitars? Lets say height on 1st fret, 5th fret, 8th fret, 12th fret, 16th fret, 22nd fret. Can we say that? Can you tell me yours to check with mine?

Silvertones were guitars sold by Sears but manufactured by five main companies: Danelectro, Harmony, National-Dobro (Supro/Valco), Kay, and Teisco. These companies were called "jobbers" because they were contracted (jobbed out) to make guitars for Sears. They also produced guitars under their own brand names. In almost all cases the guitars manufactured for Sears were identical to models sold directly by the manufacturers with only a logo or color change.
Strumming Patterns: Rhythmic strumming patterns are rarely coupled with delay.Chords: In some cases, swelling chords that are strummed once can work well with a delay effect, but generally this is avoided in favor of a less-saturating effect, perhaps a kind of light modulation.Short Arpeggios: A five to 10 note arpeggio is the perfect spot to dial in a smooth delay to help fill in the sound.Quick Solos: Speedier solos can work with delay and make sense, but the faster you’re playing, the harder it is to get delay to sound clean and not muddy.

While a little on the pricey side, their products are seen as particularly powerful and reliable overall. The H&K Trilogy is well appreciated for its versatility, allowed by the high level of German technology and engineering involved in its construction.  It has easy MIDI control and three channels, a clean, crutch, and lead, all with boost options that give a lot of freedom to musicians who are into experimenting.
A standard Squier Stratocaster is mass-produced in factories located in Indonesia or China. For its construction, Squier usually uses woods readily available in those countries, such asagathis and basswood. They also use stamped metal hardware and multiple pieces of wood in construction to reduce waste and to lower costs. In some cases, the body is laminated, much like a plywood, rather than consisting of two or three solid pieces glued together.
The two ’71 piggyback bass amps included the 1060 Bass Amplifier System ($530), featuring seven tubes, 105 watts, two channels, four inputs, volume, bass, middle and treble controls on each channel, presence, variable impedance, and a cabinet with one Univox 15″ speaker with 22-ounce dual diameter Alnico magnet and 2″ voice coil, plus a fully loaded reflex cabinet with true folded horn principle (you ampheads may know what the heck that means!). The grille had two large square cutouts with rounded corners. The 1245 Bass Amplifier System ($385) offered five tubes, 60 watts, two channels with the same controls as the 1060, and two 12″ Univox speakers with 20-ounce Alnico magnets and 2″ voice coil.
Overall length is 28 1/2 in. (72.4 cm.), 10 in. (25.4 cm.) width, and 1 5/8 in. (4.1 cm.) in depth, measured at side of rim. Scale length is 15 1/4 in. (387 mm.). Width of nut is 1 3/4 in. (44 mm.). All original and complete, and quite clean overall; there are a few small dings to the finish and some light checking-almost inevitable on the Eko-made Vox instruments. The only notable finish marring is one spot where a superglue repair to a cracked pickguard corner left a bit of residue behind. A very nice little player, with an awful lot of chime! Excellent - Condition.
Wah pedals make exactly the noise they’re named after – yep a “Wah” noise! If you say to yourself “Wah, Wah, Wah” slowly, that’s the same sound the pedal makes. Imagine a baby crying in slow motion and you kind of get the idea. The Wah sound was probably best captured on “Foxy Lady” by Jimi Hendrix and is widely used in funk and rock solos thanks to its really cool sounding effect.

2. Do your saddles have notches cut into them? If not, then I suspect they could do with some (or if they have, but they're extremely shallow, perhaps they need deepened a little). Just note, however, that this is very easy to screw up and should probably be done by a tech if you're in any way unsure about doing it yourself. Also, you can't just cut a notch in one saddle. You would have to do all of them to the same depth, then raise the bridge a little to make up for the depth you just removed.
The E minor chord is one of the simplest to play because you only use two fingers Take extra care not to allow either of them to touch any of the open strings, or the chord won't ring properly. Strum all six strings. In certain situations, it may make sense to reverse your finger position so that your second finger is on the fifth string, and your third finger is on the fourth string.
This setup is the same as the first one above, however, the volume pedal has been placed near the end of the chain right before the delay and reverb effects.  This allows you to have full control of the volume of your signal right before the delay and reverb effects. This is useful for fading in a fully overdriven signal without cleaning up the signal at the lower range of the sweep.

While Laney brand might not sound as familiar to the “uninitiated”, this brand has been producing quality amps for very good prices. The  LG12 is a combo amp with 12-watts. While 12-watts isn’t much it seems to kick in a punch when needed (and plus, you want it for practice and more practice amps don’t have a lot of wattages). Apart from that this combo offers  LG12 12 single channel with switchable drive, CD input, headphone socket (a much for practice) as well as Bass, Middle and Treble control. The tone of this amp is pretty crisp and clean. That’s partly due to the 6.5″ custom-designed speaker. The speaker is not only functional but looks pretty nice. Looks wise this model has top mounted construction, rubber feet for sturdiness and leather handle for ease of transportation. Apart from being a great practice amp, it is also great if you travel around and want a model that can take a punch or two.
One and a half steps down. Famously used by Black Sabbath's Tony Iommi in the 1970s, as well as Carrie Brownstein, Dimebag Darrell of Pantera, Eyehategod, Architects, Dying Fetus, Anata, Corin Tucker of Sleater-Kinney, Between the Buried and Me, Machine Head (tuned 40 cents sharp), Down, All That Remains, Bolt Thrower, Pete Loeffler of Chevelle (on Wonder What's Next), Billy Howerdel of A Perfect Circle and Ashes Divide, Wes Borland of Limp Bizkit, Guns N' Roses (on "Jumpin' Jack Flash" and "I Don't Care About You"), Slayer (on "Gemini" from Undisputed Attitude, Diabolus In Musica, the majority of God Hates Us All as well as "Cult" and "Black Serenade" from Christ Illusion), and Stone Sour, as well as former guitarist Jim Root's other band Slipknot on the song "Snuff". Also used by Kyuss on the Sons of Kyuss EP and on the songs "Isolation", "Big Bikes" and "Stage III" from Wretch. Used by Metallica on the song "Bad Seed" from the album Reload, by blink-182 in "Obvious". Also used on Considered Dead and The Erosion of Sanity by Canadian technical death metal band Gorguts.
This guitar has a mahogany neck topped by a 20-fret rosewood fingerboard. It has a scale length of 25.62", while the nut width is 1.69". Since the AW54 is from Ibanez, you can expect the neck profile, string action and overall playability to be comfortable and beginner friendly. Wrapping up this affordable guitar's premium-like specs is its Open Pore Natural finish, which gives the instrument an earthy appeal that's easy on the eyes.

This Hellraiser C1 guitar features a mahogany body and a quilted maple top and abalone gothic cross inlays. It looks and feels fantastic! A couple of things that make it sound even better are the locking tuners, that keep it in tune, and the EMG noise-cancelling scheme that makes sure that the only sound the guitar makes is the music you’re playing.

Plug one in, and you'll understand what an acoustic instrument is supposed to sound like while playing live. Unplugged they sound great as well, especially the deep bowl models. I hear from my friends that they think those rounded backs feel awkward to play while sitting down. I have a deep contour bowl, that is way more comfy playing relaxed in my couch than even my little 000-martin.

Having Robert Johnson at the top is a joke. All the kids now think it's cool to like him because he was so "influential" but it's a complete myth. He was virtually unknown until the mid sixties and even then the whole "Robert Johnson is cool" thing didn't get going until around 1970, by which time most of the real pioneers were already well on their way.
A few guitars feature stereo output, such as Rickenbacker guitars equipped with Rick-O-Sound. There are a variety of ways the "stereo" effect may be implemented. Commonly, but not exclusively, stereo guitars route the neck and bridge pickups to separate output buses on the guitar. A stereo cable then routes each pickup to its own signal chain or amplifier. For these applications, the most popular connector is a high-impedance 1⁄4 inch (6.35 mm) plug with a tip, ring and sleeve configuration, also known as a TRS phone connector. Some studio instruments, notably certain Gibson Les Paul models, incorporate a low-impedance three-pin XLR connector for balanced audio. Many exotic arrangements and connectors exist that support features such as midi and hexaphonic pickups.
The guitar builder for the giants of jazz, Ibanez now introduces the Artstar AS153 Semi-Hollow Electric Guitar, to answer the needs of the working professional player. Crafted from specially selected tone woods, this guitar features a bone nut, ebony fingerboard, hand-rolled frets and Ibanez's famous Super 58 pickups-capable of tone magic any place...  Click To Read More About This Product

Yes...I've seen a VST guitar plugin (can't remember the name) where you play chords on the keyboard with the left hand and the software converts them into guitar chord voicings, then you "strum" with the right hand by hitting different keys....and each key does something different...up-strum, down-strum, rake, mute, etc. I actually thought it sounded pretty damn good considering. Definitely close enough for background rhythm guitar work.
Use a lead to connect the row that the positive (anode) leg of the input cap C1 is on to the row that the base (middle leg) of the transistor Q1 is on. Use a second lead to connect the emitter row (left hand leg) to the ground bus. Finally, use a lead from the collector (right hand leg) row to a new row on the other side of the breadboard, near the power bus.
As this effect is more pronounced with higher input signals, the harder "attack" of a note will be compressed more heavily than the lower-voltage "decay", making the latter seem louder and thereby improving sustain. Additionally, because the level of compression is affected by input volume, the player can control it via their playing intensity: playing harder results in more compression or "sag". In contrast, modern amplifiers often use high-quality, well-regulated power supplies.
So the actual vibrating length of the string should be the same in all cases, and if that's all that affects the magnetic field then none of the other things mentioned above should affect that signal. Do a simple test protocol such as plucking each string with the identical pick, record the waveform, overlay them and look for differences in the waveform.
This was my first attempt on building pedal. Now I'm hooked. It was such a joy putting it all together and quite a learning experience. I cannot emphasize on reading/studying the instructions thoroughly. I would rate the included instructions a 10, a 5 STAR. Very clear and easy for a novice pedal builder to understand and walk through. Very well illustrated as well. Take your time as you can easily overlook soldering connections. The main problem I encountered was a shorting problem. The two soldering terminals along each side of the tube socket were located very close to the tube base socket and volume/gain pots. Follow the instructions by running a wire between the volume and gain pots, as well as the tube socket. Once, I've addressed this problem, it was clear sailing from there.
As the crowds at Beatles shows got louder, they needed louder amps. Jennings provided Lennon and Harrison with the first AC50 piggyback units, and McCartney's AC30/T60 rig was replaced with an AC100 head and an AC100 2×15" cabinet. Lennon and Harrison eventually got their own AC100 rigs, with 4×12"/2-horn configurations. In 1966 and 1967, The Beatles had several prototype or specially-built Vox amplifiers, including hybrid tube/solid-state units from the short-lived 4- and 7-series. Harrison in particular became fond of the 730 amp and 2×12 cabinet, using them to create many the guitar sounds found on Revolver and Sgt. Pepper's Lonely Hearts Club Band. Lennon favoured the larger 7120 amplifier, while Harrison preferred the 730 and McCartney had its sister 430 bass amplifier.
It’s little wonder that Fretboard SE is such a popular guitar book. It focuses on the practical application of learning guitar and relies less on intellectual theory. That is not to say that a guitarist attempting to improve their skills from this book won’t be challenged and introduced to a unique system. It is just to say that the system it introduces is different than you may be used to if you’ve read other books or tried learning guitar from another method. This book teaches around the "CAGED" method. That is, the book will attempt to explain the fretboard layout to you and how to navigate it by focusing on the five basic chord shapes and the root notes in those chords. As you might have guessed, the chords the method teaches are C, A, G, E, and D, thus the name. For a more detailed explanation check out this article from Premier Guitar.
Specs for your guitar include an ash body and carved maple top (rosewood was an option) bound with an abalone border, and a 5-piece maple/rosewood through-body neck. Other features include the bound 22-fret ebony fretboard with brass circle inlays, a matched-finish headstock with abalone border, 3-per-side tuners, two exposed humbuckers, and controls for each pickup. Its ivory finish is probably the most desirable color for this model, but the guitar was also available in a natural finish that highlighted the maple or rosewood carved top.

Market sentiment is overwhelmingly positive, with many reviewers describing how the Seagull S6 Classic M-450T exceeds their expectations. Build quality and playability gets the bulk of commendations, along with its clear sound and good acoustic projection. Some even dare to compare the Seagull S6 Classic with super expensive guitars from major brands.

For years, Schecter has provided a nice counterpoint to the various Les Paul and Strat look-a-likes on the market (many of which are very good) at an affordable pricepoint. As my local guitar shop owner once said, for the money, they might make the best all around guitar south of $1,000. You can spend more than that, but the point is, they don’t skimp downrange.
A musician is only as good as the songs he or she plays - except when you're improvising, of course! And even for those of us who write mostly our own music, there's always room for a repertoire of the classics. Building up your musical library starts with the tablature available in this section, and where it ends is up to you. If you're like most musicians, you'll probably spend your whole life collecting and trying your hand at new music. And with material here for guitar, bass, ukulele, banjo, mandolin and even violin, there's something for virtually everyone. Cover the songs in your own personal style or try your hand at recreating them as they were first recorded; it's up to you.
When connecting more than one pickup, it’s important to follow the manufacturer’s color codes and wiring diagrams so that the phase relationship is correct. The phase relationship of a pickup is determined by the winding direction of the coil and the polarity of the magnets. The two coils of the traditional humbucker are connected in series with the phase relationship shown in Fig. 1. Most modern Stratocaster® style guitars with three single-coil pickups are supplied with a reverse wound/reverse polarity middle pickup for a parallel hum canceling effect when the guitar is switched to a two pickup position (e.g. neck & middle pickup together) as shown in Fig. 2.
It was also common for people to have a winter saddle and a summer saddle, as they were called, to make up for the flux in humidity and its effect on the wood across the seasons, if they were sensitive to string height. Authentics have a glued in saddle, as did all Martins once upon a time. That usually means the saddle is destroyed in the process of removing it, so a new saddle, or two new saddles in the case of a winter/summer set of saddles would be required. But I have heard of people who were able to save the saddle when it was removed.
In addition to pickup selection, most guitars will have controls for volume and tone. Volume controls simply regulate the strength of the output signal. Depending on the amplifier, this can control the tone as well as the volume. Most tone knobs control high frequencies and many guitars have separate tone controls for each pickup. This can vary a guitar’s sound between soft, warm, and mellow to a very bright, raw, distorted sound.
The Effect: Vibrato effect, often mistaken for a tremolo, is the type of guitar effect that alters the pitch of your signal. The result is very similar to that which you get when you operate the tremolo bar on your guitar. There are different types of vibratos out there, but the most common division is between analog and digital units. Analog vibratos are known for their clarity and organic feel that comes from analog pitch shifting.
Originally, a signal would be recorded to two tape machines simultaneously. The playback-head output from these two recorders was then mixed together onto a third recorder. In this form, minute differences in the motor speeds of each machine would result in a phasing effect when the signals were combined. The “flange” effect originated when an engineer would literally put a finger on the flange, or rim of one of the tape reels so that the machine was slowed down, slipping out of sync by tiny degrees. A listener would hear a “drainpipe” sweeping effect as shifting sum-and-difference harmonics were created. When the operator removed his finger the tape sped up again, making the effect sweep back in the other direction.” Famous tunes using flange effects are “Unchained” by Van Halen, “Spirit of Radio” by Rush and “Bold as Love” by Jimi Hendrix. The flange on “Bold as Love” is credited as being the first recorded use of the effect in stereo.
I've had my Dorado, model #5986, serial #41 since 1972 and have used it for classical guitar study off and on since getting it as a gift. For what it is, the sound quality and playability are quite good. I'm donating it to a church rummage sale tomorrow (6/3/07) and will remember it fondly. I have an Alvarez Regency, similar to the Dorado, which lacks the sound character.
Because bass amps have to reproduce lower frequencies than an electric guitar amp, and it takes more amplifier power to reproduce bass frequencies, a bass player will typically need three or four times the wattage of the electric guitarist.[16] For example, if an electric guitarist has a 100 watt amp, the bassist in the band should have a 300 to 400 watt bass amp. For electric guitar amps with 50 watts or less of power, a bass player may need an even higher multiple. While an electric guitarist will often find that a 50 watt amp will be adequate for rehearsals and mid-size performance venues, a bass player performing alongside this electric guitarist will typically need at least a 300 watt bass amp, six times the power of the electric guitar amp, to get a good bass volume. "More advanced players who regularly gig in small to medium sized venues...typically [use amps that] produce 300-700 watts of output."[17] Bass players using bass stacks in very large venues (e.g., stadiums, outdoor festivals) may use amp heads that put out 750 to 2000 watts of power. British rock bassist Mo Foster tours with a 1,500 watt bass rig.[18] Somewhat controversially, as there is no clear engineering support, many think that a tube bass amp will sound louder than a solid state bass amp of the same wattage.[19]

When recording an electric guitar, the amp is the instrument as far as the mic is concerned, and mic position is important. While a lot of sound comes direct from the speakers as you'd expect, a significant level is also emitted from the back and sides of the box via panel vibrations. Also, an open-backed cabinet throws about as much sound out of the back of the box as it does out of the front. Choosing a mic for recording electric guitar isn't difficult, as virtually any decent mic of any type can be made to produce usable results. If I were to generalise, I'd say that British recording engineers tend to use cardioid, dynamic models while American engineers seem to prefer capacitor microphones. The dynamic mic produces a solid sound with a smooth high end, while the capacitor mic's increased definition produces a brighter, more open sound when used in the same way. However, the mic position has just as much bearing on the tone as the mic itself.
The HeadRush Pedalboard's quad-core processor-powered DSP platform enables a faster and more guitarist-friendly user interface, reverb/delay tail spill-over between presets, the ability to load custom/third-party impulse responses, a looper with 20 minutes of record time, and more. The unit's most notable feature, however, is the seven-inch touchscreen, used to edit patches and to create new ones. In form, the Pedalboard most closely resembles Line 6’s Helix in that it has a treadle and 12 footswitches with LED ‘scribble strips’ showing each switch’s function and a colour-coded LED for each. There are several modes available for calling up sounds, easily changed by a couple of footswitch presses. In Stomp mode, the two footswitches to the left scroll through and select Rigs, while the central eight footswitches call up stompboxes within a selected Rig. Then in Rig mode, the left switches scroll through the Rig banks, while the eight select rigs. Sound-wise, there's no 'fizz' here, even on higher-gain patches, and the closer you get to a clean amp sound, the more convincing it is. If amps matter to you more than effects, the HeadRush is well worth looking into.
From loopers to distortion, effects pedals are a major part of guitar playing these days – and there are two ways to feed these pedals to the amp. You can run them from the front through the instrument input, or you can use an FX loop. The benefit of the latter is that it allows you to insert effects between the preamp and power stage. It’s a complicated topic that relies on a lot of trial and error – not to mention personal taste – but plugging boosters (overdrive, distortion, wah) into the front and then using an FX loop for modulators (chorus, flanger, delay) tends to deliver the best results.
The version of the instrument that is best known today is the solid body electric guitar. Rickenbacher, later spelled Rickenbacker, did, however, offer a cast aluminum electric steel guitar, nicknamed The Frying Pan or The Pancake Guitar, beginning in 1931. This guitar is reported to have sounded quite modern. Audiovox built and may have offered an electric solid-body as early as the mid-1930s.
Buy a kit if you want to make things easier. Several companies produce electric guitar kits that include all of the parts you’ll need, prepared and ready to assemble. If you just want to get your feet wet, these can be a good choice. While you won’t get the full experience of making a guitar from scratch, you’ll still get the satisfaction of putting it together and finishing it yourself.[6]
If you prefer the Linux platform, then Guitarix is your best free guitar effects solution. It is a free, full featured guitar amp and effects software. Aside from its impressive amp modeling capabilities, Guitarix has 25 equally impressive effects modules. Effects include a noise gate, modulation effects like flanger and phaser and it even has weird stuff like auto-wah. Guitarix's low latency audio engine ensures respectable audio, which is said to give you not more than 10 milli seconds of delay. This is a simple yet effective guitar effects software, unfortunately it is only available for Linux users.
Ultimately, you want to make the best purchase for the person who will be playing the guitar while staying within your budget. As we recommended in the beginning, it’s good to get an idea of what the player is looking for. Find out what styles they like, and his or her favorite music. Looks are important too! The right guitar in the right color could make all the difference.

The size of the acoustic guitar body also influences its voice. Larger instruments, with dreadnought or jumbo bodies, generally produce more volume. They also tend to have warmer, rounder tones that accentuate bass notes. Smaller guitars, such as parlor, concert and “000” models, usually have a brighter sound that accentuates their middle and treble ranges.

Hugh Padgham adopted a similar tactic for recording Andy Summers' Roland JC120 when working with the Police: "The chorus [was] always switched on in order to produce the slightly out-of-tune guitar sound that was all the rage during the early '80s. The amp's two 12-inch speakers would each be close-miked with a Sennheiser MD421, panned left and right — one speaker would produce a straight signal while the other would be chorused, and these would sometimes be double-tracked the other way around in order to produce an especially wide stereo picture."
Some of the smaller amplifiers that I like to talk so much about are not really that small. I mean, the Marshall MS4 Mini Micro Full Stack Battery Amplifier is anything but small, in terms of sound at least. It has a powerful volume output that is hard to ignore for anyone, be it in some bar or in the street or at some gig. The tall tower like shape of the guitar is exceptional in design and yes, while the stack is a little on the big side, the affordable price of it and the quality of tone and volume is definitely worth the little bit of a size problem. Definitely worth your consideration!
That’s not to say Gibson always met expectations during its storied past. “I dreamed of having a Gibson guitar and I achieved that dream,” Hook said. “It was a hollow-bodied EB-1 [a bass guitar] but it was medium scale so it was a s--t guitar and it sounded like s--t and I had to put new strings and a new bridge on it. It still sounded duff so I copied the shape and amalgamated it with a Yamaha.”
Fender is an American company founded by Clarence Leonidas Fender in the year 1946. The company headquarter is located in Scottsdale, Arizona, United States. The company provides a wide range of guitars to customers at an attractive price range. The company is best manufacturer of amplifiers and stringed instruments and has become the leading guitar brand in India too. - Musical-instruments-Online

I think Washburn is one of the best out there, From their A series, to HM to x series they all rock. I've had a a-10 since 1980 and it plays great! I have also got the reissues still great quality over the years. The only issue I've seen is Washburn's commitment to catch/keep some artist. Either they can't keep um or they don't want to. Can't see it being the later. Its very difficult to try one of their pieces out as their are very few stores that even stock them. In the 80's early 90s they were everywhere, now?
Fender is the biggest guitar company in the world right now. Fender guitars make more sales than any other guitar manufacturer. Fenders are used by many celebrated musicians today. The guitar produces great sound due to its imported wood. In addition, this brand is deemed to have some of the best looking guitars. Their most successful guitars include the Telecaster and the Stratocaster. The Stratocaster has been used by big names including Eric Clapton and of course the legendary guitarist, Jimi Hendrix. If you are looking for a guitar that’s both good looking and sounds great, go with a Fender.
Clipping is a non-linear process that produces frequencies not originally present in the audio signal. These frequencies can be harmonic overtones, meaning they are whole number multiples of one of the signal's original frequencies, or "inharmonic", resulting from general intermodulation distortion.[34][35][36] The same nonlinear device will produce both types of distortion, depending on the input signal. Intermodulation occurs whenever the input frequencies are not already harmonically related. For instance, playing a power chord through distortion results in intermodulation that produces new subharmonics.
Sometimes, your guitar may need more than a standard set-up. The frets need to be in reasonable shape in order to progress with the set-up. Often you will see that the frets are not level - this is crucial to the playability of the instrument. I have a precision technique for achieveing a perfectly true fret dress which I've been developing for 3 years.
This is a wide range of electric guitar series that have a stylish body and deliver high-quality sound. Cort guitars are fabricated by South Korean manufactures and have been on the market since 1973. Those who are keen on the appearance of the guitar can opt for this brand of electric guitar. This is an electric guitar that is available at an affordable price range between 10,000 to 40,000 INR.
Power chords are one of the staples of rock music and one of the most important guitar chord types you need to have in your toolbox. They are important to learn for a few reasons: They’re easy to play They’re used a TON in many popular songs and are very versatile. They’ll help broaden your repertoire of guitar sounds / styles. This post will walk you through step-by-step what a power chord is, how to play them and what songs you can learn to start practicing them. What are Power Chords? Whether you play an acoustic or electric guitar, you are going
The guitar features what is called a Super Strat shape. In other words, it is an evolution of the Stratocaster body style. Ibanez used mahogany as the main tonewood and maple for the neck. This guitar comes with two finish options. You can have the blackberry sunburst or the light violin sunburst. In terms of pickups, we have a set of two Ibanez-made passive humbuckers which pack a decent amount of heat. They handle distortion great but also sound very decent on a clean channel too.
The standard practice for many distributors was to offer a line of guitars based on popular American designs like Les Pauls and Strats, for example, along with a few original designs. And all were offered at a bargain price or were at least inexpensive enough to compete with the American manufacturers. While the majority of imported Asian-built copies from the era aren’t considered to be of very good quality, the Lotus brand was an exception, mainly because of the factories they were built in.
The movement to all-transistor amplifiers probably followed hot on the heels of the hybrid amps of 1968. The 1971 Univox catalog features a new, updated line of tube amps, but also has a little offset-printed flyer showing the Univox A Group of solidstate amps, which probably debuted a year or two before. These had black tolex-covered cabinets with vinyl handles, black grillcloths surrounded by white beading, and, on some, corner protectors. On amps with front-mounted controls, the logo had changed to wide, block, all-caps lettering printed on a metal strip running across the top of the grillcloth just under the panel. Combo amps with this logo treatment included the U-150R and U-65RN. The U-150R ($177.50) offered 20 watts of power running through two 10″ speakers, with reverb and tremolo, three inputs, and six control knobs. The U-65RN ($110) had 15 watts, one 15″ speaker, reverb and tremolo, with three inputs and five knobs. Joining these was the UB-250 ($150), a piggyback bass amp with 20 watts, 15″ speaker cabinet, two inputs, volume and tone. The U-4100 Minimax ($299.50) was a bass combo amp with 100 watts pushed through a 15″ speaker. Controls were on the back, with two channels for bass and normal. This had a rectangular logo plate on the upper left corner of the grille, with block letters and a round bullet or target design.
@Ricardo – I recommend placing tuners as close to your original signal as possible at the beginning of your signal chain. An EQ pedal can be placed where you would like to filter your signal to the settings of the EQ which is technically at any point in your signal chain. Try the EQ in different locations and use the setting that works best for your.
It is a common misconception that a new guitar player should start with nylon strings, because they are easier on fingers or easier to play. But nylon strings and steel strings are not interchangeable on the same guitar, so it’s not a matter of progressing from one kind of string to another with experience. What should really drive your decision is what kind of music you want to play.

Located in Kobe, Japan, this manufacturer made the famous Maya brand guitar. Maya guitars were in production from 1970-1980. It's been suggested that Maya may have been responsible for the Aztec badge. You'll notice that Maya has been attributed to a company known as Tahara. At this point I do not know if Maya assisted in production or if Tahara produced some Maya guitars as a subcontractor. Maya and El Maya badges have also been attributed to Chushin Gakki. More research is needed to clarify this point.
Using, or not using, some piece of gear doesn’t make a player more genuine, harder, tougher, more real, more natural, or better than players who do. What does make people those things is the honest pursuit of their art, the skills and experience earned from practice and performing, their genuine expression, feeling, and the ability to play something that has an effect on the listener. All of this is MUCH more difficult and real than simply choosing not to use a piece of gear.
A better way to get distortion, of course, is to use guitar effect pedals. Got your hands on some pedals and starting to play around with the sounds you can make? Well, you can still use these tips to further enhance your distorted tone, since the same theory applies. Most distortion pedals have a volume, gain, and distortion knob in addition to whatever additional controls they give you. If you're simply not satisfied with your pedal's guitar distortion, you can turn the gain up and adjust the other settings, just like you'd do on your amp.
Chris Broderick (b. 1970) is the lead guitarist for Megadeth, formerly of Jag Panzer and Nevermore. His main guitar was a 7-string RG model. During the recording of Endgame, he started using 6-string Ibanez S series guitars, which are painted with artwork from various Megadeth albums. This is because Dave Mustaine didn't want Broderick to use his 7-strings in the studio. He has since switched to Jackson Guitars.
The implementation of musical chords on guitars depends on the tuning. Since standard tuning is most commonly used, expositions of guitar chords emphasize the implementation of musical chords on guitars with standard tuning. The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments.
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Excellent explanation! One thing that no one has touched on, yet is the physics of the high frequency components (mentioned above). When you clamp a string at both ends and pluck it it will have a fundamental frequency of waving back and forth based on a) it's length b) it's thickness and c) how tightly it's stretched. All wavering strings, though will have additional waverings. These are referred to as overtones. The first overtone will be a doubling of the frequency and the next a trippleing and so forth. Each of these overtone frequencies contribute to the rich, complex sound of the instrument. Here's a good explanation with pictures. Note the location of the frequency nodes in relation to the placement of the pickups.
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Why We Liked It - Whether you want to find an electric guitar to play sweet country tunes or something completely different, this is a great guitar! It’s extremely versatile and is therefore one of the best ones we’ve tried for beginners so far. That doesn’t mean it can suit more advanced musicians and many other skill levels as well, but especially for beginners, versatility is key.

Seller: bennick2013 (4) 100%, Location: Marietta, Georgia, Ships to: US, Item: 302905274242 Beautiful red body and maple neck looks great despite minor dings and scratches. Neck is straight and intonates well, action just fine with no divots or dead spots. Get it now before they become scarce and PLAY Condition: Used, Condition: Very Good, Brand: Lotus, MPN: Does Not Apply, String Configuration: 6 String, Body Type: Solid, Body Color: Red, Model: Strat, Model Year: ?	 See More

Hopefully now you have a good idea of what to look for in a multi-effects pedal, and what criteria we judge one on. We made this list by going through dozens of forum threads asking for best multi-effects pedal recommendations (we ended up with an initial list of 45 different recommended pedals), and tallying up the ones mentioned the most. We then researched the top 5 by reading as many user reviews as we could find, and went out to test the top 5 ourselves. Here are the winners.

“Top shelf” simply refers to any product that is sufficiently uncommon and/or of significantly high enough quality to place it “above” the rest of the “regular” crowd of products. In a shopkeepers parlance, the top shelf was where you placed things that you wished to be visible, but were, in actuality, were rarely sold. The best stuff was kept up and just out of reach of the daily rabble and only brought down when someone who truly appreciates the quality (and is willing to pay the commensurate price) came into the shop.
Just in early Red Lable Nippon Gakki FG150 in excellent Vintage Condition CLEAN!.............. rare to find one pretty, then to be straight, then sound deep and loud like this one sounds but to have great action too its intonation is dead on upgraded nut & saddle & strings to Martin Marquis 80/20 - 12s This is a pleasure to play with wonderful tone its like 45 years old and the tone woods always sounded great but even better now its the one!!!... serious collectors guitar and is Recording worthy... shes somthing special. to buy it contact Joe: JVGuitars@gmail.com .
Epiphone features all-metal rock solid hardware on all of its instruments. The Les Paul Special VE comes standard with the legendary Locktone Tune-o-matic bridge and Stopbar tailpiece for easy set up. Tuning is fast and reliable with Epiphone Premium Covered tuners with a 14:1 ratio.The higher the ratio, the more accurate your tuning. The tuners are mounted on an Epiphone Clipped Ear headstock with Les Paul Model in gold and the Epiphone log in silver. In addition, a "2016" Edition logo is on the back of the headstock. 
The biggest determining factor on how easy a guitar is to play is the 'action' - distance from the strings to the neck. When it is very low it is easy to press the strings down to touch the fret; when it is too low the strings will buzz when you play. If a guitar's action is too high it will be very hard to play, and for a beginner, this can be pretty disheartening.
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The company was founded in 1931 as the Ro-Pat-In Corporation (ElectRo-Patent-Instruments) by Adolph Rickenbacher and George Beauchamp in order to sell electric Hawaiian guitars. These instruments had been designed by Beauchamp, assisted at the National String Instruments Corporation by Paul Barth and Harry Watson.[1] They chose the brand name Rickenbacher (later changed to Rickenbacker), though early examples bear the brand nameElectro.[2]
Buy a Kay online at our main web site, call our store or visit our Chicago guitar shop in person and check out the new Kay Vintage Reissues. We're not one of those guitar super stores, you will find we're friendly, knowledgeable and easy to work with.  We sell guitars world wide and we want to earn your business so please don't hesitate to contact us for our best Kay prices.  We ship Kay Basses and Guitars to Canada, Australia, UK, Europe, Japan and other locations.
Coming in as the fourth-most recommended multi-effects unit is the Boss ME-80, which is the upgrade to the older Boss ME-70. This is probably most comparable to the Line 6 POD HD500X in terms of having an all-in-one, full-featured multi-effects and amp-modeling unit. But the great thing about the Boss ME-80 is that it costs nearly half what the Line 6 does! Furthermore, the Boss is a very different animal in how you interact with it, which you can pretty much tell just by looking at the two pedals side by side.
These pedals are different, but are both based on the same idea. Pitch shifters shift the whole pitch of your guitar up or down by a set amount (often an octave), giving you a higher or lower tone than would normally be possible. Jack white uses a Whammy pitch shifter in the solo for Seven Nation Army, which has a foot pedal that rocks back and forth (similar to a wah pedal) allowing you to go up and down a full octave or more smoothly and quickly.

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3. Peavey Vypyr VIP 2 40-watt 1x12 ($199): This amp is an all-in-one powerhouse, equally capable of handling electric guitar, bass and acoustic all in one amp. Not only is it capable of effects modeling, it can also handle instrument modeling, giving the player access to acoustic, violin, bass and many other stringed instruments. As far as effects go, it boasts more than 25 effects with controllable parameters and with over 40 watts of power, it’s even ideal for rehearsal.

For experienced players, you already know what kind of questions need to be brought up when purchasing a guitar. For beginners, a great starting point is to look at what your favorite guitarists play. By taking your own musical tastes into consideration, you can narrow down your choices to models that will provide the tone and sound you already know and love. But whatever you're looking for, you can be certain that the perfect guitar for you can easily be found, right here. Just take a look around and see for yourself.

Guitar amplifier modeling: Amplifier modeling is a digital effect that replicates the sound of various amplifiers, most often vintage analog "tube" amps and famous brands of speaker cabinets (e.g., the Ampeg SVT 8x10" bass cabinet). Sophisticated modeling effects can simulate different types of speaker cabinets (e.g., the sound of an 8x10" cabinet) and miking techniques. A rotary speaker simulator mimics the doppler and chorus effect sound of a vintage Leslie speaker system by replicating its volume and pitch modulations, overdrive capacity and phase shifts.[95]
4.) Check the guitar’s string height by pressing down on the first, second, and third fret. You should be able to do so with minimal effort. Come to the 12th fret and press down. The distance from the top of fret to the bottom of the string should be no more than three times. If it is five times, the guitar may have a warped neck or too high of a bridge.
The final spot in our top 5 list goes to the DigiTech RP500, the second-largest of the DigiTech RP line of multi-effects pedals, but definitely the most popular out of the lineup. Like Boss and Line 6, DigiTech is no stranger to making very good guitar effects. Their parent company Harman also owns Lexicon, famed for their top-of-the-line reverb sounds, which DigiTech very much benefits from. The DigiTech RP500 is a multi-effect unit with amp modeling, a looper, USB connection, and an onboard expression pedal. Out of the 5 pedals on this list, it draws the most comparisons to the Zoom G3X and the Boss ME-80 (both in terms of price and features). Throughout this review we’ll make sure to cover how it stacks up against those.

Rickenbacker: From making world’s first electric guitar to making the most iconic guitars of Rock’n Roll, Rickenbacker has a history of innovations in guitar industry. Their guitars are still made in the old way. Owning a Rickenbacker is pretty much like owning a classic muscle car, yes there may be more modern guitars out there but no one’s got the mojo of a Rickenbacker.
In the late 70’s digital technology boomed and made its way into the guitar community. It first entered in the form as rack units which were expensive and relatively large. As costs came down and the technology shrank, digital delay pedals were introduced into the market by Boss in 1984 with the Boss DD-2. Since then as technology advanced, delay pedals now offer many features in a very small box such as tape echo, analog, reverse delay, modulated delay, and loopers.
I always recommend the Cordoba C5 for beginners who are looking for their first classical or nylon string guitar. It’s comes at a very wallet-friendly price, but it sounds and plays exceptionally well for a guitar in its price range. More experienced players can look to other C-Series Cordoba guitars like the C12, which is built for advanced guitarists.

"It's a labor of love," says Youngman, a guitar master who's been handling guitars since the '50s and '60s when rock 'n' roll was still in its infancy. But he's not just a surgeon; he's a neck specialist. "If the neck doesn't feel right, you're not going to play." He's always been good at setting guitars up, and today he works mostly from home, although he also does repair work at Guitarasaur in Watuga. "It's always nice to make someone happy. It makes me feel like I'm doing something right."
The Epiphone Dove Pro is such a good guitar that it’s going to be a contender for a top pick in pretty much any list, but in this one we’ve given it the title of best value electric acoustic. You can spend a lot more money and not get much more guitar, and you can even spend more money and not get a guitar as good. The Dove Pro is that accomplished.
Kawai Teisco was founded by Atswo Kaneko and Doryu Matsuda. The company also produced the popular Ibanez badge in the 1960s. Kawai Teisco made their own house brands Kawai, Teisco, Del Rey and Teisco Del Rey. Badged guitars produced by the Kawai Teisco factories include Apollo, Aquarius, Arbiter, Atlas, Audition, Avar, Ayar, Barth, Beltone, Black Jack, Cameo, Cipher, Concert, Cougar, Crown, Daimaru, Decca, Diasonic, Domino, Duke, Emperador, Heit Deluxe, Holiday, Imperial, Inter-Mark Cipher, Jedson, Kay, Kent, Kimberly, Kingsley, Kingston, Keefy, Lindell, Marquis, May Queen, Minister, Noble, Prestige, Randall, Recco, Regina, Rexina, Sakai, Satellite, Schaffer, Sekova, Silvertone, Sorrento, Sterling, Swinger, Tele Star, Top Twenty, Victoria, and Winston. Possible badged guitars made by the company include: Astrotone, Demian, G-Holiday, Lafayette, Master, Orange, Tamaki and Trump.
Depending on whether you play rhythm or lead guitar, you will want more or less treble cut. One of the secrets to a two guitar band lies in the tonal differences achieved between the guitars that stop them from bleeding together. Part of this is inherent in the different instruments and amps used by the two guitarists (humbucker vs single-coil pckups being the greatest differentiator imo, as well as discerning use of the pick-up selector switch), but the contrast must also be attended to on the fly, and here the tone knob, along with the useful volume knob help the two guitarists from stepping on each other’s tonal feet while mixing their notes together.
At this point you should have the pots, switch, and jack out of the guitar with the pickup wires still connected. You can either de-solder the pickup wires or use wire cutters to clip them off. If you’re replacing the pickups as part of your re-wiring, you can do this now (I did not in the example photographed here). Just feed the leads of the new pickups back through the holes in the pickup cavities.
The trust you place in a guitar master's steady hand, keen mind and eye for detail when you hand him your baby is almost too much to bear. It's more hope than faith. For you need someone who's knowledgeable, but not just book smart. A guitar master needs to know more than just how to solder the yellow and green wires together, glue a new bridge and replace a few strings. He must know its rhythm, that steady beat pulsing through the wood.
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The guitar builder for the giants of jazz, Ibanez now introduces the Artstar AS153 Semi-Hollow Electric Guitar, to answer the needs of the working professional player. Crafted from specially selected tone woods, this guitar features a bone nut, ebony fingerboard, hand-rolled frets and Ibanez's famous Super 58 pickups-capable of tone magic any place...  Click To Read More About This Product
Compression: A "limiter" is envisioned as a circuit which prevents the output signal from exceeding a certain limit. If it did this by clipping, it would cause distortion, but if it can do it cleanly by just progressively reducing the amplification of the incoming signal, then it may properly be called a compressor. A compressor reduces the overall dynamic range by "compressing" the gain of high amplitude signals while maintaining the design gain for lower amplitude signals.

If you’re used to using a pick to play your guitar, it might be time to get a handle on fingerpicking. This style of playing is incredibly diverse, and consists of various techniques that you can employ to gently pluck the strings of your instrument. It also has the potential to eliminate the plasticky strumming sound that can drive your unintended audience batty. It isn’t a good fit for every genre, but it’s important for all you metalheads to remember that two-hand tapping is technically a form of fingerpicking.
I like the difference in character of some of the amp distortions, then you get the tome knobs of the amp, different speaker emulations with tone controls and the graphic eq. So there is a lot you can do to get the right tone. My complaint on that is that the "mixer" mode cuts the highs (since there is no amp to do so) cuts thee highs too much. If you go flat with the graphic EQ the amp emulations are always a little too dark.
But not everyone hated the album. Pete Cosey was later told by Hendrix's valet that before he would perform live, he'd listen to "Herbert Harper" for inspiration. In the '70's, when Marshall Chess went to visit the Rolling Stones rehearsal space, he saw a poster on the wall for the Electric Mud album. Led Zeppelin's bassist John Paul Jones cites Electric Mud as the inspiration for the basic riff behind "Black Dog." Marshall Chess also notes "the English accepted it; they are more eccentric." Strangely enough, rapper Chuck D of Public Enemy has emerged over the years as the biggest supporter of the record, stating "To me, it's a brilliant record. I've played it a thousand times." Chuck D also explained part of the intent of the record saying "It took me a while to warm up to traditional blues, but what struck me right away was the Electric Mud thing." Based on the success of Electric Mud, another blues musician on Chess, Howlin Wolf, was forced into recording a psych record. This Is Howlin Wolf's New Album (subtitled And He Doesn't Like It) (1969) isn't as good as Electric Mud although it did yield a minor hit with a psyched out version of "Evil." Chubby Checker even released a psych record (Chequered (1971)) that sounds better than you'd expect, though it only came out in England.
The original  Owner purchased this guitar new at Ideal Music in Atlanta and loved her for the last 50 years. Vintage 1967 Gretsch 6120 Chet Atkins Nashville model,factory bigsby replaced "kill switch" tip (the white one) I have an original tip now, to lazy to take new pictures...and reproduction armature inside body for string mute / Muffler system...SEE MORE HERE...
It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been Aerosmith‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. “He had a streamlined style that reminded me of Keith Richards,” said Slash. “And a careless style that’s really cool.”
The Effect: Wah pedals are primarily based on inductors, and later on Fasel inductors – serving as integral parts which play a big role in the outcome of the sound itself. They work on a basic principle, by adjusting a wah pedal’s footswitch your sound frequency’s behavior is modified, resulting in a “wah wah” tone – for further clarification take a listen to “Voodoo Child” by Jimi Hendrix. Naturally, effects may vary slightly or greatly depending on the model in question. Some of the most popular modern wah pedals are Dunlop’s numerous Cry Baby iterations and Vox’ marvelous classic enhanced remakes. The thing that sets wah pedals apart from other types in a unique way, is the fact that they rarely feature any controls, it’s just the footswitch and a dynamic range of impressive funky tones at your disposal.

This particular Duo-Jet belonged to a right-handed gentleman who had owned and played it upside down from 1971 to 2008. The Duo-Jet was Gretsch’s answer to the Gibson Les Paul Custom, and the overwhelming majority of these were black, with a sprinkling of Cadillac Green from 1956-1958. In addition, the single-cut Silver Jet 6129 was offered with some custom sparkle colors from 1954-1960. This guitar was refinished in Orange a long time ago, before the second to most previous owner acquired it in 1971.
It's Mal - i posted the comment ref the muted G string on my Epi Les Paul 1960 Tribute - thanks for your response it was very good of you. I'm going to be playing (when i say playing i really mean faffing with) my guitar later so i'll have a look at the saddle, though i have rubbed my finger over it to see if there were any obvious issues which there wasn't. I have also rubbed the graphite from my clutch pencil over it when changing strings - no improvement; i'll get magnifier out and take a closer look and let you know, i may take you up on your kind offer if i'm still stumped.
Jump up ^ Peterson (2002, p. 37): Peterson, Jonathon (Winter 2002). "Tuning in thirds: A new approach to playing leads to a new kind of guitar". American Lutherie: The Quarterly Journal of the Guild of American Luthiers. 8222 South Park Avenue, Tacoma WA 98408: USA.: The Guild of American Luthiers. 72: 36–43. ISSN 1041-7176. Archived from the original on 2011-10-21. Retrieved 9 October 2012.
If you’ve decided to make the neck from scratch, rather than purchasing it, you will want to cut that at this point. Make sure you are following specifications for how it will need to connect to the body. It’s best to cut the basic shape first and then refine.  You also need to hollow out space for the truss rod. Finally, for a rosewood fretboard, you will need to laminate the board to the neck.
it is my opinion that most classical and jazz guitar instructors at local colleges and music stores are better than tom morello and jack white. I like both of them and they are definitly innovators and very popular but my college classical/flamenco instructors were doing things incredibly more complex and emotional than anything ive ever heard tom or jack do. ask tom morello to play a segovia piece and see what happens. this list seems like it was made by a 17 year old kid who thinks he’s smart because he knows who robert johnson is, like putting him at #1 instead of hendrix is his “ace in the hole” of guitar knowledge. there is no real answer to the question “whos the best” but we guitarists will never tire of discussing it.
The STRATosphere is not affiliated with Fender Musical Instruments. Strat®, Stratocaster®, Esquire®, Telecaster®, Tele®, Jazzmaster®, Jaguar®, Mustang®, P Bass®, J Bass®, Fender® and the distinctive headstock design of Fender guitars are registered trademarks of Fender® Musical Instruments. All applicable Fender products are covered under warranty by The STRATosphere.
Originally, the Californian brand created by Randall Smith in 1969 used to offer Fender mods, just like Marshall, to give the amps more gain or, in other words, more distortion. And they managed to seduce Carlos Santana and Keith Richards. The Mark series was the brand's flagship until the introduction of the Rectifier series whose name refers to their current rectifying technology (a rectifier converts AC to DC). Mesa Boogie is certainly the best-known brand after Fender and Marshall. It is still the reference among metal musicians, especially thanks to bands like Metallica and Dream Theater who tend to use Mesa products on stage and in the studio. More recently, Mesa Boogie introduced the Atlantic series that includes the TransAtlantic TA-15 and TA-30. These two amps reflect the manufacturer's interest in the "lunchbox" market.
Decide between mic recording or using a direct box (DI). Recording the sound of your electric guitar by miking your amp is a great way to simulate studio quality sound. However, this will require expensive equipment, like a quality amp, microphone, and potentially sound dampening equipment or material. On the other hand, you can plug your guitar right into a DI to record your guitar.[1]
So far so obvious, right? But what's easy to miss is that this same scale shape also gives you A major and D major - they are the same chord shape, just starting on different strings. Now it's true that they're not quite the same physical shape, but that's just because of the funny little tuning 'kink' between the G and B strings (See Why is the guitar tuned like it is?). Once you iron that out, E, A and D are the same shape, as are the barre F and B chords.
1950s: occasional Adirondack red spruce. In 1952 or 1953, rumor has it Martin bought a large supply of Engelmann spruce from government surplus. Though Martin preferred Adirondack Red Spruce, it was no longer available after the mid-1940s because all of the large trees had been decimated. Martin would have liked to switch from Sitka to Engelmann because he felt that Engelmann was closer to Adi Red Spruce than Sitka was. He could not however find anyone who was cutting Engelmann commercially, so they went back to Sitka.
The American Nashville B-Bender guitar is modeled after the personally customized instruments of some of Nashville’s top players, featuring a Fender/Parsons/Green B-Bender system, two American Tele single-coils (neck, bridge), a Texas Special Strat single-coil (middle) and five-way “Strat-O-Tele” pickup switching. Ideal for country bends and steel guitar glisses, this Tele is available only with a maple fingerboard.
Guitar strap: If you intend to stand up while playing on guitar during live shows (and most people do), then you need to practice in the same position like when you’re playing live. Your muscles and hands are in a completely different position when you’re sitting down and when you’re standing, and that’s why you MUST get a strap right from the start and practice standing up, as well as sitting down. Price: $10 – $15 should do the trick.
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Often the names and appearances of these pedals will give you a clue as to what types of sounds they produce. Otherwise it's a good idea to look at interviews and endorsements to learn which distortion stompboxes your guitar heroes are using. Also, be sure to check out our videos and audio clips to get a sense of each distortion pedal’s capabilities.

Even by the mid 1970s costs to manufacture instruments in Japan were rapidly rising. Labor was still cheaper than in the USA (it isn't anymore), but real estate, raw material, fuel, transportation costs and virtually all other manufacturing costs were fully as much if not more in Japan as in the USA. The Japanese were able to compete in the international market due not only to low labor costs at that time but also due to highly efficient manufacturing techniques and the fact that their low-cost workers were skilled and highly motivated.
Look for additional symbols in the tab. As you can see in the example above, many tabs aren't just collections of lines and notes. Tabs use a wide variety of special symbols to tell you how to play the notes in the tab. Most symbols refer to specific playing techniques - to make a song sound as much like the recording as possible, pay attention to these special markings.
Also still in the line in ’66 were our old friends, the MJ series. These were essentially unchanged except for a new striped metal guard, the new hooked headstock, and a new chrome-covered oval pickup with an oval indentation stamped in the center and six flat, round poles. Available were the MJ-3L (Teisco Del Rey ET-300), MJ-2L (promoted in Japan, but not the U.S.) and MJ-1 (Teisco Del Rey ET-120). The MJ-1 had a new on/off rocker switch and a second rocker for solo/rhythm. Promoted in Japan, but not the U.S., was the little BS-101 bass, pretty much unchanged from before.
Fender has shown the spec sheets of its popular Mexican-built Deluxe Series Roadhouse Stratocaster model some love to create a reboot that comes seriously well appointed. The upgraded model features an alder body and bolt-on maple neck, with the option of maple and rosewood fingerboard, finished with satin polyurethane. Keep sniffing around and you'll find other features like the 'Modern C' neck profile, 22 narrow/tall frets, a contoured neck heel, synthetic bone top nut and a set of locking tuners with vintage-look buttons. While the previous editions of the Roadhouse and came with a 241mm (9.5-inch) fingerboard radius, the new model packs a flatter 305mm (12-inch) camber. Yes, the same radius as a Gibson Les Paul, making for easier string bends and lower action. The new Roadhouse features three Vintage Noiseless (1st generation) single coil-sized humbuckers wired to a five-way pickup selector blade switch, and master volume and tone controls. Lurking between the volume and tone knobs is the V6 preamp control, a six-position rotary switch that gives you access to a series of tweaked single-coil tones. Plugging in the Roadhouse reveals a slew of classic Strat tones. The pickups exploit the natural tone and woodiness of the guitar, while the Noiseless aspect lives up to their vow of silence, making them indispensable in a recording situation. As a result, bar metal, this is the best Fender electric guitar for just about all scenarios.
I have to say I'm really impressed with the Obsidian HSS wiring harness, The build quality is top notch, and the simplicity to install really delivered.It only took a few minutes to connect and be up and running. I love to customise my guitars and love to play around, so having the ability to swap out pickups without a messy soldering iron is fantastic, and the wiring is super clean giving a professional finish. I'll be intending to use the obsidian wiring harness in future project guitars -I highly recommend- Guitar sounds great ( oh did I mention the extra guitars picks too. nice touch)" - Ricci Custom HSS Strat® Wiring
The size of the acoustic guitar body also influences its voice. Larger instruments, with dreadnought or jumbo bodies, generally produce more volume. They also tend to have warmer, rounder tones that accentuate bass notes. Smaller guitars, such as parlor, concert and “000” models, usually have a brighter sound that accentuates their middle and treble ranges.
But that's not the Ibanez we know today, although the two are related.. Japanese company Hoshino Gakki began importing guitars made by Salvador Ibáñez's company to Japan in 1929. This was so successful for them that they started producing their own similar guitars under this name in 1935. They started making modern guitars simply using the name Ibanez in 1957 and then, not being ones to hold a grudge given that the US Army Air Force destroyed their factory in 1945, began exporting them to the USA in 1971, and as they say, the rest is history.
In short, absolutely everything about this guitar screams quality. You can inspect the entire thing in tiny detail, and it’ll leave you amazed at how well it’s been made. And then when the sound hits you, you really feel it too. It’s perfect for chugging, powerful rhythm behind the rest of the band, but is equally adept at more sparkling highs and brighter choruses. What a guitar.

When in doubt, reach for the Dummies guide. These standardized, annotated guides have taught countless people to do countless things that were once over their respective heads. Like the Hal Leonard complete guide above, this massive, 648 page door stop includes six different sub-books, including three basics volumes and three genre-specific guides. It’s the everything-to-everyone approach. It might be overwhelming, but at least you’ll have everything you need in one place.
No guitar recommendation list is ever complete without a Fender product in the mix. Squier is Fender’s more affordable instrument range, and this set is a great place to start. The affinity series Stratocaster is available in sunburst, classic black, or candy apple red. A 10 watt Fender amp and corresponding cable are also included alongside a strap, 3 picks, snap on the tuner, tremolo bar, replacement parts and tools, strings, gig bag, and an instructional DVD to help you get off on the right foot with your playing.
We have already covered one Behringer reverb, which was the epitome of affordable and functional simplicity. However, this brand has a couple more aces up their sleeve, including the more advanced RV600 (click for full review). What this pedal offers is a significantly more versatile solution that brings you additional flexibility at a bargain price.

In 2003,[73] Gibson debuted its Ethernet-based[74] audio protocol, MaGIC, which it developed in partnership with 3COM, Advanced Micro Devices, and Xilinx.[73] Replacing traditional analog hook-ups with a digital connection that would, "...satisfy the unique requirements of live audio performances," may have been the goal of this project.[74] This system may require a special pickup,[73] but cabling is provided by a standard Cat-5 ethernet cable.[73][74]

But add some effects to the blend and the results can be even more interesting. Keyboard-like tones can be generated by rolling off the tone pots and employing digital delay, expanding the sound of your band without overstuffing the van, and the gentle application of a phase shifter or wah-wah can bring an interesting voice to warm, low tones. Jimi Hendrix’s “Pali Gap” is a classic example of the latter.
Introduced in the late '90s, the PRS SE line was the company's entry into the already tough entry level market competition. With it, one can own a PRS guitar at a much lower price point, with the main difference being the country of origin, which for the case of the SE is Korea. The SE Standard line takes affordability a step further by having the production done in Indonesia, while still maintaining high quality standards.
In 1970, B.B. crossed over to the white rock audience with “The Thrill Is Gone.” In 1988, he virtually repeated the trick when he recorded “When Love Comes to Town” with U2. Always the humble student of the instrument, B.B. King became jazzier and better than ever as his life and career continued well into the new century. His loss earlier this year was deeply felt by the music community and, particularly, by the guitarist he influenced.
Though he was influenced by everyone from B.B. King to Muddy Waters to Chuck Berry and Bob Dylan, Hendrix’s complete artistic vision included elements of blues, funk, rock, psychedelia and utter chaos. His frequent use of effects like the wah and Octavia pedal, pioneering studio effects like “backward” guitar and flanging, and use of controlled feedback and the tremolo bar added another dimension to his music.
Their are also guitars made with a "compound radius", which is a little rounder in the lower register, and a little flatter in the higher register. The true best of both worlds. Warmoth makes necks with a 10"-16" compound radius, as do some production guitar companies. I have a custom made guitar with a 16"-24" compound radius, and it's REALLY flat. Takes some time to get used to. It's breeze to rip on, but not nearly as comfortable to play rhythm on as my other guitars.
From a fledgling studio that sold second hand music equipment back in the late 60s, Orange grabs the top spot in this list with their highly rated guitar amplifiers. Orange amps are easy to spot with their picturesque design, but what's interesting is how successful they continue to be, while veering away from amp modeling technology. By limiting the features of their amps, they made it easier for users to appreciate their brand of quality and tone, which translates to high ratings. Obviously, the influence of popular artists helps their cause, this includes Jimmy Page, Noel and Liam Gallagher, Billy Gibbons, Chino Moreno and many more. In addition to their distinct combo amplifiers, Orange amps is well known for their lunchbox size tube amps.
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Although it’s a minor issue when choosing your first guitar, the tone and sustain that the guitar can produce relies on the quality of the material it’s made from. The most used tonewoods in the budget range are basswood, poplar, alder, and paulownia, while more expensive guitars can be made from pine, mahogany, and swamp ash. This is just a rough rule though – these days you will find mahogany in budget guitars and basswood in premium models. They all have different tonal qualities – for example, mahogany typically offers a warmer sound, swamp ash is brighter, while basswood and alder are well-balanced.
To THIS DAY, In My Life of being a Guitar-Player, I am Constantly STUNNED By The fact that SO many people-playing-guitar, know 'Diddly-Squat' about STRINGS.---When I Meet a New SOUL, Who Claims They are a Guitar-Player, Then When Asked 'What-Kind-of-Strings' do you Use,----I Get This 'Blank-Stare', which tells me Straight away They Don't even Know What-Size Shoe they Ware.----Very Strange.
This is another invariable question that you should be asking yourself if you are going to buy an acoustic guitar. This is because you also have to consider your comfort level with the guitar body so that you do not have any problem playing it. Be it the one with a shallow body or a full body or be it an Ovation guitar, you will have to make the right kind of choice.
Fender:  These guys have also been around for a long time and are just as iconic as Gibson. Especially for the creation of what could arguably be the most popular electric guitar of all time – The Fender Stratocaster. The Stratocaster may be one of the most popular guitars of all time, but it’s what led to it that really changed the guitar world forever. It’s the fact that the man responsible, Leo Fender, a visionary and dedicated workaholic, invented the first commercially successful solidbody electric guitar –an invention that has led to the incredible array of amazing electric solidbodies of today. It’s important to note that Rickenbacker had created a somewhat solid-body guitar back in 1935. However, it was small, kind of awkward and not completely solid or even actual wood. Some consider it the first solidbody, but by other standards most people still credit Fender for the design. There where still other semi-solidbody experiments at the time created by Les Paul himself as well as Paul Bigsby for Merle Travis but none of those actually caught on commercially the way the Fender (Esquire, then Broadcaster) did. Fender’s original solidbody guitar went through a number of refinements and name changes until it finally came to be known as the, Telecaster.
Wah pedals make exactly the noise they’re named after – yep a “Wah” noise! If you say to yourself “Wah, Wah, Wah” slowly, that’s the same sound the pedal makes. Imagine a baby crying in slow motion and you kind of get the idea. The Wah sound was probably best captured on “Foxy Lady” by Jimi Hendrix and is widely used in funk and rock solos thanks to its really cool sounding effect.
These pedals essentially do the same thing with overdrive being regarded as a milder effect, similar to turning a tube amp all the way up and distortion a more extreme version of the same effect. Although these are designed for electric guitar, I’ve seen acoustic players use them to great effect through an amp or PA. If done well it provides a dramatic lift to a song. The most important thing is to be familiar with the sound and volume your pedal will create before you try it live.
Phasers – Sometimes called “phase shifters,” these pedals take the “copy” of the guitar signal and put the waves out of phase with each other before mixing them back together. Since those sound waves are no longer in sync, they’ll interact in unique ways, creating futuristic whooshing and swooping sounds. Look back to late 1970s and early ’80s rock music, and you’ll see lots of examples of phasers in action.
Shortly thereafter, the American instrumental rock band The Ventures asked their friend, session musician and electronics enthusiast Orville "Red" Rhodes for help recreating the Grady Martin "fuzz" sound.[18] Rhodes offered The Ventures a fuzzbox he had made, which they used to record "2000 Pound Bee" in 1962.[19] The best-known early commercial distortion circuit was the Maestro FZ-1 Fuzz-Tone, manufactured by Gibson, released in 1962.[20]
The good people at Cordoba, therefore, sought to make a Spanish-style guitar with the traditional sound of a Spanish guitar, but the slimmer body and slightly narrower neck of a steel-string. They also added in a Fishman-Presys module for switching the guitar from an acoustic sound to an electric (including a built-in tuner), hence the “Fusion” in the model name.
The key elements of mic positioning are distance from the source and orientation to it. Moving the mic closer to the amp provides more definition, increased highs and lows, and less room sound. As you pull the mic back, the sound becomes less detailed, more "midrangey," and more blended with the ambience. Depending on the room you're in, a distant-miked amp may gain a natural presence and unique character in the mix, despite an apparent decrease in definition. On the other hand, placing the mic too far back will result in a washed-out, murky, or hard-to-control tone.
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