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Sharlee D'Angelo (b. 1973) is the bassist for the metal band Arch Enemy, as well as the classic rock/AOR band The Night Flight Orchestra, the stoner metal band Spiritual Beggars and the blackened thrash/speed metal band Witchery. D'Angelo has also been in various bands in the past, either as a studio session player or full member. These include Mercyful Fate, Dismember and King Diamond. He switched to Ibanez in 2005. Ibanez now produces the Sharlee D'Angelo signature basses, called the SDB2 and SDB3,[11] which is tuned to D'Angelo's preferred C standard[12] (Low to High – C,F,Bb,Eb).
Same woods sounding different? OF COURSE!!! Look, I’ve been a carpenter for over 30 years and can absolutely inform you that there is a marked variation of characteristics of wood in the same species…density, tap tone, characteristics of how the individual piece reacts to being worked with tools…heck for all anybody knows internal stresses (for example as indicated by how a 12″ wide piece of wood reacts to being ripped down the center…many times both pieces end up being bowed and such) might play a big factor in how said piece of wood sounds musically…shrugs shoulders…
Here you will find a selection of our most popular brands of acoustic guitars. This range includes Australian manufacturers Maton and Cole Clark, prestigious American companies C.F. Martin and Gretsch as well as fantastic value for money in Fender, Yamaha and Epiphone. We stock guitars ranging from beginner to professional, with and without pickups and in all different shapes, sizes and finishes.
Most players don’t use more than one modulation effect at once, so it doesn’t matter all that much if you place the phaser before the chorus or the flanger in front of the phaser. However, the one exception is tremolo, which should be placed behind other modulation pedals, as this placement will produce the most dramatic and desirable rhythmic on/off effects. Placing a tremolo pedal in an effects loop is also closer to the signal path of an amp with built-in tremolo, but my personal preference is to plug a tremolo pedal into an amp’s front end and save the effects loop for other effects.
One detail is the rating, honestly there is no right or wrong here really, it's down to personal preferences. A .022uF capacitor will roll off less treble frequencies than a .047uF, so you'd perhaps notice a more prominent drop in treble when rolling a tone pot down which has a .047uF cap wired to it than you would if it was a .022uF. This to me is an important detail to consider when choosing the right cap for you, but if you're still not sure, the general rule is .022uF for humbuckers and perhaps P90s, and a .047uF is used primarily for single coils. This isn't set in stone though, so perhaps consult your pickup manufacturers recommendations first. If you want any help in choosing the right rating for your harness though, I'm very much here to help, so by all means drop me a message!
I played electric guitar in a band from the age of 12 through to the age of 36, then gave it up. Now, at the age of 68 I want to get back into playing. I went into a store and tried playing and found that my fingertips really hurt! Are there any electric guitars where the metal strings don’t hurt or do I just need to “grin and bare it” until my fingertips get calloused again?
Play a classic 6120 or Duo Jet and it can seem a bit, well, old-fashioned. A growing number of players desire the brand’s looks, sound and unmatched vibe, but also want something a tad more versatile and user-friendly. Enter this latest Players Edition model with its neck set lower into the body for improved access, higher-output Filter’Tron-style humbucking pickup (Full’Trons) and a modernised Bigsby vibrato where through-stringing replaces the notorious ‘hooking the ball-end over a peg’ system that scuppered any chance of a quick change. Mate these modern tweaks with another recent innovation (for Gretsch, at any rate), the Centre Block range, and you have a guitar ready to compete with anything out there - in virtually any style.

These guitars are to hard for most people to understand, but there is so much quality to these guitars, more than most brands. Its like a science project making them most of the stuff on Manson Guitars hasn't even been heard of being used, or even invented by any other brands. Ill tell you what I wouldn't save my money up for a expensive strat that no ones really going to be impressed with or appreciate save your change for one of these bad boys, people will pass out of enjoyment though.
I Have a '70 lyle hummingbird and its a solid spruce top and mohagony neck back and sides. My guitar luthier fully inspected it. Mine is in near mint condition and sounds identical to the '64 Gibson Hummingbird my luthier has. He was trully freaked out by this.. ha ha He keeps trying to buy it from me but im affraid im hanging on to mine. It seems there is alot of contradictory information on these guitars. It is super hard to get more than a small paragraph of info on these things. One site out there has several catalogs from lyle guitars but they require a payment or paid membership to view them. If you are interested google lyle guitar catalogs. There is one that sold for 600.00 at joes vintage guitars.com Its Identical to mine. If I find any more info Ill post as discovered.
Founded by a father and son, Ryohei Tahara and the unknown Tahara. I do not know which was the father and which was the son. The company existed until the late 1979 when it was bought up by Saga Musical Instruments. In all, the company existed less than a decade as Tahara. Both the Maya and El Maya badges are attributed to Tahara. Saga Musical Instruments exists to this day.
Your guitar is a model H1213 Archtone made in 1963. Harmony did a great job of stamping model numbers and dates of manufacture on their guitars, but they often require some decoding. The F-63-HB is the date code and the two numbers, not surprisingly, indicate 1963. The “F” preceding the year was often thought to be a fall production indicator while the other letter stamp they would use was an “S,” which researchers thought stood for a spring production instrument. However, a former Harmony employee notified a Harmony database website that it is more likely an “F” stands for “first” and “S” stands for “second.” He explained that Harmony would shut the factory down for two weeks in July and that guitars produced before this break were stamped “F,” while guitars produced after were stamped “S.” The H1213 is the model number as indicated in Harmony’s catalogs and literature. The “3714” is the serial number of your guitar, but little information has been uncovered as to what this series of numbers represents. More than likely, it was a consecutive production number of that particular model for either the first or second half of the year.

Most of the guitars, banjos and mandolins my customers use and collect have been made by major manufacturers such as Martin, Gibson and Fender or a few superb handcrafters such as D'Angelico and Stromberg, but over the years, by far the greatest number of instruments purchased in the USA and worldwide have been lower-priced student models. Prior to 1970 most student grade instruments sold in the USA were made here by companies such as Kay, Harmony and Regal in Chicago or Oscar Schmidt of Jersey City, New Jersey, and Danelectro of Neptune, New Jersey. When I started out playing and collecting guitars in the mid 1960s, brands such as Harmony, Kay, Stella, Silvertone and Danelectro were the standards for student use. We saw very few Oriental imports.
Most new electric guitars tend to ship pre-strung with "super light" guitar strings. Depending on your technique, and the style of music you play, that string gauge may or may not be too light for you. The following is a list of the standard string gauges included with each set of electric guitar strings. Note though that different manufacturers include slightly different string gauges in their sets of strings.

Reverb: Reverb units simulate the spacious sounds produced naturally in a huge stone cathedral (or other acoustic space such as a hall or room). This is done by creating a large number of echoes that gradually fade away in volume or "decay". One early technique for creating a reverb effect was to send an amplified signal of the music via a speaker to another room with reflective surfaces, such as a tile bathroom, and then record the natural reverberations that were produced. A plate reverb system uses an electromechanical transducer to create vibrations in a plate of metal. Spring reverb systems, which are often used in guitar amplifiers, use a transducer to create vibrations in a spring. Digital reverb effects use various signal processing algorithms to create the reverb effect, often by using multiple feedback delay circuits. Rockabilly and surf guitar are two genres that make heavy use of reverb.[89]
“It was just a different world,” Ford says. “There was ‘Don Kirshner’s Rock Concert,’ Ed Sullivan, Dick Clark, and they would have one band on and you would wait all week to see who that band was going to be. And you could talk about it all week long with your friends — ‘Saturday night, Deep Purple’s going to be on, what are they going to play?’ — and then everybody’s around the TV like you’re watching a football game.”
That said, however, the volume knob can help you conjure a variety of tonal characteristics that can come in handy provided you play with dynamics. Using a volume knob in this context can allow such cool maneuvers as having different tones for verses and choruses, or for various styles of music. To get a handle on how your guitar’s volume dial or dials can affect tone, plug in and fire up your amp until it’s growling with overdrive. Start with your guitar’s volume pot at 10 and begin rolling the dial back in increments. As you go, you’ll hear not only a decrease in loudness, but your sound will clean up and experience variations in its harmonic characteristics.

Dick Dale is a prominent Stratocaster player, who also collaborated with Leo Fender in developing the Fender Showman amplifier. In the early 1960s, the instrument was also championed by Hank Marvin–guitarist for the Shadows, a band that originally backed Cliff Richard and then produced instrumentals of its own. So distinctive was Hank Marvin’s sound that many musicians, including the Beatles, initially deliberately avoided the Stratocaster.[citation needed] However, in 1965, George Harrison and John Lennon acquired Stratocasters and used them for Help!, Rubber Soul and later recording sessions; the double unison guitar solo on “Nowhere Man” is played by Harrison and Lennon on their new Stratocasters.[10][11][12][13]
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You need to know what colour code your pickup wires are. If the 4-wire pickup is a Seymour Duncan then the link above should work for you, if it’s another brand of pickup then you’ll have to figure out how to correct for the appropriate colour wires e.g. DiMarzio pickups use a different colour code on their wires to Seymour Duncan and they’re all fairly easy to find on the web.
As the title suggests, solid body electric guitars don't have a chamber or hole the way that an acoustic guitar does; instead, they're made of solid wood. These are the most common type of guitars that you’ll find in shops or online stores. They're perfect for a wide range of musical situations. These guitars rely on the wood quality and their components to output sound. Below we’ll highlight four famous types of solid body guitars.
Not to mention the difference tones created when two pure tones (sine waves) are produced at the same time (which, important to mention - pure tones only exist in theory, every sound we hear is comprised of overtones...) - then the additional difference tones created by the interaction BETWEEN difference tones - it's basically a fractal relationship. Anybody who has spent a significant amount of time studying the physics of sound knows that the interactions that occur between sounds are so complex and immense that it's almost silly to assume that just because "wood isn't magnetic" that the natural resonance of the wood wouldn't in turn accentuate certain overtones over the fundamental tone coming off the string. You can't say that the note "has already left the string," when the note takes place over time - even a staccato note has an attack, sustain, decay, and release envelope much in the way that a synthesizer does (this is where the idea for artificial dynamics envelopes came from anyway).

While this seems like you’d be stuck on either extreme of the guitar industry, don’t panic. There is a compromise between the two. You can get a guitar with a solid top and laminate back and sides like the LX1E Little Martin Acoustic Electric Travel Guitar. Martin shows you that guitars with this construction tonewood combo doesn’t always mean it’s going to be a poorly-made guitar. However, it does provide enough jump up in quality to improve sound performance while still keeping costs within the affordable range.

Amp Modeling: A multi-effects pedal does not necessarily guarantee that it also includes amp modeling. Amp modeling basically means that, in addition to effects like reverb, delay, chorus, fuzz, distortion, compression, et al. it also has the ability to sound like - or model - various tube and solid-state guitar or bass amplifiers. Amps have a tremendous impact on tone, which is why brands like Marshall, Vox, Fender, Matchless, Mesa Boogie, and many others have cult followings. Copying the true character of an amp in the digital world is admittedly a tall order, and one that multi-effects pedals are not great at; even the best ones struggle. Still, they do a decent-enough job, and you should decide if you want your multi-effects pedal to include amp modeling.
Why Martin electric guitars have never been more popular isn’t too hard to figure out. Martin, whose expertise has always been in top-notch acoustics, never really put a lot of effort into marketing its electrics. They were always well made, and, especially in the necks, clearly “Martins.” In the final analysis, however, it probably comes down to being victims of the success of their acoustic brothers, and players have just never seemed to warm up to the idea of Martin “electric” guitars. For the savvy collector with a taste for quality and relative rarity, Martin electrics remain excellent and attainable prizes.
Emerald City Guitars is the professional’s choice for guitar repair in Seattle! A partial list of some of our more well known clients: Bill Frisell, Billy F. Gibbons, Jimmie Vaughan, The Black Crowes, Pearl Jam, Jessica Dobson & Deep Sea Diver, Telekinesis, The Walkmen, Lynval Golding, The Supersuckers, Mudhoney, Randy Hansen, Death Cab for Cutie, Clinton Fearon, KD Lang, Henry Cooper, Alien Crime Syndicate, Orbit Studios, The Lonely H, Mars Hill Church, Fleet Foxes, The Magic Mirrors… and YOU!
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Thanks. It sounds good without tone shaping ability but I wanted to hear the original sounds. It now has 2 capacitors tied together from the volume pot to 1 tone leg. I am guessing the original tone switch was wired with one cap. for the low & one cap. for middle and the 3rd tone leg was straight wired for treble high. I also wonder how the ground sweep worked on the tone selector?? I just need to know. I’m a DIY guy.
But the avant-garde din of Velvet Underground rave-ups seemed a genteel curtain raiser compared with the full-bore cacophony of Lou’s 1975 solo opus Metal Machine Music. The noise-guitar side of Lou’s legacy set the stage for cutting-edge genres like industrial, art damage, dream pop, grunge and present-day noise exponents, like Wolf Eyes and Yellow Swans.
The Effect: Flangers belong to the modulation class of effects and are among the most unusual tools you can have as a guitar player. Being similar to phasers, flangers are often the subject of numerous controversies. At the end of the day, this effect is a different kind of beast. One of the best examples of a good flanger is the Electro-Harmonix Stereo Electric Mistress. This pedal was based on an older design that’s credited with pushing flangers to the mainstream. Another thing to know about flangers is that they can make or break your tone. Due to their aggressive nature, one has to be careful how much of this effects they use. It’s easy to get overwhelmed and lost in it.
Yes, I see your point, quite. This article was not aimed at experienced Strat stranglers, but more at their parents or relatives, who may have wished to give them a pedal as a holiday gift but didn't know what to purchase or what the effects might be. We thought a simple guide might be helpful for the completely uninformed. Obviously, we're not an established guitar journal, so thank you very much for your helpful and constructive critique.
Tempo Delay: Most plug-in and hardware delays now allow you to automatically sync delay times to MIDI clock and then specify the interval of the repeats in terms of note values rather than milliseconds. A trick here is to use two simultaneous tempo-based delays with, say, a triplet delay setting, panned hard left, and a straight-note delay panned hard right. Things can get more interesting still if you apply this technique using ping-pong delays, so that alternate repeats bounce from one side of the stereo spectrum to the other. To create a true 3D effect, play around with the amount of original signal left in the middle. Depending on the intervals between your repeats, you can turn simple guitar and synth lines into complex, arpeggiator-like patterns or totally spaced out ambient pieces. Stephen Bennett

Many pedal builders will order their resistors, capacitors, IC, and other components in bulk online. Most of the time, this is a much cheaper method than buying single components – plus it gives you an enormous variety of components to use. It may also be wise to check out the circuit boards inside of any old electronics, or broken guitar pedals you no longer use. You’d be surprised what you may find.
Additionally, the instrument gets a good once-over for all other miscellaneous needs. Every Calibration & Reset is tailored to the individual player and there are never any charges for adjustment once the service is initially completed. Every Calibration & Reset is guaranteed for 60 days from completion (though typically adjustments are made well past the 60 day mark for free). No Calibration & Reset is done until you're completely happy with the way your guitar plays. The only limitations are the laws of physics, which despite our many attempts, we have yet to find ways to break.

San Francisco-based Senior Contributing Editor Joe Gore has recorded with Tom Waits, PJ Harvey, Tracy Chapman, Courtney Love, Marianne Faithfull, Les Claypool, Flea, DJ Shadow, John Cale, and many other artists. His music appears in many films and TV shows, plus an incriminating number of jingles. Joe has written several thousand articles about music and musicians and has contributed to many musical products, including Apple’s Logic and GarageBand programs. In his spare time Joe produces the Joe Gore line of guitar effects and edits a geeky guitar blog (tonefiend.com).
One of the most respected guitar manufacturers in the world, Epiphone electric guitars can be found everywhere from small-town basements to the biggest arena rock stages. The reason is because of their dedication to providing high-quality instruments for musicians of all tastes and skill levels, and throughout this catalog you'll find more than enough choices to prove it. After all, everyone who has a desire to crank up and play deserves an electric guitar that looks, sounds, and performs flawless, and Epiphone has an option for every budget. It's easy to see how trusted the Epiphone name is when you consider how many best sellers and top-rated items make up this section. For that matter, all you have to do is look at the many top-recording artists who have Epiphone signature models, including metal legend Zakk Wylde, virtuoso Gary Clark, Jr., and Tommy Thayer of Kiss. Speaking of signature guitars, check out the popular Limited Edition 2014 Joe Bonamassa Les Paul Standard Electric Guitar. Sporting a gorgeous Pelham Blue with a black back and a Bonamassa neck profile, this axe looks as slick as it plays. As for its sound? You can expect plenty of power in every chord you hit thanks to the Gibson USA BurstBucker-2/3 humbuckers. Now for those who prefer the lightweight feel and ringing sound of a semi-hollow, go with the Dot Electric Guitar. Equipped with dual humbuckers and a 3-way pickup selector, the Dot can go from growling snarls to crystal-clear sustain. Additionally, the two volume tone controls allow you to tailor your sound, while the smooth, 22-fret rosewood fretboard means you can play at lightning-fast speed. And this is only a taste of what Epiphone has in store for you. In fact, taking a tour through Epiphone's extensive selection of electric guitars is just as fun as playing them. From solid body electrics and hollow bodies to semi-hollows and even guitars for left-handers, the options are seemingly endless. So stick with Epiphone, and you'll have no problem finding an instrument that reflects your own discerning style.
We took another detailed look at all acoustic-electric guitars priced under $500 available from major American online retailers, and for this update, we shortlisted 78 of them for closer analysis. We then collated over 7700 ratings and reviews from forums, videos, retailers, blogs and major music gear publications and processed those data with the Gearank Algorithm to produce a Gearank score of out 100 for each guitar. Finally we selected the highest rated guitars in two of the most popular price brackets, sub $300 and sub $500. For more information about this process see How Gearank Works.

Being a true pro-level instrument, the Yamaha LL16 comes with a jumbo body shape and built-in S.R.T Zero impact electronics. Playability remains beginner friendly, with a low action setup that new players will easily master. And since it comes with an all-solid wood body, this guitar will only sound better and better as it ages. If you are looking for a more long term instrument at the sub $1000 level, check out the Yamaha LS16.

Original Martin OMs from approximately 1929 to 1931 are extremely rare and sell for high prices. Many guitarists believe that the OM—a combination of Martin’s modified 14-fret 000 body shape, long scale (25.4″) neck, solid headstock, 1-3/4″ nut width, 4-1/8″ maximum depth at the endwedge, and 2-3/8″ string spread at the bridge—offers the most versatile combination of features available in a steel-string acoustic guitar. Today, many guitar makers (including many small shops and hand-builders) create instruments modeled on the OM pattern.[5]
But what about the Les Paul devotees like Jimmy Page, Zakk Wylde and Bob Marley? Is it possible that the Les Paul is as enduring and adaptable as the Strat? Um… Yes! Each guitar style has its own rich history of players and possibilities, and with a powerful imagination, anything is possible. Solid body guitars are truly the dominant species of electric guitars for their overall versatility, ability to interact with pedals and amps, and general lack of fussiness.
Tremolo – Not to be confused with a tremolo bar (which is closer to the Whammy pedal), this effect works on volume. You can think of tremolo pedals as being like strumming a note, and then wiggling the volume knob on the amp while it’s ringing. Usually, the pedal will have controls for speed (equivalent to how fast the volume is “wiggled”) and depth (equivalent to how far the knob would be turned).
Use of audio feedback to enhance sustain and change timbre. Feedback has become a striking characteristic of rock music, as electric guitar players such as Jeff Beck, Pete Townshend and Jimi Hendrix deliberately induced feedback by holding their guitars close to the amplifier. Lou Reed created his 1975 album Metal Machine Music entirely from loops of feedback played at various speeds. A good example of feedback can be heard on Jimi Hendrix's performance of "Can You See Me?" at the Monterey Pop Festival. The entire guitar solo was created using amplifier feedback.[26]
I have an acoustic that I bought from a lady I know who said she has had it since the early 70's. It says 'Maya' on the headstock and the reinforcement rod cover is stamped with 'Takamine'. The sticker inside the sound hole says 'Maya', "We made this guitar for the people who love guitar music", Made by Takamine, Model No. TF1o1S, Japan. On the inside of the sound hole at the top, the wood block there is stamped with 46.6.3. The guitar is only about 3 1/4 inches deep and approx. 15 inches wide at its widest spot. Small guitar with a big beautiful sound.
The difference between laminate and solid wood is that laminate is several thin sheets of wood glued together, while solid wood is a solid piece of wood. The glue that binds the pieces of laminate together reduces the amount that your guitar vibrates, which in turn lessens your volume and frequency production (tone). Solid wood resonates more efficiently, so instruments that use it are louder and sound better. On the flipside, laminated woods are cost effective, reliable and resilient to weather changes.
On May 1, 2018, the company filed for Chapter 11 bankruptcy protection. As part of its debt restructuring, the company will close down and liquidate its unprofitable Gibson Innovations division, which sells audio equipment outside of the U.S. and has been the source of much of the company's financial troubles. The restructuring will allow Gibson to focus on its most profitable ventures, such as musical instruments. No changes will be made to its guitar manufacturing business, and all Gibson and Epiphone branded guitars are expected to continue in production uninterrupted. Additionally, $135 million was provided by existing creditors to provide liquidity to maintain existing operations.[57][58]
Mic placement is pretty crucial. You can get a million different EQ responses depending on where you throw the mic in front of the cab. I personally have the best luck - or at least I think so - when I back the mic off a little bit. I know a lot of engineers throw it right on the grille to get the bass boost, the proximity effect and all that garbage, but I find that if I back it up about six inches, I get a more balanced EQ curve.
“The acoustic guitar is something you can travel with easier and make money with easier,” Salas said. “When I used to tour with Rod Stewart, we had jets and gigantic trucks but now there’s no record-company support so no there’s tour support. Record companies aren’t offsetting the tour expenses because they can’t make their money back in record sales.”
I got this lyle acoustic (w-400) for $40 at a yard sale - it is THE MOST INCREDIBLE GUITAR you could ever ask for - looks just like a martin d-18 - solid spruce top - sweet figured mahog b&s's - back of headstock even has the valute like a martin - just kicks my buddies real d-18 to pieces - he's so jealous - if you get the chance to own one don't pass it up - it will probably be too cheap to pass up and you WILL regret it later (like I have been kicking my own ass for decades for passing up a 60's Gibson byrdland for $400)
In terms of the Teisco brand, the moving force was Jack Westheimer and his W.M.I. company in Chicago. According to published accounts, Westheimer began importing Teisco-made Kingstons in around 1961, although these were not promoted in the trade press until the beginning of ’64. It was this connection that would make Teisco the dominant powerhouse it was to become.
Gotoh’s Telecaster bridge has the vintage look and mounting layout with a few modern additions: The In-Tune saddles give you the vintage look with unique grooves cast into the saddle to move the contact point of each string for more accurate intonation. Each saddle is reversible and can be used in any position. This gives you a huge advantage over traditional barrel style saddles that were never designed with precision intonation in mind. The brass saddles will give you that bright Tele twang! The stamped steel base plate’s cut down sides give you the unrestricted string access that many modern players prefer.
sorry this has SOLD OUT: Poor mans Authentic Blues Parlor guitar from way back. This is the real deal used over 60 years this is what some poor share cropper genuine American Blues men would have been able to afford back in the day and subsequently used throughout the south by mostly poor Black folks where the berth of the blues was born of course this is from the place where great things happen BORN in USA baby and is widely considered and is acknowledged to be by most all of our greats in US or British Rockers - Jazz players & Country too all these greats players feel that these original US Southland blues is the truest of ART FORM's PURE and RAW ....you feel it in your soul... this original sounds was not overly sophisticated at all it was RAW that was its beauty this sound from this old Stella is Authentic like that and is RAW and its woods are good - solid Burch wood and actually is an excellent tone wood in fact in those days Burch was widely used and my belief is that is a characteristic in the tone of this Original blues... Classic sound to this guitar OK it has it.... I have a few of these Stella's and love them, when you want to record and lay down an authentic REAL old school style rhythm track or play it on your porch swing and sip mint julip from a mason jar to get in the mood you can do it with this guitar its the real deal. This guitar is old did I say at least 60 likely older that being said it plays well it really kinda does... with pretty good action for what it is as good as it was 60+ years ago I recon. Tuners work, body is in good shape it aint goin anywhere its prety well made it has surface cracks and they are there and not a problem they have been there 40 years and have not gotten any worse not in the 15 years I have owned Stella! Like the movie STELLA! I could not resist the reference but I digress, Condition is Vintage good obviously not new or mint but she is 100% cool Authentic bluesman material if you want that old time Mississippi Delta to Chicago raw blues this old vintage American Icon of a Poor mans Parlor guitar, this is a classic threw & threw... I suppose I could have simply said it sounds good.... ahow ow ow ow.
Peerless hollowbody guitars are excellent at this price range. Both of these brands manufacture from factories in South Korea. PRS SE is made by World Instruments Co. and they have consistently high standards - all brands made in this factory will be exceptional. Peerless is a company which used to manufacture high end guitars for other brands such as Gretsch and Gibson, and then launched their own brand. They are exceptionally good guitars.

Purists might question why we’ve lumped loopers in with delays but the simple fact is that both pedals repeat an element of what you’ve already played. Both are also great for helping you come up with new ideas that simply wouldn’t be possible otherwise. Basically, loopers take similar technology and allow you to record entire passages of play, then ‘loop’ them back (i.e. repeat them) whilst you play something new over the top. Lay down a basic chord progression, then solo of the top of it. You don’t even need to bother with pesky drummers or singers! We’re joking, obviously. As a tool for practice, they’re unparalleled, but in creative terms they’ve opened the doors to entire new genres of music. Ed Sheeran, KT Tunstall and plenty of other solo singer-songwriters have employed loopers in their acts to great effect.
When it comes to buying an electric guitar there are a lot of options available, and choosing one can be confusing. This guide will help you understand the basic differences in electric guitars so you can make an informed decision. And remember, we’re here to help with friendly Gear Heads available at 1-800-449-9128 who can guide you to the electric guitar that best meets your needs.
Yamaha is famous around the world for its incredible, quality, instruments. Its electric guitars are no exception. The Yamaha Pacifica Series PAC112V Electric Guitar, Old Violin Sunburst is another example of Yamaha's on point production. This guitar has a solid alder body, a maple bolt neck, rosewood fingerboard, and a five-position switch with coil tap. Plus there's the tremolo - a vintage tremolo with block saddles.
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We selected this guitar as our Top Pick because it’s an instrument that could suit anybody. It has everything you need from your electric guitar and it’s easy to play. A good classic that will stay with you for many years to come. It suits both beginners and guitarists who have been playing for a while. True, a professional guitarist would buy something pricier, but if you’re not super picky this guitar will do perfectly well!
You’ve decided to pick up an axe and learn to shred like one of the pros. While mastering the guitar is no easy feat itself, before you even start jamming you’ll probably find yourself looking through site after site trying to find the right instrument. It’s hard. There’s an expansive list of components to be taken into account: body styles, wood types, pickups, bridges, necks — and that’s just scratching at the surface.

The problem is that most of those beginner guitar books just don’t have enough information to give you the tools that you need to advance past the curriculum in the book. They won’t tell you about some of the more important aspects of theory, and they generally won’t give you exercises or warm-ups that will help carry you into becoming an intermediate or advanced musician.

Of all the positions GC interviews for, tech has the highest standards and is arguably more demanding in terms of hours worked and product knowledge required than store manager. The tech for the store I worked at frequently worked 60+ hours a week to keep turn-around time to a week or less and his set-ups were so good and in such high demand that the store got an exception to the chain-wide $35 set-up price to charge $50 in hopes of lightening his load/keeping his overtime down, but he still got just as much work as he did before. If you're unsure about the reputation of your local GC's tech, don't be afraid to call the other stores and ask them who the best tech in their district is, because they'll usually be pretty straight forward with you. Most GC sales people have had their instruments set up by their in-store tech at least once and if their tech isn't very good, they'll tell you who you should go to if you want good work done because it's an absolute pain in the ass dealing with a customer whose instrument wasn't set up right when the tech is gone for the day and having to deal with the tech's fuck-up.
Keyboard players who use subwoofers for on-stage monitoring include electric organ players who use bass pedal keyboards (which go down to a low "C" which is about 33 Hz) and synth bass players who play rumbling sub-bass parts that go as low as 18 Hz. Of all of the keyboard instruments that are amplified onstage, synthesizers produce some of the lowest pitches because, unlike a traditional electric piano or electric organ which have as their lowest notes a low "A" and a low "C", respectively, a synth does not have a fixed lowest octave. A synth player can add lower octaves to a patch by pressing an "octave down" button, which can produce pitches that are at the limits of human hearing.
I have 8 guitars and 5 Gretsches and I'm currently playing this one the most. It's very bright, which if you play a Martin you might not like. Like super duper bright. No really, brighter than that. But I like it. Unplugged it's good but not very loud, so it's a nice practice guitar, but you're going to want to plug in at the coffee shop or larger.
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WoW Talk about nailing the essence of the Original by Gibson.... This is a well crafted Japanese Prime Lawsuit era Classic with the great looks and BIG fat TONE is what this old vintage Japanese script logo Alvarez J200 guitar has to over you today nearly 40 years ago and a true Japanese Vintage work of art really. Beautiful Headstock with Alvarez Script logo in mother of pearl inlay with crown as well is its original truss rod cover is striking.Overall The fit and finish is hard to beat the materials are superior grain looks as is fit and finish and she has stood the test of TIME. Minor Vintage checking seen on its top and only adds realism to its true vintage status no reduction from its appeal its very cool looking as you can see from its pictures even perhaps more beautiful than the 70]s Gibson from this same era this Alvarez is based on the early1960's era known to be the preferred vintage era to own amongst the Gibson aficionados This is a prime example and is overall GREAT with super easy low action we completely cleaned this instrument upon its arrival it was owned by a smoker and needed it but never abused luckily then we dressed the frets and polished the entire guitar and frets as a result it looks this amazing and I have seen every square inch and can tell you this is a very good example from my inspection while working on it. She plays really nice now, with very good volume and a rich vintage 40 year old Vintage Alvarez kind of tone I expect from a good J200... This guitar has that, No brakes no repairs non needed no reason this vintage Japanese Lawsuit J200 should easily play another 40 years with good care she's set up and playing Amazingly.... SUPER FUN to play Act quick our last Alvarez 5052 Script logo went pretty fast... She's here and available and in stock.... email Joe to buy it NOW: JVGuitars@gmail.com .
Jazz guitarists use their knowledge of harmony and jazz theory to create jazz chord "voicings," which emphasize the 3rd and 7th notes of the chord. Some more sophisticated chord voicings also include the 9th, 11th, and 13th notes of the chord. In some modern jazz styles, dominant 7th chords in a tune may contain altered 9ths (either flattened by a semitone, which is called a "flat 9th", or sharpened by a semitone, which is called a "sharp 9th"); 11ths (sharpened by a semitone, which is called a "sharp 11th"); 13ths (typically flattened by a semitone, which is called a "flat 13th").
Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
In comparison with an electric guitar equalizer, a bass equalizer usually has a lower frequency range that goes down to 40 Hz, to accommodate the electric bass' lower range. Some bass equalizers designed for use with extended range basses go even lower, to 20 Hz. Equalizers can be used to change the tone and sound of the electric bass. If the instrument sounds too "boomy", the bassist can lower the frequency which is overly resonant, or if there is too much fingernail or pick noise, the higher frequencies can be reduced.

I love the action of my El Dorado. I have no more “dead strings” because of the string height and because of the wide nut which allows more room between the strings and the frets. It has an action that provides playability which no other guitar gave me, that is, no: Fender, Gibson, Schecter, Epiphone, Squier, B.C. Rich, Urban, Yamaha, Reverend, Peavey, Ibanez, or ESP. There were others I tried but I don’t remember the names. It sounds great when I play Psychedelic Rock, R&B, Rock, Heartland Rock, Folk Rock, and old Country.

Our private lessons in guitar, bass, keyboards, and drums are available in 30 and 60-minute sessions with flexible scheduling, so you can progress at your own pace. Maybe you'd rather be the instrument - in that case, come learn more about our singing lessons. And those are only scratching the surface of the unique services at Guitar Center Lessons in Roseville, which also include jam sessions, recording lessons, group lessons and more. Want to know what it's like to be in a band? Ask us about our Rock Show program, which connects you with other musicians at your skill level to get the full experience.

As the ’60s dawned, electric guitars began to increase in popularity again, and many distributors turned to Europe for suppliers. The Italian makers were the most successful, with EKO, imported by LoDuca Brothers, in Milwaukee, leading the pack. German makers were paced by Framus, which was imported by Philadelphia Music Company, located in suburban Limerick, Pennsylvania. The Scandinavian contingent was represented by Levin, Landola and Hagstrom, the latter picked up by Merson.
What every great guitarist does, with respect to sound, is achieve a very high level of nuanced control over the sound, not by having a computer play his guitar for him. As a keyboard player, I would recommend you first concentrate on playing your synth with lots of use of pedals, velocity-sensitive changes in timbre, and left hand controllers. Then you can experiment with all sorts of synth sounds. This way, you can play as expressively as a gutarist, but without sounding like a bad copy. Instead, you can sound like something different, new, and this is really where synth lead work can shine (and actually add to our musical lexicon).
While this seems like you’d be stuck on either extreme of the guitar industry, don’t panic. There is a compromise between the two. You can get a guitar with a solid top and laminate back and sides like the LX1E Little Martin Acoustic Electric Travel Guitar. Martin shows you that guitars with this construction tonewood combo doesn’t always mean it’s going to be a poorly-made guitar. However, it does provide enough jump up in quality to improve sound performance while still keeping costs within the affordable range.
So, to make a successful guitar company, you need to beat the best brands out there. But how would you do that? Brands like Fender and Gibson advertise themselves as the original inventors of the two most popular electric guitar models, the Stratocaster and the Les Paul. This is one of their biggest selling points. Unfortunately, you can’t reinvent something that’s already been invented, hence you can’t really beat them at brand name, especially when you’re starting a guitar company. You have to try to beat them at quality, price and novelty (i.e., introducing something new that improves a guitarists experience). Eventually, you’ll have to get some artists to try out your models and sign deals with them. If you get all of this right, I think you should be able to make it big.
Two and a half steps down from standard tuning. Used in Swedish death metal by bands such as At The Gates, Dismember, Edge of Sanity, Entombed, Amon Amarth, and Arch Enemy (during the Johan Liiva era), as well as Fear Factory, Carcass, Type O Negative, Cathedral, Seventh Void, Fleshgod Apocalypse, Sepultura, Five Finger Death Punch, Soulfly, Within Temptation, Triptykon and guitarist Kirk Windstein of Crowbar and Kingdom of Sorrow.
Fender, or the Fender Electric Instrument Manufacturing Company, as it was properly known, was started in 1946, in Fullerton, California, by Leo Fender. The early designs effectively wrote the book on the solid body guitar manufacture; his approach of simple guitars using quality parts, easily assembled (most specifically the replaceable neck) proved an immediate sucess. Guitars like the Fender Stratocaster, Telecaster, Jaguar and Precision bass have barely changed since their very first inception; Fender simply got it right first time round.
Slightly out-of-tune strings on a bass may not jump out as much as on guitar (especially in chords), but when that bass line is sitting under other parts in the mix, even slightly off-pitch notes will make their presence known, and sometimes be harder to track down (why does this song sound a little “off”?). I’d use a tuner (h/w or s/w), but I’d also always verify by ear, before hitting record, and I’d check tuning periodically as the session progresses—just as with drums, hard players can easily put the instrument out after a few energetic takes.

Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Goldburst, Redburst

It’s little wonder that Fretboard SE is such a popular guitar book. It focuses on the practical application of learning guitar and relies less on intellectual theory. That is not to say that a guitarist attempting to improve their skills from this book won’t be challenged and introduced to a unique system. It is just to say that the system it introduces is different than you may be used to if you’ve read other books or tried learning guitar from another method. This book teaches around the "CAGED" method. That is, the book will attempt to explain the fretboard layout to you and how to navigate it by focusing on the five basic chord shapes and the root notes in those chords. As you might have guessed, the chords the method teaches are C, A, G, E, and D, thus the name. For a more detailed explanation check out this article from Premier Guitar.

A. Musical instruments, especially acoustic and electric guitars, are routinely pawned for short-term loans. Buyers prepared to pay cash can sometimes find high-quality acoustic guitars at pawn shops, but there are no guarantees on condition. Furthermore, the seller may or may not be able to provide any technical information or additional accessories.
If you’ve never listened to Chet Atkins, you should do it right now. The rockabilly player was a skilled instrumental guitar player, playing most of his songs without any backing from other musicians. For a great sample of his talent, give a listen to his version of “Mr. Sandman.” His alternating thumb rhythm and syncopated melodies are marvels of beauty and precision on the instrument.

If you are a beginner, you may have heard of electro-acoustic models. In the future you may want to consider one of these, as they will allow you to plug into an amplifier and project your sound across a room, concert hall or stadium (well, you have to dream big!). However, for now it’s wise to stick with a solely acoustic model, which will be cheaper and less complicated to use.

AMAZING. Awesome place. Will NEVER go anywhere else for guitar work again. I am sitting in the parking lot of this place writing this on my phone, THAT'S how good of an experience I had. I wanted the action lowered on two acoustics and a strap button put on. I called 6 different places around town, each one quoting me prices ranging from $50-$60 for the setup (action adjustment) and another $10 for the strap button. I called Franklin Guitar and Repair and was quoted at $25-$30 for the setup and $5 for the strap button. What a steal! So I took both guitars. He looked at one and said all it needed was minor adjustments, which he did right then and there for free. The other, he kept overnight to adjust and add the button. I picked it up today. $15 TOTAL. What a wonderful person, awesome shop, honest, quality people. And for a steal. Cannot recommend enough!
ESP started life in Japan in 1975 as Electric Sound Products – a single store that provided replacements parts for guitars. These days they are a huge guitar manufacturer and a big name in heavy metal, having supplied guitars for Metallica, Megadeth, and Slayer, among others. ESP also own the subsidiary LTD, who produce low priced, entry-level versions of their guitars.

The heaviest heffalumps in this year’s roundup, share a few strands of DNA with early Mastodon, blending bludgeon and benign  in ambitious and unpredictable ways. Brady Deeprose and Dan Nightingale form the two-pronged guitar attack, leading these lofty compositions from blast-beaten brutality to doom-y sludge and back again. Their debut album Mire was released last month and is the sort of fully-formed statement that requires metallers to pack a spare pair of pants.
An effects unit is also called an "effect box", "effects device", "effects processor" or simply "effects". In audio engineer parlance, a signal without effects is "dry" and an effect-processed signal is "wet". The abbreviation "F/X" or "FX" is sometimes used. A pedal-style unit may be called a "stomp box", "stompbox", "effects pedal" or "pedal". A musician bringing many pedals to a live show or recording session often mounts the pedals on a guitar pedalboard, to reduce set-up and tear-down time and, for pedalboards with lids, protect the pedals during transportation. When a musician has multiple effects in a rack mounted road case, this case may be called an "effects rack" or "rig". When rackmounted effects are mounted in a roadcase, this also speeds up a musician's set-up and tear-down time, because all of the effects can be connected together inside the rack case and all of the units can be plugged into a powerbar.
Gold Plated strings are really just 80/20 Bronze & Zinc wound nylon strings.  They are also used to produce the bass wound strings of a set of classical strings.  They maintain their place in the market due to having a much brighter tone than silver plated strings and are used by many professionals due to their capability to project louder and sharper.
An excerpt: “Scorned, laughed at, jeered, chided, and derided. The concept of the solidbody electric guitar was subject to such utter disdain in some corners that it’s almost hard to believe it ever came to be at all. The ridicule and mockery would have been enough to send a less self-confident inventor running for the hills. Given our more than 55 years of perspective, though, we know it just had to be; a world without the solidbody guitar? Moreover, without the Gibson Les Paul? Unthinkable ...”
First and most importantly is our set up. Instruments that have been set up properly to insure appropriate string height, nut slot width/depth, intonation and neck relief have been done using the string gauge the player is using. If one changes string gauges, more or less tension is being placed on the instrument depending on whether they go up or down in string gauge. This can affect everything about your set up and require several adjustments.
I have tried many different wiring schemes as well, with 3-way switching, 3-way with coil taps, and even bypassed the tone control (since I never dial back the tone in my playing anyway). I have played this guitar through high-gain amps (Carvin V3, all three channels, Carvin Vai Legacy), through VOX AC15, Vox AC30 (both with Greenbacks and with Celestion Blues speakers), and an Orange 2x12 combo. In all of these excellent amps where my Carvin SC90 guitar sings and sparkles and does whatever I want it to, this Frankenstrat with Duncans or with Carvin P'ups sounds like a fart after 12 glasses of cheap Charles Shaw wine.
While all of the aforementioned stomp boxes (pitch shifter, envelope follower, wah pedal, compressor and overdrive/distortion) should be plugged into the amp’s input, modulation effects can be connected to an amp’s effects loop instead of into its input. Again, this is a matter of taste. Some guitarists prefer the more “pristine” sound quality of modulation effects patched into an effects loop, particularly since this setup can help reduce overall noise.
Frankly, learning to play a song the Rocksmith way is exhilarating. If I (Carl) had looked up the chords online, I could have played the song just as easily. But I might have stopped to scroll down on the computer screen or to relearn the first half of the song until I got it down pat. After a few progressively more difficult play-throughs on Rocksmith, I'd memorized the song without even thinking too hard about it.
Overall quality is Great! Great intonation and holds tune once the strings are "broke in", as with any guitar ! Everything you would expect from a quality instrument. Action could be a little lower, but that can be a fairly inexpensive modification. The "extras" are decent except for the gig bag. The bag is about the equivalent to a thin travel bag for clothing, but the quality of the guitar alone is worth the price.! Amp is decent for it's size and does the job. My only complaint is the finish on the guitar itself is a little lacking. On the one I received, the rossett around the sound hole was not lined up before the final clear coat was applied(refer to photo). For a Chinese knock off you can't be the price though! This is still a quality instrument! I've been playing for over 27 years and I would recommend this guitar for beginners and seasoned musicians alike. $123 for the guitar itself is well worth the price!
Before I got this guitar, I purchased a classical "starter" package that had crazy good reviews on Amazon. I have been playing guitar on and off for a few years but I would still classify myself as a beginner. In addition, it was my first classical guitar. I was extremely disappointed with the starter package (Yamaha) guitar. Chords sounded awful, and subtle chord changes, such as cadd9 to g were lost in the deep, bass sound. I understand that classical guitars are mainly for finger picking, but I need a guitar that can do both.
So where do you start in a section as massive as this one? From acoustic to electric, nylon to steel stringed, hollow body to solid body, all styles are represented here, so having a good idea of what you're looking for will definitely help. The best place to start is usually with the brand, as each one has a reputation for something different, allowing you to narrow things down from there. For example, you'll instantly recognize names like Fender, Gibson and Ibanez as trailblazers of the electric guitar, while others like Martin, Taylor, and Breedlove are more famous for the unparalleled quality of their acoustic instruments. After that, you'll want to look at things like body type, tonewood, strings, size, orientation and performance level. Once you have a general idea about each of these, your decision gets that much easier. Just remember, it all comes down to personal preference, so as long as you're happy with the guitar you choose you can't go wrong. The guitar is a special instrument, with a different meaning to every player. Whether you're taking your first steps into the world of music or you're a professional rocking out in front of sold out stadiums all over the planet, strumming, plucking and picking on a guitar is a way to express yourself that can't be duplicated with anything else. So pick up a guitar here and start playing... you'll be glad you did.
This workshop includes: lecture, demonstration and hands on experience in advanced guitar electronics.  Students will study alternate guitar wiring schemes demonstrated by instructor Scott Walker, and stereo wiring and Onboard Effects loop options will also be covered.  This class will focus on signal paths, diagrams, and component selection, in passive and active circuits.  Students will learn about basic preamp design.
Much like how a wah-wah pedal is a foot rocker attached to a tone pot, the volume pedal is the same deal, but with a volume pot instead.  As you sweep from heel to toe, you’ll go from “0 to 10”.  Aside from adjusting the overall volume, a guitarist can produce other worldly sounds by swelling into notes, or rocking the pedal rhythmically.  When these sounds hit your delay and reverb, the sky is the limit.
At the end of the day, Squier has come a long way in this pas decade. They upped their game in terms of build quality as well as selection. If you are just starting out, Squier is one brand you can trust to give you a perfect tool for the job. If I was starting all over again, I’d go with Squier by Fender Classic Vibe 60’s Stratocaster in a heartbeat.
To make the OM more suitable for banjo players, the neck was made narrower and less V-shaped than previous Martins. The fingerboard was narrowed from the then-standard 1 7/8" to 1 3/4" at the nut. In addition to make the OM more banjo-like and to give it a distinctive look, banjo style tuning pegs were used. To do these, the headstock had to be made solid, instead of slotted. Previously Martin headstocks had all been slotted with tuners attached to the side mounted on a single plate for three tuners. No single-unit guitar tuners were available, so banjo pegs were a natural.
Aside from tuning issues, new bass strings, especially roundwounds, can be very bright, and this may result in a lot of finger noise and fret buzz. If they’re changed a day or two before the session, and the bass is played a bit to break them in, there may be less likelihood of problematic noise. In fact, while many players think of them as old-school, flatwounds can sometimes be the best choice, when a fat deep bass sound is called for—it’s worth a thought.
All I can say is 5+ STARS, holy smokes and WOW!!!! ALL that for $140 SHIPPED!!!! AMAZING DEAL!!! The guitar plays GREAT! The color is very beautiful! The sound is quite impressive for the little money spent!!! The little AMP is adorable and works perfectly. All the accessories are great and are the perfect 'icing on the cake'!!! You will need a better gig bag than the one the guitar is shipped with, the gig bag that comes with it is thin and good to keep the dust off but not much more. So, buy a nice gig bag that will fit and your guitarist will be travel ready! I highly recommend this guitar ensemble to everyone! For $140 SHIPPED, you truly won't be disappointed!
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The solid body guitar is a rock ‘n’ roll machine at its core, but appears in all genres of music and is more popular than hollow body or semi-hollow body guitars due to its wider variety of tones and improved volume and feedback characteristics. Some, like the Les Paul, have arched tops like hollow and semi-hollow models. But the majority are flat-bodied, including Gibson Flying Vs, Explorers and SGs, and classic Epiphones, like the Wilshire.
You need to know what colour code your pickup wires are. If the 4-wire pickup is a Seymour Duncan then the link above should work for you, if it’s another brand of pickup then you’ll have to figure out how to correct for the appropriate colour wires e.g. DiMarzio pickups use a different colour code on their wires to Seymour Duncan and they’re all fairly easy to find on the web.

Unfortunately, it appears it is no longer possible to grab a Standard MIM Telecaster for under $500. Still, the Standard Telecaster remains a solid option when it comes to reasonably priced guitars, and it is a great alternative to the American Tele. However, if this increase doesn't set well with you, and you aren't digging the Modern Player Telecaster Plus, I suggest checking out what Squier has to offer.
No doubt many of you thought that the very first electric guitar was Les Paul’s legendary “Log.” Well, regardless of who was responsible for its invention and evolution, electric guitarists throughout the world are truly grateful for the ability to amplify their instruments, as are their audiences. This capability to connect to dedicated guitar amps along with the use of distortion and guitar effects has spawned entirely new genres of music. Pickup types and configurations, as well as specialized switching options and tone controls also help generate different sounds. But when you break it down to the basics, there are really only three types of electric guitars in existence to this day, excluding acoustic-electrics - the aforementioned Hollow Body, Semi-Hollow Body, and Solid Body varieties.
All tube class A single end design Factory modded with premium components selected for optimum tone. This is Vox taking on the boutique guys and beating them at their own game. Lush rich 3D tone and with a classic Vox chime. Paired with an Alnico 2x12 and a reverb pedal you’ve got beautiful shimmering natural tone to die for. Boxed in excellent condition.
Alvarez has always been an under-rated brand. Beautiful workmanship, great sound- an excellent value for the money. I have one of the old six string "dove" guitars and a Yairi 12 string: both are close to forty years old and both still sound and look great and have never needed any repairs. I also have an old Martin six string. I have done the "blindfold" test with friends to choose the best sound between the alvarez and the martin - alvarez wins every time.
1960's Kay, Model K-1 "SG-Style" Electric Guitar. 1 single coil Pickup. Great, original "see-thru" Mahogany-color finish. Bound fingerboard. Laminated maple neck and laminated Mahogany body. Volume and Tone control and adjustable truss rod. With the exception of some "Battle Scars" on lower bout of body (see photos) the finish and wood in great shape. Plays and sounds great. Stop Tailpiece. Not many finish chips. Very shiny. Frets in great shape with no visible wear. We have completely done a "Pro" set up on the guitar, including cleaning all the electronics, tightening and lubing the machines, oiling the fingerboard, adjusting the neck and action for great playability (clearance at the 9th fret = .011 when fretted at the first and the body) and cleaning and polishing. Plays and sounds great. We also installed a new set of .009 strings.  No case included.
A phaser pedal is similar to a chorus as it thickens up your sound but also adds a sweeping effect – almost as if the speaker within the amplifier is spinning around or moving up and down. If you pretend the speaker is moving away from you and moving closer and back again – you’ll get an idea as to how it sounds. You can change the length of the effect and how quickly the movements are via the pedal.
The Effect: Volume pedals are a simple, yet frequently essential piece of equipment for many musicians out there. This device’s function is quite self-explanatory – it allows the user to control the level of the sound output, allowing them to increase or decrease the volume of the instrument. Additionally, many of these products can also operate as expression pedals, or a control for some of the other effects on your pedalboard. These gizmos are typically known for being strong and sturdy pieces of gear, as they should since they get stomped on quite a lot. If you are looking for a proven solution, go for the Boss FV-500H, if not, check out our Best Volume Pedal reviews to find your perfect match.
Effects built into guitar amplifiers were the first effects that musicians used regularly outside the studio. From the late 1940s onward, the Gibson Guitar Corp. began including vibrato circuits in combo amplifiers. The 1950 Ray Butts EchoSonic amp was the first to feature the spring reverb "echo" sound,[citation needed] which quickly became popular with guitarists such as Chet Atkins, Carl Perkins, Scotty Moore, Luther Perkins, and Roy Orbison.[citation needed] By the 1950s, tremolo, vibrato and reverb were available as built-in effects on many guitar amplifiers.[citation needed] Both Premier and Gibson built tube-powered amps with spring reverb. Fender began manufacturing the tremolo amps Tremolux in 1955 and Vibrolux in 1956.[28]
I agree with play with effects if you want to, they're a lot of fun. I do think playing with distortion and practicing with it on is a good idea. I don't think it's a good idea to practice with distortion all the time. It will mask a lot of mistakes and imperfections in your technique. If you can play something in a clean tone perfectly, it will sound that much better when you add effects. – Tony May 3 '13 at 20:09
Ovation’s Lyracord backs weren’t the company’s only fling with synthetic materials. In the early ’70s Charles Kaman set his engineers, many of whom were not guitar players, to work on developing a new synthetic guitar, yielding the deep-bowl, acoustic-electric Adamas which went into production in 1976. The Adamas top, called a Fibronic Soundboard, was made of a laminate of carbon-graphite and birch about a third the thickness of a conventional spruce top. Instead of a regular round central soundhole, Kaman engineers positioned 22 smaller holes on the upper shoulders surrounded by epaulets of multicolored woods in a kind of leaf design. The bridges and headstock featured elaborate scroll carving. The neck was reinforced with a patented Kaman bar, a u-shaped cast aluminum insert designed to keep the neck stable even with dramatic changes in temperature and climate. The necks and fingerboards were made of walnut. The fingerboards had hollow triangular maple inlays, tapered beginning at the 18th fret on the bass side to the 24th fret on the treble. Hardware was gold. Until the advent of Ovation’s Collector Series in 1982, the Adamas was Ovation’s flagship, favored by the likes of Larry Coryell and others.
As I commented above, my go to method for quiet practice is a PocketPod with Shure headphones. But, who doesn't like plugging in to an amp every once in a while? I live in a house, but the neighbors are close. The amp I use is a Fender Super Champ XD, which is a 15w tube amp with some digital effects. It seemed quiet enough at low volumes, but your mileage may vary. If I were you, I would at least give one a listen at a music store and see if it can do what you need.
This is our top pick for the best dreadnought guitar under $500. It has the looks of something you’d see in a honky tonk bar. It is a really cool looking acoustic guitar. It is a classic with it’s sunburst color and decorated hummingbird pick guard. It is the more affordable version of the Gibson Hummingbird. It has a solid spruce top with mahogany back and sides. It also has a pickup so you can amplify it for gigs. Owners describe it as having a big sound with great playability. Nice low action will make playing much easier. The tapered neck is great for beginners and makes forming chords less difficult. See more pictures of this guitar here.

Values? Well, with the prices of 1960s American and British guitars through the roof, collectors and musicians turn to the next-best-thing, and that would be European and Japanese guitars. In general, any made-in-Japan solid-body electric guitar in good cosmetic shape, that's complete and playable, is worth at least $100, and any acoustic-electric, at least twice that. The more pickups it has, the more elaborate the controls, and the more flashy the pickguard, the more it's worth. Same goes for the body and headstock shape. The standard shapes that copy Fender and other manufacturers aren't as desirable as some of the weirder shapes. A Decca solidbody with an unusual body shape, with 3 pickups and an unusual original finish would probably be in the $250-350 range to the right person. An acoustic-electric with the same specs would probably be worth $100 more than that. I've seen some of the exceptional Teisco solidbodies go for $500-600, but that's uncommon. In about 2006, I saw a Teisco (one of their Mosrite copies) from about 1967 that was in flawless condition for sale in an instrument shop in Tokyo for 200,000 Yen (about $1,900). I wouldn't be surprised if it sold for that.
It starts off with a chambered basswood body with an arched maple top, that follows the Pro Jet single cutaway shape. Because of the semi-hollow body, it is lighter on your shoulder and on the ears, and many notice that it emphasizes the high frequencies a bit more. Playability is also light, thanks to this guitar's shorter 24.6" scale length. The maple neck is topped by a 22-fret rosewood fretboard with a standard 1.6875" wide nut. Giving this guitar its biting tone are two Blacktop Filter'Tron Humbuckers.
These two components work in tandem to influence tone and playability. The bridge is mounted to the lower portion of the guitar body. The strings are routed over it before terminating on the body or on a tailpiece. Bridges are designed to compensate for varying string lengths, gauges, and metals, ensuring that the strings remain in tune with each other. Bridges usually allow adjustment of the string's length to bring each string into tune along the entire length of the fretboard. This process is called intonation, and is an important part of setting up a guitar for optimal performance. Some bridges permit string height adjustments that affect the the ease with which the strings can be fretted, and is often referred to as the guitar's "action."
If the book had been proofread better, I'd give it 5 stars. For example, there are places where the text has both a fret number and standard musical notation, and the fret number is wrong. The book refers you to play along with the instructional CD backing tracks, but it doesn't tell you which track number to play. It's easy enough to figure out what was meant, but a little more care would have been better.

Guitar effects pedals are a great way to get started with electronics. The simplest ones only require some basic skills to assemble. The few parts can be easily obtained, and the minimum of tools required can be purchased quite cheaply. Better still is the gratification from plugging it in for the first time and being able to incorporate a pedal that you made yourself into your music. With the skills you acquire, you can graduate from simple to more complex projects; maybe build an entire pedal board of your own effects. Your friends might ask you to build pedals for them too. What you learn can also be put to use with commercial pedals, as you will better understand how they work, and will be able to repair and hot rod old pedals. If you are interested in working at a repair shop, as a guitar tech, or for an electronics company in the future, your portfolio of home built pedals will be a great advertisement for your skills.

Martin’s second major innovation, and arguably the more important, of the period 1915-1930 was the dreadnought guitar.[6] Originally devised in 1916 as a collaboration between Martin and a prominent retailer, the Oliver Ditson Co., the dreadnought body style was larger and deeper than most guitars. In 1906, the Royal Navy launched a battleship that was considerably larger than any before it. From the idea that a ship that big had nothing to fear (nought to dread), it was christened HMS Dreadnought. Martin borrowed this name for their new, large guitar. The greater volume and louder bass produced by this expansion in size was intended to make the guitar more useful as anaccompaniment instrument for singers working with the limited sound equipment of the day. Initial models produced for Ditson were fan-braced, and the instruments were poorly received[citation needed].
As a beginner, it is best to avoid making a pawn shop, flea market, or yard sale purchase unless you are shopping with somebody who has experience in purchasing a guitar. Having never purchased a guitar, you may not know what to look for in terms of damage or guitar quality. With that being said, a local music retail shop is your best bet. You may also shop online with a reputable company, although be sure to review the business’ return policy.
Little-known manufacturer from Osaka, Japan, this company is responsible for the oddly named John Bennet badge. Nakai has been mentioned as a possible Matusmoto Musical Instruments Association member in the past. The company still exists and is producing musical instruments, quite a feat in light of so many manufacturers who faded after the golden electric guitar age.
Those of you familiar with Van William’s former bands Waters and Port O’Brien, will have suspicions about what to expect from the songwriter’s debut solo material: boisterous, vibrant hooks that are easy to swallow but gut you on their way back out.  His latest incarnation represents a bounce back after a period of personal tumult. Two parts power pop bombast, to one part Americana, William’s maturation as a songwriter and guitarist seems to have hit a new high water mark.
Though this decision can be based on preference, we think the best guitar for a beginner is the acoustic guitar. Classical guitars have a wider neck, which can be hard for younger students or physically smaller individuals to handle when learning guitar chords. Meanwhile, the electric guitar is designed to be played with an amplifier, which comes at an additional cost. Acoustic guitars are simple and require little to no additional equipment, making them ideal for beginner guitarists.
Description: Body Construction: Solid - Neck Attachment: Bolt - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 22 - Inlay: Dot - # of Strings: 6 - Scale Length: 24.75" (63cm) - Headstock: 3+3 - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, Diecast, 1x Volume Control, 1x Tone Control, 5-Way Switch - Pickups: Humbucker - Pickup Configuration: H-S-H - String Instrument Finish: White, Black, Red, Sunburst
Two-hand tapping AKA Emmett Chapman technique involves both hands tapping single notes (less often) or chordal (more often) instances. Even if you’re experienced tapper of one or more approaches, two-hand tapping is a whole new world. Keep in mind your pick hand will need time to develop compared to your fret hand, which by default has had a massive head start on fretting notes.
Eventually, silicon transistors replaced germanium ones, helping to combat the inconsistent sounds of the germanium version (each circuit varies, and they were often affected by hot temperatures). Silicon completely changed the distortion, making it brighter, edgier, and more aggressive, as exemplified by the famous Electro-Harmonix Big Muff. The later introduction of the integrated circuit provided even more stability. Digital emulators can now universalize effects in a standalone unit. Materials don’t lie, however; when compared to their analog ancestors, the digital units lack the unique wildness of the germanium effect.

The reason for their order boils down to the evolution of the stringed instrument.  By adding a string or two, shortening the neck, and arranging them in a Perfect 4th Interval you can increase the speed of playing and reduce strain on the hands and wrists.  Other interval layouts were toyed with but had some harmonic problems that couldn't be ignored.

Fender came up with the California Series lineup of acoustic guitars to celebrate its Southern California roots. Every aspect of this guitar is uniquely Fender, from the Strat-style headstock and vintage-style slot tuners to the slim-taper neck and preamp, which is the product of the collaboration between Fender and trusted electronics brand Fishman.
Used Instrument Buyer - [New Window] - When it's time to sell your used instruments, nobody makes it easier than UIB. We make our best offer up front, right out of the gate, so you know you're getting top-dollar for your used musical equipment. Since 2006, we've helped everyone from professional musicians to weekend guitar warriors get the most value out of their used instruments. We offer free no-obligation quotes for your used equipment. upon your approval, simply pack your equipment, ship it to us free, and we'll promptly mail you a payment. 

Gibson filed a lawsuit November 18, 2010 in Federal court, the Central District of California, against WowWee USA and their Paper Jamz battery operated guitar toys charging trademark infringement.[27][28] The lawsuit claimed the Paper Jamz toy guitars copied the looks of some of Gibson’s famous guitars, the Gibson Les Paul, the Gibson Flying V, the Gibson Explorer, and the Gibson SG. On December 21, 2010 Gibson was granted a request for an injunction against WowWee and retailers in the United States which were selling Paper Jamz guitars: WalMart, Amazon (company), Big Lots stores, Kmart Corporation, Target Corporation, Toys “R” Us, Walgreens, Brookstone, Best Buy, eBay, Toywiz.com, and Home Shopping Network (HSN)[29][30][31] The case was dismissed with prejudice (dismissed permanently) January 11, 2011 by Federal Judge R. Gary Klausner.[32][33]
So, you want a guitar that's absolutely packed with tone? One that has the vibe that it's been pulled straight out of the 1950s, but has all the playability, comfort, and stability of a brand-new instrument? Then get your hands on the Godin 5th Avenue Kingpin. This stylish archtop smolders with personality. And with the P90 pickup onboard at neck position, you have an unbelievable vintage/atittude tonal combination working in your favor. You'll notice right away that the Godin 5th Avenue Kingpin has plenty of projection and volume, and moreso in the low/mids than traditional archtop guitars. You'll love it for that. Why does the Godin 5th Avenue Kingpin sound so good? Sure, it's that P90 working with the hollowbody design that gets things going. But the primary tonewoods here are pure North American perfection, including a Canadian Wild Cherry archtop, back, and sides. The finish here is a custom polish that gives each and every Godin 5th Avenue Kingpin a satin sheen that recalls French 19th century craftsmanship. Whatever your musical style, you'll have a friend on your side in the Godin 5th Avenue Kingpin. It is, plain and simple, a great guitar. Godin 5th Avenue Kingpin Archtop Guitar Features at a Glance: Finish: Cognac Burst Archtop hollowbody electric guitar Canadian Wild Cherry archtop Canadian Wild cherry back and sides Silver Leaf maple neck Contoured high-gloss black headstock Custom Polished finish Rosewood Fingerboard Adjustable Tusq Bridge by Graphtech Cream Binding 1 x Godin Kingpin P90 single-coil pickup 1 x Volume, 1 x Tone 16" fingerboard radius 24.84" scale 1.72" nut width
This is worse than the Rolling Stones magazine’s list. Paco De Lucia, Django Reinhardt, Andres Segovia, Sabicas, Wes Montgomery, Joe Pass, Jeff Beck, David Gilmour, Jimi Hendrix, John Williams (no, not the movie score composer) IMO the top ten. It’s much harder to play jazz, flamenco, and sometimes classical, than it is to play blues or rock. These guitarists are all infinitely greater than Jack White, John Frusciante, Tom Morello, or John Mayor.

Finally, have you ever heard a definitive answer to the question “how long does it take to learn guitar?” Us neither! Learning your first chords can take a few hours, but the instrument can take a lifetime to master. But that’s the joy of playing guitar – you never stop learning. It’s down to you to practise and progress, because practise makes perfect!
The Blues Harp has been around since the early 1970s. Until the 1990s, it was functionally identical to the Marine Band, the only differences being the cover plates and the varnish on the front of the wood comb, and the Blues Harp's profile was thinner as well. At one point, Johnny Cash promoted the Blues Harp.[20] In the 1990s, Hohner made the Blues Harp part of its Modular System (MS) line. This new Blues Harp lost its uniqueness, and is interchangeable with the other models in the MS line, but it currently remains the standby of many players who use MS harps.
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I’m also going to go out on a limb and suggest the earliest Univoxes also included the ‘Lectra, a version of the one-pickup Aria 1930 violin bass (made by Aria). These were basically violin-bodied basses originally inspired by the Gibson EB-0, and popularized among imports by Paul McCartney’s use of the Höfner violin bass, copied by EKO. This was a hollowbody with no f-holes, Cremona brown finish, single neck pickup, bolt-on neck with position dots along the top of the 22-fret bound rosewood fingerboard. Strings anchored to a covered bridge/tailpiece assembly.

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Guitar pedal multi-effects units comprise several effects in just one package. Multi-effects units utilize digital processing to bring out different sound effects when playing guitar. These digital multi-effects pedals come with internal memory in order to save your individual settings. Among the top-rated multi-effects brands you might want to check out are the DigiTech RP and GNX series, the Boss ME-20 and ME-50 models, the Boss GT-6 and GT-8, the Zoom G2, G3, and G5, various Behringer models, and the Line 6 POD.
Vacuum tubes (called "valves" in British English) were by far the dominant active electronic components in most instrument amplifier applications until the 1970s, when solid-state semiconductors (transistors) started taking over. Transistor amplifiers are less expensive to build and maintain, reduce the weight and heat of an amplifier, and tend to be more reliable and more shock-resistant. Tubes are fragile and they must be replaced and maintained periodically. As well, serious problems with the tubes can render an amplifier inoperable until the issue is resolved. In the 2000s, high-end tube instrument amplifiers (along with a small number of hi-fi power amplifiers used by audiophiles and high-end studio microphone preamplifiers) survive as the few exceptions, because of their perceived sound quality.
Maybe the pickups that came with your guitar are just cheap and not up to your standards. At that point, an upgrade might be less of a stylistic issue and would done for the purpose of improving the overall sound quality of your instrument. In most cases, upgrading the pickups on your guitar are the single most effective way to improve the overall tone and sound quality.
But in general, there's nothing wrong with Decca electric guitars, especially for indie musicians today who are looking for a vintage guitar with some character to it. Since most vintage guitar fans have seen every model that Gibson, Fender, et al, have ever made, many of the Japanese guitars of the '60s have a fresh look that stands out from the crowds. In 20 years, the M-i-J electric guitars of the '60s are going to be worth 4 or 5 times what they sell for now, and smart collectors who either can't afford Fenders, Gibsons and their ilk from that period, or who are interested in something more unusual, are already snapping them up.
:::I just bought one of these guitars at an auction. In Oregon U.S.A. It is a plank, with sunburst finish, 3 chrome toaster style pickups with one cover missing. The varnish has cracks in it like every other old Vox I have seen that date to the sixties or earlier. It has a white pick guard with 3 chrome knurled knobs and an old style switch that turns (not a flip switch) but is missing the knob that I assume is chrome like the 3 volume knobs. I haven't put strings on the guitar yet so I don't know if they are all volume or 1 volume and 2 tone. The roller/tremolo has VOX stamped in big letters and under that it says PAT.APP.FOR in smaller capitol letters. It has a plastic cover plate on the back that is stamped, Made In England. The neck is 19 fret with a fret just under the nut that has no use, as the string would never touch it and the neck is attached with a metal plate. Tuners are a single strap with gears steel not brass with plastic knobs. Just under the tuners on the back the headstock are the numbers 64523. A green VOX decal along with Shadow JMI Dartford Kent on the front. I was suprised to find this guitar, as I had never seen or heard of it before. I can't wait to play it and see how it stacks up to all the other VOX guitars I have and have played. Wish I could find out more about it but this is as close as I have come, so far.
A rackmount effects unit may contain an electronic circuit nearly identical to a stompbox-based effect, but it is mounted in a standard 19" equipment rack, which is usually mounted in a road case that is designed to protect the equipment during transport. More recently, as signal-processing technology continuously becomes more feature-dense, rack-mount effects units frequently contain several types of effects. They are typically controlled by knobs or switches on the front panel, and often by a MIDI digital control interface.