Leo Fender started Fender Guitars in 1946, and his first innovation was the production of solid body guitars. Up until then, electric guitars were made with hollow bodies, meaning that they were somewhat fragile and somewhat complicated in design. Leo Fender’s guitars offered a more straightforward design; the were bodies made from one solid block of wood and the bridges were simply attached to the body, removing the need for extra calibration of elevated bridges.

I use the boss me-8 for 15 years, now with the boss me-25 i have the same kick ass sound plus some more effects and customisations, also it comes with a beutifull surprise that i don't even expect, this guiar pedal is also an audio interfase that suport digital audio via USB, is really amazing you will not regret, it doesn't come whit a power supply only batteries, buy one separatly.
Earth Quaker Devices – Have you ever heard a song and wondered “how did they get that sound?”. If it was a recent recording there is a good chance these guys were behind it. They make an incredibly wide range of pedals that all go from great quality, usable pedals for almost any style to the weirdest, most wonderful tones that you have never heard before.
A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised note is played with the same finger as the original note. Inverted major and minor chords can be played on two frets in M3 tuning.[56][74] In standard tuning, the shape of inversions depends on the involvement of the irregular major-third, and can involve four frets.[75]

There aren’t a lot of professional reviews of inexpensive amps, but James at Guitar Verdict raved about the Champion 20, saying, “For an amp of this price, the Fender Champion 20 watt offers a massive amount of value,” and calling it “a hard to beat offering.” At last count it had earned an average of 4.6 out of 5 stars in 595 Amazon user reviews and earned an A for review integrity from FakeSpot.

What we're looking at here is a standard Les Paul body made of mahogany and finished with an attractive vintage sunburst pattern. There's also a gorgeous heritage cherry sunburst and a straight ebony finish option as well. It features a pair of 700T humbuckers, one at the bridge and one at the neck position. These are pretty basic in nature, but their performance is more than good enough even for more experienced players and important recordings.


• How fanned frets work: You’ve likely seen players like the jazz virtuoso Charlie Hunter picking instruments that have frets fanned out at an angle along the fingerboard. The aim of fanned fret placement is to give the lower strings more length and the higher strings less length, thereby providing more accurate tuning and deep bass sounds. Fanned frets may seem like an innovation, but they first appeared in the 16th century.
Maton JB6 is a 1970s guitar manufactured by Maton. It features a thin solid body, short scale 24 fret design, two humbucking pickups, two tone controls, one volume, in/out phase toggle for bridge pickup and standard three way pickup selector toggle switch. The body has double cutaways, set neck and heavy metal base plate supporting a stop piece and bridge for increased sustain.
Squier model Telecasters are sold by Squier, a Fender-owned import brand. These can bear the Telecaster name, since Squier is owned by Fender. Squier guitars, especially the Telecasters, have gained popularity[citation needed] and a good reputation amongst guitar players,since it has expanded its production of guitar models.For example a 1989 Korean Squier Telecaster made in the Samick factory could be considered tonally superior[citation needed] to a modern American produced guitar besides necks being more comfortable in general.Template:Citation neede Squier has a wide range of different Telecaster type guitars available, from the entry-level Affinity Series to the better quality Standard and Classic Vibe Series. However, Standards are often used by beginners. Also available are the Artist Series and Vintage Modified Series. Among other famous musicians, Sheryl Crow has occasionally used a Squier Telecaster for recordings and live performances.[4][dead link]
The Effect:To this day, there are 3 main delay pedal types coexist, Tape is usually the most expensive and sough-after (especially Vintage releases) type as they provide very natural sound reproduction. Analog were modernized in the 70’s and they worked on electronics, with a minor drawback according to some as they store up to 3 seconds of Delay time. Digital pedals is the type met with most frequency on today’s market, offering longer-than-usual Delay times and pristine sound reproduction, these are usually your best pick. A lot of players know that they want a delay effect but have no idea from where to start, if you are one of them, try the Boss DD-7 Digital Delay Pedal The most basic and often met controls on Delay pedals are Time, Level and Feedback, you’ll sometimes find them labeled differently but with the same function and purpose.
In 2013, Gibson introduced the Government Series of Les Paul, SG, Flying V, Explorer and ES-335 guitars which were constructed solely of tonewood the US government seized but later returned to Gibson after the resolution of the company's Lacey Act violation in 2011. The guitars were finished in "government grey" and also featured decorations which intended to draw attention to the issue of government. A year later in 2014, Gibson released the Government Series II[77] of guitars, which were essentially the same as the first series, only finished in a new color: "government tan".
This guitar has a maple neck which is coated with a thin satin finish and has a C-design which is easy for beginners to handle. It features an alder solid body. The vibrato design is enhanced with the addition of block saddles for adding firmness to the tone. They also give a precise breakpoint for the strings. Speaking of pickups, the PAC 112v is equipped with a 5-way blade pickup selector. There are master tone and volume controls for the neatest output. This guitar is available in seven finishes, natural satin, old violin sunburst, raspberry red, sonic blue, black, and silver metal.
The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. It was popularized by Black Sabbath in the song "Paranoid". - winner333

When the Fender company invented the first widely produced electric bass guitar (the Fender Precision Bass) they also developed a bass amplifier, the Fender Bassman, first produced in 1952. This was a 26-watt tube amplifier with a single 15" speaker. In 1954, the Bassman was redesigned to use four 10" speakers. This speaker cabinet was an open-back design; as such, it had poor low-frequency efficiency and was prone to blowing speakers when used for bass because of the lack of damping. Somewhat ironically, it became very popular as an electric guitar amplifier. The circuit design also underwent repeated modifications. The "5F6A" circuit introduced in 1958 is regarded as a classic amplifier design and was copied by many other manufacturers, such as Marshall.
We are your Vintage Pickup specialists.   We have cornered the market of manufacturing the most accurate vintage pickup reproductions to which can not be equaled.  Our process is to chemically analyze an original pickup magnets and wire, then we reproduce them with the exact same magnets and wire.  We don't use stock magnets or wire.   We don't degauss magnets and say they are vintage.  Our magnets are only as strong as the elemental composition will hold.  Our wire is specially manufactured for us, we have many batches of wire with all different types of resistances and O.D.'s.  Our wire also is processed differently than modern conventional wire, these little details are what makes the Klein Pickups Reproductions the most accurate in the world.   We have a full array of models that we reproduce.  Check out our site for the full list of all of our offerings.   As a small business we always appreciate your business & support.  -Thanks

Pickups convert the mechanical energy of a vibrating string to an electrical signal, allowing it to be amplified, processed and reproduced.[1] Pickups vary greatly in construction, size, types of materials used, as well as various electrical properties, but are generally divided into two categories – single-coil and double-coil (also known as humbucker).[2]


Ibanez JEM77WDP Electric Guitar With the Ibanez JEM77WDP Steve Vai Signature guitar, you can get a little piece of the legendary guitarist. This model is also commonly referred to as the JEM Woody because of its distinctive poplar burl veneer pickguard and matching headstock. Part of the company’s Premium line, the JEM77WDP electric guitar also features two cutaways and Steve Vai’s signature monkey grip.


Bass combo cabinets and speaker cabinets are typically cube- or rectangle shaped. However, some small- to mid-sized combo amp cabinets have a wedge shape, like a keyboard amp or a stage monitor speaker cabinet. The wedge shape, also called a "rock back" feature, enables a bassist to point their speakers up towards themselves, to make it easier to hear their sound.
The EG-6N had a similar profile but tuners were mounted on a square-topped head with the buttons facing up. This had a dark square-ended fingerboard with dots and a single chrome-covered pickup with black center insert and exposed poles (same as on the SD-2L/4L), volume and tone control. The EG-8N was similar except for having a light fingerboard with black dots, and two of the chrome/black insert pickups, volume, tone and threeway select. A folding stand to hold the steels was available (this was a standard Teisco product from the mid-’50s on).

Bonnie Raitt: features an alder body, a narrow C-shape maple neck with a late 1960s large headstock, rosewood fretboard, 9.5″ radius and 22 medium jumbo frets. Other refinements included a 3-ply white shell pickguard, three Texas Special single-coils with 5-way switching and American Vintage hardware. Available in 3-color sunburst and desert sunset. Discontinued in 2000.

We now know why series wiring attenuates the highs, but why is it louder? Why do you end up with such a beefy, meaty tone? Let’s assume each pickup on your Strat puts out 100 x of power. When wiring two pickups in parallel, each pickup loses 3/4 of its output when combined with the other. This drops each pickup’s output to 25 x, instead of 100 x. Together, you get a total of 50 x (25 x + 25 x). This power drop is why any dual-pickup combination on your Strat doesn’t sound as loud as a single pickup.
‘Power' Chords are used in most styles of music but are particularly useful for rock guitar; they even sound cool on acoustic (check out Nirvana's Unplugged album for an awesome example). The basic idea is that you only have to learn one chord shape, and that one shape can move around the fingerboard to make other chords. It uses no open strings, and muting the unused open strings is a very important part of the technique.
When I first hooked it up, I was annoyed. It took maybe two days to get used to the colors flying at me and what color is what string. I also found it odd that there was no timing indication with the notes (is it a quarter note, or a half note?, gradually, I've learned to tell by the spacing), which is especially akward in the beginning when you only play occasional notes in the song. I 've also found (as have most people I've played it with), that for whatever reason, we tend to miss seeing the blue notes (4th string) a lot (tends to blend into the background) and to a lesser extent the orange notes (3rd string).
Rule 3 - Experimentation occurs within these groups of effects. While these three major groupings need to follow a strict order, the effects within those groups can be toyed with to invent new sounds. For instance, you can apply a reverb to your echo delay or apply an echo to your reverb. But that general group of time-based effects needs to come at the end of your effects chain, regardless.

By 1947 with the release of ‘Call it Stormy Monday’ – his biggest hit, Walker preferred playing with a smaller band lineup of six members. This size of band bridged the gap between the solo rural blues players like Robert Johnson or Charley Patton and the larger big band ensembles of the 20’s and 30’s. It became popular and adopted by bands that would find success over the next few decades.
ACTION: fret low E at first fret and measure the distance from the bottom of the to the top of the 15th fret. It should be 5/64". Do the same with the high E, measurement should be 3/64". Now measure the string height at the nut; underside of the string to the top of the fret. Low E and A should measure 2/64", D and G =1.5/64" and B and high E = 1/64". If string height at nut is correct, recheck string height at 12th fret with strings open. Measurement for low and high E's should be the same as measurement taken at the 15th.

While most effects pedals can drastically alter your sound, there are some that add more subtle elements to your signal to create a more pleasing sound. They may not be as exciting or fun to play with, but they can be the difference between pretty good and truly great sounds. As your collection of effects grows and opportunities to play with bands increase, some of these will become important additions to your rig.


While it’s not as popular as the two previous brands we have mentioned, PRS is on a level of their own. American owned and made, these guitars are an epitome of quality and great sound. They have a completely unique appearance and offer a tone which has a distinctive color. Best thing about this brand is the balance price and performance. You get a lot more than you pay for with PRS.
Unlike a piano or the voices of a choir, the guitar (in standard tuning) has difficulty playing the chords as stacks of thirds, which would require the left hand to span too many frets,[40] particularly for dominant seventh chords, as explained below. If in a particular tuning chords cannot be played in closed position, then they often can be played in open position; similarly, if in a particular tuning chords cannot be played in root position, they can often be played in inverted positions. A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below).
Electronic instruments are well known for their great versatility and all of the amazing sounds that they can produce. In many cases, those effects all come down to skillful use of the right pedals by a talented musician. When you're equipping your pedalboard, some of the first units you should look at are delay and reverb effects pedals. Delay pedals enable you to put a note on a timer and have it come back a few measures later. They're perfect for holding off a chord, then having it kick back in with a new sound layered in on top of it for cool combination effects. For example, you might mix a long, sustained note together with a more complex riff to briefly become your own rhythm guitarist. You can play a chord against itself to double up into a deeper, richer tone, or even simulate an echo for atmospheric effect.
Looping – These pedals are miniature recorders that capture a passage, which you can then play back as much as you like. Many looper pedals also allow you to layer multiple recordings, and advanced models support extra features like built-in rhythms, mic and other instrument inputs, MIDI, USB and more. It’s worth noting that all the power of a looper pedal does come with a steep learning curve, so be sure that you’re experienced enough to handle one of these bad boys before you bring home one of your own.
Bass players who do not have a combo amp who are playing live shows can connect their bass to a DI unit and from there to the PA system. In a well-equipped nightclub or music bar, the audio engineer can then route the bass signal to a stage monitor suitable for bass, so the bass player and band can hear the bass tone. Some standalone bass preamplifier pedals have a DI output, so this output can similarly be connected to a PA system. Bass players who are playing in small venues (coffeehouses, small pubs, etc.) will typically need to bring their own bass combo amp (or an alternative amp, such as a keyboard amp combo), because very small venues often have a very small, low-powered PA system which is used mainly for vocals. Some small venues do not have monitor speakers, or they have only one, in front of the lead vocalist. Bass players who do not have a combo amp who are laying down tracks in the recording studio can plug into a DI unit (any professional recording studio will have one), which is connected to the audio console; the audio engineer can provide the bassist with the sound of their instrument through headphones.
4. Vox VT40X 40-watt 1x10 Combo Amp ($249.99): The Vox is another modeling combo that utilizes a Valvetronix tube preamp to give you the sound qualities of a tube amp. With 13 onboard effects, you can channel quality effects without having a pedalboard at your disposal. Vox’s Virtual Elements Technology has allowed them to carefully recreate up to 20 realistic models of very sought-after amp tones, all within an attractive looking package.
Scott Knickelbine began writing professionally in 1977. He is the author of 34 books and his work has appeared in hundreds of publications, including "The New York Times," "The Milwaukee Sentinel," "Architecture" and "Video Times." He has written in the fields of education, health, electronics, architecture and construction. Knickelbine received a Bachelor of Arts cum laude in journalism from the University of Minnesota.

I am a beginner and based on your recommendation, I bought the Dummies book, and signed up for Guitartricks.com as well. This combo is turning out to be really effective for me, I haven’t been playing long but I can feel the progress with each passing day. The videos at Guitartricks are my main guide through this maze of learning, and the Guitar for Dummies is my go-to resource for reading about anything I want to find out. I’m sure doing a search on the internet would get me the same result, but the Dummies book is easier to hit up I think, and at least I’m sure it’s accurate.
The amplifier includes buttons for four different amplifier simulations: Clean, Crunch (a typical rock/blues sound), Metal (self-explanatory), and Insane (a version of Metal that our panelists found so distorted as to be nearly unusable). Like the Champion 20, it has a gain control (which is labeled Drive), and it adds a midrange control to its bass and treble controls.
The Kent 800-series hollow bodied guitars all had asymmetrical bodies and the pickup closest to the neck was tilted. There are several Kents that had symmetrical hollow bodies and no tilted pickups. The pickups are either humbuckers or wide single coils with covers. They resemble Gibson ES-style guitars. The necks and headstocks are very similar to the Kent 800s. They're probably newer than the 700s and 800s. I won’t be covering those here.

I think for somebody reasonable, the right answer would be that yes, it has an effect on the tone of the guitar and the notes coming off the strings, but not nearly as much as other factors in the design of the guitar. If you think I'm wrong then you should read more about the overtone series, the physics of sound, difference tones, and how sounds interact both as vibrations moving through air, and digitally as numbers in a computer. It's just not as simple as to say wood doesn't have a magnetic field so therefore it can't possibly affect the tone. It's true that much of what we hear is a result of the ear-brain axis, but there are also many fundamentally measurable physical properties of sound as it occurs over time (as all sounds do) that can easily explain why different types or shapes of wood could have a subtle but real effect on the tone.
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"I have purchased 15 personalized guitars from the top guitar custom shop. All the guitars have met or exceeded my expectations. Great workmanship and quality work. An exceptional group of people to work with. They are ready to answer your questions or concerns. The one time i had a concern about a guitar they responded immediately and handled the situation more than i expected. I highly recommend this company!" Dr E C Fulcher Jr - Abingdon, Maryland USA.
A looper allows you to record a musical passage or phrase then play that passage back repeatedly. You can then record more loops and layer them, one on top of the other. Most recording and playback functions are foot controlled, and once you’ve created suitable backing tracks, you can can then play over the repeated passages in real time, creating exciting one-man-band sounds never possible before. Many of the more advanced models include built-in rhythms, custom effects, inputs for vocal mics and other instruments, plus MIDI and USB capabilities so that you can use the looper as part of your digital song-creation and recording processes.
Gilmour was made famous by his haunting guitar scores in Pink Floyd. This “replacement” guitarist surpassed expectations and helped shape Pink Floyd’s unique sound. You can always expect hairs at the back of your neck to stand whenever you hear one of his solos – be it for the first or hundredth time you’re listening to it. All the emotion that Gilmour’s poured into his guitar work lives on in the music and is channeled through anyone who’s ever wanted to cover a Pink Floyd song. I know several guitar players (myself included) who whenever playing the Comfortably Numb solo – whether they are alone in their bedrooms or on stage – have always been unwillingly brought to tears, near the point of crying. How could you not expect things to get esoteric and mystical when it comes to music?

I’m also going to go out on a limb and suggest the earliest Univoxes also included the ‘Lectra, a version of the one-pickup Aria 1930 violin bass (made by Aria). These were basically violin-bodied basses originally inspired by the Gibson EB-0, and popularized among imports by Paul McCartney’s use of the Höfner violin bass, copied by EKO. This was a hollowbody with no f-holes, Cremona brown finish, single neck pickup, bolt-on neck with position dots along the top of the 22-fret bound rosewood fingerboard. Strings anchored to a covered bridge/tailpiece assembly.

The original Overdrive pedals were created to mimic the sound of tube amps being cranked to 10. This will cause the tubes to be pushed to their limits, producing a crunchy and aggressive tone. The sound of overdriven tubes are certainly iconic as it gave birth to the sound of Rock ‘n’ Roll. However, the problem with bringing your volume up to 10 to overdrive your tubes is that it gets really, really loud--safety hazard loud.


I think this is one of the better done tests. Any musical instrument is subjective, so there is no “this one sounds ‘better’”, but having an understanding of how individual components interact in the overall sound is important in a luthier. Too often players are too quick to label one guitar as sounding “good” or “bad” instead of quantifying what characteristics they do or don’t like. Building this sonic vocabulary helps a musician work their way towards their ideal instrument instead of haphazard trial and error.
Until the 1950s, the acoustic, nylon-stringed classical guitar was the only type of guitar favored by classical, or art music composers. In the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Examples of such works include Luciano Berio's Nones (1954) Karlheinz Stockhausen's Gruppen (1955–57); Donald Erb's String Trio (1966), Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); Francis Thorne's Sonar Plexus (1968) and Liebesrock (1968–69), Michael Tippett's The Knot Garden (1965–70); Leonard Bernstein's MASS (1971) and Slava! (1977); Louis Andriessen's De Staat (1972–76); Helmut Lachenmann's Fassade, für grosses Orchester (1973, rev. 1987), Valery Gavrilin Anyuta (1982), Steve Reich's Electric Counterpoint (1987), Arvo Pärt's Miserere (1989/92), György Kurtág's Grabstein für Stephan (1989), and countless works composed for the quintet of Ástor Piazzolla. Alfred Schnittke also used electric guitar in several works, like the "Requiem", "Concerto Grosso N°2" and "Symphony N°1".

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For decades, the Les Paul Special has been one of Epiphone’s best selling electric guitars. And the new Les Paul Special VE—inspired by the Les Paul, the greatest electric guitar in rock—continues the tradition of giving new both players and pros a real Les Paul at a price anyone can afford.

Case sold separately.

Classic Les Paul profile
The Les Paul Special VE has a Poplar body with a sleek look thanks to the Vintage Worn finish and no binding on the neck or body. The Les Paul VE is cut to the same classic profile of all Les Pauls and has a comfortable and fast Mahogany bolt-on neck with a 1960's SlimTaper D profile. The Rosewood fingerboard has traditional Pearloid "Dot" inlays, a 24.75” scale, a 14” radius, 22 medium jumbo frets, and a standard 1-11/16” nut. Just below the headstock is the famed “bell” shaped truss rod cover found on every Les Paul since the early '50s with “Vintage Edition” in white. 

Epiphone Open Coil Humbuckers
The Les Paul Special VE features Epiphone’s world famous open-coil humbuckers with a warm 650R in the neck position and a slightly hotter 700T in the bridge or lead position.Controls include a 3-way pickup selector switch, a Master Volume, and a Master Tone control, each with traditional “Black Speed Knobs” pots with long lasting
500K Ω potentiometers.

All-Metal Hardware
Epiphone features all-metal rock solid hardware on all of its instruments. The Les Paul Special VE comes standard with the legendary Locktone Tune-o-matic bridge and Stopbar tailpiece for easy set up. Tuning is fast and reliable with Epiphone Premium Covered tuners with a 14:1 ratio.The higher the ratio, the more accurate your tuning. The tuners are mounted on an Epiphone Clipped Ear headstock with Les Paul Model in gold and the Epiphone log in silver. In addition, a "2016" Edition logo is on the back of the headstock. 

All Epiphones come with a Limited Lifetime Warranty and Gibson’s world famous 24/7/365 Customer Service.", "value":"131.12", "priceMin":"131.12", "priceMax":"149.00", "priceSavingsMaxPrice":"0.00", "priceSavingsMaxPercent":"40", "inventory":"57", "brand":"Epiphone", "reviewStarImageUrl": "https://static.musiciansfriend.com/img/brand/mf/cmn/Sprit-Sm-Stars.png", "reviewStarRating":"4.0", "reviewStarRatingInteger":"8", "reviewHowManyReviews":"17", "usedOrNew":"used", "discontinued":"0", "onOrder":"0", "clearance":"0", "canBeSold":"1", "accessoryCategories":"site1LFMIC,site1HBA,site1LAAA", "stickerText": "Best Seller", "checksum":"93895071200", "priceVisibility": "1"}


There is traditionally a gap between how we enjoy the sound of our guitars and the way they’re represented plugged in. Enter Yamaha, a leader in stage-ready acoustic technology for decades - and in the A5R ARE, it may have just offered us a very desirable solution. The A5R''s rounded fretboard edges offer an enjoyable playing experience that mimics the feeling of guitars that have been played in to a degree and it has an ethereal quality in the high ranges, even though some treble resonance is traded with the lower action. The A5’s resonance and bright balance is a fine showcase for the clever SRT2 preamp - we actually couldn’t dial in a ‘bad’ sound on it because the treble and bass controls mirror the natural subtlety of the pickup/mic dynamic design. An electro experience that captures the sound of an unplugged acoustic? The SRT2 is one of the closest to get there yet. An update that marks the A Series out as an essential consideration for players who rely on a consistent and controllable stage sound.


One of the first solid-body guitars was invented by Les Paul, though Gibson did not present their Les Paul guitar prototypes to the public as they did not believe it would catch on. The first mass-produced solid-body guitar was Fender's Broadcaster (later renamed the Telecaster) first made in 1948, five years after Les Paul made his prototype. The Gibson Les Paul appeared soon after to compete with the Broadcaster. Another notable solid-body design is the Fender Stratocaster, which was introduced in 1954 and became extremely popular among musicians in the 1960s and 1970s for its wide tonal capabilities and comfortable ergonomics.
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