Double bass players playing in genres where a louder amplified tone (emphasizing the fundamental frequencies) is desired for the bass may be more likely to face the problem of audio feedback. Feedback for double bass generally manifests itself as a sharp, sudden high-volume "howling" sound that can damage loudspeakers. When acoustic instruments with resonant bodies are amplified with microphones and piezoelectric transducer pickups, the common approach used for amplified double basses, they are prone to have feedback problems. For acoustic bass guitars, soft plastic discs are available to block the sound hole, thus reducing feedback. Upright bass players sometimes use homemade foam or styrofoam inserts to fill in the "f" holes of the double bass, which can reduce feedback.
If you're a fan of the Grateful Dead, check out the D'Angelico Premier Series DC Grateful Dead Semi-Hollow Electric Guitar. In the acoustic department, the Alvarez Artist Series AD60 dreadnought acoustic guitar comes highly rated, thanks to its hand-selected spruce top, mahogany back and sides, and powerful tone. Singer-songwriters and fans of acoustic-driven music must check out the latest Ed Sheeran Martin guitar, the comfortable, easy-to-play Divide Signature Edition Little Martin acoustic-electric.
When you’re just getting into the electric guitar, there are a lot of items you’ll need to get going. This includes the guitar itself, tuners, straps, an amp, a bag or protective case, a stand, etc. Buying it all piece by piece can be rather expensive. It’s much more practical in financial terms to opt into one of the many starter packs on the market. If you want to know which ones are worth your time, here are the 8 best guitar starter packs for beginners:
"Guitarists frequently ask me to recommend a gig-worthy combo that sells for less than a thousand bucks," wrote Guitar World's Chris Gill in the May 2017 issue. "The question is never quite that simple though, as players often stipulate that they need great clean tones with plenty of headroom and that work well with pedals, a solid overdrive/distortion channel that really projects on stage, and really good reverb would be nice, too. While there are a few amps on the market that meet those requirements, the new PRS Sonzera series has jumped to the top of my list of recommendations."

This website is not affiliated with the Samick Musical Instrument Mfg. Company in any way. We do not deal in the buying or selling of instruments of any kind, nor do we offer evaluation services for your instruments. Most prices listed are MSRP, taken from catalogs and price lists, and have not been adjusted for inflation (unless specified) and do not reflect the actual street value a model may have sold at. More on prices here: MSRP.
The noise he complains about is likely ground loop hum, caused by multiple paths to ground, very common in pedalboards and I explained earlier. I do believe it’s better to get rid of noise rather than use a noise suppressor. Get rid of the noise, and you have a quieter signal path. I do use noise supressors but only to deal with noisy pedals while they are on, such as a compressor/distortion I love that can be a little noisy.
This company really does nothing for me. Hideous designs, cumbersome shaped guitars and the fact that they keep milking dime bags name just makes me feel like they don't have much else. There are definitely worse brands out there like first act and daisy rock (shudders) but I've always thought dean just always sucked as a metal guitar company and b.c. rich isn't to far behind them in my opinion.
Gain is the strength of the electronic signal carrying your sound. A standalone gain booster is essentially just a preamp, and can be an effective way to overdrive the preamp section of your amp, creating easier musical-sounding breakup and increasing the amp's power. A gain booster in a stomp box lets you instantly boost your sound level for solos without altering your fundamental tone.
This is where the roads came back together. Kaman continued to play guitar during his building of the helicopter business. He kept his guitars hanging on the wall, instead of in the case, so he could grab one if he felt like playing. As a result he ended up with lots of cracked backs, including one on a favorite Martin. Charles traveled down to Nazareth to get the guitar repaired and Fred Martin gave him a factory tour.
Effects on the Spider Classic 15 are a little easier to handle than those on the Champion 20. One knob accesses the chorus, flanger, phaser, and tremolo effects, while a separate knob accesses the reverb and echo effects. This arrangement makes it easy to blend different types of effects and makes the Spider Classic 15 a little more versatile than the Champion 20 if you are interested in coloring your sound more.
The majority of favoured mic pairs seem to include the trusty SM57, but its most popular partner appears to be the larger-diaphragm MD421 — users include Bob Rock, Bruce Fairbairn, Alan Winstanley, Joe Barresi, Simon Dawson, Stephen Street and The Matrix. Also high on the list is the pairing of the SM57 with a large-diaphragm condenser of some type, and Steve Churchyard, Toni Visconti, Jim Scott, Stephen Street, and John Leckie all name-check the U87 in this role.
Dyna Gakki began production in 1972 in the city of Nagano, Japan. They manufactured guitars for Fender Japan and Greco, so they couldn't have been a terrible manufacturer as Fender is very choosy about outsourcing their product. Dyna may have been a source for Japanese manufacturer Yamaki. Dyna also produced the infamous Ibanez badges for a short period of time.
As these same makers ramped up for digital production, digital choruses naturally joined the team. The effect as produced digitally might sound broadly similar, but it is done differently than in the analog circuits. Digital chorus pedals double a signal and add delay and pitch modulation to one path, the latter wobbling below and above the pitch of the unadulterated signal, which produces an audible out-of-tuneness when the paths are blended back together. It’s hard to fault the power and range of control that digital technology affords, and this version of the effect has been hugely successful, but many guitarists still prefer the subtle, watery shimmer of the analog version. Conversely, the same ears often find the digital variety makes them a little queasy.
In some ways, the Champion 20 isn’t quite as versatile as the other digital amps. For example, the Line 6 Spider Classic 15 has two effects selector knobs, allowing a guitarist to mix modulated effects such as phaser, flanger, and chorus with different types of reverb and echo. However, our panelists generally felt the Champion 20’s ease of use outweighed this disadvantage, and the Champion 20 does offer 12 different amp models as opposed to 4 on the Spider Classic 15. The Champion 20 also doesn’t play as loud as the Stage Right 611800, but all of our panelists thought it played plenty loud enough for beginners.

Guitar has a vicious tone, nice wood, great p[ickups. However the guitar I received has a problem with the volume control acting as a tone knob and also cuts out sometimes. The guitar chord had to be replaced because it was cheap and cut out like a bad phone chord. I have to take it in to a local guitar shop and have the volume control fixed. Not too expensive but some additional cost. I didn't want to send it back as I otherwise love the guitar and didn't want them to send me a different one rather than just repairing it. Plus I don't want to wait that long. But certainly a great guitar for the money. No question.
Essentially the 28s looked very similar to the E/EM/EB-18s. They had the same offset double cutaway body outline and the modified Viennese three-and-three headstock. Instead of maple laminate bodies with glued-in necks, the 28s had mahogany bodies and necks in a neck-through-body design. The basically slab bodies of the E-18 had gained a carved top, with a deep contour in the upper waist. The brass nut had become a Micarta nut. Fingerboards were now ebony. Finishes were sunburst.
Like a door that's repeatedly opened and closed, you'll sometimes need some basic maintenance. Ensure everything is tight, and get some electronic contact cleaner (available at any electronics store), various screwdrivers and wrenches and you can often solve your own problems. It's easier on a Gibson Les Paul (with backplate access to the controls) than on a Gibson ES-335, but it can be done.
Virtually all headphone amps offer a full menu of distortion, EQ, reverb, and a host of other digital effects, many of them simultaneously. So a headphone amp can usually double as a multi-effects processor, which is quite cool. Headphone amps also provide numerous presets — sounds preprogrammed by the manufacturer — plus full stereo sound (especially effective over headphones).
In contrast, wiring two pickups in series produces a longer path with increased resistance, adding volume while preventing the highest frequencies from getting through. With series wiring, the output of one pickup goes into the input of another pickup, while with standard parallel wiring, each pickup takes its own path to the output. Besides being noticeably louder, series wiring emphasizes low and midrange tones, and this is a perfect combination to drive any tube amp into saturation without the help of a booster.
i am writing this now because i can't even look at this guitar without thinking about this experience, and still can't enjoy playing this very expensive and special vintage piece. i went to great lengths to get all the way to this shop, it was extremely difficult, several trains, a really long walk. then i waited a truly insane 3 months, and then went to the same lengths to pick it back up. he did say to me to bring it back, but that was impossible. never in my life, in NY or LA, or anywhere in between have had to wait more than 1-2 days for any service on any guitar. in my experience he takes on way more work than he can handle and apparently doens't do a thorough job. 3 months is obscene. 1 month is unacceptable. bad experience, 100% waste of time & money. if he refunded my money it would not come close to the amount of time i had invested in getting here & back. truly negative experience. waste of much time.
While the combination of guitar, amp, effects and technique all play a crucial role in achieving the desired tone, it’s important to choose the right guitar for the job in the first place. There’s a reason why Stratocasters, Teles, Les Pauls and ES-335s have featured on so many classic recordings over the years; it’s because they are as reliable as they are versatile. That said, don’t be afraid to try guitars fitted with more esoteric pickups, such as Gold Foils, for a less generic sound.   P-90s are another great studio weapon; less dense than humbuckers, they can provide plenty of rhythm raunch without crowding the mix.
There is no right or wrong answer when choosing a guitar. Choose whichever guitar suits your style. If you are inspired by electric guitar players, you may want to follow suit. If unplugged acoustic sounds tend to be what you enjoy most, then the acoustic guitar is the right choice for you. If you’re still not sure, make a list of ten bands or artists whose styles you’d like to emulate. If the list is predominantly electric, go electric. If it’s acoustic, then go acoustic.

Enlarging/ Drilling Holes: Often required to upgrade tuners, or occasionally to change control pots. Enlarging a hole in wood seems simple enough, and it is. But it's also an easy way to ruin the finish of the guitar and worse. The problem is because there is no wood in the center of the hole, the edges pull upwards instead of cutting. It often results in large ammounts of chipout or worse. The answer is to run the drill BACKWARDS. This will ream the hole out without the risk of chipping. If the hole needs to be made significantly larger, it is often best to use a bit one size up from the desired hole size and run it backwards till the drill has gone just below the surface. Now you can drill the desired size hole normally relatively safely. The washers or dress rings will hide the slightly larger starting bevel that remains. Whenever possible, drill half way through from both sides or clamp a "backer board" in place. Do NOT use much pressure on the drill, let it do the work, excess pressure is usually due to dull bits, and almost always results in some king of damage. If you must drill through the finish where there is no hole use the same method as described for significantly increasing the size of a hole, but apply masking tape over where the hole will be drilled prior to starting.
achieved by the creators. A lot of YouTube channels can be very amateurish and suffer from poor video quality, muffled audio and presenters who don’t work well with a camera. And it doesn’t matter if the lesson is coming from someone in the same room or from a studio on the other side of the world, the guitar teacher needs to be good. Someone who communicates clearly and makes you feel welcome.
We are looking at plenty of audio boom here, secured by the mahogany hollow body. The rest of the mix also includes a strong mahogany neck with an attached rosewood fingerboard, a pack of 22 frets and classic white dot markers. Audio versatility is pretty high here, and the guitar is capable of tackling everything from light jazz tones to alternative rock groove.
Squier affinity series, looks and sounds great, Fender & Gibson had to start somewhere, so everyone wants to be a star & copy, but everybody's hands and minds are different, don't need to be a star or copy cat to make a name, if the guitar feels good and sounds good, so be it. Be the First, off-brand- (Star),,,,, take the cheap version to new and higher heights,
A continuation of the 7-string, adding another string a perfect fourth lower than the seven strings low B. The eight string guitars additional low F♯ string is just a whole step up from a bass guitars low E string. While luthiers have been building these instruments previously, mass-produced Eight-string electric guitars are a relatively recent innovation. Ibanez was first to offer a production eight-string guitar in March 2007.[46] Many other companies now produce mass-market eight-string models, yet these guitars remain relatively uncommon.
Here we have yet another fine 1971 Yamaha FG75 made in Japan Nippon Gakki Red Label Grand concert like Gibson LGO-1 but sounds better for less New Arrival: Be sure to ask for "Clean Boy" This example is just like our other 71 FG75 Nippon Gakki but this guitar is much cleaner and is JVGuitars rated in very good + condition- Excellent vintage for a 42+ year old Vintage Red Label Nippon Gakki FG75 .. its one of the nicest we've seen, this baby makes an excellent Parlor style guitar thats fun to play because of its good action, and it sounds absolutely great... upgraded to Martin bone Nut and compensated saddle and upgraded fancy bridge pins .... for a good volume transfer and superior tone over the old plastic parts,,,, we dressed the frets as well. not a crack anywhere to be found, great vintage patina but no structural damages or abuse or neglect this instrument has been well taken care of as one can tell from its condition and playability ... this one plays very nicely and is ready to enjoy .... for a song Original Specifications: - Year(s) Sold: 1968-1974 - Top: Spruce- Back / Sides: Agathis - Neck: Nato - Fingerboard: Indian Rosewood - Bridge: N/A - Notes: Folk Guitar Classic Type - Upper Bout - 11-1/8” - Waist - 9-5/8"- Lower Bout - 14-5/8" Ok so thats what the official specs are but here is what we se and have seend with 2 other fg75;s we have had, one I had to refinish its back and when sanding off the mahogany finish it was blond flamed maple sides and back,,, as this one surely looks to be just look at that flamed back and sides this example is kind of special looking. She;s got it going on just check her out. Yamaha Nippon Gakki guitars are highly respected at being well made and of great value and after 40+ years this example has stood the test of time and is still a formidable player you can compare its sound to a much more expensive guitars tone they are simply wonders to find one this nice is RARE… get her before she’s gone. Any questions or to buy it contact Joe: Thank you for your interest..

I purchased this about 8 months ago (it is my first acoustic guitar) so I could learn to play again, I'm a singer by trait, but wanted to pick up a guitar again after a very long break. I did not want to spend a lot of money, but I didn't want junk either, while at the same time I wanted something that would translate well into performing live too. I did my research, and personally, it came down to this or the Yamaha APX-500 (But I really want the Mrk 1 not 2), so I settled for this.

Before Gruhn Guitars puts out any of our fine instruments for sale, they go through our repair shop to get them ready to play. Some older instruments require extensive repairs and restoration, while others just need new strings and basic setup. But every guitar, mandolin and banjo has to meet the high standards of the repair crew before it's released for sale. Our repair staff has over 75 years combined experience repairing, restoring, building and designing guitars.

Heat-treated Maple is used for the AZ's neck construction. Its use increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret to 22.5mm at the 12th fret is the optimal neck thickness for this process. The neck is sealed with an oil finish (sealer coat) which feels similar to a comfortable well-played guitar neck.
Since King Crimson‘s first rehearsal in 1969, Robert Fripp has been its distinguishing instrumental voice, a singular blend of distorted complexity and magisterial sustain. That duality is best heard on the most progressive prog-rock album ever made, Crimson’s 1973 thorny-metal classic, Larks’ Tongues in Aspic. Fripp’s most famous guitar line is the fuzz-siren hook in the title track to David Bowie‘s Heroes. Fripp would “start up without even knowing the chord sequence,” said producer Brian Eno, adding that Fripp’s work
This is a more muffled bass, suited for blending in or behind distorted guitars but useful for any situation when a bass sound without so much clarity is needed. It is also a much smaller file than the rest. Originally I made this just for my own personal use but decided it might be useful to others as it fits some pieces where the washburn bass doesn't.
alright dude, i think this an awesome list. i hate looking things like this and seeing people put crap like slash at number 1 or something. this shows u obviously have great taste in music, but theres just a few things that struck me as odd. 1, no chuck berry. 2, really? john mayer? i admit he has technical skill, but saying hes one of the 10 best guitarists thats ever lived? thats just false. i mean what happened to jeff beck, santana, , eric clapton, harvey mandel, kurt cobain, and even trey anastasio(if that is how its spelled lol). they are all much much better then mayer could hope to be, both musically and technically,.
Players perceived a loss of the initial high quality of Fender guitars after the company was taken over by CBS in 1965. As a result, the late-1960s Stratocasters with the large “CBS” headstock and (from the mid 1970s) the 3-bolt necked models (instead of the conventional 4 bolts) with the “Bullet” truss-rod and the MicroTilt adjustment system fell out of fashion. However, many blues-influenced artists of the late 1960s soon adopted the Stratocaster as their main instrument, reviving the guitar’s popularity. Also, so-called ‘pre-CBS’ Stratocasters are, accordingly, quite sought-after and expensive due to the perceived difference in quality even compared with contemporary post-CBS models. In recent times, some Stratocasters manufactured from 1954 to 1958 have sold for more than US$175,000.

The tuner goes first. This one is pretty easy. It doesn’t want to hear an effected signal; it wants to see the direct input from the guitar. Another reason for putting the tuner first is that if you’re using any true-bypass pedals, the TU-3 will give them a buffered signal, which will protect your tone from loss of signal in the cables when other pedals are off. This is another one of the reasons there as so many TU tuners in pedalboards worldwide, even ones using nothing else but boutique true-bypass stompers.

I can't even begin to tell you how much I love mine, both for sentimental reasons and due to the fact that you couldn't buy that kind of quality nowadays for under a grand! I too, like the OP, am getting ready to do some restoration/ TLC on mine. New nut, saddle, bridge pins, tuners upgrade, and eventually fretwork. If you guys ever see one at a pawn shop, pick it up quick!! They can usually be bought for under $300!!!!
Woofer enclosures must be larger and more sturdily built than cabinets for mid-range or high-frequency (tweeter) speakers. As such, in the 1950s, when Ampeg introduced bass amplifier and speaker systems, bass guitarists began to use them. Similarly, Hammond organ players used a specialized keyboard combo amplifier, the Leslie speaker cabinet, which contains a woofer for the low frequencies and a horn for the high frequencies. The Leslie horns rotate and a baffle around the woofer rotates as well, producing a rich tremolo and chorus effect.
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Gibson guitar are among the best in the world, but they can also be a little expensive. You can go with an Epiphone, but Gibson always has a few good options under the $1,000 mark as well. If you love the idea of owning a Gibson Les Paul but you’re struggling with the cash part of it, check out the Les Paul Faded. A little while back I grabbed the 2016 version and it’s been a fantastic guitar with the tone and feel of a Les Paul, minus the big price tag.
But not everyone hated the album. Pete Cosey was later told by Hendrix's valet that before he would perform live, he'd listen to "Herbert Harper" for inspiration. In the '70's, when Marshall Chess went to visit the Rolling Stones rehearsal space, he saw a poster on the wall for the Electric Mud album. Led Zeppelin's bassist John Paul Jones cites Electric Mud as the inspiration for the basic riff behind "Black Dog." Marshall Chess also notes "the English accepted it; they are more eccentric." Strangely enough, rapper Chuck D of Public Enemy has emerged over the years as the biggest supporter of the record, stating "To me, it's a brilliant record. I've played it a thousand times." Chuck D also explained part of the intent of the record saying "It took me a while to warm up to traditional blues, but what struck me right away was the Electric Mud thing." Based on the success of Electric Mud, another blues musician on Chess, Howlin Wolf, was forced into recording a psych record. This Is Howlin Wolf's New Album (subtitled And He Doesn't Like It) (1969) isn't as good as Electric Mud although it did yield a minor hit with a psyched out version of "Evil." Chubby Checker even released a psych record (Chequered (1971)) that sounds better than you'd expect, though it only came out in England.

1960's Harmony H-54 Rocket 2 Redburst- Here's a excellent example of rock-n-roll to jazz all rolled up in one. For not much coin the Harmony Rocket was a great choice of hundreds of thousands from music stores to Sear Catalogs. This guitar is in very near mint condition as you can see. We repaired a slight crack at input jack common area. Yes, someone years ago stepped on the cord. We professional glued it from the inside and it's stronger than new. All that shows is a slight line about 1 1/2" long on bottom edge. Anyway, the Rocket 2 is getting harder and harder to find. Two DeArmond Gold Foil Pickups power this baby. It's all original, except for the pick guard, which no one can detect. Condition other than slight repair is a 9 3/4 for this great 50 year old beauty. Guitar comes with period clip board case. SOLD
Unfortunately this guitar does not come with a solid top, but for its price you really can't expect much. Still, it is much better than what guitarists of old had to start out with! If you are looking for a beginner's guitar to test the water or if budget is limited, then you should check out the Epiphone DR-100. It currently comes in 3 colors - Ebony, Natural, and Vintage Sunburst (my personal favorite among the three). The MSRP is 182.00 but most online guitar shops sell it for $109.

Every new 2008 Les Paul Standard will benefit from Gibson’s proven chambering technique, which leaves each guitar with perfect tone, balance, and weight. Prior to gluing the maple cap on top of the mahogany body, the expert craftsmen at Gibson USA carve out carefully mapped-out chambers in the body using a Computer Numeric Controlled (CNC) router. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument’s sound. So, in addition to relieving the stress on a player’s back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.
Welcome to Part 1 of a new Gibson series that will dissect a different breed of effect each week, to tell you—the player—what each does, and how it does it. Effects pedals can be divided into a range of categories of types, but there are undeniably some gray areas between these, since different designs will achieve their sonic ends via different means. The distinctions get blurrier when we throw digital technology into the brew. An analog and a digital chorus, for example, are very different circuits, approached—from the design perspective—from very different standpoints, although the sonic results may sound roughly similar (in the good ones, though, the subtleties are usually quite distinctive).
Imagine a rich, authentic acoustic guitar tone coming from your electric guitar - at the flick of the switch!  Replace your current saddles with Graph Tech's ghost modular pickups and one of our Acousti-Phonic preamp and you'll have instant access to true, acoustic tone from your electric guitar or bass, without altering your electric pickups.  With the ghost Acousti-Phonic system you can play one guitar!  It can be electric AND acoustic, separately, or blended together for an infinite range of new and exciting sounds.
All electric guitars have this switch but it varies from guitar to guitar. it is called the pickup selector switch. It is used for deciding on which pickup to use on the guitar. On a les paul style guitar it can be used to select the neck (traditionally rythm pickup), bridge (traditionally used for lead) and both pickups together.\n. \n===\n. \nThat's what it is on a normal Gibson Les Paul. But on a Gibson Les Paul BFG, that is a "kill" switch that turns the guitar off completely. On many Gretsches, the toggle switch is a tone switch flipping between bassier and more trebly sounds. On most Fenders, that switch is down on the lower bout by the volume/tone controls (but on a Telecaster Deluxe, the switch is where it'd be on a Les Paul). Then there are oddities like the Italia Rimini, which has no pickup selector switch -- just individual volume controls for the two pickups.\n. \nEvery guitar has a different design. You'd have to look into every model.
One other effect that depends on EQ modulation is the wah pedal. As you rock forward on the pedal, the sound becomes more trebly. As you rock back, the treble range is muted. In the middle positions, a wah produces a nasal, midrange-heavy tone that is interesting and useful in its own right. Since you can change the wah's tone constantly while you're playing, it's a very dynamic and expressive effect that can become an integral part of your playing. Jimi Hendrix was one of the first guitarists to exploit the wah’s capabilities.
To THIS DAY, In My Life of being a Guitar-Player, I am Constantly STUNNED By The fact that SO many people-playing-guitar, know 'Diddly-Squat' about STRINGS.---When I Meet a New SOUL, Who Claims They are a Guitar-Player, Then When Asked 'What-Kind-of-Strings' do you Use,----I Get This 'Blank-Stare', which tells me Straight away They Don't even Know What-Size Shoe they Ware.----Very Strange.
Some effects, such as flanger, wah-wah, and delay, are obvious to the ear. But others, such as compression, reverb, and even distortion, are core elements of your tone, so you might not always notice these as “effects.” But used artfully, or sometimes even just correctly, they can take you to tonal utopia. Even if your personal style doesn’t call for mind-altering sound, you can still improve your sound by using effects.
I must confess -- I am horrible at soldering. So after messing up another wiring harness with my soldering skills, I came across ObsidianWire and purchased out of desperation. Now I wish this would have been my first choice. The wiring sounds awesome, it was a breeze to install and the included switch and input jack completed the upgrade. I would HIGHLY recommend ObsidianWire harnesses." - Ross G Vintage 50s Wiring for Les Paul
Chicago’s vintage guitar shop is located in Ravenswood just west of Lincoln Square. Rock N Roll Vintage is your one stop shop in Chicago for new guitars, vintage guitars, Chicago guitar lessons, guitar pedals, and we are currently the largest synth dealer in the Midwest. Looking for a specific guitar? Rock N Roll Vintage Guitar Shop carries Fender, Gibson, Martin, Gretsch, Rickenbacker and other popular guitars and basses including boutique amps. We have one of the largest selections of effects pedals in Chicago with many hard to find boutique pedal brands.
On 2007’s self-titled effort and the new Nightmare, Avenged Sevenfold have continued to expand their sonic template, leaving Vengeance and Gates plenty of space to explore a range of different styles. At the end of the day, however, metal is metal, and at its essence that means killer riffs and shredding solos, which the duo unleash in abundance. A7X staples like “Bat Country,” “Almost Easy” and the latest single, “Nightmare,” are chock full of blistering rhythms and finger-twisting, speed-of-light leads, while they tread that sweet spot between catchy melodicism and all-out aggression.
As you saw in the video, I’ve gone through the Learn and Master Guitar Setup course, and all in all, I think there is a lot of great content in there. Greg Voros teaches you the basics of guitar setup and maintenance, and he does it in a slow and detailed fashion so that even if you’re following along at home you should have no problem learning his guitar setup techniques. Keep reading for more information on the course.
Body:  Soundboard:  two-piece spruce: medium grain broadening toward the flanks. Back: two-piece spruce: fine grain on bass side broadening to medium at the flank, wide grain on treble side; slightly arched; two f-holes; recessed 11 mm from edge of ribs. Ribs: 7-ply plywood, the outer layer birch, the inner layers mahogany, the outer veneer layer grain running perpendicular to plane of top and back; panel on bass side with nickel-plated steel plug; slides out for access to pickup unit. Head: mahogany veneered with white celluloid on both faces. Neck: mahogany; integral with head; rosewood stripe.
A while back I bought a GuitarPort, a product from Line6 that was one of the earliest guitar-to-PC interfaces. It cost me $99. It connects through USB and I could plug the guitar into it. I could play amp models and effects through my PC and the sound would come out of the computer speakers. (Headphones are of course an option through the PC speakers)
Description: Body: Maple - Flamed - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 3+3 - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Diecast, Gold, 2x Volume Control, 2x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Sunburst, Orange
It features a handsome Grand Auditorium shape with a soft cutaway for good access to the higher frets, while the satin-finished sapele neck is incredibly playable – as is the case with all Taylor guitars. The iconic brand keeps costs low with laminated sapele back and sides paired with solid Sitka spruce on the top, as well as producing it in the respected Mexican facility.

You don't have to use long, distinct delays: short delays up to 120ms can be used to create vocal doubling effects, normally set with little or no feedback. Nor do you have to dedicate a delay to a single sound: you can configure it via an aux send so that several tracks can be treated with different amounts of the same delay or echo treatment, which not only saves on processing power (or buying separate units!), but can help to make elements of your mix work better together.

Normal people define cool as laid-back, excellent or highly skilled, but most guitarists define cool as Jimmy Page circa 1975 in a black velvet bellbottom suit decorated with embroidered dragons, playing a Les Paul slung down to his knees. As the musical mastermind behind Led Zeppelin, one of the greatest rock bands of all time, Page elevated the guitar riff to an art form, crafting orchestrated overdubbed parts that bludgeoned listeners like the hammer of the gods.

Why Martin electric guitars have never been more popular isn’t too hard to figure out. Martin, whose expertise has always been in top-notch acoustics, never really put a lot of effort into marketing its electrics. They were always well made, and, especially in the necks, clearly “Martins.” In the final analysis, however, it probably comes down to being victims of the success of their acoustic brothers, and players have just never seemed to warm up to the idea of Martin “electric” guitars. For the savvy collector with a taste for quality and relative rarity, Martin electrics remain excellent and attainable prizes.
The noise he complains about is likely ground loop hum, caused by multiple paths to ground, very common in pedalboards and I explained earlier. I do believe it’s better to get rid of noise rather than use a noise suppressor. Get rid of the noise, and you have a quieter signal path. I do use noise supressors but only to deal with noisy pedals while they are on, such as a compressor/distortion I love that can be a little noisy.
Guitar pedals and other effects, including an early version of the wah-wah pedal used by Jimi Hendrix and the Tone Bender fuzzbox pedal, a Vox variation on the famous original Gary Hurst Tone Bender (used by Jimmy Page of Led Zeppelin and Jeff Beck of the Yardbirds as well as The Beatles, Spencer Davis and others), were also marketed by Vox and later on manufactured in Italy.
Some effects produced dramatically weird sounds that were largely impossible to pull off. The peculiar 1948 DeArmond Trem-Trol (used extensively by rock-and-roll pioneer Bo Diddley) altered the volume of the guitar signal by exposing the connecting pin to a brass-and-glass canister half-filled with shaking, water-based electrolytic “Hydro-fluid.” The shaking—and often leaky—fluid washed over the pin and would bend the signal’s volume, causing an oscillating, watery tone. In the words of Chris Gray, one of its few remaining owners, “This is not a subtle effect—it adds all its personality to your sound whether you’re ready for it or not.”

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This guitar needs love. It is in used condition with the biggest flaw being near the input jack.  This is the super rare RT series that were only produced for a couple of years and it is MIJ. Has tremolo but no arm If you are reading this, then you know what these are about.. I am the second owner of this guitar. Was bought from a guitar shop locally in San Jose, CA. No returns please
3) Incomplete sentences due to text running off the edge of the page on page 101, another grievous layout error. You will be paying for the following paragraph "On the next page is a basic single pickup wiring diagram for telecasters using one pickup. this with either the bridge or neck pickup. The pickup will have a volume and tone control. plenty of good sounds with this setup.If you want to play around with the tone, you can or weaker capacitor. Ading a stronger capacitor sends more treble to the ground, and giv bass tones. Note: there are many ways to wire pickups to the pots. This is just one examp "
Not surprisingly, we’ve established that each type of guitar has its good and bad points. For mine, the secret is to look harder at the huge variety of steel string acoustic guitars. For instance, if you’re aiming to eventually play electric guitar, you can choose an acoustic with a narrow fret board, thin neck and cut-away body around the fourteenth fret. This gives you the feel and function of an electric guitar without annoying the rest of the house. You can learn those lightning licks to perfection, before investing in serious electric guitars and amplifiers. The downside? They don’t really cater for percussive, aggressive styles of acoustic playing. The body-thumping, string-thrashing kind. For that, you should look at guitars with more robust neck and body construction.
Here we have a cool vintage piece. Made in USA and is highly Possible this is a Gibson Archtop. Great Original condition make this a great find...this one is a Solid 8.5/10 condition. This one still has the original tuners and pick guard too. The neck is straight and the frets are still OK...and wow what a supprise this one plays great!..nice vintage repairs or damages just natural play wear and dings etc associated with a true vintage player....EZ on the eyes see the great detailed bindings! and wow this baby sounds very nice...great for Jazz .

If the microphonic problem is not due to the cover, or is with a singlecoil pickup you have two options. First is to wax pot the pickup. The second is to pot the pickup in something else. Laquer was once commonly used, but it can cause a problem with some types of insulation (disolving it) and prevents future repair (other than full rewind). I have found a great alternative to both. It is vinyl sanding sealer. (I'm using Sherwin williams wood classics interior sanding sealer) This stuff penetrates deeply, dries solidly, and allows for repairs same as wax does. It requires no special equipment or care. Just submerge the pickup wait till bubbles stop appearing, pull it out and set it on a paper towel to dry. Once the excess has run off (a minute or so) wipe off the top and bottom of the pickup with a rag and allow it to finish drying. In it's intended use it dries fully in an hour. I leave them overnight.
You can get a rough idea of what the All-Electric looked like in Gruhn/Carter’s Electric Guitars (Miller Freeman Books, 1995), although this example has been refinished and replated, with a new fingerboard, tuners and added tailpiece, and is an atypical 14-fret Spanish model, possibly assembled at the end of the ’30s from leftover parts. Toward the end of National Dobro’s presence in Los Angeles, a great many guitars were assembled and shipped from remaining stock, often as exports.
Two easily overdriven cathode-bias 6V6 output tubes deliver a sweet, harmonically rich tone, and the 5Y3 tube rectifier has the sag required for dynamics and touch sensitivity. This holy grail of vintage combos has been used by Neil Young, Mike Campbell, Rich Robinson, Mark Knopfler, Billy Gibbons, and countless others. If you can’t afford the original, more-affordable reproductions are available from Victoria, Kendrick and Clark Amplification, to name a few.
Position 2 (outside coils, parallel connection): this one is more exciting because all poles do something. Pole 1 connects bridge pickup coil tap to ground, effectively splitting the bridge pickup. Pole 2 connects bridge pickup hot lead to the output. Pole 3 connects neck pickup coil tap to pole 4 which connects it to the output. What we end up with is a coil from bridge pickup coil tap to hot lead and a coil from neck pickup ground to the coil tap. Because of the way poles 2 and 4 are connected, these two coils will be paralleled.

: : "Later, in the '70s, a line of low-priced Japanese-made instruments were imported and sold under the Dorado name in an effort to compete with the flood of imports inundating the market. Flattop acoustics and solidbody electrics alike were sold under the Dorado name. None hold much in common with Gretsch's own guitars." Also, that Gretsch had been sold to Baldwin prior to 70's; reacquired

All the connections are conveniently grouped together on the back of the unit. You have a mono 1/4” input for your guitar and a stereo output which allows you to listen to your playing on headphones, speakers, or a guitar amp (there’s also a balanced XLR output if you need it). Zoom also includes a USB connection, which not only can power this pedal via USB, but also turns the Zoom G3X into an audio interface! This way you can easily record in your favorite DAW. The USB connection also means you can use Zoom's free Edit & Share software so you can easily manage your patches on your computer. Just like everything else on the Zoom G3X, the input and output options are just right and provide plenty of flexibility. There’s really no major omission we can think of.
Ibanez is the most important Japanese guitar brand, and this new book tells the story of the electric guitars the company has made since the late 50s. The story tracks the fortunes of Ibanez from its early years as a copier of prime American models to later success as a creator of impressive original designs. The big break came in the late '80s with the launch of Steve Vai's JEM models and the related RG design, which have ensured Ibanez's popularity among metal and extreme rock players. Players include George Benson, Phil Collen, Allan Holdsworth, Pat Metheny, John Petrucci, Lee Ritenour, Joe Satriani, John Scofield, Mick Thompson, and more, many of whom are featured or interviewed for this book. With a gallery of full-color pictures of famous guitars and players, a reference section detailing production years and specifications, and a section covering how to interpret serial numbers. 160 pp.
Hi - I am looking for a new amp for small to medium venues. I quite fancied the Marshall Mini Silver Jubilee combo, but then noticed several companies selling JVM 50 watt combos in the same price range. It seems that the JVM's are a Swiss Army knife whereas the MSJ seems to be capturing a small version of a classic amp and is more of a one trick pony . Any way you could help me make the right decision. On the other hand , how reliable are the JVM's considering their sophistication?
When it comes to guitar amplifiers, especially the ones that we love here at PMT, “cheap” doesn’t mean poor quality! Thanks to huge leaps in manufacturing processes, stringent quality control and the fact brands really care about the products they create, you can spend far less on an amplifier and musical instrument these days and still get a fantastic, highly playable and superb quality option for your needs.
Heritage Guitars, founded in 1985 by four long-time Gibson employees when Gibson relocated to Nashville, continues to build guitars in the original factory at 225 Parsons Street inKalamazoo, Michigan. Many of their models evoke memories of Gibson’s late-1950s/early-1960s “golden years.” The H-150 and H-157 are reminiscent of the original Les Paul and Les Paul Custom, while the H-535 is a modern version of the Gibson ES-335.

An excerpt: “First let us dispel the popular, but completely wrong belief that ‘any guitar will do for learning to play.’ Your first guitar should be carefully chosen to be fairly easy to play and tune. It should also be versatile enough for you to be able to play different kinds of music on it. For this reason, and to avoid the complications and expense of an amplifier, an ‘acoustic’ (un-amplified) guitar is recommended.”

The godfather of all that is sought after in rack gear; behold, the Soldano SLO Rackmount Amplifier. Those of you that have heard of the SLO (Super Lead Overdrive) already know that this thing can be brutal when it comes to lead tones. Possessing one of the tightest crunch and overdrive channels known to man, the SLO Rackmount is hailed as a grail piece of gear for many guitar players. The SLO-100 offers two channels, Normal and Overdrive, each with independent Preamp gain and Master Volume controls.  A footswitch is also provided for effortless noise-free switching between the two channels.  The Normal channel has a Bright switch and a Clean / Crunch gain selector switch.  Standard features include a tube-buffered effects loop and a slave output.  Bass, Middle, Treble, and Presence controls provide the tone shaping.  From Clapton to Van Halen, from Warren DeMartini to Lou Reed – and from you to Mike Soldano himself, the SLO is simply the player’s choice.
Effects on the Spider Classic 15 are a little easier to handle than those on the Champion 20. One knob accesses the chorus, flanger, phaser, and tremolo effects, while a separate knob accesses the reverb and echo effects. This arrangement makes it easy to blend different types of effects and makes the Spider Classic 15 a little more versatile than the Champion 20 if you are interested in coloring your sound more.
Shecter is known for manufacturing quality rock and metal friendly guitars at reasonable price points, and I think that they use evil model names to keep their instruments from the hands of pop and ballad players. The Hellraiser C-1 FR-S showcases what this company can give metal players in the mid-tier price point, and with its name, it is obviously not meant for choirs and church music.
Guitar pedals and other effects, including an early version of the wah-wah pedal used by Jimi Hendrix and the Tone Bender fuzzbox pedal, a Vox variation on the famous original Gary Hurst Tone Bender (used by Jimmy Page of Led Zeppelin and Jeff Beck of the Yardbirds as well as The Beatles, Spencer Davis and others), were also marketed by Vox and later on manufactured in Italy.
Strings produce sound in the guitar. In electric guitars, because there are no holes, the vibration is passed to a pickup which senses the vibration of the strings passes the signal on to the guitar amplifier. There are two types of strings for electric guitars, light and heavy gauge. Lighter ones are easier to play and allow easy bending of notes, but they are more likely to break and produce less volume. On the other side, heavier ones produce high volume but are hard to play and require more finger pressure to bend notes.
There are a few approaches you can take to get started browsing all this tablature. For example, you might start by looking for music that fits a certain theme. Alfred's 2015 Modern Christian Hits, the Hal Leonard The Ultimate Christmas Guitar Songbook and the Hal Leonard VH1 100 Greatest Hard Rock Songs are just three examples of tab books aimed at specific genres or occasions. Another idea would be to narrow down your options to tablature with included CDs; they give you the option to play along, making the songs easier and quicker to learn.
The biggest determining factor on how easy a guitar is to play is the 'action' - distance from the strings to the neck. When it is very low it is easy to press the strings down to touch the fret; when it is too low the strings will buzz when you play. If a guitar's action is too high it will be very hard to play, and for a beginner, this can be pretty disheartening.
American guitar manufacture was at its peak in the 1960s, with numerous highly-respected guitar companies making instruments at all levels; from the likes of Kay, Gretsch, Epiphone, Guild, Fender and Gibson. But Harmony was one of the very biggest producers, at one point the biggest, selling guitars branded both as Harmony, and rebadged for numerous other distributors. In fact, in the mid/late 1960s, Harmony was said to produce more guitars than all other American guitar manufacturers combined. Most were entry or intermediate level instruments though, and although examples of most models are easy to find, examples in really good condition are rare.
In standard Boss fashion, you get a set of four no-nonsense controls and a footswitch that is as durable as the case it’s installed in. However, none of this means anything if the reverb effect isn’t up to the expected level. Fortunately for us, Boss didn’t disappoint with this one. You get a reverb effect that is in that sweet spot when it comes to versatility and quality.
Here we have another Vintage Japanese GREAT find this example a beautiful pretty much exact copy of a vntage Martin D-45 ... this is a very High Quality built Lawsuit era Aria Pro II Model AW40. Made in Japan. From information on the Internet concerning dating these, the guitar's serial number would lead to 1976 manufacture. However, I could not find the AW40 model cataloged until the late 70's... but its a 76.. is consistent with all others. THIS is one beautiful guitar! it exudes fine detailed craftsmanship this was Aria's flagship dreadnought of this time period with D41-ish features. From an original vintage Aria catalog, AW40 features include: "Dreadnought sized, Solid Sitka Spruce top, Solid Brazilian Rosewood back and sides, bridge fingerboard and veneer headstock overlay with MOP logo, Marquetry Purfling" ( Top looks to be solid with the sides & back appears to me to be laminated )The catalog can be viewed at, a site that deals with the history of Matsumoku made instruments like Aria, Electra and others. This guitar has the Martin classic snowflake mother of pearl inlays, abalone binding and rosette, and fully bound headstock and gorgeous rosewood fingerboard. Headstock also has a Rosewood overlay. The bookmatched rosewood on the back side is especially easy on the eyes. The guitar is all original with no repairs and with original tuning keys. It is in JVG Rated condition as excellent used vintage 8.8/10 WoW...its 35 years old and the woods have opened up now like fine wine the tone is richer & mellowed as only time can provide. No cracks or repairs ever. It plays very well with good action and has a nice warm rich tone. The Neck is arrow straight. Frets have minimal wear with no buzzing anywhere on the fingerboard....this is the one! At this link you can view more pictures of this guitar please cut & paste the following link:
A multi-effects device (also called a "multi-FX" device) is a single electronics effects pedal or rackmount device that contains many different electronic effects. Multi-FX devices allow users to "preset" combinations of different effects, allowing musicians quick on-stage access to different effects combinations.[16] Multi-effects units typically have a range of distortion, chorus, flanger, phaser and reverb effects. The most expensive multi-effects units may also have looper functions. Pedal-style multieffects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rackmounted multieffects units are typically mounted in a rack. Guitarists and bassists may mount their rackmounted multieffects unit in the same rack with their preamplifier and power amplifier.
The key to getting a great guitar sound really is in the hands of the engineer, not his equipment. I've gotten great sounds in multi-million dollar rooms, and topped them in the smallest of home studios. You can do it too. The key is to constantly experiment and apply some basic physics. Try different mics, try moving them closer and farther, try different angles, try putting the amp in a corner, try putting the amp on a concrete floor, try it on a wood floor, try it on a floor with green shag carpeting, just try anything!
Music Go Round® is your ultimate used gear resource—we buy used musical instruments all day, every day. We understand the value of your instruments and make it easy for you to sell or trade. Bring your used music gear, such as guitars, drums, amps, bass guitars and pro-sound equipment —we’ll pay you $$$ on the spot—and you take home that must-have piece to your collection.

If you want to get really technical, the electronics “on board” a basic non-battery-powered guitar form an “RLC” circuit, the letters standing for resistance (R), inductance (L, since I is used for current) and capacitance (C), three key values in an AC circuit that determine the relative “impedance” of various frequencies. The inductor is the magnetic pickup (which “induces” voltage/current based on the vibrating metal string), the resistor is the tone knob (a potentiometer or variable resistor), and the capacitor is a tone cap, in this example 0.05 uF (about right for a humbucking pickup like in a Gibson Les Paul).

Most users are happy with what they got for the money, from its wood quality, to the included hardware and electronics. As expected, many of its buyers are fans of the Les Paul Jr who want to try their hand at customizing their own straightforward rock machine. Surprisingly, there are some who are happy with its default configuration, including the feel of the neck, the sound of the P-90 pickup and the quality of the tuners.
The Wire. You'll see a lot of vintage spec wordings bounced around here and that pretty much boils down to the aesthetics. Those early Fenders and Gibsons we all know were wired at the original factories with a cloth covered 'push back' wire, whereas as some modern factories, far east predominantly use standard plastic coated wire today. But the important detail is the 'AWG', or American Wire Gauge. Widely used in the guitar world for optimal results, is 22AWG wire. I would go into detail on this, but THIS site has some superb facts about AWG, which if you'd like to find out more I'd recommend a read of! So back to the cloth/plastic thing. Personally, the 'push back' cloth wire is much easier and tidier to work with and I fully hold my hands up to saying it looks much better too. I always use this for any guitar wiring, the results are always great and it's a pleasure to wire up with. I personally use 22AWG copper, solid core wire, great to work with and consistent. 
Durability: Unlike individual stompboxes where you might use some sparingly, since your multi-effects unit contains all your effects you’ll be using it frequently. As such, it’s important that the build quality is up to par. This is where brand reputation comes into play as well, since you want the brand to stand behind their product in case anything bad happens. Rest assured the pedals we recommend in this guide are all from very reputable manufacturers with long histories of good customer support.
The Epiphone Broadway is a hollow body archtop guitar that has been in the Epiphone guitar lineup since 1931. The Broadway was initially an acoustic archtop, but after Gibson took over Epiphone in 1957 the “Broadway” designation was given to a new electric archtop. The electric model was reissued in 1997 and continues to be in production, and we’ve selected it for this list of best electric guitars.
Loose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

In all my years I have never seen filter cct's like this but as tleco tech the filters have never been variable, When I put my guitar together I had a 0.022uF and a 0.047uF and for reasons that I have long forgotten I put in a switching matrix that allows me to get 0.047, 0.022 and 0.015uF. After many revisions to the cct (it had coil taping and variable taping) I almost put in a 0.033uF and taking out the switching, well I ended up getting some single ended 9 Watt amp and all of a sudden this flexibility made scene I have one tone control that I can control the cut frequency a coil control pot and a volume control. Now the funny thing If I put in a single cap 0.015uF (as close as you can get) It doesn’t sound like the two 0.022 and 0.047uF in parallel, Its in the harmonics that get let through from what I can hear. But when all said and done could be something to give it a go.
There’s always a temptation not to spend too much money on your first guitar in case you change your mind and stop playing. However, budget guitars can be more difficult to play and you’ll begin to think it’s all too hard, when a better instrument will be easier and encouraging. Cheap guitars can have a high “action” (the distance between the string and the fret board) which makes pressing the string down tough work for novice players. The frets can be poorly set, meaning the strings rattle and buzz. The timber used is just standard factory sheeting. It all adds up to a cheap guitar. At the same time, I have to admit that in the crazy lottery of mass production and manufacturing, sometimes you’ll find a good guitar has been built. Go figure…
Joan Armatrading, Roy Clark, Jim Croce, Kevin Cronin, Neil Diamond, Al Di Meola, Robert Fripp, Mick Jagger, Greg Lake, Adrian Legg, Paul McCartney, Brian May, Freddie Mercury, Jim Messina, Steve Morse, Eddie Rabbitt, Kenny Rogers, Richie Sambora, Tom Scholz, Seal, Bob Seger, Paul Simon, Rick Springfield, Eddie Van Halen, Josh White, and Nancy Wilson;[32]
Today's use of Torres and post-Torres type guitars for repertoire of all periods is sometimes critically viewed: Torres and post-Torres style modern guitars (with their fan-bracing and design) have a thick and strong tone, very suitable for modern-era repertoire. However, they are considered to emphasize the fundamental too heavily (at the expense of overtone partials) for earlier repertoire (Classical/Romantic: Carulli, Sor, Giuliani, Mertz, ...; Baroque: de Visee, ...; etc.). "Andrés Segovia presented the Spanish guitar as a versatile model for all playing styles"[5] to the extent, that still today, "many guitarists have tunnel-vision of the world of the guitar, coming from the modern Segovia tradition".[6]
While the Boss MS-3 is a fairly recent release, it does have quite the number of reviews, most of them coming from users who have nothing but good things to say about their experience with the unit. One user summarized what most reviewers felt by saying that the MS-3 is a "game changer". But it's not just about its amp and effects switching, because many were just as impressed with the sound quality of many of its built-in effects, including its overdrive and modulation sections. It's compact and portable design is also very much appreciated, making it an easy addition to any setups.
On Martin guitars, this is a really big deal. Martins all seem to have a problem with the "neck set" on many of their guitars before 1970. High string action is the result, making the guitar very difficult to play. This can only be fixed correctly by a "neck set" (removing the neck on the guitar, and refitting the neck at a slightly increased angle, which lowers the string action). If done correctly, this does not affect the value of the guitar (and in fact can make it more valuable, as the guitar is much more playable). Generally speaking, most players would agree if the "string action" is more than 3/16 inch (5 mm) at the 12th fret, the guitar needs a neck set. This measurement is taken from the bottom of the low-E string, to the top of the 12th fret.

Ibanez RG20061, also known as the RGT220A CAH, is an RG series Prestige limited edition guitar model specially created for the 2006 Winter NAMM Show. It based on the RGT220A, but stained brown, although claimed to be barbecued to a chocolaty brown color. Features include a neck through body construction, ash body wings, Dimarzio IBZ pickups and the Edge Pro tremolo. Only 153 Made 8/10 Condition
The first successful guitar pickup was developed in the early 1930’s by Rickenbacker® to help amplify Hawaiian lap steel guitars which were popular at the time. The first pickups were single-coils and while they do a good job of picking up the guitar signal they are also susceptible to picking up interference from nearby electrical devices. The Gibson® humbucker (US Patent 2896491) was developed in the 1950’s to eliminate the “hum noises” resulting from electromagnetic interference. The humbucker uses two coils and a pair of pole pieces (having opposite magnetic polarities of each other) for each string. The coils are wound and connected to each other in such a way that the current produced by the moving guitar string in the two coils adds up (in-phase), while the current produced by electromagnetic interference in the two coils cancels (out-of-phase). Not only does the humbucker drastically reduce noise from interference, but it also has a different characteristic sound. The single-coil pickup is commonly considered to have a thin, clear and bright (more treble) sound, while the humbucker is known to have a full, but dark (less treble) sound with more overall signal output.
When looking to buy a guitar, you want to make sure that you’re picking a model that is right for your skill level, playing style, and needs, all that while ensuring that you don’t overspend. If you’re just starting out, there’s probably no need to spend a couple grand on a flashy model when one of the quality cheap acoustic electric guitars will do.
The Gibson style guitars generally have shorter stubbier necks, with a 233/4 inch scale length, which suits some but not all. The Les Paul, the quintessential model, boasts twin humbucking pick-ups which effectively reduce noise and produce the thick, warm tone associated with Gibsons. It is difficult not to be impressed by the tradition of Les Paul guitars. No-one will ever convince me there is a better looking guitar style. For under $1000 the Epiphone Les Paul Standard will give you a little bit of the legend to take home and for many that's a good enough reason to buy one. Epiphones are cheaper factory made versions of the Gibson USA range. For those who learn on Gibson style guitars the Les Paul is what all guitars are measured against.  more...

Their 200-series is reasonably priced, and a great value for a Taylor guitar. They also make the Baby and Big Baby, and the GS Mini—smaller-bodied guitars perfect for intermediate players and beginners with a few extra bucks in their pockets.These are awesome acoustic guitars with a big sound. They might be small, but veteran guitar players love them for the tone and portability.
Large-scale traffic in guitars between Japan and the United States began in the very late ’50s. Jack Westheimer of Chicago’s W.M.I. corporation has published his recollection of having begun to bring in Kingston guitars purchased from the Terada Trading Company in around 1958. The Japanese themselves began advertising their wares to American distributors as early as July of 1959, when Guyatone ran a small space ad touting small pointed single cutaway solidbodies more or less resembling Teisco’s mini-Les Pauls.

And you should still be able to take it to a certified Martin repair person. There may be some issue given how long you have had the instrument, however, if there is no evidence of the problem existing when the guitar was new. But it is worth checking out. Martin has changed policy in recent years regarding what voids the warranty and what does not. But if things are as you say, they should have taken care of the issue a long time ago. And they may still be willing to under your warranty. If not, you may be able to find someone who really knows what they are doing to fix the issue – which may require a neck reset, but would be worth it in my opinion. Good luck!

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Featuring a tremolo tailpiece, the player is guitarist is guarantee weeks of sustain. In terms of playability, the Jackson JS22 features a rosewood fingerboard that is ultra fast with breathtaking jumbo frets, giving the player a comfortable chording experience and high speed runs with little or no effort. The basswood body features an arched top armed with dangerous looks to compliment its incredible sound, an ideal choice for you.

"Emulating guitar sounds is problematic – or it was until Impact Soundworks launched Shreddage. Version 2 for Kompact 5 is rammed full of chords and articulations to get the most authentic sound possible […] The quality of the samples here is really good. Although aimed at Rock and Metal, it lends itself to any genre. For those more accustomed to keys than strings, it is ideal with its impressive soundset and amount of control." CM Reviews (Computer Music)

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Installing pickups and wiring mods can be complicated, but learning to do common pot and jack repairs is almost more important, as they can save you time, money and frustration, especially before or even during a gig. That said, it can be daunting to know what to buy when jumping into the world of soldering, but for less than $80, you can have tools that will last for years.
Description: Body: Maple - Body Construction: Semi-Hollow (Chambered) - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Dot - # of Strings: 6 - Scale Length: 24" (61cm) - Headstock: 6 In-Line - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: 3-Color Sunburst
There is one musical virtuoso whom I would added to this list, if for no other reason then the fact that the 2nd guitarist on the list thru his comment, seemed to hand the title as “greatest guitatist on earth” to this guy. This same individual has often been compared to the one who holds the crown- Jimi. And yet, arguably should not be in this list due to the fact that he was much more than a Master of the guitar, he mastered vurtually over 30 other instruments he played, sold almost Every concert he performed world wide, and… Read more »
Since we only want to check how straight the neck is, we need to isolate this aspect of the guitar. In other words we don’t want the height of the nut or the placement of the saddles to confuse us, so we take them out of the equation. Don’t worry; we’re not going to remove any of these components, just circumvent them. I use a ruler to do this, but you can do it using only strings. I’ll describe both methods below.
SOLD OUT; Here we have another great vintage Takamine this one is a timeless classic recreation of the trusty and also great sounding Martin D-17 , this fine Takamine F349 example was well crafted in Japan nearly 24 years ago. This guitar is a very good++ vintage Japanese guitar and has been well maintained and plays amazingly with great low action still to this day all these years later. Its made of all Mahogany( other than rosewood fingerboard & bridge ) that is a high grade solid Mahogany neck it really has a nice substantial feel to its medium profile with a 1-11/16ths width at the nut, The sound box is also ALL Mahogany and it offers a nice rich vintage tone one might expect from the company Takamine has copied in this case the Martin D-17 directly, This example’s cosmetic integrity its fit and finish to this day is still pretty nice not exactly like new vintage but is JVG rated at very good with NO major cracks at all and NO finish checking = none – . she did have some small paint chips here and there that we easily matched with clear mahogany stain lacquer applied with a brush tip to the spots only and one spot on the lower treble bout where 3 discolor spots were ( cold be from factory ) it looked original anyway I touched that up a bit as well later I buffed the touch ups back she looks much better now and this will also help to preserve its original finish integrity as well as keeping up her beauty. Great low and playing action on this one it really plays with ease Take a good look she still shines like glass and her sound is clear and the volume is very good, and tone is vintage sweet from its well Good and well aged tone woods attribute to making this guitar sound as good as she does. This F349 model is a full size Dreadnought as and she is faithful in its shape & size of the vintage Martin D-17 it copies other than its original design Takamine headstock shape… a very cool D-17 guitar, its 23+ years it’s obviously not new or mint but is surely vintage beautiful with its age and genuine warmth & patina and yes a few minor doinks but nothing to detract from its overall appeal. Please look her over well feel free to ask any questions. This is a nice players guitar and is sure to please. It is JVG Rated 8.5/10 very good+ Vintage used condition. WYSIWYG .
"We are extremely excited about this next phase of growth that we believe will benefit both our employees, and the Memphis community. I remember when our property had abandoned buildings, and Beale Street was in decline. It is with great pride that I can see the development of this area with a basketball arena, hotels, and a resurgent pride in the musical heritage of the great city of Memphis. We continue to love the Memphis community and hope to be a key contributor to its future when we move nearby to a more appropriate location for our manufacturing based business, allowing the world the benefit of our great American craftsmen."[36]
A neat recording solution for when you want the sound of a speaker running flat out, but without being thrown out of your flat by your neighbours!A practical method endorsed by those engineers who don't like to leave their comfortable chairs too often is to combine the above techniques by using two close mics, one on-axis and one off-axis, plus one distant mic a few feet from the cabinet. If the close mics have very different characteristics, for example a capacitor mic on-axis and a dynamic mic off-axis, you'll get an even greater choice of tonality, as you can vary the mic balance being recorded. Switching the phase of individual mics can often yield interesting combinations and, if you really don't want to leave that chair, you can also delay the ambience to increase its effective distance when it is combined with the other mics. Each millisecond of delay is roughly equivalent to 12 inches of added distance.
• Similarly, insert the Soft Clipper into the third insert slot and click on its Edit button. For settings, try putting the Input at ‑0.0, Mix at 55, 0.0, Second at 100, and Third at 57. As with the Compressor, set the output to a high level, again stopping short of distortion. These settings are intended to get you started; you may want to tweak them depending on your guitar, pickup, playing style, and so on.
The amps have a simple control set on the front panel: all versions have Gain, Tone and Volume controls except for MV50 Clean, which has Treble, Bass, and Volume. Also on the front panel is a small "VU" meter, and a 1/4" input jack. On the rear panel are a 1/4" speaker output jack, and a 1/4" headphones/line out jack. The amp includes cabinet simulation at the line out jack, and can thus be used as a DI to go straight into a mixer or recorder. There is also an EQ switch to select between "Deep" and "Flat." The Deep setting is intended for use with smaller cabinets where mids and highs tend to overwhelm the low frequencies, and Flat is designed to allow the amp to work with larger cabinets where the lower frequencies are more naturally present. Also present on the rear panel is the DC19V in jack, and the ECO on-off, standby-on, and Impedance switches with the following two exceptions: MV50 Clean has no Impedance Switch but instead has an Attenuator switch allowing the choice of either full power out, 1/10th power out, or 1/100th power out, and MV50 High Gain, which has no Impedance Switch but instead has a Mid Ctrl "minus/Norm/plus" switch allowing boost or cut of the amp's mid range.
As time went on, the discovery of the endless possibilities of techniques of this new spring-loaded bridge became apparent.  We all know about a “whammy bar” and have probably gotten a taste for it through the Guitar Hero game series.  A great example of a player who has mastered control of the whammy bar would be Jeff Beck, who in recent years has become the king of the subtleties available from the standard Fender tremolo bridge technique.
Gibson, like many guitar manufacturers, had long offered semi-acoustic guitars with pickups, and previously rejected Les Paul and his "log" electric in the 1940s. In apparent response to the Telecaster, Gibson introduced the first Gibson Les Paul solid body guitar in 1952 (although Les Paul was actually brought in only towards the end of the design process for expert fine tuning of the nearly complete design and for marketing endorsement [2]). Features of the Les Paul include a solid mahogany body with a carved maple top (much like a violin and earlier Gibson archtop hollow body electric guitars) and contrasting edge binding, two single-coil "soapbar" pickups, a 24¾" scale mahogany neck with a more traditional glued-in "set" neck joint, binding on the edges of the fretboard, and a tilt-back headstock with three machine heads (tuners) to a side. The earliest models had a combination bridge and trapeze-tailpiece design that was in fact designed by Les Paul himself, but was largely disliked and discontinued after the first year. Gibson then developed the Tune-o-matic bridge and separate stop tailpiece, an adjustable non-vibrato design that has endured. By 1957, Gibson had made the final major change to the Les Paul as we know it today - the humbucking pickup, or humbucker. The humbucker, invented by Seth Lover, was a dual-coil pickup which featured two windings connected out of phase and reverse-wound, in order to cancel the 60-cycle hum associated with single-coil pickups; as a byproduct, however, it also produces a distinctive, more "mellow" tone which appeals to many guitarists. The more traditionally designed and styled Gibson solid-body instruments were a contrast to Leo Fender's modular designs, with the most notable differentiator being the method of neck attachment and the scale of the neck (Gibson-24.75", Fender-25.5"). Each design has its own merits. To this day, the basic design of many solid-body electric guitar available today are derived from the original designs - the Telecaster, Stratocaster and the Les Paul.
The Effect: By all standards, tremolo is one of the oldest, as well one of the simplest effects you can get these days. The whole idea behind a tremolo pedal is to give you that wave type effect by reducing and increasing the volume of your guitar’s original signal. You can adjust the speed of the effect and how deep those dips in volume are going to go.
PRS is an American guitar company founded by luthier Paul Reed Smith in 1985. It makes some of the finest high-end electric guitars and custom shop instruments. It was extremely popular in the '90s and eventually spread to Asia, where they started the SE lineup that was more affordable and budget-friendly. However, they are not meant for beginners even though they cost less. They are used by musicians and players of all kinds of genres. The high-end models are classy and can be somewhat expensive.

“The bottom line is you get a better dynamic response from the coil. Most people who play a hand-wound pickup say it sounds more ‘open’. It’s easy to make a pickup sound brighter but to have a truly open voice it’s got to be dynamically responsive – and that’s what scatter-winding [intentionally irregular hand-winding of a pickup coil] does. Also, compared to a machine-wound coil, the frequency response is slightly extended. So the sound is bigger and you hear more not just in the high frequencies but also in the depths of the frequency response.”

In 1959, the Special was given the same new double-cutaway body shape as the Junior and the TV received in 1958. However, when the new design was applied to the two-pickup Special, the cavity for the neck pickup overlapped the neck-to-body joint. This weakened the joint to the point that the neck could break after only moderate handling. The problem was soon resolved when Gibson designers moved the neck pickup farther down the body, producing a stronger joint and eliminating the breakage problem.
Ibanez started off as a Japanese music company particularly focused towards producing copies of favorite guitars in America. Today, they have surpassed most firms by offering best quality products on their own. Being specifically directed towards the hard rock and metal players, Ibanez ensures to have something for players belonging to every genre.
To celebrate the new generation of shredders profiled in our May/June “Loud Issue,” the SPIN staff decided to find some wheedle in a haystack, taking on the impossible task of ranking our favorite guitar players of all time. Traditionally, the “greatest guitarist” timeline begins with Robert Johnson magically conjuring the blues, nears perfection with Eric Clapton mutating it beatifically, and then ultimately reaches a boomer-baiting Rock and Roll Hall of Fame apotheosis with the free-spirited Jimi Hendrix shooting it into space like feedback-laden fireworks. For this list, we veer toward the alternative canon that kicks in with the Velvet Underground trying to erase that form entirely, making guitar solos gauche and using instruments as sadomasochistic tools for hammering out sheets of white heat.
This Ibanez has a flamed sycamore top, and delivers a well balanced sound unplugged or plugged in. It has a great finish that is referred to as vintage violin. Owners of this guitar say it sounds great as the similarly priced Seagulls and Yamahas. The price has recently dropped on this guitar, which was a pain point for many owners. At $250 it’s a steal given the quality. The onboard pre amp contains a tuner, which is nice for beginners to always stay in tune. The slim neck will also make for great playability. Click here for more pictures and details.

By panning the distant mics to the opposite side of the mix from the close mic, you can create interesting panning effects for solos. "If it's a rhythm part, you get this huge sound because the whole thing is spread across the stereo spectrum." When double-tracking lead or rhythm parts, a useful trick is to reverse the panning of the direct and distant mics. "If there were two guitarists in a band, I would record them like that, so you got a wall of sound that had a transparency that would allow the drums and bass to come through."
In the early 1980s, some performers began using two-way or three-way cabinets that used 15" woofers, a vented midrange driver and a horn/driver, with an audio crossover directing the signal to the appropriate driver. Folded horn bass guitar rigs have remained rare due to their size and weight. As well, since the 1990s, most clubs have PA systems with subwoofers that can handle the low range of the bass guitar. Extended range designs with tweeters were more the exception than the rule until the 1990s. The more common use of tweeters in traditional bass guitar amplifiers in the 1990s helped bassists to use effects and perform more soloistic playing styles, which emphasize the higher range of the instrument.
BOO TO AMAZON FOR CARRYING A MISREPRESENTED PRODUCT. Due to the description I thought we could use this for lessons. It is NOT an instrument it is a toy. It doesn't stay tuned for even a 1/2 hour lesson and the teacher won't allow him to use it for fear that it will hurt his ability to hear when a real guitar is out of tune in the future. I tried to return but they didn't respond for weeks and told me it was too late after they finally responded. The guitar has barely been used at all and won't be used since it is clearly doing more harm than good for a young musician! AMAZON you should drop this product, it is NOT what is presents itself to be!!!

John Fahey, who died in 2001 at age 61, was American folk guitar's master eccentric, a dazzling fingerpicker who transformed traditional blues forms with the advanced harmonies of modern classical music, then mined that beauty with a prankster's wit. "His music speaks of a boundless freedom," says ex-Captain Beefheart guitarist Gary Lucas. In the Nineties, Fahey switched to a spiky minimalism on electric guitar that made him a post-punk icon. "To be validated by John Fahey," says Thurston Moore, "was really special for our scene."
The model designations of the archtops are unknown. Later these guitars would have either a PE or EP model designation, so presumably the ones in the photo did, too. One appears to be a full-sized, thick-bodied archtop with a rounded cutaway. Not much is visible in the photo, but it apparently had a single, white-covered pickup at the neck, block inlays and a white pickguard. The other guitar had a single pointed Florentine cutaway and was slightly smaller than, say, a Gibson ES-335. It’s impossible to tell the depth from the photo, but it looks as though it’s a thinline. This, too, had a single white pickup at the neck, moveable adjustable bridge, trapeze tail, large white pickguard (not modelled on a typical Gibson shape, by the way), a little plastic plate on the lower bout with volume and tone, with white knobs. The fingerboard has large white dots, with double small dots at the octave. The f-holes are three-part; the headstock Teisco three-and-three.
There sure are a lot of electric guitar options to choose from in this day and age. Thankfully, your choice doesn't have to be a difficult one to make thanks to world-leading guitar companies like Epiphone. In fact, Epiphone specializes in a wide range of electric guitar value packages, assembled specifically to help budding enthusiasts begin their musical journey on the right foot. If learning how to play the guitar is something you've always wanted to try but were never sure where to start, consider this section your launching pad.
Gibson has been producing the Les Paul Studio electric guitar since 1983. One of the company’s lower-priced models, the Les Paul Studio was designed to attract guitar players who wanted to have the much-admired Les Paul sound without shelling out cash for cosmetic features found in upper-tier models like the Les Paul Standard. This is why the older Les Paul Studio models did not have headstock inlays and binding on the neck and body.
I lost a wonderful EMPRO les paul custom model In a plain top brown finish (it was at a friends house in Dallas Texas who died in 2002 and was auctioned off before I could get down there from Michigan). It was my first electric guitar, bought at a pawn shop in Sulphur Springs, TX in 1989. I loved that guitar and have only seen about three other Empros since then. I did not see the Empro badge on this site. Anybody know the maker?
While it may sound like a good idea to place a booster pedal towards the front of your chain in order to send that added voltage out from the get go, some pedals can’t handle high levels of voltage which can cause feedback and other problems. Also, you don’t want to simply place it at the end as there is not much benefit in adding voltage when the signal has already lost much of its clarity. It would be like enlarging an already fuzzy picture when what you really want is to keep it from getting fuzzy in the first place.
PRS, or Paul Reed Smith, guitars are a high-end luxury guitar brand that broke into the rock and roll scene in the 1980s. Famous guitarists such as Trent Reznor and Vince Neil could be seen wielding these beautiful instruments. In fact, that’s probably one of the first things you’ll notice about PRS guitars. They are absolutely stunning. They use high quality wood and only use the best cuts whether it’s their cheapest or most expensive models. Even the slightest imperfections are too much for PRS. Another aspect of PRS to take note of is how they have evolved over the years. PRS is not afraid to evolve their models and most, if not all, of their models have seen changes. They take time and effort to find mistakes in the older models and improve them. From pickups to the neck shape, PRS will change it if they feel they can improve it.
Dexter Holland (b. 1965) is the rhythm guitarist of punk rock band The Offspring and has played Ibanez guitars for most of the band's existence. He currently uses a custom diamond plate RG with a custom Jägermeister logo on the twelfth fret, as well as DiMarzio Super Distortion pickups, though he used to use a brown and green custom RG and has been seen with a custom Purple RG.
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