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 An enduringly popular effect, with all sorts of uses for vocals, drums, guitars and synths, is genuine reverse reverb. This is where a reverb tail appears to increase in volume ahead of the sound that gives rise to it — a completely unnatural sound and something that's impossible to create in real time. It's easy enough to do in a DAW application though. First, find the section of audio you want to treat and reverse it. In the DAW I use, Digital Performer, there's an offline plug-in for this. Now apply conventional reverb to this 'backwards' audio — either by playing it through a reverb plug-in and recording it to another track, or by rendering it using an offline process (if your DAW offers this). In either case make sure you allow enough additional time at the end of the audio to capture the full, final reverb tail. In the screen grab I've done this by allowing 1500 milliseconds of post-roll processing.

Taming loud guitar playing isn’t the only reason to grab a mini amp, though. These also come in handy when traveling. Sure, you could bring along your acoustic guitar, but that will still make a fair amount of noise in your hotel room, and playing more quietly is less fun. With a mini amp, you can strum as hard as you want to and still control the volume. Many are also small enough to fit inside carry-ons without reducing the space you need for food, a travel pillow, and a good book.
This brand is originally from Japan and  Hoshino Gakki owns it. Ibanez activates in U.S.A, Japan, China and Indonesia, and it is one of the largest, recognized names out there. This manufacturer has developed over 300 models of electric guitars and has collaborated with many musicians that have lent their imagination to the making of customized units.
Add to this the physical attributes and ergonomics of a .strandberg* that work together to relax muscles, joints and tendons when playing. Some players are freaked out by the low weight, others by the lack of headstock and some have a natural playing position that places their thumb right at the edge of the EndurNeck™ and is not comfortable at all.
The functional attribute of this guitar is not the only factor that it gets credit for. The instrument comes with a neck & body binding together with trapezoid inlays that produce the classic looks that you would always love to display on stages. These are features that are truly amazing especially when you are under the stage lights doing a performance both during the day as well as at night. Such nice appearance will obviously give you more courage to keep on soldiering on with your ambitions of becoming a professional guitarist.
I am very pleased with my new guitar, it is perfect... beautifully crafted, comfortable, just perfect for me...Rosewood and spruce and dynamic design ...wow; top of the line case, and the price was substantially less than full price, less than 50%!. There was absolutely nothing wrong with its packaging, as the description indicated. I was a bit nervous thinking it was going to arrive banged up, scratch or damaged, but the box was in good condition and the case was impecable. I got it two days after ordering it, and played it the next day at a school concert. Next will take it to a luthier to get it set, get better strings and an amp. Totally souped! Thanks Amazon for my musical gift for the holidays!
Carvin is well-known for their fantastic guitars and amazing amplifiers, but that’s not all. There is one aspect in particular that makes Carvin guitars just a little bit more unique. They only sell their instruments by special order. Going to a random guitar shop to try a Carvin is just plain impossible. The only way you can test one is by going to one of their few stores in California. The base models cover just about any style you can imagine. From acoustic guitars to electric basses, they’ll cover your needs. When it comes to styles, they have those heavy metal jagged edges to smooth curves. They are highly customizable and it’s a certainty that they’ll have what you want. If you’re extremely picky or just know exactly what you want, Carvin will help you get your dream guitar. You can choose the tonewood, materials, different colours and finishes, basically anything and everything is available.
As with other plucked instruments (such as the lute), the musician directly touches the strings (usually plucking) to produce the sound. This has important consequences: Different tone/timbre (of a single note) can be produced by plucking the string in different manners and in different positions. For example, plucking an open string will sound brighter than playing the same note(s) on a fretted position (which would have a warmer tone).
Indeed, for some unknown reason, George Beauchamp and Paul Barth left National in 1931 and started Ro-Pat-In, with Rickenbacker, for the purpose of making electric guitars based on a Beauchamp design (developed while he was at National) for which he would eventually receive a patent. Ro-Pat-In began making cast-aluminum Electro electric Hawaiian “frying pan” guitars in 1932, followed shortly that year by an electric Spanish guitar. In ’34, Electros became Rickenbacker Electro guitars, and founded the Rickenbacker dynasty, but that’s another story…
Late 1934: "T" frets (aka tang frets) replace Bar frets on flat tops. (Most other guitar makers had stopped using bar frets much earlier.) Martins Hawaiian style guitars retain bar frets until at least 1938. The first Martin model to use T frets was the 00-17, introduced on a lot of 00-17 guitars #57305-57329 in 1934. Initially the first T-frets were special ordered by Martin to contain 30% nickel ("normal" fret wire is 18% nickel, 65% copper and 17% zinc). The higher percent of nickel, the harder the fret wire. This special 30% nickel fret wire was ordered from the Horton-Angell Company (the inventor and patent holder for barbed alternating "fish hook" T frets) on 8-31-1934 in an 100 pound lot, along with 100 pounds of "normal" 18% nickel fret wire. It's unclear if Martin ever used 30% nickel fret wire after this, because it was more expensive and not the norm. The same instruments also introduced the "T" neck reinforcement bar. Shortly thereafter T frets were standard. (Like with steel strings in 1922, Martin tried these innovations first on inexpensive low-end models to minimize financial damage in case the experiment was a failure.)
I have a epiphone sg 50th edition and it does great by me in all I do. I play a lot of 60's music and otherwise all I want. It's very versatile and not to mention the cherry red wood grain finish makes it looks really awesome. Everyone I've ever met has bragged on it and I've been offered all kinds of guitars from Washburns to fenders. Just recently I went to a old guitar player of 30 yearsiin my grandfathers neighborhood and he absolutely loved the tone and playability. He said the only thing it might need to make it better was a professional setup which I'll soon be getting. When I first got it I complained a lot that the strings were a bit harder to push down due to the longer scale of the neck (the neck on it is pretty long) however. If you' work with it for about 2 days off and on its no problem. I love epiphone and judging from what I've played in ibanez guitars I might soon invest in one of them.
The twelve-string guitar is a simple variation of the normal six string design. Twelve-string guitars have six regular strings and a second set of thinner strings. Each string of the second set corresponds to the note of its regular string counterpart. The strings form pairs and therefore you play a twelve-string guitar in the same manner as you would a standard six-string.
Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Goldburst, Redburst
A six-string guitar has five musical-intervals between its consecutive strings. In standard tuning, the intervals are four perfect-fourths and one major-third, the comparatively irregular interval for the (G,B) pair. Consequently, standard tuning requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings.[41] Of course, a beginner learns guitar by learning notes and chords,[42] and irregularities make learning the guitar difficult[43]—even more difficult than learning the formation of plural nouns in German, according to Gary Marcus.[44] Nonetheless, most beginners use standard tuning.[45]
I couldn’t find a professional review of the Les Paul Express. The last time we checked, it had earned an average of just 3.8 stars out of 5 in 17 user reviews on Amazon, but most of the complaints I found on Amazon and elsewhere were from people who got samples that weren’t set up well at the factory. This wasn’t true of our sample, but it was true of the other Epiphone sample we received—and it was true of many of the cheap Epiphones I played in stores.
The MG-100 has so many features, its hard to name them all. But, here we can list: 13 classic amp models via NUX's TS/AC technology, vintage 3-band passive EQ modeling for every amp model, 6-band graphic EQ designed specifically for electric guitar (120hz,250hz,750hz,1.6khz,3.2khz,6.4khz), 11 cabinet models, seamless and quick preset switching , loop sounds can be played with drum machine, rhythm beat synchronously. The aux in jack makes it easy to practice along with MP3, CDs and other inputs. Large color TFT LCD panel (160 x128), graphic interface making the overall operation easy and intuitive. A total of 72 presets, 36 factory + 36 user presets.

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I'll be referring to a lot of different producers in this article, and it's understandable that you may not have initially heard of some of them, even if you've probably heard some of their productions. To avoid an avalanche of parentheses, I've put a list of all the producers I mention into a box which runs across the bottom of this article. The box also includes a few of their most celebrated credits, so that you can have some idea of where each of them is coming from stylistically.
I was buying my first acoustic guitar ever in my life, and I'm happy to say I picked this store. When you walk in you pretty much feel that you're in another world filled with music and color in contrast with the cloudy days of Seattle. I researched a little on their website before coming in to see what guitars were within my price range, what type of finish and strings. I said to the guy who greeted me at the door: "I'm looking to my buy very first acoustic guitar." And felt a little nervous not knowing anything about playing. Handed him my note card of guitars and he led me into a practice room where he brought the guitars I was interested in and played them for me (since I had zerrrrrooo experience) so I could hear the tone of the guitars. He was very professional, and also took his time making sure that I picked a guitar that I liked. Even gave me a little history about where they are made and how the company sources their wood, etc. Very nice! I forgot his name, but he had curly blonde hair. (If you read this, Hi! And thank you). In addition, an instructor, Ted, who works there also offered me a free first lesson and have been taking lessons since then. The people there are all welcoming and have a real passion for what they do. It's always fun going by their store. Check it out! Please respect their bag policy if you are asked to leave it with them while you are in the store... if you don't feel comfortable, then leave your guitar at home. Easy.

Rosewood is another commonly used kind of wood when it comes to the fabrication of guitars. Rosewood is typically dense, a reason why it is used when constructing a guitar’s fretboard. Although it can be employed in the making of guitar bodies, the resulting units are known for being a little heavier than the alternatives. These guitars can be either brown or blonde.
“Photocell Tremolo is found in mid-1960s American amplifiers. Those classic circuits used a light-dependent resistor to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO. As the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR. The varying resistance works with other circuit impedances to change the signal level, which produces a characteristically ‘hard’ sounding tremolo that moves between two levels, reminiscent of a square wave.” Got that? Well it is tricky and they do sound somewhat different but essentially they produce the same effect. The pedal I am using here, the Fulltone Supa-Trem uses a photocell to produce the sounds found in the classic Fender amps and most common tremolo circuit.
Chords are the heart and soul of playing guitar. Many guitar players seldom do anything else, other than strumming chords. The chord is the basic building block of guitar music. A chord is simply a combination of two of more notes played simultaneously. Different combinations give you different chords. There are different classes of chords, such as Major Chords, Minor Chords, Triads, Suspended Chords, Diminished Chords, etc...
The first of these guitars was the Slash “Snakepit” Les Paul Standard, which was introduced by the Gibson Custom Shop in 1996. It has a transparent cranberry red finish over a flame maple top, a relief carving of the smoking snake graphic off the cover of Slash’s Snakepit‘s debut album, It’s Five O’Clock Somewhere, hand carved by Bruce J. Kunkel (owner of Kunkel Guitars – kunkelguitars.com), and a mother of pearl inlay of a cobra wrapped up the length of the ebony fretboard. Production was limited to 50, with Slash receiving the first four including the prototype, the only one with the carving on the body turned 90 degrees to be viewed right side up when displayed on a guitar stand. In 1998 Slash’s studio was broken into and his guitars were stolen, including the “Snakepit” prototype, so the Gibson Custom Shop built him a replica. These guitars are by far the rarest and most collectible of any of the Gibson Slash signature guitars, they sold for around $5,000 when new, the Hollywood Guitar Center was asking $20,000 for one in 2002.[citation needed] In 1997, Epiphone released a more affordable version of the “Snakepit” Les Paul, featuring a decal of the smoking snake logo and standard fretboard inlay.[32]

Because overdrive and distortion add a lot of high frequency harmonics to the signal they will quickly muddy up the sound if a large number of notes are struck simultaneously. i.e. full open chords and full barres don't work with overdrive, they muddy up. What you play are simple forms, generally no more than three notes simultaneously. For example an "A" power chord is (high E to low E)
I have my Dad's '68 Kent guitar and am looking to have it restored..any info on parts would be helpful...I think all it needs is the spring for the vibrato (whammy bar)...everything else is there...the rubber piece on the bridge looks quite worn or perhaps brittle (rightfully so). Does anyone know what this guitar is worth? It's in orange sunburst ...It's a left handed guitar

Why Martin electric guitars have never been more popular isn’t too hard to figure out. Martin, whose expertise has always been in top-notch acoustics, never really put a lot of effort into marketing its electrics. They were always well made, and, especially in the necks, clearly “Martins.” In the final analysis, however, it probably comes down to being victims of the success of their acoustic brothers, and players have just never seemed to warm up to the idea of Martin “electric” guitars. For the savvy collector with a taste for quality and relative rarity, Martin electrics remain excellent and attainable prizes.

Even with tone control maxed some high frequencies get cut. To let all the frequencies through you can either get a no-load pot or make one. CTS makes them for Fender and what they do is simply break the connection between the wiper and conductive element when pot is maxed. Additionally, they have an indentation so once they reach maximum setting they “click” and it’s not that easy to turn them back. To make your own just cut (or cover with nail polish) the element near the end, so that resistance between the wiper and the opposite lug reads infinite when maxed, at lower settings it should read as usual.
In March 2008, Vox unveiled the semi-hollow Vox Virage DC (double cutaway) and SC (single cutaway) at the NAMM show. Notable characteristics include a 3D contoured ergonomic design which not only had an arch top, but also bent back from the neck toward the base of the guitar hugging the player's body. The guitar body was milled from a single block of wood and had a fitted face in combinations of mahogany and ash. A new triple coil pick-up system designed by DiMarzio called the Three-90 emulates a humbucker, P-90, or single-coil tone.

Wow !...TOP 5...When inbought this game I had my diubts that it wouldnt be as good as everyone said it was; but was I wrong this game is literally one of the best games I have ever played I definetly recomend it to everyone....I researched this Grand Theft Auto V for Xbox One and watched the "trailers" on it and it was the best pixel graphics and audio sound that both were very realistic, and the recipient is a "car enthusiast" appreciation of cars, so I was sure he'd really enjoy this game, just as I'm sure that we have the best value benefit of a really great fun game, so I would highl recommend!
The Epiphone LP Special II Les Paul Collection Electric Guitar is a GREAT GUITAR for $169.00 (The average selling price at the time of this review). The pickups, tune-o-matic bridge and stop piece are the same ones used in Epiphone's more expensive guitars, and are similar to what's used in much more expensive Gibsons. Although the tone adjustments have been simplified to a toggle between the three pickup combinations and an overall tone control for both pickups, this is not as big a deal as many might make of it. Given the vast array of other things that influence electric guitar sound -- strings, amp choice and settings, effects pedals and so forth -- the guitar sounds great as is.
For acoustic players, the Rogue Beginner Acoustic Dreadnought guitar with Accessory Pack comes highly rated. Included within this pack is Rogue's exceptionally crafted beginner acoustic dreadnought, along with a Musician's Gear Tubular Guitar Stand and premium Pearloid Celluloid pick, an Ernie Ball polish cloth, and 12 80/10 Bronze acoustic guitar strings. Overall, it's a worthy yet affordable pack for any budding guitarist.
In addition to guitars, Gibson offers consumer electronics through its subsidiaries Gibson Innovations (Philips brand), TEAC Corporation (TEAC and Esoteric brands), Onkyo Corporation (Onkyo and Pioneer brands), Cerwin Vega and Stanton,[6] as well as professional audio equipment from KRK Systems, pianos from their wholly owned subsidiary Baldwin Piano, and music software from Cakewalk. (See section #Instruments)

The Gibson Mandolin-Guitar Mfg. Co., Ltd. was founded by Orville Gibson in 1902 in Kalamazoo, Michigan when he brought in a consortium of investors to finance expansion to keep up with demand. Orville had been selling his hand made instruments since 1894 and was awarded a patent for his one-piece designed mandolin in 1898. He also invented Archtop Guitars around that same time by applying similar lutherie techniques to those used on violins.

In Part 4 of Gibson’s Effects Explained series we’re going to look at modulation effects. This group includes phasing, flanging, chorus, vibrato and tremolo, rotary speaker effects, and octave dividers, the latter of which I have loosely grouped in here because … well, they don’t fit in overdrive or delay, do they? Later analog versions of the first three of these—phasing, flanging, and chorus—do, as a matter of fact, use much of the same technology as echo and delay units, although with chips having shorter delay times, but it makes sense to include them here because their obvious sonic characteristics are of a type with other units made from very different kinds of circuits. Most such effects were developed in an effort to add depth, dimension and movement to the guitar’s natural sound without necessarily distorting it, strictly speaking. A few noteworthy types also developed from effects that were in use on the electronic organ. This is another big category, so we’ll split it into two chunks.
Note that the information presented in this article is for reference purposes only. Antique Electronic Supply makes no claims, promises, or guarantees about the accuracy, completeness, or adequacy of the contents of this article, and expressly disclaims liability for errors or omissions on the part of the author. No warranty of any kind, implied, expressed, or statutory, including but not limited to the warranties of non-infringement of third party rights, title, merchantability, or fitness for a particular purpose, is given with respect to the contents of this article or its links to other resources.
Originality of an instrument is very important. Modifications (any modifications), are a bad thing in the eyes of a collector. This will greatly influence value. Modifications can often be determined by looking at the model specs for a particular year guitar in this web page, and compare to your instrument. On flat top martins, the most common modifications are a replaced bridge, replaced tuners, or replaced frets.
Guitar is well made. Sounds awesome. The overall height of the strings (in relation to the frets) were not bad. However, it needed to be setup. After having the guitar setup at my local shop, it is so much easier to play (don't have to press as hard on the strings). The Guitar gig bag that comes with the bundle offers zero padding. The Tuner works well, however, since the guitar comes with a built-in tuner, you don't need a separate one. I have not used the dvd that came with it. I use a different set of instructional dvds (purchased separately). Overall a great guitar. Definitely recommend it.

If anybody needs a Bridge, I have a Teisco Roller Bridge for sale, it is a a copy of a Gretsch Roller bridge but includes a solid steel Base like a Rickenbacker Bridge Base. The string saddles are rollers which are adjustable side-to-side for proper string spacing, and each side of the bridge is adjustable for Height. It is in excellent condition, probably from 1965 thru 1968. On a scale of 0 to 10, it is a 8.
Basic guitar chords are built using the first, third, and fifth tones of the scale that corresponds with the chord you want to play. For instance, if you want to play a G major chord, you go to the G major scale and find the first, third, and fifth notes in the scale. The G major scale has one sharp (F), so the notes in the scale are G-A-B-C-D-E-F#. The first note is G, the third note is a B, and the fifth note is D. These are the notes you need to make a G major chord. If you wanted a G minor chord all you need to do is make the third note a flat. This system applies to any chord you want to build. These three note chords are called triads and make up the bulk of the beginner open positions chords you’ll use to play a lot of guitar chords songs. When you study these chord shapes, you’ll notice that the root of the note (the first note) usually appears on the lower string and is doubled on a higher string, which reinforces the key tonality.

Featuring the Wilkinson WTB Bridge this classic 3-saddle design has been around for over 50 years and is still regarded as the ultimate tone machine. Staggered brass saddles offer individual string intonation never before available in a design of this type. The baseplate itself is a faithful reproduction of the original, made from steel, very important in a bridge of this style due to the tonal effect it has on the magnetic field of the pickup mounted in it.
The Dolce is a cedar-top, with mahogany back and sides, and the usual set of Savarez Cristal Corum high-tension strings. At 9 lbs and 38” this is a slightly shorter and lighter-weight guitar, which will be more appropriate for a smaller person. This guitar does not come with a gig bag or other accessories, so if you choose this guitar, prepare to make a list of what your instructor of choice says you need.
Hello, Our rhythm guitarist had a 12- string Mark X11 guitar by Vox back in 1967. It had a protective back pad ( 8 sided) on the back that snapped on. It was only made from 1964 - 1967. In mint shape, the Italian made one is worth at least $1,000.00 and the Engish made one is worth at least $1,500.00. Remember that is for a Mint shape guitar.(Info from Blue Book of Electric guitars -7th Edition 1999) You can see our guitarists sunburst Vox Mark X11 at Myfirstband.com ,click on Indiana -(SOS) Society of Sound page. There is a group shot and a close up in color of him with it. Peace........Rockin Rory in Indiana
Speaking of Cambridge in the late sixties, of course Dave Gilmour was another who came out of that scene, but he and Nick were far from alone. For example, there was (and is) Fred Frith. I’ve never warmed to his music but it’s certainly different and he and his group have changed people’s ideas of what music is. You deserve it to yourself to check him out before you dismiss him. Then there’s Derek Bailey, who ploughs a parallel furrow, but for sure knows how to play a guitar. Personally, in that vein, I find Billy Jenkins much more fun – fans of Tom Morelli’s style should be checking all these guys out.

5. Marshall Code 50 1x12 Digital Combo Amp ($249.99): Marshall is the household name of the amp industry and their inclusion on this list was a definite must. The Code 50 boasts more than 100 presets in an easy-to-transport package. As with most of the amps on this list, the Code 50 also includes a mini USB plug-in for ease of recording, headphone capability for practicing late into the night, and even an aux input for jamming along with music on your smartphone. You can even control it directly via Bluetooth and the mobile app. It also delivers 50 watts through a 12-inch speaker so it’s great for practice or rehearsal.

It is definitely an opinion based list, ask 100 people, and get 100 different answers. But please, 99 out of those100 would have Clapton on it, the list loses credibility without him. Pictures of “Clapton is God” tags around England stick in my mind. Even among his peers he is revered, he just has to be here! Page should be higher, but of course, that’s just my “opinion”.

Les Paul was an extraordinary pioneer of music and instrument development, and he also paved the way for popular music today from blues and jazz to rock, country, and metal.  The Les Paul electric guitar stems from one of the best electric git brands to date – Gibson.  This came to be with Paul’s and Gibson president Ted McCarty’s collaboration to find the best electric guitar with resonance and sustain but with less distortion.  Since they couldn’t find one, they had to make one.

When Electric Guitars first hit the music market way back in the early fifties, they weren’t easily accepted by the people. However, later electric guitars became an integral part of the music industry throughout the world. The following article describes this amazing music instrument, which unlike its conventional counter-part, works on the laws of electromagnetism.
While Paul's Rick bass surged like an undertow, George Harrison's double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished "You Can't Do That," "Eight Days a Week," and "A Hard Day's Night," to name just three 12-string cuts from the 1964-65 period. Thus the Beatles created unprecedented, international interest in Rickenbackers, which many fans actually believed came from Britain...  (Before 1964 all Rickenbacker guitars had been made at the original Electro String factory in Los Angeles. That year Hall moved it over a six month period to Santa Ana, in nearby Orange County. )
But add some effects to the blend and the results can be even more interesting. Keyboard-like tones can be generated by rolling off the tone pots and employing digital delay, expanding the sound of your band without overstuffing the van, and the gentle application of a phase shifter or wah-wah can bring an interesting voice to warm, low tones. Jimi Hendrix’s “Pali Gap” is a classic example of the latter.
Awesome for the money! I have had my guitar for about a month now. The guitar itself is worth the money. I play on a 100w amp at church and it sounds good. Definitely not the highest quality but still a good full body sound. (After restringing it. The strings it comes with are garbage) The amp that this comes with is nice ... I actually was using it as a practice amp with my bass and it did fine. Nothing that I could play with any other instruments but definitely can hear what I'm doing. My son also uses it as a practice amp on an electric guitar and it does fine, it doesn't have any functions just meant to be an accustic amp. Definitely worth the money.
I ordered this item from their ebay store, roughly the same price with shipping, very easy to read point to point instructions, this was my first diy pedal, I've fooled around with a soldering iron but not enough to speak of. I bought it because I was not pleased with my Peavey Valveking 112's boost sound, it not only boosts the signal, it changes the tone, from the reviews I watched on youtube, it sounded like this pedal would do the trick, for the price, and the fun of a first time build, I love it, it boosts the signal with no change in tone, I'm not super impressed with the pedal's distortion tone, but I am spoiled with that saturated tube tone, there is some extra hum when I turn on the pedal, I don't know if this is my fault from the build, or what, but I would ... full review

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This specific review is for the full-size guitar, which is 40”, so if you read all the reviews on Amazon, many of them are for the ½ and ¾ size. If you’re an adult with smaller hands, purchasing the smaller sizes may be a better bet than trying to wrestle with a full-size instrument. Size doesn’t necessarily have to do with this guitar model’s tone, which many reviewers say is quite good for the price.

Includes hand cutting and shaping new fingerboard nut from scratch, and fitting it specifically for each instrument. Some variation in pricing is due to the unexpected difficulty in removing some nuts. It is highly recommended each instrument be set up to ensure optimal playability. Restringing is NOT included. Price excludes cost of blank ($6 for bone/synthetic)

The 4000 series were the first Rickenbacker bass guitars, production beginning in 1957. The 4000 was followed by the very popular 4001 (in 1961), the 4002 (limited edition bass introduced in 1977), the 4008 (an eight-string model introduced in the mid-1970s), the 4003 (in 1979, replacing the 4001 entirely in 1986 and still in production in 2012), and most recently the 4004 series. There was also the 4005, a hollow-bodied bass guitar (discontinued in 1984); it did not resemble any of the other 4000 series basses, but rather the new style 360-370 guitars. The 4001S (introduced 1964) was basically a 4001 but with no binding and dot fingerboard inlays. It was exported to England as the RM1999. However, Paul McCartney received the very first 4001S (his unit was left-handed, and later modified to include a “zero fret“).
yeah i know the GSP has 2 EQ ( well 3 if i wanted to use up a slot in the OD section ) but i use both EQs on the GSP and i prefer a external eq, that i can adjust on the spot depending on that patch, rather then going in and changing the EQ each time on that patch. I use 3 different guitars each one is totally different in sound, so the external EQ really helps.
Plays like a Fender, sounds like a Gibson! Absolutely amazing and incredibly versatile guitar. The pickups are really impressive, the playability is second to none. I sold my first G&L, I'll never live down the regret, so I bought another one. I haven't played a PRS yet, but I own a Fender Strat and a Gibson Les Paul, Schecter and an ESP Eclipse, but it's my that G&L gets the most play time!
The pickup itself consists of a long magnet, or a number of cylindrical magnets in a row, around which is a wire coil. The vibrations of the electric guitar’s strings cause changes in the magnetic field of these magnets, which in turn is able to induce a current in the coiled wire. This current is then passed on to the amplifier, which produces the sound. The stronger the magnets used in the pickups, the more sensitive they are to the string’s vibrations.
When we take a look at a guitar neck, it is important that the guitar is under string tension and in playing condition when measured. The PLEK measures the instruments neck and fret height with the instrument strung up to pitch. The computer ascertained a 3-D like graph of the fret board surface, including the position and height of the strings. Thanks to the PLEK SCAN the relief of the neck made by the string tension is taken into account while calculating the process-parameters. The operator then has the ability to manipulate the parameters to give the player an optimal playing instrument.
It features a solid mahogany top, supported by laminate mahogany back and sides, which gives a warmer tonality and a very earthy vibe. It also comes with Graphtech NuBone nut and saddle, a premium feature that you normally have to pay extra to add into your guitar. Giving this guitar its amplified voice is a Fishman Presys II 301T electronic pickup/preamp system that comes with a built-in tuner. On top of all that, the Washburn WL012SE does not skimp on ornamentation, which includes the Washburn Parquet rosette and rosewood bindings.
While the Boss ME-80 doesn’t have anything in terms of extras to really blow expectations out of the water, it includes some nice and handy features. The onboard looper works well and has 38 seconds of loop time, which is enough time to do some basic jamming over some chords. And speaking of jamming, the AUX input on the back of the ME-80 is nice, since it allows you to plug in an iPhone/metronome/mp3 player/any other music playing device and jam along with your music (this is fun and a feature we would actually use). The USB output lets you take patch editing over to your computer, in BOSS's Tone Studio software. Cool, but not necessary since editing patches is actually very easy and actually quite fun on the unit itself (no complicated menus to go through - just fun knobs!). One idiosyncrasy to be aware of is that if you plug anything into the headphones jack, the speaker simulator is automatically enabled. This is great for solo practice in your headphones, but note that that’s the only way to actually switch it on.

On entering a studio, some guitarists ask if they should leave off the effects they normally use and add them in later. Of course, this can be done; however, if the effects are integral to the desired sound and you are ‘playing’ the effect as much as you are the instrument – fuzzboxes, heavy spring reverb, long delays and so on – it might be difficult to create the right feel during the take without them. If there is uncertainty as to whether the effects are spot-on, split the signal to retain the option of reworking the sound during the mixing process.

Beginners face this very common problem when they go for the cheaper options. The strings are usually far from the fret board, and due to lack of knowledge, many think that this is how it was meant to be. Such a guitar brings pain to the fingers since force has to be applied to lower the string to the fret board so as to produce sound. All these difficulties make it very hard for a beginner to learn the guitar. For you to learn the guitar quickly and without problems, you should get a guitar whose distance from string to fret is less.
I was buying my first acoustic guitar ever in my life, and I'm happy to say I picked this store. When you walk in you pretty much feel that you're in another world filled with music and color in contrast with the cloudy days of Seattle. I researched a little on their website before coming in to see what guitars were within my price range, what type of finish and strings. I said to the guy who greeted me at the door: "I'm looking to my buy very first acoustic guitar." And felt a little nervous not knowing anything about playing. Handed him my note card of guitars and he led me into a practice room where he brought the guitars I was interested in and played them for me (since I had zerrrrrooo experience) so I could hear the tone of the guitars. He was very professional, and also took his time making sure that I picked a guitar that I liked. Even gave me a little history about where they are made and how the company sources their wood, etc. Very nice! I forgot his name, but he had curly blonde hair. (If you read this, Hi! And thank you). In addition, an instructor, Ted, who works there also offered me a free first lesson and have been taking lessons since then. The people there are all welcoming and have a real passion for what they do. It's always fun going by their store. Check it out! Please respect their bag policy if you are asked to leave it with them while you are in the store... if you don't feel comfortable, then leave your guitar at home. Easy.
Octave effects take the input signal and produce synthesized tones that are one or more octaves above or below it. They can be blended in with the input signal to harmonize with it in real time. The effect can be synthesized by monitoring the waveform of the input and multiplying or dividing the observed frequency by, for example, 2 (to go up or down an octave) or 4 (to go up or down two octaves). This takes advantage of the fact that tones that are an octave apart have a 2:1 frequency relationship; the frequency of the tone one octave higher than a root tone is always double the frequency of the root tone.

when I started playing, if you wanted distortion, you "cranked up" the volume on the guitar and the amp. my old Gibson amp had reverb and tremolo. I used to play without reverb or tremolo. nowadays, in my old age, I use a little reverb for flavoring. I have pedals, but it's too much hassle to set everything up. so, I just plug into the amp with a little reverb. I'm happy and that's all that really counts. isn't it ?

One glance at this bad boy reveals just how accurate it is to the 1959 version. We are talking exact same tubeless truss rod assembly, aniline dye, exact same finish... everything. In terms of hardware, they went with a set of Klauson Deluxe tuners and period specific Tune-o-Matic bridge. The custom humbuckers were coiled and voiced to perfectly match the original PAF design from the late '50s which was done using Alnico III magnets and 42 AWG wire. The performance of this guitar is an experience that is rarely found out there.
Simple and great idea! Ordered it from StewMac and received it in the mail two days later. Mounted it on my Taylor acoustic instantly and played for hours! Haven't put it on an electric yet but have every bit of confidence that it'll work like a charm there as well! Very handy piece to have in your studio....quickly turn any guitar into a slide-playing machine!
Guitar amplifiers vary in wattage. If you're playing to a massive audience, you'll want several 100-watt amps; however, for everyday use, that is overkill. If you merely want it for practice, a 10-watt solid state guitar amplifier will do, and if you're playing to a small venue, you'll probably want to consider a 20-watt valve amp. It's surprising how much sound a little amp will produce.
These soundfonts were started by converting some presets from the gig files using cdextract demo and then altered using Viena, Swami and SF2Comp. The gig files are better as they contain more samples and a better variety of presets that were not possible in the soundfont format. For instance, I could not include the Fender reverb samples as the release samples would all play at the same volume no matter where in the envolope the key was released. So, if you have a chance you would be better off to use the gigasamples. They can be used in LinuxSampler of which is free and runs on windows and linux. Some people need samples in sound font format though, so I have created these samples out of the same samples that I used for the giga samples. I also have an impulse response of the Fender Reverb that I made with voxengo for download on the Other Stuff page so you can use that if you want to get the reverb sound with the soundfonts. At the moment I use Freeverb3 for realtime impulse in windows and Jconv in linux.
The electric guitar ("El Gtr" in engineer shorthand) is one of the easiest instruments to record. Even a modest rig-a good guitar coupled with a decent amplifier-makes the engineer's job a cinch, offering plenty of level, a variety of easily adjustable tones, and-with most modern amps, at least-an assortment of "flavor enhancers" such as tube saturation, overdrive, and compression. In addition, the limited bandwidth of a typical electric-guitar track is ideally suited to the frequency response of affordable dynamic microphones. But that doesn't mean that using the age-old standard of miking guitar amps-a Shure SM57 shoved up against the grille cloth-is the best way to get El Gtr to stand out in a mix.
This Gibson Skylark Tweed has recently been totally overhauled. I will send the repair ticket dated 10/9/2018 with the amp. It states: Replaced transformer wired to spec. Tested tubes - good to new. Replaced all dead filter caps, installed terminal strips. Replaced power chord w/3 prong grounded plug. Replaced leaking coupling caps and bypass cap. Replaced cathode resistor. Cleaned and deoxidized jacks and pot. Replaced fuse. The speaker is not original but sounds fantastic. Don’t pass up this vintage jewel.
Before I start, I want to mention a few things about this particular guitar. It looks and (potentially) sounds great. The neck plays well too, but it has some tuning problems and buzzes a bit more than I’d like. The tuning problems are coming from two areas. Firstly the nut slots are too tight, made evident by the strings making a pinging noise when they are tuned up or down. This means that it is difficult to fine tune, as the string’s pitch tends to “jump” up or down. The second reason for the tuning issues is that the intonation is way out. By that I mean that the saddles’ forwards/backwards positions are not set up well, and so when the open strings are correctly tuned, and we then play up the neck, it suddenly seems out of tune again.
Ring modulation: In the context of signal reshaping, the ring modulator takes the signal from the instrument and adds a second signal from a local oscillator or signal source. The two signals are combined to produce the sum and difference frequencies, which are then the output of the device. This scheme was used in the electronic music of the 1950's. The output frequencies track the input signal frequencies, but do not equal them, so there is a shift from the original pitches. The ring modulator has been produced as a footpedal, and ring modulator type effects are included in some modern electronic effects boxes.
Epiphone, coolest brand ever. More songs have been written on Epiphone guitars than any other. Sure! Gibson bought & attempted to hijack the Epiphone kudos, but failed, as all that happened was Epiphone became the affordable brand of the people. Gibson & Taylor are by far…so far…the least cool brands ever. I’m telling you, more songs (filled with passion & desperation & anger) have been written on Epiphone guitars than any other, by folk who can’t afford or don’t have a mummy to buy them a Fender strat or Gibson.

The most common route for absolute beginners will likely be a good, old fashioned guitar instruction book. We’ve all seen at least one of these kicking around. They tend to have a guitar and some interesting 80s-inspired graphics emblazoned on the front. The typical format is either an encyclopedia of scales and chords (indeed, some on this list follow that formula), or a series of songs broken down into digestible theory tidbits often accompanied by an ancient information vessel known as a Compact Disc.
One reason that some bass players choose to use a "bass stack" rather than a combo is that the separate component approach enables bassists to use different speaker cabinets for different shows or activities. For example, a bassist playing a stadium may use an 8x10" cab for this show, but then bring a 4x10" cab for a nightclub show the next day, or a 1x12" cab for a studio recording.
It's Mal - i posted the comment ref the muted G string on my Epi Les Paul 1960 Tribute - thanks for your response it was very good of you. I'm going to be playing (when i say playing i really mean faffing with) my guitar later so i'll have a look at the saddle, though i have rubbed my finger over it to see if there were any obvious issues which there wasn't. I have also rubbed the graphite from my clutch pencil over it when changing strings - no improvement; i'll get magnifier out and take a closer look and let you know, i may take you up on your kind offer if i'm still stumped.
@Josh – Changing the order of the effects in your signal chain can drastically change the sound you get from each pedal depending on where it was before and where it is now. Can you please send us an email to support@strymon.net with further details including a video recording of what you are experiencing so we have a better idea of what is happening?
   These prices reflect the opinion/perception of the editor of guitarrepairshop.com. while these are prices one could expect from a quality repair shop, repair rates can vary. A full time repairman can have as much training time and investment in tools as any mechanic. Shop overhead costs are on par with those of any other profession, so if you take your instrument to a professional shop, expect to pay professional rates. And expect professional work. While this list reflects prices one would expect to pay at a professional shop, rates will vary. Expect to pay by the hour for some extensive restoration jobs. Rates based on an hourly charge of $60.00 p/hour. Shop minimum labor charge - $60.00 Prices updated January 2014
Anytime a single coil-sized humbucker is split, a tiny coil is the one seeing the strings, so the volume is going to drop. You can split to the other coil, or set the switch to wire the pickup in parallel, which will keep it hum cancelling. However, splitting to the other coil in a neck position Cool Rails probably won’t be a big difference in sound since the coils are pretty close together and pretty small.
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Its not exactly the same as an amplifier, but you can come close, or you can use the effects, looping capabilities and other features of the app to create new sounds that aren’t at all like what you would get from an amplifier. Many pro audio manufacturers sell foot pedals that feature amp modeling too - Boss, Digitech, TC Electronics, Roland just to name a few.

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Ed. 2014 Hummingbird Artist Toby Standard IV MB-100 Les Paul Player Pack PR-4E Acoustic/Electric Player Pack DR-212 EB-0 Slash "AFD" Les Paul Special-II Outfit Masterbilt DR-400MCE Epiphone Embassy PRO Bass Ltd. Ed. Wildkat Studio Ltd. Ed. EJ-160E Acoustic/Electric G-310 (LH) G-310 Ltd Ed "1964" Caballero Electar Inspired by "1939" Century Lap Steel Outfit Ltd. Ed. EJ-200 Artist AJ-220SCE Toby Deluxe IV Les Paul 100 Slash "AFD" Les Paul Performance Pack Toby Bass Performance Pack Ltd. Ed. Hummingbird PRO Jeff Waters "Annihilation-II™" Flying-V Worn G-400 Dot Studio PR-5E Toby Deluxe-V Hummingbird PRO Dove PRO EL-00 PRO PRO-1 Explorer Performance Pack PRO-1 Les Paul Jr. Performance Pack Goth Les Paul Studio Thunderbird-IV Goth Thunderbird-IV EB-3 G-400 PRO Les Paul Studio G-400 PRO (LH) Viola ES-335 PRO Ltd. Ed. 2014 Nighthawk Custom Quilt Ltd. Ed. ES-339 P90 PRO Ltd. 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Slash Les Paul Standard Plustop PRO Premium Outfit Thunderbird Vintage PRO Bass Epiphone Ltd. Ed. Jason Hook "M-4" Explorer Outfit Epiphone Ltd. Ed. Dot Deluxe CE Coupe (Nylon String) SST Coupe (Steel String) Hummingbird Tenor Acoustic/Electric Ukulele Les Paul® Tenor Acoustic/Electric Ukulele Ltd. Ed. Peter Frampton "1964" Texan Premium Outfit Ltd. Ed. Peter Frampton "1964" Texan Ltd. Ed. Peter Frampton Les Paul Custom PRO Premium Outfit Ltd. Ed. Peter Frampton Les Paul Custom PRO Ltd. Ed. Slash Firebird Ltd. Ed. Slash Firebird Premium Outfit Ltd. Ed. John Lee Hooker 100th Anniversary Zephyr Outfit Ltd. Ed. "Mayday Monster" EJ-200SCE Outfit
It features a solid mahogany top with laminated sapele back and sides, leading to a warm tone that’s a joy to listen too. Despite the small body size, the BT2 has a robust projection, thanks to the arched back. The neck is joined to the body via screws, which tarnish the look a little, but leave no impact on the slick playability or the tone, so aren’t a big deal.
The Octavia was created by Roger Mayer for Jimi Hendrix in 1967. It’s musical debut can be heard on “Purple Haze” on the Are You Experienced record. One of the many ground breaking sounds on this recording. The pedal produces a doubling effect an octave above the fundamental note. The octave is similar to a ring modulator in that it is kind of dirty and strange sounding.

“Ceramic is a much more powerful magnet again [than Alnico V]. The bass and treble get boosted significantly. A lot of people think ceramic magnets scoop the mids out, but when you analyse it you find the mids tend to stay where they are – it’s just that the bass and treble get boosted so much you get a V-shaped taper in the EQ. Ceramic pickups tend to suit players who need a very fast and percussive pick attack.”
Guitar Tricks is available 24/7, anytime and anywhere I want to use it. It is browser based and I can get to it from any computer, even when I am away on vacations.  There are different video resolutions that can help with adjusting to a slower internet connection or to watch the lesson on the go on a mobile phone. There is also an iPad app available for free, and no need for additional in-app purchases, that gives access to the core features of Guitar Tricks.
Sure, your pickups pick up the sound, and your amp amplifies it, but even before they get to handle it, your precious tone has already been formed by the interaction of string and wood. Pluck a string, and you set into motion a transference of vibrational energy from the strings into the wood of the body and neck (via different coupling elements such as bridge saddles, nut, and frets). The spectrum of sounds kicked out by this acoustic interaction is the biggest determining factor at the heart of the sound that eventually reaches the listener’s ear, however you delay, spin, or distort it along the way. Let’s look at the characteristic voices of a few tone woods, and see how they contribute to our guitar’s sound.
The best features of the guitar, are the lovely inlaid pearl blocks on the fretboard, and the colour, a kind of fisheye sunburst, which I had never seen on a guitar before I bought it, and after searching for ages I have still never seen on another guitar. I have had it for a while but is my baby, and there is not so much as a scratch or scuff on it, it's pristene.

Mahogany is a durable wood, often described as dense and that is used in the construction of guitars. The main advantage of purchasing an instrument made from this material is the fact that it highlights the unit’s bass and midrange. Therefore, if you are into mellower tones, this is the material that you should pay attention to. The resulting guitars made from this material are usually brown.

Oh man.......... back to that Firebird 12. It is luscious. I have several tracks from 1973 where I used metal finger picks when tracking that thing and playing high up on the neck with a bit of compression.... heaven!!! I then did some standard chaka chaka rhythm parts with the 12 through a Marshall 50 watt.... heaven x 100. The guitar is SO comfortable to play, sits in ANY mix perfectly and dominates the "oooohhhh" factor with its sound. Please please please sell it to me!!!!!!
Non Locking Tremolo FAT/SAT TREMOLO TREMOLO ARM INSTALLATION The tremolo arm can be inserted and removed very easily. Insert the arm into the armhole on the tremolo base plate. Pull up on the arm to remove it. TREMOLO ARM ADJUSTMENT (SAT PRO) To adjust the height of the arm, remove the tremolo spring cover from the back of the guitar, and use a 3 mm Allen wrench to turn the height adjustment screw attached to the bottom of the tremolo block.
I will Provide lessons to Beginner and intermediate Guitarists. I can also teach theory and show you how to apply it to your instrument. I am willing to travel but you must provide me with gas money and an extra expense for coming to you. you can come to my home for lessons and we can work in the dinning room. iv learned many genres and can teach you how to play in almost any band. please keep in mind I'm not here to teach you songs. i wanna make you into and all around good musician. I had a lot of success teaching children and adults.
As far as using the tone knob, it’s all about personal preference, and the quality of the electronics in the guitar (and the amp). Players of less expensive guitars often find that the tone of the guitar becomes “muddy” or “stuffy” very quickly as they turn down tone (or volume), and so they keep the guitar “wide open” with all knobs on their “10” setting. At the least, many players avoid going below “5” on the tone dial, keeping the majority of the midrange frequencies that define the real character of the guitar’s tone.
The metal guitars that emerged in the 80's were simply geared towards people into metal, aesthetically geared that is, since all guitarists in every genre want guitars that are easy to play. Their main benefit was in introducing better tremolo systems - the locking nut and fine tuners on the trem so you didn't have to unlock the nut to make fine tuning adjustments. I had one on my Stratocaster, you could go nuts with the whammy bar and it would stay locked in tune.
The Ibanez RG series is basically synonymous with shreddable metal music. Inspired by the classic JEM series of the glammy 80s rock years, this GRGR120EX guitar is perfect for the guitar player who aspires to be a real metalhead. The body is made of solid alder and it comes with a slick black binding. There are two super-high-output, extra-snarly Infinity R pickups that will respond well to overdrive and distortion pedals. Moreover, a rosewood fingerboard with classic Ibanez sharktooth inlays and sharp black hardware make this guitar look like the real deal.
This is a wide range of electric guitar series that have a stylish body and deliver high-quality sound. Cort guitars are fabricated by South Korean manufactures and have been on the market since 1973. Those who are keen on the appearance of the guitar can opt for this brand of electric guitar. This is an electric guitar that is available at an affordable price range between 10,000 to 40,000 INR.
Modulation is where we step away from the more subtle (relatively) effects which serve to colour an existing tone, and into areas where you can truly begin to add flavour and texture to your tone. There are a few main types of modulation; chorus, phase, tremolo, wah and flange. Chorus subtly mimics your tone with a microscopically detuned duplicate, which when played together adds a nice warm layer to the sound. As an example, play the ‘e’ note on your second string (fifth fret) and the open ‘e’ first string at the same time. Naturally, there is a cent or two difference in the tuning. But you can see that two virtually (but not exactly) instances of the same note makes everything sound a bit bigger and a bit wider. That, in an admittedly basic form, is the chorus effect.

Strumming Patterns: Not surprisingly, light distortion works great for strumming patterns, since it’s an effect without any timing or repeating issues.Chords: Depending on where the chords are being played, light distortion can work for swells and ringing chords.Short Arpeggios: This isn’t a place where you will hear a lot of distortion utilized. In some cases it can work, but it’s not a hallmark tactic.Quick Solos: If you’re dealing with a louder bridge solo, light distortion will often be coupled with another effect (delay, tremolo, chorus, etc.) to give it that extra boost.
Based both in Japan and the USA, this Japanese manufacturer produces guitars under different brand names: "ESP Standard," "ESP Custom Shop," "LTD Guitars and Basses," "Navigator," "Edwards Guitar and Basses," and "Grass Roots." Hisatake Shibuya opened his "Electric Sound Product" store in 1975 where he used to sell guitar spare parts. He then started to build his own parts and became a Kramer and Schecter subcontractor. His first signature guitar went to George Lynch (the Kamikaze), while the powerful Gibson Explorer copy designed for metal heads and adopted by a certain James Hetfield (Metallica) became almost as popular as its owner in the late 1980's and early 1990's.
Now I'm talking to the owner of my local mom & pop shop who sold me my Affinty (which is great but the string spacing sucks). Guy is leaning toward making a deal for an Austin. Maybe I'm dead wrong, but I don't like Austins, they are crap IMO. I told him I have some extra cash and maybe we could work something out, but I just feel like this guy has a lousy inventory of cheap guitars and I will be hard pressed to escape with a decent instrument. 

Vibrato should definitely be #1. All of those shred heads are choosing sweeps and tapping. I like sweeps and taps, but the vibrato and bends are the best and most important techniques in guitar because not only you can play good, but you can also add soul to your playing. You don't have to tap or sweep to be a better player than the other who doesn't use taps.
If you do have lead solder, the melting temperature is much lower, making for easier connections, but remember to wash your hands after you're done, and not to touch your face while working - lead is poisonous. With lead-free solder, the rosin lets off toxic smoke, so use a small desk fan to blow it away from you while you work, and open a window if possible.
Now we’ve got the basics down, let’s have a look at some simple modifiers to the circuit. This article first shows you how to add a “killswitch” to the guitar, then uses the lessons learned from that process to change that killswitch to a volume control instead. Finally, we’ll find out how capacitors are used in guitar circuits and install our first tone control.
If the LR Baggs Venue is a little too expensive for your taste, the Acoustimax Sonic Maximizer preamp from BBE gives you a lot of the same controls at less than half the price. Like the Venue, the Acoustimax is ideally designed for the gigging or studio acoustic guitar player who wants to have more control over their tone and be able to adjust for different rooms and environments. BBE delivers this control with a five-band EQ, as well as feedback and frequency dials.
Here’s the thing about acoustic guitars: those that use solid wood command a higher price than those that use laminates for their soundboard. Acoustic guitars that have a solid top are more sturdy and sound better as the wood matures. This is why solid wood models are usually more expensive, and also why they come highly recommended if you want to make a really good investment.

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Plug an electric guitar into the input. Adjust the input drive level as high as it will go without causing the input clipping light to activate. Adjust the drive level control to a level below where the drive clipping light activates. Different reverb sounds can be achieved by lowering and raising the reverb drive level. Adjust the reverb level for a nice sounding balance between the dry and reverb sounds. Adjust the output level for the optimum volume level. Now go play some surf music.
There were marked differences between the other Les Paul models and the Les Paul Junior. For instance, although the Junior’s body outline was clearly reminiscent of the original upmarket Les Paul guitar, the Junior issue was characterized by its flat-top “slab” mahogany body, finished in traditional Gibson Sunburst. The Junior was touted as an inexpensive option for Gibson electric guitar buyers[citation needed]: it had a single P-90 pickup, simple volume and tone controls, and the unbound rosewood fingerboard bore plain dot-shape position markers. However, as a concession to the aspirations of the beginning guitarist buyer, the Junior did feature the stud bridge/tailpiece similar to the second incarnation of the upscale Gold-Top.
:I purchased a Dorado Model 5990 in 1972 new and it was DISTRIBUTED by Gretch, made in Japan. This is a low price "starter" guitar that equals many higher priced brands. I can let it sit for weeks and it stays in tune. Age has mellowed the sound and it plays as well as any fender, Gibson, or even Gretch, of equal construction all things considered.
Open the case and you will find over 689MB of rich guitar tones ranging from 70 to 130BPM. These sensational loops are neatly arranged into 3 categories comprising of 50+ Ballad Hooks, 50+ Steady Riffs and 50+ Upbeat Jams, all applicable to a vast range of genres! From the clean, delay-drenched chime of Ballad Hook 'Serene' to the upbeat overdrive of Steady Riff 'Perpetual' and the crunchy swagger of Upbeat Jam 'Loose', STUDIO GUITARS redefines quality guitar samples and delivers them in stunning 24-bit high definition.
The second issue of the Les Paul guitar was introduced to the public in 1954. Called the Gibson Les Paul Custom, this entirely black guitar was dubbed the Black Beauty. The Les Paul Custom featured a mahogany top to differentiate the instrument from its Goldtop predecessor’s maple top. It also featured the new Tune-o-Matic bridge design and a pickup with an alnico-5 magnet, P-480, in the neck position. In addition, since 1957, the Custom was fitted with Gibson’s new humbucker pickups, PAF,[16] and later became available with three pickups instead of the more usual two. The three pickup model retained the standard Gibson 3-way switch so not all pickup combinations were possible. The neck and bridge-only settings were retained, but the middle switch position was set to enable the middle and bridge pickups. A common modification was to restore the standard neck/both/bridge switching combination and add a switch to enable the middle pickup on its own.[citation needed] The guitar is wired as a “normal”2 pick up Les Paul except there is a master volume , master tone, (for front and back pu) while the middle pick up has its own volume / tone. this allows the middle pu to turned out of the circuit or mixed with the other two. allowing many different tones.

Acoustic guitars vary by type. Some are designed for beginners, while others are customized for professional guitar players. Most of the major acoustic guitar brands are available in a variety of different styles, each designed to best suit a customers' specific playing needs. Ease and sound are certainly big factors to consider when choosing a new acoustic guitar.
FeaturesThe Gibson LogoAngled HeadstockAdjustable Truss RodNew Asymmetrical Neck Profile22-Fret Rosewood FingerboardAlloy Fret WireTrapezoid Inlays Set-Neck ConstructionPlus Maple TopChambered Mahogany BodyPickups: Gibson Burstbucker ProsTonePros Locking Tune-o-matic Bridge and Locking Stopbar TailpieceNitrocellulose FinishBody BindingCustom-Made PotentiometersLocking Neutrik JackLocking Grover TunersRevolutionary Plek Set UpNew Enlarged Neck Tenon
The customer then tells me that it was the second brand new preamp that they failed to get working. The first one they couldn’t get working and blamed it on a defective preamp. Could have been, who knows? So the guy orders another new preamp and they still couldn’t get it working after 2 weeks. Sadly, they charged him anyway and he left with a bass that still was not working. So he brings it to me after being recommended by some of my very kind customers.
#5? Are you joking? I have a PR-200 that I've owned for 15 years. I hate it. The action is ridiculous unless your fingertips are made out of adamantium or whatever the heck Wolverine is made from. The sound is muddled and a clash of midrange. Sustain is nonexistent. The frets have flattened on the high strings. News flash- I'm not spending $350 to re-fret a $279 guitar. Epiphone may make some good high end guitars but I don't trust them. If you make crappy low end guitars why should I trust your brand? You were supposed to get me to fall in love with the brand but you've made me hate it. My next guitar will be a Yamaha, Martin or Taylor.
Stimson’s basic pickup design was used on most of National Dobro’s subsequent electrics, however, by around 1935 or so, when Supro arrived on the scene, the pickup had been modified to have a single coil wrapped around the two bar poles. Nevertheless, virtually all of National Dobro/Valco pickups were evolutionary descendents of this Stimson pickup.
To do hammers-ons and pull-offs, you simply click the switch for it on, and every time you play two notes within a small enough interval it plays them as a hammer-on or pull-off. This seems great until you realize it still does this even if you hold those two notes down together like you were playing a chord. To not have the first note immediately cut out, you have to switch this feature off.

Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magaz... Read More
The key elements of mic positioning are distance from the source and orientation to it. Moving the mic closer to the amp provides more definition, increased highs and lows, and less room sound. As you pull the mic back, the sound becomes less detailed, more "midrangey," and more blended with the ambience. Depending on the room you're in, a distant-miked amp may gain a natural presence and unique character in the mix, despite an apparent decrease in definition. On the other hand, placing the mic too far back will result in a washed-out, murky, or hard-to-control tone.

G & L Guitars - Leo Fender founded this US Based guitar company with then-partner George Fullerton (hence the name G & L. They offer guitars similar to classic Fenders, but with some modern innovations. It is said that if Leo Fender stayed with Fender, their instruments will be upgraded to the G&L designs, which he considers as an upgrade to his classic guitar creations.

Ring modulator: A ring modulator produces a resonant, metallic sound by mixing an instrument's audio signal with a carrier wave generated by the device's internal oscillator. The original sound wave is suppressed and replaced by a "ring" of inharmonic higher and lower pitches or "sidebands".[70][78] A notable use of ring modulation is the guitar in the Black Sabbath song "Paranoid".[79]

Overdrive can be subtle and produce warm slightly overdriven tones, think SRV. Distortion is easy to see as simply more overdrive, these tones are more saturated and compressed. The spectrum of overdriven tones is huge, from BB King’s slightly overdriven tube amp tones to Eddie Van Halen’s cranked Marshall, to Metallica’s thick distortion, to Smashing Pumpkins’ fuzz tones. It is all actually the same idea is a general sense, these tones may be gotten with amps, pedals, or a combination of both but it is all the same idea, overdrive. What was considered a heavy distorted tone in the 70’s is tame to the metal sounds of today.
The guitar builder for the giants of jazz, Ibanez now introduces the Artstar AS153 Semi-Hollow Electric Guitar, to answer the needs of the working professional player. Crafted from specially selected tone woods, this guitar features a bone nut, ebony fingerboard, hand-rolled frets and Ibanez's famous Super 58 pickups-capable of tone magic any place...  Click To Read More About This Product
TC Electronic's Hall of Fame reverb pedal is stacked with features and is easily our top recommendation from this list. The first perk is a mode selector that gives you a total of ten different reverb types, in addition to the TonePrint option. TonePrint is TC Electronic's signature feature that allows you to program tones into your pedal designed by artists and popular musicians.
But there are more questions – are you a beginner, or do you have 20 years playing experience under your belt? Are you on a tight budget, or is money no object? Do you prefer funk, or are you a full-on metalhead? Somewhere the perfect guitar is waiting for you, and – with hundreds of reviews on this site – chances are we have featured it on these pages!
You aren’t likely to really know what works best until you get the song a little further along in the mix, when you can hear how the guitar sound sits with the vocals and other instrument tracks. Sometimes, what sounds like the best guitar tone in the room isn’t always the most effective guitar tone in the track, but as ever, at this point you can only take a stab at what you think will work. Through experience, you’ll build a tool kit of go-to mic positions that achieve what you are seeking.
In the 1960s Japanese guitar makers started to mainly copy American guitar designs and Ibanez branded copies of Gibson, Fender and Rickenbacker models started to appear. This resulted in the so called Ibanez lawsuit period. After the lawsuit period Hoshino Gakki introduced Ibanez models that were not copies of the Gibson or Fender designs such as the Iceman and Roadster. The company has produced its own guitar designs ever since. The late 1980s and early 1990s were an important period for the Ibanez brand. Hoshino Gakki's relationship with Frank Zappa's former guitarist Steve Vai resulted in the introduction of the Ibanez JEM and the Ibanez Universe models and after the earlier successes of the Roadster and Iceman models in the late 1970s/early 1980s, Hoshino Gakki entered the superstrat market with the RG series which were a lower priced version of the Ibanez JEM model.
The best advice any guitar player can give when it comes to figuring out which guitar to get is to buy the best model your money can afford. In most cases, this advice is rock solid. Even if you are a beginner who isn't sure whether or not you want to commit to playing guitar long term, you can always sell the guitar with a minimal loss, like a decent car versus a junker.  Think of it as an investment as long as you maintain and take care of it.
A better way to get distortion, of course, is to use guitar effect pedals. Got your hands on some pedals and starting to play around with the sounds you can make? Well, you can still use these tips to further enhance your distorted tone, since the same theory applies. Most distortion pedals have a volume, gain, and distortion knob in addition to whatever additional controls they give you. If you're simply not satisfied with your pedal's guitar distortion, you can turn the gain up and adjust the other settings, just like you'd do on your amp.

In attempting to amplify acoustic guitars, inventors and musicians alike soon discovered an issue that is still problematic for many of today’s acoustic guitarists — feedback. Hence, the evolution of solid body electric guitars, spearheaded by Vivi-Tone in 1934. Rickenbacker followed up by distributing the Electro Spanish in 1935 (Electro Spanish later being shortened to ES by Gibson for their line of hollow body and semi-hollow electric guitars), and the Slingerland Songster 401 was introduced in 1936. But some guitarists — mainly jazz and blues musicians — came to miss the warm, full-bodied tone that can only be generated by the free-space resonance of tops and backs made from quality tonewoods. And so it is that we also have the hybrid design of semi-hollow body electric guitars.